In this edition of SPOTM: Kylie Jenner as Beta Kitten, the one-eye sign everywhere and more proof that the fashion world needs to go in rehab, go to jail and get an exorcism at the same time.
Symbolic Pics of the Month 12/15
Secret Archive: Jack the Ripper Was a Freemason Committing Ritualistic Murders
The release of secret archive reveals that the British elite was overwhelmingly Masonic and that Jack the Ripper was protected by the Masonic police force.
Ancestry recently made public a secret archive containing the names of over two million British Freemasons from 1733 to 1923. The list “reveals the extent of Masonic influence in the upper reaches of society at the height of Britain’s imperial grandeur”. It also includes the name of who is thought to be Jack the Ripper.
According to new records, Jack the Ripper was an obscure singer whose identity was shielded by fellow Masons. His murders were intricately planned Masonic rituals.
In the book They All Love Jack: Busting the Ripper, Robinson argues that all of the Ripper killings bore the stamp of Masonic ritual; the symbol of a pair of compasses carved into the face of Catherine Eddowes, the removal of meal buttons and coins from the bodies of Eddowes and Annie Chapman and the cryptic graffiti daubed on a wall in Goulston Street, which he says was “the most flagrant clue of all.”
The new archives prove for the first time that singer Maybrick and his brother James were both masons.
– The Telegraph, Was Titanic inquiry scuppered by the Freemasons?
This new information proves what occult researchers have been claiming for decades: Jack the Ripper’s murders were Masonic blood rituals.
Four of the five female Ripper victim’s throats were all cut from left to right in accordance with the masonic Entered Apprentice “penal sign.” In some cases their intestines were severed, lifted out of the body and placed over the poor victim’s left shoulder. In masonic ritual, the three “Juwes,” Jubela, Jubelo and Jubelum, are all killed by having their bodies ripped open and the entrails thrown over their left shoulders.
The Ripper murder ritual also pertained to the significance of place in masonic immolation. Catherine Eddowes’ body was dumped in Mitre Square, London. Mitre tavern, at the entrance to the square, was the meeting place of the masonic Lodge of Joppa. According to masonic mythology, it was on the coast of Joppa that the three “Juwes” were captured. Also, mitre and square are the basic tools of the mason. Eddowes apron, soaked with blood, was discovered on Goulston Street in a hallway of a building. Above the bloody apron, on the wall, a message had been written in chalk: “The Juwes are the men that will not be blamed for nothing.”
The double negative reference is not to Jewish people but to the aforementioned three Entered Apprentices of masonic mythology, who were both ritually murdered and themselves ritual murderers. The message was erased by Sir Charles Warren, the Chief Commissioner of Police and one of the highest Freemasons in Britain. Warren nevertheless made a note of the message which can be found in the files of the Public Record Office, in the section “Private Letter Book of the Metropolitan Police.”
– Michael A. Hoffman, Secret Societies and Psychological Warfare
As it is the case for many ritualistic “unsolved” mysteries, the true identity of Jack the Ripper was concealed by an overwhelmingly Masonic police force and government.
And they reveal that Freemasons were in prominent positions in the Scotland Yard inquiry including the Metropolitan Police Commissioner Sir Charles Warren and the colleague he appointed to be his “eyes and ears” on the case, Chief Inspector Donald Swanson.
Two coroners who ruled on the murders, Wynne Baxter and Henry Crawford and at least three of the police doctors who examined the bodies were also members of the masons.
Maybrick, who was on the Supreme Grand Council of Freemasons, travelled the country as a performer.
His entry in the carefully handwritten records, describes him as a “vocalist” and states that he was a member of the St Andrew’s Lodge from 1863 until 1887 – meaning he left just a year before the nine-week period in 1888 when five women were murdered in the East End of London, one of the biggest unsolved crimes in British history.
Sir Charles is said to have been a senior member of the Masonic society. He was a founder member of the Quatuor Coronati lodge, and an authority on Freemasonic history and ritual.
Robinson told the Telegraph: “It was endemic in the way England ran itself. At the time of Jack the Ripper, there were something like 360 Tory MPs, 330 of which I can identify as Masons.
“The whole of the ruling class was Masonic, from the heir to the throne down. It was part of being in the club.
‘Part of the whole ethic of Freemasonry is whatever it is, however it’s done, you protect the brotherhood – and that’s what happened.
“They weren’t protecting Jack the Ripper, they were protecting the system that Jack the Ripper was threatening. And to protect the system, they had to protect him. And the Ripper knew it.”
– Op. Cit. The Telegraph
A Masonic Elite
The archive also reveals the extent of Masonic influence in all fields of society, including Monarchs Edward VII, Edward VIII and George VI.
While the individual Masonic connections of some of those included – such as Sir Winston Churchill and Edward VIII – are well known, the records from 1733 to 1923 offer the first comprehensive view of the reach of freemasonry over the age of Empire.
On the military field, those listed range from the Duke of Wellington to Lord Kitchener. In the arts it includes writers such as Oscar Wilde and Rudyard Kipling; the actor Sir Henry Irving while names from the musical world include both Gilbert and Sullivan.
The explorers Ernest Shackleton and Captain Robert Falcon Scott also feature while scientists listed range from Edward Jenner, the pioneer of vaccines, to Sir Alexander Fleming, the discoverer of penicillin.
In the world of charity and social reform Dr Thomas Barnardo is among those listed while businessmen include Harry Selfridge while Thomas Telford heads a list of thousands of engineers who ensured Britain’s industrial dominance.
In addition to Edward VIII, monarchs present include Edward VII and George VI.
While most of the entries simply include names, lodges and initiation dates, of the smaller number which specify professions there are 5,500 police officers of different varieties, thousands more military figures, 170 judges, 169 MPs, 16 bishops and at least one Indian prince.
– Ibid.
Although the data of this archive stops at 1923, things did not change. The occult elite is, more than ever, an occult elite.
The Deeper Story of Kendrick Lamar’s Album “To Pimp a Butterfly”
Kendrick Lamar’s album “To Pimp a Butterfly” is meant to be listened to from beginning to end. It tells a poignant story about Kendrick entering the music business and discovering the ugly truth behind it.
Warning: This article contains explicit lyrics.
Kendrick Lamar’s first album Good Kid, M.A.A.D City was a critical and commercial success that skyrocketed the rapper’s career into super-stardom. In addition to featuring crowd-pleasing singles such as B*tch, Don’t Kill My Vibe, the album captivated music purists with an intricate story that unfolded throughout the opus.
Lamar’s second album, To Pimp a Butterfly, loosely follows the same formula, but with an added level of creative madness. The album is more intense, more bizarre, more profound and more controversial. In fact, To Pimp a Butterfly might very well be one of the most complex albums in rap history. Each song is characterized by its own distinctive concept and, on a larger scale, all the songs are interconnected by a wider narrative that revolves around Kendrick becoming a celebrity in a system owned by “Uncle Sam” and ruled by the “evils of Lucy” (a personification of Lucifer).
Let’s look at the story told throughout the album.
Pimping the Butterfly
The album begins with Wesley’s Theory, a bizarre song that introduces the overarching theme of the album: The “pimping” of artists by the establishment (personified by Uncle Sam). The first verse is written from the perspective of an unsigned rapper who is excited to join the music industry.
When I get signed, homie, I’mma act a fool
Hit the dance floor, strobe lights in the room
Snatch your little secretary b*tch for the homies
Blue-eyed devil with a fat ass, smokin’
I’mma buy a brand new Caddy on fours
Trunk the hood up, two times, deuce-four
Platinum on everythin’, platinum on weddin’ ring
Married to the game and a bad b*tch chose
In the second verse, Uncle Sam responds:
What you want? You a house or a car?
Forty acres and a mule, a piano, a guitar?
Anythin’, see, my name is Uncle Sam, I’m your dog
Motherf*cker, you can live at the mall
I know your kind (That’s why I’m kind)
Don’t have receipts (Oh, man, that’s fine)
Pay me later, wear those gators
Cliché, then say, “F*ck your haters”
And so Uncle Sam encourages the rapper to indulge in his limitless credit card. At the end of the verse, however, he leaves the rapper with a grave warning:
But remember, you ain’t pass economics in school
And everything you buy, taxes will deny
I’ll Wesley Snipe your ass before thirty-five
Uncle Sam reminds the rapper that he is completely ignorant of the ways of the system and that it can easily spit him out. The line “I’ll Wesley Snipe your ass before thirty-five” simultaneously refers to two ways the system can shut down a public figure: Through financial methods (the actor Wesley Snipes was convicted for tax evasion using the tax protester theory) and through literal sniping (assassination) before the age of 35.
In For Free? (Interlude), Kendrick repeats the mantra “this d*ck ain’t free” in response to a girl’s materialistic demands. The philosophy is then extended to Uncle Sam himself, where Kendrick poetically states that he won’t be exploited by the system … without adequate compensation. Although the track appears to be about emancipation, it also narrates Kendrick falling for Uncle Sam’s trap. The same way prostitutes tell themselves “this p*ssy ain’t free” before being pimped, Kendrick ends up putting a price on himself.
In short, Kendrick affirms that his privates “ain’t free”, which also means that they have a price … a price Uncle Sam can easily afford.
Appropriately enough, the following song is King Kunta, the most radio-friendly song on the album. On a clean, dancy beat, Kendrick celebrates being on top of the rap game, even boasting that he destroyed the careers of subpar rappers. The title of the song refers to Kunta Kinte, the slave who got his foot chopped off for attempting to escape slavery. Adding “King” to Kunta’s name turns the slave into a King – Kendrick on top of the music industry.
The next songs describe effects of celebrity, mainly isolation. In Institutionalized, Kendrick invites his neighborhood homies to attend the BET awards. When he learns that they are actually plotting to rob some of the rich celebrities present at the awards, he realizes that he cannot associate with them anymore. The second verse is told from the perspective of the homies who cannot stand idly by while riches are flaunted in front of them.
In These Walls, Kendrick indulges in one of the benefits of stardom: Sex with groupies who are impressed by his celebrity status. Playing on the expression “if these walls could talk”, the song actually refers to vaginal walls as Kendrick penetrates them. In the third verse, the song takes an unexpected turn: Kendrick reveals that he is sleeping with the “baby mama” of one of his enemies who is incarcerated. The apparently sexy song, therefore, turns into a cruel tale of revenge where the fleshy walls of physical pleasure turn into the concrete walls of a prison cell.
Kendrick is also however in his own prison: Between the four walls of a hotel room. As we hear Kendrick literally screaming inside a hotel room, the song u begins. Easily the most depressing song of the album, Kendrick talks to himself in the third person, hating what he’s turned into.
I f*ckin’ tell you, you f*ckin’ failure—you ain’t no leader!
I never liked you, forever despise you—I don’t need you!
The world don’t need you, don’t let them deceive you
Numbers lie too, f*ck your pride too, that’s for dedication
The song breaks down for a few moments as we hear a hotel maid knocking on Kendrick’s door. In the second part of the song, Kendrick is dead drunk, still talking to himself and going into the deep end as he’s contemplating suicide.
Shoulda killed yo ass a long time ago
You shoulda feeled that black revolver blast a long time ago
And if those mirrors could talk it would say “you gotta go”
And if I told your secrets
The world’ll know money can’t stop a suicidal weakness
After the psychological torment of u, the song Alright responds with hope as Kendrick convinces himself that his hardships are all part of God’s plan. The video extends feelings of pride and optimism to the entire Black community in the wake of countless police killings.
Despite the positive vibe of Alright, it is during this song that Lucy introduces herself to Kendrick, promising him material gain.
What you want, you a house, you a car?
40 acres and a mule, a piano, a guitar?
Anything, see my name is Lucy, I’m your dog
Motherf*cker, you can live at the mall
Here, Lucy uses the same lines as Uncle Sam in Wesley’s Theory, implying that Uncle Sam and Lucifer are related … closely.
After introducing herself in Alright, Lucy gets particularity insistent in the next song, For Sale? (Interlude).
My name is Lucy, Kendrick
You introduced me Kendrick
Usually I don’t do this
But I see you and me Kendrick
Lucy give you no worries
Lucy got million stories
About these rappers that I came after when they was boring
Lucy gone fill your pockets
Lucy gone move your mama out of Compton
Inside the gigantic mansion like I promised
Lucy just want your trust and loyalty
Avoiding me?
It’s not so easy I’m at these functions accordingly
Kendrick, Lucy don’t slack a minute
Lucy work harder
Lucy gone call you even when Lucy know you love your Father
I’m Lucy
I loosely heard prayers on your first album truly
Lucy don’t mind cause at the end of the day you’ll pursue me
Lucy go get it, Lucy not timid, Lucy up front
Lucy got paper work on top of paper work
I want you to know that Lucy got you
All your life I watched you
And now you all grown up to sign this contract if that’s possible
In this verse, Lucy promises Kendrick wealth, peace of mind and proper handling of his business. She does not mind that Kendrick “loves his Father” (God) and that his first album even had Christian undertones. She simply wants him to sign the contract selling his soul, the rest is irrelevant.
At this point, we understand that, as Kendrick enter deeper into the industry, he is increasingly exposed to raw, spiritual evil. Uncle Sam turned into Lucifer and his record deal turned into a contract selling his soul. Disturbed by this situation, Kendrick goes back home searching for answers.
In Momma, Kendrick is welcomed back to Compton as a hero. In Hood Politics, however, he realizes that his people are up to the same shenanigans as always and that his community is still riddled with the same problems. While he believed he would find answers back home, Kendrick ultimately has an epiphany far, far away from Compton.
In How Much a Dollar Cost? Kendrick meets a homeless man at a gas station in South Africa. When the old man asks him for some money, Kendrick tells him to “beat it”, thinking he was a drunk and a drug addict. When the insistent old man begins citing the Bible, Kendrick gets irritated and offended, stating that he does not give away his hard-earned money to bums. The homeless man then proceeds to reveal that he is God himself … and that Kendrick has lost his spot in heaven.
I looked at him and said, “Every nickel is mines to keep”
He looked at me and said, “Know the truth, it’ll set you free”
You’re lookin’ at the Messiah, the son of Jehovah, the higher power
The choir that spoke the word, the Holy Spirit
The nerve of Nazareth, and I’ll tell you just how much a dollar cost
The price of having a spot in Heaven, embrace your loss, I am God
In the outro of the song, Kendrick repents and asks for forgiveness.
Turn this page, help me change, so right my wrongs
This is the turning point of the album, where Kendrick is faced with his own selfishness and humbled by God himself. This encounter helps him shake off the temptations of Lucy and focus on having a positive impact on society.
The next four songs revolve around the themes of self-love and self-acceptance. Just as Kendrick is learning to love himself on a personal level, he is also urging his community to love itself again. In Blacker the Berry, Kendrick takes on the role of a gangbanger who denounces racism but spends his life at war with his own kind – not unlike enemy tribes in Africa.
So why did I weep when Trayvon Martin was in the streetwhen gang banging make me kill a n*gga blacker than me?
Hypocrite!
The theme of self-love reaches its paroxysm with i, an upbeat song with a chorus that continuously repeats “I love myself”. i is therefore in complete opposition of u, where Kendrick was drowning in self-loathing. While u was written in the third person because Kendrick hated what he has become, i is written in the first person, signifying that he is happy and comfortable with who he is. On a wider scale, i urges his community to uplift itself through positive action.
After this self-love celebration, Mortal Man, the last song of the album, serves listeners a strong dose of reality. By rejecting Lucy and by freely speaking his mind, Kendrick fears that he’ll end up becoming a target. Those who speak against the system often feel the wrath of Uncle Sam … and it is often a covert operation. Feeling that his downfall is inevitable, Kendrick asks his fans if they’ll still love him after his name gets dirtied and his character assassinated.
Would you know where the sermon is if I died in this next line?
If I’m tried in a court of law, if the industry cut me off
If the government want me dead, plant cocaine in my car
Would you judge me a drug-head or see me as K. Lamar
Or question my character and degrade me on every blog
Later in the song, Kendrick lists leaders who ended up being silenced or dead in suspicious circumstances, mentioning Michael Jackson who turned against the industry towards the end of his life.
How many leaders you said you needed then left ‘em for dead?
Is it Moses, is it Huey Newton or Detroit Red?
Is it Martin Luther, JFK, shoot or you assassin
Is it Jackie, is it Jesse, oh I know, it’s Michael Jackson, ohWhen sh*t hit the fan, is you still a fan?
When sh*t hit the fan, is you still a fan?
That n*gga gave us Billie Jean, you say he touched those kids?
When sh*t hit the fan, is you still a fan?
In the outro of the album, we discover that Kendrick has been reciting throughout the entire opus a poem to Tupac Shakur – who was a major figure speaking out against the system before he killed. That poem sums up the story of the album.
I remember you was conflicted
Misusing your influence
Sometimes I did the same
Abusing my power, full of resentment
Resentment that turned into a deep depression
Found myself screaming in the hotel room
I didn’t wanna self destruct
The evils of Lucy was all around me
So I went running for answers
Until I came home
But that didn’t stop survivor’s guilt
Going back and forth trying to convince myself the stripes I earned
Or maybe how A-1 my foundation was
But while my loved ones was fighting the continuous war back in the city,I was entering a new one
A war that was based on apartheid and discrimination
Made me wanna go back to the city and tell the homies what I learned
The word was respect
Just because you wore a different gang color than mine’s
Doesn’t mean I can’t respect you as a black man
Forgetting all the pain and hurt we caused each other in these streets
If I respect you, we unify and stop the enemy from killing us
But I don’t know, I’m no mortal man, maybe I’m just another nigga
Both rappers then engage in a surreal conversation about music, society, and revolution, where Tupac shares his views beyond the grave. Then Tupac turns suddenly silent, causing Kendrick to call out:
Pac? Pac? … Pac?!
The album ends with the unbearable silence of Tupac, one of those rare charismatic figures who had all of the qualities to become a great leader – but not the kind of leader Uncle Sam likes. His death, at the premature age of 25, caused a deep wound to the hip-hop community, one that has still not fully healed. The Outro almost masochistically pokes on that wound, reviving the pain of that loss and making us wonder if Kendrick will follow the same path.
In Conclusion
To Pimp a Butterfly can be likened to a musical play, where each song represents a scene of the unfolding drama. Through the course of the sixteen titles on the album, Kendrick describes his rise as a rap star, the temptations he faced with it, the self-hatred that ensued, and the epiphany that allowed him to remain grounded. Although he understands that he is part of a system that is ruled by “the evils of Lucy”, Kendrick feels that his influence can be used to heal, uplift, unify and inspire his community. By becoming an outspoken leader, Kendrick also realizes that he might be sacrificing himself – Uncle Sam and Lucy have no problems crushing those who stand up to them.
In short, To Pimp a Butterfly goes against everything the music business is about. It is harsh, honest, difficult, brilliant, unpredictable, anti-mainstream, Afrocentric, a little religious and filled with clarinet solos. There is, however, one thing Kendrick needs to remember: Lucy does not give up that easily.
Authorities Are Using Paris Attacks To Rush New Mass Surveillance Laws
The CIA and government officials around the world are using the Paris attacks to push brand new surveillance laws. And it was all planned in advance.
While democratic systems usually take months (if not years) to pass new laws and legislation, it only took a few days after the Paris attacks to slap honest citizens with more surveillance laws. Several organizations are indeed capitalizing on the fear and panic caused by the attacks to bring forth a brand new agenda that takes a bold new step towards total government surveillance. What’s worse: Leaked information proves that authorities were waiting on a terror attack to go forward with their plan.
In a leaked e-mail written by Robert S. Litt, the intelligence community’s top lawyer during the month August, the plan is clearly outlined: There is a lack of support for the banning of encrypted communications but a terror attack could quickly turn the tide.
“Although the legislative environment is very hostile today, it could turn in the event of a terrorist attack or criminal event where strong encryption can be shown to have hindered law enforcement.
There is value keeping our options open for such a situation.”
– Washington Post, Obama faces growing momentum to support widespread encryption
Only a few months after this e-mail, a terror attack occurs in Paris. Only a few hours after the attacks, news strangely blamed “encrypted communications”. Only days after the attacks, officials are calling for…the banning of encrypted communications.
The New York police commissioner, Bill Bratton, called it a “game changer” and, insinuated new legislation that would outlaw encryption was necessary by adding: “[Encryption] is something that is going to need to be debated very quickly because we cannot continue operating where we are blind.
– The Guardian, Intelligence agencies pounce on Paris attacks to pursue spy agenda
CIA Director John Brennan is also using the terror attacks to plead for unrestricted government surveillance of all communications, blaming “privacy groups” for hindering their job.
Then on Monday, in an epic episode of blame shifting, the CIA director, John Brennan, reportedly said privacy advocates have undermined the ability of spies to monitor terrorists. He explained:
“Because of a number of unauthorized disclosures and a lot of hand-wringing over the government’s role in the effort to try to uncover these terrorists, there have been some policy and legal and other actions that are taken that make our ability collectively, internationally to find these terrorists much more challenging”, adding that there is a “misrepresentation of what the intelligence security services are doing”.
Read Brennan’s comments carefully because they are very revealing. When he says “legal actions”, he’s referring to the fact that multiplefederal courts have ruled that the government’s secret mass surveillance on millions of Americans is illegal. So it sounds like the CIA director is saying it’s a shame that intelligence agencies can’t operate completely above the law any more, and is scapegoating any failings on his agency’s part on accountability that is the hallmark of any democracy. (Though he still can apparently operate above the law.)
More importantly, Brennan’s comments are incredibly dishonest. The post-Snowden USA Freedom Act passed by Congress reformed exactly one of the countless mass spying programs the US runs. It was the one that sucked up the phone calls of Americans only, and here’s the thing: it has been active this whole time and isn’t scheduled to shut down until the end of the month.
– Ibid.
Government officials in the UK are also capitalizing on fear to rush sweeping new laws.
On the other side of the Atlantic, politicians in the United Kingdom, which already has the most expansive surveillance laws in the western world, are using the tragedy to attempt to rush through their even more invasive, new mass-spying bill that aims at allowing police to see the websites every citizen visits and to force companies like Apple to backdoor their encrypted tools.
– Ibid.
Not Effective
None of these laws have proven effective in preventing terror attacks. In fact, the Paris attacks took place six months after the enactment of a massive (and controversial) surveillance law in France.
Passed by the French Parliament in May in response to the attacks on the Paris-based magazine Charlie Hebdo, the law allows the government to monitor phone calls and emails of people suspected of connections to terrorism without the authorization of a judge.
But it goes further than that. The law requires Internet service providers to install “black boxes” that are designed to vacuum up and analyze metadata on the Web-browsing and general Internet use habits of millions of people using the Web and to make that data available to intelligence agencies.
In exceptional cases, the law allows the government to deploy what are called “ISMI catchers” to track all mobile phone communications in a given area. These catchers are basically designed to impersonate cell towers, but they intercept and record communications data from phones within its range, and can also track the movements of people carrying the phones.
Finally, the law allows government agents to break into the homes of suspected terrorists for the purpose of planting microphone bugs and surveillance cameras and installing keyloggers on their computers, devices that capture data on every keystroke and mouse click.
– Recode, France Has a Powerful and Controversial New Surveillance Law
In short, after each traumatic event in the Western world (manufactured or not), attention is turned towards a very specific and targeted item that “needs to be addressed as soon as possible”. This item is, in fact, part of controversial law that is sitting on shelves until in can be passed insidiously, while the masses are struck with horror. It happened with the Patriot Act and, almost 15 years later, it is happening again. Their formula is “Order Out of Chaos” and it keeps working.
Were the Paris Attacks Predicted on the January Cover of The Economist?
The Economist released in January a cryptic cover entitled “The World in 2015” which featured several enigmatic images. Did it predict both terrorist attacks in Paris in 2015?
In the wake of the horrifying Paris attacks which cost the lives of (at least) 120 innocent people, a specific cover of The Economist immediately came to mind.
On January 8th 2015, I published an article entitled The Economist 2015 Cover is Filled With Cryptic Symbols and Dire Predictions, which analyzed its many messages. Indeed, the magazine cover dubbed “The World in 2015” contained several strange and sinister images which appeared to announce a violent year. Considering the fact the The Economist is partly owned by the Rothschild banking family of England and its editor-in-chief, John Micklethwait, attends Bilderberg Conferences, one should take heed of warnings issued by those who can make them a reality.
Probably the most enigmatic part of the cover is the bottom right where we see two arrows with mysterious numbers, a pile of dirt and an old painting.
Looking back at what happened this year, this portion of the cover becomes rather troubling. It is a little too prophetic.
First, the painting next to the arrows is Leonardo Da Vinci’s La Belle Ferronière. That painting is currently located in the Louvre, in Paris.
Second, the numbers on the two arrows are 11.5 and 11.3. The Paris attacks occurred 11/13/15. The digits on the arrows can therefore be rearranged to make up the date.
The attack was claimed by ISIS. The Economist cover features an ISIS member holding a rifle.
The cover also features French President François Hollande … looking the other way.
As I stated in my article ISIS : A CIA Creation to Justify War Abroad and Repression at Home, I have little doubt that ISIS is used as a tool to further the occult elite’s Agenda including : Invading Syria and justifying police state surveillance in the West.
Let’s look back at the concrete effects of ISIS this year.
- Justified the invasion of Syria, finally destroying its status as a regional force;
- Accelerated the mass exodus of Syrians towards the West;
- Opened the floodgates of Syrian refugees around the Western world (boosted by the picture of a dead boy);
- Caused widespread panic in the Western world with Paris terror attack, justifying tighter monitoring and police state tactics.
Media are already reporting that one of the Paris terrorists had a Syrian passport on him and that Hollande is considering the attacks as an act of war.
In short, after guilting Western countries into accepting thousands of Syrian refugees, an Islamist attack causes fear, hatred and distrust towards Muslims in those very countries. Things are about to get complicated.
But, why would “they” purposely create such a horrific situation which involve so many innocent people? Well, for one, their motto is Ordo Ab Chao … Order out of chaos.
“Self Control” by Laura Branigan: A Creepy 80’s Video About Mind Control
Laura Branigan’s hit “Self Control” is the epitome of everything 80s, but is also the epitome of everything MK ULTRA: a disturbing story of an MK slave manipulated by an abusive handler.
Released in 1984, Self Control rocked disco clubs around the world as ladies wearing big curly hair and shoulder pads danced frenetically with men wearing thick mustaches and majestic mullets. All of these beautiful people sang “I, I live among the creatures of the night” without realizing what it truly meant. They thought it was about a girl enjoying the nightlife – but that is only the face value.
The video of Self Control adds a significant layer to the song, one that is rather troubling. The singer is stalked by a masked man, who eventually ends up shirtless in her bedroom. Combined with the MK symbolism peppered through the video, Self Control becomes a tribute to the occult elite, a promotion of its symbolism and a celebration of their most sadistic practice: Monarch mind control (if you’ve never heard of this, please read this article before continuing).
When the video was released in 1984, the music industry was beginning to adopt the music video as a promotional tool and Self Control was rather groundbreaking in its scope. It was also the first video to be directed by Oscar-winning director William Friedkin, the director of The Exorcist.
When hiring a director who is famous for terrorizing an entire generation with the story of a demon-possessed girl, a certain level of creepiness is expected. And Friedkin surely delivered. However, contrarily to The Exorcist, the most disturbing elements of Self Control are not in your face but are instead implied through symbolism.
If you’ve read other articles on this site, you will probably find the symbolism easy to recognize, and even blatant. In short, it is a shameless celebration of the occult elite’s mind control agenda during an era when only a few people even knew these things existed. Let’s look at the video.
The Night is Her World
An advanced interpretation isn’t necessary to understand that Self Control is not simply about “nightlife”. It is mainly about Laura Branigan losing her will, her power and her very self at the hand of a faceless being. The chorus of the song sums up the situation:
You take my self, you take my self control
You got me livin’ only for the night
Before the morning comes, the story’s told
You take my self, you take my self control
The line “you take my self” is very significant, especially in the context of mind control. In psychology, the “self” is defined as follows:
The “self” consists of a person’s conscious and unconscious aspects, their personality, cognitions or thoughts and feelings. All these traits or aspects combine together into the person’s core identity. Other synonyms for “self” are soul, ego, personality, or individual.
– Self, Psychology Glossary
The ultimate goal of an MK handler is to take the “key” to the slave’s core personality and to create a new, programmable alter persona. This is accomplished through trauma and dissociation. In this context, “the night” becomes a metaphor for dissociation, the trance-like state in which slaves are forced into during programming.
On to the video.
In MK symbolism, dolls represent the malleable and controllable alter personas of MK slaves.
We then see Laura herself, looking somewhat zoned out.
Laura then gets ready to go out. She is helped by weird people who appear out of nowhere.
When Laura goes outside, her “mind control journey” begins – and there is no lack of symbolism representing this.
Right after she goes out, a luxury car pulls up in front of Laura.
The masked man is the MK handler. While MK slaves are dissociated, their MK handlers have the ability to enter their mind and to control their thoughts and actions. The fact that this masked man is being driven around in the back of a luxury car implies his connection with the occult elite.
While dancing in a nightclub, Laura sees the masked man again. She follows him.
According to a recent poll*, 100% of women would NOT follow a man wearing a mask (*not a real poll). So why does Laura follow him? Because she has no self-control. The lyrics of the first verse perfectly describe the mind state of an MK slave who is at the mercy of the handler during dissociation (aka “the night”).
In the night, no control
Through the wall something’s breaking
Wearing white as you’re walkin’
Down the street of my soul
The rest of the chorus is a rather poignant description of the mind state of a dissociated slave who lives in a dream world fabricated by her handler.
A safe night, I’m living in the forest of my dream
I know the night is not as it would seem
I must believe in something, so I’ll make myself believe it
That this night will never go
Laura cannot fight the will of the masked man and finds herself following him. He takes her to a hidden section of the nightclub, where we discover an Eyes Wide Shut-style masked orgy taking place.
This scene represents, rather literally, Laura being used as a sex slave in elite parties.
Laura, however, realizes that something is terribly wrong and attempts to escape. She soon discovers that one cannot run away from one’s own mind.
Back home, Laura realizes that she is safe nowhere, not even in her bedroom. The masked man magically appears in her room … and he is shirtless. Shirtless!
The masked man then magically disappears (he is in and out of her head). Laura then sits there, completely zoned out.
Laura then lays in bed next to her “boyfriend”, who was apparently sleeping the entire time. As he turns his head towards her, an awful surprise awaits her.
The handler is everywhere in the MK slave’s mind. He controls her thoughts, her actions, and her entire reality. She cannot escape him because he has the key to her core personality.
The video ends with a symbolic image, one that is rather disturbing considering the true meaning of the video.
The doll was clearly violated, the one-eye sign indicates who is behind this (the occult elite). The creepy frozen smile on the doll is rather revolting. So, yup, this is not simply a song about “nightlife”.
In Conclusion
Upon close inspection of the song and video, Self Control tells the story of a woman who loses her entire “self” at the hand of a handler. She is taken to elite parties and, when she attempts to escape, she gets abused by her handler, who she can never escape.
Although released at the dawn of the age of the music video, Self Control already contained all of the hallmarks of an Illuminati mind control video. More than thirty years later, the same storylines are all still there, from the symbolism to the twisted hidden meanings. Today, more than ever, we see young stars singing about their state of mind control over catchy melodies, complete with creepy videos celebrating the occult elite’s MK system.
In short, Self Control is considered to be “one of the defining songs of the 80s” … but it can also be considered to be one of the defining songs of MK culture.
The New ‘Star Wars’ Posters Are All About the One-Eye Sign
Disney released five character posters promoting the highly anticipated movie ‘Star Wars: The Force Awakens’. All five of them prominently feature the one-eye sign, indicating that the movie is part of the elite’s Agenda.
In 2012, the Disney Company acquired Lucasfilm for $4.05 billion and announced three new Star Wars films. On top of acquiring the rights to the tsunami of Star Wars merchandise that is about to flood the markets, Disney gave itself the luxury of molding these new movies to its liking.
Knowing Disney, its ramifications and its elite ties, you better believe that the “messages” in these new movies will closely conform to the occult elite’s Agenda. The new character posters released by Disney are early proof of this fact. Every one of them – the good guys and bad guys – feature one eye clearly hidden by a weapon. No matter what side they’re on, they’re owned by the elite.
In my series of articles Symbolic Pics of the Month, I regularly highlight the one-eye sign in popular culture as its omnipresence reflects the stronghold of the occult elite has on mass media. It is their sign. In the case of Star Wars, things take giant proportions due to the extreme anticipation of the new movie, the series’ massive fan base and the fact that die-hard fans will embrace every piece of media associated with the movie. In short, it is yet another step into turning popular culture into one big tool of propaganda for the occult elite.
“Hello Barbie”, a New Doll With Big Brother-ish Capabilities
Hello Barbie will be available in stores right in time for the holidays. A campaign entitled “Hell No Barbie” however seeks to inform consumers that this doll has the potential to severely violate their privacy.
In an attempt to revitalize its Barbie brand, Mattel will soon launch Hello Barbie, a Wi-Fi-connected doll with artificial intelligence. The doll “talks” to children by recording what they say and responding accordingly. All of the children’s interactions with the doll are recorded using a microphone and are sent to a remote server through Wi-Fi. The recorded voices are then interpreted by an algorithm in order to generate an appropriate response. While some might find this innovation fun and interesting, others see in this toy a big-brotherish nightmare: It is programmed to ask personal questions to little girls, record their answers (and everything else the mic picks up) and then transmits the information to a remote location.
Even the promotional video found on the Hello Barbie website (which is meant to sell the doll) cannot help but going into creepy territory as it enumerates the numerous steps required to activate the doll : Downloading an app on a smartphone, creating an account using an e-mail address, connecting the doll to the home’s Wi-Fi network, etc. In short, well-meaning parents are actually taken through the steps required to turn this toy into a highly effective spy device that can pinpoint, with exact accuracy, who said what, at what time and where to then store all of that information on remote databases.
