Wow. 2016. Saying that it was a bad year would be the most unoriginal thing one could say. But, seriously, it was a bad year. 2016 was, all at the same time, sad, divisive, horrifying, worrying and confusing. It left many with a foul, disgusting taste in their mouth combined with a sense of dread for things to come. Fortunately, there is more to life than what happens through the noise amplifier that is mass media.
I could go on for a long time about how 2016 annoyed the heck out of me, but I won’t. Because, in the grand scheme of things, what happens in mass media is ultimately unimportant. Us getting caught up in the fear, the anger, the turmoil and the confusion of world events is what “they” want. Mass media amplifies all of this destructive energy and forces the masses to bathe in it. People that are scared, hateful and confused can easily be manipulated, and this is happening right now.
The Vigilant Citizen is about the exact opposite. It is about understanding what is toxic around us and rejecting it. Ultimately, it is about focusing on what is truly important in life.
The global torment of the past year might actually have a silver lining. Indeed, faced with ugliness of recent events, many will feel a need to be more “self-centered” … but in a good way. Instead of giving attention to power-hungry psychopaths, they will want to pay attention to those immediately around them. They will look for a deeper connection with friends, family and anybody that can bring more joy and warmth to their lives. They will have further appreciation for things that are still pure, beautiful and wonderful.
Although mass media wants us to believe that everything is spoiled and corrupted, that is simply not the case. The same timeless things that were revered and cherished thousands of years ago are still here today. We are made to be in nature, to bask in its beauty and to be in tune with its harmony. We are meant to inhale fresh air and to enjoy the sound of birds chirping. We are meant to reflect on life to the sounds of fire crackling and of water flowing. We are meant to admire the night sky and to contemplate the stars.
We are meant to translate this beauty and harmony into love and care towards others. We are meant to seek deeper truths, to discover spirituality and to express ourselves through artistic creation. In short, we are meant to be fulfilled, awakened and enlightened human beings.
Unfortunately, everything in mass media goes in the opposite direction. It is about replacing beauty and harmony with fear, dread and confusion. It is about unbalancing the mind and debasing the soul.
Do not let “them” have this power over you. Do not allow their sick mindset to poison your existence. This year, I’ve published several articles exposing the horrifyingly sick mindset of the elite. I cannot yet comment on why I had to remove some these articles from the site, but I can confirm that there was nothing “fake” within them. Like a worm slithering in dirt, the elite fears being exposed to the bright light of truth. It causes it to dry up and die.
Although some sick people might be in power for the time being, their time will come. In the words of the immortal Johnny Cash, God’s gonna cut ’em down. Meanwhile, our time on Earth is short and precious. Will you spend this time fearful and cowering or will you work on becoming the fulfilled, awakened and enlightened person you were intended to be?
This is what being a Vigilant Citizen is truly about. So please take advantage of this holiday season to fully connect with what is truly important in life. Hug your loved ones, help those in need, read a good book, cook a great meal, enjoy nature, pet a dog, play an awesome tune on the trombone and yell at a tree. Because, despite the doom and gloom, the beautiful truth of this world is right there. You just need to look in the right direction.
To all Vigilant Citizens around the world, thank you for reading and thank you for your support. Have a merry Christmas, a happy New Year and I will see you in 2017!
The killing of an ambassador in Turkey on live television and the attack of a Christmas market in Berlin occurred at a crucial time of year.
On December 19th 2016, Donald Trump was officially confirmed as President of the United States by the Electoral College. Media coverage of this event was however eclipsed by attacks that ironically confirm why he was elected in the first place. And these attacks will most likely greatly influence upcoming elections in Germany, France and the Netherlands. A drastic change in political scenery is in the horizon, and it is fueled by fear, bloodshed and rejection of globalism.
The assassination of a Russian ambassador on live television and the violent attack of a Christmas market in Germany are events that are not only violent, but charged with intense symbolism meant to shock the public mind. Whether this was coincidental or not, these events occurred right on the brink of the winter solstice a period that is historically prone to blood sacrifices as it is a minor Sabbath in the occult calendar. Before Christmas, there was Saturnalia.
“The origins of Christmas predate Christianity through the Pagan holiday called Saturnalia, which was a week-long of lawlessness from December 17th through December 25th that honored Saturn and included human sacrifice, intoxication, naked caroling and rape. During these seven days, there were no punishments for breaking any laws, according to Roman law.”
– In5d, Esoteric Meaning of CHristmas
“It was traditional to offer gifts of imitation fruit (a symbol of fertility), dolls (symbolic of the custom of human sacrifice), and candles (reminiscent of the bonfires traditionally associated with pagan solstice celebrations). A mock king was chosen, usually from a group of slaves or criminals, and although he was permitted to behave in an unrestrained manner for seven days of the festival, he was usually killed at the end. The Saturnalia eventually degenerated into a week-long spree of debauchery and crime – giving rise to the modern use of the tern saturnalia, meaning a period of unrestrained license and revelry.”
– Time and Date, “Holidays and Traditions around the December solstice”
On December 19th, the entire world witnessed a live murder, a carefully planned sacrifice.
The Russian Ambassador
Andrey Karlov, Russia’s ambassador to Turkey was shot dead on Monday evening as he delivered a speech at a photo exposition. The killer, identified as Mert Altintas, was an off-duty member of Ankara’s police force.
The entire scene was extremely surreal because, beyond the violence, it was “visually perfect”. It was a set piece made for mass media.
The Russian ambassador with his killer standing behind him, moments before the gunshot.
Mert Altintas stood behind the ambassador, wearing a stylishly tailored black suit, which sharply contrasted with the immaculate white background adorned with pictures of Russia. Several gunshots then wring out and the ambassador falls on his back, suddenly lifeless. The gunman then walks around the body, yelling “Allahu Akbar” and “Don’t forget Aleppo” until police finally manages to reach him and shoot him down.
As one reviews this surreal scene, one wonders: How was this even allowed to happen? How come this 22-year-old, off-duty cop, who is part of the riot squad, was the only person standing behind Karlov this entire time? Reports are now saying that the gunman refused security check.
“The off-duty police officer who assassinated Russia’s ambassador to Turkey refused to go through an X-ray security check before the shooting — but was let into the event anyway, according to a report.
The Hurriyet Daily News reported Tuesday that the assassin, Mevlüt Mert Altintas, simply flashed his police ID to enter Ankara’s Contemporary Arts Center — where Russian Ambassador Andrey Karlov was scheduled to speak at a photo exhibition.”
– Daily News, Assassin of Turkey’s Russian ambassador refused security check before ambushing event
Also, all signs point to the attack being ordered from above, Mert Altintas being the proverbial patsy.
“It had been determined Tuesday if Altintas, 22, was part of a wider plan to take out the Russian ambassador. But a senior Turkish official told the Associated Press Altintas likely did not act alone. The official, speaking anonymously, called the killing “fully professional, not a one-man action.”
– Ibid.
Turkish authorities suspect that Altintas was under the influence of Fetullah Gulen, a Turkish preacher who is currently based in the United States, in Pennsylvania. He is suspected of being a CIA operative conducting operations meant to destabilize Erdogan’s government.
Although some draw comparisons between this event and the assassination that lead to WWI, it is unlikely that the killing will cause significant change. It will most likely justify the Russian-Turkish involvement in Syria.
Berlin Attack
The truck used to conduct the attack with Christmas decorations stuck on the windshield. Sadly symbolic.
Around the same time the assassination occurred in Turkey, a horrific attack took place in Berlin killing 12 people and 48 others.
“What authorities can say for certain is that a tractor-trailer with Polish license plates and laden with steel rods jumped a sidewalk around 8 p.m. Monday and plowed into the market near the Kaiser Wilhelm Memorial Church, a symbolic Berlin site whose spire, jagged from bomb damage, was intentionally left unrepaired after World War II.”
– NY Times, Berlin Christmas Market Was Target of Terrorist Attack, Angela Merkel Says
This event was also charged with symbolic meaning. It was not simply about killing people, it was an attack on German culture, history and tradition. Christmas markets are a German tradition originating from the Middle Ages where locals shop for various goods while getting into the Christmas spirit. The market that was attacked is situated near the Kaiser Wilheml Memorial church, a symbolic piece of German history.
The truck and the wreckage it caused at the foot of the Church. Although not all Germans are religious, the building remains a piece of local history.
This bloody attack is therefore custom-built to anger the German population who have to witness a beloved tradition being turned into a bloodbath by terrorists. This anger might very well translate into votes against Merkel (and her open-door policy to refugees) in the upcoming elections. It might also influence the French elections where Le Pen is gaining traction.
At the time of writing this article, Berlin police detains a suspect who is said to be a refugee from Pakistan. However, police also stated that they might have the wrong person and that the true culprit might still be on the run. No matter who finally gets arrested, ultimate losers will be citizens who will have to suffer through even more scrutiny, monitoring and surveillance for more “security”. The elite’s motto is Ordo Ab Chao (Order Out of Chaos) and Merkel’s policy brought to Germany great deal of chaos. Now people will crave for order. And that order might come at a terrible price.
In Conclusion
The two events described above were not only about killing people. They were about sending a message. They were charged with symbolic meaning custom made for mass media and social networks.
These events occurred at a sensitive time of the year, the winter solstice, a minor Sabbath, historically celebrated with human sacrifice. Whether this date was intentionally selected or not, the entire world was forced to witness a planned killing, a ritual sacrifice carried out methodically as the killer screamed “God is Great”.
The influential publication The Economist released its traditional end of year edition where it predicts events of the coming year. The 2017 edition is presented in a very occult fashion: A tarot deck modified with cryptic symbols.
If you thought that 2016 was not a great year, well The Economist does not seem too optimistic about the year to come. Indeed, in its “The Year in 2017” cover, the publication predicts death and turmoil in a dark occult context, using tarot cards and cryptic symbolism.
When The Economist released The World in 2015 cover, I simply had to write an extensive article about it because it alluded, through symbolism, to various agendas of the elite. Indeed, The Economist is not your typical magazine, it is a ‘prestigious’ publication owned by powerful people. As I’ve written in the 2015 article:
“I wouldn’t normally dedicate an entire article analyzing the cover of a publication, but this isn’t any publication. It is The Economist and it is directly related to the world elite. It is partly owned by the Rothschild banking family of England and its editor-in-chief, John Micklethwait, attended several times to the Bilderberg Conference – the secretive meeting where the world’s most powerful figures from the world of politics, finance business and media discuss global policies. The outcome of those meetings is totally secret. It is therefore safe to say that the people at The Economist know things that most people don’t.”
While some images on that 2015 cover referred to obvious events, others were extremely cryptic – even ‘coded’ – as they were never satisfactorily explained.
This year’s edition is even more enigmatic. It uses the tarot to predict the year to come. Here it is.
The first thing one can say about this cover is that it is occult. The tarot is indeed said to contain within its symbolism the entirety of occult mysteries transmitted by secret societies. Also, considering that the cards of the Major Arcana are also referred to as “trumps”, it was a great way to emphasize that next year will be very influenced by Trump’s election.
The Tarot
Using tarot cards to predict the future, in a publication that is owned by the occult elite, is quite fitting. Through the centuries, several versions of the tarot were created. However, most of them contain the same symbolism which alludes to specific esoteric concepts. Occultists agree that the tarot originates from Ancient Egypt.
“The Book of Thoth was a résumé of the esoteric learning of the Egyptians. After the decadence of their civilization, this lore became crystallized in a hieroglyphic form as the Tarot; this Tarot having become partially or entirely forgotten or misunderstood, its pictured symbols fell into the hands of the sham diviners, and of the providers of the public amusement by games of Cards.”
– Manly P. Hall, The Secret Teachings of All Ages
The tarot is an extremely dense compilation of occult concepts and symbolism, encompassing Freemasonry, numerology, the kabbalah, and alchemy.
“Many symbols appearing upon the Tarot cards have definite Masonic interest. The Pythagorean numerologist will also find an important relationship to exist between the numbers on the cards and the designs accompanying the numbers. The Qabbalist will be immediately impressed by the significant sequence of the cards, and the alchemist will discover certain emblems meaningless save to one versed in the divine chemistry of transmutation and regeneration.”
– Ibid.
The Economist’s cover was inspired by the Rider-Waite deck which was published in 1909. Here it is.
The Rider-Waite tarot deck.
The Rider-Waite deck was conceived by the prominent occultist A.E. Waite who was an initiate and a master of several secret societies.
“Waite joined the Outer Order of the Hermetic Order of the Golden Dawn in January 1891 after being introduced by E.W. Berridge. In 1893 he withdrew from the Golden Dawn. In 1896 he rejoined the Outer Order of the Golden Dawn. In 1899 he entered the Second order of the Golden Dawn. He became a Freemason in 1901, and entered the Societas Rosicruciana in Anglia in 1902. In 1903 Waite founded the Independent and Rectified Order R. R. et A. C. This Order was disbanded in 1914. The Golden Dawn was torn by internal feuding until Waite’s departure in 1914; in July 1915 he formed the Fellowship of the Rosy Cross, not to be confused with the Societas Rosicruciana.”
Therefore, by using the Rider-Waite deck to predict 2017, The Economist reveals the true force that makes these predictions happen: The occult elite.
Let’s look at the cryptic symbolism found on each card.
The Tower
The first card of ‘planet Trump’ is The Tower. By doing so, the cover begins predictions on a rather grim note. Not unlike The Tower of the Rider-Waite deck, the card features a tower being destroyed by lightning from above, a reference to the Tower of Babel being destroyed by God. This card is usually associated with danger, crisis, destruction, and liberation.
“This card follows immediately after The Devil in all Tarots that contain it, and is associated with sudden, disruptive, and potentially destructive change.”
– Bill Butler, Dictionary of the Tarot
On The Economist’s cover, the tower is surrounded by mobs of people holding a red communist flag and a crucifix. Why are communists and Christians facing each other while the tower is being destroyed? Is The Economist alluding to the two forces that are said to have propelled Trump to power – Russia and conservative Christianity?
Or does it maybe refer to the growing divide between two opposite groups – globalists/liberals/socialists versus nationalist/religious/conservatives?
On the tower’s door is nailed a piece of paper. This appears to be a reference to Martin Luther’s Ninety-five Theses.
A painting of Martin Luther nailing his Theses on the door of All Saints’ Church in Wittenberg.
Martin Luther’s thesis criticized various aspects of Catholicism, a gesture that prompted Protestant Reformation. Is The Economist predicting a difficult year for the Catholic Church?
Judgement
Donald Trump is sitting on the globe while holding an orb and a scepter – objects referring to a monarchy. In other words, Trump is the king of the world. Monarchy and democracy are political systems that are extremely different. The Economist appears to be predicting that Trump will rule the world like a monarch.
Furthermore, why is this image associated the Judgement card? The Economist’s card looks nothing like the Judgement card from the Rider-Waite deck which depicts the Angel Gabriel on Judgement Day as described by the Book of Revelation.
The Book of Revelation mentions several times the term ‘kings of the Earth’. They are sometimes said to worship Christ and in other passages, they are said to worship the Beast.
“And I saw the beast, the kings of the earth, and their armies, gathered together to make war against Him who sat on the horse and against His army.”
– Revelation 19:19
When portrayed in a negative context, these ‘kings of the earth’ suffer the judgment symbolized in the seven seals, trumpets, and bowls, finally concluding with their defeat by the rider of the white horse in chapter 19. Strange fact: There’s a white horse on the cover.
The World
Once again, The Economist’s The World card looks nothing like its Rider-Waite counterpart. In tarot, The World card represents an ending to a cycle of life, a pause in life before the next big cycle beginning with the fool. It is also associated with the concept of ‘unification’.
On The Economist’s version, we see images representing arts, literature, and theater floating above three monuments. Two of them feature classical architecture found in Rome, Greece, Washington DC and Paris (the monument in the middle resembles the Panthéon). The Egyptian pyramid brings to the card a mystical, esoteric dimension.
These three monuments perfectly represent the historical influence of the ‘occult elite’ on society. Claiming to be the guardians of the Mysteries originating from Ancient Egypt, passed down through secret societies such the Knights Templar, the Freemasons, the Rosicrucians and the Bavarian Illuminati, the elite has been the secret force behind profound cultural and political changes.
“The direct descent of the essential program of the Esoteric Schools was entrusted to groups already well-conditioned for the work. The guilds, trade unions, and similar protective and benevolent Societies had been internally strengthened by the introduction of a new learning. The advancement of the plan required the enlargement of the boundaries of the philosophic overstate. A World Fraternity was needed, sustained by a deep and broad program of education according to the “method”. Such a Fraternity could not immediately include all men, but it could unite the activities of certain kinds of men, regardless of their racial or religious beliefs or the nations in which they dwelt. These were the men of “towardness”, those sons of tomorrow, whose symbol was a blazing sun rising over the mountains of the east.”
– Manly P. Hall, The Keys of Freemasonry
On The Economist’s card, lines connect these the three buildings of power with symbols representing popular culture. In other words, the occult elite produces a single and cohesive popular culture that is found throughout the world.
The Hermit
While The Hermit card in the Rider-Waite deck is rather simple, The Economist’s version is dense and full of turmoil. It depicts hordes of people marching while holding flags rejecting the TTIP (Transatlantic Trade and Investment Partnership), the TPP (Trans-Pacific Partnership) and the EU (European Union). Other flags simply say ‘STOP’ and ‘NO’ which reflect general of globalization and the agenda surrounding it. Hermits live in seclusion of society and these people want to live in seclusion from the world order.
At the bottom right of the card is a cracked globe, another ominous symbol referring to profound division and destruction.
Silently overseeing the scene is the same hermit found on the Rider-Waite deck who holds a staff and a lantern. What does he represent? Here is the esoteric meaning of The Hermit.
“The hermit thereby personifies the secret organizations which for uncounted centuries have carefully concealed the light of the Ancient Wisdom from the profane. The staff of the hermit is knowledge, which is man’s main and only enduring support. In the pseudo-Egyptian Tarot the hermit shields the lamp behind a rectangular cape to emphasize the philosophic truth that wisdom, if exposed to the fury of ignorance, would be destroyed like the tiny flame of a lamp unprotected from the storm. Man’s bodies form a cloak through which his divine nature is faintly visible like the flame of the partly covered lantern. Through renunciation – the Hermetic life – man attains depth of character and tranquility of spirit.”
– Manly P. Hall, The Secret Teachings of All Ages
The Hermit, therefore, represents the occult elite, the ‘secret organizations’ that have ruled the world for centuries and concealed occult knowledge from the profane (i.e. the masses). Is the hermit silently watching the masses getting excited about nationalism because it falls ultimately falls into a greater scheme? No matter what the case may be, the next card is not very optimistic.
Death
This card cannot be more ominous. Not unlike the Rider-Waite version, the card features a skeleton sitting on a white horse. On The Economist’s version, a nuclear mushroom is in the background which probably alludes to tensions to come between nuclear powers around the world (a mushroom was also on the 2015 cover). Other calamities are found on the card such as mosquitoes (a reference to zika-type viruses?) and a dead fish in a dried up river (the growing water crisis around the world?).
Strange detail: The card features the same ‘blazing sun’ in the background found on The World card (with inverted colors).
“The field in which death reaps is the universe, and the card discloses that all things growing out of the earth shall be cut down and return to earth again.”
– Manly P. Hall, The Secret Teachings of All Ages
The Magician
This card is very similar to its Rider-Waite counterpart. In both cases, the magician has one hand towards the heavens and another towards the earth – a reference to the hermetic axiom “as above, so below”. In The Economist’s version, the magician is wearing a VR (virtual reality) helmet while working a 3D printer.
As Arthur C. Clark’s third law stipulates:
“Any sufficiently advanced technology is indistinguishable from magic.”
On this card, 3D printing appears to be a ‘magical’ solution to create low-cost housing solutions – an industry that is already ramping up. VR will undoubtedly be a big thing in 2017 as several products are set to be released in the coming years.
The infinity symbol found above the magician can refer to the limitless possibilities of both technologies: One can create infinite virtual worlds while the other can greatly expand the limits of material resources.
The Wheel of Fortune
This card refers to the upcoming elections in three European nations: France, Germany and the Netherlands. Marine LePen, Angela Merkel, and Geert Wilders are attached to a spinning wheel next to election ballots.
In the Rider-Waite deck, the Wheel of Fortune card features an eight-spoked wheel – the Cycle of Necessity – an esoteric symbol referring to the cyclic nature of life.
The world of politics is also cyclic and, according to The Economist, a smiling Marine Le Pen is heading towards the top of the wheel while a pouting Merkel is upside down and heading down. To make things worse, Merkel is next to dark cloud while Le Pen is under a nice clear sky. Is Merkel heading towards a bitter defeat? Will her controversial “open door policy”, which allowed the entrance of over a million refugees in Germany in the past years, cause her to lose?
Conversely, will Le Pen profit from the nationalist momentum started by Brexit and the election of Trump? Will France become another powerful country ruled by the ‘far-right’ and nationalism? While Le Pen’s political party Le Front National used to be shunned and described as racist, it might gain political legitimacy in 2017.
Geert Wilders, who is another “far-right” candidate who is described by media as being “populist” and “racist”. Things are looking up for him as well.
While those who reject globalism might perceive this change in political scenery as a victory, the symbolism of this card appears to say: “It is all part of the plan”. Indeed, political parties, whether they be ‘far-right’ or ‘far-left’ are all part of the same ever-turning wheel, the “cycle of necessity” that puts into power whoever is necessary at that specific time. In other words, the momentum of nationalism might be planned by the elite to accomplish specific goals.
The Star
In tarot, The Star card represents joy, optimism, and feeling connected with the divine. In The Economist’s version, the faces of 15 young people appear inside yellow stars. I could not identify any of these faces. Some of them appear to be in their early teens.
Who are these specific young people? Will they be rising stars in 2017? Why is there a shooting star in the center? Strange card.
In Conclusion
The tarot is known by all yet it conceals, in plain sight, a knowledge that has been hidden from the ‘profane’ for centuries. The Economist’s tarot cover accomplishes the same goal: It is published across the world yet its true meaning will only be fully understood by few.
The cover was heavily inspired by the tarot deck created by A.E Waite, a prominent occultist and founder of secret societies. By referring to this specific deck and by using its very hermetic symbolism, The Economist is pointing towards the true philosophy of those ruling the world.
Like the tarot, The World in 2017 predicts various trends to come while hiding, in symbolism, the true mechanisms at work. Indeed, several of these cards imply the existence of a ‘hidden hand’, an outside force that does not simply observe what is happening – it is silently guiding the world where it needs to go.
The Investigatory Powers Bill forces internet providers to keep a full record of every site visited by each of its customers for over a year. Of course, government accounts are exempt from this Orwellian law.
This bill is not simply about notifying the government if a specific site has been visited, it is about listing every single site that has been visited by each citizen and when. This information will be made available to a very large range of government bodies. Of course, there’s the police, the military and the secret service but also others entities such as the Food Standards Agency and the Department for Work and Pensions.
Here’s a full list of the agencies allowed to search the browsing history of UK citizens.
Metropolitan Police Service
City of London Police
Police forces maintained under section 2 of the Police Act 1996
Police Service of Scotland
Police Service of Northern Ireland
British Transport Police
Ministry of Defence Police
Royal Navy Police
Royal Military Police
Royal Air Force Police
Security Service
Secret Intelligence Service
GCHQ
Ministry of Defence
Department of Health
Home Office
Ministry of Justice
National Crime Agency
HM Revenue & Customs
Department for Transport
Department for Work and Pensions
NHS trusts and foundation trusts in England that provide ambulance services
Common Services Agency for the Scottish Health Service
Competition and Markets Authority
Criminal Cases Review Commission
Department for Communities in Northern Ireland
Department for the Economy in Northern Ireland
Department of Justice in Northern Ireland
Financial Conduct Authority
Fire and rescue authorities under the Fire and Rescue Services Act 2004
Food Standards Agency
Food Standards Scotland
Gambling Commission
Gangmasters and Labour Abuse Authority
Health and Safety Executive
Independent Police Complaints Commissioner
Information Commissioner
NHS Business Services Authority
Northern Ireland Ambulance Service Health and Social Care Trust
Northern Ireland Fire and Rescue Service Board
Northern Ireland Health and Social Care Regional Business Services Organisation
Office of Communications
Office of the Police Ombudsman for Northern Ireland
Police Investigations and Review Commissioner
Scottish Ambulance Service Board
Scottish Criminal Cases Review Commission
Serious Fraud Office
Welsh Ambulance Services National Health Service Trust
Let’s face it, this law is custom made to create a climate of fear and paranoia in the UK. Studies have shown that government surveillance stops people from sharing controversial opinions online as it has a ‘chilling effect on democratic discourse’. Also, since people sometimes visit explicit websites and tend to google their most personal issues, they could easily be subjected to blackmail or other nefarious actions.
Kanye West has been hospitalized for ‘his own health and safety’ and his tour has been cancelled. According to a source, Kanye feels that he’s under ‘spiritual attack’.
Kanye West is under psychiatric observation at the Ronald Reagan UCLA Medical Center for “his own health and safety”. The rapper was “acting erratically” at his trainer’s house when the call was made. West reportedly did not want to go to the hospital and was handcuffed to a gurney while being transported.
A source familiar with the case said Los Angeles police responded to a medical welfare call about 1:20 p.m. No criminal activity was involved; the decision to hospitalize West at Ronald Reagan UCLA Medical Center was for his own health and safety, the sources said.
Neighbors described the scene on the 900 block of North Laurel Avenue to NBC4, saying there were “security guards, fire trucks and police.
Kanye’s hospitalization occurred only days after his infamous rant during a concert in Sacramento where he retroactively supported Trump and lashed out against Mark Zuckerberg, Beyoncé and Jay-Z (while pleading him to not send ‘killers at his head’).
A source told People.com that Kanye feels that he is under ‘spiritual attack’.
“He feels like he’s under spiritual attack, and has been for awhile. It’s not just the big things; it’s smaller, quieter things, internal things. You might think that it’s about Kim’s robbery, and while that didn’t help, that’s not what’s going on here. He’s dealing with a lot more subtle issues,” the source tells PEOPLE.
“His mother died in November, so this time of year always brings him a lot of pain. He keeps that pain internalized, but sometimes will talk about how hard this time of year is for him. He works through the pain every November,” the source adds. West’s mother, Donda, who died in November 2007 at the age of 58.
“He feels like it’s a trying time for his spirit, but that can be a good thing. He isn’t one to run away from these things. He leans in and listens, and comes away a stronger, better man. But it hurts him; his spirit is vexed. But that’s where growth comes from,” the source says.
“Sometimes, darkness creeps in, and Kanye wrestles against it. He talks about that a lot. It’s exhausting, and it takes everything he’s got. He’s just so tired now; he’s very low energy and feels like there’s a grieving in his spirit. It’s very hard to explain, but something has happened recently, where he’s not the ‘Ye that everyone knows.”
Many observers, including myself, saw this coming months ago. Kanye West is yet another man related to the Kardashians to have completely broken down. In the article I’ve written over a year ago entitled Lamar Odom Found Unconscious in Brothel, Now Fighting For His Life I concluded:
When you get involved with a family that is controlled by the occult elite, bad things often happen. Watch out Kanye.
While most media sources talk about ‘exhaustion’ and ‘sleep deprivation’ (which is quite possible), these symptoms might be the result of something deeper. Kanye is indeed another artist that has exposed, for way too long, to the toxic cesspool that is Hollywood. While it brought him success, it also disturbed his very core.
I will leave you with a short video of Dave Chappelle summing up the situation, a situation that was seen countless times before.
Warning: This article contains disturbing material
In my article about ‘Spirit Cooking’, I explained how a mundane dinner invitation found in the Podesta e-mail leaks was actually a clear link to bizarre occult ceremonies happening at the highest levels of power. While that by itself was rather shocking, it appears to only be the tip of a very disgusting iceberg.
4Chan effectively unearthed a strange network of high-powered people who, through art, events, and social media, actually celebrate a culture that revolves around death, torture, cannibalism, and … child abuse. Most of this disturbing material was not even hidden, it was out there in the open, exposed on business walls, and posted on social media.
Furthermore, an analysis of the Podesta e-mails revealed that the network appeared to communicate using code words to cover up their shady dealings.
The epicenter of this entire thing is, believe it or not, a hipster pizza place named Comet Ping Pong.
Comet Ping Pong
Comet Ping Pong is a ‘family friendly’ pizzeria where people can eat, drink and play ping-pong.
The Comet Ping Pong menu contains a logo that is strikingly similar to the “child lover” logo used in these circles. Also, Play Eat Drink = PED.
The owner of Comet Ping Pong is James Alefantis who is, for some reason, ranked #49 in the top 50 ‘Most Powerful People in Washington’ of GQ magazine.
Alefantis featured on the GQ website. He is described as ‘D.C. Radical Chic’.
Alefantis’ boyfriend is David Brock, the founder of the liberal media watchdog group Media Matters for America. He was described by Time magazine to be “one of the most influential operatives in the Democratic Party”. The power couple was heavily involved in Hillary Clinton’s campaign.
An invitation to a Clinton fundraising event featuring ‘Chef James Alefantis of Comet Ping Pong’, Clinton’s campaign chair John Podesta and others.
Here’s an e-mail sent by Alefantis to John Podesta.
A leaked John Podesta e-mail from James Alefantis sending Hillary’s ‘pizza logo’. Alefantis is therefore in direct connection with some of the most powerful people in the world.
In short, Alefantis is very connected to very powerful people. Now let’s look at his Instagram account, which was publicly accessible until 4Chan began prying in. The account is filled with bizarre and disturbing pictures – often involving small children. Here are some examples (I can’t even post them all).
A young girl with her arms taped to a table with a man standing behind her. One of the comments says “This is pretty creepy bro.” This is beyond creepy bro.A young girl inside a basket … as if she was about to be bought. Many pictures allude to buying and owning children while preying on their innocence.A close-up picture of another baby. Alefantis’s (aka jimmycomet) posted #hotard – which is slang for ‘being a ho and a retard’. Yes, he posted this next to the picture of an INFANT.Another strange pic involving a child and a weirdly placed yellow beads necklace. Also, notice the hashtag #chickenlovers.
Here’s a definition of ‘chicken lover’ found with a basic web search.
A pic of a German baby doll for sale. Buying babies appears to be an important hobby.“Pills n’ bills” before a trip. The comment ‘Ping Pong in London sounds tempting’ is obviously code for something else.A picture posted by the barman at Comet Ping Pong. It heavily alludes to the fact that ‘pizza’ means something else in their strange code.A screenshot of a child beauty pageant girl wanting pizza.A baby holding Euros. Why?Making out with a dead dog. Don’t google “babybirding”.A closeup of the eye of a dead pig.For some reason, Alefantis posted a picture of a cavernous room. EVERY SINGLE comment next to this picture is EXTREMELY CREEPY, almost as if they knew that something awful was about to happen there.A bizarre, ritualistic, ‘Eyes Wide Shut’-style pic involving young people.This is the mural prominently on display at Comet Ping Pong by artist Arrington de Dionyso. It depicts strange people holding the heads of smaller people.This is another painting de Dionyso. His work often contains MKULTRA-related themes such as dual personalities (two heads), the exploitation of children – often mixed with occult symbolism.
A regular guest at Comet Ping Pong is the performer Majestic Ape from the group Heavy Breathing.
A screenshot from a video of Majestic Ape hosting a birthday party at Comet Ping Pong.A screenshot from one of Majestic Ape’s music videos where she jokes about pedophilia.
Another ‘radical’ artist that is close to Comet Ping Pong is Marina Abramovic.
A picture of Marina Abramovic posted by Alefantis holding a bundle of sticks.Abramovic on the cover of Dust magazine covering the eyes of a shirtless child.A screenshot from Marina’s ‘Spirit Cooking’ video where she throws pig blood at a statue shaped like a small child.Lady Gaga and Marina at the 20th Annual Watermill Center benefit in a place called ‘Devil’s Heaven’ (can’t make this up). They are partaking in pretend cannibalism.Lady Gaga with ‘a friend’ during the same event. Why are there children there? RUN AWAY KID!
The Podesta Wikileaks dump revealed that John Podesta and his brother Tony were personally invited to Marina’s Spirit Cooking event.
John Podesta
A screenshot of John Podesta sitting in his office during an interview. Hanging on the wall is a painting that clearly alludes to cannibalism.
John David Podesta was the Chairman of the 2016 Hillary Clinton presidential campaign. He previously served as Chief of Staff to President Bill Clinton and Counselor to President Barack Obama. Wikileaks released thousands of Podesta’s e-mails and it was soon discovered that an inordinate amount of messages referred to ‘pizza’ and ‘hot dogs’. Oftentimes, these words were used in bizarre contexts and in sentences that did not make any sense.
One of many e-mails where ‘pizza’ clearly alludes to something else.One of many e-mails where ‘pizza’ clearly alludes to something else.
This is an ad for Comet Ping Pong which appears to use the same “dissociation” symbolism.
Then there’s John Podesta’s brother Tony, whose strange taste in art has even made the news. Here’s an article from the Washington Post describing how guests were ‘horrified’ by the art inside Podesta’s bedroom.
Podesta’s most notable piece is Louise Bourgeois’ ‘The Art of Hysteria’ – a sculpture of a headless man violently arching back. This sculpture was posted by Alefantis on Instagram. He apparently visited Podesta’s home.
The sculpture depicts the violent physical reaction of patients suffering from hysteria.
“The physical tension of the hysterical arch – an intense muscular contraction, resulting in immobility and paralysis of the limbs – is emblematic of an equally extreme emotional state. Bourgeois makes this highly vulnerable position even more so by suspending her male figure from the ceiling.”
– National Gallery of Canada
Bourgeois was inspired by studies on hysteric women. However, the subject of her art is a man.
The sculpture is also strikingly similar to one of Jeffrey Dahlmer’s headless victims. Dahlmer was a serial killer who abused and cannibalized young men. He often placed his victims in symbolic positions and took pictures of them.
An article from Washington Life describes Podesta’s love from Marina Abramovic (do see the links connecting?) as well as the “under-the-radar” artist named Biljana Djurdjevic.
“If you’ve ever dreamed of strolling through a museum with a slice of pizza and glass of wine in hand, you need to befriend superlobbyist Tony Podesta. Known about town as a legendary political “fix-it” man, Podesta has turned his Kalorama home into a shrine to contemporary art, ranging from relatively under-the-radar artists such as Serbian painter Biljana Djurdjevic to those who are much better known (like French sculptor Louise Bourgeois). (…)
Currently, he has collected from 40 different artists in some depth, with his top five being Marina Abramovic, Vik Muniz, Bourgeois, Olafur Eliasson and Antony Gormley.”
– Washington Life, Inside Homes: Private Viewing
Podesta has a large painting by Djurdjevic in his living room. Here’s another painting by Djurdjevic.
Rationalize it all you want, but this is a painting of a child being tortured.
In Conclusion
This article only contains some of the findings uncovered by ‘private investigators’ online. What has been exposed is, most likely, only the tip of the iceberg of a huge, complex network that has many ramifications. Each thread could probably be investigated further and lead to even more disturbing facts connecting even more high-powered individuals.
Going through the material of this article is a difficult and painful process, but it exposes the true mind-state and philosophy of the occult elite. They publicly celebrate a specific culture of death, abuse and dehumanization through their art and events, leaving us to only speculate about what they do behind closed doors. The symbolism in the above images is in perfect accordance with the occult elite’s culture that I have been describing on Vigilant Citizen for years.
The “Pizzagate” investigation reveals, at best, the disturbing culture of the elite and, at worst, an all-out child trafficking ring. And don’t believe that only Democrats are into this. This is the true culture of the occult elite, a circle of powerful people who operate far above political parties, and far above the law.
A leaked e-mail reveals that John Podesta was invited to a ‘Spirit Cooking’ dinner by Marina Abramović in 2015. John David Podesta is the Chairman of the 2016 Hillary Clinton presidential campaign. He previously served as Chief of Staff to President Bill Clinton and Counselor to President Barack Obama.
Marina Abramovic sent an e-mail to Tony Podesta (John Podesta’s brother) who then forwarded it to his brother.
Before going any further, here’s a video of Marina preparing a ‘Spirit Cooking’ ritual.
Yes, the process involves buckets of congealed pig blood. Marina paints on walls instructions coded in classic occultist matter.
Spirit cooking refers to “a sacrament in the religion of Thelema which was founded by Aleister Crowley” and involves an occult performance during which menstrual blood, breast milk, urine, and sperm are used to create a “painting”.
Strange fact: In another leaked e-mail, Podesta contacts his doctor about an infected finger. Strange coincidence.
Further in the video, Marina drenches in blood a statue shaped like a small child.
Why do I have the sick feeling that actual children might be used during these ceremonies?
Why would an occultist such as Marina Abramović be in direct and friendly contact with people at the highest levels of power? Because they are all part of the OCCULT ELITE.
Marina Abramović
Marina Abramović is considered to be the “grandmother of performance art”. Most of her work however takes place in private settings where she conducts magick rituals. She is an important and powerful figure in pop culture and is greatly influential in Hollywood, the fashion world, and the music business.
Marina ‘training’ Lady Gaga in the ‘Abramovic Method’.Marina performing with Jay-Z.
Marina is an “occult pop culture” icon. Here are symbolic pictures celebrating this fact.
On this cover of Vogue Ukraine, Marina represents the stronghold of occultism in the fashion world.In the same photoshoot, Marina is holding a goat’s head by the horns – a classic way of representing the drawing of magickal power from Baphomet.Same photoshoot: Marina standing in front of a model with inner body parts exposed while doing an occult hand sign.This picture was featured in The New Yorker along with a lengthy article praising her career. A serpent hiding one eye: The perfect way of representing a member of the occult elite.Marina on the cover of ELLE with one eye hidden.Mimicking Baphomet horns.“Cleaning the Mirror”, 1995.
Another interesting fact: Marina’s Twitter name is @AbramovicM666
This is why the term ‘occult elite’ is used to describe the highest level of power. Do you see the dots connecting?
A video of Lindsay Lohan giving an interview with a strange accent has lead to wild speculation from fans and media. However, to those in the know, this is yet another telling symptom of MK programming, from someone who has already displayed many other symptoms.
There’s a difference between speaking with a funny accent as a joke and speaking with a completely different speech pattern in all seriousness. One is the result of goofing around and the other is the result an alter-persona.
Lohan’s new accent was noticed while giving an interview to a reporter in Greece. Here’s the video.
https://www.youtube.com/watch?v=ItCChreyTxA
Lindsay, who is mainly based in England and Greece and was recently in a relationship with a Russian billionaire (MK handler?), was explaining to the journalist about why she has opened up a Nightclub in Athens called Lohan.
After a Daily Mail article on the subject, Lohan “joked” and gave her accent (and alter-persona) a name: Lilohan.