Hello Barbie makes conversation using voice recognition technology.
When her microphone is turned on, the doll records its playmate’s voice. The child’s dialogue then travels over the internet to a server, which interprets it so Barbie can give a tailored, pre-recorded response. It’s similar to the way Apple’s interactive Siri works.
“Hello Barbie can interact uniquely with each child … sharing stories and even telling jokes!” explains the toymaker Mattel in an online ad.
Golin and his co-campaigners worry about hackers infiltrating children’s dialogue, which will be stored on a server. They also dislike that the recorded conversations will be monitored at times to improve the system.
“Having people listen to recordings [of children] talking intimately to a doll raises a whole host of questions,” said Golin.
A big concern is that information gleaned from conversations might be used for marketing purposes.
“Clearly this is going to be a trove of valuable information when you have a child talking perhaps for hours with a doll,” said Golin.
He also worries that Hello Barbie could be programmed to push products. “Mattel may be cutting deals for what products the doll is talking about,” he said.
– CBC, ‘Hell No Barbie’ campaign targets Hello Barbie over privacy concerns
Although Mattel guarantees that it won’t use the information collected for commercial purposes (to push other Mattel products), it is not guaranteeing full privacy neither. As I pointed out in my first article about Hello Barbie, the privacy policy of Toy Talk (the subdivision that handles Hello Barbie) states :
What Information Do We Share With Third Parties?
We will not share the personal information we collect through the Service with third parties, except as described in this Policy. For example, we may share personal information as follows:
(…)
when we believe in good faith that we are lawfully authorized or required to do so or that doing so is reasonably necessary or appropriate to (a) comply with any law or legal processes or respond to lawful requests or legal authorities, including responding to lawful subpoenas, warrants, or court orders;
The above provision is quite open-ended and dangerous as the information recorded by the doll could be sent to authorities, governments and other entities – if “required to”.
Hell No Barbie
The Campaign for a Commercial-Free Childhood (CCFC) plans to launch a “Hell No Barbie” campaign on social media and its website, warning parents and children to keep their distance from the doll.
“This is kind of the perfect storm of a bad toy,” said Josh Golin, the group’s executive director.
His organization argues the Wi-Fi connected doll — which is equipped with a tiny microphone — could act as a double agent, passing on personal information shared by your child for marketing research or nefarious purposes.
Some parents are also suspicious of the toy. “Hello Barbie is pretty creepy and it would not be welcome in our house,” said Windsor, Ont., parent Mindy Terrington.
(…)
Golin and his co-campaigners worry about hackers infiltrating children’s dialogue, which will be stored on a server. They also dislike that the recorded conversations will be monitored at times to improve the system.
“Having people listen to recordings [of children] talking intimately to a doll raises a whole host of questions,” said Golin.
A big concern is that information gleaned from conversations might be used for marketing purposes.
“Clearly this is going to be a trove of valuable information when you have a child talking perhaps for hours with a doll,” said Golin.
– Ibid.
Considering the fact that the NSA actively spies on nearly 100% of citizen communications, isn’t it obvious that the information collected by this doll could easily end up in the same databases?
If you value your privacy and do not want your children to be monitored by faceless entities, you definitely need to say Hell No Barbie.
Symbolic Pics of the Month 11/15
In this edition of SPOTM : Justin Bieber, Selena Gomez, Bill Cosby and further proof that the fashion world is sick in the head.
“CHAPPiE” and the New Transhumanist Religion
CHAPPiE is a movie about a police robot with advanced artificial intelligence who gets kidnapped by gangsters. However, the true story of the movie is told through allegory and symbols: CHAPPiE is about the abandonment of old religions for a new, futuristic, transhumanist religion.
Warning: Massive spoilers ahead!
CHAPPiE was created by Neill Blomkamp’s, the South African director who is also behind District 9 and Elysium. As in his two previous films, Blomkamp hides a deeper message beneath the guns, the robots and the gangsters, one that even goes in the spiritual realm.
At first glance, the movie appears to be an odd mix of science fiction and Zef aesthetics (South African street culture championed by the rap duo Die Antwoord, who also star in the movie), but there is more than enough symbolism, mainly Biblical, to read a second level of interpretation. Indeed, the story of a sentient robot that becomes aware of its own “mortality” (its battery is dying out) evokes religious and existential questions in the real world where intelligent robots are just about to mix with humanity. However, the movie does not raise its questions or invite reflection. It simply proposes an answer. And that answer can apparently accomplish what religions have been promising since the dawn of time: Immortality. The answer CHAPPiE provides? Transhumanism.
Transhumanism
The concept of transhumanism has been mentioned often on this site because it is an important part of the mass media agenda. In a nutshell, transhumanism is about the merging of humans with robots in order to create “enhanced” humans. Along with the pragmatic, scientific side of transhumanism comes an entire philosophy and belief system, which mainly rejects the concepts that God’s creation is perfect and that humans should not play God.
Max More, the father of transhumanism, eloquently described the spiritual thinking behind the movement in his 1990 essay “In Praise of the Devil”. Here’s an excerpt: (you can download the full original article here).
“The Devil – Lucifer – is a force for good (where I define ‘good’ simply as that which I value, not wanting to imply any universal validity or necessity to the orientation). ‘Lucifer’ means ‘light-bringer’ and this should begin to clue us in to his symbolic importance. The story is that God threw Lucifer out of heaven because Lucifer had started to question God and was spreading dissension among the angels. We must remember that this story is told from the point of view of the Godists (if I may coin a term) and not from that of the Luciferians (I will use this term to distinguish us from the official Satanists with whom I have fundamental differences). The truth may just as easily be that Lucifer resigned from heaven.
God, being the well-documented sadist that he is, no doubt wanted to keep Lucifer around so that he could punish him and try to get him back under his (God’s) power. Probably what really happened was that Lucifer came to hate God’s kingdom, his sadism, his demand for slavish conformity and obedience, his psychotic rage at any display of independent thinking and behaviour. Lucifer realised that he could never fully think for himself and could certainly not act on his independent thinking so long as he was under God’s control. Therefore he left Heaven, that terrible spiritual-State ruled by the cosmic sadist Jehovah, and was accompanied by some of the angels who had had enough courage to question God’s authority and his value-perspective. Lucifer is the embodiment of reason, of intelligence, of critical thought. He stands against the dogma of God and all other dogmas. He stands for the exploration of new ideas and new perspectives in the pursuit of truth.”
– Max More, In Praise of the Devil, Atheist Notes 003
As you can see, More describes Lucifer as a force for good who gives humanity the tools to fight Jehova’s tyranny. This vision is perfectly in line with elite’s Luciferian doctrine as taught in occult secret societies.
CHAPPiE provides a 101 of this mindset in terms that everybody, especially young people, can understand. Mostly, it sells an idea that is being promoted in all kinds of media, especially video game: A robot body is better than a human body.
The Premise
In the not-so-distant future of 2016, the crime-ridden city of Johannesburg has replaced its entire police force with intelligent robots programmed to fight crime. These robots are incredibly effective and boast one massive advantage over their human counterparts: They cannot die and they can be repaired easily.
Deon Wilson, the creator of these police robots is widely praised for his invention. He, however, has a more important project in the works: A robot with artificial intelligence so advanced that it can learn by itself, have feelings and even write poems – named CHAPPiE.
CHAPPiE is, however, “kidnapped” by a couple of gangsters who want to train it to commit crimes. Thus ensues a bunch of hilarious adventures that barely make sense. However, beyond the gun-toting action scenes are dialogs and symbols that tell a story with a spiritual dimension. Before this happens, though, the movie makes sure you love that robot by making it as human as possible.
Humanizing the Robot
Although it is not alive and not a human being, CHAPPiE is thoroughly humanized in the movie. Because his artificial intelligence needs to learn everything from scratch, CHAPPiE starts off with the charming innocence and ignorance of a child. Yolandi quickly becomes his “mommy” as she treats him like a child. At one point she says:
“He’s so cute! He’s like a baby.”
She even reads him bedtime stories.
After reading a bedtime story, Yolandi tells CHAPPiE a bunch of things that do not apply to him … because he is a robot. She does not appear to see that.
“It’s not so much how you look that’s special. It’s what’s inside. That’s what makes you different. See, it’s who you really are. Inside. Your soul.
You see…The outside, this is just temporary. When you die, the soul inside goes to the … next place. The thing inside …that’s what mommy loves. Mommy loves you.”
She then proceeds to hug the robot.
Now that it is established that we all love the adorable baby robot, we see it go through some tough challenges. That’s a great way to make us love it even more.
The Spiritual Struggle
As CHAPPiE’s intelligence grows, it faces the same existential questions humans have been bogged with since the dawn of time. It is also exposed to two opposite philosophies.
At first, CHAPPiE is mainly exposed to the one who created him, Deon. By constantly referring to himself as “his maker”, the movie strongly suggests that Deon is, to the robot, God – who is also referred to as “the maker”.
Knowing that CHAPPiE is surrounded by shady characters, Deon attempts to teach it moral values and to do the right thing.
“CHAPPiE please have respect for me. I’m your maker. Listen to me, I’m your maker. I brought you into this world, okay? This is serious. You mustn’t engage in these people’s lifestyle choices. No counting narcotics, no robberies, no crimes.
And you’ve got to promise me, your maker, that you’ll never do any of those things, all right? You can’t break a promise.”
CHAPPiE’s mommy and daddy are however less bent on moral rectitude. Quite to the contrary, CHAPPiE’s daddy is eager to teach him that the world is a cruel, savage place where only the strong survive.
After witnessing a dogfight, Ninja tells CHAPPiE:
-Out there … in the wild … it’s hard. You’re either that dog [points to the dog that is still alive] or that dog [points to the dead dog]. If you wanna survive, CHAPPiE … you must fight. What are you gonna do when that battery runs out?
-I die? CHAPPiE die?
-Deon, he put you in a broken body.
-Deon’s my maker. It doesn’t make any sense. He wouldn’t just make me so I could die. Deon loves me, daddy.
-I can get you a new body, but it takes lots of monies.
In this short dialogue, we get an important chunk of transhumanist philosophy and its spiritual undercurrent. As an intelligent robot that has become aware of his mortality, CHAPPiE realizes that his maker has put him in a situation where death is unavoidable and that the only way to escape it (crimes) is forbidden.
While Deon, the maker, teaches moral values, Ninja appeals to the animalistic, materialistic side. He compares himself to a dog in a dogfight. From a spiritual standpoint, he is Satan opposing God.
After fully engaging in Ninja’s gangster lifestyle, CHAPPiE encounters his maker again. Then ensues a dialog that can also be interpreted as a dialog between mankind and God himself.
-Daddy told me about you, Deon. About how you made me in a body that will die. You are my maker. Why’d you make me so I could die?
-I didn’t make you so you could die, CHAPPiE.
-I want to live, I want to stay here with my mommy. I don’t want to die.
-You’ve become so much more than I’ve could ever have imagined. How was I supposed to know that you would become … you?
In this dialog, Deon says that he could not predict that CHAPPiE would turn into such an intelligent and self-aware robot. This is a reflection of transhumanist philosophy where it is believed that humanity has reached a level of intelligence that surpasses the rest of creation and that God is unfairly limiting its potential by placing it in a physical world where it doomed to die. Believing that they can transcend this mortal state to become gods themselves, transhumans seek man-made technology to achieve nothing less than immortality – the ultimate goal of most religions (who generally refer to spiritual immortality).
As CHAPPiE seeks to escape his body to escape inevitable death (his battery running out) Deon keeps telling him that it is impossible and that he should simply accept his fate. CHAPPiE is however convinced that he can acquire the knowledge necessary to reach his goal, effectively rejecting the warnings of his maker.
-The problem is greater than your battery. Because you are conscious. You cannot be copied because you’re not data. We don’t know what consciousness is … we cannot move it.
-CHAPPiE can figure it. I can know what it is, then I can move me.
-You can’t move it, I’m sorry.
-You said to me I mustn’t let anybody say that I cannot do something. Daddy says he can get me bodies for the moneys. I hate you … go away.
This dialog represents transhumanist’s rejection of the belief that “playing god” is wrong. Transhumanists have complete faith in science and technology to achieve immortality.
There is, however, one main obstacle to CHAPPiE’s quest: Vincent Moore, a jerk … who is also a Christian.
The Evil Christian Guy
Like Deon, Vincent Moore designs robots at the company Tetravaal. His robot is over awful.
While it is not immediately obvious, the movie leaves enough clues to indicate that Moore is a staunch Christian. For instance, he tells Deon they should go to church together (after threatening him with a gun). Later, when he hears CHAPPiE talking about living forever, we see Moore doing the sign of the cross. He then proceeds to call CHAPPiE a “godless freak”. As CHAPPiE becomes increasingly self-aware, Vincent turns into the “bad guy” of the movie and keeps messing with CHAPPiE and his maker.
While Deon created intelligent, autonomous robot cops that are used by the Johannesburg police force, Vincent’s robot is a big, dumb, ineffective machine that cannot think for itself. In fact, it needs a human to tell it what to do. Is the Moose meant to represent Christians who cannot think for themselves?
One thing is for sure, Vincent hates CHAPPiE and everything it represents. At one point, he kidnaps it and hurts it bad.
Vincent tells CHAPPiE:
“You know that simple AI program makes you think you’re real. You know what? You are not. Just a bunch of wires.”
He’s right. But, since he’s the bad guy, viewers believe that he’s wrong. Also, as the bad guy, Vincent does other awful things: He causes city-wide chaos by shutting down every single robot cop in the Johannesburg. He then uses his Moose robot to kill CHAPPiE’s mommy.
CHAPPiE then gets very mad. He finds Vincent and beats the crap out of him.
In the end, pretty much everybody around CHAPPiE gets badly hurt by the Moose. What’s the answer to save all these fragile humans? Turning them into robots, of course.
Robotizing Humans
After humanizing the robot to make him relatable and “adorable”, the movie then proceeds to robotize humans. Indeed, the people closest to CHAPPiE, his maker and his mommy, are facing death because they’ve been shot.
Luckily for them, CHAPPiE discovered how to save a person’s entire consciousness on a single file and he discovered how to upload it to a robot body. In short, he found a way to make humans and intelligent robots immortal. CHAPPiE is, therefore, the savior of humanity … and robots.
Since CHAPPiE saved his mommy’s consciousness on a USB drive, he can also bring her back from the dead. She was therefore resurrected … like Jesus.
In Conclusion
After understanding the philosophical undercurrent of the movie, CHAPPiE becomes less of an entertainment product and more of an infomercial for transhumanism. Beneath the CGI and the actions scenes are arguments pleading for transhumanism as the only way to achieve human salvation.
Since transhumanism is about the merging of humans with robots, the movie blurs the line between what makes a human and what makes a robot. First, CHAPPiE is thoroughly humanized – he is shown growing from child-like innocence into humanity-saving genius. He also loves his mommy very much. The movie even brushes on questions such as: Are intelligent robots “real”? Do they have rights? And so forth.
Then, after thoroughly displaying the fragility of the human body, the movie proceeds to depict the robotization of humans as the way to achieve immortality. As seen above, this robotization was achieved after a period of tribulation between CHAPPiE and his maker which can be interpreted as a period of tribulation between humanity and God. Indeed, through CHAPPiE’s rebellion against his maker to become immortal (and to become a maker himself), the movie describes transhumanism’s rebellion against religions that considers God’s creations as perfect and unalterable. For transhumanists, God left humans in an imperfect body to live in a dangerous physical world. And that needs to be corrected. As Max More stated:
“No more gods, no more faith, no more timid holding back. Let us blast out of our old forms, our ignorance, our weakness, and our mortality. The future belongs to posthumanity.”
– Max More, On becoming posthuman.
Although transhumanist rhetoric goes against religions, it nevertheless requires you to have blind faith in science and technology to salvage humanity and to achieve immortality. And CHAPPiE is one of its many holy books.
Lamar Odom Found Unconscious in Brothel, Now Fighting For His Life
Another disturbing chapter of the Kardashian story is being written as Lamar Odom was found unconscious in a Nevada brothel and is now fighting for his life.
Lamar Odom, the NBA player who is mostly known to be Khloe Kardashian’s husband, was hospitalized after he was found unconscious in the Love Ranch, a brothel in Nevada. According to news sources, Odom took cocaine and over 10 supplement pills over three days and was found with “blood coming out of his nose and white stuff coming out of his mouth”.
According to the owner of the Love Ranch Dennis Hof, Lamar attended the brothel because he wanted “to get far away from something.”
Here is Hof’s version of the events:
“Two women at the brothel went to check on Odom and found him unconscious,” he said. “They immediately call 911, and dispatch tells the girls to roll him over on his left side and (he) starts to puke. He was totally unconscious. The girls and staff rush him out on the ambulance. The police didn’t find any illegal drugs on him.”
He added, “To my knowledge, there were no drugs involved. Lamar was eating well and was just healthy.”
The site manager of the brothel told CNN that when he arrived in the room the former athlete was on his right side and wouldn’t wake up when people shook him.
Richard Hunter said Odom was snoring loudly, had his eyes closed and was unresponsive, so he called 911.
– CNN, Lamar Odom had been using cocaine, brothel employees say
According to site manager Richard Hunter, two women, who had been with Odom earlier, handed him a bottle of a legal herbal supplement that is sold at the brothel.
At the time of writing this article, Odom is on life support in Sunrise hospital in Nevada. Khloe Kardashian is currently taking medical decisions on his behalf.
Odd Circumstances
While we do not have all of the facts concerning this tragic event, the words “overdose” and even “suicide attempt” are being thrown around in mass media. However, I would not rule out him being poisoned as we’re looking at a Whitney Houston-like situation here.
First of all, Odom was given two bottles of “herbal viagra” by two women who worked at the ranch. How easy would it be to slip something in there?
Second, Lamar and Khloe signed divorce papers in July, meaning they are split up. Another proof that the couple was definitely over is that Lamar was in a brothel having sex with prostitutes for three days. Despite these facts, Khloe is in charge of medical decisions, claiming that the “divorce is not final”. Isn’t this situation strange and bizarre? If I was in the process of divorce and was found in brothel, I wouldn’t want my ex-wife, who is related to a elite-controlled family, calling the shots. I am however not saying that Khloe is behind any of this – I am saying that those who control the Kardashian family are shady and bent on sacrifices.
Why would “they” want Odom dead? I am not sure. We do know that he was on his way out of the family. Strangely, all of the men who were in contact with that family end up truly messed up. Just hours after Odom’s hospitalization, sources reported that Scott Disick was in rehab for drugs and alcohol abuse.
It is currently too early to conclude anything and I hope that Lamar will recover. However, when you get involved with a family that is controlled by the occult elite, bad things often happen. Watch out Kanye.
“American Horror Story : Hotel” Stars Lady Gaga … and Pushes a Disturbing Agenda
The trailer and the first episode of the fifth season of American Horror Story are already full of Illuminati symbolism and occult elite agenda.
With a name like American Horror Story, one cannot expect to be watching unicorns jumping above rainbows. It is however clear that this season is all about glorifying the occult elite’s agenda and celebrating their obsession with ritual murders and sex magick. Who better than Lady Gaga to star in the series?
One does not need to watch hours of the series to understand the agenda behind it. An educated look at the 30 seconds trailer is enough. Here it is.
https://www.youtube.com/watch?v=wHluAYPd9sE
Shot like creepy music video, the trailer begins with the occult concepts of “as above so below” and duality as expressed by shots of contrasting colors. Also, the one-eye sign that is flashed about 6 times in 30 seconds.
Here are some more examples.
The trailer also shows Gaga controlling zombie-like children.
This season of A.H.S. is based on the true story of Cecil Hotel in Los Angeles where Canadian student Elisa Lam was found dead in a water tank, weeks after her death. A surveillance video showing her acting erratically shortly before her death has people wondering what exactly happened to her. You can read my article on Elisa Lam here (I’d like to add that my article was pretty much the first one to shed some light on the odd circumstances of her death). While Elisa Lam’s death is still a mystery, there is definitely something unholy going on at Cecil hotel and something probably ritualistic behind her death.
Other than being inspired by Cecil Hotel, A.H.S. is perfectly in line with the occult elite’s agenda of promoting the culture of death, where abuse, murder and dehumanization are intermixed with general coolness and sexyness. For example, in the first episode, Lady Gaga and her mate have sex drenched in the blood of a couple they’ve just murdered.
That episode also features guy getting raped with a dildo by “The Addiction Demon”. You’ve read that correctly. To complete the full occult elite agenda, the other bad guy in the series is “The Ten Commandments Killer” who is inspired by the Bible to commit to most atrocious murders. In mass media, Christianity is always the bad guy.
While only a single episode aired at the time of writing this article, this A.H.S. already has all of the hallmarks of the Illuminati agenda. Some might say: “It is about horror! It’s supposed to be disturbing!”. I know. But this is horror with an agenda.
Symbolic Pics of the Month 10/15
In this edition of SPOTM :Justin Bieber, Kanye West, Britney Spears and a whole bunch of industry slaves forced to hide one eye for the camera.
Former Scorpions Bassist Claims He Attended Elite Snuff Parties (video)
If regular people knew what the occult elite did behind closed doors, they would be horrified, terrified and completely baffled by the fact that they hold most of the world’s wealth and power. While there is a massive concerted effort to keep these truths out of the public space, sometimes some of that disgusting, stinking truth leaks out in unexpected places.
In a TMZ segment from 2012 with the former bassist of the rock band Scorpions, Ralph Riekermann admits he attended snuff parties, where guest paid over $100K to watch a live murder. And, judging by his facial expression, he was not joking.
At the end of the video, Riekermann says he attended another party that was so revolting that it made him want to throw up. What was he referring to? I am not sure, but I have the feeling it involved children…
One thing is for sure, these “snuff parties” attended by celebrities are simply a symptom of the deeper mind state of the occult elite which revels in the ritualistic abuse, suffering, and murder of innocent people. Why? Because a) they are literally evil and multi-generational Satanists b) they perceive the non-elite as a sub-human species that can be exploited at will and c) they believe that the ritual sacrifice of people (the younger the better) releases occult power that is highly potent.
This mind state is behind strange initiation ceremonies members of the occult elite must go through such as David Cameron placing his genitals in the mouth of a dead pig after joining Oxford University dining society. Speaking of which, it is a rather strange coincidence that a “piggy” bank is seen jumping out of Cameron on the Economist 2015 cover I analyzed in this article.
When one understands what happens behind closed doors, one also understands that something is terribly wrong in the higher echelons of society.
Update
In June 2015, three years after the segment aired on TV, Riekermann took to YouTube and released an official statement where he dissociates himself from these parties.
Whether or not Riekermann was actively involved in all of this is however irrelevant and does not change the fact that these “parties” actually exist. He did not deny that he saw some truly disgusting things going on there – and that’s what the world needs to know.
The Meaning of The Weeknd’s “The Hills” and “Can’t Feel My Face”
The Weeknd’s videos “The Hills”, “Can’t Feel My Face” and “Tell Your Friends” form a trilogy that tells a disturbing story. Through symbolism, the videos describe a dark and occult path to fame.
The Weeknd is a Canadian R&B singer who has enjoyed a steady rise in popularity in the past few years. However, in 2015, his career truly took off with a hit album, a number one single, music awards appearances and even tabloid action (with his 18-year-old girlfriend Bella Haddid). As if narrating his meteoric rise to fame, the videos released for his album “Beauty Behind the Madness”, depict The Weeknd’s rise to fame in a rather dark fashion: It is indeed represented as the result of a deal with the devil himself.
Although the videos The Hills, Can’t Feel My Face and Tell Your Friends are quite simple and not exactly “action-packed”, the action that actually takes place is highly significant. The videos are also connected through the recurrent appearance of a shady character with supernatural powers who appears to be following The Weeknd around and who happens to share attributes with the biblical “devil”. Do the videos tell the story of a man selling his soul to the devil for success in the music industry? Let’s look at the meaning of The Weeknd’s videos.
The Hills
The Hills is the first video released in the trilogy. It begins with a shot of a car that is upside down. A wounded The Weeknd emerges from it.
Two girls then get out of the car and start pushing The Weeknd around, as if they are blaming him for what happened. However, the singer seems unfazed. He keeps steadily walking towards a house as if he is magnetically, or magically, attracted to it. The car behind him then explodes.
The Weeknd then enters a creepy house and starts looking around.
The Weeknd then climbs some stairs – very slowly – as if emphasizing the “ascending” nature of initiation. He then enters a room that is very, very red (the symbolic color of initiation and sacrifice).
The strange looking person is holding an apple. This most likely refers to the proverbial snake in the Book of Genesis who pushes Adam and Eve to bite the forbidden apple. While the snake is usually associated with the devil who convinced humans to disobey God, the occult elite considers the snake to be Lucifer, the light-bearer, who gave humans the gift of knowledge.
The two girls laying on the bed are the same two girls who were in the car with The Weeknd. How did they arrive there so fast … and when did they have time to change? The viewers are meant to understand that there is something supernatural going on here and that perhaps these girls were sent by the shady character to cause the accident and lead The Weeknd to that room.
Then the video ends. At this point, one might understandably wonder what this video has to do with the song, which is about The Weeknd telling a girl from “the hills” (who is cheating on her husband with The Weeknd) that he doesn’t really care about her, among other things.
As it is the case with most videos with a ritualistic undertone, the true story of the video is in the details. First, the title of the song, “The Hills”, is often a reference to upper-scale neighborhoods, the most famous one being the Hollywood Hills. In one line of the song, The Weeknd refers to rolling into a “gated residential” to meet the girl. The song and video both convey a sense of moral corruption in “high society” (as he’s singing to a girl that is committing adultery).
When The Weeknd enters the house, we hear him singing:
The Hills have eyes, the hills have eyes
This can refer to people in closed communities knowing about each others’ lives and gossiping their afternoons away. However, in the context of the video, it can also refer to the elite monitoring their people, especially newcomers, such as The Weeknd.
The video bears a resemblance to the beginning of the movie Mulholland Drive, which also begins with a car accident in Los Angeles, and a wounded and confused actress walking towards civilization (the entire movie is one big, enigmatic look at the dark side of Hollywood).
In short, the video is about The Weeknd reaching “the hills” or, in more accurately, the occult elite. And, if you are not part of the privileged bloodline, you need to take an oath and bite the proverbial apple. Conveniently, the next video of the series describes what happens when you are initiated.
Can’t Feel My Face
Can’t Feel My Face is probably the hit single that led The Weeknd to worldwide fame. Interestingly enough, the video is exactly about him becoming a big music star … with the help of the devil.
The reaction from people in the club ranges from intense indifference to annoyed boredom.
Then, the devil (the same shady looking character we saw in the first video) comes to see The Weeknd perform. He sees that people are not enjoying The Weeknd’s music, but he has the power to make all of that change.
The devil then throws his lighter at The Weeknd, who literally catches fire.
This surreal series of events describes rather aptly how the entertainment industry works. At first, you work hard, but you get no recognition. Then, if you’re chosen by the elite, they set you on fire, meaning that they get you working with the right people and put you in the spotlight. Immediately after, the masses follow suit and start dancing to the hit that is playing on the radio. Notice that, in the video when people got on their feet, the song didn’t change. It is the same song they were hating seconds ago. Why do they love it now? Because, by catching on fire, The Weeknd became an elite-sanctioned star and a celebrity – and that is what truly turns people on (well, the people who are subject to mass culture, anyway).
While the song appears to be about a foul relationship, it doesn’t take much of an in-depth analysis to understand that it is mainly about a drug, probably cocaine, which is known to numb one’s face.
And I know she’ll be the death of me, at least we’ll both be numb
And she’ll always get the best of me, the worst is yet to come
But at least we’ll both be beautiful and stay forever young
This I know, yeah, this I know
However, in the context of the video, the foul relationship described by The Weeknd might be about the music industry.
Being on fire might be good for The Weeknd’s career, but there is one attribute we need to remember about fire: It consumes what it burns. By representing The Weeknd’s career blowing up as him catching fire, the video also represents the ephemeral and destructive nature of fame. In short, it is a sacrifice.
The subject of the video becomes even more significant when we take into account the clear Michael Jackson influence of the song. Indeed, the vocals of Can’t Feel My Face (and even The Weeknd’s dance moves) are a blatant “homage” to Michael Jackson who is, not-so-coincidentally, the ultimate example of a pop star being fatally burned by the industry. Is the video showing The Weeknd following his footsteps?
The video ends with The Weeknd still on fire and looking somewhat concerned about what is happening.
Tell Your Friends
The third video of the series begins with the same element with which the second one ended: Fire.
Not unlike the devil holding an apple in the first video, the viewers are treated again with biblical imagery. In Exodus 3, Moses encounters a bush that is on fire but that is not consumed by the flames. By approaching the burning bush, Moses ends up in a discussion with God.
In the video, however, The Weeknd passes by the bush but does not engage in any kind of conversation. Is he symbolically turning his back on god? Has he become a god himself?
We then see The Weeknd burying himself in the ground.
A rather creepy detail of that scene: The version of The Weeknd that is wrapped in plastic and being buried is the one that is singing the song. We see his lips moving through the plastic.
The singer then encounters a familiar figure.
The Weeknd does not feel like having a discussion with the devil either.
He then walks away towards a brand new car that is waiting for him.
So … What’s the Story?
If we follow the chronological order in which these three videos were released, we understand that The Weeknd encountered the devil who offered him a deal he didn’t refuse (represented by the apple). The devil then lit up the singer’s career and made him a big star, with legions of fans (represented by the people at the club). However, in the third video, The Weeknd appears to have realized that the deal with the devil was a bad one. He, therefore, buried alive the part of him that sang hit songs (the corpse was singing while being buried). He then killed the devil and drove away in a brand new car. The Weeknd is therefore free, alive and happy. Right? Maybe not. After all, The Weeknd is deep in the music business and all of its trappings.
A few visual clues might indicate that the order these videos were released might not be the order in which they should be viewed. Indeed, Tell Your Friends ends with The Weeknd driving away in a black car (towards the hills) and The Hills begins with a black car (although it is not the exact same car) upside down. Therefore, if we follow these visual clues, the order in which the videos should be viewed is as follows: Can’t Feel My Face (which ends with fire), Tell Your Friends (which begins with fire and ends with a black car) and “The Hills” (which begins with a black car).
By following this order, the story of the videos become much darker.
The story begins with a struggling The Weeknd trying to get people to notice him at gigs. The devil then lights him on fire and kick-starts his career. The Weeknd then realizes that the deal is awful so he buries this new singing creation and shoots the devil. However, the devil is not human and therefore cannot be killed. Furthermore, he is rather vengeful. Although The Weeknd believes he is alive and free, he finds himself in a car accident that nearly kills him. As he walks into the red room, he realizes that he cannot escape the devil. The devil holds an apple reminding him that the deal is non-voidable. The two ladies that were with The Weeknd were actually the devil’s minions and the near-fatal accident was actually a warning: Any further transgressions will result in death.
Although the devil brought him fame and success, The Weeknd is stuck in a loop where any attempts to break free lead him right back to the devil and his apple.
In Conclusion
The Weeknd’s video trilogy uses simple yet powerful symbolism to tell a story the singer probably identifies with. It is the classic and timeless Faustian tale where fame and success come at a great price, an eternal and spiritual price. When viewed in the order they were released, the videos appear to be showing The Weeknd emerging victorious from his encounter with the devil. However, if we look at what is currently happening in The Weeknd’s career, he is just entering the great circus that is the entertainment industry.
Re-arranging the videos according to the visual clues placed at the beginning and the end of the videos shows The Weeknd attempting to free himself, but finding himself forced to deal with the devil and accept his fate. It is the devil who has emerged victorious while a wounded The Weeknd realizes that you cannot simply kill something that is not even human.
This series of videos, therefore, represent The Weeknd’s initiation into the industry … an industry that loves to brag about how it controls its subjects. Let’s see where his career will lead him. Remember, however, unlike the burning bush, human flesh cannot stay on fire for long. Just ask Michael Jackson.
Oh, wait, you can’t.
The 2015 MTV Video Music Awards : Dance, Puppets, Dance
The 2015 VMAs were a typical awards show: Music industry puppets doing what they are told to do by their masters. The host of the show, Miley Cyrus, is the ultimate product of the industry: a hyper-sexualized Kitten slave with no control over her behavior, image or her thoughts.
If you are a regular reader of Vigilant Citizen, you know that I’ve been writing about award shows for years. I always feel compelled to analyze them because they so openly reveal the powers that control popular culture and their true intent. Six years ago, I wrote an important article on the 2009 VMAs that was one of the most blatant displays of the occult elite ever seen. Do you remember who the stars were of the 2009 VMAs? Kanye West and Taylor Swift. Do you know who the stars were of the 2015 VMAs? Kanye West and Taylor Swift. Six years later, the puppet show still uses the same puppets to “entertain” us. The VMAs are indeed not for the claustrophobic. Year after year, the show unites the same faces in a closed space to act out whatever ritual the elite wants the masses to witness this particular year. The 2015 VMAs were no different, and, in some ways, took things to a disgusting new low.
The 2015 VMAs were about mind control slaves, alter personas, hypersexualization, degradation, strange political propaganda, and, most importantly, gigantic fake butts. It is about everything the industry has turned into: a bunch of broken people being manipulated to break the masses as a whole. Hosting this entire mess is the figurehead of Beta Kitten programming, Miley Cyrus, who, throughout the show, aimed to prove that she is an empty shell, an artificial alter persona that has been reduced to talking only about either sex or drugs. And, when she is not talking, her act is about degradation mixed with a hefty dose of Illuminati symbolism.
Opening Sequence
The opening sequence of the VMAs was a near-psychedelic animated montage that clearly exhibited what these award shows are truly about: No, it is not about the music. The VMAs are about the rituals we are made to witness – all pre-programmed by the higher-ups of the music industry.
That opening sequence sets the table for what was to come: A Illuminati MK slave extravaganza.
Miley Cyrus: Beta Kitten Slave
As stated above, the VMAs were mostly about Miley Cyrus and her Beta Kitten slave status. It is as if her handlers wanted to show to the world to what degrading lows they can force her to go.
At the start of the show, Miley says this:
“I am totally stoked to have my entire family here tonight.”
Only a few years ago, in 2011, Billy Ray was speaking out against Miley’s handlers and even added that his family was “under attack by Satan” (read my full article about it here). Billy Ray stated:
“I’ve done some stupid crap – I do stupid crap. We all do. But it’s different when you sit back and you see it happening to your little girl,” he explained. “I feel like I got to try. It’s my daughter”
“And,” Billy Ray added, “some of these handlers are perhaps more interested in handling Miley’s money than her safety and her career,” something that leaves him “scared for her.”
Billy Ray went on to discuss how fame ultimately cut short the lives of Jackson, Cobain and Anna-Nicole Smith, which has made him all the more eager to help his daughter navigate through life in the spotlight.
When he looks back on Miley’s rapid rise to fame through “Hannah Montana,” on which they both starred, he said he sees how “the business was driving a wedge between us.”
“It destroyed my family. I’ll tell you right now – the damn show destroyed my family,” Billy Ray declared, before admitting he wishes they never agreed to do the Disney Channel show.
“I’d take it back in a second. For my family to be here and just be everybody okay, safe and sound and happy and normal, would have been fantastic. Heck, yeah,” he said. “I’d erase it all in a second if I could.”
And for those who believe Billy Ray’s concern is really about whether his daughter will continue to be a cash cow, he offered to set the record straight.
“I’ve never made a dime off of Miley,” he insisted. “You got a lot of people have made percentages off of her. I’m proud to say to this day I’ve never made one commissioned dollar, or dime, off of my daughter.”
Billy Ray didn’t place all the blame on those currently in Miley’s life. There are also evil forces at work, he claimed.
“Somewhere along this journey, both mine and Miley’s faith has been shaken,” he said. “That saddens me the most.”
His family, Billy Ray argued, is now being ruined by Satan.
“No doubt,” he insisted. “There’s no doubt about it
– NY Daily News, Billy Ray Cyrus in GQ: My family is under attack by Satan, I’m ‘scared for’ daughter Miley
A few years later, Billy Ray went from accusing the “evil forces” of the industry of manipulating Miley and even fearing they she might end up like other industry slaves (namely Michael Jackson and Anna Nicole Smith), to sitting at the VMAs and cheering for his MK slave daughter. I guess he got subdued.
Knowing that Miley’s entire family was in the audience made watching the VMAs even more difficult.
Like everything else in the VMAs, this cringe-inducing scenario was not random. The sick, twisted industry was openly showing what it is doing to Billy Ray’s child and, on a larger level, all of the nation’s children. By putting onstage Miley Cyrus, the wholesome Disney girl who grew up before our eyes, and turning her into Beta slave – while her father is watching – is the industry telling us: “This is what we are doing to the youth, and there is nothing you can do about it”.
Speaking of Instagram, a humorous skit during the VMAs was about two men in suits dictating to Miley what she should post on her Instagram account. Considering the fact that Miley keeps posting Illuminati mind control pictures on her account (see my Symbolic Pics of the Month articles), I wouldn’t doubt that there are actual men in suits telling her what to post to her millions of followers.
Throughout the show, Miley constantly emphasizes the fact that she is completely uninhibited and that there is no limit to what she can do, which is the prime characteristic of a Beta Kitten slave. For no particular reason, she says:
“You know me, I’ll do anything. It doesn’t get much crazier than me.”
Instead of actually hosting an awards show, the VMAs was more about portraying the Beta Kitten status of Miley.
In another skit, Miley gets asked what’s the nastiest thing she’s done.
Why was Miley naked at this specific point and time? Why was she given a mic? Why was she even on camera? Why can’t she have a little dignity for a couple of minutes? Because she is the Beta Kitten of the night.
The Nicki Minaj Beef
Then, of course, there was the odd scrap with Nicki Minaj that caused some pointless discussions the next day. First, at the risk of shocking you, yes, this was clearly scripted. It was about one Beta Kitten (Nicki) going at another one (Miley). Let’s relive this great moment in American history.
If you re-listen to her little acceptance speech, you’ll notice something weird. She starts off speaking very gangsta-like, saying stuff like:
“Where my girls getting money at?”.
Then, as if a switch was turned on, she takes on California Valley Girl accent and says with a little voice:
“Thanks you guys, this is sooo epic. This might sound sooo random but do you know who I’d like to thank? My pastoooor.”
Nicki then switches again, becomes “ghetto”, and calls Miley a b*tch and so forth. In short, Nicki basically switched personalities like MK slaves do. This is one big Illuminati mind control show.
Miley then says that, even though she did not win an award at the VMAs, she nevertheless had an impact on them. We then see the pinnacle moment of her career appear behind her.
The VMAs ended with a horrifying performance from Miley that features one of the worst songs I ever heard in my life.
Gender Fluid
In my article entitled The Agenda Behind Bruce Jenner’s Transformation, I described how the confusion of genders is an important part of mass media agenda in 2015. Whether you agree with it or not, nobody can deny that there was a clear mass media push for everything transgender this year. Miley Cyrus’ final performance is further proof of this.
Her song ends with her saying:
Why they put the d*ck in the p*ssy? F*ck you.
At the very end of the show, we see a harsh reminder of Miley Cyrus’ status as an MK slave.
That’s a rather dark name, especially considering the fact that Miley was reportedly very distraught when her dog died last year. In mind control, it is a common technique to cause trauma and dissociation to a slave by giving them a pet to care for and then to kill it.
In short, everything about Miley Cyrus’ hosting gig was about promoting and exploiting the Beta Kitten persona she is forced to embody.
Other Puppets
Believe it or not, there were other people at VMAs, and they also brought their share of Illuminati Agenda to the table.
That’s some typical, hypocritical, reverse-psychology type stuff the elite loves to do. Doesn’t walking around with a label on you automatically reduce you to that label? According to her outfit, Amber Rose has an issue with the word bitch. Maybe she should re-read the title of her own book.
As I stated in my last article on Bieber, he is basically a male Beta slave and his entire career is about shame, humiliation and being a broken person. I am not sure if his crying staged or not, but the camera did stay on him for a few long seconds instead of just cutting away to something else like it usually does. While Bieber was sobbing on stage, Miley takes off her jacket, swings her hips and tells him:
“Hey Justin, call me when you’re legal”.
In other words, she treated him like an underage sex toy … like his handlers most likely did. Another very cringe-inducing moment involving two industry slaves.
But the cherry on this MTV Sunday? Kanye West talking very slowly, for a long, long time, making little to no sense, to finally reveal that he wants to be the President of the USA.
While one can wonder why he did not simply thank people for his award instead of going on an endless rant, he said one sentence that sums up the reason behind these award shows.
“This arena, its going to be totally different setup tomorrow. This stage will be gone. After that night, the stage is gone, but the effect it had on people remains.”
In Conclusion
The 2015 VMAs were, once again, a celebration of everything “the industry” is about. And the industry is not about music, creativity or artistry. It is about the industry showcasing its twisted control over its puppets to the world. More importantly, it is about saturating the airwaves with the antics of people nobody truly cares about in order to make sure that true, revolutionary artists, with the potential to truly change the world, can never get much-needed television time.
In short, the 2015 VMAs, and the “music” it promotes, are about transferring the sad, twisted and toxic culture of the entertainment industry directly into the minds of the youth. It is about doing everything possible to turn young people into the monster that is Miley Cyrus, while their parents watch, powerless, like Billy Ray in the VMAs audience. While Billy Ray has apparently lost his daughter to her handlers, none of us need to see the same fate happen to us or our children. In fact, it can all end by simply pressing a button: TV Off.
“Kingsman: The Secret Service” or How to Sell the Occult Elite to the Youth
“Kingsman: The Secret Service” is a spy movie with action, comedic, and some gore. More importantly, it is riddled with symbolism and messages that promote the occult elite’s philosophy and its Agenda for the future.
Warning: Major Spoilers Ahead!
Kingsman: The Secret Service is a modern take on classic spy movies that feature slick Englishmen saving the world. Like most spy movies, Kingsman tells a convoluted story that’s taking place on an international level, complete with high-stakes politics and high-tech gadgets. Contrary to James Bond flicks, however, Kingsman takes a more youthful, “urban” approach in order to reach that critical crowd. The main protagonist, named Eggsy, is indeed a young, pub-dwelling Londoner from a rough neighborhood, a tough character with whom younger generations can identify, the exact crowd the occult elite is looking to shape, mold and influence. And, behind all of this gadget-ridden, tailored-suits-with-skinny-ties crap, the movie slickly communicates a flurry of messages to its viewership, effectively outlining the elite’s philosophy, its modus operandi, and its long-term Agenda. Of course, everything is sugarcoated in a sexy spy package with a lot of violence to make all of these things easily digestible for viewers.
From start to finish, Kingsman jumps from one propaganda message to another, culminating in nothing less than a massive “cleansing” of the world population, a gigantic genocide that would kill everybody except a few chosen elite. If you’ve read other articles on this site, you know that this is the occult elite’s favorite story to tell the masses.
Right from the start, the movie gets into war propaganda territory as we see two Arabs getting killed by a helicopter.
The U.S., Great Britain, and other Western nations have been involved in various wars around the Middle-East in the past years. To make sure public support for these wars continues, movies keep promoting the concept that killing Arabs is cool.
The rest of the movie has nothing to do with the Middle East. It was just an introduction to the world of propaganda you are about to witness.
The actual plot revolves around a high-powered and extremely wealthy “eco-terrorist” named Richmond Valentine (played by Samuel Jackson), who is looking to drastically reduce the world population using microchips embedded in cell phones. The hero of the movie ultimately saves the world but, through the action and explosions, a clear message is sent: Kingsman and Richmond Valentine are two sides of the same clan – the occult elite. Kingsman, with its classy agents and its medieval-inspired lore, represent the mythical side of the occult elite, a fictional and heroic facade that entertains the masses while inspiring awe and respect. Richmond Valentine is the true, ugly, and evil side of the elite, as he works actively with the world’s most powerful people to abuse, deceive and annihilate most of the human race – which is considered to be a virus that is killing Earth. While Kingsman and Valentine are portrayed as enemies in the movie, there are enough connections between the two sides to understand that they are two faces of the same coin.
Let’s first look at how Kingsman is a romanticized version of the occult elite bloodlines.
Kingsman: How the Elite Wants You to Perceive Them
Simply by dissecting the name of the secret service, we understand that Kingsman is the king’s men. They exist to protect the interests of the world’s royalty, the elite bloodlines who have been in power for centuries.The code name “Kingsman” is taken from the legend of King Arthur and the Knights of the Round Table, an ancient myth that still captures imaginations today. However, most people do not realize that occult circles attribute an esoteric meaning to the King Arthur story, as its symbolism reflects the thinking of secret societies.
“In the personality of Arthur is to be found a new form of the ever-recurrent cosmic myth. The prince of Britain is the sun, his knights are the zodiac, and his flashing sword may be the sun’s ray with which he fights and vanquishes the dragons of darkness or it may represent the earth’s axis. Arthur’s Round Table is the universe; the Siege Perilous the throne of the perfect man. In its terrestrial sense, Arthur was the Grand Master of a secret Christian-Masonic brotherhood of philosophic mystics who termed themselves Knights. Arthur received the exalted position of Grand Master of these Knights because he had faithfully accomplished the withdrawal of the sword (spirit) from the anvil of the base metals (his lower nature). As invariably happens, the historical Arthur soon was confused with the allegories and myths of his order until now the two are inseparable. After Arthur’s death on the field of Kamblan his Mysteries ceased, and esoterically he was borne away on a black barge, as is so beautifully described by Tennyson in his Morte d’Arthur. The great sword Excalibur was also cast back into the waters of eternity – all of which is a vivid portrayal of the descent of cosmic night at the end of the Day of Universal Manifestation. The body of the historical Arthur was probably interred at Glastonbury Abbey, a building closely identified with the mystic rites of both the Grail and the Arthurian Cycle.
The mediæval Rosicrucians were undoubtedly in possession of the true secret of the Arthurian Cycle and the Grail legend, much of their symbolism having been incorporated into that order.”
– Manly P. Hall, The Secret Teachings of All Ages
In Kingsman, the leader is of course named Arthur, and Eggsy, the young hero, aspires to become the new Lancelot.
At one point, agent Galahad, Eggy’s mentor, explains the origins of Kingsman, a story that directly refers to elite bloodlines. At first, he states that Kingsman began as tailors for the elite.
“Since 1849, Kingsman tailors have clothed the world’s most powerful individuals.”
The fact that Kingsman began as tailors is extremely symbolic. By dressing up the world’s most powerful people, they symbolically drape the elite in noble and beautiful garments, effectively “covering them up” and disguising them in something beautiful. In the movie, Kingsman glorifies the elite bloodlines and their philosophy by “draping them” in spy agency heroics.
Galahad then explains how from tailors, Kingsman became a powerful actor on the international scene.
“By 1919, a great number of powerful individuals had lost their heirs to World War One. That meant a lot of money going uninherited. And a lot of powerful men with a desire to preserve peace and protect life.
Our founders realized that they could channel that wealth and influence for the greater good. And so began our other venture: An independent, international intelligence agency operating at the highest level of discretion, above the politics and bureaucracy that undermine the integrity of government-run organizations.”
This origins story cannot better describe the occult elite. Backed by the incredible fortune of a few elite families, Kingsman operates on a level that is “above” democratically-elected government, and acts in total secrecy (you will notice that, throughout the movie, there is absolutely no respect for democratic governments). Like the occult elite that decides world policies at secret meetings such as the Trilateral Commission and the Bilderberg conference, Kingsman operates on that above-government level. If Kingsman had evolved in the “real world”, their major contributors would likely be the Rothschilds, Rockefellers and Duponts, bloodlines of extreme wealth who shaped the world using a level of power that goes way beyond national governments and political parties.
The concept of “bloodline” is extremely important for the Kingsman. When Arthur discusses the death of a Kingsman agent with Galahad, he says:
“But he wasn’t exactly one of us, was he?”
This implies that the Kingsman that died was an “outsider” and not a descendant of the “privileged” bloodline that makes up Kingsman. Is this why these agents appear to have special powers?
Even if Eggsy comes from a poor neighborhood, his father was part of the bloodline, meaning that he is part of the bloodline as well. He, therefore, does not have to live like the other poor saps in his neighborhood – he is a privileged one.
At first, Eggsy does not identify with the sophisticated demeanor of Galahad, which is in opposition to his rough upbringing. Eggsy is accustomed to dwelling in pubs and getting into fights with bums who barely act more civilized than feral animals. Portraying the masses as a wild stupid herd while portraying the elite as classy people is a classic way the movie industry celebrates the elite.
Before the pub fight, Galahad tells Eggsy:
“The lack of a silver spoon has set you on certain path, but you needn’t stay on it. If you’re prepared to adapt and learn, you can transform.”
In other words, Eggsy, who grew up in poverty, is fortunate enough to be part of the bloodline that gives him to the opportunity to “ascend” to an elite level. He must, however, “transform” and be initiated to the elite. Like in occult secret societies, initiation to Kingsman involves an oath of secrecy under the penalty of death. In fact, Kingsman recruits are each given a body bag to symbolically represent their fate if they break their oath.
The training of the recruits was filmed at Wrotham Park – a gigantic mansion that was built in 1754.
The Wrotham Park mansion was designed by Isaac Ware, a renowned English architect, and a Freemason. He is credited with bringing to England Palladean architecture, inspired by the works of Italian architect Andrea Palladio, a favorite of the occult elite.
The Freemasons’ cult of reason and admiration for the laws of geometry found its expression, as well as fulfillment, in the Italian architecture of the late Renaissance, with the works of Andrea Palladio (1508-1580). The English Freemasons played a significant role in popularising his cult. It was thanks to the members of the Great Lodge of London that Palladio’s style became dominant in England, and later also in the United States.
– Mikołaj Gliński, The True Face of Freemasonry
Eggsy is taken to the mansion using a secret underground tunnel and discovers that hidden underneath that building are incredible resources.
During his training, Eggsy also learns that the elite does not use media to reveal – but to conceal.
Not unlike initiation rituals of the occult elite occult, there is an important price to pay to enter that rarefied circle.
Blood sacrifice, which involves the killing of a loved one to prove one’s loyalty, is the ultimate price to pay to enter the occult elite. Eggsy did not go through with it because, mainly, that scene would have outraged viewers (unlike killing Arabs). But the concept is there.
Kingsman embodies the mythical side of the occult elite, draped in ancient lore. The same way tailors drape their clients with lush fabrics, Kingsman drapes the elite class with heroics. However, they then face off with the other side of the elite, the ugly, dirty, evil, sadistic, violent, manipulative and power-hungry side that controls world politics and perceives the masses as a wild herd. This side is embodied by villain Richmond Valentine, whose nefarious agenda perfectly matched the occult elite’s Agenda.
Richmond Valentine – The True Side of the Elite
Simply put, Valentine is an agent carrying out the elite’s Agenda and the scapegoat on which people can ultimately blame everything. For this reason, he is the exact opposite of the mythical side of the elite portrayed by Kingsman. He is a Black American guy who dresses in streetwear, who is kind of cowardly and, to top it off, speaks with a goofy lisp. While Kingsman looks to the past with Arthurian references and traditions, Valentine is all the future. He is about the elite’s agenda today, about using mass media and technology to accomplish his plans.
Contrarily to the secrecy of the occult elite, Valentine is all over the media and constantly shows his face in the worlds of politics, entertainment, and technology.
Even while he seemingly represents the exact opposite of the occult elite, he nevertheless carries out its plan. His main goal: To kill everybody on earth, except a chosen few. Not unlike what the elite is doing now, he justifies massive depopulation using ecological arguments such as global warming.
“When you get a virus, you get a fever. That’s the human body raising its core temperature to kill the virus. The planet Earth works the same way. Global warming is the fever. Mankind is the virus. We’re making our planet sick. A cull is our only hope. If we don’t reduce our population ourselves, there is only one of two ways this can go. The host kills the virus or the virus kills the host. Either way … the result is the same. The virus dies. Sometimes a culling is the only way to ensure this species survives.
I am inviting you to be a part of a new world.”
Notice that Richmond uses the word “cull” to describe his plan, which is defined as: “selective slaughter of wild animals”. In animal breeding, culling is “the process of removing or segregating animals from a breeding stock based on specific criteria. This is done either to reinforce or exaggerate desirable characteristics or to remove undesirable characteristics from the group.”
“Culling” therefore precisely describes the mindset of the elite: They view the masses as a wild animal breed that spun out of control and that needs to be brought down and selectively slaughtered. Guess who will be “selected” to survive? Not you!
Valentine is looking to reduce world population by inserting mind-controlling microchips into mobile phones. At the flick of a switch, the chip causes people to go berserk and start killing each other.
As an agent of the elite, Valentine’s plans operate at a level way above national government. At one point we even see him in the White House talking down to President Obama.
Right after that scene at the White House, we see an interesting transition that carries heavy symbolic meaning:
The elite not only craps on governments, it craps on religions as well because in their “new world” there would be only one world religion. One scene in the movie sums up the elite’s entire plan for religions.
In the movie, the South Glad Mission Church is a hate group based in Kentucky that Valentine uses for his own nefarious purposes. We then see a greasy-haired preacher talking about everything but Jesus.
“Our filthy government condones sodomy, divorce, abortion. And, yet, there is still doubt this is the work of the antichrist! You do not have to be a Jew, a n*gger, a whore or an atheist, science-loving evolution spouter….”
The movie makers made the preacher as awful and offensive as possible to make the viewers hate him and, by proxy, hate Christians in general. Galahad, who has been sent to that church, does not agree with what he is hearing and gets up. He then tells a woman:
“I’m a Catholic whore whose currently enjoying congress out of wedlock with my black Jewish boyfriend who works in a military abortion clinic. So, hail Satan and have a lovely afternoon madam”.
Then Galahad proceeds to kill every single person in that church, in a long, dragged-out, extremely gory scene as cool rock music plays in the background.
Although the violence was rationalized by the fact that Galahad was under the influence of Valentine’s chip, the movie nevertheless puts something very specific on the screen: One of the heroes of the film says “hail Satan” and then kills every single person inside a church. That is what the elite wants us to see and absorb.
Richmond finally manages to gather his elite guests in a secret underground location where they all chill out and have drinks while the world collapses.
Valentine then gives a speech to his guest that reflects the mind state of the occult elite:
“I just want to remind you that today is a day of celebration. We must put aside all thoughts of death and focus on birth. The birth of a new age. We mustn’t morn those who give their lives today. We should honor their sacrifice and their role in saving the human race.
We must put aside doubt and guilt. You are the chosen people. When folks tell their kids the story of Noah’s Ark, is Noah the bad guy? No! Is God the bad guy? No!”
Notice how Richmond refers to Noah’s Ark to describe what is happening. As I stated in several other articles, the elite loves the story of Noah’s Ark as it also refers to a “cleansing” of humanity (see my articles on the movies 2012, Noah, etc.). Valentine is also comparing himself to God because he started the second “cleansing”.
Richmond then activates the switch. We then see a shot of regular people walking around with their phones, taking selfies and insta-tweeting (or whatever the kids do these days). They quickly turn into animals.
Luckily, Eggsy puts on a suit, combs his hair and kills everybody in Valentine’s lair to save the world.
In the end, the “good guys” won but … they’re ultimately on the same side as the bad guys. Although Valentine’s plan failed, a WHOLE LOT OF PEOPLE still died around the world. Nobody, however, seems to care. Eggsy even grabs some champagne and has celebratory sex with the Queen of Denmark … symbolizing the elite reproducing with itself.
In Conclusion
For comedic spy movie that does not take itself too seriously, Kingsman: The Secret Service is nevertheless symbolically heavy and charged with several layers of messages. The movie sums up everything the occult elite is about as a showcase for the mythical aura that has been cultivating for years, while also revealing the elite’s darker plans through a hip-hop villain.
In the end, the movie is an “Elite 101” course, an exposé of everything they want the viewers to absorb. While the elite’s plans are embodied by the bad guy in the movie, they are nevertheless there for the viewer to see and internalize. So, while you believe you are being entertained, you are also getting a hefty dose of predictive programming, which contributes shaping your attitudes and opinions towards specific issues. What else would you expect from the king’s men?
The New X Factor UK Promo is All About Illuminati Mind Control
The promo of X Factor UK 2015 depicts the judges as mind controlled robots being programmed in an underground lab. It is a rather accurate way of describing the music industry.
X Factor is one of those singing competitions plaguing the music industry today, turning an art form that is about creativity and artistic expression into one big popularity contest, where the “winner” has the opportunity to become the latest music industry slave. These competitions, which take place around the world to reach various markets, are literal pop star creation factories, churning out one puppet after another, binding them into an airtight contracts and forcing them to follow the guidelines of the occult elite.
The judges of these shows are puppets themselves who are asked to sit there and judge one asinine music performance after the other, criticizing those who do not fit that specific “pop music” mold. So when I saw the latest promo of X Factor UK, which depicts the judges as programmed robots, I found it accurate yet troubling : It is yet another example of the elite flaunting its complete control on the industry to the masses – without them even realizing it. Here’s the promo.
The ad takes place in the “Secret X Factor Underground Base”. Why would a singing competition require a secret underground base?
In short, this “quirky” and “hilarious” ad is conveying a clear message : Nobody in the pop music industry has a mind of their own. They are controlled by a higher power who carefully, and scientifically, molds the industry’s output to fit its Agenda and influence the masses towards a specific direction.
Symbolic Pics of the Month 08/15
In this edition of SPOTM : Justin Bieber in a photoshoot that sums up his career, the Jenners being industry pawns and some highly symbolic magazine covers.
Special thanks to those who sent in pics!
The Satanic Temple Unveils a Massive Statue of Baphomet in Detroit
The unveiling of the 9-feet tall and 1.5 ton statue of Baphomet took place in Detroit and was dubbed “largest satanic event in History”.
On July 26th, the Satanic Temple unveiled a massive bronze statue of Baphomet sitting on a throne, complete with two children look up to him in admiration. The unveiling took place in an industrial building near Detroit River after attempts to have it installed near a Ten Commandments monument at the Oklahoma State Capitol have failed.
The unveiling was preceded by an event which gathered several hundred guests. Before entering the premises, guests were required to sign a contract “selling their soul to the Devil” – which was also a way of keeping protestors at bay. Attendees celebrated under red lights cheering “Hail Satan,” as bands and DJs performed on a stage beneath a big, red inverted cross. Officials of The Satanic Temple delivered speeches alongside a pair of shirtless men who held candles on both sides of the bronze statue.
Tickets to the event were sold from $25 to $75 and proceeds went to support abortion rights an important cause championed by the Temple. Its official website states:
The Satanic Temple (TST) supports personal choice in the context of abortion and, as part of a multi-faceted Women’s Rights campaign, TST is offering religious exemptions from arbitrary, insulting, and outright harmful anti-abortion legislation that has been steadily encroaching across the nation.
Without going into the pro-choice / pro-life debate, I can confirm you one thing : The true satanists of this world are bent on child sacrifice. Practitioners of Black Magick (as represented by the inverted pentagram behind Baphomet) have always attributed to the blood sacrifice of children the greatest possible potency to accomplish rituals. While this might sound completely evil and crazy to regular people, these sacrifice HAVE happened and STILL happen, sometimes in the highest elite circles on Earth. So, while there’s a pseudo-political-liberal spin behind the actions of the Satanic Temple, the choice of this specific cause echoes the darkest of Satanic rituals.
One thing I found completely aberrant about this event is the mental gymnastics pulled by mass media to depict it as one big positive thing that is not about Satan. They say it is about political issues … although the event was organized by the “Satanic” Temple … and that the statue was of Satan … and that people were yelling “hail Satan”. For example, this article entitled Why a Satanic statue isn’t really about the devil does its best to make the event about everything except what it is truly about.
The modern Satanic Temple has nothing in common with the horror-movie conception of devil worshipers, aside from a penchant for black clothes and inverted crosses. The temple — not associated with the Church of Satan founded in the 1960s by Anton LaVey — views Satan not as an evil figure, but one who dared question authority. They see the human body as inviolable, and prize rationality and skepticism.
It’s on those grounds that the Satanic Temple has questioned corporal punishment in schools (the temple offers adherents who attend school in such districts a form letter explaining corporal punishment violates their sincerely held religious beliefs), and are suing to overturn mandatory waiting periods for women seeking abortions. Here in Michigan, the temple installed a “snaketivity” display next to a Nativity scene at the state Capitol in Lansing last Christmas.
The unveiling and literal worshiping of a gigantic Baphomet Statue is therefore disguised as an event about “rationality” and touted a necessary step towards a more progressive society. Even if the concept of Satan is deeply theistic, the event was praised by atheists groups everywhere.
In short, the unveiling of this 9-foot tall Baphomet statue is a perfect example of deceiving the masses into accepting and welcoming the cult of the occult elite. Even if media spins the issue and pukes out paragraphs over paragraphs of pseudo-political diatribes to rationalize what is happening, the symbols do not lie. A statue of Baphomet was unveiled.
Baphomet has been the idol of secret societies for over a thousand years – since the time of the Knight Templars. Today’s secret societies descend from the Knight Templar and literally rule the world. They are behind the biggest atrocities humanity has ever committed, from unjust wars to underground child abuse rings to blood sacrifices to MKULTRA to things we don’t even know about. The occult elite is a product of multi-generational Satanic families and the philosophy they embrace allows them delve into their sadistic obsessions with any repercussions.
So, no, this is not about “rationality” and women’s rights. It is about unveiling a statue of Baphomet and making it acceptable to the masses.
Bobbi Kristina Brown Dies at Age 22 … and her Death Was Not an Accident
Bobbi Kristina Brown died on July 26 – six months after she was found face down in a bathtub and three years after her mother was found dead in a bathtub. In both cases, the true cause of death remains unexplained, a hallmark of a elite-sponsored murder.
On January 31st, Bobbi Kristina Brown, the daughter of the legendary singer Whitney Houston, was found unresponsive, face down, in her bathtub. She never fully regained consciousness as she was kept on life support for month while contradicting information circulated about her health.
As I stated in the article I’ve written right after Bobbi Kristina was found unconscious, the similarities between the “crime scenes” where Whitney Houston and Bobbi Kristina were found are simply too strong to overlook. Simply put, placing Whitney and her daughter in a bathtub is a sick way of confirming that the same authors are behind both murders … and these authors are the occult elite of the entertainment industry, who turned against Whitney Houston at a crucial point of her career.
Three years ago, Bobby Brown’s sister Leolah Brown stated that Whitney’s death was “not accidental” and that Bobbi Kristina was “not safe”. Unfortunately, she was right.
Bobby Brown’s Sister Leolah: Bobbi Kristina ‘Is Not Safe Right Now’
Bobby Brown’s sister, Leolah Brown, is speaking out for the first time since Whitney Houston’s death, defending her brother and sending a warning to Bobby & Whitney’s daughter — Bobbi Kristina.
“I am concerned about my niece Bobbi Kristina, yes,” Leolah told Access Hollywood of her 18-year-old niece, who she refers to as “Krissy.” “Krissy is not safe right now. I want to say to Krissy that it’s very, very, very important that she does not trust anybody at this time. Anybody except her father, her grandmother Cissy and myself. And I mean that.
“Right now is the time to just really shut the door,” she continued.
Leolah and her attorney, Reginald Mason, remained unspecific about who may try to harm Krissy.
“There are persons that possibly would want to take advantage of Bobbi Kristina’s fragile state of mind,” Mason claimed.
Leolah claims her brother Bobby is not doing well, but says he is not to blame for Whitney’s demise.
“Bobby has nothing, nothing at all to do with Whitney’s death,” she told Access.
While awaiting toxicology results to determine what killed the singer, Leolah told Access that she has reached out to the Beverly Hills Police Department to make sure they do a thorough investigation.
“I believe Whitney’s death was not accidental. No,” she claimed.
According to Leolah, what then killed the singer?
“My attorney has advised me not to get into that at all,” she told Access. “But, it’s very important to know that she did not just pass away like that. No. And if it’s the last thing that I do, I’m going to find out what truly happened to my sister.”
– Source: Yahoo! News
As it is always the case with celebrity ritual killings, the true circumstances around Bobbi Kristina’s death will forever remain a mystery. News sources are reporting that the long period of time that spanned between when she was found and the time her death will make finding answers extremely difficult.
This is a rather convenient for those who do not want the truth to come out. We should however expect vague explanations relating to “drugs” or “alcohol”, as it is the case for all bizarre celebrity deaths.
Only two weeks before her death, another piece of news made things even more suspicious : Steve Stepho, a drug dealer who admitted selling heroin to Bobbi Kristina and Nick Gordon was found dead in what is said to be an “overdose”.
Steve Stepho was found dead on July 2nd, two weeks before the death of Bobbi Kristina.While his death might appear somewhat irrelevant, Stepho had been confiding to media sources and opnely discussing about Bobbi Kristina and her family. This article on radaronline even contains a video of him talking about the Brown family. Did he know a too much about Bobbi Kristina? Was he deemed a threat because he was going on record and speaking about his relationship with Bobbi Kristina?
Whatever the case may be, the death of Bobbi Kristina Brown is yet another example of how the occult elite is sick, twisted, sadistic, vengeful and bent on ritualistic and symbolic murders. While most people will accept the official story of her death, all of the signs point towards another hit from the dark side of the entertainment industry.
Justin Bieber’s “Where Are U Now” is Full of Quickly Flashing Illuminati Imagery
Justin Bieber’s “Where Are U Now” video features hundreds of images superimposed on the singer, all flashing at high speed. Unsurprisingly enough, there’s a whole lot of Illuminati symbolism.
Although this is my first full article on Justin Bieber, it is nevertheless quite obvious that he has been a major music industry pawn for years. Considering that he was discovered and marketed at a very young age, Bieber most likely went through the most horrific path to success, which includes being “introduced” to some of the biggest creeps in the industry and “initiated” through some kind of abusive and degrading ritual. He may have been even subjected to mind control.
As if he was chosen to play a specific role, Bieber’s career has revolved around an astonishingly long list of humiliating and embarrassing events ranging from strange, erratic behavior (not unlike other MK child stars, such as Britney Spears and Amanda Bynes) to brushes with law enforcement officials around the world.
Bieber is also the recipient of near-universal hate from music fans worldwide, a hate that keeps growing with each additional “douchey” thing he says and does. Through it all, Bieber does not appear to have any control over what is happening to him, as he is transported from one place to another while constantly displaying his “I’ve been severely abused, please stop” face.
For this reason, the overall concept of Bieber’s video Where Are U Now is perfectly fitting. By having random people draw whatever they want on Justin Bieber, the video reflects Bieber’s lack of control over his image, his message, and his entire raison-d’être. He is basically a blank canvas on which his handlers can paint anything they want – and he cannot say anything about it — even if it’s really insulting … even if it goes against his deepest beliefs. Welcome to the music business.
Where Are U Now
The visual contents of Where are U Now were gathered from an event held at the Jack Ü headquarters where fans customized frames from the music video with crayons and colored pastels. The final result is Justin Bieber moving as these images flash at about 30 frames per second. The only way to actually view these images is to pause the video at random times (which is how I managed to grab some screenshots). While many of these images are genuinely funny and creative, a specific set of symbols keep reappearing. And, coincidentally enough, it is the exact same set of symbols the occult elite keeps peppering throughout the music videos of other major pop stars. Also, many of these images basically insult Bieber. While this might show Bieber’s mature and vulnerable side, it mostly shows how he has no control over how he’s portrayed.