As stated in previous articles, victims of Mind Control are programmed with alter personas that have their own history, identity and accent (read my full article on Monarch Programming here). The programming is so pervasive that the same person can speak different languages with different accents effortlessly – while the core persona cannot. For this reason, the spontaneous yet constant usage of a different accent is one of the main tell-tale signs of MK programming. And Lindsay Lohan has been identified her, on Vigilant Citizen, to be a Beta Kitten slave a long time ago. The entertainment industry has been very keen on proving this fact through symbolic pictures.
Lindsay posed countless times as Marilyn Monroe who is the prototype of Beta Kitten Programming.In this photo by Tyler Shields, Lindsay lays on a bed while men get undressed. One cannot come up with a more graphic way of portraying the life of Beta Kitten slaves.Industry slaves must work with creepy photographers such as Terry Richardson. Bonus industry slave sign: One Eye sign.In another shoot with Terry Richardson, Lohan appears genuinely traumatized.
In past years, Lohan has floated in and out of rehab (aka re-programming) while increasingly appearing to be “out of it”.
Another famous person who has been displaying the same Beta Kitten symptoms is Britney Spears. Here’s an article about her speaking with a different accent in 2008 – around the time of her infamous head-shaving meltdown.
Britney Spears Lapses Into a British Accent
Britney Spears has a new accessory to go with her pink wig: a British accent.
In the last several weeks, Spears, 26, has been videotaped numerous times trading her Louisiana twang for U.K. inflections.
“She had the English accent thing going the whole time” while shopping at Kitson last Thursday, according to a source. “It didn’t stop.”
Even when angry, the accent appears. On an L.A. shopping trip to Macy’s on Jan. 13, she screamed at the paparazzi, “Get out of my G—— face!” – in a British accent.
So is it all in fun or has she flipped her pink wig?
“When someone has dissociative identity disorder” – formerly known as multiple personality disorder – “each identity is split off from the other,” says L.A. psychologist Renee A. Cohen, who is not treating Spears. “Each identity would have its own name, memories, behavioral traits and emotional characteristics.”
Cohen says the critical question is: “When Britney uses the British accent, or appears to take on another identity, does she know she’s Britney Spears?”
“Otherwise, she could simply be behaving this way for attention, for sympathy, or any other reason,” adds Cohen. “It’s foolish to attempt to diagnose her without a formal evaluation.”
One possible influence could be Spears’s maternal grandmother, Lilian Bridges, who was originally from England.
Also, Spears’s new beau, photographer Adnan Ghalib, grew up in Birmingham, England.
According to paparazzi who trail the singer around the clock, one thing is for sure: the pink wig means something’s changing.
“When she puts on the pink wig, you just know something crazy is about to happen,” said one paparazzo.
While media is wondering what kind of accent Lindsay was speaking with (sounds Greek to me), we should rather wonder: Why would a 30 year old woman speak, in all seriousness, with a strange accent and a completely different speech pattern? Most of the time it is the result of a multiple-personality disorder (MPD) – which is a symptom of Monarch mind control. It is there, right in our face, but very few are actually seeing it.
The BBC series aimed at children as young a six describe how Ben became Amy by taking hormones to halt puberty. It is yet another example of the agenda promoting the blurring of the genders. And they are now aiming children.
Last year, I published an article entitled The Agenda Behind Bruce Jenner’s Transformation where I explained how Jenner’s sex change was intentionally publicized and celebrated because it was part of a larger agenda promoting the blurring of the genders. This agenda is even more obvious and insidious this year because there’s a conscious effort to reach children.
A child with the word ‘Transgender’ stamped across the screen. This sums up what mass media has been about these past years.Although ‘Amy’ is played by an actress, the story claims that she used to be boy named Ben.
CBBC’s series Just a Girl is the latest baffling attempt at normalizing, trivializing and even celebrating the completely unnecessary process that is childhood sex change. Freely available online on CBBC’s website, the series even teaches children about taking hormones and puberty-halting drugs. Do we truly know the effects of such drugs on one’s developing body and brain chemistry. Of course not. Why is this radical and aberrant process promoted to children?
Do children need to know about hormone blockers? AND WHERE ARE THE PARENTS?!
In my humble opinion, parents who subject their children to radical treatments such as hormone blockers and sex change surgery should be trialed for child abuse. Instead, these things are actually encouraged in shows aimed at children and society is following suit.
This is what the elite wants to see: Confused children wondering about their gender. HOW ABOUT YOU GO OUTSIDE AND RIDE A BIKE OR SOMETHING?
Here are quotes taken from Just a Girl.
In Just A Girl, Amy says: ‘When I was born, Mum said Dad was so pleased that he had a boy to take to the football. But Mum knew I was different. She realised early on that I was born in the wrong body.’
She adds: ‘My Mum supported me when I did a PowerPoint presentation to my class about transitioning and that I wasn’t going to come to school in boys’ clothes any more, but girls’ clothes. I wasn’t Ben, I was Amy.’
Later Amy is shown telling a friend, Josh – a boy who wants to be recognised as a girl – that she is on hormone blockers, saying it took ‘ages’ to get them after ‘loads of tests and talks at the clinic’. ‘Once they realised I was trans for real, [I] got them,’ she says. In another entry, Amy tells viewers she has developed a crush on a boy called Liam, but confides: ‘Liam thinks I’m just a girl, but I’m not. I’m trans. And what’s he going to say if he finds out? Stop being my friend? Why? I’m still me, aren’t I?’
– Daily Mail, Does your child really need to know how ‘Ben’ became ‘Amy’? Furious parents slam ‘damaging’ BBC sex change show aimed at six-year-olds
This last bit appears to be taken straight from a neuro-linguistic programming (NLP) handbook. The goal: To confuse young minds about sex and gender.
Backlash
The show was accused by several groups of ‘sowing the seeds of confusion’. Norman Wells, director of the Family Education Trust, said:
‘The more we promote the idea that a boy can be born into a girl’s body and a girl can be born into a boy’s body, and that drugs and surgery can put things right, the more children will become utterly confused. Respecting and preserving a child’s birth sex should be seen as a child protection issue. It is irresponsible of the BBC to introduce impressionable children as young as six to the idea that they can choose to be something other than their biological sex.’’
– Ibid.
The BBC defended its series, releasing a statement which claimed the program dealt with “universal themes that many children relate to”.
“Just a Girl is about a fictional transgender character trying to, make sense of the world, deal with bullying and work out how to keep her friends, which are universal themes that many children relate to, and which has had a positive response from our audience.
“CBBC aims to reflect true life to our audience, providing content that mirrors the lives of as many UK children as possible – you only have to look at programmes such as The Dumping Ground or our BAFTA winning and ground-breaking transgender story ‘I am Leo’ to see that is the case.”
The BBC mentions I Am Leo which is another CBBC production. It is a documentary following a 13-year old teen’s process to become a boy. Leo (born Lily) is one of the youngest children in the UK to be given hormone therapy.
In short, the BBC and the rest of mass media are fully committed in pushing the gender blurring agenda to children before they even reach puberty.
British conspiracy theorist and UFO expert Max Spiers was found dead on a sofa after vomiting ‘black liquid’. This happened only days after texting his mother about investigating if something happened to him.
Max Spiers, a 39-year-old father of two was found dead on a sofa in Poland, where he was invited to speak on conspiracy theories and UFOs. This happened in July and, since then, no post-mortem examination were carried out on his body. The death was ruled to be from ‘natural causes’.
Days before his death, Spiers texted his mom:
“Your boy’s in trouble. If something happens to me, investigate”.
Spiers, who claimed to be a survivor of a secret government ‘super soldier’ program, died suddenly after vomiting ‘black liquid’. His mother Vanessa Bates, an English teacher, told journalists:
“He was making a name for himself in the world of conspiracy theorists and had been invited to speak at a conference in Poland in July. He was staying with a woman who he had not known for long and she told me how she found him dead on the sofa. But I think Max had been digging in some dark places and I fear that somebody wanted him dead.”
– The Telegraph, UFO expert Max Spiers’ death prompts conspiracy theories
Bates believes that Spiers might have been poisoned.
“Max was a very fit man who was in good health. All I have is a death certificate from the Polish authorities that it was from natural causes, but no post-mortem was done so how can they tell that?
They are also refusing to release any paperwork about it to me because, absurdly, I don’t have his written permission.
He has a brother, Josh, and sister, Becky, who are both devastated, as are his two boys. We all want answers to this and I will continue to fight to get to the truth.”
– Ibid.
Spiers’ financé Sarah Adams told Yahoo! News that he was about to expose ‘black magic’ and well known politicians and celebrities.
“We were used to getting death threats or stuff like that from people but I think this time it seemed rather real. He’d been sent threats saying that him and me were going to die.
He was going to expose black magic. He was going to expose some of the stuff that he was working on involving political leaders and celebrities.
He planned on coming back here seeing his family and I was going to have his child. He had messaged me hours before.
In this edition of SPOTM: Zayn Malik, Kendall Jenner, Robbie Williams, the gender-blurring agenda and … a space station.
Yes, a space station.
Actress Isla Fisher is on the cover of Elle Australia with a rather visible Illuminati symbol right on her chest. That is kind of like branding cattle with a hot iron … but with a Gucci Dress.The same dress is prominently featured on the October cover of Female Singapore. They really want the entire world to see that dress (and symbol).
That same dress was also featured in this month’s Wonderland magazine. They REALLY want us to see it.On the cover of that Wonderland magazine is Kim Kardashian – with one eye hidden of course.Speaking of the Kardashians, Kendall Jenner posted an extremely symbolic picture on Instagram this month. She got the word “Meow” tattooed inside her lip, which is exactly what an MK sex kitten would do. To make things extra obvious, Kendall took care to include the classic Illuminati symbol in the background.Men can be sex kittens too. This is Robbie Williams fully draped in butterflies (Monarch programming). For some reason, he revealed his underwear to the audience. It featured a fierce kitten right on the crotch. In short, he was 100% dressed in MK Beta Kitten programming uniform.Zayn Malik was also dressed with butterflies and kittens (there’s a tiger on the sleeve of that Gucci jacket) in High Snobriety magazine.The same photoshoot features him hiding one-eye. His face is saying “I cant believe I’m doing this”. Yes Malik, you are being sucked big time into the occult elites system. I wish there was a pic describing what I am trying to say…That will do (same photoshoot).Asa Butterfield is another young English man who has to give praise to his elite rulers. In this picture, he is re-creating the symbol of the all-seeing eye inside the triangle with his hands and eye in Schön! magazine.Same photoshoot, same one-eye thing.Asa Butterfield was also on the cover of Rogue magazine with, once again, the one-eye sign. How can one not acknowledge the insistence of the symbol across mass media? These celebrities are all telling us that they are slaves to a system and nobody is seeing it.Kelly Osborne is also hiding one eye on the alternate cover of the same magazine.Jared Padalecki, Jensen Ackles and Misha Collins are all blatantly hiding one eye in the same magazine.Do we have to see this crap in video games now? Yes, we do. It has to be everywhere.Model Asia Argento is making sure her entire family is doing that Illuminati crap.The October cover of L’Officiel features actor Lee Jong Suk hiding one eye. But wait, maybe it is a coincidence. Maybe he had something in his eye and they took the picture right at that moment and decided to put that picture right on the cover of the magazine.No coincidence. Just another celebrity doing what he is being told.Here’s a confusing headline from the Daily Mail: “Covergirl Announces its First Male Covergirl Spokesmodel”. A magazine called “Covergirl” features a male who looks like a female of its cover. As stated is several previous articles, there is blatant “blurring of the gender” agenda going on.Here’s James Charles “endorsed” by Katy Perry. The eye on his shirt is a good way of telling us that this is all part of the occult elite’s Agenda. I am not saying that this guy shouldn’t wear make-up (I don’t care what he does with his face). I am saying that he is exactly what the industry wants to see in mass media right now.This is happening in the rap world as well. This is Young Thug modelling in cute dress in Complex magazine.Young Thug reportedly stated that he enjoys wearing young girls’ clothing. Why do we even need to know about this? Because they want the masses to be exposed to this as much as possible. There is already a worrying number of people who believe that gender is a “social construct”.
The cover of Tinashe’s “Company” features her sitting right under a rams head. Her “company” is Baphomet.
Newspapers around the world announced a project to create the first “nation in space”. Named after the one fothe worlds inhabited by Norse gods, Asgardia was unveiled by a team of scientists and legal experts. They say that the move “will foster peace, open up access to space technologies and offer protection for citizens of planet Earth”. This is great. But why is there a giant Eye of Horus right on the official depiction of the space nation? I guess the occult elite is looking to annoying the entire galaxy with the one-eye sign.
Starboy features The Weeknd destroying his house using an illuminated cross. This strange scene has a powerful occult meaning, especially when one considers The Weeknd’s previous videos. We’ll take a closer look at the occult meaning of Starboy.
The Weeknd’s collaboration with Daft Punk is a somewhat perplexing one. While the lyrics celebrate the singer’s fame and material possessions, the video depicts him destroying his house using a red glowing cross. All the while, The Weeknd chants that he’s a “starboy”, a term that has more than one meaning.
While, at face value, starboy could mean a boy who is a star in the entertainment business, the symbolism associated with the song introduces an occult aspect to it all. Indeed, the video has a ritualistic tone which plays on the classical death and rebirth narrative found in esoteric initiations. Did The Weeknd ‘ascend’ in the occult world, making him a starboy?
The Previous Trilogy
In my first article about The Weeknd, I analyzed the videos Can’t Feel My Face, Tell Your Friends and The Hills which form a trilogy. When these three videos are pieced together, they tell a story about The Weeknd meeting a figure holding an apple – a reference to Lucifer in the garden of Eden.
This man holding an apple represents Lucifer from the garden of Eden and the industry that lit up The Weeknd’s career.
In Can’t Feel My Face, Lucifer literally sets The Weeknd on fire and figuratively lights up his career. Here’s a summation of the trilogy.
The story begins with a struggling The Weeknd trying to get people to notice him at gigs. The devil then lights him on fire and kick-starts his career. The Weeknd then realizes that the deal is awful so he buries this new singing creation and shoots the devil. However, the devil is not human and therefore cannot be killed. Furthermore, he is rather vengeful. Although The Weeknd believes he is alive and free, he finds himself in a car accident that nearly kills him. As he walks into the red room, he realizes that he cannot escape the devil. The devil holds an apple reminding him that the deal is non-voidable. The two ladies that were with The Weeknd were actually the devil’s minions and the near-fatal accident was actually a warning: Any further transgressions will result in death.
Although the devil brought him fame and success, The Weeknd is stuck in a loop where any attempts to break free lead him right back to the devil and his apple.
In Tell Your Friends, The Weeknd buries himself in the desert.
The “old” Weeknd sings through the plastic.
In Starboy, The Weeknd kills his old self again by suffocating him. Why does he keep killing himself? Because each death represents a new occult stage. He is now, apparently, a “starboy”.
Starboy
The video begins with a masked man entering The Weeknd’s house.
The Weeknd, with his trademark hairdo, is tied up to a chair.
The masked man then gets up and suffocates The Weeknd with a plastic bag.
The Weeknd is killed with a plastic bag on his head.
When the killer removes his mask, we are in for a big surprise.
It’s The Weeknd! And he shaved off that thing on his head! There is so much happening right now!
So, not unlike in Tell Your Friends, The Weeknd kills his “previous self”. To symbolize his rebirth, the new The Weeknd has a new hairstyle. The camera also focuses on another important item: The Weeknd’s cross pendant. This piece of jewelry underlines the spiritual undertone of what is happening on screen. Is The Weeknd now a devout Christian? Well, not really. After all, he just committed murder while wearing that chain, so that is not a good start.
The Weeknd passes by a painting featuring Daft Punk. Notice the falling star in the background and the black panther. They foretell where The Weeknd is heading.
The Weeknd then enters his bedroom and sees something that is not found in most bedrooms across the America.
A big illuminated cross hangs in his room.The cross literally catches his eye. The cross reflects inside a single eye, the occult elite’s favorite symbol.
The Weeknd then grabs the cross, drags it on the floor, and uses it to destroy his own house.
In a symbolic gesture, The Weeknd breaks his gold records and the cover of his first album.
While some might think that The Weeknd a Christian rebirth, where he leaves his material possessions to follow the path of Jesus, that is not what is happening. The lyrics basically state the exact opposite.
I’m tryna put you in the worst mood, ah
P1 cleaner than your church shoes, ah
Milli point two just to hurt you, ah
All red Lamb’ just to tease you, ah
None of these toys on lease too, ah
Made your whole year in a week too, yah
Main bitch out your league too, ah
Side bitch out of your league too, ah
In this verse, The Weeknd states that his P1 (a sports car) is cleaner than your church shoes (the rewards of the occult elite are greater than the life of a humble church going person). He also he makes a lot more money than you and that his girl (and the girl he cheats this girl with) are hotter than yours.
Later in the song, explains how he upgraded to a new table where his girl can snort cocaine from.
20 racks a table cut from ebony
Cut that ivory into skinny pieces
Then she clean it with her face man I love my baby
So, The Weeknd is not exactly becoming Jesus. He is simply boasting about the things he was given because he is chosen by the industry (who is represented by Lucifer in his previous videos). Also, this line sums it all even more blatantly:
We don’t pray for love, we just pray for cars
So why is he destroying his things? Because the video symbolizes The Weeknd entering a higher stage in the occult system that rules Hollywood.
The cover of the Starboy single cover sums up the occult transformation that is happening.
On the left are lightning bolts, in the middle are crosses (and a star) and on the right are more lightning bolts. There are six symbols in each column resulting in … 666.
The symbolism on this cover touches upon one of the most important concepts in occultism: The link between Lucifer, the morning star, and Venus.
In occult symbolism, the lightning bolt represents “descent” from the heavens to Earth. For this reason, the symbol is sometimes used to represent Lucifer who is said to have descended from the Kingdom of God to mankind. Lucifer is also known as the Morning Star and the Light Bringer. The same terms have been used since the dawn of time to describe the planet Venus. Venus is esoterically associated with the symbol of the 5-pointed star and the pentagram due to its “astronomical dance” in the skies.
The pentagram (also called pentacle, pentalpha, pentancle, pentagle, or pentangle) is thought by some occultists to trace its esoteric significance to an astronomical observance of the pattern of Venus’ conjunctions with the Sun and has had many meanings in many cultures through the ages.
– BC Freemasonry, “The Pentagram”
The path of Venus around Earth. Known as the “morning star” and the “light bringer”, the planet bears the same names as Lucifer.
The cover of Starboy touches upon these symbolic links and refer to a level of higher occult initiation. The cover depicts a duality between two opposing forces, Lucifer (represented by lightning bolts) and Jesus (the cross). When internalized, the duality creates the magical symbol of the pentagram.
The symbolism of Starboy is reminiscent of the symbolism associated with David Bowie. Indeed, as I described in my article The Occult Universe of David Bowie and the Meaning of “Blackstar”, Bowie had an alter persona named Ziggy Stardust who had strong occult and kabbalistic leanings.
Ziggy Stardust’s with his iconic lightning bolt.
For his fifth album, Bowie introduced the alter-ego Ziggy Stardust, an androgynous alien rock star who was sent by the “Infinites” to announce the coming of Starmen to Earth. Not unlike Lucifer, Ziggy Stardust descended on Earth from the heavens.
Therefore, the symbolism around Starboy represents The Weeknd fully adhering to “higher levels” the occult elite’s system.
This picture in the Starboy booklet features the One-Eye sign. This means “I am part of the occult elite”.
Back to the video. After destroying his things and burning down his clothes, The Weeknd leaves his house.
Before leaving, a black cat follows The Weeknd.
In Western folklore, black cats were associated with magick and witchcraft. They were believed to be witches’ “familiars”- spirits who aid and protect them while they accomplish their magical work.
Inside the car, the cat became much bigger and powerful, representing the growing occult power associated with higher levels of initiation.
Inside his very expensive sports car, The Weeknd rolls deeper on the Hollywood Hills, representing that he is going deeper inside the occult elite’s industry.
A shot of the illuminated cross laying on the ground tells us that this was not about The Weeknd becoming Christian. It was about occult initiation to a higher level and the cross was a prop in the ritualistic process.
In Conclusion
The Weeknd is now a “starboy”, a boy who was hand-picked by the elite to become a “higher level” star. Because of this, he owns a bunch of cool things that he brags about in his songs, making his fans jealous of his success. This success, however, comes at a cost. He is still owned by the elite – those who initiated them. To become a starboy, he has to kill his old self while wearing a cross and he must pledge his allegiance by ritualistically destroying his possessions using a cross. Using this Christian symbol to commit death and destruction is part of the soul-selling process.
Starboy is therefore not about The Weeknd becoming Christian or “changing his style”. The video is in perfect continuation of his previous videos where he was “discovered” by Lucifer and was made a star. At the next level of initiation, things get very serious. While The Weeknd boast about his “P1 being cleaner than your church shoes”, the video tells us that he is still owned by Lucifer – the morning star. And The Weeknd is his starboy.
The video for LA Devotee is about a young boy being tortured and brainwashed by the band’s lead singer while all kinds of satanic symbols float around. In short: It sums up everything Hollywood is about.
When the top comments of a YouTube video say …
“I honestly expected LA Devote to have a bright sunny video not a satanic one“
“It’s getting harder and harder to convince my parents that the music I listen to is not satanic“
… you know that things are getting blatant. While the song “LA Devotee” is your typical uptempo-radio-friendly tune with a catchy chorus, the video is a dark, troubling experience. Indeed, the lead singer Brendon Urie is seen taking pleasure in torturing a child in an all-out, satanic brainwashing session. Preying on children, taking pleasure in making them suffer, brainwashing them, black magick rituals: All of the occult elite’s favorite things are crammed in this short music video.
The word “devotee” means “a strong believer in a particular religion or god”. Panic! at the Disco‘s video clearly exposes the true religion of Hollywood … and they appear happy to be part of it.
Let’s look at the video.
Preying on Children
The video begins with a young girl realizing that she is being followed. She is then kidnapped by someone dressed in red.
Preying on children: The occult elite’s favorite sport.As the camera pans out, we see a crop circle shaped in something resembling an alchemical symbol. The exclamation point is taken from the band’s name, indicating that they’re the ones behind this.
We then see a young boy being strapped to a chair inside a dark, creepy room.
Yes, it is Noah Schnapp, the boy that gets kidnapped in Stranger Things.
Using Will from Stranger Things is a rather appropriate choice. As I’ve stated in my article The Hidden Symbolism of “Stranger Things“, the series reveals some sinister aspects of the MKULTRA system. Will, played by Noah Schnapp, gets kidnapped by the Demogorgon, a monster that represents the Satanic, monstrous side of the occult elite.
In LA Devotee, Schnapp is kidnapped again (poor kid) and forced to watch Brendon Urie sing. Although that is already a cruel form of torture, things get worse. Indeed, the song is part of a wider process of trauma-based mind control. As stated in my article Origins and Techniques of Monarch Mind Control, mind control is an unholy mix of abuse, torture and satanic rituals in order to cause trauma. The boy in the video is subjected to all of this.
A video camera records the boy being tortured. This reflects how elite circles enjoy watching this kind of sickening snuff.This creepy figure conducts dark rituals wearing a mask with Baphomet-style horns.
When the song starts, the kid begins singing in an automatic matter – as if he was programmed to sing on cue.
The kid programmed to sing: An apt way of representing youth being brainwashed by mass media.
Brendon is projected on a screen in front of the kid as he sings with a demented look on his face. He truly appears to be enjoying torturing the boy. An image flashed for a split second explains what motivates him in doing this.
For split second, a symbol resembling the sigil of the Church of Satan is flashed on Brendon’s face.The symbol features Baphomet’s head inside an inverted pentagram (symbol of Black magick) with another inverted pentagram on its forehead.
Brendon Urie apparently enjoys being the devil. The video The Emperor’s New Clothes is basically about him slowly turning into the devil.
Brendon in the video The Emperor’s New Clothes.
While this disturbing stuff is happening, the lyrics explain that what we are witnessing is the true religion of LA, the home of the entertainment business.
The black magic of Mulholland Drive
Swimming pools under desert skies
Drinking white wine in the blushing light
Just another LA Devotee
Sunsets on the evil eye
Invisible to the Hollywood shrine
Always on the hunt for a little more time
Just another LA Devotee
The first line of the chorus directly mentions the “black magic” of Mulholland Drive, the iconic street that crosses through Hollywood. David Lynch’s enigmatic movie Mulholland Dr. cryptically refers to the dark side of Hollywood as well. The line “sunsets on the evil eye” is another direct reference to the occult elite ruling Hollywood (which is also crossed by Sunset Blvd). Altogether the lyrics imply that those who take part in Hollywood’s industry are part of a sick cult … they’re LA Devotees.
The boy is then given something to drink.
The girl that got kidnapped at the beginning of the video reappears and offers the boy something to drink. MK slaves are often used in the programming of other slaves.
The drink given to the boy most likely represents psychedelic drugs which are used in actual MK programming to facilitate trauma. Ccreepy images flash on screen, the kind that would be used to traumatize drugged slaves.
A big goat head is quickly flashed on screen. More satanic stuff.Animal masks are used in satanic rituals and in MK programming.This image flashes so quickly it is barely discernible. These semi-subliminal images cause an unsettling feeling in the viewers.Blood dripping over a skull: A symbolic way of representing the elite’s love for blood sacrifices.
The boy’s trauma is then taken a step further.
A bunch of “witches” attach wires to the boy’s head.As the song gets more intense, the boy is seen being electroshocked. Who wants to see a kid suffering in music video?
Electroshock torture is a well-known technique used in MK Ultra to cause trauma and dissociation. Combined with the drugs, the rituals and the brainwashing, the video leaves no doubts as to what it is referring to.
After convulsing violently for long seconds, the boy is knocked out of consciousness. This apparently makes Brendon very happy.
Brendon smiles sadistically as if saying “I’m about to have some fun”.The last image of the video shows Brendon walking towards the boy in a menacing matter.
What exactly are you going to do, Brendon? Beat the kid up? Rape him? What the heck? Yes, this video seriously ends with the lead singer about to abuse a helpless kid that was just tortured. There is no going around it, there is no “second meaning” or “deeper meaning”. It is just unapologetically evil.
In Conclusion
Panic! At the Disco is not an obscure, hardcore niche group. It is a mainstream band, winning all kinds of awards, and making poppy, radio-friendly music that is mostly aimed at young people. LA Devotee depicts the lead singer masterminding an operation where a boy is kidnapped, strapped to a chair, drugged, brainwashed, subjected to occult rituals, and electroshocked. And at the end of the video, his ordeal is not even over. Brendon is just getting started (seriously, is he going to rape him? What the heck?).
The video for LA Devotee depicts Brendon as a mind-control handler and celebrates how the occult elite partakes in this horror in total impunity. On a wider scale, the video represents how, through mass media, the youth of the entire world is brainwashed into believing that all of this great and cool, which leads them to worship their favorite stars. The ultimate goal: To create just another LA Devotee.
In this edition of SPOTM: Elle Fanning, Jonah Hill, Britney Spears, Mariah Carey and a bunch of pics proving that the One-Eye sign is ruling the world. Yes, all of these pics only appeared in the last few weeks.
Elle Fanning and the other stars of the movie Neon Demon (which I’ll be writing about very soon) were featured in a photoshoot in V magazine. Shot by the occult elite’s favorite photographer Steven Klein, the photoshoot is all about making death and abuse fashionable. In this pic, magazine mentions that, Elle is wearing a dress by Maison Close. She is also holding a huge knife to the bottom of her mouth, threatening to kill herself. The eyelashes are by Dior.Here, Elle is wearing a bra and briefs by Vex. She is also the victim of a murder, laying on the street next to garbage, with her feet chained up. Shoes by Christian Whatever.As I often stated in previous SPTOMs, the fashion world loves to make corpses look glamorous. The handbag saying “Drop dead gorgeous” basically says it all.Jonah Hill was featured in The Rake magazine to promote his latest movie. This picture was prominently featured to let you know that, if one wants to stay relevant in this industry, one has to show submission. Notice the grave look on his face. This is not a playful pic and he not “making funny faces”. This is dead serious.Aidan Turner does the same exact sign in The Guardian.This is the main pic associated with the release of Frank Ocean’s second album.Rihanna was featured in CR magazine in a set shot by the other favorite photographer of the elite: Terry Richardson. Through a perfectly timed shot (and maybe Photoshop), the One-Eye sign is recreated again.The photoshoot is meant to portray Rihanna as Marie Antoinette, the last Queen of France who was disliked due to her promiscuity and lavish spending. I guess this is a good way to represent modern Beta Kittens and, as a representative of the Beta Kitten system, Rihanna holds one of her breasts.English singer Theo Hutchcraft giving the One-Eyed salute.The One-Eye sign is all over the world, prominently displayed on magazine coves. This is Filipino actress and signer Arci Munoz. She is dressed in red and, with the words “new blood”, we get a strong reference to the occult elite’s “initiation and sacrifice” color code. Is she being initiated to the higher ups of the industry?Another pic from the photoshoot proving that none of this is a coincidence.Here’s a big, fat One-Eye sign on the cover of Polish magazine Zwierciadło with actress Iza Kuna.This is the cover of Jessica Seinfeld’s cookbook. Really? Does this sign have to be on a cookbook? Yes it does. It has to be everywhere.On an ad for some beauty product? Of course.Third Eye Blind is back from the ’90s and this is the art associated with their new album. Is he about to get his eye taken out?Complete the Instagram caption saying “Eye see you”, model Karlie Kloss shares the rest of the industry’s obsession with the all-seeing eye.
Britney wears an “Eyes Wide Shut”-style, Sex Kitten mask and a revealing dress. She stands next to a strange altar containing the Virgin Mary and other figures such as skull heads. Is she about to partake into a blasphemous ritual?Speaking of Sex Kitten, here’s Mariah Carey. Ever since her divorce, she’s been in full “Beta Programming” mode. Her she is with Ban Ki-Moon, the Secretary-General of the United Nations, looking as if she was sent to “escort” him.She looks “out of it” as well.Her Instagram account has also taken a clear “Beta Kitten” turn. In this pic, she looks as if she was on her way to “escort” a very rich elite person.
Directed by industry veteran Spike Jonze, the new KENZO World ad is loaded with Illuminati mind control symbolism and ends with a weird tribute to the All Seeing Eye. Are they selling a perfume … or celebrating the occult elite’s system?
Ranking up millions of views in a couple of weeks, the Spike Jonze-directed KENZO ad quickly reached “viral” status and received widespread praise in mass media. Lauded for its “super cool” choreography, the ad features Margaret Qualley engaging into what appears to be a mix of dancing, having a seizure and being possessed by a demon – all at the same time. The four-minutes long ad ends with a scene that makes one say: “They’re really putting their Illuminati symbolism right in our faces, aren’t they?”. Yet most people still do not see it.
Kenzo
This French brand has always had a strong penchant for using Monarch mind control symbolism in their advertising campaigns. Here are some examples.
A head full of butterflies = Mind taken over by Monarch programming.Creepy hands as puppet master = MK handler.Hands pinning down MK slaves who are wearing All-Seeing Eyes all over.Going “through the looking glass” – an Alice in Wonderland reference used in MK programming to represent dissociation.Surrounded by eyes but can’t see anything = Being an MK slave.
Considering Kenzo’s love for MK symbolism, is it surprising to see their viral loaded with it? Let’s look at the ad.
Praise the Eye
The ad begins with Margaret sitting in what appears to be an awards ceremony. She looks awkward and uncomfortable. Notice the “eye-themed” necklace worn by the woman on the left – a foreshadowing of what’s to come.
Margaret feels the urge to leave the room.
For a few seconds, Margaret looks sad. She even sheds a tear.
Her facial expression then changes and Margaret starts “dancing” to loud music.
Most of the choreography physically expresses being taken over by another force.
Most might think that this ad is about a young girl who is bored and uncomfortable with her uptight surroundings. She therefore leaves, lets loose and allows herself to be herself for a while. There is, however, more to this. Is this girl really “being herself” or is she being taken over by something else (which is the exact opposite of “being herself”)?
After the takeover, Margaret apparently loses her inhibitions and engages in things MK slaves are programmed to do.
After “arguing” with this head, Margaret licks it, representing the loss of sexual inhibition of Beta slaves (Sex Kitten programming).
Also, notice Margaret’s bracelet.
Margaret is wearing the symbol of the All-Seeing Eye inside a triangle, the favorite symbol of the occult elite. She is a slave.
Margaret then walks up the stairs and sees a guy standing around, minding his own business.
She goes up to him and immediately breaks his neck. Wow, that was so cool. I love random murder.
Margaret then flexes her muscles as if saying: “I just killed someone but its OK because I am a strong confident woman and I am being myself right now”. Coincidentally enough, murdering people with great efficiency and without remorse is typical of Delta slaves (Killer programming).
Margaret then starts shooting lasers with her fingers, destroying a bunch of stuff she does not own. It’s OK because she is being herself right now.
Coincidentally enough, using brain power as a weapon is typical of Theta slaves (psychic programming).
Margaret then spazzes out for a while, clearly showing that she has no control over her body.Margaret then engages in another typical activity of MK slaves: Performing for the masses to then become a sacrifice.
The scene above is reminiscent of the movie Black Swan (read my article about it here) where a ballet dancer becomes “possessed” by an entity which makes her a great dancer but that ultimately kills her.
Margaret then goes outside where she meets the symbol representing what is controlling her.
Facing a giant All-Seeing Eye, Margaret wails her arms feverishly. It is as if the entity controlling her is forcing her to praise the eye.She then lifts up in the air and goes through the eye. That eye has extreme power over her.
So, this ad for a perfume features a woman being controlled by the occult elite and engaging in typical MK slaves activities. It ends with a near-religious tribute to a gigantic eye, yet most reactions to this video are “Wow, that was cool”. Not unlike the models seen above, the world is surrounded by the All-Seeing eye, but almost nobody is seeing it.
Buy the symbol of the elite and spray it all over you.
Beyoncé’s performance at the 2016 VMAs was a medley of her latest offering “Lemonade”. Not unlike the visual album itself, the performance featured occult symbolism while pushing more of the race wars agenda.
The 2016 VMAs did not bring much excitement to music fans – just a bunch of stale and predictable songs performed by a bunch of stale and predictable pop stars. However, Beyoncé’s performance, with its length, scope and grandeur clearly stood out from the rest. It was as if the people at MTV made sure that all of “oohs” and the “ahhs” were reserved for Beyoncé who, once again, had to be the queen of the show. Music awards likes the VMAs know exactly what the news headlines will be the following day. And, this year, it had to be about Beyoncé.
Beyoncé’s visual album Lemonade contains a bunch of symbols and messages the elite wants the population to absorb and the VMAs made sure that it was properly celebrated. As I described in my article The Occult Meaning of Beyoncé’s “Lemonade”, the visual album is replete with occult symbolism placing Beyoncé in a dark and transformative ritual while bringing her legions of fans to follower her. Where is she taking her fans? Let’s look at the performance.
More Lemonade
Beyoncé’s VMA performance recreated most of the ritualistic elements of Lemonade, complete with the same color codes. It was, however, shorter and more obvious.
The performance began in classic ritualistic fashion: Beyoncé and her ladies dressed in virginal white garments representing purity and innocence.
The occult elite’s rituals are about soiling purity and innocence in order to bring about dark metaphysical change. One by one, the girls around Beyoncé get shot and die, falling in a pool of red light.
In the end, everyone is dead except her. She is the “chosen one”. A hooded man marches towards her.The hooded man brings Beyoncé forward and lets her go as if saying “This is the path you must take”.
While some claim that this hooded figure represented Trayvon Martin (who wore a hoodie when he got shot), the symbolism goes clearly deeper than that. This man who guides Beyoncé to the next stage of her performance represents those who guide Beyoncé to the next stages of her career. He represents the occult elite, those who put her in the spotlight and make sure she gets all of the spotlight. Of course, all of the spotlight comes at a price.
After the stage of purity (white), ritual sacrifice (red) comes occult transformation (black). Beyoncé is now doing what the industry expects from her – shaking her booty. The good girl has gone bad – the industry’s favorite narrative.
In the first scene, the ladies dressed in white dresses getting shot is said to represent the killing of Black people at the hand of police. But the symbolism goes deeper than this. If you’ve read previous articles on Vigilant Citizen, you already know that the occult elite’s rituals are coded in three colors: White, red and black. And this is exactly what happens here.
Beyoncé is not “taking a stand” against anything, she is taking part of a twisted ritual that mixes the occult elite’s obsession with blood sacrifice with the actual suffering of real people in the real world. In short, she is on the side of those who actually allow these horrors to happen: The elite.
A few years ago, Beyoncé appeared at the Grammy awards surrounded by police in riot gear – effectively pushing the police state agenda. Her “opinion” is whatever “They” decide what agenda needs to be pushed.As the performance progresses, Beyoncé is given a fur coat representing the material gains given to puppets of the industry.
Now that Beyoncé has been selected as a “leader of her people” (as if mass media allowed anybody else in the spotlight), she starts giving orders. Indeed, during the appropriately named Formation she says:
“Now all my ladies get in formation”
And, of course, her ladies do.
Apparently, ladies should blindly follow Beyoncé’s orders. They lay down around her.
As the camera pans out, we realize that the ladies formed a symbol. Well, two of them.
The performance ends with the ladies forming the Venus symbol representing the female sex. Or is it?
On second look, we realize that symbol is separated into two distinct figures: An open circle and an inverted cross. While people in the crowd are in tears, giving a standing ovation, they are actually clapping to an inverted cross, the symbol of Satanism.
This final moment sums up Beyoncé’s entire performance: A twisted and deceptive display filled with double meanings that end up telling the viewers: I’m on their side, not yours.
The immensely popular series Stranger Things puts in the forefront of popular culture the disturbing world of MKULTRA, mixed with a heavy those of fantasy and science fiction. Through its story and symbolism, the series tell a deeper truth about its subject matter, one that not many might believe or accept. We’ll look at the deeper meaning of Stranger Things.
Warning: Monumental spoilers ahead!
Praised for its gripping story and stellar acting, Stranger Things quickly became a monster hit. Starring a group of Dungeon & Dragons playing kids who bike around their neighborhood while communicating on their Realistic™ walkie-talkies, the series brought a heavy dose of eighties nostalgia with a rare authenticity. More importantly, Stranger Things also brought to the forefront of popular culture a subject that has been taboo for decades: The world of MKULTRA and its horrifying practices. (If you don’t know about MKULTRA, please read this article first).
Continuously opposing truth with fiction, the horror of reality with the bliss of fantasy, the ugliness of mankind with the innocence of children, Stranger Things has a strong dualistic undertone. This is epitomized by the fact that the adventure takes place on two separate realms, the “real world” and the “Upside Down,” a dark, evil version of reality. Although separate, these realms are connected through a gateway, one that nearly nobody knows about. The existence of this gateway is hidden from the public, yet affects it in several ways. Stranger Things is about how those who rule us are involved in “stranger things” than most can even fathom. Through its story, characters and symbolism, it reveals the darker side of the elite … some of it. Let’s take a deeper look at the story.