We don’t know much about the “real” Justin Bieber, but, throughout his career, he did insist on the fact that he’s a faithful Christian. Considering this fact, why are there SO MANY satanic inverted crosses in that video? I am not talking about a few odd ones, it is a clear pattern. Here are just some I managed to catch.
In addition to the many satanic images, classic Illuminati imagery appears throughout the video. The pyramid and the all-seeing eye make numerous appearances.
All of these images flash throughout the video at such a great speed they are basically subliminal unless one pauses the video at random places to admire these great works of art.
Another pattern: Ridiculing Bieber in his own video.
During the video we see Bieber looking very sad and vulnerable, as paint drips from his forehead – not unlike Jesus bleeding from his crown of thorns.
In Conclusion
As you can see, there is no intricate storyline in the video, just a bunch of images flashing on Justin Bieber. While these images were apparently drawn by random people, some symbols and messages keep reappearing and, coincidentally enough, they perfectly fit the overarching Agenda of the occult elite.
Some might say, “you are analyzing crappy drawings made by some dude wearing square glasses and a backpack”. Yes. Maybe those who made these drawings were being trollish or ironic. Maybe they did it because drawing occult symbols is cool and trendy right now. Maybe some know about the Illuminati industry and tried to communicate a message about Bieber being a pawn. Maybe today’s generation has been so brainwashed by Illuminati videos that they cannot think of anything else to draw. Or maybe some of these images were added by the video makers themselves to preserve a healthy quota of required Illuminati symbolism.
Whatever the case may be, the ultimate outcome is the same: Where Are U Now is yet another music video with millions of views that flashes Illuminati symbolism directly into the minds of the youth. You can rationalize it any way you want, but in the end, that’s what happened.
Rihanna’s “Better Have My Money” Promotes the Elite’s Obsession With Torture
Rihanna’s “Better Have My Money” purposely pushes limits and purposely pushes them in a specific direction. The video is a continuation of mass media’s agenda of glorifying death, torture and dehumanization. We’ll look at the twisted messages behind “Better Have My Money”.
Since the launch of Vigilant Citizen in 2008, Rihanna has been a part of the picture. In fact, one of the first articles I ever wrote was about Rihanna’s Umbrella, and nothing has really changed since then. More than 7 years later, Rihanna is still being used to push the occult elite’s agenda … because that’s what industry pawns do. With Better Have my Money, Rihanna truly confirms that popular culture has turned into a depraved, toxic wasteland that purposely exposes young minds to death, murder, and torture. But it is not simply about exposing the youth to these things, it is about glorifying them, making them cool, fashionable, desirable and trendy.
Considering that the occult elite is not ashamed of torturing people for all kinds of purposes (see the horrific revelations of the CIA torture report and the entire MK Ultra system), it is not surprising that they are looking to sell their love of human misery to the youth. One might say “This has nothing to do with Rihanna, it is just a fun video”. But actually, yes, it does. In Better Have My Money, Rihanna re-enacts actual torture techniques used by psychopathic entities and makes them appear cool. I mean, when you torture people on a yacht while there’s party music in the background, it’s cool, right? Right? Torture is cool? Oh, and sexy, too.
It’s Not Really About Her Money
If you listen to Better Have My Money without being exposed to the video, it is easy to assume that the song is about someone owing Rihanna money that she wants back. If someone has ever owed you money and tried to weasel their way out of paying you back, you probably relate to the catchy chorus of the song: “B*tch better have my money”.
However, the imagery of the video takes things to a disturbing, psychopathic, sadistic new level. Now it is not simply about Rihanna trying to get her money, it is about Rihanna enjoying torturing and killing people. But, because it’s Rihanna that’s doing it, we’ll rationalize the horrors on screen and say that it’s just her being a “strong, empowered, independent woman”, right? Well, guess what. Even if a woman does it, killing and torturing people is still wrong.
Does watching the video gives you an uneasy, unpleasant feeling in your gut? That’s your instincts subtly telling you that what you are watching is not right. It does not fit with the state of natural balance and harmony your mind attempts to stay in. Watching pain, suffering, dehumanization, and death is not “art”, it simply kills the soul.
As it is often the case with mass media, Rihanna’s video synchronizes with a recently released video from another pop star who also took on a bloody, vengeful, and violent persona: Taylor Swift.
The Video
The Better Have My Money video begins with a stereotypical Hollywood wife crossing paths with Rihanna and her mysterious trunk.
Rihanna leaves the elevator with the woman inside the trunk and the ordeal begins. Rihanna and her friends do not simply kidnap the woman to get their money back – they take pleasure in torturing her in various ways. In short, they are partaking in the guilty pleasures of the occult elite: dehumanizing, torturing, traumatizing, and, ultimately, murdering people. Yes, that’s what the occult elite does. In real life. Read the news.
First, they strip their victim naked – a classic way of taking away the victim’s dignity and sense of security and to enter the realm of sexual abuse.
“Simply hanging a person upside down for one or two hours will begin to play tricks on the mind. The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc. They will tease their handler, and tell him he is not a real man if he shows any mercy in how the pain is inflicted. Fire/burning torture is used in the porcelain face programming.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Rihanna and her friends appear to have gotten the CIA handbook of torture.
Rihanna also appears to know about the sick mind games played on Beta Kitten slaves such as “making them pretty to then treat them like whores”.
In the scene above, the victim is kept underwater to hide her from the idiot policeman who is too distracted by the pretty women to notice anything else. When pop stars like Rihanna and Taylor use sex and violence to get what they want, it is often portrayed as a feminist statement. But in mass media, feminism is not about equality, it is about normalizing degradation and violence and calling it empowerment.
After a bunch of shots of Rihanna looking angry and cool, we finally learn why this poor woman is suffering. Because her husband owes Rihanna money. The woman is therefore presumably totally innocent but is still subjected to the worst kind of abuse. (By other women. So much for feminism!)
Despite his wife’s torture, the husband is not sending Rihanna her money, so she decides to slaughter him like a farm animal. That’s rational.
Doing all of these horrific things was apparently worth it because Rihanna got her money. Good. We were all very worried about Rihanna’s money. While young viewers will conclude that “Rihanna is such a bad-ass”, the final scene of the video reveals her true state.
Not unlike the torture victim, Rihanna is inside the chest, naked and drugged. It is a symbolic way of stating that Rihanna is actually not a cool, renegade bad-ass, but is a victim herself. She is a product of the Beta Kitten industry, she has literal blood on her hands, but there is some money thrown at her to keep her in line. In other words, she is no different than the woman who got kidnapped, tortured and exploited to get money. By portraying a sadistic killer over club music, she is being used and manipulated by the industry to advance its Agenda. She is not “empowered”, nor is she in control of anything. She never was.
The blood on Rihanna’s face recalls the extreme violence of the murder she committed and reminds us of the real point of the video. This was never about getting paid. This is about using Rihanna to sell the elite’s culture of death and dehumanization while negating human dignity, self-respect, and everything that is positive about humanity.
In Conclusion
There is no hidden message in Better Have My Money. Everything is in your face, like the blood dripping down Rihanna’s face. The video still manages to deceive viewers by rationalizing horror because “the guy was a jerk and he deserved it”. No, he didn’t.
However, the sickness goes deeper than this. This video is about the elite’s obsession with pain and torture. Whether you are looking at the treatment of war prisoners and MK slaves, or at the underground rings selling snuff torture, those “above the law” have legitimized the torture of those that are “beneath” them. Not only is it used as a tool to obtain what they want, but their inverted mindstate “gets off” on it. Better Have My Money celebrates this mindstate under the guise of being “edgy”.
What does this say about us and our culture? Why does “pushing the limits” in popular culture always go in a debasing and dehumanizing direction, but rarely in the opposite direction, toward beauty, creativity, and innovation? Because those who control the world economy and mass media do not want human minds to expand and be inspired. They want the opposite. They want closed, cloudy minds obsessed with unhealthy and destructive ideas and images. Minds they can control.
Rihanna is a tool to accomplish this. She doesn’t really have a say in any of it. She didn’t even write the song. She is simply doing what her bosses tell her to do. And, when all is said and done, they will tell her: “B*tch better have my money”.
Muse’s “The Handler” : A Song about a Mind Control Slave Singing to His Handler
Muse’s The Handler is one of the most obvious music videos about Monarch mind control ever created. However, it takes some basic knowledge on the subject to understand the true meaning of the video. Here’s a closer look at The Handler.
Muse’s lead singer Matt Bellamy was never a stranger to themes relating to the occult elite and mind control. The band’s 2009 album The Resistance contained titles such as Uprising and MKULTRA which alluded obscure topics relating to conspiracy theories. After the success of that album, Muse obtained some music industry recognition, participated in the 2012 Olympics Closing Ceremonies (which were a big occult elite ritual – read my article about it here) and, since then, the band’s message somewhat shifted. Indeed, Matt Bellamy went from stating in 2006:
“September 11 is clearly an inside job, there’s massive evidence that suggests that it was either allowed to happen or even worse, deliberately made to happen”
– Drowned in Sound, Muse’s Matt Bellamy: “September 11 is clearly an inside job”.
to flip-flopping on the subject in 2012 :
“I don’t believe that anymore, although there are lots of questions to be answered. I still read a lot about political history, the influence of corporations and the military but I make sure I’m reading from credible sources. I think my political views are bit more nuanced now.”
– Metro, Muse’s Matt Bellamy: It’s only now I feel comfortable singing about love
These kinds of statements, combined with a more subdued second album lead fans to wonder if the band “sold out” to the music business.
However, the band’s latest album, Drones, brings Muse back to its “Resistance” roots and goes even further down the rabbit hole. Drones is indeed a concept album that “follows the protagonist’s journey from abandonment to indoctrination as a “human drone” and eventual defection”.
Matt Bellamy described Drones as an album about the dehumanization of modern warfare:
“To me, drones are metaphorical psychopaths which enable psychopathic behaviour with no recourse. The world is run by drones utilising drones to turn us all into drones. This album explores the journey of a human, from their abandonment and loss of hope, to their indoctrination by the system to be a human drone, to their eventual defection from their oppressors.”
– Gigwise, Muse announce Drones album and UK Psycho tour
The sixth song of the album, entitled The Handler, describes the protagonist’s indoctrination … and this indoctrination is clearly accomplished through Monarch mind control (if you don’t know what I’m referring to, read this article first). The vocabulary of the song and the symbolism of the video could not be clearer, making The Handler one of the clearest references to Monarch programming in popular culture to date. Let’s look at the video.
The Handler
The song is about an MK slave singing to his handler. Right from the start, the lyrics refer to trauma-based mind control.
You (you, you)
Were my oppressor
And I (I, I)
I have been programmed to obeyAnd now (now, now)
You are my handler
And I (I, I)
I will execute your demands
The handler was first the “oppressor” as he subjected the slave to unbearable pain, torture, and trauma in order to induce dissociation. Once that is accomplished, the oppressor becomes the “handler” who programs an alter-persona that can be controlled at will.
In the video, a shady figure in a black hood plays the role of the handler. He’s sticking out of a strange structure which appears to be the brain of the slave. While the handler acts as the master of ceremonies, symbolic images rotate around the slave’s brain. All of them refer to Monarch programming – and many of them are actual MK trigger images.
Another item waltzing in front of the handler is a teddy bear. Plush toys and pets are often given to slaves so they can bond with them and get some comfort … have them live the trauma of losing a loved one. We’ll later see how this plays out in the video.
The lyrics of the song mention the key steps of Monarch programming. The chorus alludes to the ultimate goal of Monarch programming: dissociation.
Leave me alone
I must disassociate from you
After being subjected to intense trauma and torture, MK slaves are pushed towards dissociation – it is a natural defense mechanism of the brain when faced with unbearable trauma. After dissociation, handlers have “access” to the slave’s brain and can create programmable alter-personas.
The second verse of the song relates to the state of the slave after programming.
Behold my transformation
Trance Formation of America is one of the first books ever to reveal the Monarch mind control system used by the occult elite. In her biography, O’Brien writes:
“I have prepared this book for your review and edification concerning a little known tool that “our” United States Government is covertly, illegally, and un-constitutionally using to implement the New World Order (One World Government). This well documented tool is a sophisticated and advanced form of behavior modification (brainwashing) most commonly known as MIND CONTROL. My first hand knowledge of this TOP SECRET U.S. Government Psychological Warfare technique is drawn from my personal experience as a White House “Presidential Model” mind-control slave.”
The rest of the second verse describes the powerlessness of a programmed MK slave who cannot help but obey the handler’s orders. The slave is a stranger in his own mind.
And you are empowered to do as you please
My mind was lost in translation
And my heart has become a cold and impassive machine
The third verse is about the slave rebelling and attempting to break from his programming.
I won’t let you control my feelings anymore
And I will no longer do as I am told
And I am no longer afraid to walk alone
Let me go
Let me be
I’m escaping from your grip
You will never own me again
However, like most stories about Monarch programming, victory is mere illusion.
In Conclusion
The Handler is one of the most blatant music videos about Monarch mind control in popular culture. However, contrary to other MK-themed pop videos described on this site, the narrative of Muse’s story does not glorify Monarch programming, it goes against it. Does that mean that, despite being signed to a major label, Muse is anti-elite and anti-establishment?
Well, that’s not clear. As stated in an article in Pseudo-Occult media, there’s a duality that permeates the message and the symbolism of Muse’s works. On one hand, some of their work has a rebellious and revolutionary message but, on the other hand, the band ultimately just adds more occult elite noise in mass media, albeit with a slightly different perspective. While the symbolism of The Handler could not be clearer for someone who knows about Monarch mind control, it still goes way above the heads of regular viewers (read the YouTube comments of the video, you’ll understand).
In the end, the work of Muse accomplishes what symbolism does best: It reveals to those in the know and conceals from those who are not. For this reason, it is up to us to be vigilant citizens and understand what mass media is trying to sell us. Otherwise, we will turn into drones who are controlled by other drones.
Symbolic Pics of the Month 06/15
In this edition of SPOTM : Miley Cyrus, CERN, and more proof that the one-eye sign is taking over the world.
This picture is on FIFA Women’s World Cup website, in an article about the Young Player Award. A great message for the youth out there.
https://www.youtube.com/watch?v=29t-p0YIhCc
This bizarre video entitled “Dance of Destruction” posted by CERN ahead of re-launch conveys a dark, ritualistic and occult context to the supposed scientific work going on there.
Bilderberg 2015 : The Agenda and the Attendee List of this Elite Conference
The 2015 Bilderberg Conference will reunite, once again, representatives of the international elite to discuss world issues in total secrecy. Here’s the full list of attendees and the official agenda of the conference.
The 2015 Bilderberg Conference will take place from June 11-14 in Telfs-Buchen, Austria at the luxury InterAlpen Hotel. Police state-style measures are already in place as the conference site is protected by a gigantic “security zone” that is heavily patrolled by police officers who prevent any kind of visitors or reporters from approaching the secretive conference and its elite guests.
The conference gathers the most powerful figures from the world of politics, finance, business, media and technology.
Here’s the full list of attendees.
| Castries, Henri de | Chairman and CEO, AXA Group | FRA |
| Achleitner, Paul M. | Chairman of the Supervisory Board, Deutsche Bank AG | DEU |
| Agius, Marcus | Non-Executive Chairman, PA Consulting Group | GBR |
| Ahrenkiel, Thomas | Director, Danish Intelligence Service (DDIS) | DNK |
| Allen, John R. | Special Presidential Envoy for the Global Coalition to Counter ISIL, US Department of State | USA |
| Altman, Roger C. | Executive Chairman, Evercore | USA |
| Applebaum, Anne | Director of Transitions Forum, Legatum Institute | USA |
| Apunen, Matti | Director, Finnish Business and Policy Forum EVA | FIN |
| Baird, Zoë | CEO and President, Markle Foundation | USA |
| Balls, Edward M. | Former Shadow Chancellor of the Exchequer | GBR |
| Balsemão, Francisco Pinto | Chairman, Impresa SGPS | PRT |
| Barroso, José M. Durão | Former President of the European Commission | PRT |
| Baverez, Nicolas | Partner, Gibson, Dunn & Crutcher LLP | FRA |
| Benko, René | Founder, SIGNA Holding GmbH | AUT |
| Bernabè, Franco | Chairman, FB Group SRL | ITA |
| Beurden, Ben van | CEO, Royal Dutch Shell plc | NLD |
| Bigorgne, Laurent | Director, Institut Montaigne | FRA |
| Boone, Laurence | Special Adviser on Financial and Economic Affairs to the President | FRA |
| Botín, Ana P. | Chairman, Banco Santander | ESP |
| Brandtzæg, Svein Richard | President and CEO, Norsk Hydro ASA | NOR |
| Bronner, Oscar | Publisher, Standard Verlagsgesellschaft | AUT |
| Burns, William | President, Carnegie Endowment for International Peace | USA |
| Calvar, Patrick | Director General, DGSI | FRA |
| Castries, Henri de | Chairman, Bilderberg Meetings; Chairman and CEO, AXA Group | FRA |
| Cebrián, Juan Luis | Executive Chairman, Grupo PRISA | ESP |
| Clark, W. Edmund | Retired Executive, TD Bank Group | CAN |
| Coeuré, Benoît | Member of the Executive Board, European Central Bank | INT |
| Coyne, Andrew | Editor, Editorials and Comment, National Post | CAN |
| Damberg, Mikael L. | Minister for Enterprise and Innovation | SWE |
| De Gucht, Karel | Former EU Trade Commissioner, State Minister | BEL |
| Dijsselbloem, Jeroen | Minister of Finance | NLD |
| Donilon, Thomas E. | Former U.S. National Security Advisor; Partner and Vice Chair, O’Melveny & Myers LLP | USA |
| Döpfner, Mathias | CEO, Axel Springer SE | DEU |
| Dowling, Ann | President, Royal Academy of Engineering | GBR |
| Dugan, Regina | Vice President for Engineering, Advanced Technology and Projects, Google | USA |
| Eilertsen, Trine | Political Editor, Aftenposten | NOR |
| Eldrup, Merete | CEO, TV 2 Danmark A/S | DNK |
| Elkann, John | Chairman and CEO, EXOR; Chairman, Fiat Chrysler Automobiles | ITA |
| Enders, Thomas | CEO, Airbus Group | DEU |
| Erdoes, Mary | CEO, JP Morgan Asset Management | USA |
| Fairhead, Rona | Chairman, BBC Trust | GBR |
| Federspiel, Ulrik | Executive Vice President, Haldor Topsøe A/S | DNK |
| Feldstein, Martin S. | President Emeritus, NBER; Professor of Economics, Harvard University | USA |
| Ferguson, Niall | Professor of History, Harvard University, Gunzberg Center for European Studies | USA |
| Fischer, Heinz | Federal President | AUT |
| Flint, Douglas J. | Group Chairman, HSBC Holdings plc | GBR |
| Franz, Christoph | Chairman of the Board, F. Hoffmann-La Roche Ltd | CHE |
| Fresco, Louise O. | President and Chairman Executive Board, Wageningen University and Research Centre | NLD |
| Griffin, Kenneth | Founder and CEO, Citadel Investment Group, LLC | USA |
| Gruber, Lilli | Executive Editor and Anchor “Otto e mezzo”, La7 TV | ITA |
| Guriev, Sergei | Professor of Economics, Sciences Po | RUS |
| Gürkaynak, Gönenç | Managing Partner, ELIG Law Firm | TUR |
| Gusenbauer, Alfred | Former Chancellor of the Republic of Austria | AUT |
| Halberstadt, Victor | Professor of Economics, Leiden University | NLD |
| Hampel, Erich | Chairman, UniCredit Bank Austria AG | AUT |
| Hassabis, Demis | Vice President of Engineering, Google DeepMind | GBR |
| Hesoun, Wolfgang | CEO, Siemens Austria | AUT |
| Hildebrand, Philipp | Vice Chairman, BlackRock Inc. | CHE |
| Hoffman, Reid | Co-Founder and Executive Chairman, LinkedIn | USA |
| Ischinger, Wolfgang | Chairman, Munich Security Conference | INT |
| Jacobs, Kenneth M. | Chairman and CEO, Lazard | USA |
| Jäkel, Julia | CEO, Gruner + Jahr | DEU |
| Johnson, James A. | Chairman, Johnson Capital Partners | USA |
| Juppé, Alain | Mayor of Bordeaux, Former Prime Minister | FRA |
| Kaeser, Joe | President and CEO, Siemens AG | DEU |
| Karp, Alex | CEO, Palantir Technologies | USA |
| Kepel, Gilles | University Professor, Sciences Po | FRA |
| Kerr, John | Deputy Chairman, Scottish Power | GBR |
| Kesici, Ilhan | MP, Turkish Parliament | TUR |
| Kissinger, Henry A. | Chairman, Kissinger Associates, Inc. | USA |
| Kleinfeld, Klaus | Chairman and CEO, Alcoa | USA |
| Knot, Klaas H.W. | President, De Nederlandsche Bank | NLD |
| Koç, Mustafa V. | Chairman, Koç Holding A.S. | TUR |
| Kravis, Henry R. | Co-Chairman and Co-CEO, Kohlberg Kravis Roberts & Co. | USA |
| Kravis, Marie-Josée | Senior Fellow and Vice Chair, Hudson Institute | USA |
| Kudelski, André | Chairman and CEO, Kudelski Group | CHE |
| Lauk, Kurt | President, Globe Capital Partners | DEU |
| Lemne, Carola | CEO, The Confederation of Swedish Enterprise | SWE |
| Levey, Stuart | Chief Legal Officer, HSBC Holdings plc | USA |
| Leyen, Ursula von der | Minister of Defence | DEU |
| Leysen, Thomas | Chairman of the Board of Directors, KBC Group | BEL |
| Maher, Shiraz | Senior Research Fellow, ICSR, King’s College London | GBR |
| Markus Lassen, Christina | Head of Department, Ministry of Foreign Affairs, Security Policy and Stabilisation | DNK |
| Mathews, Jessica T. | Distinguished Fellow, Carnegie Endowment for International Peace | USA |
| Mattis, James | Distinguished Visiting Fellow, Hoover Institution, Stanford University | USA |
| Maudet, Pierre | Vice-President of the State Council, Department of Security, Police and the Economy of Geneva | CHE |
| McKay, David I. | President and CEO, Royal Bank of Canada | CAN |
| Mert, Nuray | Columnist, Professor of Political Science, Istanbul University | TUR |
| Messina, Jim | CEO, The Messina Group | USA |
| Michel, Charles | Prime Minister | BEL |
| Micklethwait, John | Editor-in-Chief, Bloomberg LP | USA |
| Minton Beddoes, Zanny | Editor-in-Chief, The Economist | GBR |
| Monti, Mario | Senator-for-life; President, Bocconi University | ITA |
| Mörttinen, Leena | Executive Director, The Finnish Family Firms Association | FIN |
| Mundie, Craig J. | Principal, Mundie & Associates | USA |
| Munroe-Blum, Heather | Chairperson, Canada Pension Plan Investment Board | CAN |
| Netherlands, H.R.H. Princess Beatrix of the | NLD | |
| O’Leary, Michael | CEO, Ryanair Plc | IRL |
| Osborne, George | First Secretary of State and Chancellor of the Exchequer | GBR |
| Özel, Soli | Columnist, Haberturk Newspaper; Senior Lecturer, Kadir Has University | TUR |
| Papalexopoulos, Dimitri | Group CEO, Titan Cement Co. | GRC |
| Pégard, Catherine | President, Public Establishment of the Palace, Museum and National Estate of Versailles | FRA |
| Perle, Richard N. | Resident Fellow, American Enterprise Institute | USA |
| Petraeus, David H. | Chairman, KKR Global Institute | USA |
| Pikrammenos, Panagiotis | Honorary President of The Hellenic Council of State | GRC |
| Reisman, Heather M. | Chair and CEO, Indigo Books & Music Inc. | CAN |
| Rocca, Gianfelice | Chairman, Techint Group | ITA |
| Roiss, Gerhard | CEO, OMV Austria | AUT |
| Rubin, Robert E. | Co Chair, Council on Foreign Relations; Former Secretary of the Treasury | USA |
| Rutte, Mark | Prime Minister | NLD |
| Sadjadpour, Karim | Senior Associate, Carnegie Endowment for International Peace | USA |
| Sánchez Pérez-Castejón, Pedro | Leader, Partido Socialista Obrero Español PSOE | ESP |
| Sawers, John | Chairman and Partner, Macro Advisory Partners | GBR |
| Sayek Böke, Selin | Vice President, Republican People’s Party | TUR |
| Schmidt, Eric E. | Executive Chairman, Google Inc. | USA |
| Scholten, Rudolf | CEO, Oesterreichische Kontrollbank AG | AUT |
| Senard, Jean-Dominique | CEO, Michelin Group | FRA |
| Sevelda, Karl | CEO, Raiffeisen Bank International AG | AUT |
| Stoltenberg, Jens | Secretary General, NATO | INT |
| Stubb, Alexander | Ministers of Finance | FIN |
| Suder, Katrin | Deputy Minister of Defense | DEU |
| Sutherland, Peter D. | UN Special Representative; Chairman, Goldman Sachs International | IRL |
| Svanberg, Carl-Henric | Chairman, BP plc; Chairman, AB Volvo | SWE |
| Svarva, Olaug | CEO, The Government Pension Fund Norway | NOR |
| Thiel, Peter A. | President, Thiel Capital | USA |
| Tsoukalis, Loukas | President, Hellenic Foundation for European and Foreign Policy | GRC |
| Üzümcü, Ahmet | Director-General, Organisation for the Prohibition of Chemical Weapons | INT |
| Vitorino, António M. | Partner, Cuetrecasas, Concalves Pereira, RL | PRT |
| Wallenberg, Jacob | Chairman, Investor AB | SWE |
| Weber, Vin | Partner, Mercury LLC | USA |
| Wolf, Martin H. | Chief Economics Commentator, The Financial Times | GBR |
| Wolfensohn, James D. | Chairman and CEO, Wolfensohn and Company | USA |
| Zoellick, Robert B. | Chairman, Board of International Advisors, The Goldman Sachs Group | USA |
The official website of the conference lists “key topics for discussion”. Although any other, potentially top-secret, topic can be discussed, the official, “press-friendly” agenda already indicates the general NWO-ish direction of the Conference and its truly global field of action. The key topics for discussion this year include:
- Artificial Intelligence
- Cybersecurity
- Chemical Weapons Threats
- Current Economic Issues
- European Strategy
- Globalisation
- Greece
- Iran
- Middle East
- NATO
- Russia
- Terrorism
- United Kingdom
- USA
- US Elections
As you can see, the first item on the list is artificial intelligence, which is an important component in the transhumanist, heavily monitored and micro-chipped world the elite is actively bringing about.
Another bizarre topic is the US Elections. Why would the world’s most powerful people, from around the world, want to discuss a democratic election – that is, supposedly, solely decided by American voters? What is there to discuss?
Well, according to some observers, the Bilderberg Conference is nothing less than a “king maker” as it selects the right candidate to advance its agenda … although, this year, the Conference might be a “queen maker”.
The Agenda Behind Bruce Jenner’s Transformation
Bruce Jenner is now known as Caitlyn Jenner and, for some reason, all media outlets have converged to turn this personal transformation into a massive, all-encompassing media event. Why is that? Because Jenner’s transformation was not personal, it is a planned event meant to support an ongoing agenda.
After the 1976 Montreal Olympic Games, Bruce Jenner was an American hero and was dubbed “the world’s greatest athlete”. He then embarked in a movie and television career, which solidified his near-superhero mystique in popular culture.
After his marriage with Kris Houghton and his involvement with Keeping Up with the Kardashians, most of that mystique was gone. He was part of the Kardashian experiment, the family that was built by mass media and for mass media, from absolutely nothing, to monopolize the attention of masses. From sex tapes to relationship rumors to butt pics that are supposed to “break the internet”, celeb marriages, and young girls becoming sexualized at a young age, the Kardashians constantly seek media attention for all kinds of purposes. Bruce Jenner’s story is yet another chapter in that story. And, like most of the “events” involving the Kardashians, Jenner’s transformation was meticulously planned with perfect mass media coverage to gain worldwide attention.
Before I go further (and because some people like to put words in my mouth), I need to emphasize that I do not think that all transgenders are “evil” nor that they are part of a sinister Agenda. If one feels more comfortable and happier living as the opposite sex, well that’s their business and not mine. As a staunch proponent of true freedom, I will never judge a person who took a personal decision to live a better life. Bruce Jenner’s sex change, however, was everything but personal. It was an orchestrated media event, blown-up to proportions so large that it has been turned into a grand ritual, a staged ceremony meant to push an agenda.
Following the Script
Like the rest of the Kardashians, Bruce Jenner’s fame in 2015 (almost 40 years after winning his gold medal), is solely due to mass media keeping him famous. In other words, he is famous because he’s famous. And he stays famous because the elite is using his family to push an agenda.
In 2013, I published an article entitled The Kardashian 2013 Christmas Card: A Tribute to the Illuminati Entertainment Industry, where I analyzed a highly symbolic Christmas card created by David Lachapelle – a fashion photographer who is no stranger to the MK-Ultra based entertainment industry. That Christmas card was somewhat prophetic.
Bruce Jenner, the only male in that photo, is the only one in that is not posing fashionably. Quite to the contrary, he is imprisoned in the cashier’s booth, which looks like a giant test tube.
Stuck in a what looks like a giant tube, Bruce Jenner is gazing at a statue that is wearing a gold medal – but that is also dismembered. That statue clearly represents Bruce’s past self, which was, since then, broken and symbolically dismembered. Jenner is now trapped in the tube that is show-business, like some kind of lab rat.
His daughters, who were about 15 at the time, were also depicted in a near-prophetic matter.
Since 2013, the Jenner sisters have indeed been fully integrated the Illuminati system, fully pushing ongoing agenda of sexualizing minors.
So, not unlike Keeping Up With the Kardashians, the actual lives of the Jenners are mostly scripted. Caitlyn Jenner is also part of the script.
Perfect Media Storm
After his divorce, Bruce Jenner could have silently stepped out of the spotlight and lived his new life in relative privacy. But the exact opposite happened. Caitlyn saturated all major media outlets in a carefully orchestrated media storm. Here’s what happened in the span of a few weeks.
Speaking of courage, in a rather absurd, almost forced, media move, Caitlyn Jenner will be receiving the Arthur Ashe Courage Award during the 2015 ESPY Awards in July 2015. Caitlyn’s “courage” was deemed superior to Lauren Hill, a college athlete who played basketball despite an inoperable brain tumor and who died earlier this year.
There is more: Caitlyn will be the subject of her own reality show … expect a whole lot of magazine photoshoots.
The Hidden Agenda
As stated above, Jenner’s transformation was not intimate nor personal. It was a grand, ceremonial, ritualistic event that symbolizes a change in society as a whole. An important part of the elite’s agenda is to debase, confuse and mix up the natural, harmonious order of things. It is about steering away from what is real, pure and authentic to move towards to the fake, artificial and the constructed. For this reason, there one aspect of the Agenda that is becoming increasingly apparent: The feminization of the male and the masculinization of the female. Under the guise of “empowerment”, men who act like females and females who act like men are not only accepted but celebrated. I personally do not have a problem with that. I DO have a problem with the other side of this agenda: Men who act like traditional men (and do not feel the need to apologize for it) are now portrayed as evil and wrong. And, all of a sudden, portraying a stay-at-home mom who takes pride in cooking for her family is considered “sexist”.
In other words, it is about a complete reversal of gender roles. Simply by looking at our genetic make-up and the behavior of most mammals, one can observe that males are engineered to hunt, provide and protect while females are made to “nest”, care and nurture, While modern living has made these traits less dominant, they are nevertheless part of our core being. And mass media is heavily focusing on promoting the exact opposite of this. It is about the attacking the mind with messages that conflict with our natural inclinations. If you look at what is happening right now in mass media, you have, on one side, the head of the Kardashian family putting on makeup and wearing dresses while, on the other side, you have Taylor Swift training for combat with big weapons, with a gang of tough, violent women (see the video for Bad Blood).
While Jenner is an all-American product, Europe also went through its ritualistic, transgender event.
The above image of Conchita, with the strategically placed antlers, alludes to the lesser-known, esoteric part of the Agenda. In occult secret societies, the highest stage of illumination is achieved through the internalization of duality and the equilibrium between opposing forces – good and evil, active and passive. male and female. This concept is symbolically represented by the horned, hermaphrodite god Baphomet. It is also represented in alchemical symbolism such as the Alchemical Androgyne :
Of course, the concepts above are meant to be interpreted in an esoteric and spiritual context where the human soul transcends its physical shell. However, today’s elite is bent on twisting and corrupting occult concepts, using its inherent powers for sinister purposes. Therefore the concept of equilibrium has turned into an unhealthy obsession on transgendered media pawns.
In Conclusion
The Caitlyn Jenner story was orchestrated to bring specific concepts to the forefront, notably the complete reversal of gender roles. Although the elite’s occult teaching is about complete equilibrium, they want the masses to be completely out of balance. That’s how you keep them confused and malleable.
US Intelligence : Bin Laden Read About ‘Illuminati Conspiracy Theories’ and MKULTRA
The National Intelligence recently released a list of books that were (apparently) retrieved from Bin Laden’s compound in Pakistan. He apparently enjoyed reading about the Illuminati, occultism, MKULTRA and even 9/11 conspiracy theories. Is mass media trying to associate the ‘truth movement’ with terrorism with a phony book list?
Four years after the triumphant announcement of Osama Bin Laden’s death by the US government, the Office of the Director of National Intelligence recently released a list of books allegedly found in his compound. This list of English-language books can almost be dubbe ‘conspiracy for beginners’ with titles such as Fritz Springmeier’s “Bloodlines of the Illuminati”, John Coleman’s “The Committee of 300”, the 1977 MKULTRA hearings and Manly P. Hall’s “Secret Teachings of All Ages”. Bin Laden apparently also enjoyed reading about US Foreign policy and 9/11 conspiracy theories. Here’s the full list of of books as reported by BBC.