Between Reality and Fiction
The series begin with four friends, Mike, Will, Dustin and Lucas, playing Dungeons & Dragons. Mike, the dungeon master, sets up the premise of his friends’ quest. He also sets up the premise of the entire series.
“Something is coming. Something hungry for blood. A shadow grows on the wall behind you, swallowing you in darkness. It is almost here.”
Mike’s Dungeon & Dragons campaign lasts almost ten hours. The first season of Stranger Things lasts almost ten hours.
While the boys are ultimately faced with the horrifying world of government mind control, their adventure is constantly compared to a Dungeons & Dragons quest. Will, the boy who gets abducted by the government, is the wizard of the party. The strength of wizards reside in their minds as they are capable of magic and other paranormal things such as teleportation and telekinesis. As we’ll see later, this is what Theta MKULTRA programming is about.
In this sense, the dark, disturbing aims of the occult elite is directly contrasted with the innocence and playfulness of children.
Will’s being abducted by the government is likened to the wizard stuck in the Vale of Shadows with the Demogorgon.
Essentially, the series’ creators are the dungeon masters taking the viewers on a 10-hour quest. But while D&D is about fantasy, the events happening in Stranger Things are based on some very strange things that actually happened.
Based on the Montauk Project
“Honey, we have to trust them. This is our government. They’re on our side.”
Considering what happens in the series, the quote above, said by a clueless father, takes on a deeply ironic meaning. The story indeed describes a shadow government that exists no matter who is in office and that evolves entirely out of public view, partaking in programs, experiments, and missions that are completely beyond public knowledge while controlling the country’s entire resources and networks. In Stranger Things, the main organizations named are the CIA, the NSA and the Department of Energy.
The MK programming site and the gateway to the ‘Upside Down’ are located in a National Laboratory of the U.S. Department of Energy.
The actual U.S. Department of Energy is one of those gigantic organizations that are massively funded by the federal government (it received 24 billion dollars in 2014) and operates a massive infrastructure all over the country. Yet, very few people truly know what happens inside those laboratories.
The United States Department of Energy (DOE) is a Cabinet-level department of the United States Government concerned with the United States’ policies regarding energy and safety in handling nuclear material. Its responsibilities include the nation’s nuclear weapons program, nuclear reactor production for the United States Navy, energy conservation, energy-related research, radioactive waste disposal, and domestic energy production. It also directs research in genomics; the Human Genome Project originated in a DOE initiative. DOE sponsors more research in the physical sciences than any other U.S. federal agency, the majority of which is conducted through its system of National Laboratories.
– Wikipedia
Stranger Things takes place in the fictional town of Hawkins, Indiana, where a National Laboratory acts as an MKULTRA programming site.
It is interesting to note that the series’ original title was Montauk and that it was supposed to take place in Montauk, NY. For those who have done some research on CIA mind control, this name should ring a bell. Montauk is the site of Camp Hero, the military base where the infamous and widely speculated Montauk Project took place.
The events on Long Island have come to be known as The Montauk Project. This phrase refers to a series of top-secret experiments in mind control, time travel, psychotronics, and the creation of black holes. These experiments were based out of an old Air Force radar station, or more accurately, in a vast complex hidden in the earth beneath this radar station.
The military focused the efforts of the Montauk Project primarily on mind control experimentation. They gathered young males with psychic sensitivity, and in some cases, they supposedly even kidnapped these test subjects. These boys would sit in a specially developed chair aimed at enhancing their latent psychic abilities. This chair was being blasted with energy waves that allowed scientists to control their young subjects’ minds. Amazingly, it was discovered that the most adept of these young psychics were able to focus on objects so intensely that the objects would momentarily physically materialize. (…)
According to legend, the base actually lost its funding in the late 1960s because the radar technology was obsolete, but was open until 1983. The area is now a New York state park, but the buildings are intact and radar equipment remains standing. Also, from what I learned, what is really strange is that while the government gave the land to the state, it still owns the land beneath the base.
Apparently there are many levels beneath ground that were used for research and the base was really a cover-up. Some people say that is absolutely documented that there is a subterranean city beneath the base that is still being used today by secret branches of the military. People say that the radar equipment was built as a cover up so that the military could conduct experiments in time travel and mind control and this is what all the electronics equipment was for. The Montauk Air Force Station was said to have carried out numerous terrible experiments in cooperation with many research laboratories on Long Island. Apparently, this base was also in cooperation with Mitchell Air Force Base on Long Island.
– Weird US, Military Mayhem in Montauk, Long Island
Camp Hero Base in Montauk, NY.
The creators of Stranger Things were clearly inspired by the Montauk project “legend”. The creators however ultimately chose to base the series in a fictional town in Indiana. While the location is different, the same shadow government is behind the action in Stranger Things.
Inside the National Laboratory, phone calls made by citizens are monitored.The government uses Hawkins Power and Light trucks to move around the community unnoticed, while they tap into phones and search houses.While the MKULTRA project was supposedly killed in the 1970s, it is still going strong in Stranger Things.
In Stranger Things, the shadow government takes all of the necessary steps to cover its tracks: It spies on citizens, kills those who know too much (making it look like a suicide), fakes the death of abducted children, and hinders investigators searching for the truth. In short, the shadow government operates above the law and supersedes all levels of government.
Jim Hopper, the chief of police of Dawkins, slowly uncovers the scheme of the federal government.
“I know you do experiments on kidnapped little kids whose parents’ brains you’ve turned to mush. And I know you went a little too far this time”.
Things definitely go too far. Not unlike what is claimed about the Montauk Project, the experiments at the National Laboratory in Stranger Things lead to the opening of a gateway to a dark dimension and the spawning of a faceless monster. Tapping into the darkest forces on Earth never leads to good things.
The Upside Down and the Demogorgon
The intense and dangerous experiments at the National Laboratory engender the creation of a portal leading to the Upside Down – a dark, evil version of the real world. The kids compare it to the Vale of Shadows in Dungeons & Dragons.
“It is a place of decay and death. A place out of phase. A place of monsters. It is right next to you and you don’t even see it.”
The portal leading this other dimension is so powerful that it alters the magnetic field of the area around it, causing compasses to point away from true North. Symbolically, this represents how the occult elite’s dealings are indirectly affecting the entire population.
The actual world of MKULTRA taps into the metaphysical realm, the esoteric and the occult – and not for benevolent purposes. Constantly and intensely drawing power from dark forces ultimately unleashes byproducts, which have an effect on the unsuspecting masses. In short, people lose their “true North”.
In Stranger Things, the byproduct that emerges from the Upside Down is a faceless monster – a creature the kids dub “Demogorgon”.
Demogorgon abducts children and takes them to the Upside Down.
Although this monster is pure science fiction fodder, it symbolically represents the beastly, monstrous side of the “scientific” experiments of the occult elite. Attracted by the blood of children, Demogorgon makes them disappear from the surface of the Earth and takes them to Upside Down, which represents the dark, evil, dissociated world of the occult elite. When describing Demogorgon, the characters of the series all say that “it has no face” (much like the real-world MK system has no face). The name given to this monster, Demogorgon, is significant. It refers to a powerful demonic force:
In the Dungeons & Dragons fantasy role-playing game, Demogorgon is a powerful demon prince. He is known as the Prince of Demons, a self-proclaimed title he holds by virtue of his power and influence, which, in turn, is a title acknowledged by both mortals and his fellow demons.
– Wikipedia
The origins of the word Demogorgon itself refers to an evil entity mentioned by occult scholars.
Demogorgon is a name used to refer to a pagan deity or demon, associated with the underworld and envisaged as a powerful primordial being, whose very name had been taboo.
– Ibid.
In the series, Demogorgon represents the satanic elite that feeds on the blood of innocents, abducting children and using them to gain power.
At one point, Brenner, the MK handler, says a significant phrase:
“Six … six … six people have been taken this week.”
Although this appears random, Brenner does repeat the word “six” three times while referring to those who were abducted in Hawkins. It is a coded way of saying that the missing children are fed to the 666 system? One thing is for sure, Will Byers is one of them.
Trapped in the Upside Down, Will Byers is progressively being taken over by a disgusting thing penetrating his body. Another child being destroyed by the MK system.
Another victim of the system is Eleven, an MK slave who was abducted at birth.
Eleven
Eleven bends a can using her mind.
Eleven is a young girl that escaped the National Laboratory using her “superpowers”. Through bits of information and flashbacks peppered throughout the series, the viewers eventually piece together the tragic story of Eleven – one that mirrors the fate of thousands of children who disappeared over the past decades. Indeed, through the story of Eleven, Stranger Things describes parts of the real-world MKULTRA program.
Eleven is the daughter of a woman named Terry who willingly took part in MKULTRA-related experiments.
“- She was part of some study in college.
– MKULTRA?
– Yeah, that’s the one. Was started in the ’50s. By the time Terry got involved, it was supposed to be ramping down, but the drugs just got crazier. Messed her up good.
– This was the CIA that ran this?
– The Man with a capital M. They’d pay a couple of hundred bucks to people like my sister, give ’em drugs, psychedelics, LSD, mostly. Then they’d strip her naked and put her in these isolation tanks.”
Terry is convinced that Eleven was stolen from her by the CIA after a “miscarriage” in the third semester.
As stated in previous articles, female MK slaves are sometimes made to suffer through “miscarriages” to cause trauma. Babies born from these situations are easier to program because they’ve already been traumatized.
Families who wanted dissociative children learned that dissociative babies could be born if the child in the womb is tortured. Thin needles are inserted through the mother into the fetus to prick the preborn child. Mothers, who are pregnant with children to be programmed, are also severely traumatized during their pregnancy with a whole assortment of traumas, which simultaneously traumatizes the babies which they carry.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
While visiting the room intended for Eleven at her mother’s house, the White Rabbit from Alice in Wonderland is prominently displayed. It is an important symbol in the world in mind control. The same way the White Rabbit lures Alice into the looking glass, MK handlers lure slaves to the dark side of mind control.
In Stranger Things, Eleven is born with a specific set of skills.
“Says she’s born with special “abilities”. Telepathy, telekinesis. You know, sh*t you can do with your mind. That’s why the big bad Man stole Jane away. Her baby’s a weapon off fighting the commies.”
In MK terms, Eleven is a product of Theta programming, which is centered around extrasensory perception (ESP). There is nothing “science fiction” about this, however. It is documented that the CIA invested tens of millions of dollars into researching this field.
THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems.
– Ron Patton, Mind Control
Theta Programming got its name just as the Alpha, Beta, and Delta Programming in part from the four types of EEG brain waves. Theta waves are frequent in children. Psychic warfare became a branch of the Monarch Programming. This is the Theta Programming. It is the marriage of occult practices with state of the art science. The idea to be able to copy what Elisha did to the King of Syria (2 KG 6:11-12) when he “telepathically” spied on the enemy, discovered their plans, and thereby ruined their chances of success. Today this has been called “ESPionage”, and the U.S. Army’s term is “psychotronics”. Of course, the CIA’s position is that they couldn’t find anything that worked, but that is simply not true, because the co-authors know of many Theta alters and Theta model systems which have Theta programming which is successful. Black magicians have been honing their skills on how to deflect magical attacks for centuries. Are their efforts superstition and empty nonsense, or do they really have efficacy? The Illuminati and Hitler believed in black magic. And in recent times, the other groups involved in trauma-based mind-control have also looked into magic based psychic warfare.
The military and the Illuminati are using telepathy, psychic warfare, astral projection and other occult sciences with their programmed slaves. The ability to carry out some of these occult sciences (psychic abilities) can be greatly enhanced by certain drugs, brain wave patterns, training, and demonology.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Although Eleven has “superpowers” that are deemed “pretty awesome” by her friends, they are clearly the product of years of abuse. Since birth, she has been programmed by a handler she calls “Papa” (an actual word used in MK programming). After spending her life confined inside the walls of a laboratory, Eleven can barely communicate and shows numerous signs of past trauma.
Eleven gets scared when hearing thunder – maybe it reminds her of electroshock therapy?When Eleven did not do as told by her handler, she is taken somewhere to be punished while her Papa watches. There are no boundaries to the abuse MK slaves go through.When she performed well (she actually killed two guards by using her mind), her Papa “rewards” her with some affection. This is how MK handlers work.
Devoid of a core personality (it was denied by her handler), Eleven temporarily takes on an “alter” to evolve in the “real world”.
In Monarch programming, MK slaves are often made to wear wigs (often blonde) when in the real world.
It is however inside the little house Mike built for her that Eleven gains some of her humanity back.
Provided with a sense of security, Eleven becomes less of a machine and more human. Her shelter can represent being in touch with her core persona, the “real” her, safe from the harm of the outside world.
Other characters in the series are seen hiding in small shelters as well.
Joyce manages to communicate with her son Will through Christmas lights once she sits inside a small storage space. Being in tune with her core self allows her son to contact her.Will Byers went to Castle Byers – a small shed he built – to “hide”. In other words, he went there to feel safe and be in tune with his core persona.
Despite several allusions to abuse peppered throughout the series, Eleven is nevertheless portrayed as a “superhero” with cool superpowers (she is compared to X-Men and Green Lantern).
The fact that her friends call her El (short for Eleven) is also significant. El is a Semitic word meaning “god” or “deity”. As seen above, there is a spiritual, metaphysical dimension to the entire series. The fact that El is in touch with the metaphysical confers her a “godly” aspect.
El is the only “savior” capable of taking on Demogorgon, the representation of evil. However, the overuse of her powers leads her to commit the ultimate sacrifice – giving her life for her loved ones.
In the end, Eleven’s ultimate fate is kind of a mystery. After using her powers to destroy Demogorgon, she disappears with him. Did she die with it or did she go back in the hands of the MKULTRA system?
We do know that the police chief Hopper agreed to give up Eleven’s location in exchange for the government liberating Will. Hopper also promised to never talk about anything he discovered about the MK system. He tells Will’s mother:
“Look, everything that’s happened here and everything that’s gonna happen, we don’t talk about. You want Will back? This place had nothing to do with it. That’s the deal”.
Hopper leaves Eggos (Eleven’s favorite) in a box in the woods. Did he leave those for Eleven, knowing that she is back in the MK system (because of him)? Or is it an offering to a dead deity?
In the end, Eleven is back where she “belongs” and the secrecy of the MK system is preserved. So, did the good guys truly win? Well, at least Will was rescued and went back to his family. That’s a good thing, right?
After going back home, Will celebrates Christmas with his family. When he goes to the bathroom, Will “vomits” a disgusting creature and finds himself momentarily back in the Upside Down.
Although he was rescued from the Demogorgon and the MK system, Will’s ordeal will have lasting effects on him. Indeed, mind control programming and the elites’ demonic system disturb the mind, body, and soul forever.
Other than Will and Barb, who were physically abducted, other characters appear to be affected indirectly by the MK system. Indeed, through subtle clues, the series establishes a strong connection between Eleven – the MK slave – and Nancy – the perfect suburban girl.
The link between Eleven and Nancy
Although MKULTRA is a top-secret operation, the series implies that it has repercussions on the entire population. As stated above, the gateway causes compasses to point away from true North and, well, maybe, it does the same to moral compasses.
While Eleven is a strange, unique and enigmatic product of a fringe government experiment, Nancy is the exact opposite: A regular girl from a regular family living in a regular suburban neighborhood. However, both characters are linked through various scenes.
Eleven, who is wet from the rain, is given a change of clothes. She immediately undresses in front of her friends, causing them to freak out. This scene portrays the lack of privacy and boundaries in the minds of MK slaves and might imply sexual abuse in her past. Michael then sends her to the bathroom to change and tells her: “Privacy. Get it?”.After being pushed into the pool, Nancy is given a change of clothes by her boyfriend. She then tells him “Some privacy maybe?”. She ultimately undresses in front of him.
The series mirrors Nancy’s relationship with Steve – a guy who is kind of a jerk, kind of pushy and kind of manipulative – with the plight of Eleven, an MK slave programmed by a handler. Although Nancy is not forced to do anything, the series draws a strong parallel between her losing her innocence (having sex with Steve) and mind control – as if saying that the entire population is “under the spell” of this system.
The scene of Nancy having sex with Steve is juxtaposed with her friend Barb being captured by the monster and taken to the Upside Down.By closing in on Nancy’s hand during sex and Barb’s hand while she is taken by the monster, the series once again compares her losing her “innocence” to a girl being abducted by the MK system.The next day, Nancy feels kind of ashamed and tells Steve that “everybody’s looking at her”. He tells her that it is not a big deal. Then, for no apparent reason, he points to a butterfly on her locked and says “Hmmm”. If you are new to this site, butterflies represent Monarch programming.
Throughout the series, characters observe that, since she’s been with Steve, Nancy is a “different person”, the same way MK slaves become different persons. Dustin observes that “she used to be cool”. Barb tells Nancy: “This isn’t you”. Jonathan says about Nancy: “I saw this girl, you know, trying to be someone else”.
Nancy’s ultimate fate is also identical to Eleven’s. While she appeared to be breaking away from Steve’s apparently irresistible spell, she ends up going back with him.
Did Steve truly change or is this an act to get back with Nancy?
In Conclusion
While most critics focus on the “nostalgia” factor of Stranger Things, the series is about much more than 80’s aesthetics. It addresses a disturbing aspect of American history and, through overt and subtle symbolism, reveals the deeper, metaphysical implications of the elite’s never-ending quest for power.
Stranger Things is not a documentary, however. It is a “science fiction” show that ends up depicting MKULTRA as a weapon against communism. While subtly alluding to abuse, the series presents a rather whitewashed version of MKULTRA, one that is devoid of its more gruesome aspects. This might lead viewers to believe that MKULTRA is “not so bad” or worse, that it is all fiction.
In the end, the series accomplishes what symbolism does: It reveals to those in the know while concealing to those in ignorance. Either you believe that the story is an apt reflection of the powers that be and the dark forces that rule them … or it is nothing but a creepy Dungeon & Dragons quest told by masterful dungeon masters.
If you know anything about international politics or the plan for a New World Order, you surely know about the CFR. It was often deemed “the most influential foreign policy think tank in the world” by international journalists. The list of its members is astonishing, to say the least, as it includes gigantic names in the corporate, financial and political world. Some examples of corporations: ABC News, American Express, Boeing, Coca-Cola, Ford Motor, Google, Halliburton, Heinz, IBM, Nike, Sony Corporation America and Visa. Examples of members: Barack Obama, Zbigniew Brzezinski (Obama’s advisor), Hilary Clinton, Dick Cheney, John McCain and David Rockefeller. Researchers have observed that these figures are working towards a world government and members never truly denied this fact. Shortly after his election, Obama selected the president of the Council on Foreign Relations Richard Haass, along with senior CFR-members Richard Holbrooke and Dennis Ross as special Foreign Envoys/ Foreign Policy Advisors.
Here’s the promotional video posted by the CFR.
The Council on Foreign Relations is a trusted and indispensable resource. Watch CFR members explain why:https://t.co/zAmqsBTIBM
While this video attempts to put a friendly face on the CFR by using TV celebrities and movie stars, it only ultimately proves that this globalist organization (created by JP Morgan and John D. Rockefeller) is more powerful (and less democratic) than ever. The video basically says: “The world is complex and geared towards globalization…and we’re the only ones who can deal with this”.
By showcasing its members, the video also showcases who and what the elite truly “owns”. Here are some of the people seen in the video.
Juliette Kayyem CNN National Security Analyst,
Robert Rubin Former Treasury Secretary, Co-Chair CFR
Juju Chang, ABC News Anchor
Dina Habib Powell, Global Head of Impact Investing, Goldman Sachs
Condolezza Rice, Former Secretary of State
Angelina Jolie, Actress
Jon Meacham, CEO Random House Publishing
Rev. Chloe Breyer, Interfaith Center of New York
Rabbi Elliot Cosgrove, Park Avenue Synagogue
Richard Plepler, CEO HBO
Jared Cohen, President of Jigsaw
Random House is the largest general-interest trade book publisher in the world. Goldman Sachs is one of the largest banking firms in the world (it was rescued as part of a massive U.S. government bailout). CNN, ABC and HBO are some of the largest TV stations in the world. This gives you an idea of the reach of the CFR.
By including Rev. Chloe Breyer, who works at the Interfaith Center of New York, you get a glimpse of the “one world religion” agenda of the NWO. It was founded in 1997 by the Very Rev. James Parks Morton, former Dean of the Cathedral of St. John the Divine – an NWO-friendly “sinister site” I’ve previously analyzed in this article.
Jared Cohen is the founder and President of Jigsaw (previously Google Ideas). He’s also an Adjunct Senior Fellow at the Council on Foreign Relations. Previously, he served as a member of the Secretary of State’s Policy Planning Staff and as an advisor to Condoleezza Rice and later Hillary Clinton. Initially brought in by Condoleezza Rice as a member of the Policy Planning Staff, he was one of a few staffers that stayed under Hillary Clinton.
The video shows Henry Kissinger next to a pile of Foreign Affairs publications (published by the CFR). In case you didn’t know, Henry Kissinger basically shaped the world as we know by dictating the US foreign policy for decades.
In short, this CFR video gives you a glimpse of the tentacular reach of this elite-created organization and how it is pushing towards a world government – despite its claims of not having agenda. Its founding members never shied away from the fact that they DID have an agenda. Proof of this can be found in this great short video about the CFR.
In this edition of SPOTM: Mariah Carey (and her alter), Rihanna, Courtney Stodden and a bunch of other pics proving that the industry is ruled by a small elite using the One-Eye sign as a symbol of power.
Mariah Carey is on the cover of Complex in a photoshoot entitled “Eyes Wide Open”. Clearly inspired by Stanley Kubrick’s “Eyes Wide Shut” (read my article about it here), the photoshoot implies that Mariah is about to partake into a magick ritual with a bunch of masked men. She is dressed in red, the color of sacrifice and initiation.If you’re a regular of Vigilant Citizen, you know that the “Eyes Wide Shut” theme is an overused way of portraying stars as slaves of the industry who are offered as objects to masked men (the faceless elite).In the last image of the photoshoot, Mariah is wearing black – the result of Black magick. She is leaning on a book that is most like of occult significance (considering the context of the photoshoot). In short, this photoshoot states that Mariah is still owned by the occult elite.Here she is on the cover of the summer issue of Clash magazine with one eye hidden. Owned.A few months ago, Mariah reintroduced her fans to her alter-ego Bianca who wears a black wig. Sensual alter personas … that is basically what Beta Kitten programming is all about.Speaking of Kitten programming, Courtney Stodden bares all of its symptoms. After she married her 50-year old handler Doug Hutchison while she was 16 years old, Stodden kept displaying odd behavior while being involved in several bizarre incidents. Things are however turning darker. A few weeks after her miscarriage, Courtney posted a picture showcasing her newly shaved head. Not unlike Britney Spears in 2008, MK slaves appear to feel the urge to shave their heads when attempting to cope with trauma. Provoking miscarriages is one of the horrific ways MK handles traumatize their slaves. Courtney also continuously wears feline-print clothing which is the visual code to identify Beta Kitten slaves.I think her handler is calling her, asking her to be surrounded by more feline prints.Rihanna is on the cover of W magazine … with a massive emphasis on the One-Eye sign.Created in part by one of the elite’s favorite photographers Steven Klein, Rihanna is “the last woman on earth and the ruling warrior queen in a dark, dystopian future”. Why does the future always needs to be dystopian?Death and desolation is so fashionable right now.In the entertainment industry’s version of the future, the elite always takes over all resources available on the planet, leaving the masses reduced to a state of animals, scrambling around a whole lot of fire, fences and barb wire. In other words, New World Order stuff. Also, Rihanna’s keys contain eyes which maybe hint that submitting to the Eye is the “key” out of this crap.Speaking of the Eye, Gigi Hadid is wearing it right on her back, with her name above it. They own Hadid. Its right on her back.Zelda Williams, the daughter of Robbin Williams gave an interview to Entertainment Weekly about her father and her new movie “Dead of Summer” where she plays a transgender character”. This is the picture they used for the article. The combination of the triple-6 Eye sign and Mickey Mouse shirt (Disney programming) tells you that the occult elite’s industry is now in charge of her.There is apparently a brand called Sissy Boy and this is apparently part of their promotion. Of course.The cover of Elle Spain is about the One-Eye sign. Magazine covers populate the walls of countless stores around the world. Picture how it is becoming omnipresent.
According to this cover of Esquire, Cara Delevingue is the “face of her generation”. Unfortunately, half of her face is not visible because she is doing the One-Eye sign.
This Prada ad needs to let you know who truly owns the brand.Kylie Jenner’s makeup thing = One-Eye sign.According to crappy celeb sites, Lottie Tomlinson (the sister of One Direction’s Louis) is the “next big thing?”. Judging by this One-Eye sign, she is already owned by those who decide who is the “next big thing”.The movie Bastille Day was released in France on July 13th (to coincide with the eve of Bastille Day, the French national day). Here’s a sum up of the plot: An American guy called Michael Mason (Freemason?) causes an explosion that kills 4 people. The French police tags Mason as a terrorist suspect and pursues him. Unknown to Michael, the explosion was actually set up by a select group in the French Interior Ministry as a decoy to make a half-billion dollar digital transfer from a bank. The day following the release of this movie in France, the Nice attacks occur. On the poster above it is written: “This year, the fireworks is them!”. Creepy.
“Don’t Hug Me I’m Scared” is a web series of six enigmatic videos that has grown into a “cult phenomenon”. Behind the weirdness, however, is a deeper message: It is about mass media brainwashing and MKULTRA.
Over the last few years, I’ve received quite a few e-mails regarding Don’t Hug Me I’m Scared, a web series involving puppets and a whole lot of creepiness. VC readers astutely identified symbols and messages in the videos that pointed towards a deeper and more disturbing meaning. Now that the final video has been published and the story is complete, I can wholeheartedly agree with these readers: Don’t Hug Me I’m Scared is not merely about random creepiness. It conceals a message about the effects of mass media on the world, how it shapes and molds people’s opinions, and how it preys deliberately on young, impressionable minds. Even more disturbing, it also depicts the manipulation of agents working in the media using actual MKULTRA brainwashing techniques until they are completely broken down. Pretty heavy stuff for a show about puppets.
The videos were created by British artists Becky Sloan and Joseph Pelling in 2011. Each episode is made to appear like a typical children’s television program, consisting of singing and talking puppets similar to those of Sesame Street, but eventually, the story takes a dark turn, usually involving gore. The first episode was reportedly created with little to no budget. After the video gained popularity, a second video was commissioned by Channel 4, a British television station (note that this station also sponsored Viktoria Modesta’s “Prototype”, a music video that is full of MK symbolism – read my article about it here). The series then took off, with each episode going deeper into the depths of Monarch Programming (if you don’t know what that is, please read this article first). More than simply satirizing children’s shows, Don’t Hug Me I’m Scared paints a bleak picture of mass media and society as a whole. Let’s look at the episodes.
Episode 1
The first episode begins with the three protagonists of the show, Red Guy, Yellow Guy, and Duck Guy, sitting around a kitchen table. A few items shown in this scene will reappear throughout the series, notably the date of June 19th and the checkerboard pattern.
It’s about to get creepy.
Then Sketchbook comes to life and explains to the friends how to “be creative”.
The notepad flashes the one-eye sign while teaching the puppets how to watch clouds creatively.
However, we quickly realize that there are strong contradictions in Sketchbook’s message.
When Yellow Guy paints a picture of a clown, Sketchbook tells him “Hold down friend you might need to slow it down”. Then black paint slowly starts drips down the painting.When asked for his favorite color, Yellow Guy writes green. Sketchbook denies his answer stating that “Green is not a creative color”.
When Sketchbook says: “Listen to your heart, listen to the rain, listen to the voices inside your brain”, things start to get dark.
First, we see the camera showing the “behind the scenes” of the TV show, letting us know that the puppets are actually actors in a children’s TV show.Then the puppets “get creative”, which means that they do a bunch of disturbing things and completely freak out.
This first episode, therefore, sets the stage for the rest of the series. It depicts three puppets being used somewhat unwillingly in a TV show that teaches unhealthy messages to children.
Episode 2
The second video is called TIME and features Tony the Talking Clock who teaches about the unstopping nature of time … and that everybody will be subjected to inevitable death and decay.
Tony the Talking Clock teaching about time. It is still June 19th.
Although Tony the Talking Clock sings about time continually advancing forward, time is apparently still in the world of the puppets. Throughout the series, it is clear that it is always the same day.
The clock points to a picture of the three friends. It is dated 19-06-55 (June 19, 1955), the “today” in each video.
The clock then takes the friends on a psychedelic journey through time from the past to the future.
Red Guy and Duck Guy are then seen with their brains connected to a giant computer topped by a giant eyeball. We are starting to understand that the puppets are under literal mind control. The pictures on the wall and the calendar imply that nothing is real in their minds.
It is during this episode that we first see Roy, Yellow Guy’s father. Every time we see him, an eerie music play in the background.
Yellow Guy’s father is the MK handler behind it all … and Yellow Guy will turn out to be the programmed slave.
In each episode, a “friendly” character pops out of nowhere to sing an educational song. But it always ends up showing its true face: Evil, sadistic and manipulative. In short, they are sent by the handler to program the puppets, who are then used to program TV viewers. Through hypnotic and subversive songs, the singing “friends” lure the puppets into a dissociative state where trauma awaits them.
The clock gets extremely angry when Duck Guy proposes an alternative definition of time. It also creepily watches on as time fast forwards and the puppets experience their own decay in real time.The puppets witness how their body will decay with time. In the world of MK, they are being subjected to trauma.
We then realize that this entire ordeal was all part of the friends’ TV show.
Tony the Talking Clock is on TV. As with MK programming, it is becoming difficult to distinguish between reality and fiction.
HELP
In the two short videos HELP and HELP #2, the puppets are held captive by assailants requesting money. Although this was primarily a way to promote the Don’t Hug Me I’m Scared Kickstarter campaign, the videos continued to reinforce the concept of the puppets as victims of trauma.
Red Guy is forced to read a memo under threat of being hit on the head with a hammer by an ISIS-ish monster. The date is still June 19, 1955.
Episode 3
The third installment of the series revolves around the concept of love and gets deeper into the concept of mind control.
The video begins with a “Still Missing” sign featuring the three characters. They’ve been missing since June 19th … which is today.
As MK slaves, the puppets are literally “missing” from reality, where time stands still (despite what Tony the Talking Clock was singing about).
Although they are “missing”, the three friends are enjoying a picnic outside.
The puppets are sitting, once again, on a dualistic checkerboard pattern surface. In occult symbolism, the checkerboard pattern is the ritualistic surface on which profound transformation occurs. In mind control, these occult properties are used during programming.
Several paintings by Kim Noble (a survivor of MKULTRA) prominently feature dualistic patterns. It is an integral part of mind control programming.
Then Yellow Guy sees something symbolic that indicates the beginning of programming.
A butterfly flies around Yellow Guy, who is fascinated by it.
As stated in multiple articles on this site, media that uses Monarch programming symbolism often indicates the beginning of a programming sequence with a butterfly that lures the slave into an alternate reality (such as in Pink’s Just Like Fire music video). In this case, the butterfly leads Yellow Guy to complete dissociation.
Yellow Guy literally goes “over the rainbow” (code for dissociation in Monarch mind control). The butterfly actually says “come on, just over the rainbow”.
In each video, the handler’s programming is represented by a cute character who leads the puppet to trauma. In the above image, Yellow Guy is literally in the clouds with strange characters and even a mushroom, which might imply that he is being drugged.
As usual, things turn dark and disturbing very quickly. Yellow Guy (who is not the sharpest tool in the shed) is tricked into believing that nobody will ever love him … unless he does what the butterfly says.
“This is your chance to start anew. And all we’re asking you to do is to is change your name, and clean your brain and forget about anything you ever knew.”
His brain is literally being washed.Behind Yellow Guy are Red Guy, Sketchbook, Tony the Talking Clock and, more importantly, his own dad, the handler behind it all. They are all witnessing his programming.Yellow Guy is also asked to worship Malcolm, the “King of Love” … and to feed him gravel.
Like the rest of the series, this episode comments on how media forces specific ideas upon the viewers. The same way Yellow Guy is asked to worship Malcolm and to feed him gravel in order to find love, the masses are asked to worship stupid things and spend money to feel happy and loved. On a deeper level, the episode also depicts the actual mind control programming of Yellow Guy, the star of the TV show for kids.
Episode 4
Episode 4 begins with the three friends playing a board game. Once again, there are several subtle details that confirm the presence of programming.
The friends are apparently inside Yellow Guy’s home – there is a picture of him and his father Roy (the handler) on the. Underneath the table, there’s a rug with an all-seeing eye in the center and four square “eyes” in each corner.The same square “eyes” are found on their board game, combined with the all-important checkerboard pattern. They are still being programmed.Behind Yellow Guy is the head of Malcolm the Love King illustrating that he has integrated this portion of his programming. Also, according to the milk carton, the three friends are still missing – even though they’re inside Yellow Guy’s house.
When a card from their game asks “What’s the biggest thing in the world”, the friends look at the globe. Studying the globe is indeed a great and wholesome way to learn about the real world. However, a slightly dumb computer interrupts their research.
The computer calls himself a “computerly guy” and keeps making grammatical errors.
Once again, we find here a comment about mass media. This TV show aimed at kids misleads them out of true information (learning from the globe) and lures them into learning pointless, big-brother-friendly information.
The computer starts asking all kinds of personal questions to the friends. This children’s TV show is attempting to normalize mass surveillance by presenting it to the viewers as something innocent and harmless.
When Red Guy tells the computer to “shut up” and taps on it, the friends are transported to the “digital world”. In MK terms, they are taken to dissociation. Once again, this symbolically represents them being programmed by their handlers.
In the digital world, the friends follow a checkerboard pattern floor, implying they are following the programming script as laid out by the handler. A bunch of googly eyes and a pyramid appear in the background: basic occult elite imagery.
The show is not about teaching children about computers anymore: It is a confusing ordeal where the computer acts as an agent of the MK handler.
The computer symbolically represents what MK handlers do to their slaves: Removing them from their core persona through trauma and dissociation.When looking into a mirror, Yellow Guy does not see himself, but a digital, “programmed” version of himself: his alter-persona.
As they get deeper into the digital world, the puppets find themselves inside a hypnotic whirlwind of sounds and images. Red Guy, the most critical guy in the group, gets sick of it and attempts to break out from programming.
Red Guy finds himself in the “real world” (or a somewhat distorted version of it). He’s an actor in a children’s TV show that uses motion capture.
Red Guy is not supposed to be aware of this reality. And his head literally explodes. MK slaves cannot break from programming and, if they do, they are often programmed to “auto-destroy”.
Episode 5
Duck Guy and Yellow Guy are sitting in a kitchen and feel like something is “missing”.
Duck Guy and Yellow Guy are too programmed to fully realize that Red Guy is gone. Notice Computer Guy on the fridge.
While looking around, the friends look at a picture on the fridge two separate times. The image is slightly different the second time around.
Upon second look, Red Guy is now outside the house, in the crosshairs of the window, and Duck Guy has Xs on his eyes. The image foretells something awful to come.
In this episode, food starts singing about healthy eating. As usual, they give terrible advice. During the song, a phone call interrupts everything.
The red phone represents the link between the fake world of mass media and the grim reality of MKULTRA.When he picks up the phone, Duck Guy finds himself in a dark surgical room. Judging by the monitor, he is in two places at once.
Meanwhile, a giant lamb chop sings about healthy eating. The song is confusing and full of contradictions, reminiscent of the mind games used by MK handlers to confuse and hypnotize MK slaves. Duck Guy cannot take this anymore and attempts to run away. He cannot go far.
In a rather gruesome scene, Duck Guy’s innards are dug out of him.We then see Yellow Guy eating cans full of Duck Guy. He’s eating his friend!
It is at this point that we understand that Yellow Guy is the main focus of the MK programming. The other two were expendable – and probably not fully programmable. In this episode, Yellow Guy was exposed to extreme trauma: He was forced to lose his friend … and then eat him. He is being completely broken down so he can be reprogrammed.
Episode 6
In the sixth and final episode, things reach a disturbing conclusion.
Yellow Guy in his bedroom, crying because his friends are gone. It is still June 19th.
At this point, we realize that the entire series basically took place in a single day. The first episode was during breakfast, then each episode progressed through the day until bedtime. But why did everything take place on June 19, 1955, specifically? Is there something significant about that particular day?
First, June 19, 1955, was Father’s Day, which gives things a sad tenor considering that the handler in the story is the boy’s father. Second, the year 1955 was during the post-war period, an expansive time for MKULTRA experimentation, as well as subliminal TV programming. In the present day, both of these fields have reached a very sophisticated and almost imperceptible level. (Fun fact: The final episode was released on June 19, 2016).
When Yellow Guy is finally ready to go to sleep, the lamp beside him comes to life and sings about dreams. Yellow Guy screams in horror because he knows that the song will inevitably turn into trauma. And he is right: He is back into his dissociative state.
Back in dissociation (represented by a cartoon world), we see Yellow Guy’s mind being a show. Who’s in the audience? His father, the handler.While following the ever-presented checkerboard road, Yellow Guy sees a butterfly (Monarch programming), a mushroom (drugs), the mind control machine topped by a giant eye, and, of course, his dad, the handler.Yellow Guy’s “dream” turns into a nightmare as he drowns in black liquid (similar to what was poured on his painting in the first episode). Simulated drowning is a classic torture method in MK programming.
Meanwhile, Red Guy is apparently trying to live a normal life in the “real world”.
Red Guy holds a boring job in a bland world where everybody looks like him.After work, Red Guy goes out and everybody looks the same. Are the makers of the series saying that the real world is populated by a bunch of conformist clones?
Red Guy gets on stage to perform for the crowd.
He sings the song about creativity heard in the first episode. He even replicates the parts sung by his friends. (RIP Duck Guy).
This scene is rather sad. It is basically an MK slave trying to express himself. However, all he knows is what he was programmed to know. So his “creative outlet” is to sing something he was forced to learn. Ironically enough, that song was about “creativity”.
Everybody in the crowd hates the song … except for maybe one person.
Roy the handler is in the crowd.
Roy has apparently found Red Guy to bring him back to his programming. MK slaves cannot be left loose in the real world for long.
Red Guy finds himself back in MKULTRA world. Was he ever in the “real world”? Was it all a dream? Reality and fiction is extremely blurry for MK slaves.Red Guy finds the console that unleashes the singing things that are used to program the friends. Notice that there’s a video reel and a musical keyboard, hinting that music and video are used to control MK slaves and, on a wider scale, the masses.Roy the handler appears and attempts to reach Red Guy with an extremely long arm (the world of MK is very far reaching).Red Guy unplugs the machine. Did he unplug himself from mind control? Did the masses unplug themselves from media control?We then see the three friends sitting on a table, looking slightly different. They are in the colors mentioned in the first episode as their favorite color.A page falls from the calendar. It is finally June 20th.
It’s a brand new day. Are these our friends? Are they free now? Not sure.
Sketchbook comes to life again, signing its song. Programming continues on the every present checkerboard pattern.
It’s the same story on a different day. For the kids watching the TV show, it is just another day of TV programming.
In Conclusion
Don’t Hug Me I’m Scared is a strange and disturbing adventure that has lent itself to all kinds of theories and interpretations. However, it is difficult to miss the series’ scathing commentary on mass media that targets young children and brainwashes them into conforming to the elite’s will.
Through symbolism, the series also comments on the most direct and brutal form of brainwashing: Monarch mind control, also known as MKULTRA. Indeed, the series puts on display the entire world of MKULTRA, from its distinctive symbolism to the horrific techniques used to cause trauma and dissociation. We are shown these techniques being used on actors, hinting that the people we know and love in our mass media might also be brainwashed MK slaves.
So is Don’t Hug Me I’m Scared a warning against the evils of mind control or does it simply propagate more of elite’s sick culture to the masses? The answer depends on whether or not you’ve pulled the plug from the machine.
A “lone sniper” killed 5 police officers while injuring 11 others amidst a protest against police killings. This violent event occurred at a strategic time and perfectly serves the elite’s race war agenda. Was Micah Johnson a patsy of the elite?
The violent deaths of two Black men at the hand of police has prompted, once again, nationwide protest against police killings, especially within the Black community. The fact that the deaths of Alton Sterling and Philando Castile were recorded on film only accentuated the outrage throughout the U.S. as viewers witnessed the graphic and sickening sight of murder. The videos also prevented police from providing an “official”, whitewashed account of the events.
These deaths ignited yet another national debate around the use of lethal force by police in situations devoid of immediate danger. Once again, Americans were faced with the fact that law enforcement has violated its own motto “to serve and protect” by killing citizens who could and should have been handled in a controlled and professional matter.
The resulting debate on the role and responsibilities of law enforcement was, however, quickly replaced by something more in tune with the elite’s agenda: Fear and racial division. Indeed, less than 48 hours after the police killings and at the height of national protest, a Black gunman shot and killed 5 police officers while injuring 11 others during a Black Lives Matter march in Dallas. The killer was later identified as Micah Johnson, a military veteran who “wanted to kill white people”. The powers that be could not have asked for a better event to change the narrative, polarize the population, accentuate racial division and justify more police oppression.
So was Micah Johnson a patsy programmed to carry out this elite-friendly operation? Difficult to say for sure. However, a look at the killer’s story provides important insight as his strange path is indeed symptomatic of a programmed slave.
Micah Johnson – Programmed in the Military?
Friends and family members reported a drastic change in Micah Johnson’s personality after his military service.
Johnson lived in Mesquite, Texas with his mother in a middle-class suburban home. His friends described him as “sweet-hearted joker” who was involved in his community and worked with special-needs children. In 2009, Johnson enrolled in the military.
When he graduated in 2009 he joined the Amy Reserve serving in the 420th Engineer Brigade based at Seagoville, Texas where he became a carpentry and masonry specialist.
He underwent basic weapons training but was described by one fellow serviceman as a “terrible shot”.
In November 2013 Johnson was deployed to Bagram air base in Afghanistan. His job would have involved him in construction work on the base and there was no record of him being in a combat role, although there were photographs of him in military vehicles.
– The Telegraph, Dallas shooting: Who was Micah Johnson? Everything we know about the attacker
It was during his stint in the military that Johnson took a turn for the worse. According to several acquaintances, Johnson returned from Afghanistan a changed man.
“When he returned home in July 2014 friends said Johnson had changed, seeming withdrawn and to have lost the Christian faith instilled in him by his church-going mother.”
– Ibid.
“Johnson changed, she said. He was quieter, more reclusive and withdrawn, and would talk about the horrors of war. Before his tour, he was sweet and quiet, and would help other kids in the community, a neighbourhood she described as mixed, where people of all races and religions live.”
– CBC News, Dallas sniper ‘was not the same’ after time in Afghanistan, next-door neighbour says
“Micah Johnson went from being an extrovert to a “hermit”, Delphine Johnson told The Blaze website.
The military was not what Micah thought it would be,” she said. “He was very disappointed.”
– BBC, Micah Johnson: Dallas killer ‘changed’ by military experience
Johnson was sent home from the military after he was accused of sexual harassment by a female who told superiors he needed “mental help”. He may have joined the military a “sweet and quiet” person, but Johnson returned to American angry and unstable.
What happened during his stay in the military? Could his drastic change be attributed to post-traumatic stress disorder (although he was “specialized in carpentry and masonry” and was assigned to building duties)?
Could he have been subjected to MK-ULTRA programming during his military career? It’s impossible to know. One thing is certain: Military bases are a prime location for Delta programming – the mind-control program to train killers.
DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
Military bases are isolated, highly secured and packed with the necessary equipment to train and program a Delta alter. However, subjecting a victim to drugs and trauma in order to breakdown the core persona and to create an alter than can be triggered at will can lead to mental instability.
When Johnson was sent home for “sexual harassment” (which is usually dealt with using counseling in the military), he sought involvement with Black power groups. But his background barred him from joining.
Ken Moore of the Collective Black People’s Movement (CBPM) said that he was asked to look into Johnson by an unidentified black activist group. When he discovered the Army veteran was discharged for sexual harassment, he labelled him “unfit for recruitment.”
Malik Shabazz, former chair of the New Black Panther Party, told The Daily Beast that the background check system described by Moore effectively blacklisted Johnson from membership in black nationalist and black liberation groups across the country.
“Once you’re blacklisted by the alert that we put out, that’s a wrap,” Moore told The Daily Beast.
– The Daily Beast, Dallas Cop-Killer Micah Johnson Was Blacklisted by Black-Power Groups as ‘Unstable’
In the wake of the Dallas shootings, strange facts about Johnson have surfaced in the media. First, as it is often the case in false flag operations, conflicting and contradictory information was reported by the news. Early information described a “team of coordinated snipers” carrying out killings from buildings. Law enforcement later claimed that a lone gunman carried out all of the killings.
Law enforcement originally suspected two shooters were present at the attack, but Chief David Brown said that Johnson, who was an Army reservist, had studied “shoot and scoot” tactics, where he would change locations quickly after firing off a series of rounds.
On Friday, Dallas Mayor Mike Rawlings described Johnson as “a mobile shooter” who had written manifestos on how to “shoot and move”.
– The Independent, Dallas shooter Micah Johnson wrote cryptic message in his own blood on wall before he died
Some observers wondered how one man could have killed so many armed officers, when coordinated attacks from multiple snipers appears to be a more plausible strategy.
No matter what the case may be, after the death of Micah Johnson, more strange facts surfaced about him, many of which point towards his being a patsy.
Police are trying to decipher the meaning of a cryptic message left by the suspect in the Dallas shooting amid reports that he was planing an additional attack on a much larger scale.
During two hours of negotiations with officers in, he taunted authorities, laughing at them and at one point asking how many officers he had shot, according to the city’s police chief.
Johnson insisted on speaking with a black negotiator and wrote in blood on the wall of a parking garage where police cornered and later killed him, David Brown told CNN’s State Of The Union.
– The Independent, Dallas shooter Micah Johnson wrote cryptic message in his own blood on wall before he died
In short, many facts point towards him being programmed to carry out a strategically timed action to advance the elite’s agenda. What would the elite gain from such a horrific event? The advantages are manifold.
Militarization of Police and Police State Tactics
Micah Johnson was killed by a police robot equipped with a bomb. This unprecedented method of neutralizing a threat has raised ethical questions, as it is indeed one of the first cases of police killing an individual using a robotic device. Was there a better event to introduce this new killing method?
On a larger scale, these type of events justify the militarization of police as a whole, complete with military grade equipment and guerrilla tactics. As more crimes involve military tactics, the police will be justified to use a military-style response. The concepts of domestic terrorism and martial law are becoming an integral part of law enforcement vocabulary.
The Dallas shootings also justified a more immediate action, in the use of military grade force by police against protesters.
Baton Rouge police rush a crowd of protesters and start making arrests on Saturday evening in Baton Rouge, LA
Race War
The most profound effect of the Dallas shootings is related to an important agenda in America: Racial division and the instigation of race wars. There are currently leaders in both Black and White communities who are working towards the provocation of a race war. Coincidentally or not, profound and explosive division within the population is exactly what the elite is looking for. “Divide and conquer” is the oldest strategy in the book of those in power and it remains the most effective one. A population united against a police state is bad for the elite. A population divided against itself around issues that do not concern the elite is great for the elite.
In Conclusion
The Dallas shootings were carried out by a man who was “institutionalized” by the military system. His story and actions are symptomatic of an MK Delta slave, programmed to carry out strategic killings on behalf of the elite and to take the ultimate fall for it. This occurred only blocks away from the JFK shooting site which was also blamed on a patsy who took the ultimate fall.
We may never know the full story, but the truth remains the same. The attack attributed to Micah Johnson is perfectly in line with the elite’s goals: It has justified more police state action while swiftly advancing an even more brutal component of the agenda: Race wars.
Actress Selma Blair was carried out of an airplane on a stretcher and sent to a Los Angeles hospital after a bizarre breakdown where she screamed about an abusive man who acts like an Mind Control handler.
Selma Blair’s flight back from a Cancun vacation with her ex-boyfriend and their four year old son turned into a bizarre nightmare when Blair began shouting to fellow passengers about a mysterious man who abuses her.
“He burns my private parts. He won’t let me eat or drink. He beats me. He’s going to kill me.”
According to witnesses, Blair has been mixing wine with prescription drugs on the plane. Did this toxic mix cause her to invent things out of thin air … or did it help surface a repressed memory of abuse? Blair was then forcibly removed from the plane on a stretcher to then be sent out to a hospital.
If you’ve read other articles on this site about MK breakdowns such as Britney Spears or Amanda Bynes, you might recognize a similar pattern: A sudden breakdown where memories of abuse appear to resurface, a forced trip to the hospital and the media heavily emphasis by media on “drugs and alcohol”.
The phrase “He burns my private parts” is especially telling and disturbing. It most likely refers to sexual abuse combined with probable torture around the genitals. The wording is child-like, as if a young girl had said it. Victims of mind control and satanic ritual abuse (SRA) suffer extreme trauma until reaching a state state of dissociation which sometimes generate alter-personas that could be triggered. These alternate personalities can have different name, age and story and can even foster their own memories. The sentences “He won’t let me eat or drink. He beats me. He’s going to kill me” further describe torture typical to trauma-based mind control.
According to sources, there were no signs of Blair breaking down in the hours and days prior to the flight. She was reportedly in a good mood and several photos even show the family enjoying their vacation.
Blair’s Instagram post prior to the vacation.Blair with her son and ex-boyfriend Jason Bleick in Cancun.
MK survivors are prone to unexpected “glitches” and breakdowns, especially when programming “wears off”.
So who was Selma Blair referring to? Her ex-boyfriend Jason Bleick? Her father Elliot I. Beitner who was an attorney and active in the U.S. Democratic Party? Her other ex Ahmet Zappa, the son of Frank Zappa and executor of the Zappa Family Trust? Someone else? No matter what the case may be, this bizarre outburst is yet another example of the twisted life behind the scenes in Hollywood.
In this edition of SPOTM: Melanie Martinez, Elle Fanning, Euro 2016 and the father of the Orlando killings. All unrelated, yet all related.
Singer Melanie Martinez was first discovered on The Voice and is now signed with Atlantic Records. Although not a big star yet, she is 100% dedicated to Illuminati and MK symbolism. Here, she’s doing the one-eye sign in Billboard magazine.Hiding one eye with a fake eye while wearing a necklace full of eyes. She really wants to be an Illuminati pawn.Back in my day, we used to eat the donuts we got. We did not put them in our face to appear hip.This album cover is pure Monarch mind control symbolism where the core-persona is literally removed from the MK slave.Sporting Monarch mind control fashion: The only way to make it big in Hollywood.Eating a Monarch butterfly? A great way to show dedication to the elite’s sick industry.Most of Martinez’ act revolves being a “sexy baby” – something that the elite is looking to force down our throats (see this Miley Cyrus video). Why? Because the elite is full of pedos, that’s why.
Industry veterans must periodically tell the world that they are owned by the elite. Robbie Williams did just that on Instagram.The Neon Demon (starring Elle Fanning) is a film about “an aspiring model in Los Angeles whose beauty and youth place her in significant danger amongst the women she becomes associated with in the industry, who are murderous and dangerous”. In short, it is about the Satanic industry and it stars an actress who was literally raised by it. In this poster, the model is laying bloody while the elite’s pyramid is in the background.At the premiere of The Neon Demon, the stars were photographed eating eyeballs while a gigantic pyramid (with the all-seeing eye missing) stood in the background. The occult elite is really putting its symbolism in everybody’s face.This is Ashton Kutcher wearing a Masonic hat. That is all.The Indian magazine Outlook is really into the One-Eye sign, hinting that its agenda is pro-elite. This cover is from December 2013.This one is from 1998.This one is from 2015. Committed to the agenda.This is the logo of Copa America 2016. How many 6’s do you see inside the cup? 3, which creates a graphical 666. Maybe its a coincidence.This is the logo of Euro 2016. How many 6-pointed stars do you see? 3. Which creates a graphical 666. Maybe its a coincidence.This is Seddique Mateen, the father of Omar Mateen, the Orlando massacre terrorist. He is standing in front of the State Department office in Washington. According to several sources, he was seen visiting Washington several times where he met with high level politicians. Some sources claim he was a CIA asset in Afghanistan, when the Taliban were backed by the US during the cold war.This image sums it all. The father of a terrorist standing on the White House podium where political BS is announced to the masses. In my 2014 article about ISIS, I stated that the group was used to push the elite’s Agenda. This is truer than ever today.
The 2016 Bilderberg Meeting will take place on 9-12 June in Dresden, Germany. Once again, it will unite the most powerful people in the world and will tackle crucial topics in total secrecy.
Among this year’s attendees are two prime ministers, four finance ministers, the head of the IMF, the vice-president of the European commission, senior politicians and policymakers, dozens of bank bosses, high-finance billionaires, leading entrepreneurs and former heads of the CIA and the MI6. Of course, Henry Kissinger will be in attendance, as he has been a puppet master of international politics for decades.
The meeting will take place at the Taschenbeinpalais hotel in Dresden which has been surrounded by a massive concrete barricade and guarded by over 400 armed security personnel. As this The Guardian article puts it:
You know Bilderberg’s about to begin when you start seeing the guns. The Taschenbergpalais hotel in Dresden is filling up with pistol-packing plainclothes security as the last guests are ushered out. The frowning gunslingers head up and down the corridors with their hotel maps, trying door handles and checking the lay of the land while, down in the hotel lobby, corporate goons gather in muttering huddles.
– The Guardian, Bilderberg: still powerful but perhaps a bit more anxious this year
A concrete barricade is being erected around the site of the Bilderberg meeting. There is a literal wall between the world elite and the masses.
Here are the key topics of this year’s meeting – according to the official Bilderberg website.
Current events
China
Europe: migration, growth, reform, vision, unity
Middle East
Russia
US political landscape, economy: growth, debt, reform
Cyber security
Geo-politics of energy and commodity prices
Precariat and middle class
Technological innovation
Here’s the full list of attendees.
CHAIRMAN
Castries, Henri de (FRA), Chairman and CEO, AXA Group
Aboutaleb, Ahmed (NLD), Mayor, City of Rotterdam
Achleitner, Paul M. (DEU), Chairman of the Supervisory Board, Deutsche Bank AG
Agius, Marcus (GBR), Chairman, PA Consulting Group
Ahrenkiel, Thomas (DNK), Permanent Secretary, Ministry of Defence
Albuquerque, Maria Luís (PRT), Former Minister of Finance; MP, Social Democratic Party
Alierta, César (ESP), Executive Chairman and CEO, Telefónica
Altman, Roger C. (USA), Executive Chairman, Evercore
Altman, Sam (USA), President, Y Combinator
Andersson, Magdalena (SWE), Minister of Finance
Applebaum, Anne (USA), Columnist Washington Post; Director of the Transitions Forum, Legatum Institute
Apunen, Matti (FIN), Director, Finnish Business and Policy Forum EVA
Aydin-Düzgit, Senem (TUR), Associate Professor and Jean Monnet Chair, Istanbul Bilgi University
Barbizet, Patricia (FRA), CEO, Artemis
Barroso, José M. Durão (PRT), Former President of the European Commission
Baverez, Nicolas (FRA), Partner, Gibson, Dunn & Crutcher
Bengio, Yoshua (CAN), Professor in Computer Science and Operations Research, University of Montreal
Benko, René (AUT), Founder and Chairman of the Advisory Board, SIGNA Holding GmbH
Bernabè, Franco (ITA), Chairman, CartaSi S.p.A.
Beurden, Ben van (NLD), CEO, Royal Dutch Shell plc
Blanchard, Olivier (FRA), Fred Bergsten Senior Fellow, Peterson Institute
Botín, Ana P. (ESP), Executive Chairman, Banco Santander
Brandtzæg, Svein Richard (NOR), President and CEO, Norsk Hydro ASA
Breedlove, Philip M. (INT), Former Supreme Allied Commander Europe
Brende, Børge (NOR), Minister of Foreign Affairs
Burns, William J. (USA), President, Carnegie Endowment for International Peace
Cebrián, Juan Luis (ESP), Executive Chairman, PRISA and El País
Charpentier, Emmanuelle (FRA), Director, Max Planck Institute for Infection Biology
Coeuré, Benoît (INT), Member of the Executive Board, European Central Bank
Costamagna, Claudio (ITA), Chairman, Cassa Depositi e Prestiti S.p.A.
Cote, David M. (USA), Chairman and CEO, Honeywell
Cryan, John (DEU), CEO, Deutsche Bank AG
Dassù, Marta (ITA), Senior Director, European Affairs, Aspen Institute
Dijksma, Sharon A.M. (NLD), Minister for the Environment
Döpfner, Mathias (DEU), CEO, Axel Springer SE
Dyvig, Christian (DNK), Chairman, Kompan
Ebeling, Thomas (DEU), CEO, ProSiebenSat.1
Elkann, John (ITA), Chairman and CEO, EXOR; Chairman, Fiat Chrysler Automobiles
Enders, Thomas (DEU), CEO, Airbus Group
Engel, Richard (USA), Chief Foreign Correspondent, NBC News
Fabius, Laurent (FRA), President, Constitutional Council
Federspiel, Ulrik (DNK), Group Executive, Haldor Topsøe A/S
Ferguson, Jr., Roger W. (USA), President and CEO, TIAA
Ferguson, Niall (USA), Professor of History, Harvard University
Flint, Douglas J. (GBR), Group Chairman, HSBC Holdings plc
Garicano, Luis (ESP), Professor of Economics, LSE; Senior Advisor to Ciudadanos
Georgieva, Kristalina (INT), Vice President, European Commission
Gernelle, Etienne (FRA), Editorial Director, Le Point
Gomes da Silva, Carlos (PRT), Vice Chairman and CEO, Galp Energia
Goodman, Helen (GBR), MP, Labour Party Goulard, Sylvie (INT), Member of the European Parliament
Graham, Lindsey (USA), Senator
Grillo, Ulrich (DEU), Chairman, Grillo-Werke AG; President, Bundesverband der Deutschen Industrie
Gruber, Lilli (ITA), Editor-in-Chief and Anchor “Otto e mezzo”, La7 TV
Hadfield, Chris (CAN), Colonel, Astronaut
Halberstadt, Victor (NLD), Professor of Economics, Leiden University
Harding, Dido (GBR), CEO, TalkTalk Telecom Group plc
Hassabis, Demis (GBR), Co-Founder and CEO, DeepMind
Hobson, Mellody (USA), President, Ariel Investment, LLC
Hoffman, Reid (USA), Co-Founder and Executive Chairman, LinkedIn
Höttges, Timotheus (DEU), CEO, Deutsche Telekom AG
Jacobs, Kenneth M. (USA), Chairman and CEO, Lazard
Jäkel, Julia (DEU), CEO, Gruner + Jahr
Johnson, James A. (USA), Chairman, Johnson Capital Partners
Jonsson, Conni (SWE), Founder and Chairman, EQT
Jordan, Jr., Vernon E. (USA), Senior Managing Director, Lazard Frères & Co. LLC
Kaeser, Joe (DEU), President and CEO, Siemens AG
Karp, Alex (USA), CEO, Palantir Technologies
Kengeter, Carsten (DEU), CEO, Deutsche Börse AG
Kerr, John (GBR), Deputy Chairman, Scottish Power
Kherbache, Yasmine (BEL), MP, Flemish Parliament
Kissinger, Henry A. (USA), Chairman, Kissinger Associates, Inc.
Kleinfeld, Klaus (USA), Chairman and CEO, Alcoa
Kravis, Henry R. (USA), Co-Chairman and Co-CEO, Kohlberg Kravis Roberts & Co.
Kravis, Marie-Josée (USA), Senior Fellow, Hudson Institute
Kudelski, André (CHE), Chairman and CEO, Kudelski Group
Lagarde, Christine (INT), Managing Director, International Monetary Fund
Levin, Richard (USA), CEO, Coursera
Leyen, Ursula von der (DEU), Minister of Defence
Leysen, Thomas (BEL), Chairman, KBC Group
Logothetis, George (GRC), Chairman and CEO, Libra Group
Maizière, Thomas de (DEU), Minister of the Interior, Federal Ministry of the Interior
Makan, Divesh (USA), CEO, ICONIQ Capital
Malcomson, Scott (USA), Author; President, Monere Ltd.
Markwalder, Christa (CHE), President of the National Council and the Federal Assembly
McArdle, Megan (USA), Columnist, Bloomberg View
Michel, Charles (BEL), Prime Minister
Micklethwait, John (USA), Editor-in-Chief, Bloomberg LP
Minton Beddoes, Zanny (GBR), Editor-in-Chief, The Economist
Mitsotakis, Kyriakos (GRC), President, New Democracy Party
Morneau, Bill (CAN), Minister of Finance
Mundie, Craig J. (USA), Principal, Mundie & Associates
Murray, Charles A. (USA), W.H. Brady Scholar, American Enterprise Institute
Netherlands, H.M. the King of the (NLD)
Noonan, Michael (IRL), Minister for Finance
Noonan, Peggy (USA), Author, Columnist, The Wall Street Journal
O’Leary, Michael (IRL), CEO, Ryanair Plc
Ollongren, Kajsa (NLD), Deputy Mayor of Amsterdam
Özel, Soli (TUR), Professor, Kadir Has University Papalexopoulos, Dimitri (GRC), CEO, Titan Cement Co.
Petraeus, David H. (USA), Chairman, KKR Global Institute
Philippe, Edouard (FRA), Mayor of Le Havre
Pind, Søren (DNK), Minister of Justice
Ratti, Carlo (ITA), Director, MIT Senseable City Lab
Reisman, Heather M. (CAN), Chair and CEO, Indigo Books & Music Inc.
Rutte, Mark (NLD), Prime Minister
Sawers, John (GBR), Chairman and Partner, Macro Advisory Partners
Schäuble, Wolfgang (DEU), Minister of Finance
Schieder, Andreas (AUT), Chairman, Social Democratic Group
Schmidt, Eric E. (USA), Executive Chairman, Alphabet Inc.
Scholten, Rudolf (AUT), CEO, Oesterreichische Kontrollbank AG
Schwab, Klaus (INT), Executive Chairman, World Economic Forum
Sikorski, Radoslaw (POL), Senior Fellow, Harvard University; Former Minister of Foreign Affairs
Simsek, Mehmet (TUR), Deputy Prime Minister
Sinn, Hans-Werner (DEU), Professor for Economics and Public Finance, Ludwig Maximilian University of Munich
Skogen Lund, Kristin (NOR), Director General, The Confederation of Norwegian Enterprise
Standing, Guy (GBR), Co-President, BIEN; Research Professor, University of London Svanberg, Carl-Henric (SWE), Chairman, BP plc and AB Volvo
Thiel, Peter A. (USA), President, Thiel Capital
Tillich, Stanislaw (DEU), Minister-President of Saxony
Vetterli, Martin (CHE), President, NSF
Wahlroos, Björn (FIN), Chairman, Sampo Group, Nordea Bank, UPM-Kymmene Corporation
Wallenberg, Jacob (SWE), Chairman, Investor AB
Weder di Mauro, Beatrice (CHE), Professor of Economics, University of Mainz
Wolf, Martin H. (GBR), Chief Economics Commentator, Financial Times
Most observers agree that the attendee list is pro-European Union, anti-Brexit, pro-migration, pro-Hillary Clinton (a regular of Bilderberg meetings) and pro-high-tech surveillance. In short, it is pro-NWO. The very existence of these meetings reflect the elite’s lack of respect for the democracy.
Even a cursory comparison between the guest list and the conference agenda raises red flags. All those finance ministers sitting round discussing the “geopolitics of energy and commodity prices” with the group chief executive of BP, the vice-chairman of Portuguese petroleum giant Galp Energia, and the CEO of Royal Dutch Shell. And then afterwards saying nothing to their respective parliaments about what they discussed. It’s so off-the-chart inappropriate that it beggars comprehension.
– Ibid.
According to this Infowars article, an “insider source” claims that the meeting will discuss the implementation of an Internet ID and global tax.
The secretive Bilderberg Group is set to discuss plans to implement an Internet ID to eviscerate anonymity on the web as well as a global tax on financial transactions and air travel, according to an inside source who spoke to Infowars.
According to our source, the creation of a virtual passport that web users will need to obtain before they can use many Internet services is high on the agenda.
The Internet ID will be justified under the guise of “cybersecurity” and creating a convenient method for citizens to access government services, but free speech advocates will view the proposal with deep suspicion as it would threaten online anonymity and possibly chill dissent.
Services such as Facebook, YouTube and Twitter could also use the online passport to revoke posting permission if a user violates terms of agreement, another obvious threat to the free flow of information that has made the web what it is today.
– Infowars, Bilderberg Leak: Secretive Group To Discuss Internet ID, Global Tax.
In short, this year’s meeting is all about keeping course on the ultimate goal: one world government, one world currency and total control of the masses through insidious policies and high technology.
Attended by Europe’s most powerful people, the opening ceremony of the Gotthard Base Tunnel in Switzerland was a dark, disturbing, weirdly satanic ritual. Here’s a look at another celebration of the occult elite.
Measuring over 57 km and costing over 11 billion Euros, the Gotthard Base Tunnel is world’s longest and most expensive tunneling project in History. Going through the Swiss Alps, the tunnel took 17 years to complete and is said to be a symbol of European unification in a context of rising nationalism and closing borders.
To celebrate the inauguration of this tunnel, an elaborate ceremony was presented in front of European dignitaries such as Chancellor Angela Merkel of Germany, President Francois Hollande of France and Italian Prime Minister Matteo Renzi. While most would expect an upbeat, celebratory ceremony, guests were rather treated to a disturbing show orchestrated by German director Volker Hesse, where a man dressed as a goat presided a strange ritual.
As I discussed in my article on the opening and closing ceremonies of the 2012 London Olympics, the occult elite enjoys putting on full display its agenda and philosophy symbolic, dramatic displays which are reminiscent of dramas re-enacted in secret society rituals. Furthermore, there is no better way to showcase sheer power than putting the “Illuminati stamp of approval” on massive mega-projects such as the Olympics or major constructions.
The ceremony begins with workers dressed in orange walking slowly to the beat of a rhythmic military drum.
This scene represents the workers being sent to work on the tunnel.
There is something very “New World Order” to this militaristic portrayal of the working force. As the drums get more rhythmic, the workers get more excited, dancing around and jumping through loops.
Then, things get stranger. A train brings a group of young people dressed in white underwear.
Dressed in white, these men and women represent the masses who will travel through the tunnel.For some reason, the ceremony becomes strangely sexual as the white-clad people start groping each other.
After portraying the workers as zombie soldiers, the ceremony portrays the general population as a bunch of lascivious people who appear to be extremely suggestible.
Then, emerging from that train is a demonic fallen angel, a baby-faced Lucifer.
This scene is meant to “honor” the workers who died during the construction of the tunnel. Why is baby Lucifer creepily flying above them?
From this point on, the event turns into an all-out satanic ceremony.
A man dressed as a goat becomes the master of ceremony as the everybody else pays homage to him.
What does this have to do with the building of a tunnel? Mass media, in its vain attempts at explaining this ceremony, state that there are mountain goats in the Alps … which explains the goat-man. But why is this goat-man in such a position of power? Why are people bowing down to him?
The ceremony appears to draw inspiration from local folk tales, specifically the legend about The Devil’s bridge, which goes through Gotthard Pass.
The legend of this particular bridge states that the Reuss was so difficult to ford that a Swissherdsmanwished the devil would make a bridge. The Devil appeared, but required that the soul of the first to cross would be given to him. The mountaineer agreed, but drove a goat across ahead of him, fooling his adversary. Angered by this sham, the devil fetched a rock with the intention of smashing the bridge, but an old woman drew a cross on the rock so the devil could not lift it anymore. The rock is still there and, in 1977, 300,000 Swiss francs were spent to move the 220 ton rock by 127 m in order to make room for the new Gotthard road tunnel.
While the devil lost in the legend, he appears to have won in the tunnel’s opening ceremony.
Men walk in a strange procession while holding horned skulls as if they are priceless religious artifacts.Women dressed in white hold small horns on their heads as if saying “We accept the goat-man as our god”.All the while, the goat-man runs around, getting increasingly energized.
The second part of the ceremony takes place outside and follows the same basic narrative. Zombie workers go first, followed by people in underwear, to the welcome Satan himself.
For some reason, workers take off their shirt and get in military formation.Young people in underwear, looking very confused stumble around. This is how the elite perceives the masses.
Once again, the ceremony portrays the death of workers in a rather disturbing matter.
Three workers hang in the air, apparently dead.The workers are replaced with three creepy ghosts.We then see them floating in front of a giant All-Seeing eye. Is the elite celebrating human sacrifice?The goat-man makes his entrance, preceded by people wearing white veils … like brides before a wedding.While the goat-man runs around on stage, screaming like a possessed man, the big screen displays images of the goat-man looking extremely evil. Three scarabs float in front of him. Does Satan see the three dead workers as mere insects?As people dressed in white bow down to the goat-man, a circle of eyes watches over them, confirming that this was one big, blatant, Satanic ceremony brought to you by the occult elite.A woman drapes the goat-man in white as is saying “You are now the king of the world”.
In Conclusion
The occult elite is all about power and symbolism. The above ceremony showcased both. Through the opening ceremony of the world’s deepest and longest tunnel, the occult elite tells the world that they control the world’s resources and manpower. In other words, they are the only ones who can make such projects happen because they control politics, finance, and business. Furthermore, by creating overtly occult ceremonies, the elite tells the world: “This is what we believe in, this is what we think of you and there is nothing you can do about it.”
The opening ceremony of the Gotthard Base Tunnel turned a great feat of engineering into a religious ceremony dedicated to Baphomet while somewhat ridiculing the workers who sacrificed their lives and the masses who will travel through the tunnel. Then, Europe’s most powerful people stood up and gave a standing ovation to this ceremony dedicated to the true ruler of the occult elite.
Last year I identified the transgender and “gender fluidity” issue as an artificially created propaganda wave made to bring about an important change in society. In my article entitled The Agenda Behind Bruce Jenner’s Transformation, I explained how Bruce Jenner’s widely publicized sex change was part of wider Agenda aiming to blur the boundaries of genders and to celebrate deviation from nature as a great achievement. Furthermore, it was to prepare the field for upcoming policy changes around the world.
Months later, mass media propaganda turned into laws and policies. From the “war of the bathrooms” to the allowing of parents helping their young children undergoing a sex change, modern society is shifting drastically towards a new definition of gender – a term that was considered binary since the dawn of time (in the human race).
In a context where public figures who dare to address these issues get promptly shamed and labeled “transphobic”, open debate on the subject is nearly impossible. Luckily, there are a few illuminated minds who dare to go against the grain and placing the entire transgender agenda into perspective.
Camille Paglia, an author, and academic who never shied away from controversy breaks down the implications of today’s transgender agenda. Although herself a lesbian and a feminist, Paglia has always criticized the artificial and unreasonable constructs made in the name of “equality” and political correctness.
Here are some quotes from the above video.
“Sex reassignment surgery, even today with all of its advances, cannot in fact change anyone’s sex.”
“Ultimately, every single cell in the human body, the DNA in that cell, remains coded for your biological birth.”
“I think that the transgender propagandists make wildly inflated claims about the multiplicity of gender.”
In this day and age, stating these kinds of facts is considered wrong and “hurtful”. If mass media can turn something as clear and defined as a person’s gender into a big, vague, tornado of confusion, it can redefine anything else to fit its needs … and people will fall for it.
Pink’s Just Like Fire is one of the more obvious MKULTRA-themed videos ever released. Associated with the movie Alice Through the Looking Glass, the video confirms Disney’s fondness for Monarch Mind Control.
If one knows a tiny bit about Monarch Mind Control, Pink’s Just Like Fire is a blatant display of its symbolism. It follows the same narrative and uses the same imagery as countless other videos analyzed on this site, once again proving that there is a sustained effort to expose young people to this sick world.
In the video, Pink finds herself lost in Wonderland to then be taken to a mental institution – by force. Through mind control imagery, the video symbolically describes Pink dissociating and being programmed by a handler. In short, everything about this video is directly linked to Monarch mind control.
Alice in Wonderland + Disney = Mind Control
Just Like Fire is the lead single off the soundtrack of Alice Through the Looking Glass – a Disney movie which will certainly contain its fair share of MK symbolism. As stated in my article on Monarch Mind Control, the ultimate goal is to cause the slave to dissociate after being subjected to intense, unbearable trauma. Handlers encourage this behavior by subjecting slaves to a “programming script”, a story that will guide the young slave through programming. A common script used is Lewis Carroll’s Alice in Wonderland, a story that can perfectly be applied to the trials of an MK slave.
The same way Alice follows a white rabbit through the looking glass to enter the strange world of wonder, slaves follow their handlers through programming to reach complete dissociation. In the fairy tale, Alice enters a fantasy world where everything is magical, inverted and unstable, a place similar to the slave’s internal world, where everything can be modified by the handler. Therefore, in MK symbolism, “Wonderland” represents the state of mind of a dissociated, mind-controlled slave, the place where they “escape” the pain of trauma. In short, the Alice in Wonderland story – and others that are similar – is used in actual mind control scenarios.
Over the years the Wizard of Oz, Alice In Wonderland, and Mother Goose seem to have been overall favorites (of mind control handlers). The child will most often be in a trance state when these story lines are told. The children will have the stories repeated and they are expected to memorize these scripts. Because the programmers will build upon the child’s awareness of these stories, the stories are modified to better fit the future programming.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
As stated above, programmers modify stories to fit programming and Disney’s adaptations of classic stories accomplish just that.
This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.
– Ibid.
A striking example of Disney adapting a story for MK purposes is the 1984 movie Return to Oz (read my article about it here). In the extremely creepy movie, Dorothy is sent to a mental institution where she is literally electroshocked “over the rainbow”. Of course, none of that was in the original Return to Oz story.
Decades later, Disney is still at it. The music video Just Like Fire illustrates how much Disney is invested in MK symbolism. Note: Pink herself recently discussed the song Just Like Fire in an interview on Jimmy Kimmel Live, contrasting the process of writing a song for Disney with writing the songs on her album, saying essentially that she had very little control over the songwriting process.
Let’s look at the video.
Just Like MK
Just Like Fire interprets the world of Alice in Wonderland according to MKULTRA, where going “through the looking glass” means dissociating from reality.
The video begins with the words “Disney Presents”, letting you know that this factory of MKULTRA child stars is still at it.
Pink’s real-life husband Carey Hart goes to check up on Pink. She’s doing the usual, you know, just hanging from the ceiling and spinning around.
Pink is upside down and spinning inside a lavishly decorated room.
Both the floors and the walls of this room are in a dualistic checkerboard pattern. In Masonic symbolism, the checkerboard floor is the ritualistic surface on which occult transformation occurs … and Pink is not a stranger to Masonic symbolism.
Pink’s performance at the 2009 MTV VMAs was a clear Masonic initiation. Her costume perfectly mirrored the garbs of Masonic candidates during initiation: She was blindfolded, her left breast was exposed and her left leg pant had a Masonic checkerboard pattern.
Back in the checkerboard room, Pink starts spinning at high speed. Right at that point, a young girl (played by Pink’s daughter) emerges and follows a butterfly.
The young girl follows a blue Monarch butterfly through a mirror.
This series of events is pure Monarch mind control symbolism. Hanging from the ceiling, Pink’s spinning represents the dizzying and disorienting feeling of trauma. Once dissociation occurs, the young girl, representing Pink’s core personality, appears and follows a Monarch butterfly, which directly represents Monarch programming. The butterfly lures the girl through the mirror to Wonderland – the land of dissociation.
In Wonderland, Pink finds herself on a chessboard while her core persona (the little girl) keeps running after the butterfly (following the programming script).
The checkerboard pattern recalls the room in which Pink was spinning in, implying that she is still in that room, but has dissociated. Due to its powerful dualistic properties, this pattern is used in actual MK programming.
This painting by mind control survivor Kim Noble depicts a crying girl on a dualistic checkerboard floor. Everything about this painting refers the concept of duality during MK programming which induces the split of the personality of the slave.On the Wonderland checkerboard, there’s a Pink character dressed in full dualistic garbs.In a chess game against herself, Pinks plays the role of all of the pieces, including the “King” who wears a “crown of thorns”. It conveniently hides one of her eyes, illustrating again that this is all about MK symbolism.
This scene represents what happens to slaves after dissociation: Splitting of the persona.
The child’s natural developing sense of shapes is taken advantage of by spinning the child and making it feel like it is going to fall. The child will also be deprived of sleep and drugged. Together all this will provide the dissociative base for splitting the core.
– Ibid.
This scene visually depicts the splitting of the persona (black and white) while Pink dressed in red dances around (red representing the color of sacrifice).
Pink and her daughter then have tea with the Mad Hatter.
Pink (and her core persona) are floating on air, alluding to the feeling of weightlessness felt by dissociated slaves.Pink then falls down and finds herself paralyzed while floating above flowers, representing the powerlessness of dissociated (and intoxicated) slaves. The programming butterfly flies by and the little girl follows it.Time (the creepy guy with the mustache) lurks around, looking for the little girl – the core persona.
In the video, Time plays the role of the handler who enters the dissociated slave’s psyche to program it.