The full list of English language books
- The 2030 Spike by Colin Mason
- A Brief Guide to Understanding Islam by IA Ibrahim
- America’s Strategic Blunders by Willard Matthias
- America’s “War on Terrorism” by Michel Chossudovsky
- Al-Qaeda’s Online Media Strategies: From Abu Reuter to Irhabi 007 by Hanna Rogan
- The Best Democracy Money Can Buy by Greg Palast
- The Best Enemy Money Can Buy by Anthony Sutton
- Black Box Voting, Ballot Tampering in the 21st Century by Bev Harris
- Bloodlines of the Illuminati by Fritz Springmeier
- Bounding the Global War on Terror by Jeffrey Record
- Checking Iran’s Nuclear Ambitions by Henry Sokolski and Patrick Clawson
- Christianity and Islam in Spain 756-1031 A.D. by CR Haines
- Civil Democratic Islam: Partners, Resources, and Strategies by Cheryl Benard
- Confessions of an Economic Hit Man by John Perkins
- Conspirators’ Hierarchy: The Committee of 300 by John Coleman
- Crossing the Rubicon by Michael Ruppert
- Fortifying Pakistan: The Role of U.S. Internal Security Assistance (only the book’s introduction) by C Christine Fair and Peter Chalk
- Guerrilla Air Defense: Antiaircraft Weapons and Techniques for Guerrilla Forces by James Crabtree
- Handbook of International Law by Anthony Aust
- Hegemony or Survival: America’s Quest for Global Dominance by Noam Chomsky
- Imperial Hubris by Michael Scheuer
- In Pursuit of Allah’s Pleasure by Asim Abdul Maajid, Esaam Ud-Deen and Naahah Ibrahim
- Killing Hope: U.S. Military and CIA Interventions since World War II by William Blum
- Military Intelligence Blunders by John Hughes-Wilson
- Project MKULTRA, the CIA’s program of research in behavioral modification. Joint hearing before the Select Committee on Intelligence and the Subcommittee on Health and Scientific Research of the Committee on Human Resources, United States Senate, Ninety-fifth Congress, first session, August 3, 1977. United States. Congress. Senate. Select Committee on Intelligence.
- Necessary Illusions: Thought Control in Democratic Societies by Noam Chomsky
- New Pearl Harbor: Disturbing Questions about the Bush Administration and 9/11 by David Ray Griffin
- New Political Religions, or Analysis of Modern Terrorism by Barry Cooper
- Obama’s Wars by Bob Woodward
- Oxford History of Modern War by Charles Townsend
- The Rise and Fall of the Great Powers by Paul Kennedy
- Rogue State: A Guide to the World’s Only Superpower by William Blum
- The Secret Teachings of All Ages by Manly Hall (1928)
- Secrets of the Federal Reserve by Eustace Mullins
- The Taking of America 1-2-3 by Richard Sprague
- Unfinished Business, U.S. Overseas Military Presence in the 21st Century by Michael O’Hanlon
- The U.S. and Vietnam 1787-1941 by Robert Hopkins Miller
- Website Claims Steve Jackson Games Foretold 9/11, article posted on ICV2.com (this file contained only a single saved web page)
The documents ‘probably used by other compound residents’
- Art Education: The Journal of National Art Education Association, “Islamic Art as an Educational Tool about the Teaching of Islam” by Fayeq S Oweiss (March 2002)
- Arabic Calligraphy Workshop by Fayeq S Oweiss
- Published Work Sample from Fayeq S Oweiss (2004)
- Resume for Fayeq S. Oweiss, PhD (2006)
- Delta Force Extreme 2 Videogame Guide
- Game Spot Videogame Guide
- Grappler’s Guide to Sports Nutrition by John Berardi and Michael Fry
- Guinness Book of World Records Children’s Edition 2008 (scans of several pages from)
- Is It the Heart You Are Asking? by Dr. Islam Sobhi al-Mazeny (suicide prevention guide)
- Silkscreening Instructions
After the release of this information, mass media newspapers (such as The Guardian) jumped on the story to ridicule “truthers” and to slyly associate them with terrorists.
Obsessed with plots to ruin America, terrified of bugs implanted in tooth fillings or women’s clothing, and secluded away from even his confidants, Osama bin Laden may not have been in the most healthy frame of mind during his years in hiding.
It should perhaps come as no surprise, then, that his personal library included conspiracy theories about the occult, the Illuminati – and even 9/11.
– The Guardian, 9/11 truthers (naturally) wary of Osama bin Laden’s conspiracy theory obsession
In the above article, The Guardian goes as far as shaming David Ray Griffin, the author of “The New Pearl Harbor: Disturbing Questions About the Bush Administration and 9/11″ because Bin Laden apparently owned that book.
The Guardian does not seem to know that US intelligence and the CIA are not exactly about journalistic accuracy. They are about propaganda and information wars. When they release “information”, it is not because they believe this information is “interesting to know”, it is because it serves a specific purpose. This entire “book” story seems completely fabricated to serve a specific purpose. Why even release this information? Is it because it serves the on-going Agenda of vilify “truth seekers” and to associate them with terrorism?
To make things even more convenient, there are no physical copies of these books – Bin Laden apparently preferred PDF e-books.
The timing of the release of this information is also strange. Why come up with this story more than four years after the death announcement? This story (along with one claiming that Bin Laden was planning another major attack) was made public only days after the release of Seymour M. Hersh’s “The Killing of Bin Laden”. In his 10,000-word article, the Pulitzer Prize winner described how the entire story behind the killing of Bin Laden was falsified by the CIA. Hersh even points out in his article that there was no “treasure trove of information” retrieved from Bin Laden’s compound.
“Despite all the talk,’ the retired official continued, there were ‘no garbage bags full of computers and storage devices. The guys just stuffed some books and papers they found in his room in their backpacks. The Seals weren’t there because they thought bin Laden was running a command centre for al-Qaida operations, as the White House would later tell the media. And they were not intelligence experts gathering information inside that house.’
(…)
Five days after the raid the Pentagon press corps was provided with a series of videotapes that were said by US officials to have been taken from a large collection the Seals had removed from the compound, along with as many as 15 computers. Snippets from one of the videos showed a solitary bin Laden looking wan and wrapped in a blanket, watching what appeared to be a video of himself on television. An unnamed official told reporters that the raid produced a ‘treasure trove … the single largest collection of senior terrorist materials ever’, which would provide vital insights into al-Qaida’s plans. The official said the material showed that bin Laden ‘remained an active leader in al-Qaida, providing strategic, operational and tactical instructions to the group … He was far from a figurehead [and] continued to direct even tactical details of the group’s management and to encourage plotting’ from what was described as a command-and-control centre in Abbottabad. ‘He was an active player, making the recent operation even more essential for our nation’s security,’ the official said. The information was so vital, he added, that the administration was setting up an inter-agency task force to process it: ‘He was not simply someone who was penning al-Qaida strategy. He was throwing operational ideas out there and he was also specifically directing other al-Qaida members.’
These claims were fabrications: there wasn’t much activity for bin Laden to exercise command and control over. The retired intelligence official said that the CIA’s internal reporting shows that since bin Laden moved to Abbottabad in 2006 only a handful of terrorist attacks could be linked to the remnants of bin Laden’s al-Qaida. ‘We were told at first,’ the retired official said, ‘that the Seals produced garbage bags of stuff and that the community is generating daily intelligence reports out of this stuff. And then we were told that the community is gathering everything together and needs to translate it. But nothing has come of it. Every single thing they have created turns out not to be true. It’s a great hoax – like the Piltdown man.’ The retired official said that most of the materials from Abbottabad were turned over to the US by the Pakistanis, who later razed the building. The ISI took responsibility for the wives and children of bin Laden, none of whom was made available to the US for questioning.
‘Why create the treasure trove story?’ the retired official said. ‘The White House had to give the impression that bin Laden was still operationally important. Otherwise, why kill him? A cover story was created – that there was a network of couriers coming and going with memory sticks and instructions. All to show that bin Laden remained important.”
– Seymour M. Hersh, The Killing of Osama Bin Laden
People often forget the fact that Bin Laden was an ex-CIA operative who was used to advance the US agenda in Afghanistan against the USSR in the 1980s. He was used again (as a boogeyman) to advance the US agenda in Afghanistan (and around the world) from 2001 to 2011.
When one considers that Bin Laden was a pawn in an international game of chess, that he might have died long before the “announced’ symbolic date of May 1st 2011 (read my article about it here) and that 9/11 was an inside job, then the truth about this “book story” becomes evident: It is a rather heavy-handed attempt to associate “truthers”, “conspiracy theorists” and anyone who questions mass media with terrorism.
Brooke Candy’s “A Study in Duality” is Actually a Study in Monarch Mind Control
Brooke Candy is an up-and-coming pop singer who is already deep inside the elite’s Agenda. Her short video “A Study in Duality” manages to contain most of the imagery relating to Illuminati mind control and the occult mindset surrounding it.
Although Brooke Candy is not yet considered to be a full-fledged pop star, all of the elements are there to make her a favorite of the elite’s music industry. On top of having all of the right connections to “make it big”, she is definitely willing to permeate her work with the Agenda required to get some of that sweet spotlight action.
Candy’s father is the CFO of Hustler magazine and CEO of Hustler Casino. Her industry ties allowed her to get signed with RCA records in 2014 and to collaborate with people deep in the Illuminati industry such as stylists Nicola Formichetti and Steven Klein (both of them shaped Lady Gaga’s image) and artists such as Nicki Minaj, Charli XCX and Azealia Banks.
The executive producer of her debut album is Sia who will also be writing songs for her. Considering the fact that Sia’s own album 1000 Forms of Fear revolves around MK symbolism (see my article about it here) and that she wrote for other MK-system stars such Rihanna, Beyonce, and Britney Spears, would you be surprised if I told you that the symbolism surrounding Brooke Candy is also MK-related? Well, don’t be. Because the material that was released after Candy’s signing with RCA is all about the Agenda.
Although it is not even a full music video, A Study in Duality manages to sum-up what Brooke Candy and the entire industry is about: Occult and MK symbolism mixed with debasing, dehumanizing imagery. The video was directed by Nicola Formichetti who worked on Lady Gaga’s videos Bad Romance, Telephone, Alejandro and Born This Way (yes, all of these videos were analyzed on this site because they were full of symbolism).
A Study in MK Symbolism
A Study in Duality fits right in the specific symbolic world of Monarch mind control. Even the concept duality, around which the video is constructed, is of the utmost importance in MK programming as its occult and psychological powers are used during the programming of slaves (if you don’t know what I’m talking about, read the article entitled Origins and Techniques of Monarch Mind Control).
In the video, the concept of duality is expressed by the juxtaposition of good girl / bad girl imagery. However, through it all, an overarching theme unites everything: The programming of an MK slave. There is no elaborate storyline behind the video, just a bunch of images that form a perfect MK tapestry. Most of the images in the video flash quickly so they are barely recognizable. So I sat there and watched the entire thing in very slow motion so I can take these screenshots. It wa a creepy experience.
In Monarch Programming, the morphing of a caterpillar into a butterfly symbolizes the complete transformation of a slave after programming.
“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.”
– Ron Patton, Project Monarch
Speaking of trauma, several images in the video allude to torture forced on MK slaves to induce dissociation.
“The charismatic branch of the satanic Network uses porcelain face programming. This is done by using wax masks upon the victim, and giving them fire torture. The person actually thinks that their face has melted. At that point, the programmer pretends to be a god & a hero, and tells the person he will give them a new face, a porcelain mask. These new faces by the way, look like the ones sold in so many stores. The memories of abuse are then hypnotically hid behind the masks.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
The video also heavily alludes to the occult, black magic side of Monarch programming.
These images are juxtaposed with “pure” and “holy” images in order to convey to concept of duality.
The video ends with a bunch of people trying very hard to look rebellious. By showing their middle finger and by spitting out beer, they are truly showing the world how marginal they are (why are they even drinking beer if they’re going to spit it out?).
Fag Mob is apparently the name of the Brooke Candy’s fan base. Yup, there is nothing more rebellious than adhering to a stupid fan base name created by a record company. Congratulations Fag Mob, you are a slightly edgier version of Justin Beiber’s “Beliebers”, Lady Gaga’s “Little Monsters”, Taylor Swift’s “Swifties” and Beyonce’s “Bey Hive”.
In Conclusion
While her debut album on a major label is yet to be released, we can already see the signs of an industry pawn. The video A Study in Duality, which is meant to be a promotional teaser of the album, is replete with the symbols of the occult elite and its dehumanizing agenda. By collaborating with industry veterans such as Nicola Formichetti, Steven Klein and Sia, Brooke Candy is sure to have that “industry-approved” image and sound that will allow her to get that sweet spotlight action she craves.
It is difficult to not compare Brooke Candy to Lady Gaga (although her fan base vehemently denies that, right after spitting beer on the floor). The fashion style is similar, the imagery is identical and her work also revolves around the Illuminati mind control agenda. This is not surprising because the same people who were behind Gaga are behind Candy. She is therefore yet another proof that artists may come and go … but the Agenda remain same.
Did a Broadcast of the National Anthem in the 1960s Contain Subliminal Messages?
A video of the US National Anthem reportedly broadcast during the 1960s was found to contain creepy subliminal messages about “obeying the government”. Is the video authentic or is it a well-crafted hoax?
Back in the good ol’ days, TV stations ended their broadcast day with a goodnight message and the national anthem, complete with a montage of patriotic images. While many of us have somewhat fond and nostalgic memories of these TV sign-offs, one Star Spangled Banner video said to be broadcast during the 1960s was apparently laced with creepy subliminal messages. Here it is :
The messages found in the video are:
TRUST THE US GOVERNMENT
GOD IS REAL GOD IS WATCHING
BELIEVE IN GOVERNMENT GOD
REBELLION WILL NOT BE TOLERATED
OBEY CONSUME OBEY CONSUME
BUY ULTRA BUY NAOMI
WORSHIP CONSUME OBEY BELIEVE
DO NOT QUESTION GOVERNMENT
The goal of subliminal perception is to flash messages on screen quickly enough to cause the subconscious mind to record them without even being perceived and analyzed by the conscious mind.
“Subliminal perception is a deliberate process created by communications technicians, by which you receive and respond to information and instructions without being consciously aware of the instructions”
– Steve Jacobson, Mind Control in the United States
Do subliminal messages actually work? Older studies claimed that they do not work, which lead the general public to dismiss the entire theory. However, recent studies found that, in some cases, subliminal perception produces conclusive results (this page contains several links to studies on the subject). One thing is for sure, the technique is still used today (see my article, Mind Control Theories and Techniques used by Mass Media,for some examples).
In the context of the national anthem video, debating whether or not subliminal messages work should not be even an issue. Discrediting the video because “subliminal messages are BS” is not a valid argument. It is the intent behind the message that counts.
Some of the phrases flashed during that video appear to be taken out of the movie They Live (see my article about it here), such as OBEY and CONSUME. While some argue that these lines are too “conspiracy-kitsch” to be taken seriously, they are the kinds of words a government bent on creating a consumer culture would use.
The words “BUY ULTRA” and “BUY NAOMI” also appear a few times. These lines appear to refer to MKULTRA and MKNAOMI, two secret CIA projects that were active at the time – but unknown to the public. MKULTRA studied mind control and MKNAOMI was about biological warfare (these projects still exist today and are infinitely more sophisticated).
Considering the social and political context of United States during the 1960s, which was characterized by Cold War paranoia, political assassinations, rebellious youth movements and dabblings with mind control – the existence of such a video is plausible. If the US government admitted to drugging and conducting horrendous experiments on thousands of people via the MKULTRA studies, why wouldn’t it attempt to manipulate minds using this powerful invention called the television?
But is there proof that this subliminal video was actually broadcast on television? Or were the messages injected by a funny-pants computer wiz in 2009 as a hoax? A few internet sites and message boards have debated these possibilities, but I have yet to come across conclusive evidence proving one side or another. Those who believe that the video is authentic cannot find another video source except a single YouTube video; those who believe that the video is a hoax often rely on arguments that are false or inconclusive.
The Original Upload
The original video was uploaded in 2009 by a YouTube user named Naomi19631963. The user provided a short description of the video – it DOES NOT mention the subliminal messaging.
I salvaged this reel of film from a TV station that used to sign of with it during the 1960s.
The uploader later posted a comment stating that the video was salvaged from Alabama and that it was probably broadcast in several states. The uploader did not post anything else, ever.
It is only about two years after the original upload that someone discovered the subliminal messages. The video was then mentioned on larger websites, such as Infowars in 2013. In all of the discussions, many claim that the video is “fake” or “doctored” using arguments that are sometimes valid, but sometimes false. Here are some of these arguments.
The Uploader’s Name
The username of the uploader is Naomi19631963. Coincidentally enough, a subliminal line from the video is “BUY NAOMI”. This is perceived as proof that the original uploader knew about the messages (and maybe inserted the messages themselves), but wanted to go for the “found by accident” effect. This is indeed a possibility, but it is not conclusive proof that the video is “fake”. According to the YouTuber who first posted a slowed down version of the video :
the original uploader is not a regular youtuber, but salvaged this from an old reel he found in Alabama (see his comment). The old reel probably had written on it somewhere “NAOMI 1963” or something similar, and when he uploaded it onto youtube, he simply used that as his youtube name. He never once indicated he was aware of anything out of the ordinary in this film.
The name of the original uploader is therefore indeed suspicious, but it is not proof that the video is fake.
Was This National Anthem Ever Broadcast?
Others who claim the video is a hoax argue that this sign-off video either never actually existed, that it was created from scratch, or that the on-screen text was added by the hoaxer. All of these claims are false. This national anthem video was indeed broadcast on television for several years. The site Fuzzy Memories currently hosts at least two sign-off videos from the 1980’s (recorded from the Chicago TV station WMAQ Channel 5) that end with this same national anthem. There is however one important difference : There are no subliminal messages. (This one is from 1981).
This has lead deniers to claim that the hoaxer used this 1981 video as a source to add subliminal messages using computer software. A simple comparison of both videos however reveals that this is impossible, for a couple of reasons. First, the “subliminal” video has a wider field of view than the 1981 version.
Another important difference is the color of the text and the shadow underneath the text. In the 1981 version, the text is yellow and the shadow projects at the top-left of the letters. On the subliminal video, the shadow goes towards the bottom right. This not only demonstrates that the 1981 was not the source of the hoax, but that at least two totally different versions of the same national anthem video were created. The 1981 version was formatted for TV screens with a 4:3 aspect ratio. The text was redone in yellow – and without the subliminal messages. Is it possible that the subliminal messages were removed from the 1980’s “refresh” of the anthem due to the advent of VCRs, which gave viewers the opportunity to record TV footage … and discover the hidden messages?
The Font
Those claiming hoax state that the font used for the subliminal lines is different from the main lyrics. After some detective work and NCIS-style computer enhancing, I found that some letters in the subliminal lines were indeed different from the anthem lyrics.
Does this prove that the video is a hoax? Not really. Before the advent of computer graphics, text was overlaid on video footage by hand using green screens. The sequences were then shot in stop motion, frame by frame, as technicians moved objects around after each shot. Under intense scrutiny, it is therefore easy to find differences and inconsistencies in text found on older films. If one closely observes the letters for the national anthem lyrics, some differences can also be noted.
If one overlooks these differences, one must admit that the text of the subliminal message blends perfectly with the words of the national anthem. If a hoaxer added these words using computer software such as After Effects, this person did an amazing job to make the added text look as “old” as the original text. The subliminal text is not crisper or more “digital” as the the anthem lyrics. The subliminal text has the exact same amount of “blurriness” due to the age of the video. Furthermore, if you look at the word “real” on the above image, the alleged hoaxer even took the the time to misalign some letters to add an old-school, “manual” effect to it all. If the hoaxer had such amazing computer skills, didn’t he have the tools to exactly replicate the original font?
In Conclusion
There is still not enough data to prove that the video is authentic, but there is also not enough data to prove that it is a hoax. However, the observations in this article allows us to advance several important facts. First, the uploader of the subliminal anthem (whether it is a hoax or not) had access to a video that was never seen online before. Since it does not appear to be recorded using a VCR, it is most likely an actual film reel that has been digitized. Second, there are at least two different versions of this national anthem video. The version broadcast in the 1980s had the same video footage, but differently formatted text. Third, some letters in the subliminal messages differ from those in the national anthem lyrics. However, the overall texture and disposition of the words in the subliminal messages are consistent with 1960’s video-editing techniques.
So, in order to truly get to the bottom of this story, we need to see another video source of the subliminal video. It might be sitting in a library or an archive somewhere, waiting to be discovered. I am therefore calling on vigilant citizens across the US (especially around Alabama) to look for additional copies or versions of this video. It will either allow us to put an end to a clever hoax … or to shine a light on an important piece of secret American history.
Bizarre “Masonic Police Force” Uncovered in Los Angeles
Claiming to be descendants of the Knights Templar, the Masonic Fraternal Police Department vowed to “protect Masonic Grandmasters” across 33 states.
Three California residents were arrested on April 30th on suspicion of impersonating a police officer and were released later that day. Claiming to be the “oldest police force in the world”, the Masonic Fraternal Police Department claimed jurisdiction across 33 states (coincidentally, 33 is the holiest number in Masonic symbolism).
The rogue force was very well-supplied.Officials found badges, weapons, uniforms, law enforcement paraphernalia and even police vehicles after searching two unnamed locations.
The Chief of the Masonic Police is David Henry – a high ranking Freemason. According to the police force’s website, Henry is an “Absolute Supreme Sovereign Grandmaster 32° 33° X°”, meaning that he obtained the highest obtainable Degree on the Masonic ladder. Therefore, despite the news portraying the trio as three lunatics acting as cops, there is some actual power and influence behind the Masonic police force.
According to some sources, Henry is also an Emmy-award winning producer.
“Henry, 46, reportedly won an Emmy in 2002 for his work as a producer on a Fox11 story. He also co-produced a documentary with Hayes several years later about a longtime civil rights leader, the Los Angeles Sentinel newspaper reported in 2007.”
– Daily Mail, An Emmy-winning producer and a top government aide who wanted to be a US Senator – but are any more of the LA elite in the ‘Masonic Police’?
David Henry ran the Police force with his son-in-law Brandon Kiel who is a Masonic 33rd Degree “grand high priest”. In a 2014 video, David Henry announced to his Masonic lodge that Kiel plans to run for the U.S. Senate in the 2016 elections.
Kiel worked for the department of Justice since 2013 as an aide to state Attorney General Kamala Harris. He has been placed on paid leave since April 30th.
The police force’s strange website claims that Henry oversees 33 Masonic jurisdictions, including Fraternities, Sororities and Greek Organizations (yes, there is a link between school Fraternities and secret societies).
The Masonic Fraternal Organization is the oldest and most respected organization in the “World.” Grand Masters around the various states are facing serious safety concerns for their Jurisdictions and their family members. The first Police Department was created by the “Knights Templar’s” back in 1100 B.C.
The Masonic Fraternal Police Department, (M.F.P.D.) is the Knights Templar’s!
When asked what is the difference between The Masonic Fraternal Police Department and other Police Departments the answer is simple for us. We were here first! We are born into this Organization our bloodlines go deeper then an application. This is more then a job it is an obligation.
The Masonic Fraternal Police Department (M.F.P.D.) is a Masonic Sovereign Jurisdiction (Municipality) located within the incorporated City of Santa Clarita, California. The Chief of Police is Honorable Grand Master David Henry 33º was elected and is Governed by a Grand Supreme Council, and 33 Masonic Jurisdictions. He currently oversees a 1/2 Million members throughout the United States.
We are not “Sovereign Citizens’ nor do we condone terrorist activity, sovereign citizens or clandestine!
The Masonic Fraternal Police Department (M.F.P.D.) provides services to Masonic Sovereign Grand Masters and their Masonic Jurisdictions, as well as other Fraternities, Sororities and Greek Organizations. Masonic Fraternal Police Department will be located in 33 other states, including Mexico City. We support all law enforcement agencies. Our mission is to preserve the integrity, honor and legacy of our Founding Fathers, Masonic Organizations, all Grand Masters and their Constitution /By Laws. We will uphold our sworn obligation to protect Sovereign Grand Masters and their jurisdictions.
Authorities began investigating the Masonic Police Force after Henry contacted sheriffs across the State of California requesting meetings, claiming to be “able to acquire intel that is not accessible to non-fraternal entities”.
Authorities say that the investigation began when letters were sent out to police chiefs in California announcing new leadership in the group. Kiel was described as ‘Chief Deputy Director.’
The letter claims there are 5,686 lodges and that the department ‘will be able to acquire intel that is not accessible to non-fraternal entities.’ It said one aim of the department was to restore public trust.
Phone calls were also made asking to set up in-person meetings with police.
Sheriff’s Capt. Roosevelt Johnson, who leads the department’s Santa Clarita Valley station, met up with the group and raised the alarm when they could not answer basic questions about the organization.
The suspects were unable to properly explain what their jurisdiction or mission was, police said.
– Op Cit. Daily Mail.
While impersonating a police agent is a rather grave offense, I do not believe that this Masonic trio will be punished to the fullest extent of the law. Since the creation of the United States (and across the world), there has been a strong connection between the police force and Freemasonry. Active Masons have the duty of protecting their brethren no matter the situation. Here are badges used to identify Masonic police officers and sheriffs.
In short, the actual police force is a Masonic police force. There is therefore no need for a Masonic Police Force.
Symbolic Pics of the Month (05/15)
In this edition of SPOTM : Madonna, Lindsay Lohan, Azelia Banks and a bunch of other sorry people ready for anything to stay in the spotlight.
Special thanks to everyone who sent in pics!
Three Foods From Ancient Times With Miraculous Benefits
Consumed for thousands of years in various parts of the world, these three simple foods were revered by ancient civilizations for their healing powers. Today, modern science is proving these civilizations right, yet they are still relatively unknown in the Western world. Here are three foods you need to know about.
Being a Vigilant Citizen is not only about being aware of what goes into your mind, it is also about being aware of what enters your body. If your body is fueled with toxic garbage, your brain will also run on toxic garbage. And when your brain runs on toxic garbage, it becomes slow, cloudy, and enjoys listening to Pitbull.
The three foods in this article have been revered for thousands of years for their incredible healing proprieties and modern science is slowly confirming these ancient claims. Not only can these foods cure ailments, they can be used as supplements to improve the immune system, brain function, and general well-being.
Ancient civilizations did not praise these foods for the heck of it. They observed, for thousands of years, the various effects these foods had on the mind, the body, and even the soul. Ancients were so in awe of their proprieties that they obtained special statues: They were perceived as gifts from above, they were celebrated in ceremonies, and Kings were buried with them. So, without further ado, here are three ancient foods you need to know about right now.
Zaatar
When I was a snotty little kid running around the house getting hungry, I used to go up to my mother, interrupt whatever she was doing, and demand food. And, very often, I got the same snack: Zaatar mixed with olive oil inside a pita bread (that’s what you get when your parents are from Lebanon). As I got older, I understood why I was given this wrap all the time. First, it took about 30 seconds to make; second, it’s the cheapest lunch in the history of the world (it costs about 26 cents to make); third, it tastes pretty good. Finally, it is a natural, wholesome food that is packed with important nutrients.
Zaatar is a mix of spices that is mainly consumed in the Middle East. While each region has its trademark take on it, zaatar usually consists of the same basic ingredients: Dried thyme, oregano, marjoram, sumac, toasted sesame seeds, and salt.
Zaatar has been part of the Mediterranean diet for thousands of years. It was consumed in Ancient Egypt and, throughout history, has remained a staple credited with various healing properties.
There is evidence that a za’atar plant was known and used in Ancient Egypt, though its ancient name has yet to be determined with certainty. Remains of thymbra spicata, one variety used in modern za’atar preparations, were found in the tomb of Tutankhamun, and according to Dioscorides, this particular species was known to the Ancient Egyptians as saem.
Pliny the Elder mentions an herb maron as an ingredient of the Regale Unguentum (“Royal Perfume”) used by the Parthian kings in the 1st century CE.
In Jewish tradition, Saadiah, Ibn Ezra (d. circa 1164), Maimonides (1135–1204) and Obadiah ben Abraham (1465–1515) identified the ezov mentioned in the Hebrew Bible with the Arabic word “za’atar”. Ezov/za’atar is particularly associated with ritual purity ceremonies, such as preparing the ashes of the Red Heifer (Numbers 19:6) and handling bodily contaminations (Leviticus 14:4, 6, 51-52; Numbers 20:18).
– Lise Manniche. An ancient Egyptian herbalist
As stated above, the renowned 12th-century philosopher, astronomer, and physician Maimonides was a big fan of zaatar. He regularly prescribed it to his patients to cure various ailments and to “open the mind”. Recent studies all tend to confirm these claims, as zaatar has proved to be a powerful antiseptic (it kills nasty things in your body) and a potent “brain food”. Here are some of the properties of each ingredient found in zaatar.
Sumac Health Benefits
Sumac is rich in gallic acid, which research suggests has anti-fungal, anti-viral, and cancer-fighting properties, and quercetin, which also seems to an anti-inflammatory agent effective against cancer.
A 2009 study also suggested that sumac can protect DNA from errors during cell reproduction in animals, though research on human cells was inconclusive.
Thyme and Oregano Health Benefits
Thyme and oregano are both rich in thymol and carvacrol, similar organic compounds called phenols that have antiseptic and antimicrobial properties. Like gallic acid, they are also effective in suppressing funguses and other microorganisms.
A 2010 study found that thymol and carvacrol can weaken drug-resistant strains of disease-causing bacteria like Salmonella and Staphylococcus aureus, making the microbes more susceptible to antibiotics.
In lab tests, the antioxidants in thyme were even powerful enough to fight off acne-causing bacteria.
A fluid extract of thyme also helped patients with acute bronchitis and phlegmy coughing fits minimize their respiratory symptoms — which, as The Salt notes, echoes Maimonides’ prescription of za’atar to treat colds.
Brain-Boosting Za’atar?
In certain parts of the Middle East, folk tradition suggests that za’atar has brain-boosting properties – The Salt recounts that Syrian children are often encouraged to sprinkle the spice mix on meals before exams.
Scientific literature on the health benefits of za’atar herbs like thyme, oregano, and sumac for human intelligence is minimal, though some researchers are beginning to speculate that the carvacrol, the phenol found in thyme and oregano, may have cognitive and mood-enhancing properties, at least in rodents.
A 2011 study found that in mice, specific doses of an oregano extract elevated levels of serotonin, a vital brain neurotransmitter involved in regulating mood, learning, sleep, and appetite, working like a low-impact version of the selective serotonin reuptake inhibitor (SSRI) drugs that are commonly prescribed as antidepressants in humans.
Another study published last month showed that when fed to rats, steady low doses of carvacrol can boost levels of serotonin and dopamine, which is also involved in mood, learning, and feelings of reward, possibly increasing feelings of well-being and reinforcing other positive brain processes.
Finally, a 2012 study found that in rats, thymol and carvacrol helped alleviate some symptoms of dementia caused by beta-amyloid, a protein linked to Alzheimer’s disease. When dosed with the compounds before being placed in a water maze, cognitively impaired rats learned how to navigate the labyrinth more quickly than expected.
Let’s forget about rats eating zaatar for a second and focus on the great minds who were fueled by it instead. If zaatar was good enough for Egyptian pharaohs, the Bible, and renowned philosophers, it is probably good enough for you.
How to get and consume zaatar
Zaatar can be found in most markets selling products from the Middle East. You can also order it online through Amazon – this one is pretty authentic.
You can also buy each spice that makes zaatar separately and create your blend.
Zaatar can be sprinkled on dairy products, vegetables, and meats to add flavor. However, it is at its best when mixed with its longtime partner: Olive oil.
Black Seed Oil (aka Nigella Sativa Oil)
Although black seed oil has been praised for thousands of years for its incredible healing properties, it gets little to no love in the Western world. However, scientific research is shedding light on this seed’s awesome powers and is gradually confirming what ancient cultures claimed for thousands of years: Black seed oil is a miracle worker. Considered to be an “elixir of life” and the “most powerful oil in the world”, black seed oil built its reputation over thousands of years of use across various cultures.
Black Cumin Seed (Nigella Sativa) oil has been used in traditional medicine since the beginning of civilization. It was called Panacea (which roughly translates to ‘cure-all’) in Ancient Egypt; it was found in the tomb of King Tut and it is said that Cleopatra used it as a beauty treatment. Hippocrates, the famous Greek physician, used it to cure digestive and metabolic disorders. The Prophet Muhammad called it “a remedy for every illness except death.”
The oil has also been recommended by practitioners of Ayurveda and Chinese Traditional Medicine for thousands of years for conditions from diabetes to indigestion to cancer. In recent years, it has been put to the test of modern science and several studies confirm its long reported health benefits.
– Natural Living Idea, “Black Cumin Seed Oil: The Most Powerful Oil In The World?”
Black seed oil has been used by ancient cultures to cure and prevent pretty much anything – from common colds to life-threatening cancers. Science is now confirming these claims.
Nigella Sativa has been involved in hundreds of studies regarding health, and particularly cancer treatment and prevention. One of its active ingredients, Thymoquinone, has been found to be particularly effective in reducing the size of existing tumors. In studies on rats and humans, researchers found that Black Cumin Seed Oil:
- Inhibited tumor growth by up to 50%
- Increased the growth of healthy bone marrow cells by 250%
- Helps to protect the body against damage from chemotherapy and radiation
- Has strong anti-bacterial and anti-inflammatory properties
- Aides in the production of natural interferon
- Can even deactivate or kill certain types of cancer cells
– Ibid.