The one-eye sign on the movie poster lets you know that Time represents the occult elite.Time finally finds the core personality and offers her a clock.
When the handler touches the core personality of the slave, a complete breakdown occurs. The video clearly depicts this process in a rather graphic way.
Pink immediately snaps out of Wonderland (dissociation) and is taken by force to a mental institution while wearing a straitjacket.During Pink’s breakdown, creepy images flash on screen including Time’s angry face. While the handler appears nice during dissociation, he is actually a sadistic psychopath in real life.The video ends with Pink’s husband signing her over and asking if she’ll be “alright” … while she’s being forcibly dragged into a mental institution.
Thank you, Disney, for this uplifting story of dissociation and mental breakdown. The kids will love it.
Script for the Masses
The same way MK slaves follow a script for programming and dissociation, the masses are subjected to a programming script through the media. Indeed, readers of this site might have already recognized the same basic narrative in other videos. For instance, Katy Perry’s Wide Awake features her with a young girl going through a mirror.
Katy Perry with a young girl (representing her core persona) going through a mirror. Perry’s dress is full of butterflies.She finds herself completely out of it in a mental institution.The video ends with her holding a butterfly.
The music industry is not about “originality”. It is about programming.
In Conclusion
Just Like Fire is yet another case proving that the entertainment industry constantly seeks to expose the masses to the world of mind control. Although Carroll’s Alice in Wonderland was written during the 19th century, Disney adapted the narrative to fit the needs of the MKULTRA system, a system in which the company is directly invested.
The addition of a scene where Pink loses her mind is Disney’s way of clearly pointing out that there is more to the Alice in Wonderland story than simple fantasy. The story is used in a specific matter to normalize the symbolism of Monarch programming while subliminally exposing the young to its horrific process. If you don’t believe that Disney and the entire industry is capable of such devious things, you are still living in Wonderland.
During an interview, actor Elijah Wood steered off path and addressed the dark side of Hollywood stating that child abuse is rampant and that “There are a lot of vipers in this industry”.
Elijah Wood spent most of his life in the entertainment industry. A critically acclaimed child actor at age nine, he went on to literally grow up under the spotlight. He therefore knows a thing or two about the real, ugly side of Hollywood – especially about its tendency to prey on children. While actors usually keep their mouth shut about these issues by fear of being “suicided” or “overdosed”, slip ups sometimes occur and nuggets of truth emerge.
During in the interview with the Sunday Times about his new movie, Elijah Wood steered off path and opened up about the ugly side of Hollywood where people in high power abuse children with no repercussions whatsoever.
“Clearly something major was going on in Hollywood. It was all organised. There are a lot of vipers in this industry, people who only have their own interests in mind. There is a darkness in the underbelly – if you can imagine it, it’s probably happened.”
Wood then explained that victims have no recourse because they “can’t speak as loudly as people in power.”
“That’s the tragedy of attempting to reveal what is happening to innocent people. They can be squashed but their lives have been irreparably damaged.”
Wood stated that he was spared from the abuse, mainly because his mother did not allow him to attend infamous Hollywood parties filled with perverts of all kinds.
“She was far more concerned with raising me to be a good human than facilitating my career. If you’re innocent you have very little knowledge of the world and you want to succeed. People with parasitic interests will see you as their prey.”
These comments corroborate Corey Feldman’s claims that Hollywood is “currently sheltering about 100 active abusers”.
“I can tell you that the No. 1 problem in Hollywood was and is and always will be pedophilia. That’s the biggest problem for children in this industry … It’s the big secret.”
– Daily Mail, ‘Hollywood’s biggest problem,’ explosive claim by former child star Corey Feldman
In 2013, Feldman explained that “one of the most successful people in the entertainment industry, still making money hand over fist”, abused his best friend Corey Haim.
“An adult male convinced [Haim] that it was perfectly normal for older men and younger boys in the business to have sexual relations, that it was what all ‘guys do.’
So they walked off to a secluded area between two trailers, during a lunch break for the cast and crew, and Haim, innocent and ambitious as he was, allowed himself to be sodomized”.
– NY Daily News, Corey Feldman’s new book details abuse he and Corey Haim experienced in Hollywood
Backtracking
Nearly every time a celebrity opens up about the truth in the industry, they feel the urgent need to backtrack, deny and claim that they were “taken out of context”. Do they receive a phone call threatening to end their career and/or their lives? Whatever the case may be, Wood felt the need to clarify that he never witnessed any abuse and that his claims were based on what he saw in documentary.
“The Sunday Times interviewed me about my latest film, but the story became about something else entirely. It prompted a number of false and misleading headlines. I had just seen a powerful documentary and I briefly spoke with the reporter about the subject, which had consequences I did not intend or expect. Lesson learned.
Let me be clear: This subject of child abuse is an important one that should be discussed and properly investigated. But as I made absolutely clear to the writer, I have no firsthand experience or observation of the topic, so I cannot speak with any authority beyond articles I have read and films I have seen.”
These pathetic backtracking statements are simply more proof that the Hollywood elite has a powerful stranglehold on artists and media outlets, while enjoying total immunity versus the law.
In this edition of SPOTM: More proof that the occult elite is blatantly showcasing its tight control of the entertainment industry, the fashion world and, of course, big business.
In the summer issue of Dazed magazine is an interesting photoshoot entitled Season of the Witch. It combines “fashion” (look at what she is wearing) with images from works about occultism, witchcraft and ceremonial magick. More telling is this new trend pushed by mass media: Associating witchcraft with “female empowerment”. Indeed, the text under the title states: “To reclaim the word witch is to reclaim our right as women to be powerful. Tracing sex, magick, and symbolism of female power distilled”.Next to this model (who has a “please kill me” look on her face) are diagrams taken from various occult works. The article accompanying the photoshoot is basically an infomercial for witchcraft, selling it as a tool for female empowerment. Not unlike Beyoncé’s Lemonade, “empowerment” is intertwined with the occult elite’s philosophy (without actually revealing any of it). The article contains sentences such as: “The independence of women is the great strength of witchcraft”, “I feel like the witch is relevant because women are still mistreated” and “They were powerful women and there’s nothing more scary to a patriarchy than that”.
Standing in front of a full moon (prime time for ritual magick), the model wears the drapes of her mom’s living room. The article describes the occult symbolism as “badass” without going any further. Too bad they do not mention that dabbling with practices such as Black magick, spirit invocation, possession and necromancy can lead to the exact opposite of “empowerment”. As Manly P. Hall stated: “True black magic is performed with the aid of a demoniacal spirit, who serves the sorcerer for the length of his earthly life, with the understanding that after death the magician shall become the servant of his own demon. For this reason a black magician will go to inconceivable ends to prolong his physical life, since there is nothing for him beyond the grave. A man will barter his eternal soul for temporal power, and down through the ages a mysterious process has been evolved which actually enables him to make this exchange. In its various branches the black art includes nearly all forms of ceremonial magic, necromancy, witchcraft, sorcery, and vampirism.”As usual, the One-Eye sign has been prominently displayed around the world on magazine covers in the past month. This is the cover of Bazaar Netherlands.Justin Bieber (with his eternal “please don’t hit me” look) hides on eye on the cover of HED. On the shadow cast on his eyes is written “Justin, the comeback king”. “They” don’t let you do a comeback unless you’re a slave to their system. I.e.: One-Eye sign.The cover of the May edition of Playboy features a big, fat One-Eye sign. The last cover of Playboy was featured on SPOTM because of its pedophile tendencies. The “new” Playboy is all about that Agenda.Queen Elizabeth II on the cover of Rolling Stone magazine with an egg yolk covering one eye. Is this “punk”? Or a mainstream magazine telling you what the Queen is truly about?The One-Eye sign is increasingly featured on a disturbing amount of movie posters. This is a poster for Doctor Strange.This is another poster for Doctor Strange.The movie Criminal is about a convict who is implanted with a dead CIA agent’s memories to finish an assignment. This MKULTRA-inspired plot is promoted by, of course, a One-Eye sign.Two dudes. One eye. Warcraft.The poster of the movie High Rise features one eye at the apex of a triangle. More of the elite’s symbolism right in your face.As usual, a bunch of stars did the One-Eye sign to remind you that they’re slaves. This is Kylie Jenner in Paper Magazine.Ian Connor on the cover of Exit.Iris Apfel is a “American businesswoman, interior designer, and fashion icon” … who works for the occult elite.Heidi Klum with a very practical one-eyed hat.This pic is from the Elie Saab Bridal collection. The model is saying “Oui” (yes) with the One-Eye sign. Is she getting married to someone … or the occult elite?Taylor Swift hides one-eye with a bottle of Coke that says “We never go out of style”. I think “They” are trying to tell us something. Interestingly enough, the video of the song that was quoted is full of MK imagery (read my article about it here).In conclusion, here are random ads from Europe featuring an unnecessary One-Eye sign proving that “They” want their symbolism to be everywhere.
Beyoncé’s visual album Lemonade wooed critics with a rich tapestry of sounds and images. There is, however, a deeper level of interpretation that most critics did not consider – one that heavily draws on occult ritual and symbolism. We’ll look at the hidden meaning of Beyoncé’s Lemonade.
The surprise release of Lemonade prompted a perfect storm of media attention. From gossip sites asking “Is Beyoncé accusing Jay-Z of cheating?” to music critics proclaiming Beyoncé a “singular genius” and “Black woman superhero”, Lemonade got plenty of the pop culture spotlight. However, amidst all of that talk, almost nobody has addressed an obvious trait of that visual album: It is heavily occult, spiritual, and ritualistic, and it alludes to metaphysical concepts that give the story a deeper meaning.
Indeed, most observers kept their analysis in very shallow waters, reaching pandering conclusions such as “it’s about strong Black women and non-Black women should not even attempt to understand it”, without even addressing the 50% of the video that goes way beyond that simplistic premise.
The album is described on Tidal as “every woman’s journey of self-knowledge and healing” and the overall the theme is said to be “the empowerment of black women referencing both marital relationships and the historical trauma from slavery”. However, the occult imagery of the video tells a story that is far more complex … and far less “empowering”. While throughout the video, Beyoncé appears to be speaking to an unfaithful husband, various clues indicate this unfaithful husband is not Jay-Z or her father; instead, it is Beyoncé’s true father and husband, the occult elite’s music industry. After giving her life and soul to be part of this industry, Beyoncé is now married to it – for better or for worse. But the industry is not faithful to her and treats her badly. Through symbolic imagery, Lemonade explains what was required from Beyoncé to become, in her words, the “baddest b*tch in the game”, how it left a permanent mark on her, and how she will now be used to be a “leader”.
Written and Directed by the Occult Elite
Music critics claim that Lemonade is Beyoncé’s most personal album, making it seem like she sat there crying with a pen and paper, writing her heart out. But that is not how it went down. A quick look at the album’s liner notes reveal that the album was written by a team of 72 writers … the song Hold Up alone was written by 15 people! The video part of the “visual album” was put together by seven directors, including some of the occult elite’s favorites: Jonas Akerlund and Mark Romanek. Akerlund alone has been mentioned several times on Vigilant Citizen due to the fact that he created highly symbolic videos such as Britney Spear’s Hold it Against Me, Lady Gaga’s Telephone, an MK-ultra themed commercial for Versace, and many more.
Akerlund has a clear grasp of the occult elite’s imagery and seems to specialize in depicting pop stars as mind-controlled puppets.
In Hold it Against Me, Britney is trapped inside a room full of monitors and attached to intravenous lines. In short, an MK slave.In Telephone, Akerlund had Lady Gaga and Beyoncé doing the One-Eye sign after killing a bunch of people in an all-American diner.In his Versace For H&M promo video, models are depicted as MK puppets controlled by a ruthless handler: Donatella Versace.
In Lemonade, the same ideas are communicated – but insidiously hidden under a thick layer of “strong Black woman” narrative. Beyoncé was always an industry puppet, but now that puppet has been sent back to its “people” to become a leader. In other words, she is (still) Maria from the movie Metropolis (the elite’s favorite movie).
In Metropolis, Maria is a trusted leader of the working class. The elite kidnaps her and creates an android that takes Maria’s likeness. That android is sent back to the workers in order to mislead them and push them to fall into the elite’s trap. In this screenshot, the android (before it took on Maria’s likeness) stands before an inverted pentagram, hinting that the people that control her are all about occult ritual and black magick.Beyoncé as Maria from Metropolis at the BET Awards in 2009. The elite told you a long time ago what she’s truly about.
Did Beyoncé do a 180 for Lemonade and suddenly become about “empowering her people”? Not really. The same occult elite still owns her person, as well as her image and all of her material.
Think about the immediate response following the release of Lemonade: Accusations, finger-pointing and suspicion towards Jay-Z, her father, and a witch hunt against women who are suspected to be Jay-Z’s mistresses. Is this truly “empowering” anyone … or is it about more self-destruction? Let’s look at Lemonade.
Lemonade
The hour-long visual album is a tapestry of song clips, poetry passages, and video shorts put together to tell an overarching story. Strongly inspired by Beyoncé’s parents’ native states (Louisiana and Texas), the imagery of Lemonade (and even its title) taps into the roots of the Deep South. However, it also taps into the roots of occultism.
The entire video is permeated with the concept of duality, which is expressed with the opposition of black and white, good and evil, love and hate. Also, the video depicts two distinct realities: What happens above ground (for the world to see) and what happens underground (after all, the word “occult” means hidden).
Married to the Game
The first poem of the video sets the table: It simultaneously calls out an unfaithful husband and an unfaithful father, in words that can also be applied to the music industry – the “home” where she has spent most of her life – and the real “cheating husband” to whom she is married.
I tried to make a home out of you, but doors lead to trap doors, a stairway leads to nothing. Unknown women wander the hallways at night. Where do you go when you go quiet?
You remind me of my father, a magician … able to exist in two places at once. In the tradition of men in my blood, you come home at 3 a.m. and lie to me. What are you hiding?
The past and the future merge to meet us here. What luck. What a f*cking curse.
The industry is full of “trap doors” and “stairways that lead to nothing” for artists who will forever remain pawns. The occult elite, bent on ritual and black magick reminds her of her father, a “magician”. In her words, “what a f*cking curse.”
The video then proceeds to retell, in symbolic terms, Beyoncé’s first contact with the “dark side”.
Dressed in black, Beyoncé commits suicide … self-sacrifice.Beyoncé ends up in a room underwater. We see her old self see her new self.
The underwater room represents the womb. While underwater, Beyoncé is in a formative and transitional period until she is ready for rebirth. The poem recited by Beyoncé alludes to the periods of purification required by occult initiates before they experience initiation.
I tried to change. Closed my mouth more, tried to be softer, prettier, less awake. Fasted for 60 days, wore white, abstained from mirrors, abstained from sex, slowly did not speak another word. In that time, my hair, I grew past my ankles. I slept on a mat on the floor. I swallowed a sword. I levitated. Went to the basement, confessed my sins, and was baptized in a river. I got on my knees and said ‘amen’ and said ‘I mean.’
Midway through that poem, things get increasingly darker and Beyoncé gets increasingly agitated, jerking around as if possessed. From purification, it becomes about black magick.
I whipped my own back and asked for dominion at your feet. I threw myself into a volcano. I drank the blood and drank the wine. I sat alone and begged and bent at the waist for God. I crossed myself and thought I saw the devil. I grew thickened skin on my feet, I bathed in bleach, and plugged my menses with pages from the holy book, but still inside me, coiled deep, was the need to know … Are you cheating on me?
After she thought she “saw the devil”, Beyoncé says she “bathed in bleach” and “plugged her menses with pages of the Holy Book”. Initiation.
Soiling, disgracing and destroying Christian artifacts (especially the Bible) is a standard part of a satanic ritual. Occultists have always considered menstrual blood to be potent and charged with “life force”, which is why it is often used in occult rituals. This particular verse is, therefore, a clear reference to black magick. It is an initiatory oath towards the dark side.
Rebirth
After a gestation period inside the womb, where Beyonce was initiated in the ways of the occult elite, she is ready for rebirth.
Beyoncé emerges from a temple as water gushes out the same way a baby emerges from the womb after the water breaks.
In this sequence, Beyoncé is also an embodiment of the goddess Oshun of the Yoruba people.
Oshun is commonly called the river orisha, or goddess, in the Yoruba religion and is typically associated with water, purity, fertility, love, and sensuality. She is considered one of the most powerful of all orishas, and, like other gods, she possesses human attributes such as vanity, jealousy, and spite.
Beyoncé’s dress color is also associated with Oshun as she is associated yellow or amber and the metal gold or bronze.
A classic depicting of Oshun.
After death by self-sacrifice, a period of seclusion and occult initiation, Beyoncé is reborn. She the occult elite’s minion now. She looks sexy and fabulous and she is let loose in her community. Does she do good and help people? Not really. She actually does the exact opposite.
Beyoncé walks in the streets of New Orleans and starts breaking cars with a baseball bat. She’s not only breaking the car of her cheating husband – she’s breaking everybody’s cars.
At one point Beyoncé sees a beauty spa that offers “Free facials today”. She breaks its window. Sexual innuendo aside, considering that this type of business is nearly always owned by local small business owners and in context of her other destruction, one can ask: Why is Beyoncé attacking her own community?
This video might represent the “meltdown” phase many industry slaves go through after being re-programmed by the industry.
Industry slave Britney Spears attacking a car during her infamous breakdown of 2008.Despite knowing that the images from this CCTV camera will go directly to the New Orleans Police department (and most likely the media as did her well-publicized real-life CCTV experience), Beyoncé attacks it. She is aware of her actions.
Then, Beyoncé gets inside a monster truck and crushes a bunch of people’s cars. Take that Beyoncé’s hometown!
After that public meltdown, Beyoncé pleads with the elite. Broken by the programming, she is ready to be built up … in the elite’s image.
If it’s what you truly want … I can wear her skin over mine. Her hair over mine. Her hands as gloves. Her teeth as confetti. Her scalp, a cap. Her sternum, my bedazzled cane. We can pose for a photograph, all three of us. Immortalized … you and your perfect girl.
In Monarch mind control terms, Beyoncé is ready to take on her alter persona and to become the pop star the elite wants to put in front of the masses. Fierce!
Exploitation
After a couple of angry songs where Beyoncé rebels against her cheating husband, things get ritualistic again. While, above ground, Beyoncé appears to be a strong, unapologetic woman, things are different underground.
Dressed in red (color of sacrifice) and surrounded by fire, another ritual takes place – sex magick.
Beyoncé then recites a poem charged with occult meaning: It is about sex magick.
She sleeps all day. Dreams of you in both worlds. Tills the blood, in and out of uterus. Wakes up smelling of zinc, grief sedated by orgasm, orgasm heightened by grief. God was in the room when the man said to the woman, “I love you so much. Wrap your legs around me. Pull me in, pull me in, pull me in.” Sometimes when he’d have her nipple in his mouth, she’d whisper, “Oh, my God.” That, too, is a form of worship.
Sex magick can be defined as “sexual activity used in magical, ritualistic or otherwise religious and spiritual pursuits”. Not unlike the menstrual blood mentioned above, physical arousal is considered by occultists to be extremely potent and can be channeled for magickal purposes (see Aleister Crowley and the O.T.O).
The rest of the poem invokes darkness and the lore of witchcraft. It again references images associated with black magick.
Her hips grind, pestle and mortar, cinnamon and cloves. Whenever he pulls out … loss. Dear moon, we blame you for floods … for the flush of blood … for men who are also wolves. We blame for the night, for the dark, for the ghosts.
In this context, Beyoncé is a programmed slave used in magick ritual – a Beta Kitten. Appropriately enough, the next song, 6 Inch, is about prostitution – what Beta Kittens do.
Six-inch heels, she walked in the club like nobody’s business
Goddamn, she murdered everybody and I was her witness
She works for the money, she work for the money
From the start to the finish
And she worth every dollar, she worth every dollar
And she worth every minute
In the poem that follows, Beyoncé addresses her mother, while denouncing abusive husbands and fathers. Also, she is referring to the occult industry that became her father and her husband.
Mother dearest, let me inherit the earth. Teach me how to make him beg. Let me make up for the years he made you wait. Did he bend your reflection? Did he make you forget your own name? Did he convince you he was a god? Did you get on your knees daily? Do his eyes close like doors? Are you a slave to the back of his head?
Am I talking about your husband or your father?
The words above describe mental, physical and sexual abuse, the kind that MK slaves go through. After reciting these horrible words, Beyoncé sings a song dedicated to her father. One cannot say that Lemonade is kind to Black male figures.
Reformation
After anger and rebellion, Beyoncé settles down, accepts her fate and wants to reconcile.
Baptize me … now that reconciliation is possible. If we’re gonna heal, let it be glorious. 1,000 girls raise their arms. Do you remember being born? Are you thankful for the hips that cracked? The deep velvet of your mother and her mother and her mother? There is a curse that will be broken.
After a period of tribulation, Beyoncé (and her followers) are ready to be renewed. By depicting a baptism, the video hints that this is not about Jay-Z, it is about something bigger.
The song Sandcastles features Beyoncé and Jay-Z sharing intimate moments. Jay-Z is the bad guy that Beyoncé forgave.
Why would Jay-Z even agree to appear in such a video? 1) He has to. 2) All publicity is good publicity. 3) This is not really about him, he is simply a proxy to the true subject of the video.
Afterwards, the video focuses on a few regular, every day, Black people. One of them goes on to praise the Lord.
“Thank you, Jesus. I just love the Lord, I’m sorry, brother. I love the Lord. That’s all I got. When your back gets against the wall and your wall against your back, who you call? Hey! Who you call? Who you call? You gotta call Him. You gotta call Jesus. You gotta call Him. You gotta call Him ’cause you ain’t got another hope.¨”
However, things are different underground. Beyoncé is not like this woman standing outside. She is inside a dark, cavernous place – and her mind is somewhere else.
You are terrifying … and strange and beautiful.
Magic.
She is still obsessed by the dark side, and probably always will be. Despite this fact, or because of it, she has now been chosen to lead her people.
Freedom
From there on out, the theme of freedom and liberation takes over. In a system that is tightly controlled by the powers that be, “liberation” can only be championed by the pawns those powers have created. In other words: controlled opposition.
During the song Forward, portraits of Black men killed at the hands of police are held by their mothers.
Like Maria from Metropolis, Beyoncé was sent by “them” to become a leader. Her team of 72 writers and seven video directors decided to co-opt this issue to give her credibility and legitimacy.
Beyoncé then moves on to praise her grandmother for metaphorically turning the lemons of life into lemonade – not without using occult terms, of course.
Grandmother, the alchemist, you spun gold out of this hard life, conjured beauty from the things left behind. Found healing where it did not live. Discovered the antidote in your own kit. Broke the curse with your own two hands. You passed these instructions down to your daughter who then passed it down to her daughter.
While these words invoke hope and strength, Beyoncé’s final words are about pleading “the magician” (the occult elite) to bring her back together. She is not free or liberated from anything. In her own words, “her torturers became her remedy”.
True love brought salvation back into me. With every tear came redemption and my torturers became my remedy. So we’re gonna heal. We’re gonna start again. You’ve brought the orchestra, synchronized swimmers.
You’re the magician. Pull me back together again, the way you cut me in half. Make the woman in doubt disappear. Pull the sorrow from between my legs like silk. Knot after knot after knot. The audience applauds … but we can’t hear them.
Ending Credits
The album ends with the song Formation – a widely publicized single that got airplay at the biggest televised event on Earth: the Superbowl Halftime show. The song begins with Beyoncé basically saying “You guys, stop saying that I am Illuminati! I am rebellious super Black Power girl now.”
Y’all haters corny with that Illuminati mess
Paparazzi, catch my fly, and my cocky fresh
I’m so reckless when I rock my Givenchy dress (stylin’)
I’m so possessive so I rock his Roc necklaces
So, after calling people corny because SHE’s been pushing the Illuminati Agenda, she goes on to claim that she wears Givenchy and wears Rocafella necklaces. Maybe one should point out that Rocafella Records was named after the Rockefeller family (the primary occult elite family in the USA) and that the label’s hand sign is this:
Beyoncé … you’re still corny with that Illuminati mess.
In Conclusion
Beyoncé’s Lemonade is dark, complex, profound, and works on several levels. However, it is not a “personal” album. It was composed by 72 writers and the “visual album” was produced by a team of occult-friendly video directors. It is a carefully crafted product of the music industry that contains the same messages other pop products. However, in 2016, the cultural context is shifting. The police killings of Black people in the past years has caused grief, unrest and racial division across the USA. Always remaining “relevant”, Beyoncé’s team has crafted a plot that taps directly into these issues, while cleverly weaving throughout the occult elite’s own imagery and agenda.
While Lemonade appears to be about empowerment and freedom, the occult “underground” imagery depicts Beyoncé as exactly the opposite: a slave who goes through the rigorous initiation process of the elite. She is not a rebel. She is Maria from Metropolis. And she is not serving you lemonade … she is serving you the elite’s toxic Kool-Aid.
The Flint Water Treatment Plant Foreman (an important part of the investigation) and a woman leading the Flint lead poisoning lawsuit were both found dead in less than a week.
Everything about the Flint water crisis is as toxic and disgusting as the water that is being pumped into Flint homes. From the crass negligence that allowed such an insidious thing to happen, to the lack of will to fix it in timely fashion – not to mention the obvious attempts at covering up the truth: The situation is poisonous. And that poison could easily spread across America.
This is not simply a water cleanliness issue. It is about allowing parts of America to devolve into toxic cesspools, where problems are “solved” with underhanded police-state tactics. In the span of a few weeks, crucial files mysteriously disappeared from the Flint city hall, the Water Treatment Plant Foreman died suddenly at age 43 and a woman leading the lawsuit against Flint was murdered in her home.
Toxic Water
Flint tap water in dated bottles.
The Flint water crisis began exactly two years ago, on April 2014, when Flint changed its water source from treated Detroit Water and Sewerage Department water to the Flint River – to which officials had failed to apply corrosion inhibitors. Almost immediately, Flint residents complained about the water’s color, taste and odor. In the following months, numerous water issues arose, with little to no governmental action to fix them.
August and September 2014 boil-water advisories were issued by the city due to coliform bacteria detection
On August 21, 2014 test showed the city’s water tested high for THMs, a chlorine byproduct of disinfecting water, with which long term exposure has been linked to cancer and other diseases.
Though the city stated that the water was safe, the employees of the Flint Public Library declared the water undrinkable after noticing that the water from the faucets and toilets was discolored.
On March 2, 2016, it was reported that the state of Michigan blocked Flint from returning to Lake Huron water from the Detroit water system when it agreed to grant the city an emergency loan of $7 million in April 2015
It was discovered that the high levels of lead were due to orthophosphate being omitted from the water treatment process, while using a pH of 7.4 and that the orange water was due to the high concentration of chloride in the Flint River water, which caused excessive corrosion of the cast iron mains pipes.
Far from taking decisive action, governments denied that the water was toxic.
While the local outcry about Flint water quality was growing in early 2015, Flint water officials filed papers with state regulators purporting to show that “tests at Flint’s water treatment plant had detected no lead and testing in homes had registered lead at acceptable levels.” The documents falsely claimed that the city had tested tap water from homes with lead service lines, and therefore the highest lead-poisoning risks; in reality; the city does not know the locations of lead service lines, which city officials acknowledged in November 2015 after the Flint Journal/MLive published an article revealing the practice after obtaining documents through the Michigan Freedom of Information Act.
– Robin Erb, Flint doctor makes state see light about lead in water
The net result is that over 10,000 children (mostly Black) were exposed to water contaminated with lead. Lead poisoning has devastating effects on the brain:
Childhood lead exposure causes a reduction in intellectual functioning and IQ, academic performance, and problem-solving skills, and an increased risk of attention deficit disorder, aggression, and hyperactivity. According to studies, children with elevated levels of lead in the blood are more likely as adults to commit crimes, be imprisoned, be unemployed or underemployed, or be dependent on government services.
– Julie Mack, Lead levels elevated for thousands of Michigan children outside of Flint
Flint water pipes.
A massive investigation is now underway and lawsuits are being filed. And things are turning uglier.
Cover Up
Now that the federal government opened an investigation on the issue, news emerging from Flint are downright sordid.
First, in March, important documents went missing, the police openly admits that it was an inside job, and that the crime will most likely remain unresolved.
Days before the federal government opened an investigation into the Flint water crisis, someone broke into a vacant City Hall office full of documents related to the embattled Michigan city’s water system.
Nearly three months later, officials have confirmed that a TV went missing, but little else is known, according to the Flint Journal.
Without suspects or a firm handle on what else may have been swiped, authorities told the paper last week that the crime may remain unsolved.
No warrants have been issued in the case, but officials don’t shy away from speculative statements that stop just short of conspiracy theories.
“It was definitely an inside job,” police chief Tim Johnson told the Journal. “The power cord (to the TV) wasn’t even taken. The average drug user knows that you’d need the power cord to be able to pawn it.”
“It was somebody that had knowledge of those documents that really wanted to keep them out of the right hands, out of the hands of someone who was going to tell the real story of what’s going on with Flint water.”
Days before the federal government opened an investigation into the Flint water crisis, someone broke into a vacant City Hall office full of documents related to the embattled Michigan city’s water system.
– Washington Post, The mystery surrounding missing water files at Flint City Hall: ‘It was definitely an inside job’
On April 16th, Water Treatment Plant Foreman Matthew McFarland (who had been interviewed regarding the water crisis) was found dead at the young age of 43. Cause of death? Unknown.
Matthew McFarland
Already reeling from the news of criminal charges against one of its workers in the wake of the Flint water crisis, city workers are now dealing with the sudden death of a foreman at the plant.
Water Treatment Plant Foreman Matthew McFarland, 43, of Otter Lake died suddenly on on Saturday, April 16, according to his obituary.
The Lapeer County Sheriff’s Department said a friend found McFarland unresponsive at a home in Otter Lake. There were no signs of foul play.
An autopsy did not determine a cause of death and police are awaiting toxicology reports. The investigation remains open.
“My thoughts and prayers go out to Matt’s co-workers, his family and especially his children,” said Flint Mayor Karen Weaver. “He worked for the City of Flint for more than 18 years and we thank him for his devotion and service.”
“We all have been brought together by this water crisis and we are all mourning his death,” Weaver said in a statement. “In lieu of flowers, the family has expressed they would appreciate donations to establish a fund for (his children) Vance and Ella’s college expenses.”
McFarland’s death comes as Flint’s water plant deals with news that Flint Utilities Manager Michael Glasgow is one of three men facing criminal charges in connection with the city’s water crisis.
Glasgow is accused of tampering with evidence when he allegedly changed testing results to show there was less lead in city water than there actually was. He is also charged with willful neglect of office.
Michigan Department of Environmental Quality employees Stephen Busch and Michael Prysby are charged with misconduct in office, conspiracy to tamper with evidence, tampering with evidence and violations of the Michigan Safe Drinking Water Act.
Michigan Attorney General Bill Schuette’s office confirmed that McFarland was previously interviewed as part of its ongoing investigation into the city’s water crisis.
– mlive, Flint water plant continues to reel with sudden death of foreman
A few days later, a 19-year old woman leading the Flint water crisis lawsuit was found shot dead in her home. A culprit was arrested. Was he a patsy?
Sasha Avonna Bell
A woman at the center of a bellwether Flint water crisis lawsuit was one of two women who were shot to death inside a townhouse earlier this week.
Sasha Avonna Bell was one of the first of a growing number of people to file a lawsuit in connection to the Flint water crisis after she claimed that her child had been lead poisoned.
Bell was found dead April 19 in the 2600 block of Ridgecrest Drive at the Ridgecrest Village Townhouses. Sacorya Renee Reed was also found shot to death in the home.
An unharmed 1-year-old child was also found inside of the Ridgecrest home when Bell’s body was discovered and was taken into custody by child protective services. Police declined to confirm if it was Bell’s child discovered in the home.
“Sasha was a lovely young woman who cared deeply for her family, and especially for her young child,” said her attorney Corey M. Stern. “Her tragic and senseless death has created a void in the lives of so many people that loved her. Hopefully, her child will be lifted up by the love and support from everyone who cared deeply for Sasha.”
Bell’s case was one of 64 lawsuits filed on behalf of 144 children by Stern’s firm, New York-based Levy Konigsberg, and Flint-based Robinson Carter & Crawford.
The lawsuit named six companies that had various responsibilities with respect to the treatment, monitoring, and safety of the Flint water prior to and during the Flint water crisis, according to her attorneys. The case also named three individual government, or former government, employees who played significant roles in the alleged misconduct that led to the alleged poisoning of thousands of children in Flint, her attorneys claim.
The Bell case, however, played an important role in determining the future of the more than five dozen other lawsuits that were filed.
– mlive, Woman in leading Flint water crisis lawsuit slain in twin killing
Everything about this story is revolting and dirty facts are emerging from everywhere. However, mass media largely ignores this story. Those that do are flooded with comments about “tin foil hats” and “conspiracy nutters”. It is as if shills are paid kill that story online … or maybe that poisonous lead has already done its debilitating, mind-numbing job.
Prince’s death was unexpected, shrouded in mystery and full of strange facts. In short, it was a typical Hollywood death. What happened and why?
Prince was the exact opposite of most pop stars of today: He was immensely talented, completely original, fully involved in artistic creation and extremely outspoken – especially against the music industry. More than being in a class of his own, he was in a world of his own, floating in a giant purple bubble while masterfully playing his guitar.
Prince was not merely a singer – he was a songwriter, a multi-instrumentalist, a record producer, and an actor. He was keenly aware of the workings of the music industry and often fought bitter battles to preserve the integrity of his work, his image, and his legacy.
While his enigmatic and eccentric persona never ceased to amaze his fans, the discovery of his lifeless body inside an elevator left the world with one final enigma: What happened? Before we look at this death, let’s look at his career.
Outspoken
Prince spent his entire career battling “record label tyranny” which lead to some memorable outbursts. In 1993, when a deal with Warner Brothers went south and left him without control of his work and without the advances he was promised, he orchestrated a rebellion that only Prince could think of. In a perplexing (and often ridiculed) move, Prince replaced his name with an unpronounceable symbol. People then had to refer to him as “The artist formerly known as Prince”.
The Love Symbol on the cover his 1993 album. Although Prince never fully explained the meaning of this symbol (other that it “came to him during meditation”), one can easily discern an amalgamation of the “male” and “female” symbols crossed by a trumpet-like instrument. It might be a visual representation of his androgynous musical persona.
Although this move was widely misunderstood by the public (and media), Prince clearly explained the rationale behind it.
The first step I have taken toward the ultimate goal of emancipation from the chains that bind me to Warner Bros. was to change my name from Prince to the Love Symbol. Prince is the name that my mother gave me at birth. Warner Bros. took the name, trademarked it, and used it as the main marketing tool to promote all of the music that I wrote. The company owns the name Prince and all related music marketed under Prince. I became merely a pawn used to produce more money for Warner Bros…
I was born Prince and did not want to adopt another conventional name. The only acceptable replacement for my name, and my identity, was the Love Symbol, a symbol with no pronunciation, that is a representation of me and what my music is about. This symbol is present in my work over the years; it is a concept that has evolved from my frustration; it is who I am. It is my name.
– Michael Heatley, Where Were You… When the Music Played? 120 Unforgettable Moments in Music History.
During his legal battle with Warner Brothers, Prince appeared in public with the word “SLAVE” scribbled on his cheek.
Prince, with the word “Slave” written across his face at New York’s Rockefeller Plaza on July 9, 1996.
Prince also enjoyed speaking about unpopular issues such as chemtrails, religion, and morality. Here’s a 2009 interview where he speaks his mind.
Several years later, Prince was still going at it. In 2015, he compared artists to “indentured servants with little control over how their music is used”. In a rare interaction with media, Prince stated:
“Record contracts are just like — I’m gonna say the word – slavery. I would tell any young artist… don’t sign.”
Prince said those words in August 2015, in his Paisley Park Studios in Minneapolis. Less than a year later, he was found dead at this very location.
Strange Circumstances Around His Death
As it is the case for most unexpected celebrity deaths, there is a lot of information, misinformation, rumors, gossip and conflicting reports floating around. Here’s a quick sum-up of his last days. At the time of writing this article, the cause of his death is unknown.
On April 7, 2016, Prince postponed two performances from his Piano & A Microphone Tour, at the Fox Theatre in Atlanta; the venue released a statement saying he was “battling the flu”. He rescheduled the show for April 14, even though he still was not feeling well. While flying back to Minneapolis early the next morning, his private jet made an emergency landing at Quad City International Airport in Moline, Illinois, so that he could seek medical treatment. Representatives stated that he suffered from “bad dehydration” and had been fighting influenza for several weeks. Prince was seen in public the following evening, when he shopped at the Electric Fetus in Minneapolis on Record Store Day, and made a brief appearance at a dance party at his Paisley Park recording studio complex in Chanhassen, Minnesota, stating that he was feeling fine.
He attended a performance by singer Lizz Wright at the Dakota Jazz Club on April 19, 2016.
On April 21, 2016, Prince was found unresponsive in an elevator at Paisley Park, which also served as his Minnesota home. A 9-1-1 call was placed at 9:43 a.m; he did not recover with CPR by emergency responders and was pronounced dead at 10:07 a.m. He was 57 years old.
Although reportedly “combating the flu”, Prince was active and healthy enough to attend concerts and perform a couple of shows. Things took a mysterious turn on April 15th, when his private jet made an emergency landing in Moline, Illinois – even if he was at about 40 minutes from his final destination.
According to some sources, Prince was treated for an overdose.
Multiple sources in Moline tell us, Prince was rushed to a hospital and doctors gave him a “save shot” … typically administered to counteract the effects of an opiate.
Our sources further say doctors advised Prince to stay in the hospital for 24 hours. His people demanded a private room, and when they were told that wasn’t possible … Prince and co. decided to bail. The singer was released 3 hours after arriving and flew home.
We’re told when Prince left he “was not doing well.”
We know authorities in Minnesota are trying to get the hospital records from Moline to help determine cause of death.
We have made more than a dozen attempts to reach Prince’s reps for comment, but they went radio silent.
– TMZ, Treated For a Drug Overdose Days Before Death
Strangely enough, every time there’s a strange celebrity death, the word “overdose” is thrown around almost immediately.
The next day, Prince appeared at a concert and somewhat prophetically said:
“Wait a few days before you waste any prayers.”
The same day, a popular gossip website cryptically announced that a famous African-American celebrity had AIDS.
MediaTakeOut.com just received word that a VERY popular African-American celebrity – who has recently been in the news – now has what is being described as AIDS. Obviously since we are not able to 100% confirm the story – we’re going to leave it as a Blind Item. We want to make it clear we are NOT talking about Magic Johnson.
This report REALLY hurt our heart.