Although that is pretty impressive, black seed oil is most useful when it is consumed daily to improve health and prevent illnesses from even appearing. The “magic” ingredient in black seed oil is called crystalline nigellone, a compound that is relatively rare in nature and difficult to synthesize. Black seed oil also contains Beta Sitosterol, Calcium, Copper, Folic Acid, Iron, Oleic, Linoleic, Linelenic Acids (Omegas 3 & 6), Palmitol, Phosphorous, Protein, Stearic Acid, Thymoquinone, Vitmins B1, B2 & B and Zinc. All of these ingredients contribute to maintaining optimal health.
Overall, the greatest benefit of Black Cumin Seed is its effect on the immune system and metabolism – which, in turn, supports all the functions of the body. The active compounds in the oil have been proven to fight several diseases by naturally boosting the body’s production of immune cells, bone marrow, and natural interferon. It also protects the liver (your body’s filtering system) from toxicity. Even for people in the best health, regular supplementation with Black Cumin Seed Oil can greatly increase their overall sense of health and well-being.
Some of the many conditions successfully treated with regular ingestion of Black Cumin Oil, over an extended period of time (6 months or more), include:
Allergies and Sinusitis
Anxiety and Nervous Tension
Bronchitis
Colds and Flus
Colic (babies)
Diabetes
Diarrhea, Indigestion and Heartburn
Hair Loss
Headaches and Migraines
High Blood Pressure
Insomnia
Intestinal Parasites
Lethargy and Depression
– Ibid.
How to Get and Consume Black Seed Oil
Black seed oil can be found in markets specializing in Mediterranean and North African products. It is however rather difficult to find in some areas. For this reason, I found it easier to order the oil online – this brand is one of the most authentic.
No matter what brand you buy, make sure the oil is 100% pure, cold pressed and its color resembles dark honey. Oils that are too light (like vegetable oil) might have had important nutrients filtered out.
For general well-being, it is recommended to take one teaspoon of oil in the morning, one hour before breakfast. For therapeutic purposes (if you’re sick) a second teaspoon in the evening is recommended. The taste is somewhat nasty, but you’ll eventually get used to it. After about a week of using this magical oil, you’ll feel a noticeable boost of energy and you’ll feel pretty sharp. If you don’t believe me, go back in time and ask King Tut, Cleopatra, and Hippocrates. They’ll tell you.
Turmeric Powder
Turmeric powder is a staple in Indian cuisine and is often found in curry-based recipes. Although it is relatively easy to find in supermarkets, most Westerners are not taking advantage of this spice’s incredible healing powers. This situation is unfortunate because turmeric is a potent antidote to the many ills resulting from our modern lifestyle characterized by poor diet, contact with toxic chemicals, and heavy pollution.
The most well known medicinal action of turmeric is its use as a powerful anti-inflammatory, the effectiveness of which is comparable to pharmaceutical medicines. However, it also acts as an alternative, analgesic, antibacterial, anti-inflammatory, anti-tumor, anti-allergic, anti-oxidant, antiseptic, antispasmodic, astringent, carminative, cholagogue, digestive, diuretic, stimulant, and vulnerary . Modern science is beginning to recognize and understand the amazing healing qualities of turmeric and much research is currently being conducted.
– Lisa Gallant, Turmeric : “The Golden Goddess”
There is nothing new about the usage of turmeric – its healing powers have been known since the dawn of civilization. Turmeric has been used for centuries in Ayurveda, the 5,000-year-old natural healing system of India. In Ayurveda, turmeric is believed to balance the three doshas, the three bodily humors that makeup one’s constitution (named vata, pitta, and kapha).
It was around 500 BCE that turmeric emerged as an important part of Ayurvedic medicine. Ayurveda is an ancient Indian system of natural healing that is still practiced today. Ayurveda translates to “science of life”– ayur meaning “life” and veda meaning “science or knowledge.” Inhaling fumes from burning turmeric was said to alleviate congestion, turmeric juice aided with the healing of wounds and bruises, and turmeric paste was applied to all sorts of skin conditions – from smallpox and chicken pox to blemishes and shingles. Ayurvedic literature contains over 100 different terms for turmeric, including jayanti, meaning “one who is victorious over diseases,” and matrimanika, meaning “as beautiful as moonlight.”
In Indian culture, the importance of turmeric goes far beyond medicine. The Hindu religion sees turmeric as auspicious and sacred. There is a wedding day tradition in which a string, dyed yellow with turmeric paste, is tied around the bride’s neck by her groom. This necklace, known as a mangala sutra, indicates that the woman is married and capable of running a household. The tradition still continues in Hindu communities and has been compared to the Western exchange of wedding rings. In parts of southern India, a piece of the turmeric rhizome is worn as an amulet for protection against evil spirits.
– Lisa Gallant, “Turmeric, the Golden Goddess”
In India, turmeric has been used traditionally for thousands of years as a remedy for stomach and liver ailments, as well as topically to heal sores, basically for its supposed antimicrobial property. In the Siddha system (since around 1900 BCE) turmeric was a medicine for a range of diseases and conditions, including those of the skin, pulmonary, and gastrointestinal systems, aches, pains, wounds, sprains, and liver disorders. A fresh juice is commonly used in many skin conditions, including eczema, chicken pox, shingles, allergy, and scabies
– Siri-Ved Kaur Khalsa, “Turmeric, the Golden Healer”
Recent studies are not only confirming what the Ancients believed about turmeric, but they are also discovering several applications for modern ailments. Here’s a quick summary of the properties attributed to turmeric by modern science.
- A Potent, Yet Safe Anti-Inflammatory
- An Effective Treatment for Inflammatory Bowel Disease
- Relief for Rheumatoid Arthritis
- Help for Cystic Fibrosis Sufferers
- Cancer Prevention
- Inhibits Cancer Cell Growth and Metastases
- Turmeric and Onions May Help Prevent Colon Cancer
- Turmeric Teams Up with Cauliflower to Halt Prostate Cancer
- Reduce Risk of Childhood Leukemia
- Improved Liver Function
- Cardiovascular Protection
- Lowers Cholesterol
- Protection against Alzheimer’s Disease
– whfoods.com, Turmeric
Yup, that’s a pretty hefty list … and the research has barely started.
How to Get and Consume Turmeric
Due to the surge in popularity of Indian food, most supermarkets now carry turmeric powder. If you live close to a market selling Southeast Asian products, you can probably buy a bucketful of the spice for about a nickel. You can also order it only through sites like Amazon – this one is pretty good.
Turmeric can be consumed in a variety of ways, but, due to its peculiar taste, I do not suggest adding it where it doesn’t belong. Turmeric is right at home in soups, curries, or tossed with rice and vegetables. Make sure to add black pepper to your recipes as it is known to improve the bioavailability of turmeric, making it even more effective. You can also simmer turmeric with honey, ginger, and lemon to make the world’s healthiest beverage.
In Conclusion
Zaatar, black seed oil, and turmeric powder were considered to be true miracle workers by ancient civilizations for millennia because, like miracle workers, they have the power to heal. They also improve general health by cleansing the body, sharpening the mind, and nourishing the soul. Unfortunately, instead of benefiting from these affordable gifts from nature, many resort to swallowing pills made by profit-driven pharmaceutical companies to feel better.
Some of the pills sold on TV have horrible side effects such as “suicidal thoughts”. If a pill makes your brain want to kill itself as a “side effect”, maybe it’s a sign from the universe that you should not be taking this pill. The side effects of the three foods in this article? You feel better and you’re in a better mood. That’s the universe telling you that you should eat these foods … and thousands of years of experience, wisdom, and knowledge agree.
The Disturbing Message Behind Sia’s Videos “Chandelier”, “Elastic Heart” and “Big Girls Cry”
Sia’s video trilogy, “Chandelier”, Elastic Heart”, and “Big Girls Cry”, all feature the young dancer Maddie Ziegler performing elaborate choreography. A deeper look at the symbolism in these videos reveals the disturbing story of a young girl’s abuse inside the elite’s system of mind control.
While she only obtained mainstream success in 2014, Sia has been hard at work in the music industry for years. In addition to her own six studio albums, Sia has written hit songs for the world’s biggest pop stars including Beyonce, Rihanna, Britney Spears and Rita Ora. If you’re a reader of Vigilant Citizen, you already know that ALL of these artists have been mentioned on this site because they have all been used to push the elite’s Agenda at some point or another in their careers. Sia is, therefore, not a stranger to the higher ups of the music industry and the messages it wants to perpetuate.
The imagery associated with Sia’s sixth album 1000 Forms of Fear is right in line with the elite’s ongoing Agenda, which includes the sexualization of children, the normalization of ritual abuse, and the promotion of mind control. While these are strong words to describe videos of a young girl dancing while wearing a wig, the plethora of symbols surrounding the video trilogy strongly points in that direction.
The album cover features the blond wig worn by Sia and Maddie Ziegler.
This blond wig represents the concept of alter persona. The creation of alter personas is the main goal of Monarch mind control (if you don’t know what I am referring to, read this article first) and, coincidentally, products of Beta Kitten programming are often made to wear blond wigs. In the videos, this wig is worn by Maddie Ziegler, who is a typical child star raised by a twisted industry.
Maddie Ziegler
Maddie Ziegler began dancing at the age of 2 and, at age 8, appeared on Dance Moms, a “reality TV” show that I will never watch because it would probably cause me severe nausea and intense chest pain. I have come across a few screenshots from the show and … they gave me severe nausea and intense chest pain. The show is one is yet another excuse to dress young girls in slutty outfits and putting them on TV.
Ziegler has also appeared in a few Disney TV shows (the ultimate launch pad of screw up child stars). Today, at age 12, things are getting out of hand.
Maddie Ziegler is yet another example of a child star who grew up in an industry ruled by sick people who prey on the innocence of children. Sia’s videos symbolically describe the dark side of this entire system. Let’s look at the videos.
Chandelier
If one listens to Chandelier without watching the video, it appears to be about a girl who parties and gets drunk in order to keep sadness and desperation at bay.
Party girls don’t get hurt
Can’t feel anything, when will I learn
I push it down, push it downI’m the one “for a good time call”
Phone’s blowin’ up, they’re ringin’ my doorbell
I feel the love, feel the love1, 2, 3 1, 2, 3 drink
1, 2, 3 1, 2, 3 drink
1, 2, 3 1, 2, 3 drinkThrow ’em back, till I lose count
Some parts of the lyrics indicate that the “one for a good time call” might actually be in the “pleasure for men” industry. She “parties” (works) all night, but she actually feels miserable. She gets wasted to become blind to the truth and numb from the pain.
But I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
On for tonight
However, at the end of the night, the sun sheds light on the harshness of her reality.
Sun is up, I’m a mess
Gotta get out now, gotta run from this
Here comes the shame, here comes the shame
While the song might have heavy implications that can be interpreted in several ways, the video adds an even more disturbing dimension by featuring a 12-year-old girl in a skin-colored spandex suit dancing ecstatically to it. The video plunges the song into the dark world of mind control, where abandoned children deal with trauma, abuse, and multiple personalities.
The video features Maddie Ziegler dancing inside a grimy and abandoned apartment with strange drawings (apparently drawn by her) hanging on the wall.
The video ends with a shot of Maddie standing in the doorway while the image blurs, making it appear as if she is wearing nothing (I won’t even post a screenshot of this). This probably pleased child lovers watching the video. Elastic Heart goes even further.
Elastic Heart
Featuring a near-naked Shia Labeouf wrestling with Maddie Ziegler inside a cage, the Elastic Heart video sparked some mass media controversy due to its pedophile undertones. This even prompted Sia to apologize on Twitter.
It is interesting that Sia “anticipated” the “cries”, but went with it anyway. This is not the kind of subject to take lightly, especially considering the fact that countless people have been traumatized by it.
It is also interesting that Sia felt that Shia Labeouf was the only dancer who plays that role in her video. As I stated my article What is Happening to Shia Labeouf, Shia has been involved, in several ways, in the disturbing world of MK, including growing up as Disney child star. Recently, he was the star of the video Fjögur Píanó, which was clearly about Monarch programming (see my article about it here) and over the past years, he has displayed the kind of erratic behavior that is typical of MK slaves. In an interview with Interview Magazine, Shia described the difficult relationship with his father by using terms that can also be applied to mind control handlers.
He’s the marionette puppeteer. My dad is the key to most of my base emotions. My greatest and my worst memories are with my father, all my major trauma and major celebration came from him. It’s a negative gift. (…) But we’ve got something going on between us that’s really valuable to me right now, more valuable to me than having a father. And I financially support his whole lifestyle. I pay him to be my marionette puppeteer.
– Interview Magazine, “Shia LaBeouf”
So, yes, I suppose Shia is the right person to play a role in a trilogy that revolves around mind control. Is Shia playing the role of his own manipulative father in the video? Is he a predatory abuser? Do the dancers represent warring states in Sia’s head? Maybe all of the above.
Maddie reacts to the “advances” (for lack of a better word) by acting like an animal, biting Shia’s hand and roaring at him, as if she knew what was coming. However, Maddie warms up to Shia and gets close to him. Sometimes children don’t know the boundary between love and abuse.
This video featuring two lost souls in a strange setting with disturbing undertones ends sadly.
While it is difficult to exactly pinpoint what went on in Elastic Heart, the Big Girls Cry video is obvious … for those “in the know”.
Big Girls Cry
While the song is about “big girls” being heartbroken, the video features a little girl for three and a half minutes. During that time, the girl played again by Maggie Ziegler, performs all kinds of facial expressions that end up telling a story. And, she does indeed mimic the abuse and trauma suffered by an MK slave. When one understands what this is truly about, the video is actually quite clear, even blatant.
The video ends with the final product of the traumatizing and dehumanizing process of mind control.
In Conclusion
Sia’s video trilogy tells a story that is dark and disturbing. It will, however, remain a mystery to most viewers because most of them say “Wow, that’s so creative and artistic” without truly understanding what it is about. The videos all star Maddie Ziegler, a child performer that is sadly becoming another face of the mass media’s obsession with child exploitation.
Each video in the trilogy describes a different aspect of mind control, creating a disturbing narrative. Chandelier depicts a child that was visibly abandoned in a disgusting place, surrounded with images alluding her alter persona; Elastic Heart portrays a conflictual relationship with some kind of father figure with an underlying theme of child abuse and Big Girls Cry sums up the process of mind control using hand gestures and expressive faces.
While this imagery is absorbed by the viewers, powerful music plays in the background, causing an emotional connection with what is happening. In the end, the videos serve the ultimate purpose of the elite’s entertainment industry: To normalize their sick obsessions (child abuse, exploitation and mind control) and to make them part of popular culture. While the masses dance to songs they don’t truly understand, the true victims of the system are still ignored by the public as they are locked into a powerful system and subjected to …1,000 forms of fear.
Perfume’s “Pick Me Up” Brings Illuminati Mind Control Symbolism to Japan
J-Pop is a force to be reckoned with in Asia and, like all major musical markets, it is not exempt from the occult elite’s Agenda. Perfume’s “Pick Me Up” is all about Illuminati symbolism and the elite’s favorite theme: Portraying artists as mind controlled slaves.
In the span of a few years, I published several articles on K-Pop (Korean pop) and J-Pop (Japanese pop) music videos as they are intensively used to propagate the elite Agenda in Asia. Perfume is a Japanese girl-band that has been pushing that Agenda for years (I wrote about how they were all about that one-eye sign in 2011 and about how they promoted transhumanism in 2012). Perfume is now back and is more blatant and ever. Pick Me Up has indeed all of the elements of a typical Illuminati narrative and, as usual, they are concealed behind a fake premise.
For the unsuspecting viewer, the video of Pick Me Up appears to be about a timeless philosophical theme … shopping. The video indeed begins with the girls walking around while holding shopping bags and whatnot. Then, things get weird. While most YouTube comments say “Wow, that was so creative”, the truth is that there’s nothing creative about Pick Me Up. It is yet another video as portraying pop stars mind controlled slaves who are coerced into saluting their oppressors. (If you never heard of Monarch mind control, read this first).
Let’s look at the video.
Pick Me Up
As stated above, the video begins with the members of Perfume walking in Tokyo at exactly 23:59 pm. Something is about to change – a brand new day is literally upon them. As they walk by a clothing store with male mannequins on display, we realize that the mannequins are actually alive and are creepily watching the girls.
The girls then see strange things happening around them. They are then lifted from the ground.
The above scene represents the girls in the process of dissociating from reality. MK slaves in a state of dissociation are said to feel weightlessness as if floating on air. The hypnotic pattern in the background highlights the fact that this is a psychological process happening in their heads.
The girls then find themselves in an alternate world – which represents their psyche in a state of dissociation. There, we see Perfume posing as lifeless mannequins, trapped behind an invisible window.
During their stay in the world of dissociation, we see several images representing their state of Illuminati slaves.
This, of course, is a reference to the ultimate Illuminati symbol, the All-Seeing eye inside a triangle.
We also see images relating to the mental state of MK slaves.
Escher’s gift for creating images that confuse the brain have been exploited by MK handlers to program MK slaves.
“The art work of the European artist M.C. Escher is exceptionally well suited for programming purposes. For instance, in his 1947 drawing “Another World”, the rear plane in the center serves as a wall in relation to the horizon, a floor in connection with the view through the top opening and a ceiling in regards to the view up towards the starry sky. Reversals, mirror images, illusion, and many other qualities appear in Escher’s art work which make all 76 of his major works excellent for programming.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
After dwelling in the world of dissociation for a while, the girls complete their programming and their alter-persona gets activated.
The core and the alter persona run together in order to escape creepy mannequins dressed as shady men.
Seeing that the mannequin-men are closing in on them, the core and alter personas have no choice but to jump into the void. This symbolically represents the MK handler pushing the slaves towards the completion of the programming.
By jumping into the void with the alter persona, the core completes programming. The activated alter is now a real entity that can be triggered by the handler.
Back in the real world, the girls notice they have new shopping bags. Because … oh right … that video was about shopping.
In Conclusion
Perfume’s Pick Me Up is more proof that the repetitive pattern of MK imagery found in music videos is a worldwide phenomenon that transcends musical genres and cultures. It is proof that a single, powerful elite is in control of the music industry across the world and forces its symbolism upon it. This shouldn’t be a surprise as all music labels with distribution means are owned by a handful of mega-conglomerates that control mass media outlets. For instance, Perfume is signed with Universal Music group (the largest music corporation in the world), which is owned by Vivendi SA, one of the five conglomerates controlling the entire entertainment industry.
So, as long as these people are in charge, the music industry will be populated with puppets who have no control over their creations and forced to propagate the elite’s agenda. While there are artists who have the fortitude of resisting to the temptation of “selling out”, there will always be desperate artists who will look up to the music industry giants, begging them one single thing: “Pick me up”.
How Tom Cruise and John Travolta are Controlled by Scientology According to New Documentary
The documentary ‘Going Clear’ reveals to what extent Tom Cruise and John Travolta are controlled by Scientology. Most importantly, it provides a glimpse at the dark side of the occult elite’s “show business” system.
Before airing the two hour documentary Going Clear : Scientology and the Prison of Belief, HBO hired 160 lawyers to fight against the church’s vicious and litigious ways. Considering the contents of the documentary, it is understandable. Going Clear explores the world of Scientology which combines pseudo-religion, pseudo-esoterica, indecent amounts of cash and lots of Hollywood star-power to form one big, powerful, tax-exempt absurdity. The documentary explains how the church’s Hollywood stars are pawns to its grand scheme, how those who go against it are blackmailed and even how “Scientology-approved” wives are groomed to be in a relationship with Scientology stars.
John Travolta and Tom Cruise are the two biggest stars associated with Scientology. Coincidentally enough, they both became extremely weird as the years went by.
John Travolta
The first superstar spokesman of Scientology was John Travolta. He was assigned a contact named Spanky Taylor with whom he became close. Things however got sour when she was sent to a Scientology “prison camp”.
The film asserts that Travolta was a “troubled young man looking for help” when he stumbled across Hubbard’s book “Dianetics.” After he discovered Scientology, he started booking everything: commercials, small acting gigs, his role on “Welcome Back Kotter.” A Scientology member named Spanky Taylor was assigned to be his contact, and the two became quite close. Taylor is interviewed at length for “Going Clear,” and she recalls the incredible confidence boost that Travolta got from the church — and he was afraid if he stopped going, his career success would stop as well. He was church’s first superstar spokesman.
“The beliefs and practices that I have studied in Scientology have been invaluable to me,” Travolta said in a previous interview.
But things took a dark turn when Taylor was sent to the “Rehabilitation Project Force,” she says, a “prison camp” for members who criticize the church. (It’s billed as a place to go when members get “stressed.”) Taylor says she was forced to do menial labor and only sleep a few hours a night, and was also separated from her baby daughter, since kids are seen as a “distraction” to their parents. Taylor details how she managed to escape with her daughter after being in horrifying living conditions. However, she was cut off from her friend Travolta, whom Wright alleges knew what was happening to Taylor, but did nothing.
– Washington Post, How Scientology controls John Travolta and Tom Cruise, according to ‘Going Clear’
The documentary highlights the main reason why Scientology stars never speak out against the church : They have to go through an ‘audit’.
Former Scientology officials, including former spokesman Marty Rathbun, say that every “audit” (where a Scientology member is forced to reveal their deepest, most intimate secrets and fears on the way to attain spiritual and mental clarity) is recorded and filmed. Not to mention the “auditors” take pages of notes. So, when word had it that Travolta was threatening to leave, all the officials had do was go through all the notes from the auditing sessions to find secrets that Travolta had spilled and may not want getting out into the public.
“I know this because I used to do it when I was the head of the office of special affairs,” said former official Mike Rinder. “By exposing [these secrets] or threatening to expose them, they will cower the person into silence.”
– Ibid.
It should be noted that several powerful secret societies use the same techniques to keep their members silent. During the initiation process of the notorious Skull and Bones, candidates are asked to yell out their deepest secrets (especially sexual) as they lie in coffin. This information is then used for blackmail threats.
Tom Cruise
Tom Cruise is the biggest star associated with the church. His entire life, his career and even his relationships are shaped by it.
Cruise and Scientology leader David Miscavige, who took over when Hubbard died, were close friends, the film says. But their relationship hit a snag when Cruise fell for Nicole Kidman, and the pair got married. Because Kidman’s father was a psychologist (and the church does not like psychologists), she was identified as a “PTS”: Potential Trouble Source. They were married for a little more than 10 years, and after Cruise was seen as drifting too far away from Miscavige, Rathbun says he was tasked to break up the marriage and get Cruise back into the church.
How did he do that? Audits. Rathbun says that not only did he have to deliver reports from his audit sessions with Cruise, but that Miscavige hired private investigators to look into Kidman for any other damaging information. They also tapped her phone when Cruise mentioned he was curious about her phone conversations (Cruise’s lawyer denies this). The film also alleges that Miscavige helped drive a wedge between Kidman and her and Cruise’s two adopted children, turning them against their mother.
– Ibid.
After Cruise separated from Kidman, he got “set up” with Nazanin Boniadi, who was pretty much a mind control slave manipulated by the church.
After Miscavige heard Cruise was complaining that he wanted a new girlfriend, young Scientologist Nazanin Boniadi (now an actress known for “How I Met Your Mother” and “Homeland”) suddenly got a new assignment, Wright said. While Boniadi signed a non-disclosure agreement with the church, “Going Clear” director Alex Gibney said he found details in FBI testimony. Boniadi was moved into the celebrity center, the film says, where she was given audio of her boyfriend confessing an affair. After she dumped her boyfriend, she got a sleek new makeover, which the organization told her was because she was going on a humanitarian mission and had to look her best for world leaders.
Instead, she was given the role of Cruise’s new girlfriend. Gibney tells the story that shortly after Boniadi moved in with Cruise, they got a visit from Miscavige. Boniadi had a headache and wasn’t too responsive, and later, Cruise screamed at her for not being more respectful to the Scientology leader. She was soon told that she was no longer Cruise’s girlfriend, and was shipped back to another Scientology center. Former Scientology member and filmmaker Paul Haggis, also interviewed for the film, said Boniadi faced punishment (cleaning out the public bathrooms with a toothbrush) for telling a friend about her heartbreak over the break-up.
– Ibid.
Watch this video of Tom Cruise receiving a “Medal of Valor” from Scientology and witness the church’s brainwashing powers.
While Scientology’s methods are indeed insane, the church is not the only entity using them. In fact, the entire Hollywood system works this way, and goes even further. Scientology is simply another arm of the occult elite’s system.
The church was founded by L. Ron Hubbard, who was a protégé of Aleister Crowley and a member of the O.T.O., the most powerful secret society in Hollywood. The O.T.O. is behind most of the black magick and mind control aspects of Hollywood. Therefore, unsurprisingly, Scientology behaves the same way.
** Please note that, due to a server problem, the comments associated with this article are currently unavailable. I will attempt to restore them as soon as possible. **
The Hidden Meaning of Taylor Swift’s Video “Style”
Taylor Swift’s Style is said to be about her ex-lover Harry Styles. Through symbolism, however, the video gives the song another meaning: It is about having an alter persona, the ultimate result of Monarch mind control.
Taylor Swift has for years been one of the biggest selling artists in the record industry. She is nothing less than a pop culture phenomenon with an enormous fan base and constant media exposure. Of course, like all record industry stars, Swift has the duty to sometimes bring the occult elite’s symbolism to the masses.
Style is somewhat darker and more abstract than Taylor Swift’s previous offerings. Said to be based on her relationship with One Direction’s Harry Styles, the video solely focuses on two people: Swift and a guy who specializes in looking sad in a variety of settings. While the song appears to be about an impossible relationship, the symbolism in the video points to something deeper.
Indeed, the imagery of the video is not pure aesthetic: It has a profound psychological meaning. Many of the symbols used in the video are of great importance in the dark world of Monarch mind control, which is based on splitting the core personality through trauma (if you have no idea what I’m talking about read this article first). Once decoded, Style is less about a relationship with another person, and more about the relationship between the core persona (Taylor Swift) and the alter persona (the sad-looking guy). While it might appear strange that the alter persona is male, alters that are the opposite gender from the body are common in MK slaves who suffer from a dissociative identity disorder. Let’s look at the imagery of the video. It is subtle, but, once all of the images are put together, they strongly point towards a specific concept.
Style
Right from the start, the video indicates that what you are about to witness is happening inside Swift’s head.
The video then alternates between shots of Swift doing stuff outside and the guy inside a dark room looking very sad. Throughout the video, Swift and the guy will never be seen together because they cannot exist at the same time. Only one alter can be triggered at a time. There is one scene where their bodies are shown together, but we do not see their faces.
During the chorus, the imagery is all about the fracturing of the core persona and the creation of alters.
The symbolic meaning of mirrors (especially broken mirrors) is extremely important in the world of mind control. If you review my past articles on Monarch Programming-inspired, nearly all of them feature a broken mirror somewhere. Style exploits the symbol of its broken mirror and its psychological meaning, especially when one considers its meaning in MK symbolism.
The elements that make up who a person is – i.e. personality elements such as memories, are fractured. These fragments have in turn often been built up into full-blown personalities with all the elements of full-blown personalities. There is no “real” person, just as if you smash a mirror into a thousand pieces, there is no single piece that is the “real” original mirror but rather simply fragments that can in turn operate as mirrors. However, there is still a primal self.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
During the video, we also see subtle references to what happens to MK slaves during programming.
At the beginning of the second verse, we see road lines going through the guy’s head, indicating, once again, that this is all happening in his head.
Throughout the video, Taylor and the guy “mirror” each other. When one is seen outdoors (meaning that the alter is triggered), the other is indoors and watches a projection of the triggered alter. The alter inside the dark room can only be a distant witness to what happens to triggered alter.
You probably noticed that the guy’s eyes are a different color- a condition called heterochromia. While this condition usually trivial (or even charming), the video heavily focuses on it. It is yet another way of emphasizing the concept of split personality and the elite’s unhealthy obsession with eyes that are not paired up.
In Conclusion
While the video Style can be interpreted as a simple succession of pretty images starring two beautiful people, an educated look at the imagery at hand reveals a deeper story. Through symbols, the video alludes to a psychological process: The fracturing of the core persona and the creation of alters – the ultimate goal of Monarch mind control. While this interpretation might sound “out there”, mind control is a constantly recurring theme in the music industry (proof can be found in my countless previous articles).
One might ask: Why would the entertainment industry insist on getting MK symbolism out there? It is because those who rule the industry are deep into the MK system. Some high-placed individuals are mind-control handlers and many stars are mind-control slaves. They have created a sick, depraved culture around this sadistic practice and they want the masses, through constant media exposure, to accept this culture as “popular culture”.
Being one of the top-selling artists of the decade, Taylor Swift is a candidate of choice to push that Agenda. She is no different than many pop singers before her. And, in the future, fresh new stars will do the same. Because, as long as the occult elite rules the entertainment industry, Mind Control will never go out of style.
Hello Barbie : The Creepy Doll That Spies on Kids … and their Parents
Mattel’s latest doll Hello Barbie dialogs with children, records their answers and sends the information back to a database via Wifi and Bluetooth.
Hello Barbie is “the world’s first interactive Barbie doll” … and it is rather creepy. Equipped with a microphone and internet connectivity, the doll asks questions to children, records their answers and send the information back to Mattel servers where it is filed and processed by a powerful algorithm.
Hello Barbie works by recording a child’s voice with an embedded microphone that is triggered by pressing a button on the doll. As the doll “listens,” audio recordings travel over the Web to a server where the snippets of speech are recognized and processed. That information is used to help form Hello Barbie’s responses.
– Washington Post, Privacy advocates try to keep ‘creepy,’ ‘eavesdropping’ Hello Barbie from hitting shelves
At the New York toy fair, Mattel representatives demonstrated Hello Barbie’s capabilities.
At the demonstration at the New York toy fair, the Mattel representative chatting with Hello Barbie mentioned that she liked being onstage. Later in the conversation, when the Mattel representative asked Hello Barbie what she should be when she grew up, the doll responded, “Well, you told me you like being onstage. So maybe a dancer? Or a politician? Or how about a dancing politician?”
– Ibid.
A quick review of the privacy policy of ToyTalk (the subdivision that handles Hello Barbie), reveals that the information recorded could be used for a variety of reasons.
We may use, transcribe and store such Recordings to provide and maintain the Service, to develop, test or improve speech recognition technology and artificial intelligence algorithms, and for other research and development or internal purposes. We may make such Recordings available to the parent account holder and permit the parent account holder to share such Recordings with third parties. These Recordings may contain additional personal information if such information is provided in the Recordings, but we do not use personal information contained in Recordings to try to contact anyone. Please see “What Information Do We Share With Third Parties?” for information on how this information is shared with third parties.
How Do We Use the Personal Information We Collect?
We use personal information collected through our Service for the purposes described in this Policy or elsewhere on the Service. For example, we may use personal information we collect:
- to obtain parental consent and create a parent account;
- to provide and maintain the Service and to process and complete any transactions in connection therewith;
- respond to your communications and requests, provide customer service, request feedback, and otherwise contact you about your use of the Service;
- to monitor and analyze usage and trends and demographic information, and to personalize and improve the Service, our technology and our users’ experiences;
- to provide you with news and information about our events, activities, offers, promotions, products, and services we think will be of interest to you (with your consent where prior consent is required by applicable law);
- to send you confirmations, updates, product announcements, security alerts, and support and administrative messages and otherwise facilitate your use of, and our administration and operation of, the Service;
- to notify you about important changes to our Service and our terms and policies;
- to develop, test or improve speech recognition technology and artificial intelligence algorithms and for other research and development or data analysis purposes; and
- for any other purpose for which the information was collected, as identified at the time of collection.
We may store and process personal information in the United States and other countries.
What Information Do We Share With Third Parties?We will not share the personal information we collect through the Service with third parties, except as described in this Policy. For example, we may share personal information as follows:
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with vendors, consultants, and other service providers (“Service Providers”) who need access to such information to carry out their work for us, such as vendors who assist us in providing the Service, in developing, testing and improving speech recognition technology and artificial intelligence algorithms or in conducting research and development;
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when you give us your consent to do so, including if we notify you in connection with the Service that the information you provide will be shared in a particular manner and you provide such information;
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in an aggregated or anonymized form that does not directly identify you or others;
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when we believe in good faith that we are lawfully authorized or required to do so or that doing so is reasonably necessary or appropriate to (a) comply with any law or legal processes or respond to lawful requests or legal authorities, including responding to lawful subpoenas, warrants, or court orders; or (b) protect the rights, property, or safety of ToyTalk, our users, our employees, copyright owners, third parties or the public, to enforce or apply this Policy, our Terms of Use, or our other policies or agreements.
That last bullet point is quite open-ended and dangerous as the information recorded by the doll could be sent to authorities, governments and other entities if “required to”. Specialist on privacy issues have recommended scrapping the doll – which is scheduled to be available in store in fall, just in time for Christmas.
“If I had a young child, I would be very concerned that my child’s intimate conversations with her doll were being recorded and analyzed,” Angela Campbell, faculty adviser at Georgetown University’s Center on Privacy and Technology, said in a statement. “Children confide in their dolls,” she said. “When children have conversations with dolls and stuffed animals, they’re playing, and they reveal a lot about themselves.”
– Op cit. Washington Post.
While people at Mattel assure that the information collected will only be used to “improve the product”, it is obvious that Hello Barbie could be easily intercepted by all kinds of agencies such as the NSA.
Children often confide their most private thoughts to their favorite doll. Recording that stuff and sending it to a mega-corporation’s server is simply creepy and exploitative. It is yet another mind-boggling way of turning our society into an insidious, Big-Brotherish nightmare. Time to say goodbye to Hello Barbie.
Symbolic Pics of the Month 03/15
In this edition of SPTOM : Agenda-pushing fashion shoots by Steven Klein, Illuminati puppets showing their allegiance and a bunch of other stuff that prove that the industry is simply sick.
Special thanks to everyone who sent in pics.