According to a person EXTREMELY CLOSE to the situation, the celebrity, who is known for having a very EXTREME sexual past reportedly contracted the illness sometime in the 1990s. He kept the illness quiet but began taking his medication RELIGIOUSLY up until about two years ago. Here’s what we’re told by a VERY trusted entertainment insider:
[The celebrity] believed that he was cured, and he had some crazy [religious] people who told him that God cured him. So he stopped taking his medication and the sickness came back. Now doctors say he’s dying, and there is nothing anyone can do about it.”
We’re told that the celebrity is expected to get sicker and sicker, and eventually pass. It can happen as soon as the summer.
– Mediatakeout.com, Insider Claims That A VERY POPULAR African-American Celebrity . . . Is Stricken With AIDS . . . Not HIV
A few days later, Prince was found inside an elevator in his studio.
Strange fact: One of Prince’s most famous songs is Let’s Go Crazy. Not unlike much of his writing, the lyrics of this song can be traced back to his Christian beliefs, where he uses the word the “de-elevator” to refer to the devil. He sings:
And if de-elevator tries to bring you down
Go crazy – punch a higher floor
And later:
And when we do (When we do)
What’s it all for (What’s it all for)
You better live now
Before the grim reaper come knocking on your door
Tell me, are we gonna let de-elevator bring us down?
Oh, no let’s go!
In a morbidly symbolic setting, Prince’s body was found inside an elevator. Did the “de-elevator” finally bring him down?
Plenty of facts need to be checked and questions need to be answered. One thing is for sure: When things are shady, the truth often remains in the shade.
The K-Pop group Ladies’ Code was hit with tragedy in 2014 when two of the five members of the group lost their lives in a car accident. “Galaxy”, the first video made with the remaining three members, is rather strange …because it is all about celebrating the number three.
K-Pop (Korean Pop) is basically the result of the occult elite implementing its twisted music industry agenda in Asia, complete with its symbolism, obsession with mind control and even dark rituals. Behind this is a particularly exploitative entertainment industry, one that is riddled with accusations of mental, physical and sexual abuse. In 2009, a Korean actress even revealed that she was being used as a sex slave (and then she committed suicide).
While there is no shortage of Illuminati-laced content in K-Pop (see my previous articles on the subject), the case of Ladies’ Code is particularly dark and enigmatic. The video that preceded the death of members RiSe and EunB was astonishingly prophetic, while the video following the tragedy is eerily celebratory. Let’s look at the strange course of the group and the symbolic meaning of the new video, Galaxy, by Ladies’ Code.
Clearly Controlled
In my first article about Ladies’ Code (written one year before the fatal car accident), I explained how the video Hate You was a non-stop compilation of mind control symbolism. The video indeed portrayed the group members as MK slaves using classic Monarch mind control symbolism. Here are some examples.
The video contained symbolic images screaming out mind control such as this one: A girl trapped in a room, counting days like a prisoner and surrounded by dolls, which represent multiple personas. Butterflies quickly flash on screen – a reference to Monarch mind control.An MK slave literally bound to her handler. Just one of the countless MK-inspired “tableaux” in the video.
On September 3, 2014, the group was involved in a violent car accident that took the lives of members RiSe and EunB.
In the video, members of the group visit a dead guy in a casket. When EunB approaches that guy, he gets up and kisses her. She received a literal kiss of death.We later see her as a target while she is doing the One-Eye sign. Pure Illuminati sacrifice imagery. She died only a month after the release of this video.RiSe (the other member who died from the car crash) kisses a yellow frog with black dots.We learn that black dots on yellow means death. Therefore, RiSe also kissed death. The name of the song? Kiss Kiss.We later see her strapped to a chair while rolling towards a wall. RiSe died after a van crashed into a wall.
One could argue that these predictions are actually the result of an unfortunate coincidence. While this is possible, Galaxy, the comeback video of the remaining three members, only adds to the creepiness.
MYST3RY
After the death of EunB and RiSe, the group became a trio – a group with 3 members. Coincidentally, the first album released by that trio is all about the number 3. The 3-theme begins with the name of the album, Myst3ry and the album contains 3 songs.
The cover of the album features the group’s new logo: A tri-dimensional (3) triangular (3 sides) shape. The title of the album also contains a reversed number 3.The CD booklet contains cryptic images and words such as “Here Glows the Dark Universe”. Is this a reference to the dark, shady world of the occult elite?In another page of the booklet, we see the trigger of a revolver being pulled by a lab tool. Those who “pulled the trigger” on the sacrifice did not touch the trigger themselves.
The first video for the album, Galaxy, focuses on the number 3 even more heavily, and the result is rather disturbing. The video features the remaining three members of the group – looking rather depressed – in a variety of scenes that keep reminding them that two of them are dead and that there are only three of them left. It is as if the group’s handlers are mockingly placing them in symbolic scenes celebrating the death of their friends.
One could argue that the girls are expressing, in their own artistic way, their grief and whatnot. K-Pop (and most pop music) however does not work that way. Artists have little to no say on the contents of their work. They perform what they are told to perform and that’s about it.
Not unlike the group’s previous videos, there is a strange, unhealthy vibe going on.
The video begins with the members playing three-player chess on a triangular board.
Right from the start, we see the girls forced to face the fact that there are only three of them left. The triangular board game invokes the idea that there is no space for anybody else.
Later in the video, we see a red King being knocked over on the dualistic (light and dark) board. In occult symbolism, this represents ritual sacrifice.The same color codes and symbolism are found on Michael Jackson’s album cover ‘Blood on the Dance Floor’. From the name of the album to the occult symbolism, this album art was all about ritual sacrifice. Bonus fact: the black strap on his arm signifies mourning.
To make sure you understand that Galaxy is about Illuminati symbolism, the video features two clear One-Eye signs.
Two quick One-Eye signs let the viewers know that there is a second, occult meaning to this video.Again.
The rest of the video is centered around showing objects in groups of three – including the singers themselves.
Three scissors.Three cubes with the number 3 facing up.
There are many other occurrences of the number three throughout the video. One, in particular, is rather disturbing.
In this choreography scene, in front of a giant triangle, the three members of Ladies’ Code stand up while two dancers remain bowed down. Is this a reference to the two fallen members?
Throughout the video, the girls are waiting for a call from a phone that can only dial the number 3.
Forming a triangle around the phone, the girls wait for a call.
The fact that the phone can only dial one number is an apt representation of the living conditions of industry slaves. Cut off from the world, these artists are thoroughly managed by their handlers, who exploit them to exhaustion and force them to perform in videos depicting their own servitude. Who can these slaves call when they need help? The number 3 and that’s about it.
When the phone finally rings, the girls pick up and then leave swiftly. Maybe their handlers called them.
In Conclusion
After releasing the videos Hate You (about Monarch mind control) and Kiss Kiss (foretelling the death of two of the group’s members), Ladies’ Code made a perplexing comeback with Galaxy. Simply considering the fact that there are three members left in the group because two of them died, celebrating the number 3 is more than mildly chilling. This feeling is amplified when one understands the mentality of the occult elite ruling the industry, who is bent on rituals, numerology, symbolism, mind control, and the power of sacrifice.
In a veiled and symbolic matter, the occult elite reveals their dark deeds, gloating about the fact that nobody is even trying to stop them. Ladies’ Code embodies and displays all of the elite’s obsessions so blatantly, they should be renamed … “Elite’s Code”.
Described as the “biggest data leak in modern journalism”, the Panama Papers reveal global corruption of the financial elite. This “leak” is however carefully controlled and targeted towards specific individuals in order to serve the true elite’s agenda.
An anonymous source contacted journalists around the world a year ago and provided them with over 2.6 terabytes of data from Mossack Fonseca, a notorious Panamanian law firm which sells anonymous offshore companies to the financial elite. The documents were obtained by the German newspaper Suddeutsche Zeitung (SZ) and shared with the International Consortium of Investigative Journalists (ICIJ).
On April 3rd, several news sources revealed simultaneously the story, effectively centering worldwide media attention around this single issue. The massive leak – dubbed the Panama Papers – includes over 11.5 million documents and implicates 72 current and former heads of state.
Although the leak reveals a gigantic system of global corruption around the world, it curiously names very few powerful figures in the U.S., Britain and the Western world. On the other hand, many of the “wrongdoers” happen to be “outsiders” or at odds with the Western elite. In fact, many of the people named by the leak are associated with regimes that the elite is looking to destabilize. Are the Panama Papers carefully orchestrated to target specific individuals?
Media coverage from British paper The Guardian focused on Vladimir Putin – although he was not mentioned directly in the Papers. Meanwhile, David Cameron’s father is.
Let’s first look at the Panama Papers.
What are the Panama Papers About
The Panama Papers claim to expose the financial secrets of heads of state, athletes, billionaires and drug lords. Dating as far back as 1977, the records come from a little-known but highly influential Panama-based law firm called Mossack Fonseca, which has 500 staff working in 40-plus countries. The firm is one of the world’s top creators of shell companies — corporate structures that can be used to hide ownership of assets. Here is a nice vulgarization of the scandal posted on Reddit.
In business, you can avoid taxes by investing in something. If a company makes one million dollars, but spends 500,000 on investing in new technology for their product or something like that, they’re only taxed from the remaining 500,000 because that’s all of their “profit.” (I’m not a businessman so I’m not sure on the complete legality of all the kinds of spending but I think this is a basic summary). This is all normal and fine; all companies require investing in order to grow their company.
So a company in Panama basically made a business in creating fake businesses. Companies could “invest” million of dollars and then it wouldn’t be taxed, because according to legal documents it isn’t profit, it’s an “investment,” which is untaxable, and then they would get their money back from the fake business. So imagine if that $500,000 of investments from my above example was fake, and after awhile 90% of the money was given back to the business (I’m assuming the Panamian company took a cut of the money as payment). 2.6 TB of data in total, over 11 million documents and over 200,000 fake companies. According to the website that published the news of the leak, they were contacted by an anonymous source with encrypted files with the data sometime in 2015. Here’s am exerpt from the article:
Over a year ago, an anonymous source contacted the Süddeutsche Zeitung (SZ) and submitted encrypted internal documents from Mossack Fonseca, a Panamanian law firm that sells anonymous offshore companies around the world. These shell firms enable their owners to cover up their business dealings, no matter how shady.
Apparently there’s several trillion dollars of money that should’ve been taxed and wasnt. Not sure if that means trillions that should’ve been taxed off of, or trillions of dollars of straight tax money, but either way it’s a LOT.
Many political leaders (many seem to be in the Middle East), and celebrities are involved as well. To prevent any one person from being blamed for the leak, hundreds of news organizations are going to release further full details tonight (that’s what Ive heard, not sure how true it is) but the list apparently has thousands of people/companies on it. There’s 11 million documents though, and even though hundreds of journalists have been going through the data for months, there’s still information that has yet to come to light.
– Reddit, Panama Papers
The ICIJ released a video on YouTube explaining how offshore companies facilitate wars, human trafficking and drug dealing.
How the Story Serves Elite’s Interests
Although the allegations in the above video are serious and disturbing, one can’t help but notice that it mainly focuses on Russia and Uganda. In fact, the media spin of the leaks does not focus on the true world elite – part of organizations such as the Trilateral Commission and the Council of Foreign Relations (CFR).
A perfect example of how mass media is spinning the story can be found in USA Today. Under the title “Panama Papers read like Who’s Who of world power”, the paper lists some of the main culprits. It doesn’t take long to realize that the title should actually be : “Panama Papers read like Who’s Who of regimes world power is looking to destabilize”. Here’s USA Today’s list.
RUSSIAN PRESIDENT VLADIMIR PUTIN
Though his name does not appear on any of the records, Putin’s associates are cited frequently as having profited from or participating in a sprawling network of secretive financial dealings.
Among them, according to ICIJ, was world-class cellist Sergei Roldugin, a friend of Putin’s, who was reportedly listed as owner of offshore companies that received tens of millions of dollars in shadowy payments and secured control over a substantial part of Russia’s TV advertising business. ICIJ said “the evidence in the files suggests Roldugin is acting as a front man for a network of Putin loyalists — and perhaps for Putin himself.”
Other Putin associates cited included childhood friends and billionaire brothers Arkady and Boris Rotenberg, who collectively owned at least seven British Virgin Islands companies that invested in a pipeline construction company and acquired machinery to build a villa in Tuscany, Italy, for Arkady’s son, Igor, as well as other activities.
SYRIAN PRESIDENT BASHAR ASSAD
His two cousins, Rami and Hafez Makhlouf, who have been the target of international sanctions and are suspected of controlling key gateways to Syria’s oil and telecom business, held numerous offshore accounts through which they filtered investments such as telecommunications assets.
CHINESE PRESIDENT XI JINPING
Deng Jiagui, the brother-in-law of China’s current leader, became sole owner of British Virgin Islands companies called Best Effect Enterprises Ltd. and Wealth Ming International Limited in September 2009, according to ICIJ. Though ICIJ says it’s unclear what those companies were used for, Deng took possession of the companies while Xi was a member of the nine-person Politburo Standing Committee that rules China. Deng and his wife held hundreds of millions of dollars in assets, according to a 2012 Bloomberg report.
UKRAINIAN PRESIDENT PETRO POROSHENKO
While Russian troops invaded eastern Ukraine in August 2014, he is accused of having become the sole owner of a British Virgin Islands firm called Prime Asset Partners Limited, set up through Mossack Fonseca as a holding company with assets that include a European candy factory. Before taking office in 2014, Poroshenko’s assets included auto plants, a TV channel, a chocolate business and a shipyard.
SAUDI KING SALMAN BIN ABDULAZIZ BIN ABDULRAHMAN AL SAUD
He held what ICIJ described as an “unspecific role” in a Luxembourg company called Safason Corporation SPF S.A. that owned British Virgin Islands companies that took out $34 million in mortgages for luxury homes in London. He also was the primary user of a yacht named Erga that was held by a British Virgin Islands company.
ARGENTINE PRESIDENT MAURICIO MACRI
While mayor of Buenos Aires, Macri did not disclose his position as a director of Fleg Trading Ltd., which was incorporated in the Bahamas in 1998, according to ICIJ.
FORMER GEORGIA PRIME MINISTER BIDZINA IVANISHVILI
He owned a British Virgin Islands-based trust called Lynden Management Ltd. that was established by Credit Suisse and came under scrutiny for the murky source of its funds, according to ICIJ.
ICELAND PRIME MINISTER SIGMUNDUR DAVÍÓ GUNNLAUGHSSON
The former journalist and radio host and his wife, Anna Sigurlaug Pálsdóttir, held nearly $4 million in bonds in three Icelandic banks through Wintris Inc., a British Virgin Islands shell company, according to ICIJ. He failed to disclose his 50% stake in Wintris when he took office in 2009 and is said to have sold his share in the company to his wife for a $1 at the end of 2009, according to the report.
FORMER IRAQI INTERIM PRIME MINISTER AYAD ALLAWI
He controlled a Panama-registered company called I.M.F. Holdings and a British Virgin Islands company called Moonlight Estates Limited that each controlled real estate in England, according to ICIJ.
FORMER JORDANIAN PRIME MINISTER ALI ABU AL-RAGHEB
He was a director of multiple British Virgin Islands investment companies, held three companies in Seychelles and had family members serving as board directors of several British Virgin Island entities, according to ICIJ.
FORMER QATARI PRIME MINISTER HAMAD BIN JASSIM BIN JABER AL THANI
He held several investment companies based in Panama, including two he co-owned with then-Qatar Emir Hamad bin Khalifa, and previously held several companies in the Bahamas and British Virgin Islands, including one through which he managed a $300 million yacht named Al Mirqab.
UNITED KINGDOM PRIME MINISTER DAVID CAMERON
Cameron’s late father, Ian Cameron, avoided British taxes for 30 years on his investment fund, Blairmore Holdings Inc., according to the U.K. Guardian, part of the network of organizations that reported on the Panama Papers. Ian Cameron’s fund employed as many as 50 Caribbean experts annually to sort through red tape for Blairmore, which was based in the Bahamas but incorporated in Panama, the U.K.Guardian reported.
There was no particular allegation of wrongdoing against Blairmore, and David Cameron’s office said the prime minister has fought tax-avoidance schemes as a public policy.
SOCCER PLAYER LIONEL MESSI
The world-famous athlete and his father, Jorge Horacio, held an offshore company called Mega Star Enterprises that Mossack Fonseca registered in 2012, according to the U.K. Guardian.
Though offshore accounts are not illegal, the Guardian noted, Messi and his father have been accused by Spanish authorities of tax evasion for alleged involvement in shell companies based in Uruguay and Belize. They have denied those accusations, according to the Guardian. Messi, a native of Argentina, plays on Barcelona’s soccer team.
With the exception of David Cameron’s father, there is a distinct lack of figures from the true world elite. On the official website of the ICIJ, the main culprits are clearly listed, complete with their faces.
A screenshot from the ICIJ website.
According to the website, the main countries involved in the Panama Papers are: Argentina, Georgia, Iceland, Iraq, Jordan, Qatar, Saudi Arabia, Sudan, Ukraine, Russia, China, Syria, Palestine, Greece … and a little bit of UK.
Although corruption is undoubtedly rampant in these regimes, why are the culprits of the Papers either puppet states or somewhat at odds with the true world elite? Is this “leak” actually an underhanded attempt to destabilize specific forces?
Like most mass media “leaks”, the information released has been carefully curated and controlled by the powers that be in order to serve a specific agenda . Under the guise of “investigative journalism”, pressure is put on a specific set of regimes and individuals. Meanwhile, the true elite, the one that takes part in the Trilateral Commission, the Bilderberg meetings, the CFR and so forth are exempt from the scandal.
While the masses are lead to think that they are learning the ugly truth about the world elite, they are actually being served a small part of the picture. What do you expect? The biggest scammers in the world happen to own the newspapers that “leaked” the Panama Papers.
This ain’t no April Fools, all of the folllowing pics are real. In this edition of SPOTM: Industry veterans trying to stay relevant, newcomers showing off their puppet strings and more proof that the elite’s agenda is everywhere.
The fashion show by Chinese designer Designer Hu Sheguang was all about blood sacrifice, satanism and mind control imagery. In short, it was an unfiltered representation of the occult elite’s true face. In this pic, a masked model walking around with gigantic devil horns on her head.This model holds two dolls covered in fake blood. A sickening way of representing child sacrifice.The multiple heads on this model represent the multiple personas of MK slaves.A bunch of hands on the model = Controlled by mind control HANDlers.This Kate Moss photoshoot for AnOther magazine depicts in position of power over male sex slaves. It is all about Beta Kitten programming.This slave, dressed in chains and attempting to cover his privates looks traumatized and completely out of it. Gotta love the fashion world.A caped Kate Moss, representing the “Mother of Darkness” in Monarch programming, casts a dark shadow next to a helpless, naked slave.In MK symbolism, feline prints represent Beta Kitten programming. Combined with the collared, effeminate slave, this is all about the occult elite’s exploitation of Beta slaves – male and female.Emma Bunton aka Baby Spice is not a baby anymore. And, in order to get some of that sweet mass media spotlight, she needs to conform to the Agenda. In her photoshoot in Fabulous magazine, Emma wears Mickey Mouse ears (representing Mickey Mouse MK programming) and covers one eye a bunch of times (to make sure you understand the agenda).More one eye action to make sure you understand that this is all done on purpose.The Guardian recently did a cover story on veteran actor Dustin Hoffman and this is the picutre crowning the entire thing. In the article he states “I was an outsider, on the periphery looking in”. Not anymore. And that’s what you need to do to stay in.Gwen Stefani is another veteran looking to stay relevant. Most of the pictures associated with her new album feature her strategically covering one eye.Misery indeed.The cover of Young Thug’s Slime Season 3 mixtape depicts the rapper bleeding from one eye. A great way of representing being a pawn of the industry.The above cover is strikingly similar to a sculpture by Kim Noble – a MK programming survivor with 13 alter personas – read my article about her here.This ad for the new TV series The Family features broken glass strategically cracking around one eye of the main character – a young boy that is deranged and disturbed. I wouldn’t be surprised if the story ends up being full of Illuminati agenda.Following the same theme – One eyed Chloe Grace Moretz on the cover of Complex.Iggy Azalea is doing what she can to stay in the biz: Showing skin and hiding one eye. Notice that I did not mention making great music.Beyoncé has been doing it for like a decade. She recently posted this to her 65.8 million Instagram followers.Prominent one-eye sign on the cover of the German publication ZEIT Leo – the ‘magazine for children’. Gotta get them young.This campaign poster made by the he anti-immigrant Alternative for Germany (AfD) features a German girl crying and hiding one eye over the text “More security for our women and daughters!”. The popularity of this party is a result of the ongoing “race wars” Agenda – a growing crisis that is being purposely being manufactured through forced migration and false flag attacks.This is the post-Brussels cover by Charlie Hebdo. It features Belgian singer Stromae asking “Daddy where are you” while body parts fly around him. This is rather disrespectful to the people who died – it is almost mocking them. Another disturbing fact: Stromae’s father was dismembered in Rwanda. This is the second cover that proves that Charlie Hebdo – which was the target of a “terror attack” – is actually part of the Agenda.
In the past few years, Katt Williams has been rather vocal about the shady side of the entertainment industry. Simultaneously, he is involved in a long series of strange and humiliating events.
“We are against the Illuminati at our own detriment. When people are against the Illuminati, then, they get punched in the face all the time, the press hates them and nobody likes them. End quote.”
Three years later, Katt Williams gets punched in the face (literally), the press hates him and nobody likes him. Here’s the 2013 interview.
In the above interview, Katt explains how the Illuminati destroys the lives of those who do not give in to its industry’s demands. Katt has also been steadily going against Kevin Hart whom he identifies to be a prime example of a Black comedian who “sold out” to the industry.
Three years later, Williams’ fixation on Kevin Hart did not fade away. In fact, in February of this year, Katt called Kevin Hart a “puppet” on stage, adding that “somebody’s hand is stuck up that baby”. He even strongly insinuated that Kevin had to do sexual favors to get where he is today. (Warning: Explicit language).
After receiving a truckload of backlash after the release of that video, Katt apologized and even got the video removed from YouTube due to ‘copyright claims’. Did he say too much?
No matter what the case may be, Katt has since shown the symptoms of a classic “celebrity on the wrong side of the industry” breakdown.
Classic Case
When one is on the wrong side of the industry, one is subjected to a long series of career-destroying ordeals coupled with public humiliation.
In a only a few weeks, Katt has been allegedly involved in several bizarre events such as holding 5 women at gunpoint, assaulting a pool store clerk and becoming a battery suspect in L.A. On March 7th, police raided William’s house and arrested him.
The Hall County Sheriff’s Office in Georgia say the warrant was part of an investigation into Katt that began on March 1, after one of Katt’s bodyguards claimed he was beat with a baseball bat and choked after refusing to “engage in criminal activity” at Katt’s behest.
The bodyguard claimed Katt threatened to kill him … but said the assault was carried out by others in the group.
When cops raided Katt’s home Tuesday morning … they found several firearms, and “large quantities” of marijuana.
Katt was booked for aggravated assault, terroristic threats, and false imprisonment. Cops say they will also add the drug and weapons charges.
– TMZ, Katt Williams Arrested After Cops Raid Home Find Drugs, Guns
Ten days after that arrest, a woman named Jamila Majesty filed a bizarre lawsuit against Katt claiming she was subjected to a beatdown involving witchcraft and magic spells – two years ago. Majesty stated that “his witches beat me for hours”.
A woman has reportedly accused the frequently arrested Katt Williams of orchestrating a bloody five-on-one assault involving witchcraft — all because she used his bathroom.
The alleged attack took place two years ago, when the hotheaded comedian invited aspiring actress Jamila Majesty into his Malibu home, TMZ reports. There, Majesty says, five women beat her senseless for three hours and Williams burned her face with a cigarette — all while a book containing “teachings on sorcery and spells” sat by a mysterious fire.
Majesty detailed the harrowing alleged assault in a lawsuit filed Thursday in Los Angeles Superior Court, claiming she sustained broken ribs, split tendons and facial scarring after being “imprisoned” and “tortured” in Williams’ bathroom, according to papers obtained by The Wrap.
Williams even joined in, she said — slapping her, punching her in the ribs and helping the group of women beat her.
She allegedly lost consciousness several times, but says her assailants awakened her with ice packs to resume the brutal attack.
Majesty also claimed to have noticed a volume sitting on a bed in the “Norbit” star’s house that appeared to be “a wiccan book, something evil, with teachings on sorcery and spells.”
A blazing fire on the premises, she continued in the lawsuit, “was fed with unusual things for a fire, I am not sure what, but my intuition picked up on it and the fire smelled of sweetness more so than a normal fire.”
Williams also had one of the women “read (Majesty) psychically,” she said.
Majesty escaped around 1:30 a.m. and drove her bloodied self home, claiming she avoided calling the police for fear that Williams would retaliate, according to TMZ. The actress is seeking unspecified damages for assault, battery, false imprisonment and negligence and emotional distress.
– Daily News, Katt Williams accused of orchestrating bloody bathroom beatdown involving witchcraft, burning woman in face with cigarette
To conclude this perfect storm of a breakdown, Katt Williams appears in a viral video where he sucker-punches a teenager who then proceeds to manhandle him.
The video ends with Katt laying on the grass, thoroughly humiliated. Then that video went worldwide. Then police launched a criminal investigation against him.
In short, Katt is going through a destructive breakdown which can be attributed to drugs, mental problems or straight up idiocy. While the world is asking “What is going on with Katt Williams?”, those who know about the dark side of the industry detect symptoms of someone is being afflicted with “wrong side of the industry” curse. It torments you mentally, physically, financially and spiritually.
Spectre, the newest film in the James Bond franchise, is about a secret group taking control of world governments and imposing worldwide mass surveillance. Under the guise of a typical James Bond adventure, viewers get a solid dose of the occult elite’s predictive programming agenda.
Warning: Gargantuan spoilers ahead!
After appearing in more than 25 movies spanning half a century, the fictional secret agent James Bond is now the face of British intelligence and the suave personification of the MI6. Based on the series of novels written by Ian Fleming, who got most of his insights from his stint as a naval intelligence officer, Agent 007 exports the aims of Britain’s elite to the world. A perfect illustration of this occurred in 2012 when James Bond, played by Daniel Craig, appeared as Queen Elizabeth II’s escort in the opening ceremony video of the 2012 London Olympics. This simple yet powerful image encapsulates the entire raison d’être of James Bond in popular culture: He safeguards the elite’s interests.
James Bond (played by Daniel Craig) escorts the Queen to the 2012 London Olympics opening ceremony.
The same way parents sneak vegetables into their children’s spaghetti sauce, James Bond movies sneak pro-elite messages into a big bowl of sex, violence and shiny things. And with Spectre, the Agenda takes a definite “Illuminati” (i.e. occult elite) turn.
A Continuous Agenda
While James Bond used to be a defender of the British Empire and its interests around the world, recent 007 movies reflect an important change in world politics, which is especially true in Spectre. Loosely based on two separate Ian Fleming novels, Spectre is an original story crafted to push a specific worldview. And, as I’ve outlined countless times in past articles throughout this site, the modern Agenda is all about revealing how an occult elite is taking over the world and imposing a New World Order.
Spectre is a perfect example predictive programming: Exposing the masses to an “outlandish” concept so that when it really happens, the public’s sense of outrage is already dulled out. Of course, Spectre is far from the only movie pushing this message. The same exact premise is found in Kingsman – another British spy movie that came out in 2015 (read my article about it here).
In both movies, the “bad guys” are the global elite looking to control the world. Yet, in both movies, there are also clear signs that the British spies are strongly connected to them and that the only real losers are the masses, a “wild herd” with little to no say about what is happening. While in Kingsman, we witness massive depopulation using cellphones, Spectre is more symbolic (and upsetting). Indeed, the only time we see “regular” people in the movie is during the first scene and they are … dead.
The first frame of the movie perfectly describes how the elite perceives the masses.We then see an action scene in Mexico, during celebrations for Dia de Los Muertos – the Day of the Dead. All “non-elite” people are dressed as skeletons and dancing in the streets.
After the opening scene, we don’t really see regular people in the movie – just the British government and “Spectre” struggling for power. However, as the movie subtly lets us know, they are two sides of the same coin.
Spectre = The Occult Elite
If 007 represents the British government and the MI6, then “Spectre”, the shady organization looking to control the world, represents the occult elite.
The symbol of Spectre is an octopus – a symbol loved by the real world elite. Its many tentacles represent the many areas in which it meddles.When the US National Reconnaissance Organization launched its spy satellite NROL-39 (used for mass surveillance) into space, it released a mission patch featuring a giant octopus engulfing the Earth with the words “Nothing is beyond our reach”. Coincidentally enough, Spectre is about the same kind of surveillance.In the movie “Captain America: Winter Soldier”, the secret elite organization Hydra aims to control the world with the New World Order. Its symbol also features octopus-like tentacles. The proliferation of these symbols is how mass media programs the world.
Not unlike the real occult elite, Spectre gathers in secret meetings in palaces made by the elite, for the elite.
The secret Spectre meeting takes place in Rome at midnight.
In occult and popular culture, midnight is also known as the “witching hour”. It is defined as the time of night when creatures such as witches, demons, and ghosts are thought to appear and to be at their most powerful … and black magic to be most effective. Appropriately enough, in the film, the meeting is the theater for a symbolic blood sacrifice.
When one member of the meeting is deemed unnecessary, he gets killed one of the worst ways possible: A gigantic guy gouges his eyes out (eyes represent the elite) and breaks his neck in front a silent room full of people.
During that meeting, a German speaker outlines the “successes” of Spectre, which are perfectly in line with the real world elite’s “black” agenda. Not a lot of fiction going on there. One these “successes” is particularly creepy: The speaker talks about 160,000 migrated females who have been placed in the “leisure sector”. The “leisure sector” means prostitution. In subtle scenes like this one, the movie discloses the true, devastating agenda of the elite in this day and age. As I’ve mentioned in past articles, the migration crisis has been forced on the world for several reasons. One of the darkest reasons is to easily exploit millions of displaced people, who have minimal rights and few written records, in all kinds of nefarious human trafficking ventures. It has already started: News sources have reported that over 10,000 refugee children are already missing. How many of them will find themselves in the occult elite’s underground child abuse rings?
However, like the occult elite, the main goal of Spectre is to subvert all world governments in order to implement worldwide surveillance and implement nothing less than a New World Order. Indeed, in one scene, an agent tells Bond:
“In three days, there’s a security conference in Tokyo to decide the New World Order”.
Spectre has infiltrated the British government with its agents (namely one guy that goes by the name of “C”) to get this New World Order going. In several scenes, C uses typical “Illuminati” phraseology such as:
“We’re going to bring British Intelligence out of the Dark Ages and into the light”.
“Illuminati” means “the enlightened”. Later, in his speech in Tokyo, C states:
“Do not let them tell you we need less surveillance. We need more. Much more. I say again, the Nine Eyes committee would have full access to the combined intelligence streams of all member states. More data, more analysis, less likelihood of terrorist attacks”.
During that meeting, the participating countries are subjected to a vote to get worldwide surveillance going.
We then see that South Africa votes “No” to the New World Order.
Upon learning the outcome of that vote, C says yet another phrase that is very Illuminati:
“Only a matter of time before South Africa sees the light.”
Shortly after that negative vote, the South African city of Cape Town is subject to a violent terrorist attack.
We see here a clear disclosure of how the real-world occult elite works: False flag terror attacks scare populations and nations into submission and into accepting drastic policy changes. All of the scenes above basically sum up what the elite has been up to in the past years: Paris attacks, new surveillance laws, and the migration crisis.
Since this is a spy movie, the occult elite is personified by one supervillain: Ernst Stavro Blofeld. His trademark characteristic tells everything you need to know about him.
Later in the movie, Blofeld loses one eye, making him a walking, talking, one eye sign.
Blofeld also likes to say Illuminati mottos:
“A terrible event can lead to something wonderful. Out of horror, beauty”.
This quote is remarkably similar to the occult elite’s favorite motto: Ordo Ab Chao – Order out of chaos.
A Masonic insignia featuring the motto Ordo Ab Chao.
By using false flag terror, Spectre is taking over the world. Luckily, James Bond is here to kill everybody and have sex with a bunch of girls on his way there.
However, the movie makes one thing clear: James Bond is not “the people’s hero” trying to save freedom and democracy. He’s basically a puppet of the system. The British government and Spectre are simply two sides of the same coin. That little adventure you are watching – with the suave good guy and the evil bad guy – that is just theatrics to keep you distracted while real things are actually happening.
James Bond is Reduced to a Pawn of the Elite
The true status of James Bond is clearly depicted during the title sequence of the movie.
While we hear a dramatic song by Sam Smith in the background, we see James Bond walking under the “protection” of the Spectre octopus, which represents the occult elite. I thought Bond was against them?Even his gun is tightly controlled by the elite’s tentacles.The same tentacles are behind Blofeld – suggesting that both the “good guy” and the “supervillain” are actually part of the same team.James Bond walks around as we see a bunch of eyes around him.The title sequence ends with a single eye inside which are tentacles. In short, this intro sequence is all about the occult elite revealing they control the world and the very movie you are watching – while Sam Smith sings “Writing’s on the Wall”.
Once it is established that James Bond is just a puppet of the elite, everything about him from then on makes sense.
Like in every James Bond movie, there’s a scene where the agent is presented with all the cool gadgets he’ll play with during that adventure. This movie is no exception. However, this time, there is a catch. Bond must have a microchip implanted inside of him before he can do anything else.
As if to prove 007 is just a simple pawn, we see him get a microchip implant … just like the one they want you to get.
Q (the guy in charge of gadgets) tells Bond:
“Cutting edge nano-technology. Smart Blood. Microchips in your bloodstream that allows us to track your movements in the field”.
To which Bond responds:
“That sounds marvelous”.
In other words, the agent who is supposed to save the world from being monitored at all times by the government … is being monitored at all times by the government.
On these monitors, we see that Bond’s exact location and body stats are tracked in real time. These are the “heroes” the elite wants us to root for – a combination of transhumanism and Big Brother.
Later in the movie, Bond gets more of the mind-control-slave-style treatment, this time at the hands of Blofeld.
Bond gets his brain drilled into by a machine controlled by Blofeld. The good guys and the bad guys both mess around with Bond’s body. He’s just a pawn of them both.In one scene, Bond faces Blofeld through a glass. Blofeld’s reflection on Bond’s face is a subtle way of saying: They’re on the same team.
In the end, Bond successfully blows up Blofeld’s secret lair. But does he kill him? No. Instead, Bond drops his gun and goes to see the girl that he’s currently sleeping with. Then another guy comes in and tells Blofeld:
“Under the Special Measures Act of 2001, I am detaining you on behalf of the Majesty’s Government”.
So the bad guy gets arrested under the “Special Measures Act of 2001”, an ending that is 100% un-James Bond. In fact, it is so pointedly ironic that it can only be interpreted as the elite laughing at the viewers. Indeed, the “Special Measures Act of 2001” is likely a reference to the “Anti-terrorism, Crime and Security Act of 2001”, which came into law in Britain on December 14, 2001. This law is England’s version of the Patriot Act: A massive bundle of restrictive laws that were rushed through the Parliament in the wake of 9/11.
The Act was widely criticized, with one commentator describing it as “the most draconian legislation Parliament has passed in peacetime in over a century”. On 16 December 2004 the Law Lords ruled that Section 23 was incompatible with the European Convention on Human Rights, but under the terms of the Human Rights Act 1998 it remained in force.
Therefore, the bad guy of the movie, who was attempting to use terror to implement worldwide mass surveillance, is arrested under a law that actually implemented mass surveillance after a terror attack.
This is the elite’s sick way of telling you: We are Spectre and you’re living under our rule.
In Conclusion
Although the Spectre organization is the “bad guy” and James bond is the “good guy”, none of this actually matters. The movie’s true goal is exposing the masses to a specific concept in order to make it part of the collective unconscious. Mass media is all about predictive programming – acquainting the public with planned societal changes to be implemented by the occult elite.
These changes are already happening now. Although James Bond is fighting Spectre “for the Queen”, we must not forget that the UK has for years been at the forefront of the Big Brother Agenda, implementing all kinds of restrictive, mass surveillance laws, right after every terror attack on the Western world.
In short, the UK was taken over by Spectre a long time ago. And, James Bond, our “hero”, is nothing but a mind-controlled pawn with a microchip in his arm.
The “body hacking” movement is about implanting into the human body technology such as RFID chips, cameras and even LED lights. By bypassing health and ethical issues associated transhumanism, this body hacking pushes this movement to strange new frontiers.
As stated in my previous articles about the subject, transhumanism has been heavily promoted in mass media in the past years, whether it be through movies, music videos, video games and documentaries. Often, the word “transhumanism” isn’t even used. Instead, we simply show how a robotic enhancement “upgrades” the human body and makes it cooler, effectively selling the idea to people who believe they are being entertained – especially young people.
A by-product of this trend is “body hacking”, a movement that forgoes the ethical and philosophical questions associated with transhumanism to go right into drilling robotic parts onto one’s body. While many of us dread the day when microchips implants will be a requirement in a dystopian society, some people actually pay to have it done to them.
Here’s an interesting article about the movement from NPR.
Justin Worst, Marlo Webber and Jes Waldrip show off an LED light implant. Grindhouse Wetware calls it the Northstar.
A curious crowd lingered around Amal Graafstra as he carefully unpacked a pair of gloves, a small sterile blanket and a huge needle. A long line of people were waiting to get tiny computer chips implanted into their hands.
Graafstra had set up shop in a booth in the middle of an exhibit hall at the Austin Convention Center in Texas’ capital, where he gathered last month with several hundred others who call themselves “body hackers” — people who push the boundaries of implantable technology to improve the human body.
The movement evokes visceral reactions, brings up safety and ethical concerns and quickly veers into sci-fi questions about the line between human and cyborg.
Graafstra is a pioneer in the space. Using his own body to experiment, he designed bio-safe magnets and the microchip he was about to implant into the hand of A.J. Butt, who was sporting a tall, blue mohawk.
A.J. Butt got an RFID microchip implanted into this right hand.
The implantable RFID chips hold encrypted information, and their unique ID numbers can be used to open doors or unlock the owner’s smartphone, which is what Butt wanted to do.
Butt took a deep breath. The needle plunged into his skin at the base of his thumb, and a chip bigger than a grain of rice slipped just below the surface.
Across the way, Sasha Rose, who was working a meditation booth at the convention, watched the people line up to be “chipped.”
She shook her head: This was the craziest thing she had seen. She wondered about Graafstra’s credentials. She thought this was a medical procedure, so should he be performing it? Did his clients know the potential consequences of carrying personal information on a device inside their skin?
“More than the crazy concept, it’s actually people’s willingness to accept it. That’s why it’s crazy to me,” Rose said. “People are just willing to just line up and go, ‘Yeah, stick that in me.’ ”
At night, many of the convention-goers gathered at a club on Austin’s Sixth Street.