“Starry Eyes” : A Movie About the Occult Hollywood Elite – and How it Truly Works
Starry Eyes is a horror movie about a struggling actress getting mixed up with the Hollywood elite. Through the metamorphosis of the main character, the movie describes how the entertainment world actually works: via rituals, blood sacrifice, and occult initiation.
Warning: This article deals with subject matters that might be disturbing to some. Also, colossal spoilers ahead!
Starry Eyes is a typical horror flick: scary, bloody and disgusting. But the most disturbing part of this movie is not the gore and the violence: It is the fact that there is truth in it, a dark truth that many of us would rather ignore. The movie puts it all there, however, right in our faces, as it graphically describes all of the horrific implications. Starry Eyes puts on screen the dark and depraved side of the entertainment industry and the sick motivations of the people who rule it. It exposes the viewers to the elite’s obsession with sexual exploitation, blood sacrifices, and satanic rituals as they bask in wealth and social admiration.
While many perceive Starry Eyes as a purely fictional film commenting on the desperation of starving artists, those “in the know” realize that a lot of the horror is based on fact. The movie describes rather accurately the process of what happens at the higher levels of the entertainment industry where abuse, exploitation, mind control, occult rituals, and blood sacrifices turn aspiring artists into traumatized sock puppets. Let’s look at Starry Eyes and how it portrays the movie industry.
A Waitress Tired of Waiting
Sarah Walker is your typical struggling actress living in Los Angeles looking to become a big-time Hollywood star. In order to pay the bills, she waits tables at a local restaurant – a job she clearly hates.
Much to the dismay of her boss, Sarah is not focused on her job but is constantly on her phone looking for callbacks from production companies. At home, Sarah finds an intriguing casting call online.
At the audition, the aspiring actresses trying out for the lead role are all treated like garbage, and most of them leave in tears. Although she gave it her all, Sarah also fails to impress the auditioners who proceed to make her feel like a talentless nobody. Sarah then rushes to the nearest bathroom where she completely loses it.
As she comes out of the bathroom stall, Sarah is met by one of the auditioners who was impressed by this disturbing display of rage and self-mutilation. She is brought back to the audition room – but she is not asked to read lines. They want to see her have that violent fit again. Although Sarah is reluctant to pull her hair for the viewing pleasure of strangers, she is told: “You’ve got my attention” and is reminded about the fact that a million other girls could easily take her place. Throughout the movie, Sarah is constantly reminded that a million girls are waiting in line for her spot and that any attention from the all-mighty producers, no matter how strange or degrading their requests, is a rare privilege. At this point, the auditioners only want to see her pull her hair out, and nothing else. So Sarah does it.
The audition quickly stops being about a role in a movie and turns into a spectacle of extreme degradation and submission, a prelude to the ordeal she must go through to be an initiate of the occult elite. Although the audition ended with her convulsing on the ground under the cold eyes of the auditioners, Sarah leaves the building feeling happy: She got the company’s attention. She gets a callback and the process of transformation truly begins.
Second Audition
Although she is treated with utter contempt by the production company, Sarah is excited to get a second audition. She is told that the only reason she got a second audition was because of her hair-pulling display – and nothing else. Once again, they are emphasizing the fact that it is not about talent but what she is ready to do to be a star.
At the second audition, Sarah wears a dress of pale color, which symbolizes her state of purity/innocence. We will later see that the movie follows the exact color code we see in other music videos and movies analyzed on Vigilant Citizen: White (or a pale color) symbolizes purity/innocence, red stands for transformation/sacrifice, and black for initiation. Countless females artists have appeared in videos that symbolically tell the “good girl gone bad” narrative and they all go through this succession of colors. Starry Eyes is somewhat of a behind-the-scenes look at what truly happens during that metamorphosis.
When Sarah enters the dark room at the second audition, she is immediately told to strip naked – although the role does not require nudity. Once again, it is not about the role, it is about something way beyond that. It is about turning a girl towards the dark side.
She is told:
“Let your inhibitions go. If you can’t fully let yourself go, how can you ever transform into something else?”
The light then starts flashing and Sarah appears to undergo a process akin to mind control and demon possession. Each time the light flashes, we see Sarah either making a demonic face or feeling physical pleasure.
At the end of the process, Sarah appears completely consumed. She then notices the pendant worn by one of the auditioners.
In short, this was not an audition, it was a hypnotic mind control session intermixed with an occult ritual. Welcome to Astraeus Pictures.
Astraeus Pictures
When Sarah tells her friends that she auditioned for Astreus Pictures, she is told that “they’re legit” and “the real deal”. In other words, it is one of the few “big time” production companies that produces blockbuster hits. The symbolism associated with Astraeus Pictures subtly tells us about the true forces behind the movie business.
First, Astraeus is the name of a Titan god of Greek mythology and is mostly known for being the god of the dusk. As you might know, dusk is what immediately precedes the darkness of the night … the same way this production company brings darkness to the world.
The logo of Astraeus is also quite telling: It is the top half of a unicursal hexagram.
The unicursal hexagram is an important symbol in ritual magic and occult secret societies. It is also the main symbol associated with Aleister Crowley’s philosophy: Thelema.
The unicursal hexagram is so-called because it can be drawn unicursally– that is, in one continuous movement. This is significant when forming figures in ritual magick, where a continuous line is preferred to an interrupted movement.
The symbol was devised by the Golden Dawn, and later adapted by Aleister Crowley as a device of personal significance. It is often worn by Thelemites as a sign of religious identification and recognition.
– Symbol Dictionary, Unicursal Hexagram
Today, the Thelema is taught by a secret society that is extremely influential in the entertainment industry: the Ordo Templi Orientis (O.T.O.). It is one of the main forces behind the occult, ritualistic side of Hollywood. The O.T.O is also subtly referred to in another “eye-opening” movie, Stanley Kubrick’s Eyes Wide Shut (read my series of articles about it here).
An important part of the O.T.O’s teachings is sex magick – and we definitely witness some of it in Starry Eyes.
The Metamorphosis
After a successful second audition (which was about her standing naked and being exposed to an evil force), Sarah gets the ultimate privilege: A meeting with the producer. Before leaving her apartment, the movie emphasizes the red dress she is wearing: All of her friends comment on it, one of them even adds that “it is a bit much”.
At the meeting, the producer of Astraeus Pictures tells Sarah what all producers tell young, impressionable girls when they want to lure them into a soul-selling contract:
“We audition a lot of young women in this building, but very few ever make it to this room. Some pretty big names went through here, going way back”.
This implies that the Hollywood elite’s way of functioning has been going on for decades.
“The role of Celeste is a really big deal for a young actress with no other credits to her name. Your face will be on a poster, a poster on a wall, a wall in the lobby, a lobby in a movie theater, a theater with a marquee.”
For a girl working at Big Taters, hearing these words is what she’s been waiting for her entire life – and the producer knows it. He then touches her inappropriately, and things get real.
When Sarah tries to make him stop by asking him if he wants her to read some lines, he replies:
“Sarah, THIS is the audition. You are at the gates. All you need is for me to open them for you”.
Once again, nobody is interested in Sarah showcasing her acting talents. The “audition” is once again about her being degraded into giving up her body. Sarah refuses the advances and storms out of the room.
Her return to reality is however extremely difficult. She must beg to get her job back at Big Taters and, coincidentally, she is also told that about a million girls would love to have her steady waitressing job. She then regrets walking out of the producer’s room and begins rationalizing doing the unthinkable:
“I kind of feel I’m selling my soul already. So it might as well be for something I love.”
The Initiation
Under the influence of drugs and, since the second audition, with something evil burgeoning inside of her, Sarah decides to go back to see the producer. For that meeting, she wears another symbolic dress.
When Sarah gets face-to-face with the producer, she realizes that it is not simply about “sleeping with him” for his personal perverted pleasure. There is a metaphysical dimension to the process. It is about submission and initiation to an occult order through ritual. When Sarah falls to her knees before the producer, he says:
“Would you forgo your eyes for a new pair of eyes, eyes that can see with our vision? Would you give up your body to become a vessel for our voice, my voice? Will you give your old life away for a glorious new life?”
Within this oath is the summed up the entire transformation process that turns a regular artist into a full-blown “Illuminati puppet”. By “forgoing” her eyes for a new pair, Sarah gives up her ability to perceive reality in order to only see what “they” want her to see. Is this why all industry pawns constantly hide one of their eyes in photoshoots? (See my Symbolic Pics of the Month articles for hundreds of examples.) By giving up her body to become a vessel to their “voice”, she voluntarily gives up any kind of core values and artistic integrity she might have had to become nothing more than an empty shell pushing the messages of the elite. Finally, by giving her old life away, she completely erases her past self to turn into a new alter persona, an artificial creation that is completely programmed by the elite.
To all of that, Sarah answers “yes”. She then proceeds to pleasure the producer … and things get weirder.
Looking at the skies with a crazy look in his eyes, the producer says :
“The gateway is opened Sarah. All you have to do is be willing to step inside. Kill your old self, Sarah”.
The word “gateway” has a spiritual connotation as Sarah also opens herself to what will appear to be demonic possession.
The Sacrifice
The days after the disturbing ritual are extremely painful for Sarah. She keeps convulsing violently and feels as is she was dying. She also constantly loses hair which, as stated earlier, represent her true self.
While in pain and dying inside and out, Sarah is visited by someone from Astraeus, who shows her a vision.
When that vision vanishes, she is still in pain and looking uglier than ever. She then gets a phone call from the producer who says:
“You can go into the ground and be forgotten forever or you can be reborn. Did you expect it to be painless, that it would be easy, that you’d simply wake up one morning with everything you ever wanted laid out before you? I told you Sarah, dreams require sacrifice. And so do we.”
Sarah does not only need to sacrifice her own soul to become “one of them”. They require a blood sacrifice. Sarah, therefore, proceeds to kill all of her friends in an extremely violent matter. When the bloody deed is accomplished, men in robes immediately appear and lead her to the final ritual.
The Rebirth
After the blood sacrifice, a bunch of rich Hollywood elite people gathers for the ritual celebrating Sarah’s rebirth.
The concept of symbolic death and rebirth is of extreme importance in occult secret societies. In most esoteric circles since antiquity, candidates for initiation are made to go through a period of “symbolic death” where they are kept in darkness to then be “born again”. This concept is also central to Christianity as Jesus Christ resurrected from dead after three days in the tomb. The story of Jonah emerging from the great whale is also a part of Jewish and Islamic literature. However, in the case of Astraeus Pictures, the initiate is not on the brink of a great spiritual awakening, she is a mere puppet lured into a Satanic ritual for the profit and the pleasure of her handlers. The elite thrives on tapping into ancient and powerful archetypes and corrupting them for their own nefarious purposes.
At the end of the ritual, the producers yell “She is ready to transform!”. The next day, Sarah is reborn.
The roommate notices that Sarah’s eyes have changed – she now has the new pair of eyes that see only the elite’s vision. Sarah tells her roommate “Things are changing for me” and proceeds to kill her – the last remnant of her past life. Sarah then opens her birthday gift from Astraeus.
In Conclusion
If you’ve read past articles on Vigilant Citizen, you probably realized that Starry Eyes basically encompasses everything that has ever been discussed on this site. By describing Sarah’s transformation at the hands of the Hollywood elite, the movie puts on screen the true nature of those who control the entertainment industry … and the world. By clearly conveying the elite’s total disdain for the common person and its obsession with corrupted rituals, exploitation, degradation and blood sacrifice, the movie exposes the “true self” of the industry, the same way Sarah exposes her true self to the producers.
If you still believe this is all fiction and that what is said here is all a crazy conspiracy, you might have an acute case of … starry eyes.
“Lucy” : A Movie About Luciferian Philosophy
Luc Besson’s Lucy is a movie about a woman who unlocked the full, 100% potential of her brain power instead of the 10% humans reportedly use. While many viewers were confused by the movie’s odd mix of pseudo-science and action scenes, the core of the movie lies in a whole other realm: It is about the Luciferian philosophy of the occult elite and its futuristic pendant, transhumanism.
Warning: Gigantic spoilers ahead
Lucy is a science fiction movie that combines profound existential questions with a bunch of action scenes involving Asian gangsters. While this dichotomy wasn’t well-received by critics, there is an esoteric message hiding behind it all. Lucy is indeed more than a movie in which Scarlett Johanson being a “bad-ass” – it is an allegorical tale celebrating the philosophy of the elite: Luciferianism.
The fact that the main character is named Lucy is the first clue hinting towards the philosophical basis of the movie. The name Lucy and Lucifer both derive from the Latin word “lux” which means “light”. Lucifer means “light-bringer” in Latin, and is considered by Luciferians to have brought divine knowledge (light) to humans after being cast out of heaven by God. In Luciferian circles, Lucifer is perceived as a “savior” who gave humans the knowledge necessary to ascend to divinity. In the movie, Lucy is a human version of Lucifer, as her increased brain capacity allows her to gain the knowledge required to become a god.
Going further than ancient Biblical tales, the movie is also labeled “transhumanist”, which is a modern, futuristic byproduct of Luciferian thought. Transhumanism is about humans reaching another level of development through man-made technology and robotics. To fully understand Lucy, we will need to look further into these two concepts.
Luciferianism and Transhumanism
“Luciferianism” is a word that is rarely used because the word “Lucifer” is associated with Satan in Judeo-Christian theology. It is nevertheless the philosophy that overwhelmingly prevails in the highest circles of society – what we call the occult elite. Interpreted in several forms, Luciferianism can be associated with philosophical currents such as humanism, Gnosticism, and Kabbalism and is the driving force behind secret societies such as the Rosicrucians, the Freemasons, and many others.
Luciferianism is about humans reaching divinity through human means. This philosophy is symbolically represented by two mythical figures who bear similar characteristics: Prometheus and Lucifer. Both of these figures are considered by some circles to be benefactors of humanity as they brought fire and light (representing divine knowledge) to struggling humans. They gave mankind the means to become gods themselves, through their own means.
From this perspective, Luciferians interpret Biblical tales from a unique vantage point. In Genesis, Luciferians consider the snake who gave Eve the forbidden apple to be a hero, as he is the one who brought humanity knowledge of good, evil and everything in between. The story of the tower of Babel, a human construction meant to reach God in the sky is viewed favorably by Luciferians as it represents humanity’s struggle to reach divinity; the building of this immense tower was, however, stopped by God who is perceived as a jealous demiurge who trapped humans in the physical world.
In the 20th century, a high-tech version of this philosophy appeared as transhumanism, a movement that seeks the use of science and robotics to push humanity to another stage of development. Transhumanism’s admitted ultimate goal is the total merging of humans and robots. While most people who agree with transhumanism probably do not know much about Luciferianism, one of its “founding fathers” clearly sees the connection.
The British philosopher Max More first articulated the principles of transhumanism as a futurist philosophy in 1990 and started a worldwide intelligencia to promote it. One of his essays, entitled “In Praise of the Devil” goes deep in a theological territory to connect transhumanism with Luciferianism.
The Devil—Lucifer—is a force for good (where I define ‘good’ simply as that which I value, not wanting to imply any universal validity or necessity to the orientation). ‘Lucifer’ means ‘light-bringer’ and this should begin to clue us in to his symbolic importance. The story is that God threw Lucifer out of Heaven because Lucifer had started to question God and was spreading dissension among the angels. We must remember that this story is told from the point of view of the Godists (if I may coin a term) and not from that of the Luciferians (I will use this term to distinguish us from the official Satanists with whom I have fundamental differences). The truth may just as easily be that Lucifer resigned from heaven.
According to More, Lucifer probably exiled himself out of moral outrage towards the oppressive demiurge Jehovah. He, therefore, describes the basis of Luciferian thought:
God, being the well-documented sadist that he is, no doubt wanted to keep Lucifer around so that he could punish him and try to get him back under his (God’s) power. Probably what really happened was that Lucifer came to hate God’s kingdom, his sadism, his demand for slavish conformity and obedience, his psychotic rage at any display of independent thinking and behavior. Lucifer realized that he could never fully think for himself and could certainly not act on his independent thinking so long as he was under God’s control. Therefore he left Heaven, that terrible spiritual-State ruled by the cosmic sadist Jehovah, and was accompanied by some of the angels who had had enough courage to question God’s authority and his value-perspective.
What does this all have to do with Lucy? Well, Lucy is about everything above. It is about humanity reaching divinity through knowledge, about using science and technology to break “biological barriers”.
Although all of this might sound positive, there is a troubling, dark side to it all: Only a select few can be “illuminated” by the light of Lucifer. The rest of humanity is perceived as a lesser race with lives of no value. For this reason, Lucy remorselessly kills a bunch of people, including many innocents. This is what Luciferian thought is truly about.
Lucy as a Regular, Everyday Idiot
At the beginning of the movie, Lucy is a young woman who is clearly not a genius. She is manipulated by the douchebag she is dating to bring a suitcase to some person inside a hotel. She ends up getting mixed up in a high-stakes Asian mob deal – and she’s confused and panicky the entire time.
The mobsters end up turning Lucy into a drug mule. They insert into her body a packet of CPH4, a synthetic drug that is about to flood the European market. After receiving a kick in the stomach, the packet located inside Lucy breaks and her body absorbs the contents of the entire packet. This causes her brain to become increasingly powerful.
At one point, a doctor tells Lucy:
“Pregnant women manufacture CPH4 in the sixth week of pregnancy in tiny quantities. For a baby, it packs the power of an atomic bomb. It’s what gives the fetus the necessary energy to form the bones in its body. I heard they tried to make a synthetic version of it.”
In the philosophical context of the movie, the fact that the drug is synthetic (which means that it was created by humans), is important as it ties in with the transhumanist philosophy of human evolution through science and technology.
Is there any scientific truth to Luc Besson’s premise? Here’s a part of an interview with Besson discussing the science behind Lucy.
Q: Some people are complaining about the fact that the science behind your film — the whole idea that humans only use 10 percent of their brains — is not true. What’s your response to that?
A: It’s totally not true. Do they think that I don’t know this? I worked on this thing for nine years and they think that I don’t know it’s not true? Of course I know it’s not true! But, you know, there are lots of facts in the film that are totally right. The CPH4, even if it’s not the real name — because I want to hide the real name — this molecule exists and is carried by the woman at six weeks of pregnancy.
While the scientific facts behind the movie are nebulous, the symbolic meaning of it all is not. While Lucy is in the process of transforming into a transhuman superhero, Professor Norman (played by Morgan Freeman) gives a presentation about the untapped power of the human brain. His speech quickly turns into an advertisement for transhumanism.
Professor Norman then says something that comes straight from a pamphlet for transhumanism :
“It’s up to us to push the rules and laws and go from evolution to revolution”.
In other words, humans need to reach another stage through technological and scientific advancement, not through natural evolution.
This is exactly what happens to Lucy. Along with acquiring a great amount of knowledge, Lucy develops extra-sensory perception (ESP) and is even able to control matter and other people. But one thing is terribly wrong: As soon as Lucy becomes smarter, she starts shooting and killing people. Why?
Luciferian Lucy: A Representative of the Occult Elite
Someone once said: “It is not about how much knowledge you have, it is about what you do with it”. What did Lucy do when she became the most intelligent person on Earth? Did she cure cancer? Did she find a solution to world hunger? Did she invent an economic system that is fair and profitable for all countries on Earth? Nope. She grabbed a gun a started shooting Asian guys. Even worse, she goes on to cause pain and suffering of innocent people.
While killing those involved with her capture is somewhat understandable (although she probably did not need to kill everybody), the bloodshed does not end there. When she goes outside, she shoots a taxi driver in the leg because he did not immediately comply with her request. Later in the movie, Lucy drives like a crazy person and causes a ten-car pileup.
The pain Lucy causes is also psychological. When a doctor asks Lucy to prove her powers, she “enters” his brain and reminds him of the death of his daughter in specific detail. She could have told him about the color of his car, but why do that when you can talk about the most painful memory imaginable?
Lucy’s transformation takes a very specific direction and being a “good person” is not part of it. Her metamorphosis caused her to completely lack moral values, compassion, and consideration for other human beings. Apparently, being extremely intelligent turns you into an evil transhuman robot. Lucy herself says:
“I don’t feel pain, fear, desire. It’s like all things that make us human are fading away. It’s like the less human I feel, all this knowledge about everything, quantum physics, applied mathematics, the infinite capacity of a cell’s nucleus. They’re all exploding inside my brain, all this knowledge.”
If one examines Lucy’s evolution, one realizes that she turns into exactly what the occult elite represents. She uses her powers to control people and to advance her aims despite the human suffering she is causing. She morphed into something that is not human and, all of a sudden, regular humans are treated by Lucy as lesser beings that are idiotic, manipulable and expandable.
Also, like the occult elite, she spends a LOT of time controlling and monitoring people’s electronic devices.
Like the occult elite, Lucy is not on a pure, noble mission for illumination. There is a dark side to her actions, and, apparently, since she’s the hero of the movie, it’s all good.
Lucy Ascends to Divinity
Towards the end of the movie, Lucy is less a human being than a divine being who sacrifices her terrestrial life to becoming nothing less than a god (I don’t use the term goddess because gods are neither male nor female). Lucy’s meeting with Dr. Norman at La Sorbonne University turns into a strange, high-tech, occult ritual where she transcends space and time to achieve divinity. During the entire ritual, lowly, idiot humans kill each other nearby in a flurry of gunshots.
The ultimate goal of Lucy’s transcendence is to pass on the knowledge she obtained, the same way two simple cells pass on their knowledge through time. However, according to Dr. Norman, this knowledge might be too powerful for mankind.
“But all this knowledge, Lucy. I’m not even sure mankind is ready for it. We’re so driven by power and profit. Given man’s nature, it might bring us only instability and chaos (…). I just hope we’ll be worthy of your sacrifice”.
This is the thinking behind secret societies who “hide” their occult knowledge from the uninitiated behind several layers of symbolism (occult literally means “hidden”). The profane masses are considered too unworthy and primitive to deal with powerful knowledge. In short, Luciferians are extremely elitist.
Before completing her transformation, Lucy uses her powers to travel through space and time in order to visit various landmarks around the world. She ends up face to face with Lucy, ” the first human on Earth”.
In a symbolic gesture, Lucy points her finger towards the other Lucy.
The scene is, of course, a heavy-handed reference to Michelangelo’s mural where God creates Adam. The painting is also briefly shown earlier in the movie when Dr. Norman talks about humanity’s amazing accomplishments despite only using 10% of its brainpower.
But today’s humans are still stuck at 10% brain power and still act like morons. While Lucy transcends space and time, a whole bunch of people die a few feet from her.
After the ritual turning Lucy into an immortal god, she gives Dr. Norman a USB stick containing all of her knowledge, which is pretty convenient.
When a cop barges into the room and asks where is Lucy, he receives a text message that sums up the entire movie.
The cop then looks towards the sky in admiration, the same way people usually look towards the heavens when thinking of God.
The movie ends with another symbolic scene: The lifeless body of a mobster seen from above as if it was Lucy overlooking the blood sacrifice that was required to complete the occult ritual.
In Conclusion
Lucy was bashed by critics for being somewhat nonsensical – but being “sensical” was not the point of this movie. It is a treatise on Luciferian philosophy, and it can only be fully “appreciated” by those who understand this philosophy. For those who don’t, well, there’s a bunch of action scenes peppered throughout to keep them entertained. Meanwhile, they absorb the occult meaning of the movie without even realizing what’s happening. These action scenes were meant to be in sharp contrast with Lucy’s quest for knowledge because Luciferians perceive a sharp contrast between them and the masses. While Lucy’s busy achieving immortality and turning into a god, a bunch of clueless guys kill each other for no good reason. And nobody cares. Because their lives are considered worthless.
Therefore, beyond the nonsensical premise of Lucy, there is a very “sensical” message, one that is as powerful as it is disturbing: There are two classes of humans on Earth and transhumanism will widen the gap between them. Most of the projects involving transhumanism have been described by observers as “playing God”. But this is not simply an expression: It is exactly what Luciferians are about.
Whitney Houston’s Daughter Found Unconscious in Bathtub, Now in “Medically Induced Coma”
Bobbi Kristina Houston was found unconscious in her bathtub almost exactly three years after her mother Whitney Houston was found dead in a hotel bathtub in strange circumstances.
There are sometimes coincidences that are too eerie to brush off as a coincidence. This is one of them. Bobbi Kristina Brown, the daughter of Whitney Houston and Bobby Brown was found unconscious in her bathtub, face down and unresponsive. This happened almost exactly three years after Whitney Houston was found dead in her bathtub on February 11th 2012.
Bobbi Kristina was found by her husband Nick Gordon who revived her by performing CPR. She is now in a medically induced coma.
Whitney Houston’s daughter, Bobbi Kristina Brown, is on a ventilator and in intensive care, after she was found facedown and unresponsive in a bathtub full of water, a source close to the family said.
Brown, 21, was placed in a medically induced coma and the status of her brain function won’t be known until the sedatives are reduced, the source told CNN.
“It is going to be a waiting game,” said the source.
Brown “was not breathing” when a man identified as her husband found her Saturday morning inside her townhouse in the Atlanta suburb of Roswell, Georgia.
He called 911 and performed CPR until public safety officers arrived and took over, said police spokeswoman Lisa Holland.
The spokeswoman said when Brown was found, she was “unresponsive, meaning not breathing, no heartbeat.”
In scanner traffic, emergency services could be heard describing an “ECHO-level response” — urgent and life threatening — with “possible cardiac arrest.”
“Twenty-one-year-old female in the bathtub, facedown. PD’s (police department’s) en route.”
Brown was taken to a local hospital, where “she is still alive and breathing. Other than that, I don’t know her condition,” Holland said Saturday.
Nobody knows what caused Brown’s unresponsiveness, Holland said, but police consider it a medical incident at this time. She said investigators had found nothing to indicate it was drug- or alcohol-related.
– CNN, Whitney Houston’s daughter in medically induced coma, source says
According to the same article, police had been to the residence a week before the incident.
Police had been to the residence recently. Somebody reported a fight there January 23, but nobody answered the door and officers found no evidence of an altercation, Holland told CNN.
The police spokeswoman noted one oddity in the case: “Her mother died in the very same manner.”
– Ibid.
Bobbi Kristina’s mother Whitney Houston was found dead on February 11th 2012, in a hotel room while a pre-Grammy Awards bash was taking place in the same building. In my article entitled Whitney Houston and the 2012 Grammy Awards Mega-Ritual, I listed the great amount of strange facts surrounding her death, including the presence of shady music industry handler Raffles van Exel around and inside her hotel room before and after her death.
In the wake of her death, legendary diva Chaka Khan summed up what happens to artists who fall out of the grace of the music industry.
“I think we all, as artists, because we’re highly sensitive people, and this machine around us, this so-called ‘music industry,’ is such a demonic thing. It’s sacrifices people’s lives and their essences at the drop of a dime … I had a manager once say to me, ‘ You know you’re worth more money dead than alive.’
– Source: Eonline
A few weeks later, Bobby Brown’s sister Leolah went on record and stated “I believe Whitney’s death was not accidental” (see my full article about her here). She also added that Bobby Kristina was “not safe”. That was three years ago.
Bobby Brown’s Sister Leolah: Bobbi Kristina ‘Is Not Safe Right Now’
Bobby Brown’s sister, Leolah Brown, is speaking out for the first time since Whitney Houston’s death, defending her brother and sending a warning to Bobby & Whitney’s daughter — Bobbi Kristina.
“I am concerned about my niece Bobbi Kristina, yes,” Leolah told Access Hollywood of her 18-year-old niece, who she refers to as “Krissy.” “Krissy is not safe right now. I want to say to Krissy that it’s very, very, very important that she does not trust anybody at this time. Anybody except her father, her grandmother Cissy and myself. And I mean that.
“Right now is the time to just really shut the door,” she continued.
Leolah and her attorney, Reginald Mason, remained unspecific about who may try to harm Krissy.
“There are persons that possibly would want to take advantage of Bobbi Kristina’s fragile state of mind,” Mason claimed.
Leolah claims her brother Bobby is not doing well, but says he is not to blame for Whitney’s demise.
“Bobby has nothing, nothing at all to do with Whitney’s death,” she told Access.
While awaiting toxicology results to determine what killed the singer, Leolah told Access that she has reached out to the Beverly Hills Police Department to make sure they do a thorough investigation.
“I believe Whitney’s death was not accidental. No,” she claimed.
According to Leolah, what then killed the singer?
“My attorney has advised me not to get into that at all,” she told Access. “But, it’s very important to know that she did not just pass away like that. No. And if it’s the last thing that I do, I’m going to find out what truly happened to my sister.”
– Source: Yahoo! News
Bobbi Kristina is currently on ventilator and, while she is currently alive and breathing, there is currently no information on whether or not she fully recover from this strange “accident”. Let’s hope that history won’t repeat itself.
The Director of an Anti-NWO Movie Was Found Dead in his Home in Suspicious Circumstances
David Crowley, the director of “Gray State”, a movie about the New World Order and the occult mind-state of the elite was found dead in his home, along with his wife and young daughter. The Dakota County Sheriff’s Office stated that the deaths appeared “suspicious”.
David Crowley wrote and directed Gray State, an unfinished movie about the militarization of police, the imposition of a martial law, high tech surveillance, RFID chips and the occult mind-state behind it all. The movie’s Facebook page states that the story is about “a wounded veteran who leads the insurgency against a corrupt Government after nationwide martial law has been declared.” Here’s the concept trailer of the movie.
In a 2012 InfoWars interview, Crowley stated that he felt it was his responsibly to spread the message about the possibility of a United States decline in wake of a New World Order. The interview describes the film as “a highly-anticipated independent film envisioning a brutal police state, martial law crackdown, complete with biometric identification, a ubiquitous surveillance state, and FEMA storm-troopers rounding dissidents up into camps.”
On January 17th, the bodies of David Crowley, his wife Komel and their five year-old daughter were found at their home.
The bodies of David, Komel and their daughter were discovered on Saturday by the Crowley’s next-door neighbor, Collin Prochnow. It was reported that the bodies had been inside the home for several weeks. Prochnow said that he had not seen any activity in the Crowley’s home since around Christmas, and he had initially assumed the family was traveling during the holidays. Prochnow said that packages were accumulating on the home’s doorstep and noticed that the lights inside the house were on day and night, so he decided to check on the family’s wellbeing over the past weekend.
Prochnow looked through a window of the house and discovered three bodies, along with a handgun, laying on the floor. A dog, which was alive, was also present. Audio from police radio obtained by MnPoliceClips.com revealed that police had found “several obviously deceased bodies in the front” of the home and there was a “very angry dog inside.” Police stated that the situation appears to have been a murder-suicide.
– Deaths Of “Gray State” Director And Family Under Investigation, Ben Swann
The deaths of Komel and the little girl were ruled as a murder while Crowley’s death was ruled as a suicide. A handgun was found next to his body.
Apple Valley police Capt. John Bermel noted a few suspicious details, notably that there was no sign of violence or struggle on the crime scene and that a sliding door on the back had been unlocked and “slightly ajar”.
Apple Valley police Capt. John Bermel said that the medical examiner’s office did not find physical signs of a struggle on the bodies or inside of the home. Bermel also pointed out that the house was intact, although recorded audio of police had stated upon discovery of the bodies that a sliding door in the back of the Crowley’s house had been unlocked and “slightly ajar”. Bermel said “If there was a scuffle, you’d expect to find maybe something broken, maybe something knocked over.”
“There was nothing like that,” Bermel said.
Investigators stated that the last “verified activity” in the home was in late December.
Bermel said “What we’re realizing now is that there was some amount of substance use there, some financial stress and – as we’ve seen in some of the (news) stories — what we’re learning is there was starting to be some isolation,” although Bermel did not expound on the type of substance use. “What I can tell you is we are getting some indications of what may have contributed to this,” Bermel said.
Charlie Hubbell, an actor who appeared in the “Gray State” trailer, told Twincities.com that David Crowley “seemed more grounded and focused than would lend itself to anything chaotic.”
“The entire time I worked with him there was nothing aggressive or chaotic or strange or abnormal. He was one of the ones I was hanging my hat on, one who was going to succeed,” Hubbell said.
– Ibid.
While preliminary police reports state that Crowley resorted murder-suicide after months of depression and isolation, other observers believe that he was killed by the very system his movie was opposing. Investigation is still underway.
Symbolic Pics of the Month 01/15
In this edition of SPOTM : Madonna, Amanda Bynes and more proof that the fashion world is sick.
Special thanks to everyone who sent in symbolic pics!
The Economist 2015 Cover is Filled With Cryptic Symbols and Dire Predictions
The magazine The Economist published an issue named “The World in 2015”. On the cover are odd images: A mushroom cloud, the Federal Reserve in a game called “Panic” and much more.
I wouldn’t normally dedicate an entire article analyzing the cover of a publication, but this isn’t any publication. It is The Economist and it is directly related to the world elite. It is partly owned by the Rothschild banking family of England and its editor-in-chief, John Micklethwait, attended several times to the Bilderberg Conference – the secretive meeting where the world’s most powerful figures from the world of politics, finance business, and media discuss global policies. The outcome of those meetings is totally secret. It is, therefore, safe to say that the people at The Economist know things that most people don’t. For this reason, its “2015 prediction” cover is rather puzzling.
The bleak and sinister cover features political figures, fictional characters and pop culture icons that will surely make the news in 2015. However, most importantly, it also includes several drawings that are extremely symbolic and allude to important elements of the elite’s Agenda. Here’s the cover :
(You can view a larger version of the cover here).
At first glance, we see political figures like Obama and Putin, references to the Rugby cup and the new Spider-Man movie. But a closer look reveals a plethora of disturbing elements. Here are some of them.
Two-Faced Globe
One side of the globe gazes stoically towards the West while the other side appears irate. Does this represent a confrontation between the East and the West? The cover features a few other symbols referring to the “rise of the East”. What’s more unsettling is that immediately under that angry globe, are pictured a mushroom cloud (the kind that happens after a nuclear bomb goes off) and a spy satellite launching into space.