Graafstra was outside with Ryan O’Shea, whose company Grindhouse Wetware made the Internet squirm earlier this year when it released a close-up surgery video of one of its implants called Northstar. In it, a man gets a small incision in his hand, and then, with a metallic tool dipped into it, the skin is lifted to produce a cavity where a round subdermal implant with five LED lights is placed.
The result looks dystopian — the incision is stitched with black thread, and LED lights make the skin on the hand glow red.
But body hackers view the world differently, Graafstra said. They believe technology has reached a point where it can improve the human body instead of just fixing what’s broken.
A piece of art on display during a BodyHacking Con party in Austin.
“A patient may someday come very soon and say, ‘My eye is totally fine, but I want an eye that can see infrared. And I want an eye that can zoom,’ ” Graafstra said.
That kind of future — where the human body is augmented by technology — is the goal of many of these experiments.
O’Shea said Grindhouse Wetware is using its LED device to test how long a device like it can remain charged inside a body, and Graafstra said his RFID chip is a small attempt at merging digital identity with physical identity.
“I think once people realize, ‘Oh, it’s OK that my grandma has a pacemaker’ … people are going to start to accept this,” O’Shea said. “You know, the era of transhumanism, I would say, is here. So let’s accept that and then see where that logically takes us.”
Inside the club, a drone hovered above the dance floor. The polished steel and the electronic dance music gave it a futuristic feel.
Standing near the bar was Tony Salvador, who studies social values and how they affect technology at Intel. He was at the conference to get a feel of when and if “body hacking” may be accepted into the mainstream.
Sometimes, he said, technology moves too fast and outpaces accepted social boundaries — not to mention laws. He argued that was part of the reason why early wearers of Google Glass were called “glassholes.”
“It created a social misunderstanding,” Salvador said. “You didn’t know what was going on.”
To Salvador, the boundaries of acceptance are a matter of our social philosophy, an area that he argued was driven by esoteric discourse without tangible moral and ethical recommendations.
The philosophers, he said, are letting us down.
Alva Noë, a philosopher at the University of California, Berkeley and a contributor to NPR’s 13.7: Cosmos and Culture blog, has written extensively on what he calls “cyborgian naturalness.” He disagreed that the modern philosophers dropped the ball, saying that tackling the matter would involve unpacking two questions:
Is it OK to cut into human bodies for these kinds of experiments?
How much tolerance should society have for artificially enhancing the body?
To the first question, Noë said he found the “body hacking” experimentation on humans “ethically disturbing” and couldn’t fathom a doctor or any other scientists conducting these kinds of operations.
The second question was more complicated.
“We don’t condemn people for using glasses to see better,” he said. “But we do start to think taking speed to cope with your work life is questionable.”
Because those kinds of judgments are an ethical question, drawing a tolerance line may always be a moving target, he said.
“We may reach consensuses and then lose them,” Noë said. “Just as there was once a consensus where it was OK to smoke to function effectively, and now we have the consensus that, increasingly, it’s not OK to do that.”
If there’s a rock star in the body-hacking movement, it’s Neil Harbisson, a colorblind artist from Barcelona who persuaded a doctor to implant a camera in the back of his head. The antenna, as he calls it, essentially lets Harbisson listen to colors by detecting the dominant color in front of him and translating it into musical notes.
Neil Harbisson, an artist from Barcelona, has a camera implanted in the back of his head, which he says allows him to listen to colors
The way he tells it, a medical ethics committee in Europe had refused to sign off on the operation, but a doctor agreed to perform the surgery anonymously. From it, Harbisson emerged with a camera connected to a device on the back of his skull, its lens dangling in front of his face on a rod that arcs over his head.
As he walked the streets of Austin, he described how he perceived the world: the red traffic light sounded like an A note; the green grass sounded like an F.
In his keynote address at the conference, Harbisson said the first time he heard those colors in his sleep, he felt truly cyborg. Now, he no longer identifies as human but as a “cybernetic organism.”
“If we define ourselves as organisms, suddenly our group is wider,” he said. “We are on the same level as an insect, or as a cat, or as a plant.”
Harbisson is well aware of how the world perceives him. He moved from Barcelona to New York City in search of “peace” with another friend in the transhumanist movement, Moon Ribas. Ribas has an electronic device in her arm that she said vibrates when there is an earthquake anywhere in the world.
On more than one occasion, people have tried to rip off his antenna, Harbisson said. That’s part of the reason why he co-founded the Cyborg Foundation to advocate for “cyborg rights.”
When asked if he’s ever thought about just taking the antenna off, Harbisson demurred.
“To me, it’s much stronger, the wish to sense what’s around me, than the fact that people keep annoying me,” he said, adding that maybe, in the future, as others get new senses, he’ll be considered normal.
Other than the fact that both Whitney Houston and her daughter Bobbi Kristina Brown were found face down in a bathtub, a new autopsy report concludes that they were both found with the same combination of drugs in their bodies.
The more the investigation on Bobbi Kristina’s death progresses, the more it bears the classic signs of a ritualistic murder covered up by compliant authorities. While this might sound like an outrageous claim to the average person, those who know about the dark side of the industry understand that it is fully plausible – and that several key facts points towards it.
As I’ve highlighted in my previous articles about this case, Whitney Houston’s last years were those of an ex-star who found herself at odds with the higher ups of the entertainment industry and who got stuck in its dark and toxic underbelly. As drug problems merged with a total mental breakdown, a spectacular downfall ensued. Countless reports of odd behavior surfaced as Whitney was found to be trapped in living conditions reminiscent of a mind control slave. In a rare interview with Oprah, Whitney described her life with Bobbi Brown:
Oprah: Did you think something was gonna happen in those drug-crazed, drug-filled days where you’re sitting for hours and days?
Whitney: There were times when he (Bobby Brown) would smash things, break things in the home. Glass. We had a big, big giant portrait of me and him and my child. He cut my head off the picture. Stuff like that. And I thought, “This is really strange.” So I figured, cutting my head off a picture, that was a little much for me. That was one sign.
And then there were other things like he started to paint in my bedroom eyes. Just eyes. Evil eyes that were looking at every point of the room.
Oprah: He started to paint on the walls?
Whitney: Yeah. The rugs. The walls. The closet doors. If I opened the door, there would be one picture. Then I’d close them and there would be another picture and eyes and faces. It was really strange. …
Oprah: What are you doing with all of that?
Whitney: I’m looking at it going, “Lord, what’s really going on here?” I was getting scared because I felt something was going to blow. Something was going to give.
– Oprah.com, “Whitney Houston Tells All“
In short, she was a classic case of an industry pawn who paid dearly the price of fame. Not unlike Michael Jackson, Whitney’s life was cut short just when she was gaining a little grip on her life and right when she was becoming a little more vocal about her ordeals.
Whitney’s death was apparently not enough and, as if struck by a multi-generational curse, the her daughter lost her life in circumstances that are exactly similar. Leaving both mother and daughter face down in a bathtub is the kind of “signature” a serial killer would leave to link both murders. New information now confirm that the similarities go beyond the setting of the crime scene.
Same Fatal Cocktail of Drugs
The autopsy report confirms that both Whitney Houston and Bobbi Kristina were found with a strikingly similar cocktail of drugs in their bodies.
comparison of autopsy reports for Bobbi Kristina Brown and her mother, singer Whitney Houston, shows similarities that go beyond how both women were found.
The reports say the women had used cocaine, marijuana and the same prescription drug used to treat anxiety before they were discovered unresponsive in bathtubs, according to WXIA-TV, 11Alive News, in Atlanta.
Brown’s cause of death is listed as lobar pneumonia due to “hypoxic ischemic encephalopathy, delayed effects” and “immersion of face in water complicating mixed drug intoxication.”
Not unlike most elite-sponsored killings, Bobbi Kristina’s investigation is muddled, confusing and full of contradictions. Her prolonged coma is the perfect excuse to say: “We don’t know what really happened and we’ll never will”. The autopsy report states:
The other question which arises is manner of death. In other words, did death result from natural causes such as disease, an intentional act such as suicide or homicide, an unintentional cause (accident), or in an undetermined manner when a more specific manner of death cannot be established. Death was clearly not due to natural causes, but the medical examiner has not been able to determine whether death was due to intentional or accidental causes, and has therefore classified the manner of death as Undetermined .
– FCME, “Update on the Death of Bobbi Kristina Brown“
While the investigation is far from over, some sources claim that Nick Gordon might have been accessory to the killing. Whatever the case may be, Bobbi Kristina’s death goes way beyond Nick Gordon: It is the work of a shady force that is powerful enough to kill those it doesn’t like … and get away with it.
In this edition of SPOTM: Rita Ora, Zendaya, Selena Gomez and more proof that the entertainment business is about UNcreativity and all about catering to the elite’s sick obsessions
As stated in past SPOTM’s, Rita Ora is one of those chosen figureheads of the Beta Kitten system who appears to be famous for no reason. Like most celebrity Beta Kittens, Ora did a photoshoot with the elite’s favorite photographer Terry Richardson for LUI magazine. The result: Pure Beta Kitten stuff. For instance, the cover is basically her flashing her breast as if saying: “Yup, this is my career now.”Ora also graced the pages of L’Officiel Russia. Here, she shows us her tattoo of the Kabbalistic Tree of Life (Kabbalah-related tattoos are almost a requisite for Beta Kittens). She also flashes some of her booty because that Kabbalah stuff is not about spirituality – it is a sign of being a slave of the occult elite.There also male representatives of Beta programming in the industry. Model Jethro Cave (Nick Cave’s son) seems to have integrated that entire system. Here, he’s doing the one-eye sign with a condom while wearing handcuffs … slave.Here, Jethro is wearing a creepy “kitten” mask – a reference to Beta Kitten programming.Speaking of Beta Kittens, Selena Gomez keeps playing into that agenda. As one critic stated: “she’s focused on pandering to her pervert fans who have been into her since she was 15 and working for Disney…by doing weird Pedophilic photoshoots dressed like “Little Bo Peep” or some sh*t”. Selena’s photoshoot in LOVE magazine is indeed about making childhood sexy – and it is not her first photoshoot going in the “lolita” direction.Isn’t the agenda obvious now?Her confused face as if saying “why are you doing this to me” makes the abuse of minors fashionable.This agenda is not limited to ex-Disney girls. The UK show This Morning featured girls between ages of 8 and 10, wearing crop tops and performing a pole dance routines. Young girls doing what strippers do on morning television: That’s mass media for you.The one-eye sign popped up literally everywhere last month. It was used by all kinds of elite-owned companies and performed by all kinds of elite-owned celebrities. Here’s a prominent one-eye sign on an ad for Weight Watchers.
Despite years of career in the movie industry, Jodie Foster still needs to throw up that sign in Interview magazine.
Zendaya needs to bring that one-eye sign to her young fans in Girls Life magazine.Here she is in Complex Magazine posing with a bunch of dismembered mannequins – the elite’s favorite way of depicting MK slaves.Jazz Jennings is a 15 year-old transgender teenager that has been getting a lot of publicity lately. In this pic for DAZED magazine, one eye is replaced by a patch – a confirmation of who is controlling this young person’s career now.Nearly ever single ad for the brand Pandora features the one-eye sign. Here’s a small compilation of ads.This is the cover of one of Poland’s most important magazines. It features a white woman being grabbed by six “dark” arms with the title: “The Islamic Rape of Europe”. As I’ve stated in previous articles, the elite has purposely forced the massive entry of refugees in several Western countries. That same elite is now feeding and profiting from the fear, hate, racism and confusion caused by this massive entry of migrants. The end result: new restrictive laws, more surveillance and the introduction of freedom-killing policies based on race and religion. Remember that the motto of the elite is “Order out of chaos”.This Pakistan Airlines ad from 1979 is literally foreshadowing as we see a commercial jet casting a large shadow over the twin towers. There is no shortage of strange, predictive 9/11 images out there.This 1970’s print ad for the WTC is also rather creepy for several reasons, mainly because it implies that a whole lot of people in these towers are NOT going to heaven. Spearheaded by David Rockerfeller in 1959, the WTC was inaugurated by Governor Nelson Rockefeller (David’s brother) and housed some of the world’s biggest elite-owned finance firms. The WTC was indeed the closest some of them will ever get to heaven.
Judge Scalia died at a gathering of the International Order of St. Hubertus, an elite secret society that dates back to the 1600s.
Supreme Court Justice Antonin Scalia, who was mostly known for his ultra-conservative views on a variety of issues, was found dead on February 12th in a luxury ranch in Texas. The context and the circumstances of his death are rather perplexing.
For one, Scalia was members of the secret society International Order of St. Hubertus – an exclusive elite hunting fraternity dating from the 1600. While the fraternity’s official mission is about loving nature, animals and whatnot – it goes far deeper that this. The Order of St. Hubertus is not a society of “elite hunters” – it is an elite secret society that gathers under the pretext of hunting. Members of the society hold titles similar to those found in Freemasonry such as Grand Master and Knight Grand Officer.
After Scalia’s death Feb. 13, the names of the 35 other guests at the remote resort, along with details about Scalia’s connection to the hunters, have remained largely unknown. A review of public records shows that some of the men who were with Scalia at the ranch are connected through the International Order of St. Hubertus, whose members gathered at least once before at the same ranch for a celebratory weekend.
Members of the worldwide, male-only society wear dark-green robes emblazoned with a large cross and the motto “Deum Diligite Animalia Diligentes,” which means “Honoring God by honoring His creatures,” according to the group’s website. Some hold titles, such as Grand Master, Prior and Knight Grand Officer. The Order’s name is in honor of Hubert, the patron saint of hunters and fishermen.
After Scalia’s death, Poindexter told reporters that he met Scalia at a “sports group” gathering in Washington. The U.S. chapter of the International Order of St. Hubertus lists a suite on M Street NW in the District as its headquarters, although the address is only a mailbox in a United Parcel Service store.
The International Order of St. Hubertus, according to its website, is a “true knightly order in the historical tradition.” In 1695, Count Franz Anton von Sporck founded the society in Bohemia, which is in modern-day Czech Republic.
The group’s Grand Master is “His Imperial Highness Istvan von Habsburg-Lothringen, Archduke of Austria,” according to the Order’s website. The next gathering for “Ordensbrothers” and guests is an “investiture” March 10 in Charleston, S.C.
– The Washington Post, “Justice Scalia spent his last hours with members of this secretive society of elite hunters”
Jesus Christ between antlers meant to represent St Hubertus’ vision.A display of horned skulls with cryptic inscriptions on them.Another skull is adorned with two double-headed eagles – an important symbol in Freemasonry.This Masonic emblem of a double-headed eagle topped by a crown represents the 33rd Degree – the highest degree achievable in regular Freemasonry.
The Order is therefore a classic example of an occult secret society from the 17th century that draped itself in Christian imagery to avoid persecution and remain secret.
The ultimate proof of the Order’s connection with the occult elite is the fact that its American branch was founded at the Bohemian Grove in San Francisco.
The society’s U.S. chapter launched in 1966 at the famous Bohemian Club in San Francisco, which is associated with the all-male Bohemian Grove — one of the most well-known secret societies in the country.
– Ibid.
As you might know, the Bohemian Grove is the most prominent gathering place of members of the elite who partake in dark occult ritual drama. This private club of influential men still meets annually north of San Francisco and uses this symbolic ritual to kick off its summer retreat. The ceremony involves burning a mummy-like effigy named Care at the foot of the group’s mascot: a 40-foot-tall concrete owl.
“The Cremnation of Care” at the Bohemian Grove. The ceremony involves the poling of a small boat across a lake containing an effigy of Care (“Dull Care”). Dark, hooded individuals receive the effigy from the ferryman which is placed on an altar and, at the end of the ceremony, is set on fire.To purge himself of worldly concerns, a member of the elite Bohemian Club participated in a 1915 Cremation of Care ceremony – complete with candles and a robed and hooded comrade to guide him.
So this is where the Order of St. Hubertus was launched in the U.S. This reveals everything you need to know about its connection to the occult elite.
Secrecy Around Scalia’s Death
Those who attempted to investigate the circumstances of the death of one of the most prominent figures in the country found themselves confronted with a lot of secrecy, denials and “I don’t know” ‘s. For instance, his death was promptly pronounced as natural – without proper examination of the body.
Scalia died in his sleep on the night of February 12 or the morning of February 13, 2016, following an afternoon of quailhunting and dining at the Cibolo Creek Ranch in Shafter, Texas as the guest of John B. Poindexter, owner of the ranch.
After Poindexter discovered the body, he called the Presidio County sheriff’s department to ask for the number of the U.S. Marshal’s Service to report a death. Poindexter was reluctant to say who had died to Sheriff Danny Dominguez, who had the Marshal’s Service call the ranch owner, and both the marshals and the sheriff went to the ranch, where they were shown Scalia’s body. Dominguez instructed his office to call local justice of the peace Juanita Bishop but she was out of town. County Judge Cinderela Guevara pronounced Scalia dead of natural causes. She did not see the body, which under Texas law is not required, nor order an autopsy. Bishop, as well as David Beebe, another justice of the peace, later disagreed with the decision not to order an autopsy for Scalia. Guevara, who conferred by telephone with Scalia’s physician, stated that she made the determination to pronounce Scalia dead from natural causes after being told by county sheriff Dominguez on the scene that “there were no signs of foul play” and that Scalia “was having health issues”; Scalia’s physician, Rear Admiral Brian P. Monahan, told her Scalia had a history of heart trouble, including high blood pressure, and was recently deemed too weak to undergo surgery for a torn rotator cuff. According to Sunset Funeral Home director Chris Lujan, Scalia’s family also declined to have an autopsy performed after his body was transferred to his El Paso funeral home, prior to its return to Fairfax, Virginia.
– The Big Story, “Texas judge disclosed details about Scalia’s health”
Law enforcement and the FBI are also remaining extremely secretive about the facts surrounding the Order and Scalia’s death.
Law enforcement officials told The Post that they had no knowledge of the International Order of St. Hubertus or its connection to Poindexter and ranch guests. The officials said the FBI had declined to investigate Scalia’s death when they were told by the marshals that he died from natural causes.
– Washington Post, Op. Cit.
In short, one of the nine Judges of the highest federal court of the United States died during the gathering of an occult secret society. That death was promptly pronounced to be of natural causes. No autopsy was performed on the body and no investigation took place. Scalia therefore could have been poisoned (for whatever reason) and nobody would ever find out. No matter what the case may be, this story exemplifies why the occult elite identifies to the owl of the Bohemian Grove: It works in darkness, away from the prying eyes of the rest of the world.
The Jacksons’ 1984 video “Torture” is a nightmarish ordeal laced with a whole lot of Illuminati mind-control symbolism. Does the video symbolically reveal the secret life of the Jacksons, particularly the family’s most famous member, Michael?
The story of the Jacksons reflects everything that is wrong with the music industry: Young talents being groomed in cruel conditions by handlers, then pushed into the spotlight in order to ultimately break down in a spectacular fashion. When Michael Jackson became the biggest star in the world, things got extremely weird, extremely fast. First, Michael’s appearance and skin color changed drastically due to massive bone-chiseling reconstructive surgery and experimental, chemically induced skin bleaching. Then all kinds of reports of strange behavior- culminating in accusations of child molestation – surfaced in the media, defining the rest of Michael’s career. After spending the last few years of his life speaking out against the evils of the industry, the “King of Pop” died in a what is now ruled as a homicide.
I am convinced that Jackson was subjected to strange experiments throughout his life, the maij one being: Trauma-based mind control. The process most likely began at a very young age, as Jackson was reportedly severely traumatized by the physical and psychological abuse suffered at the hands of his father.
When Jackson moved from the custody of his father to the custody of the music industry, things got worse. And if there’s anything one can learn from the articles on Vigilant Citizen it is that the occult elite enjoys disclosing–in a twisted, symbolic and deceptive matter–their control on artists, the industry … and the world. Hence, Torture.
It’s Torture
The Jackson’s Torture was released two years after Michael Jackson’s monumental album Thriller made him an international superstar. While the rest of the Jacksons looked to cling to Michael’s talent and get some of his fame and fortune, Torture describes the disgusting Illuminati mind-control system that lurks behind the glamour and glitz of the industry.
Watching Torture is torture in itself. Combining crappy visual effects with a bunch of annoying and disturbing images, the video is tedious and difficult to watch. It is as if one can feel the fact that the filming of the video was torture to everyone involved – including director Jeff Stein:
Stein recalls the shoot as “an experience that lived up to the song title”, and that sentiment is shared by others involved in the production. It finished over schedule and over budget. By the end the Jacksons themselves had stopped showing up. Stein says it was so stressful that one of his crew members lost control of her bodily functions. “The crew motto used to be ‘Death or victory’,” he says. “I think that was the only time we ever prayed for death.”
– Craig Marks “I Want My MTV: The Uncensored Story of the Music Video Revolution”
Furthermore, as if they felt that there was something intrinsically wrong with this project, Jermaine Jackson flat out refused to appear in the video and Michael bowed out, citing other engagements. The net result of all of this: A wax dummy of Michael Jackson was used for the video.
They used a dummy to replace Michael Jackson in this shot. YUP. They even put one of its arms up and everything. This has to be in the Top 5 saddest moments in music history.
While the song is said to be about how the feelings of love become “torture” when a break-up is nearing, the video goes in a decidedly MKULTRA direction. The video is all about literal torture and the symbolism associated with those scenes point directly to Monarch mind control (if you don’t know what that is, read this article first).
The video begins with a Jackson standing in front of a line that leads him to a weird place. This is not unlike the Yellow Brick Road in The Wizard of Oz which is said to be the “path to programming” by Monarch handlers.Behind the shades, his eyes explode, implying the impending blowing of his mind.
The lyrics of the first verse describe the plight of an MK slave.
It was on a street so evil
So bad that even hell disowned it
Every single step was trouble
For the fool who stumbled on it
Eyes within the dark were watchin’
I felt the sudden chill of danger
Something told me keep on walkin’
Told me I should not have gone there
Trapped inside a weird, claustrophobic world–representing the mind of a dissociated MK slave–the brothers are subjected to all kinds of trauma.
What the hell is this thing? This messed-up face is the kind of imagery used to traumatize and confuse MK slaves about their own body.
Much like other MK-inspired movies from the 80s, such as Return to Oz and Labyrinth, the video depicts how a dissociated slave perceives reality while being subjected to trauma.
The beginning of programming is represented by the slave entering into an occult temple.
The slave stands before the entrance of an occult temple, complete with two pillars and an all-seeing eye above.Initiation into Freemasonry is represented by passing through twin pillars standing under the All-Seeing Eye.
However, the Jacksons are not initiated into a brotherhood. Instead, they are rather forcibly introduced into a world of hurt under the all-seeing eye of a sadistic handler.
Inside the temple, they are lured deeper by a creepy “magician”, representing the handler.
The handler’s face is creepily disfigured, possibly implying that handlers are traumatized slaves themselves.
The slave then falls into a pit and discovers who really rules his world.
Observed by a literal “eye in the sky”, the MK slave is constantly monitored by his handler.Nothing says Illuminati MK slave like a helpless celebrity stuck on a wall of eyeballs.Touching an eyeball is apparently contagious as an eye grows right on his hand. Trauma.Although there are eyes everywhere, the brothers themselves are blind to what is truly happening to them. In this quick, yet highly disturbing scene, the brothers remove their shades to reveal that they literally have no eyes.
Inside this world of all-seeing eyes, the brothers find themselves in all kinds of trauma-inducing situations.
Shocked by an electric wall representing electroshock therapy – a basic trauma-inducing technique of Monarch mind control.
Later, a beautiful woman lures him deeper into the “temple” (programming).
At the top of a curved obelisk is, once again, a big, all-seeing eyeball.As he attempts to reach the woman, pointy things attempt to stab him. The path to programming is laden with pain and torture.Right before he reaches the woman, she turns into a masked crazy person laughing evilly.
Michael Jackson’s verse explains how a slave gets lured into a world of hurt.
She was up a stair to nowhere
A room forever I’ll remember
She stared as though I should have known her
Tell me what’s your pain or pleasure
Every little thing you find here
Is simply for the thrill you’re after
Loneliness or hearts on fire
I am here to serve all masters
“I am here to serve all masters” is the kind of thing an MK slave is programmed to think.
The slave ends up on an even deeper level of programming.
He finds himself in a setting that is custom-made to induce trauma, complete with giant spiderwebs and skeletons hanging by the arms.There, the Jacksons turn into skeletons performing their signature dance moves.
The programming turns the Jacksons into dancing skeletons, animated by the “magic” of the handlers. That’s showbiz for you.
We are then treated to a classic symbol of MK-related narratives: The MK Slaves breaking glass (or a mirror) to represent the fracturing of their personality.
Each brother successively breaks glass – their personas are symbolically shattered after dissociation and intense trauma.
After the torture and programming, the brothers are ready to go back in the “real world” and be industry slaves.
After the programming is complete, a lightning bolt crashes down and reopens the gate to the real world. Never forget that they replaced Michael Jackson with a wax dummy because he did not want to appear in the video. YUP.
Although I am sure the producers wanted the real MJ to appear in the video, him being replaced by a dummy is tragically appropriate as Michael is the one who ended up in the deepest levels of programming.
In Conclusion
Torture was one of those productions that almost seemed to be cursed. The song was shunned by critics and the filming of the video was a difficult, painful ordeal that was boycotted by both Michael and Jermaine Jackson. The video even caused the production company to go bankrupt.
Torture was nevertheless a prototype of the “modern” music videos, laced with MK imagery. It featured artists portrayed as slaves who are lured into a scary world full of trauma and Illuminati symbolism, giving viewers that gut feeling that they are watching something wrong and evil. Torture was the occult elite symbolically “disclosing” what truly happened to the Jacksons behind closed doors … and it was literally torture.
Kesha’s attempt to escape her contract with Dr. Luke was shut down by the Manhattan Supreme Court despite her claims of being drugged and raped by the producer.
Cutting ties with the occult elite’s music industry is nearly impossible and Kesha’s ordeal is proof of it. After a year-long legal battle with producer Lukasz Gottwald – professionally known as Dr Luke – Kesha was told by Manhattan Supreme Court Judge Shirley Werner Kornreich that she must fulfill her obligation to record six more albums with him … or end her career. Kesha is indeed locked into an exclusive contract with Luke (owned by Sony) which means that she cannot record with anybody else until the contract is fully honored.
“At eighteen years old, Ms. Sebert was induced by DEFENDANT LUKASZ SEBASTIAN GOTTWALD (a.k.a. “Dr. Luke”), a successful music producer, to drop out of high school, leave behind her family, home, and life in Nashville, Tennesse, and come to Los Angeles to pursue a glamorous career in the music industry.
For the past ten years, Dr. Luke has sexually, physically, verbally, and emotionally abused Ms. Sebert to the point where Ms. Sebert nearly lost her life. Dr. Luke abused Ms. Sebert in order to destroy her self-confidence, self-image, and self-worth so that he could maintain complete control over her life and career.”
It also describes some cases of abuse:
“Ms. Sebert took the pills and woke up the following afternoon, naked in Dr. Luke’s bed, sore and sick, with no memory of how she got there. Ms. Sebert immediately called her mother and made a ‘fresh complaint,’ telling her that she was naked in Dr. Luke’s hotel room, she did not know where the clothes were, that Dr. Luke had raped her, and that she needed to go to the emergency room. (…)
It also describes the stranglehold Luke had over the young pop star.
Dr. Luke repeatedly threatened that if she ever told anyone about these abusive incidents, he would destroy both Ms. Sebert and her entire family. (…)
“He would tell Ms. Sebert that she was nothing but his pawn, and if she did not obey his orders, that he would end her career”
Rejected
The judge however rejected the claims stating:
“You’re asking the court to decimate a contract that was heavily negotiated and typical for the industry.”
Kornreich heard arguments that Dr. Luke had invested a substantial amount — $60 million in her career — and that the producer had agreed to allow her to record without his involvement. The judge told Geragos that “decimates your argument,” adding, “My instinct is to do the commercially reasonable thing.” Kornreich spoke of the lack of medical evidence such as hospital records to corroborate the assault allegations. “I don’t understand why I have to take the extraordinary measure of granting an injunction,” she said.
– Hollywood Reporter, “Judge Won’t Let Kesha Escape Dr. Luke Contract”
Kesha sobbing after hearing the final ruling.
Therefore, despite allegations of drugging, abuse and psychological torment, Kesha must continue to record under Dr Luke’s contract or call it quits (with probable penalty).
Although I am aware that some unscrupulous people have used baseless rape allegations to spite and destroy other people, I believe there is a lot of truth to Kesha’s claims. Why would a fledgling pop star want to cut ties with one of biggest hit makers in the world in such a desperate matter? The lawsuit isn’t even about jail time or financial compensation, it is simply about ending a contract and cutting ties.
While the judge stated that her contract was “typical for the industry”, the slave/handler relationship described by Kesha’s lawsuit is also, unfortunately, “typical for the industry”. Dr Luke is not some random guy, he is a high level figure in the industry who worked with the biggest pawns in the industry such as Britney Spears, Katy Perry, Jessie J and Nicki Minaj. Coincidentally, all of these artists were featured on Vigilant Citizen due to their agenda-laden videos.
So, the next time you sign this sign, know that it is not simply about looking cool, it is a sign of complete submission to a dark and cruel industry.
In this edition of SPOTM: Drake, Tyga, Kylie Jenner and more proof that a satanic occult elite rules the entertainment industry.
Rapper Tyga is also known to be Kylie Jenner’s boyfriend – a relationship that began when she was a minor. In his song “Stimulated” Tyga bravely declared “They say she young, I should’ve waited/ She a big girl dog when she stimulated”. (Bonus creep fact: That song sampled Robert Miles song’s aptly entitled “Children”). Considering the fact that Kylie has been the face of Beta Programming for years, this Tyga photoshoot, featuring mannequins that somewhat look like Kylie, is creepy yet fitting. In this pic, he is wearing a dualistic pattern vest, referring to a handler position.Similar dualistic pattern vest worn in the Beta Kitten display that was the VMAs.As stated in previous articles, mannequins are a preferred way of representing MK slaves. Does this pic allude to Kylie’s true status?Chilling in a house with a bunch of naked mannequins is really cool. No, wait, its creepy as heck.That boy ain’t right.This is the cover of Tyga’s album featuring the song “Stimulated”. The one eye sign tells you all you need to know about that creepy, underage, handler/slave relationship.Speaking of Kylie Jenner, she posted a drawing of Baphomet on Instagram. It is apparently related to her brother Rob going out with Blac Chyna (or something that barely makes sense). In the end, it is Kylie Jenner, the “queen of Instagram” posting a drawing of Baphomet to her 50.5 million followers.Kylie apparently gave this creepy, trauma-inducing “gift” to North West to hang in her room. Pawns are breeding a new generation of pawns.Playboy announced the end of nude photoshoots and a new “modern” direction. According to its first cover, this new direction is right in line with the elite’s agenda of normalizing the sexualization of minors. Although the model is 20, the shoot intentionally sends a “14-year old vibe”, complete with cheeky Snapchat (teenager’s favorite app) caption.Meanwhile, Miley “Disney girl gone Beta Kitten” Cyrus keeps posting pics depicting her own degradation on social media.Drake’s new album cover is simple yet telling. It consists of the number 6 made of fingers. Inside is an all-seeing eye. It is a visual representation of the occult elite’s hand sign representing 666.In one of his Instagram pics, Drake confirms that this is about the one eye sign.
None of this is ever an “accident”. Here’s the exact same hand sign on the cover of Kode magazine.Willow Smith doing the one-eye sign will modelling socks.Not an accident.Reese Witherspoon needs to do this as well in Entertainment Weekly Magazine FebruaryJohn Legend and Chrissy Teigen put up their Beverly Hills Estate for sale and this is an image of their home theater. For some reason, we clearly see the iconic scene from Metropolis where android Maria is standing in front of an inverted pentagram. As stated in previous articles, this specific scene is constantly rehashed to represent the control of “android” stars to push the agenda of the occult elite.This huge advertisement for the TV series “Lucifer”, Lucifer is telling award nominees in the entertainment industry to thank him. It is basically the occult elite telling it like it is. In this show, Lucifer is played by a charming, good looking guy with whom viewers sympathize with. #LuciferIsComing. It is all out in the open.While “Lucifer” is playing on FOX, A&E will be broadcasting “Damien”, a TV series where the “hero” is the Anti-Christ. Yup. A good looking guy with a sympathetic demeanor will realize that he’s the Anti-Christ. This ad features an inverted cross and a somewhat unnecessary red 666. It is all about putting out in the open and normalizing the elite’s symbolism.
The eight short videos that preceded the release of Rhianna’s ANTIdiaRY album conceal a heavy message: They reveal the process required from an artist to enter the higher-ups of the music industry, which is ruled by an occult elite.
Rihanna was discovered by music industry people when she was a teenager in Barbados and, quickly enough, she was sucked into the dark hole that is the music industry. Her third album, titled Good Girl Gone Bad, launched her into super-stardom and made her a household name. Coincidentally enough, it is also with that album that Rihanna’s image and persona took a darker direction and her work became permeated with Illuminati symbolism. For instance, her video Umbrella (as analyzed in my 2008 article), symbolically represents her “selling her soul” to the music industry and the dark forces that rule it. It was indeed about a good girl gone bad.
Since then, Rihanna has become one of the best-selling artists of all time and, concurrently, her work has been used to push all kinds of agendas (as explained in my numerous articles about her). The ANTIdiaRY videos are no exception. In a very symbolic matter, these videos depict Rihanna’s path to success and, as we’ll see, it is all about being initiated into an industry ruled by an occult elite.
ANTIdiaRY
Rihanna’s album Anti was preceded by the release of eight short videos that told an enigmatic story. While the obvious goal of these videos was to promote and generate Internet hype around the album (and Samsung products), the storyline also promotes something else: The occult elite’s control of the music industry.
The cover of the album features a young Rihanna blinded by a crown. The concepts of vision and blindness the central theme of the artwork.
The ANTi album cover features a picture of Rihanna as a little girl (reportedly from her first day at daycare). Blood-like red cover her upper body.
The cover image is actually part of the Israeli-born artist’s “Blind” series, which largely focuses on the concepts of inner and outer vision and the metaphor of “opening” viewers’ eyes. Most of Nachum’s works include subjects with obstructed eyesight and corresponding messages in Braille.
– Vanity Fair, Roy Nachum, the Artist Behind Rihanna’s Anti Cover, Explains What It All Means
In the background is a poem by Chloë Mitchell written in braille. It reads:
I sometimes fear that I am misunderstood. It is simply because what I want to say, what I need to say, won’t be heard. Heard in a way I so rightfully deserve. What I choose to say is of so much substance That people just won’t understand the depth of my message. So my voice is not my weakness, It is the opposite of what others are afraid of.
Yes, the message of ANTIdaRY is indeed “of so much substance” and it is true that most “people won’t understand” it. That is because it is coded with the occult language of the elite. The message does not come from Rihanna, it comes from those who control her.
Using the same symbolism and color codes I’ve outlined in several articles in the past, the ANTIdiaRY videos describe the process required from a young star to access the higher echelons of the music industry. It is about initiation, submission, and control. And the elite takes pride in making talents reenact their own “selling out” in music videos.
Room One
The series begins the same way many other ritualistic videos begin: By portraying youth, purity, and innocence.
In the first room, Rihanna is in an all-white room, dressed in a white dress.White toys and a white piano refer to youth, playfulness and early love of music.
Two little children appear in Rihanna’s room and lure her into a much darker place.
The children (who appear to be twins) walk creepily backward towards a black room.As she follows the children, she finds a key on which is inscribed R8. It symbolizes her being “chosen” to enter the black rooms of the elite.As Rihanna follows the two children, they merge into young Rihanna who is blinded by a crown she is too small to properly wear.
The boy and the girl merging into young Rihanna represent the concept of duality that is at the core of all occult transformative processes. The opposition of the colors white and black serve the same purpose.
Young Rihanna, who is blinded by the crown of the elite, represents Rihanna’s core personality, her true self, which is not initiated into the music industry and is therefore “blind” to the industry’s nature. Rihanna’s true self is, however, enticed by the spoils of fame and success and guides her throughout the process.
Room 2
When Rihanna enters the dark room, she finds a futuristic, state-of-art recording studio.
This studio is a major upgrade from the old white piano in her bedroom. This is where major hits, those who get airplay around the world, are recorded.When Rihanna touches the mixing board, she moves spastically, uncontrollably, as if she was possessed by an unseen force. That music is clearly infused with something powerful.After Rihanna spazzes out for a while, a bunch of creepy dudes appear out of nowhere.
These dudes, who appear inside the elite’s recording studio, represent “industry people”, those professionals who will guide and support Rihanna’s career. However, as rapper Q-Tip once stated:
Industry rule number four thousand and eighty
Record company people are shadyyyy
Room 3
After this first contact with the industry, Rihanna’s occult transformation begins.
Rihanna, who is still wearing white, is being measured for a brand new outfit. Her new, industry-friendly persona is being created.Rihanna then faces the woman in charge of that room. The woman is standing in front of a dark portal and there is Braille tattooed all over her face.
In ANTIdiaRy, Braille (the raised-dot writing system used by blind people) represents the occult elite’s secret language. The young, “uninitiated” Rihanna with the crown over her eyes is literally blind, not unlike the uninitiated masses who do cannot read the elite’s language. When asked about Braille in her work, Rihanna stated:
“Sometimes the ones who have sight are the blindest.”
– Billboard Magazine, “Rihanna Reveals Album Title & Artwork at Los Angeles Gallery”
A braille-faced woman is clearly a high-ranking person in the system. She touches Rihanna’s key and leads her towards the dark portal. Young Rihanna is waiting for her on the other side.
Rihanna walks into the portal which represents her initiation into the “dark side”.
A different Rihanna emerges from the other side of the portal.
Rihanna is dressed in black, the color of initiation. With her new hairstyle and wardrobe, Rihanna now looks like a pop star, complete with tattoos and a skull ring.
The good girl has gone bad.
Room 4
If one does not directly descend from an elite bloodline family, initiation requires a blood sacrifice.
Still dressed in black, Rihanna tattoos a guy right on the forehead.Rihanna marked the guy with Braille (the elite’s language). Ink (looking an awful lot like blood) flows from the guy’s eyes and nose and pools on the floor. The blood sacrifice is done.
Room 5
In Room 5, Rihanna finds herself naked in a bath while people watch her from behind screens. As a pop star selling sex, she must expose herself to the faceless masses to further her career.
A crowd of people talking surrounds Rihanna, who is alone in a bathtub.
She dips her head in the water, like a self-baptism.
When Rihanna re-emerges, she is surrounded by blue, ink-like liquid. It appears that the process is slowly killing herself as well.
Room 6
Rihanna follows young Rihanna into a dark room full of industry people. She walks towards a stage that appears to emit waves of unseen power.
The stage is also a powerful medium. The same type of power emitted at the recording studio causes everybody to lean back in waves.She then climbs upstairs onto the stage. She is entering a higher echelon of the industry. The multiple reflections of Rihanna represent the splitting of her core personality into industry-made personas.On the stage, Rihanna is ready for the next level.
Room 7
Rihanna enters an office full of symbols that scream out “occult elite”.
Inside the marble office is a pair of Baphomet horns and an Egyptian bust recalling the Egyptian magic roots of the occult elite.A woman points Rihanna towards another room. On the desk are two horned heads (Baphomet) and a pyramid of sorts. Rihanna is in the offices of the higher-ups of the elite, where their true symbols are out in the open.
Rihanna is directed to a room that appears to freak her out.
Rihanna finds a golden room (which looks like a bank safe) with Braille (representing the language of the elite) covering the walls. The floor is full of gold coins.
Here, Rihanna apparently discovers the true roots of the occult elite – bankers. Sitting in a room full of gold and money, old-timey accountants wearing old-timey green visors type on old-timey calculators. Apparently, they’ve been counting money for a very long time.
The elite bloodlines of this world (i.e. the Rothschilds, Rockefellers, etc.) have had a stranglehold on world banking for centuries. It is how they rose to power and it is how they have remained in power for generations. They are the definition of “old money”. They’ve accumulated an outrageous amount of wealth that needs an outrageous amount of accounting.
Young Rihanna then appears and gives her crown to Initiated Rihanna.Rihanna is ready to become an “Illuminati queen”.
After putting on the crown, the room goes dark.
Room 8
Rihanna uses the key she found in the first video key to open a white door.
Industry people wait for her in her original room.
While, in the first video, the room was “real”, it now looks like fake, like a TV show set.
Her white room is now full of sand, recalling the lifelessness of the desert and abandonment. Innocent Rihanna in a white dress doesn’t exist anymore.Crowned Rihanna finds the dualistic kids sleeping on her bed. As she lays down on them we understand that her occult transformation is complete.
Rihanna then looks at the night sky.
She sees a huge star surrounded by a circle. The “eye in the sky” will never stop watching her from now on.
The story told through the videos show Rihanna going through an occult transformation as she rises in status in the music industry. Her journey begins as an innocent, white-clad girl. Lured in by the elite’s crown, Rihanna is sucked into the music industry’s machine, complete with high-tech studios that emit supernatural power. After her initiation into the industry and now dressed in all black, Rihanna performs a blood sacrifice and tastes super-stardom. She then enters the offices of the higher-ups of the occult elite and is given the crown making her “royalty” in the industry. When she goes back to her original room, things are different. The innocence is gone. Rihanna is a star, but her true self is gone. She is now a product of the music industry.
In Conclusion
The ANTIdiaRY videos depict, in a very symbolic matter, the inner workings of the music industry. They explain who really rules the industry and what is required from stars to become SUPERstars. Reaching that rarefied status comes at a cost: One must give up one’s “old-self” to embrace a new persona “tailor-made” by the elite. After the destruction of one’s original self, the only thing that remains is that artificially created, black-dressed persona that is seen around the world, but that is pretty much dead inside.
If you’ve read other articles on this site, you’ve probably noticed that this narrative (and the color codes accompanying it) have been used countless times, on countless young pop stars. The occult elite loves to expose the masses to that narrative because, right before our eyes, they are telling us exactly how they control these stars and, on a wider scale, how they control the world. Sadly, not unlike young Rihanna, most of the world does not understand the elite’s language. As Rihanna said: “Sometimes the ones who have sight are the blindest.”
The movie American Ultra is based on the real life CIA project MKULTRA, which aims to create mind controlled slaves. While this premise is horrific, the movie nevertheless portrays the CIA and mind control as something that is cool and even “rebellious”. It is yet another attempt at making mind control cool by mass media.
Warning: Colossal spoilers ahead!
American Ultra is an odd movie. While the story revolves around the horrific experiments the CIA conducts on its own population, it is told in a humorous matter, turning the whole subject into a joke. Not only that, the movie portrays CIA mind control as something that is cool and edgy – although it is the exact opposite of all of these things.
Take a look at the movie poster above: An MK slave and a CIA handler wearing cool shades, holding weapons and looking bad-ass. Is there anything LESS rebellious than a slave who has completely lost their free will and a CIA handler? They’re both pawns of the elite’s system. This is another case of media double-speak and, if you’ve been reading Vigilant Citizen, you know that making mind control cool and acceptable is an important part of the Agenda. Before we look at the movie, let’s look at what it is based on.
MKULTRA
Project MKULTRA – the CIA’s mind control program – was the code name given to an illegal program of experiments on human subjects. Although the program is officially said to have been halted, some whistleblowers claim that the program secretly carried on using other names such as Monarch Mind control (read my article about it here).
Declassified picture of a young MK-ULTRA subject, 1961. The caption says: “Unidentified White female between the age of 8 and 10 years old. Subject underwent 6 months of treatment using heavy doses of LSD, electroshock, and sensory deprivation. Experiments under codename: MKULTRA about early 60s. Subject’s memory was erased and her brain is that of a newborn baby.”
As you can see, CIA mind control is not cool at all. In fact, it is one of the most devious, horrific programs ever conceived. Based on sexual abuse, trauma, torture, confinement, intoxication, hypnotism, brainwashing and other devious methods, mind control literally destroys the life of the slave at the hands of cold, heartless sadistic handlers. The slaves are then programmed to perform various tasks such as becoming sex slaves, drug mules or, like in the case of American Ultra, trained killers. In Monarch mind control terms, “killer programming” is referred to as Delta Programming.
DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
– Ron Patton, Project Monarch
Delta slaves are “asleep” until they are “activated” by a trigger – usually a series of words or images.
The Delta’s are alters trained to carry out special missions resulting in death. The Delta’s who are inactive are asleep. They must be activated. The programming to activate them will be triggered if a mission is given or if certain parts of the deeper parts of the system are tampered with.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Products of that program become literal killing machines, trained in various forms of combat and some even develop extra-sensory perception (ESP).
Deltas will be trained in hand to hand combat–and know certain vulnerable places to kill people including breaking the neck. Training included a great deal of weapons training.
– Ibid.
Although the repercussions of their actions are very real, slaves are not able to distinguish reality from fiction.
Their thinking is buried in fairy tales. They are programmed to see themselves in fairy tales, they are programmed not to see their handlers or anybody’s else’s face for that matter. These alters do not have a chance to understand what they are doing.
– Ibid.
Finally, if these slaves become problematic, the only solution for them is death.
If the programmers get tired of the slave’s programming breaking down– and it does in part due to the severe abuse they get from these sadistic programmers/handlers, then they will simply give the slave an assignment in which the slave will end up dying, i.e. a suicide mission.
– Ibid.
Therefore, although it is not actually mentioned, the “hero” of American Ultra is an MK slave whose “superpowers” are the result of trauma and abuse. He displays all of the characteristics described above, but everything is showcased in a fun, entertaining, and glorified matter. In short, the CIA is trying to sell you on their most disgusting program.
Although Delta programming is horrific and is used to carry on political assassinations and even mass shootings (yes, you’ve read that right), American Ultra turns it into a fun, quirky, teenage-stoner-friendly thing.
Let’s look at the movie.
American Ultra
The hero of the movie is Mike Howell (played by Jesse Eisenberg), a stereotypical stoner who is prone to panic attacks. He lives with his girlfriend Phoebe Larson (played by Kristen Stewart), whom he wants to marry more than anything else in the world. Later in the movie, we learn that she is his MKULTRA handler when she clearly announces to him:
“I’m your handler.”
Not yet aware of this fact, Mike is madly in love with Phoebe and wants to propose to her. His love for his girlfriend is a little obsessive, almost as if he was … programmed to love his handler.
A couple of times during the movie, Mike stares at the ring he wants to give his girlfriend and zones out. The first time he does this, he burns the omelets he was cooking.In one shot, we see the couple’s matching tattoo. Unsurprisingly enough, it’s an all-seeing eye. Although this appears to be a romantic thing, it represents the slave/handler relation between the two.
Controlled by the Government
Mike wants to take his girlfriend on a trip, but his programming doesn’t allow him to do so.
At the airport, Mike gets a heavy panic attack, making him physically unable to board the plane.
We later learn the this “panic attack” was actually MKULTRA programming rendering him unable to skip town. On his way back home, we realize that Mike is being monitored by state authorities.
Mike and Phoebe get stopped by a police officer who knows them very well. In fact, he even asks Mike if he’s had “one of his episodes”. Mike cannot escape the all-seeing eye of the elite.
Mike’s main escape from his day-to-day routine (which is all set up for him by the CIA) is drawing comics.
Mike created Apollo Ape, an “astronaut monkey who goes on adventures”.
Although Mike is “asleep”, his Delta alter is subconsciously reflected in Apollo Ape’s violent adventures. As stated above, when MK slaves are triggered, things turn into a surreal fairy tale. Mike’s comic reflects his distorted recollection of when he was triggered.
Although he has not been triggered for years, Mike is nevertheless under constant surveillance by the CIA.
Mike is constantly monitored by spy satellites.
While all of these point towards oppressive police-state nightmare, the movie serves the viewers, a fun, PG-13 version of the CIA.
The CIA is Cool
Want to make the CIA as friendly and non-threatening as possible? Use the girl that played in Twilight as a mind-control handler and use Eric Foreman from That 70’s Show as an MKULTRA program director.
Newly promoted CIA agent Adrian Yates wants to kill Mike using other MK slaves because he keeps wanting to skip town. Also, he is very sassy.Another extra-non-threatening CIA agent is this guy we keep seeing. Here, he is sending a frowny-face selfie to his boyfriend because he wants to be at home with him and their little doggy. Aaaaw 🙁
The other main representative of the CIA is Victoria Lasseter, who was in charge of Mike’s ULTRA program. Although she was responsible for completely destroying and rebuilding Mike’s brain using traumatic techniques, she is portrayed as some kind of caring mother figure.
In this scene, Lasseter tells Mike the words that trigger his Delta alter persona – unlocking his cool superhero powers and enabling him to kick ass. Mind control is so cool. I wish I was a mind control slave (not).
Later in the movie, when Mike encounters Lasseter again, he asks her:
“Are you my mother?”
This sentence is rather sad. Since Lasseter erased his memory and literally created a new persona, Mike instinctively believes that this CIA agent is his mother.
She then goes on a rant explaining why he is a special snowflake and why she cares about him.
– Do you remember when you were arrested when you were 18 for the acid? That was when we first met. I was recruiting people for a program called Wisemen, which was basically designed to take third strike misdemeanor offenders and offer them the opportunity to volunteer … to be an experiment.
– That was a mistake.
– No Mike, you worked. All the other subjects that came in, they were failures. But not you. You were a success. But it was driving you insane.
– So you erased my memories and you f*cked with my head. And you left me with a fake girlfriend.
– I don’t want you to die. Because I care about you, alright?
The mother-figure aspect of Lasseter refers to an important figure in real life Monarch programming: The “Grand Dame” or “Mother-Of-Darkness”.
An Illuminati Grande Dame will assist the programmers to insure that the proper script is given to the child and that a psychotic break doesn’t occur causing the victim to lose their mind.
The Mothers of Darkness alters are an important balancing point to prevent the sadistic male programmers from killing more of the children they are working on.
– Ibid.
Therefore, although she’s a “good guy” in the movie, she represents the Grand Dame in Monarch programming, a “mother figure” who exists simply to make sure that the MK slaves do not completely break down – not because they love them.
The other CIA figure in the movie is Mike’s handler (and girlfriend), Phoebe. Although MK handlers are usually sadistic, inhumane, MK slaves themselves, the movie portrays the handler as a cute young girl.
In a quick flashback, Mike recalls his “girlfriend” interviewing him as a CIA agent.
In short, the entire CIA and the MKULTRA program are sanitized and represented by friendly people. Also, the many illegal, anti-democratic, freedom-impeding, police-state tactics of the agency are portrayed as if they were almost normal – just everyday business.
Yates orders a truck full of Mind control slaves to go out and kill MikeA fake story is planted in the news to justify the manhunt against Mike and Lasseter.FEMA equipment is used to impose martial law in Mike’s city.A remote-controlled drone is sent to bomb Mike’s house.Despite all of these tactics, Yates fails at catching Mike. The outcome? He gets executed in the woods by his superior. Just CIA, MKULTRA business.
The life of Lasseter is spared because she convinces her boss that Mike is a great asset that should be used by the CIA instead of being killed.
Mind Control is Cool
As soon as Mike is triggered by his Mother-of-Darkness, he turns into a whiny superhero who is able to use any common object as a weapon. While his new-found powers confuse Mike, he eventually embraces them. During his adventures, he tells Phoebe stuff like:
“I remember every single thing that happened in the last 94 minutes.”
“What if I’m like a robot? With gigabytes of memory recall and, like, Karate programming where I use objects to kill people?”
“Do you know what a M1 Abrams is? Its a type of tank. I could like 50 types of tanks right now.”
At one point Phoebe asks him if he feels sick. He looks in the mirror, and tells her:
“No, I feel kind of amazing”.
In a funky, cool, club-like setting, Mike says that he “feels kind of amazing”. He then weirdly smiles. Being a mind-controlled slaved programmed to kill people feels “kind of amazing”. That is what Hollywood is telling youth right now.
Mike ultimately kills everybody in his path in a variety of hilarious ways (killing people is also very cool). He is however clearly completely “out of it”.
After winning everything, Mike proposes to his girlfriend (handler) in front of a bunch of cops pointing their guns at them.They then both get tasered because they’re not cool, rebellious youngsters, they’re pawns of an oppressive system.
The CIA concludes that Mike is still usable. At the end of the movie, Mike and Phoebe are both in a posh hotel in the Philippines, look nice and classy.
We quickly realize that they are both on a CIA mission and that Mike is sent to kill people. He is still an MK slave and his “wife” is still his handler.
In the final scene of the movie, Mike faces an Asian mob boss. The movie then turns into a cartoon.
Mike turns into Apollo Ape who kills everybody in sight.
While most viewers will say: “Wow, the movie ended in such a cool and creative way”, this cartoon ending implies one important thing: Mike is a triggered MK slave in a dissociative state. When triggered, he cannot perceive the difference between reality and fiction. In short, despite the “happy ending”, Mike still has absolutely no control over his actions and is still nothing but a CIA asset.
In Conclusion
American Ultra is based on the real-life program MKULTRA program, which sought to turn unwilling civilians into mind-control slaves. Although mind control uses the most atrocious torture techniques known in history and indulges in the ungodly task of turning a human being into a mindless slave, American Ultra sanitizes the entire process. It avoids most of the horrific stuff while focusing on the fun, superhero killing stuff. Kids love that. While some viewers might think that the movie ended well and that the “good guys” won, the reality is that they’ve witnessed an odd infomercial for mind control.
American Ultra is yet another attempt by mass media at making mind control a cool, glamorous and, yes, even a rebellious thing. But what do you expect? If the CIA has no issues in brainwashing Americans into a state of mental slavery, do you think they have issues with attempting to brainwash the public with their subversive messages? MKULTRA is about brainwashing individuals, American Ultra is about brainwashing the American public.
In the wake of David Bowie’s death, his last album, “Blackstar”, is his swan song, an enigmatic conclusion to a career punctuated by otherworldly alter-egos and esoteric symbolism. We’ll look at the meaning of “Blackstar” in the context of David Bowie’s career.
Very few artists can boast the longevity of David Bowie in the music industry, as his career spanned over five decades and produced 28 albums. Throughout the decades, Bowie migrated from one musical genre to another, and even from one persona to another, but a constant remained: He was surrounded by an otherworldly aura.
Through his work, Bowie turned himself into a musical ‘ascended master’, a Gnostic Christ-like figure who achieved a high level of illumination and who sought to communicate a cryptic message to humanity. While many of Bowie’s eccentricities could be attributed to drugs and rock and roll, one cannot paint a complete picture of this artist without mentioning his most enduring obsession: Western occultism.
David Bowie, born as David Robert Jones in 1947, is seen by some as a sort of ‘Renaissance Man’ whose professed ‘universality’ is an attempt to show the apex of evolution by reassembling the fragmentary pieces of our society; thus, he resembles many occultists.
However unlike most occultists, Bowie has considerable wealth, critical acclaim, penetrating intelligence, and enduring good looks; he seems set to go on to even greater heights and achievements. What next, godhead? There is a Faustian/Mephistophelean element here. How else can one explain the absolute zenith of this man’s worldly trajectory? In fact, there are people who are convinced that his brobdingnagian success is not without some kind of otherworldly assistance. (…)
Nevertheless, it can not be ignored that Bowie has constructed his public persona from the various parts of the puzzle that are at the roots of modern occultism. He was summoning up some of these pieces at the early age of 16.
– Peter R. Koenig, The Laughing Gnostic – David Bowie and the Occult
Throughout his career, Bowie often turned himself into a mere vessel as he lent his body to various personas who spoke through him, often communicating messages of deep occult significance.
Bowie’s final album Blackstar is no exception. In fact, it is a “meticulously planned” final chapter of the “Book of Bowie”, one that confirms the true meaning of his work and the occult inspiration behind it. Therefore, in order to understand Blackstar, one must first understand some of his most iconic imagery.
Occult Bowie
If one had to select a quote that would aptly sum up the Occult David Bowie, it would probably be this one:
“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”
– Quicksand
In these four lines, Bowie reveals a source of his esoteric worldview: the secret society Golden Dawn.
“The Golden Dawn was a magical secret society, a crowning glory of the occult revival which flourished at the end of the 19th century and taught a unique blend of Jewish mysticism (called Cabbala or Kabbalah, also to be found in Bowie’s symbolism), astral travel, magic, yoga (also practiced by Bowie) and how to communicate with angels and demons. For this latter communion it was first necessary to empty the mind, to make room for the unknown to enter – something that bears a strong resemblance to Bowie’s ‘cut-up’ method of writing lyrics”.
– Ibid.
When Bowie states that he is “immersed in Crowley’s uniform”, he is referring to Aleister Crowley, the 20th Century British occultist who was a member of the Golden Dawn and a founder of the O.T.O (Ordo Templi Orientis). He was mostly known for his work in the realms of Sex Magick, Black Magick and his philosophy, the Thelema (read my full article about Crowley here).
Magick techniques have become popularised through the writings of Aleister Crowley who was once a member of the Golden Dawn, and later of the Ordo Templi Orientis (O.T.O.), which was (and still is) deeply involved with sex–magic. The public perception of both the Golden Dawn and the Ordo Templi Orientis are pseudo–masonic organisations where the aspirant (or member) goes through stages of ceremonial initiation wearing semi–Egyptian costumes — similar to the one Bowie wore for a photo session with Brian Ward in 1971.
– Ibid.
Aleister Crowley (left) and David Bowie (right) in the inner-sleeve of the CD version of Space Oddity.
In 1976 Bowie stated:
“My overriding interest was in Kabbalah and Crowleyism. That whole dark and rather fearsome never–world of the wrong side of the brain.”
– David Bowie, from “Bowie on Bowie: Interviews and Encounters with David Bowie” by Sean Egan
In a 1983 interview, Bowie added:
“I had this more–than–passing interest in Egyptology, mysticism and the Kabbalah. At the time it seemed transparently obvious what the answer to life was. My whole life would be transformed into this bizarre nihilistic fantasy world of impending doom, mythological characters and imminent totalitarianism.”
– David Bowie, Musician, May 1983
Considering the importance of occultism in Bowie’s life, the most iconic personas of his career take on an added level of significance, a level that is reinforced in Blackstar.
Major Tom
In 1969, Bowie released Space Oddity, a single that was cleverly released only nine days before the moon-landing of Apollo II, making it the unofficial theme of this historic event. The song introduced Major Tom, an astronaut who was launched in space and whose ultimate fate remained uncertain. The song indeed finishes with the words:
“Here am I floating ’round my tin can
Far above the Moon
Planet Earth is blue
And there’s nothing I can do”
– Space Oddity
On an esoteric level, Major Tom represents the ascension of mortals towards divinity – an interpretation that is apparently confirmed in the 2015 video for the song Blackstar.
In 1972, Bowie introduces a new alter ego who instead descends to Earth from the heavens.
Ziggy Stardust
The two forms of Ziggy Stardust. Left emphasizes the one-eye sign (from the album Alladin Sane) and the other emphasizes the pineal gland, aka the third eye (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars).
For his fifth album, Bowie introduced the alter-ego Ziggy Stardust, an androgynous alien rock star who was sent by the “Infinites” to announce the coming of Starmen to Earth.
In Bowie’s visionary performance, civilization was going to collapse and the ‘Infinites’ would arrive. Ziggy Stardust was to announce the coming of these ‘starmen’ bringing hope. Ziggy is their prophet, the messiah who takes himself to incredible spiritual heights, and is kept alive by the devotion of his disciples. When the Starmen finally arrive, they take bits and pieces of Ziggy so they can manifest themselves as real physical beings. Eventually they tear him to pieces on stage during the performance of the song ‘Rock’n’Roll Suicide’. At the moment of Ziggy’s death, the Starmen take on his essence, and become visible.
– Ibid.
With Ziggy Stardust, Bowie embodied the archetype of the “dying god”, a savior sent from above who ends up sacrificing his life.
The androgynous nature of Ziggy Stardust occultly represents a state of a higher spiritual level. In occultism, the highest stage of illumination is achieved through the internalization of duality and the equilibrium between opposing forces – good and evil, active and passive, male and female. This concept is symbolically represented by the horned, hermaphrodite god Baphomet. It is also represented in alchemical symbolism such as the Alchemical Androgyne.
This symbol from the Turbæ Philosophorum (1750) represents a hermaphroditic figure as the accomplishment of the magnum opus. The active and passive principles of Nature were often depicted by male and female figures, and when these two principles were harmoniously conjoined in any one nature or body it was customary to symbolize this state of perfect equilibrium by the composite figure above shown.
Ziggy Stardust also embodies the opposite of the spiritual and the material worlds: While he represents a high level of spiritual illumination, he is also a bisexual, promiscuous rock star bent on heavy drug use.
Contrarily to Major Tom who ascended from Earth to the skies, Ziggy Stardust descends from the “heavens”. He is a “higher being” who takes the form of a human in order to communicate a message, not unlike Jesus Christ.
Station to Station
In 1976, Bowie released Station to Station, an album he claimed to barely remember recording, mainly due to heavy cocaine use. He even added that it was the work of “an entirely different person,”.
“Bowie himself remembers almost nothing of the album’s production, not even the studio, later admitting, “I know it was in LA because I’ve read it was”.
Despite this fact, the album dealt with heavy occult symbolism. The song Station to Station, referred to travel through the Kabbalistic Tree of Life.
“Here are we
One magical movement
from Kether to Malkuth”
– Station to Station
“Kether” and “Malkuth” are two of the 10 elements of the Kabbalistic Tree of Life — the highest and lowest parts, respectively.
If you follow the path described by Bowie above, Keter to Malkhut describes the descent from Godhead to the physical realm. The theme of “descent from the heavens” has always been at the core of Bowie’s work.
In a 1997 interview, Bowie expands on the “magickal” meaning of the song and how no mainstream sources ever addressed it.
“The “Station to Station” track itself is very much concerned with the stations of the cross. All the references within the piece are to do with the Kabbala. It’s the nearest album to a magick treatise that I’ve written. I’ve never read a review that really sussed it. It’s an extremely dark album. Miserable time to live through, I must say.”
– Q Magazine, ChangesFiftyBowie”, 1997
On the cover art of the album we find Bowie drawing the Kabbalistic Tree of Life:
Bowie drawing the Kabbalistic tree of life.
Several decades later, in 2015, Bowie is confronted with his own mortality and feels the need to offer his fans one final offering. Blackstar takes all of the elements mentioned above (and more) to create one final, enigmatic, ritualistic drama.
Blackstar
Released two days before his death, Blackstar is David Bowie’s swan song in which he wraps up the mythology he has cultivated for five decades. The video of the same name is a tapestry of dark images. At the center of it all: A human being becoming a god.
The video begins with a dead astronaut on a remote planet.
Is this Major Tom? Are we seeing his final resting place? A young girl opens the astronaut’s helmet and finds an ornate skull.
The jewel-encrusted skull represents the astronaut’s ascension into godhood.
The skull is then revered as some kind of artifact from the gods.
A “grand priestess” holds the skull between two rows of women who cannot help trembling in its presence.
Sung in the matter of an incantation, the lyrics of the first verse allude to an occult ritual:
In the villa of Ormen, in the villa of Ormen
Stands a solitary candle, ah-ah, ah-ah
In the centre of it all, in the centre of it all
Your eyes
In the video, the men and women are separated, which conveys the idea of two opposing energies (male and female). Both groups end up making us witness an indirect sex magick ritual.
On one hand, the women “assume the position”.On the other, three crucified scarecrows (who appear to be animated by an unholy force), move their hips in a suggestive manner.
The combination of sex magick with the twisting of Christ’s crucifixion gives the video a strong “Crowleyian” direction.
In an interview, the director of the video, Johan Renck, discusses Crowley.
“Well, I’m a huge Crowley fan, I’ve always been. I tried to make a movie on his life a few years ago but we didn’t manage to put it together. I love Crowley for being an audacious man at certain point in time. I think he’s greatly misunderstood. He was a good guy, but he was portrayed as an evil man and he wasn’t.”
– Vice News, Behind “Blackstar”: An Interview with Johan Renck, the Director of David Bowie’s Ten-Minute Short Film
The name of the album itself, Blackstar, refers to an important occult concept: the Midnight Sun.
“Apuleius said when describing his initiation (vide ante): “At midnight I saw the sun shining with a splendid light.” The midnight sun was also part of the mystery of alchemy. It symbolized the spirit in man shining through the darkness of his human organisms. It also referred to the spiritual sun in the solar system, which the mystic could see as well at midnight as at high noon, the material earth being powerless to obstruct the rays of this Divine orb. The mysterious lights which illuminated the temples of the Egyptian Mysteries during the nocturnal hours were said by some to be reflections of the spiritual sun gathered by the magical powers of the priests. The weird light seen ten miles below the surface of the earth by I-AM-THE-MAN in that remarkable Masonic allegory Etidorhpa (Aphrodite spelt backward) may well refer to the mysterious midnight sun of the ancient rites.”
– Manly P. Hall, The Secret Teachings of All Ages
Bearing in mind Bowie’s impending death, the lyrics of the song take on a very personal meaning:
“Something happened on the day he died
Spirit rose a metre and stepped aside
Somebody else took his place, and bravely cried
(I’m a blackstar, I’m a blackstar)”
– Blackstar
Is Bowie referring to his own death? Is he referring to his spirit-less body being taken over by a Blackstar? This is yet another allusion to Bowie being “taken over” by a mysterious being who states:
I’m the Great I Am (I’m a blackstar)
“I Am that I Am” is the response God used in the Hebrew Bible when Moses asked for his name.
In the video, Bowie plays the role of three separate characters.
The “blind follower” with buttons instead of eyes. This character represents the simple, ignorant man.The preacher propagating the “Book of Blackstar” – with dumbfounded followers behind him.The “flamboyant trickster” who appears to have taken over Bowie’s aging body with eccentric mannerisms.
The video, therefore, depicts the several layers associated with occult knowledge. There are those who are in direct contact with its “true source” while the blind masses are fascinated by a bastardized version of it, sold by charismatic figures. David Bowie indicates that he is, simultaneously, a blind simple man and an occult initiate – a Blackstar.
Lazarus
Bowie’s final video bears the name of a significant Biblical figure: Lazarus.
“The Raising of Lazarus” by Rembrandt
In the New Testament, Lazarus died of an illness and was resurrected four days later by Jesus Christ. In the context of Bowie’s terminal illness, the title Lazarus conveys the idea of immortality, while playing with the constant idea of him being from “another world”.
In the video, Bowie plays the role of the same characters as in Blackstar.
In the role of the “blind man”, Bowie is an aging human who is physically weak, laying on his deathbed and scared of things to come.
Look up here, I’m in heaven
I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now
– Lazarus
From a dresser in the corner of the room (possibly symbolizing a portal to another dimension), emerges another Bowie, the flamboyant, eternally-young Bowie.
This Bowie is not dying – he even treats himself to few dance moves.
The costume worn by this Bowie refers to a specific relic from his past.
Bowie wears the same outfit as seen on the cover of “Station to Station” in which he is drawing the Kabbalistic Tree of Life.
As stated above, according to Bowie, this 1976 album was written “by an entirely different person”.
In Lazarus, we witness the return of this immortal being.
With theatrical mannerisms, this Bowie writes feverishly, as if animated by a higher force. Is this the source of Bowie’s inspiration throughout the years?At one point we see the skull from Blackstar, implying that this Bowie possesses that secret occult knowledge.
Although Bowie’s mortal body succumbed to physical illness (which is the ultimate fate of all humans), another part of him lives on, that otherworldly being who took over his body throughout his career.
The video ends with occult Bowie retreating back to the dresser and closing the door.
In Lazarus, Bowie bids farewell to the physical world but reminds us that a part of him lives on … that same part of him that ascended into space as Major Tom and descended to Earth as Ziggy Stardust. This Bowie travels from the physical to the spiritual world with the same ease as he travels from “Station to Station” through the Kabbalistic Tree of Life.
In Conclusion
Although David Bowie’s career spanned several decades, produced 28 albums, and exploited all kinds of enigmatic concepts, one aspect remained constant: He projected the aura of an otherworldly being, one that did not really belong on Earth, that sometimes appeared to be either spiritually illuminated or demonically possessed.
His final album, Blackstar is a direct continuation of the “Bowie mythos”. Meticulously planned to turn his death into a work of art, the imagery of Blackstar ties together several iconic moments of Bowie’s career into one final narrative, one that confirms the extreme importance of occultism in his work.
Lazarus, Bowie’s final parting gift, conveys one important message: Bowie was a vessel to something greater, something deeper, something darker, and something more profound than most ever realized. Claiming “I am the Great I Am”, this Being gave Bowie the inspiration to become an immortal icon and lead his fans to rally behind the declaration that “Bowie is God”.
Was Bowie truly influenced by unseen occult forces or was he simply a brilliant entertainer with a penchant for dramatics? Bowie answered this question a long time ago:
“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”
In this first SPOTM of 2016, I can confirm that the elite’s agenda did not take a break for the holidays … and that it is more obvious than ever this year. In this edition: Miley Cyrus (of course), Willow and Jaden Smith, Star wars and Charlie Hebdo.
Can a month go by without Miley taking part of demeaning, agenda-pushing crap? Apparently not. On this cover of Plastik magazine, Miley appears to be asphyxiating herself. Abuse, dehumanization, self-destruction. All part of the Agenda.On the alternate cover, Miley proves that this is pure agenda crap: one eye strategically hidden while confirming her Beta Slave status.The winner of 2015 The X Factor UK Louisa Johnson is signaling the world that she is yet another pawn of the occult elite ready to be exploited until people get tired of her.Wired magazine features yet another one-eye sign associated with the new Star Wars.The cover of Her World Singapore features a big, fat, one-eye sign for no particular reason. Bonus: Her dress reminds us that this is all about the All-Seeing Eye.The cover of L’Officiel Lebanon features a not-so-subtle one-eye sign.A big fat one-eye sign on the cover of Turkish magazine XOXO.This is a commercial for Maybelline. Maybe she’s born with it … maybe it’s an Illuminati pawn.Kylie Jenner posted this on Instagram on Jan 3rd. Who hides one eye while eating breakfast? You’ve guessed it: Vain-ass Illuminati pawns.The cover of Willow Smith’s new album Ardipithecus continues in the disturbing trend of oddly sexualizing this minor. While the the album title refers an extinct hominine, the artwork depicts a naked Willow who evolves into some kind of illuminated alien. The truth about her is much less mysterious: She’s an industry pawn that is completely lost.Meanwhile, Jaden Smith became the face of Louis Vuitton Womenswear. Women’s….wear. While some will have the knee-jerk reaction of giving him a standing ovation for the incredible courage of wearing a skirt, this publicity stunt is mainly a continuation of the agenda of blurring the lines between genders that was aggressively promoted last year.Katie Price became a celebrity in Britain due to her sex appeal. She is now dragging her eight year-old daughter into this sleazy business by disguising her into a mini version of her.Stop sexualizing children.Speaking of exploiting minors, Glee Star Mark Salling was arrested for possession of child pornography. Oddly enough, he plays the role of a dude who sleeps with a bunch of young girls in a show that indirectly turns high school into a sexy meat market.It is not the first time that Glee is associated with this kind of stuff. In 2010, the Glee photoshoot in GQ magazine was heavily criticized for pedophile tendencies.The people behind the scenes in Hollywood are looking to normalize their deviant obsessions through mass media.The album cover of K POP artist IU is replete with MK symbolism including: A big eye, Alice in Wonderland programming, a child traumatized by an evil man, a butterfly (Monarch programming), a young boy wearing fishnet stockings (abuse), mushrooms (intoxication), a rainbow (going over rainbow = dissociation), a one-eyed owl and much more.For the one year anniversary of the Charlie Hebdo attacks, the magazine launched a special edition with a rather symbolic cover. It depicts God as a terrorist yeilding a rifle and wearing a bloody robe under the title “1 an après, l’assassin court toujours” which means “1 year later, the assassin is still on the run”. Above God is the symbol of the Eye Seeing Eye inside a triangle, which is a symbol used by some Churches to represent divinity. As you might know, it is also the favorite symbol of the occult elite and is derived from the ancient Egyptian symbol of the Eye of Horus. Knowing this fact, the cover basically says “The REAL assassins are still free: the occult elite” while literally placing them above God – who is perceived as an imperfect demi-urge in occult philosophy.
The sun is setting on 2015 and, the least we can say, is that it was a bumpy ride. This year again, I attempted to provide a different perspective on things, one that bypasses the usual media hype and propaganda to highlight the wider agenda. Here at Vigilant Citizen, it is never about being alarmist or pushing fear mongering, it is about taking a step back, taking a deep breath and understanding the bigger picture.
Through analysis of popular culture, I look to draw attention to a clear and obvious pattern of messages and symbols that permeates all levels of mass media. Understanding this pattern is paramount because it means understanding the true mindset of those in power – and where they want to world to head.
As my articles often conclude, the mindset of the occult elite is disturbing: It appears to be celebrating nothing less than pure, unadulterated evil. Think about what was celebrated in mass media this year: Death, murder, terror, oppression, sexualization of everything, mind control, elitism, pedophilia, abuse, dehumanization, satanism, torture and other horrible things. Through mass media, the elite looks to soak our minds in everything that is corrupt, debased and harmful to the mind. By pushing the threshold of normality towards the rotten and the perverse, they are looking alienate us from truth in all its forms. They want a population devoid of a solid moral foundation, with values stemming from whatever mass media is currently dictating. While values were once passed down by family, culture and tradition, they are now sold by PR firms like dishwasher detergents. The ultimate goal is, of course, greater control of our minds, bodies and souls.
Does this mean that we need to be angry, bitter, hateful and permanently afraid? NO. Of course not. If you do this, you’ve fallen for their trap. They WANT you to be angry, bitter, hateful and afraid. These sentiments are pure gold for those who seek to turn irrational emotions into submission. What we actually need to do is to cleanse ourselves from that toxic crap we feed our minds, bodies and souls, and take a deep breath of pure, fresh air. We need to live life like it was intended to be lived.
The best way to stand up to the elite is not with anger, hatred or violence. It is simply by being a good, healthy, happy and solid human being with an educated mind and strong values. They want to dumb down our minds, weaken our bodies and corrupt our souls. We need to do the exact opposite.
Therefore, despite the doom and gloom, do not allow it to get to you. Do not allow yourself to become bitter, hateful or fearful. Our time on Earth is extremely limited and its beauty is almost unlimited. So, to quote my 2012 holiday thingie:
Seize the moment, go outside, enjoy nature, breathe fresh air, spend time with your friends and family, cook a tasty meal, read a great book, play a musical instrument, follow your dreams and give a horse a great big slap on the ass because, despite the doom and gloom, life is still beautiful.
Special thanks to the incredible VC community that came through, this year again, with amazing input. Thank you to everyone who posted comments on the site, enriching each article with unique views and relevant information; Thank you to those who follow the site on social networks and actively share articles everywhere; Thank you to the vibrant community over at the VC Forums, where discussions are never boring; Thank you to everyone who sent me e-mails containing important information, interesting article suggestions and heart warming comments and, finally, thank you for simply taking the time of reading my work, I truly appreciate it. You’re all great and I wish you all the best.
Happy Holidays and see you next year!
Sincerely,
VC
Although Miley Cyrus is a veteran at pushing unsound garbage to the masses, BB Talk reaches a new low by outright celebrating child abuse. This video truly embodies everything that is wrong with the entertainment industry.
The story of Miley Cyrus is rather sad and, unfortunately, it keeps getting sadder. Recruited by Disney at a very young age, she quickly became another case of a child star turned to an oversexualized minor. For her post-Disney career, a brand new persona was created: A wild, short-haired, drugged up freak and industry slave who is 100% geared towards pushing the occult elite’s ugly agenda (as documented by my previous articles about her). As the figurehead of the Beta Kitten system, Miley has little to no control over her career and is constantly placed in degrading situations and made to act out all of the perversions of the occult elite.
BB Talk is yet another attack on basic human decency as it clearly celebrates, normalizes and trivializes the sexualization of children. The entire context of this song is nothing less than a child abuser’s ultimate fantasy. Watching the video is simply revolting (you really don’t need to watch it) – especially when one considers Miley’s “industry” upbringing.
BB Talk
The premise of the song is that Miley Cyrus doesn’t like her boyfriend (or whatever) baby-talking to her because she finds it annoying. That is fair complaint. However, in the video, she plays the role of a baby, which gives the song a creepy new dimension. We’re basically seeing a baby telling a man:
F*ck me so you stop baby talking
The video then assaults the viewers with images that makes one’s mind feel violated and unclean.
Miley inside a crib dressed provocatively and doing provocative gestures.Diapers and pacifier combined with spread legs: Associating the innocence of babies with lust.Turning a giant milk bottle into a phallic object.Singing “F*ck me” while doing the corresponding gesture…while wearing a onesie.The baby is smoking drugs – the kind of stuff a child abuser would think of.Turning a baby crawling into a weird perverse experience that “they” apparently want us to witness.
As you can see, this video irritates me because it has no redeeming quality and doesn’t even attempt to hide its intentions behind a fake premise. It is about turning the innocence of children into lust. Knowing that pedophilia is rampant in the entertainment industry, and that child stars like Miley are routinely abused, this video celebrates the occult elite’s sick (and accepted) mind state. Miley Cyrus, a figurehead of Beta Kitten programming, is made to act out this gross display. Through her, the shady people in the industry are telling us: “Look at what we like to do and look at what we are doing to her”.