The Color of the Faces
Take a closer look at the faces of the personalities featured on the cover. Some of them are in full color while others are in black and white. Why is that?
Among those in black in white are Putin, Merkel, Obama, Hilary Clinton and David Cameron. Among those in color are David Blaine, a young person holding a “Singapore” banner (Singapore is the host of the 2015 SEA games) and a random guy wearing virtual reality equipment. A quick compilation of this data reveals that those in black and white appear to be part of the elite (including the ISIS guy who probably works for them) and those in color are “outsiders”. Is this how the elite perceives the world?
Pied Piper
The presence of the Pied Piper on this 2015-themed cover is downright unsettling. The Pied Piper of Hamelin is a German legend about a man who used his magical flute to lure away the children of the city of Hamelin, never to be seen again.
This folkloric figure dating from the Middle-Ages is said to represent either massive death by plague or catastrophe, or a movement of massive immigration. It also perfectly represents today’s youth being “lured” and mystified by the “music” of mass media. Conveniently enough, there’s a small boy right under Piper’s flute.
Clueless Boy
Right under the Pied Piper, we see a young boy with a dumbfounded look on his face. He is watching a game called “Panic”. The words “Federal Reserve” and “Chi” (which probably stands for China) are on top while the words “Green light!” and “sis!” (which probably stands for “Isis!” or “Crisis!”) are at the bottom. The little boy watches as this twisted game of Plinko unfolds the same way the clueless masses watch powerlessly while various events unfold on mass media. As the name of the game states, the ultimate goal is to cause Panic around the world as crises are almost randomly generated by those who control the game. And that’s on a magazine cover owned by the Rothschilds.
Crop-O-Dust
In front of Putin is a small aircraft on which is written Crop-O-Dust. This refers to the concept of crop dusting which is “the process of spraying crops with powdered insecticides or fungicides from an aircraft.” Right under the helicopter is a kid … eating something. Unsettling.
China
A panda bear wearing a China-flag Speedo while flexing its muscles is a rather clear way of portraying the fact that China is gaining power. Next to it is a sumo wrestler holding a big battery on which the polarities (+ and -) are clearly indicated. Are they alluding to a switch in polarity in world power from the West to the East?
Ghost
Emerging from behind Obama’s leg is a ghost reading a magazine entitled “Holiday”. Why is this ghost, which represents a dead person, planning a vacation? Does it represent the fact that the masses will be so impoverished that the only time they’ll be on a holiday is when they’re dead? Does it relate to the countless people who died while traveling in the past months? Creepy.
Turtle
Standing in front of everything else, gazing right into our souls is a turtle with emphasis lines around its shell. What does it represent? Will turtles make a huge comeback in 2015? Probably not.
An angry tortoise is the symbol of the Fabian Society, an extremely powerful organization that has been working for over a century towards to formation of a single world government.
The philosophy behind Fabian socialism is basically the blueprint of what we call today the New World Order.
The Fabian Society is a very old group originating in England in 1884, with the purpose of forming a single, global socialist state. They get their name from the Roman general Fabius, who used carefully planned strategies to slowly wear down his enemies over a long period of time to obtain victory. “Fabian Socialism” uses incremental change over a long period of time to slowly transform a state as opposed to using violent revolution for change. It is essentially socialism by stealth. Their original emblem was a shield with a wolf in sheep’s clothing holding a flag with the letters F.S. Today the international symbol of the Fabian Society is a turtle, with the motto below: “When I strike, I strike hard.”
– The Fabian Society, The Weather Eye
The Fabian Society used to openly advocate a scientifically planned society and supported eugenics by way of sterilization. Its original logo was a wolf in sheep’s clothing … But I guess that was not the best way to conceal the wolf from the masses.
Bringing forth a global system through small incremental changes is exactly what the world elite is currently doing. This is probably why there’s an angry tortoise on the cover of this Bilderberg-connected publication – standing in front of the chaos behind it.
11.3 and 11.5
The lower right side of the cover features some more cryptic symbols. There’s a pile of dirt on the ground and two arrows on which are inscribed 11.5 and 11.3. Are those dates to remember? Why are they next to a pile of dirt? If you look up these figures as coordinates, they point to somewhere in Nigeria. Displaying numbers that can only be truly understood by “those in the know” is one of the occult elite’s favorite hobbies.
Standing in front of the dirt is Alice in Wonderland looking upwards towards the Cheshire Cat.
This iconic cat is known for disappearing entirely, leaving only visible its creepy grin. We, therefore, see another allusion to a world of fantasy, illusion, and deceit as perceived by Alice – a representative of the masses. Along with the somewhat unnecessary inclusion of David Blaine – a magician – the cover mixes real-world events with illusions.
Other notable symbols on this cover include a piggy bank flying from James Cameron’s pockets; A model wearing an Alexander McQueen creation (the elite’s favorite designer who died in strange circumstances) and an Asian officer wearing a facemask to protect him from a deadly disease.
2015 seems great, doesn’t it?
In Conclusion
The Economist is not a random newspaper that publishes quirky 2015 predictions to sell a few additional copies. It is directly connected to those who shape global policies and who make sure that they are applied. The publication is partly owned by the Rothschild banking family of England and its editor regularly attends Bilderberg meetings. In other words, The Economist is connected to those who have the means and the power to make “predictions” a reality.
The 2015-themed cover basically reflects the overall Agenda of the elite and is peppered with cryptic symbols that appear to be included for “those in the know”. And the masses, like Alice watching the Cheshire Cat disappear, will focus on illusions while the wolf in sheep’s clothing will strike … and strike hard.
Madonna Spreads Disinformation With New “Illuminati” Song
Madonna’s new song called Illuminati “pokes fun at internet conspiracy theories”. She’s actually doing what mass media has been doing for years: Distorting facts to then make fun of them. In short: Disinformation.
Madonna released six songs from her new album because they leaked online – something she described in an interview with The Guardian as “a form of terrorism”. Really Madonna? A form of terrorism? You can see right there how she is a mass media pawn which is hard at work in diluting the word “terrorism”.
Anyways, one of these songs is called Illuminati and it is clearly inspired by Illuminati “conspiracies” circulating online. But as Grand Priestess of the music business and pawn of the elite, she needs to contribute to the ongoing disinformation effort. She is the perfect figure to “address rumors” and tell the world what they need to know. Why should any of us do extensive research and read books when Madonna can awkwardly rap to us the truth about complex issues such as occult secret societies?
Here are the lyrics of the song.
It’s not Jay-Z and Beyoncé;
It’s not Nicki or Lil Wayne;
It’s not Oprah and Obama, the Pope and Rihanna;
Queen Elizabeth, or Kanye.It’s not pentagrams or witchcraft;
It’s not triangles or stacks of cash;
Black magic or Gaga, Gucci or Prada
Riding on the Golden Calf.The all-seeing eye is watching tonight,
That’s what it is: Truth in the Light.
The all-seeing eye is watching tonight,
Nothing to hide, secrets in sight.It’s like everybody in this party’s
Shining like Illuminati. (Oh-wo-oh-oh-wo-oh-oh…)It’s like everybody in this party’s
Shining like Illuminati. (Oh-wo-oh-oh-wo-oh-oh…)It’s the Enlightenment that started it all;
The Founding Fathers wrote it down on a wall,
And now the Media’s misleading us all:
“Turn right, and turn wrong.”It’s time to dance and turn this dark into somethin’;
So let the fire burn, this music is bumpin’.
We’re gonna live forever, love never dies,
It starts tonight…Rihanna don’t know the New World Order;
It’s not platinum-encrypted commerce;
It’s not Isis or the Phoenix;
The Pyramids of Egypt;Don’t make it into something sordid.
It’s not Steve Jobs or Bill Gates;
It’s not the Google of United States;
It’s not Bieber or Lebron, Clinton, or a bomb;
Or anyone you love to hate.The all-seeing eye is watching tonight,
That’s what it is: Truth in the Light.
The all-seeing eye is watching tonight,
Nothing to hide, secrets in sight.It’s like everybody in this party’s
Shining like Illuminati. (Oh-wo-oh-oh-wo-oh-oh…)It’s like everybody in this party’s
Shining like Illuminati. (Oh-wo-oh-oh-wo-oh-oh…)You know that everything that glitters ain’t gold;
So let the music take you out of control,
It’s time to feel it in your body and soul:
Come on, let’s go…We’re gonna dance and turn the dark into somethin’;
So let the fire burn, this music is bumpin’.
We’re gonna live forever, love never dies,
It starts tonight…
So the song begins with the lines :
It’s not Jay Z and Beyonce
It’s not Nicki or Lil Wayne
It means that Jay-Z, Beyonce, Nicki Minaj and Lil Wayne are not in the Illuminati and that “conspiracy theorists” are idiots for believing so. That’s a classic distortion used to discredit those who attempt to explain the true function of mass media. Here’s an excerpt from an interview given by Madonna about that song:
“There’s a lot of talk in pop music right now about people saying, ‘Oh, this person’s a member of the Illuminati,’ or they’re Illuminati, or you’re Illuminati, and people’s idea that there’s a group of entertainers or very wealthy people, they’re referred to as the Illuminati, and they work behind the scenes and they control things and they’re very powerful, and there’s possibly a reference to something dark, or black magic, or something like that. And I have to say I laugh at all of those things.”
– “Madonna: I did not say, ‘Hey, here’s my music, and it’s finished.’ It was theft”, The Guardian
OF COURSE Nicki Minaj is not in the Illuminati. These performers are pawns and puppets that are USED by the elite to push an agenda and specific messages. And, news flash, Madonna is part of them. Nobody actually thinks that Nicki Minaj sits in a board room with Lil Wayne plotting global policies. To imply that “conspiracy theorists” believe that is ridiculously condescending. But that’s how mass media “discredits” those who seek the truth.
Madonna then “laughs at” the occult, black magic element that is associated with the Illuminati. This is strange because Madonna has been an avid practitioner of the Kabalah for years which is esoteric Judaism and the basis of most occult schools today.
“The theories of Qabbalism are inextricably interwoven with the tenets of alchemy, Hermeticism, Rosicrucianism, and Freemasonry”
– Manly P. Hall, The Secret Teachings of All Ages“All truly dogmatic religions have issued from the Kabalah and return to it: everything scientific and grand in the religious dreams of all the illuminati, Jacob Boehme, Swedenborg, Saint- Martin, and others, is borrowed from the Kabalah; all the Masonic associations owe to it their Secrets and their Symbols.”
– Albert Pike, Morals and Dogma
The Kabalah is considered to be the source of “true magic” and is the root of all occult secret societies – in which are initiated the world elite. Madonna knows that very well, but she makes fun of this in her song.
The next lines of the song “pokes fun” at pentagrams.
It’s not pentagrams or witchcraft
Really Madonna? The pentagram is an “exalted” sign in the Kabalah and is profusely used in ritualistic magic, spirit invocations and all kinds of other magical acts.
The Pentagram is called in Kabalah the Sign of the Microcosm, that sign so exalted by Goethe in the beautiful monologue of Faust. (…)
Paracelsus, that innovator in Magic, who surpassed all other initiates in his unaided practical success, affirms that every magical figure and every kabalistic sign of the pantacles which compel spirits, may be reduced to two, which are the synthesis of all the others; these are the Sign of the Macrocosm or the Seal of Solomon, the form of which we have given already, and that of the Microcosm, more potent even than the first – that is to say, the Pentagram, of which he provides a most minute description in his occult philosophy.
– Eliphas Levi, Dogma and Ritual
As a true Illuminati pawn, Madonna then sings the praises of the All-Seeing Eye in the chorus. She also weirdly associates the Illuminati with a “party”. Because young people love parties. So Madonna said “Illuminati and party” in the same line. That’s the kind of ridiculous association they want the masses to make in their heads.
The all-seeing eye is watching tonight
That’s what it is
Truth and light
The all-seeing eye is watching tonight
Nothing to hide
Secrets inside
It’s like everybody in this party, shining like Illuminati
It’s like everybody in this party, shining like Illuminati
Then Madonna tells us lowly peasants what the Illuminati truly is – dedicated enlightened scientists from the Age of Enlightenment.
It’s the Enlightenment that started it all;
The Founding Fathers wrote it down on a wall
In her interview with The Guardian, she explains that idea.
“I think there are some people who don’t mind being referred to as that, but I know who the real Illuminati are, and where that word came from. The root of the word is “illuminate”, and that means “The enlightened ones”, and it came from the Age of Enlightenment, when a lot of arts and creativity flourished, from Shakespeare to Isaac Newton, to Leonardo Da Vinci, Michelangelo: the philosophers, artists, scientists were all engaged in a kind of high level of consciousness through their work, and they were enlightening and inspiring people around the world. And those are the true Illuminati. So the purpose for writing that song was really in a way, ‘So, if you think I’m the Illuminati, then thank you very much, a compliment, because I would like very much to be part of that group, the real Illuminati, and this is what it’s not’”.
– – “Madonna: I did not say, ‘Hey, here’s my music, and it’s finished.’ It was theft”, The Guardian
This is the same distorted, mass media-friendly definition of the Illuminati we find in disinformation books such as Dan Brown’s “Angels and Demons” – The Illuminati are products of the Age of Enlightenment. All credible researchers on the Bavarian Illuminati however state that its roots come from the Knights Templar who secured their knowledge from Egyptian Magic and the Kabbalah.
“Certainly there was an undercurrent of things esoteric, in the most mystical sense of the word, beneath the surface of Illuminism. In this respect, the Order followed exactly in the footsteps of the Knights Templars. The Templars returned to Europe after the Crusades, bringing with them a number of choice fragments of Oriental occult lore, some of which they had gathered from the Druses of Lebanon, and some from the disciples of Hasan Ibn-al-Sabbah, the old wizard of Mount Alamut.
If there was a deep mystical current flowing beneath the surface of Illuminism, it is certain that Weishaupt was not the Castalian Spring. Perhaps the lilies of the Illuminati and the roses of the Rosicrucians were, by a miracle of Nature, flowing from the same stem. The old symbolism would suggest this, and it is not always wise to ignore ancient landmarks. There is only one explanation that meets the obvious and natural requirements of the known facts. The Illuminati were part of an esoteric tradition which had descended from remote antiquity and had revealed itself for a short time among the Humanists of Ingolstadt. One of the blossoms of the “sky plant” was there, but the roots were afar in better ground”
– Manly P. Hall, The Keys of Freemasonry
In my article entitled The Order of the Illuminati: Its Origins, Its Methods and Its Influence on the World Events, I explain how the Bavarian Illuminati then infiltrated Masonic lodges across Europe and fermented revolutions across the world. So no, the Illuminati cannot be simplistically summed up as “very smart people”. It is a complex group that has been shrouded in secrecy for centuries. Manly P. Hall explains how it had a powerful impact on the world and that it purposefully “disappeared” from the public view – to better accomplish its goals.
“Certainly there was an undercurrent of things esoteric, in the most mystical sense of the word, beneath the surface of Illuminism. In this respect, the Order followed exactly in the footsteps of the Knights Templars. The Templars returned to Europe after the Crusades, bringing with them a number of choice fragments of Oriental occult lore, some of which they had gathered from the Druses of Lebanon, and some from the disciples of Hasan Ibn-al-Sabbah, the old wizard of Mount Alamut.
If there was a deep mystical current flowing beneath the surface of Illuminism, it is certain that Weishaupt was not the Castalian Spring. Perhaps the lilies of the Illuminati and the roses of the Rosicrucians were, by a miracle of Nature, flowing from the same stem. The old symbolism would suggest this, and it is not always wise to ignore ancient landmarks. There is only one explanation that meets the obvious and natural requirements of the known facts. The Illuminati were part of an esoteric tradition which had descended from remote antiquity and had revealed itself for a short time among the Humanists of Ingolstadt. One of the blossoms of the “sky plant” was there, but the roots were afar in better ground”
– Ibid.
In short, Madonna’s song is about twisting facts in order to ridicule them. She then tells her listeners to stop thinking about these kinds of things and mindlessly dance at party.
We’re gonna dance and turn the dark into something
OK Madonna.
The Twisted Message Behind Viktoria Modesta’s “Prototype”
Viktoria Modesta is a singer who had her left leg amputated below the knee in 2007. The video “Prototype” uses that disability sends out a twisted message to the viewers. No, the video is not about “empowerment”. It is about the exact opposite: The elite’s control over the masses and the entertainment industry.
Viktoria Modesta is the new face of Channel 4’s “Born Risky” campaign, which is basically an attempt to be daring and shocking with themes such as disabilities and homosexuality. The British television broadcaster paid more than £200,000 to play a shortened version of Viktoria Modesta’s video Prototype during the X Factor final, reaching more than 10 million viewers. It then became a viral sensation. The video was marketed as a “cure” to the “painfully dull manufactured pop” of X-Factor. Apparently, that “cure” is to produce the same crap produced by every other pop artist … but with a prosthetic leg that’s pointy … and sometimes shiny. So groundbreaking.
Channel 4 is actually another arm of the ugly monster that is mass media. All marketing buffs know that young people like things that are rebellious, so the people behind Modesta packaged the same insipid pop we’ve been hearing for years as being revolutionary. Behind that “rebellion” is a twisted way to push the elite’s ongoing agenda. It is indeed in perfect continuity with the themes often discussed on this site: The promotion of transhumanism, the police state, mind control of artists, media propaganda and so forth.
However, most people will be distracted by Modesta’s pointy leg. And if someone dares question her “modest” talent, those who are drowning in political correctness reply: “How dare you criticize her? Can’t you see she’s differently-abled? That means that everything she does is good. And courageous. And uplifting. I am so inspired by her right now. Wow.”
I’m sorry, but the fact that she has a prosthetic limb doesn’t mean she is not an Illuminati puppet. Because she is. The lyrics of the song and the visuals of the video cannot be clearer … unless you’re distracted by that pointy leg.
Prototype
The video begins with words that prepare you for a phenomenal revolution in the world of music.
Turns out the pop artist has a pointy leg. *cough*
The Elite’s Product
The first scene of the video lets us know that Viktoria is not a “new kind” of anything, she is yet another puppet pushing the same agenda as the dozens of others before her. She is surrounded by those who secretly control her.
Sit back for a second and ponder on the implications of the scene above. In a setting that is somewhat mystical and ethereal, Viktoria is surrounded by three men in red robes. Who are they? Do they represent the shady elite behind the entertainment industry? Perhaps. One of them holds a needle and injects her with some sort of drug. Viktoria then seems to relax and zone out. So right from the start, we are told that Viktoria is controlled by shady people. Not only contractually, but physically.
Beyond the mind-control subtext of it all, the song is about transhumanism, which is the movement towards merging humans with robots. As I stated in various articles, transhumanism is an integral part of the elite’s Agenda. It is continuously promoted as “the way of the future” in music videos and movies.
The message of the song is basically about humanity being robotized and computerized – and that it is the way of the future. Here’s the first verse:
Another life, filled with parts
Circuit board, connecting hearts
Nostalgia for the future
We’re playing God
And now’s the time
We’re limitless, we’re not confined
It’s our future
The second verse features Viktoria telling her handlers to “assemble” her as if she was a robot. Is that a positive message? No, this is what a mind-controlled slave would tell her master.
Assemble me, piece by piece
Strip away the incomplete, the model of the future
After we witness Viktoria being literally drugged and controlled by shady characters, she is then released to the world and, through mass media propaganda, she is perceived as a hero.
The Elite’s Pawn as a Hero
Viktoria’s image is then used to influence people of all ages. And that influence doesn’t appear to be positive at all. We first see a little girl watching a Viktoria Modesta cartoon and being literally brainwashed by it:
Why is the girl doing that? How is that positive? But that’s not all!
In short, the cartoon’s only true effect on the girl is that it made her violent and destructive. We later see her kicking the TV set.
Viktoria does not only influence little girls. Other people are also under her weird spell and their reaction is always somewhat negative.
How is cutting your own leg off positive in any way? It is self-mutilation and self-destruction. That is the effect of Viktoria’s “movement” on people. And that is also what, on a subtler level, mass media does to our brains.
But how can we not admire her? She is sooo cool. Not only does she have a pointy leg, she finds the time to have bi-sexual relations with albino people. So edgy.
Police State
Viktoria is then arrested by a Gestapo-style secret service police, who also beat the crap out of the albino guy. She is then taken to a courtroom with a symbolic setting.
At the very beginning of the video, Viktoria was sitting on a chair while three men dressed in RED attended to her. She is now surrounded by three red lines. The lines, therefore, symbolize her being “protected” by the elite.
When the agent asks Viktoria: “What do you plead?”, she uses her shiny leg to refract the beams on the agent’s face. It basically says: “You have no power over me, I am sent by your superiors.” In short, the “trial” is a sham. They all work for the same elite.
Still a Puppet
The video ends with a scene that is almost unbearable. Viktoria walks around with a pointy prosthetic limb on a floor made of glass. The result is as pleasing as hearing nails slowly dragging across a chalkboard. The ending also reminds us what this “pop star of the future” truly is. A puppet, wearing a beta kitten mask.
And that’s the real message of the video.
In Conclusion
“Empowerment” means “to give power”. Prototype is about the opposite. Right from the beginning, Viktoria is visibly drugged, effectively losing power over her own mind and body. She sings about being “assembled” with robotic parts. Her fans are brainwashed by television and lead to do destructive things. Nobody in the video is empowered … except those who are behind Viktoria, silently profiting from the artificially created “movement” in the video.
Prototype is a typical mass-media product created by the elite. It is twisted, deceptive and misleading. It is not about empowerment, acceptance or any other BS buzzword they love to throw at us. Prototype is about the elite manipulating the masses using robotic “pop stars”. Remember that moron who cut his leg off to be like Viktoria? This is how they perceive you. Are you that moron? Or are you a Vigilant Citizen?
“Return to Oz” : A Creepy Disney Movie That is Clearly About Mind Control
The 1985 Disney production Return to Oz is considered by many as one of the most terrifying children’s movies ever made. While many of its scenes are indeed pure nightmare fodder for young minds, there is one fact that is even more disturbing: The movie is actually about a young girl being subjected to the sadistic world of trauma-based mind control.
Warning: Gigantic spoilers ahead!
When Return to Oz was released in 1985, the movie received a somewhat cold reception. While viewers were expecting a sequel to the 1939 classic The Wizard of Oz, the movie ultimately delivered a much darker experience. While The Wizard of Oz featured munchkins singing about lollipops, Return to Oz features Dorothy being taken to a grimy mental hospital, strapped down on a bed to be electroshocked … and then things get worse.
Described by one movie critic as “bleak, creepy and sometimes terrifying“, Return to Oz is one of those movies that makes one wonder why they were marketed to children. However, when one understands the hidden underlying meaning of the movie, things make more sense. The movie is secretly about trauma-based mind control, the most sadistic practice known to man, so those behind it probably took sadistic pleasure in scaring young viewers around the world.
Return to Oz symbolically describes the horrific process of trauma-based mind control as experienced by a young girl. Also known as MKULTRA, mind control is about subjecting victims to trauma that is so intense it causes them to dissociate, or disconnect, from reality as a response mechanism to protect their conscious mind. The slave’s handler then creates a programmable alter-persona he can manipulate. (If you have no idea what I’m talking about, read this article: The Origins and Techniques of Monarch Mind Control). Through fantasy, Return to Oz describes the programming process of a young girl that has dissociated from reality into a world created by her handler.
The Wizard of Oz: The Occult Elite’s Favorite Programming Tool
In my article on The Wizard of Oz, I explained how the movie was used in MKULTRA as a programming tool on mind control slaves. The same way Dorothy goes “over the rainbow” to escape to the Land of Oz, MK slaves, who are being brutally tortured are told to go “over the rainbow” and dissociate from reality to escape the unbearable trauma.
“The Wizard of Oz was chosen in the late 1940s to be the basis for the Illuminati/Intelligence community’s trauma-based total mind control programming. As a way of enhancing the effect of the programming, Monarch slaves are conditioned to place trigger items into their lives.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
While The Wizard of Oz was chosen and twisted to become a programming tool, Return to Oz was custom-made to become an ode to mind control. Based on L. Frank Baum’s The Land of Oz and Ozma of Oz (books 2 and 3 of the series), the Disney production added several key elements to the tale to make it about mind control. For instance, in the books, Dorothy is not sent to a psychiatric ward to get electroshocked. Why was this unsettling bit added to the movie? Return to Oz follows the same basic script as several other movies used in mind control such as Alice in Wonderland, Labyrinth, and even Coraline: An inquisitive young girl escapes reality to explore a fantasy land filled with fun and adventure, where no rules apply. However, in the world of MK, that fantasy land is actually a symbol of dissociation – the place where the mind escapes to in order to cope with trauma.
Let’s look at the upsetting strangeness that is Return to Oz.
Return to Oz
The movie begins where The Wizard of Oz left off. Dorothy is in her room and keeps thinking about the magical Land of Oz. Auntie Em is concerned because she hasn’t been able to get a good night’s sleep. What does she do about this situation? She decides to bring her to a “therapist” who specializes in electroshocking his patients back to reason. That’s great parenting right there.
Dr. Worley tells Dorothy “I know exactly what will cheer you up!” and presents to her his electroconvulsive therapy (ECT) machine.
As Dorothy walks down the dark, scary hallways of the institution, we can hear “patients” screaming and lamenting. This place is nothing less than an MK ULTRA programming site. Mind control did not exist in the 19th century (the time period where the movie is set), and this entire part of the movie was added by Disney.
Dorothy is taken to a room where the head doctor (aka head handler) is waiting with his ECT machine.
Dorothy, however, appears to be lucky. Right when Dr. Worley turned on the ECT machine, the power goes out. At this point, we are under the impression that Dorothy avoided being electroshocked due to a perfectly timed power outage. However, as the rest of the entire movie will clearly tell us, that is not the case. Dorothy did, unfortunately, get electroshocked, but it is subtly implied. In fact, the shock was so violent and intense that it caused her to dissociate from reality. The lights going out in the room symbolize her core personality going out. From this point on, Dorothy’s “adventures” actually represent her going through the motions of mind-control programming while being completely dissociated. What happens to Dorothy immediately after the blackout is relevant.
When Dorothy asks Ozma about the people she hears screaming, Ozma replies that they are “patients who have been damaged and locked in a cellar”. In other words, they are MK slaves.
Oz – The Land of Dissociation
Ozma leads Dorothy to the Land of Oz – which represents the inner-psyche of the dissociated slave. Completely created and manipulated by the handler, Oz causes Dorothy to be a stranger in her own mind. The things she sees and perceives are a thoroughly distorted version of the reality lived by Dorothy at the mental institution.
Several clues indicate that, despite being in the Land of Oz, Dorothy is still physically in the mental institution. First, all of the people we see in the institution exist in the Land of Oz … as a crazy scary version as perceived by an MK slave who has dissociated.
The head nurse is the “Grande Dame” of Illuminati Mind Control, a twisted, sadistic motherly figure.
“An Illuminati Grande Dame will assist the programmers to insure that the proper script is given to the child and that a psychotic break doesn’t occur causing the victim to lose their mind.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
The male nurse is a secondary programmer who is often in charge of torturing and traumatizing the victim. For this reason, he is perceived as the head of the Wheelers, a bunch of unpredictable jerks who wear terrifying masks.
In mind control terms, Dr. Worley is the chief handler, the main programmer of the MK slave. For this reason, Dorothy perceives him as the Nome King. He rules the Land of Oz because he rules the mind of Dorothy.
There are more clues indicating that Dorothy never left the institution. The implication of these clues is rather sad. The friends she makes in Oz are actually objects seen around the institution at the beginning of the movie. For instance, her “best friend” in Oz is actually the ECT machine.
Tik Tok was part of the original book written by L. Frank Baum, but the link with the ECT machine was added by the good people at Disney who were obviously intent on giving this story a disturbing MKULTRA twist.
An Adventure Leading to Mind Control
After fleeing the institution with Ozma, Dorothy ends up in Oz – Oz representing her inner-world, her psyche as a dissociated MK slave. As a stranger in her own head, Dorothy is constantly watched, the same way MK slaves feel watched at all times.
Dorothy quickly finds the all-important Yellow Brick Road which will lead her to the Emerald City. In the world of mind control, the Yellow Brick Road is the path laid out by the handler for the slave to follow during programming.
“Monarch slaves are taught to “follow the yellow brick road.” No matter what fearful things lie ahead, the Monarch slave must follow the Yellow Brick Road which is set out before them by their master. For some slaves used as track stars, their Yellow Brick Road was the track they had to run. The Yellow Brick Road is the runway in which alters were trained to fly off from to exit their internal world and take the body. The Yellow Brick Road also pertains to the assignment that an alter is given. To follow the Yellow Brick Road is to go down the road that has been assigned by command. The Yellow Brick Road programming is placed into the child’s mind via the Yellow Brick Road of the Wizard of Oz story. Remember the key words, “Follow the Yellow Brick Road.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
The Yellow Brick Road leads Dorothy to an abandoned place where everybody is turned to stone.
Bringing the Land of Oz back to life becomes Dorothy’s mission. And that’s what her handler wants her to do.
Mombi – The First Stage of Programming
After shaking off the creepy Wheelers, Dorothy enters the castle of Mombi, the evil witch (who is also the head nurse in the mental institution). Dorothy’s encounter with Mombi implies that Dorothy is being programmed by the head nurse in the clinic.
The castle represents the inner-world of the MK slave that is programmed to mirror itself ad-infinitum.
“Mirrors, and lots of them, are important in occult programming because they make images. They create so many internal images one doesn’t know which way to go. In programming Monarch slaves, mirrors are used a great deal. Within the Monarch slave’s mind, countless mirror images are made. The slave sees thousands of mirrors everywhere in their mind.”
– Ibid.
Not only is this upsetting scene nightmare fodder for children, but it is also pure MK symbolism. The collection of heads represents various alter-personas that can be programmed into the slave.
After her traumatic encounter with Mombi, Dorothy escapes the mirrored castle. She is ready for the final stage of her programming: Dealing with the Nome King aka Dr. Worley.
The Nome King
The Nome King lives in a dark underground cave, which indicates how deeply he is ingrained in Dorothy’s inner-world. At first, he appears to her as a rocky face in the wall.
As the handler, he makes all of the rules of her inner-world and controls its structure. We see him tearing down walls, creating doorways and summoning all kinds of things. Like a true handler, he begins by displaying a reasonable, and even compassionate, side.
The Nome King tells Dorothy “I know just the thing to cheer you up!”, which is the same thing Dr. Worley told Dorothy before showing her the ECT machine. Like a true handler, the Nome King proposes a “game” to Dorothy, which is yet another way to further programming. As the game progresses, the Nome King separates himself from the walls and becomes more human.
The Nome King’s patient and reasonable side, however, doesn’t last long. Like a true MK handler, once the game is over, he turns into a terrifying monster who has the power to destroy the slave’s entire being.
As the Nome King turns into a giant monster, he tears down all of the walls of the cave – turning it into a fiery hellhole. We are symbolically witnessing Dorothy undergoing intense trauma by her handler.
Dorothy manages to escape the cave and manages to bring back the Land of Oz back to life. Did she defeat her foes? While it appears to be the case, she actually only followed the script of her programming. The ultimate goal of MK programming is the split of the core personality into alters – and that’s exactly what happens.
Celebrating the Programming
After defeating the Nome King, the entire Land of Oz takes life. While it appears to be a good thing, it actually represents Dorothy’s dissociative mind becoming fertile soil for the programming of alter personas. During the celebrations, Dorothy faces a mirror and her alter persona, Ozma, appears to her.
As Ozma walks out of the mirror, she becomes “real”. Dorothy’s programming is complete and Ozma, her programmed alter persona is fully present in her mind. Ozma tells Dorothy :
“I will look in on you from time to time, and if you wish to return to Oz, I will make it so.”
In other words, Ozma now part of Dorothy’s being and she can return to the Land of Oz (dissociation) at any time.
Back in Kansas, Dorothy understands that, while she is back to reality, her programming is still within her.
In Conclusion
While Return to Oz was already considered as one of the scariest movies ever marketed to children, understanding its underlying meaning makes it simply evil. Through deceitful storytelling, Return to Oz tricks viewers into witnessing the story of a young girl being taken to a mental ward to be tortured, traumatized and programmed by sadistic handlers. One can easily picture this movie being used as a programming tool used on actual MK slaves.
Using L. Frank Baum’s books as a primary source, Disney added a great number of new elements to the story to turn it into a true ode to mind control. Understanding the true meaning of Return to Oz is understanding the real mindset of Disney and those behind mass media in general. They are the Nome Kings and they see us as Dorothy. Time to stop following the Yellow Brick Road like mindless slaves and make our own path.
New Information About Dead Playboy Playmate Reveal Life as a Beta Kitten Slave
Paige Young was the November 1968 Playboy Playmate of the Month and, after years of being used by powerful Hollywood men, she shot herself in the head. She was found dead laying on an American flag, next to a pentagram laid out on the ground, in a room full of pictures on which were written “Hugh Hefner is the devil”.
The flurry of abuse allegations against Bill Cosby lead to a closer look at the long forgotten story of Paige Young, a Playboy Playmate in 1968. The woman briefly “dated” Cosby and was passed around by Hugh Hefner and “dozens of Hollywood leading men”. A recent article in the Daily Mail describes Paige Young’s life in Hollywood and the gruesome details of her suicide. Many details in that article provide clear indications that the Playmate was a Beta Kitten Monarch slave who was handled by the Hollywood elite. (If you’ve never heard of Monarch Mind Control, read this article first)
Like most Playboy models, Paige Young was young and naive when she became the Playmate of the Month in November 1968. She was soon swept up in the disgusting world of the Hollywood elite, where she became a literal sex slave. Ex-model Tamara Green Young while she was “dating” (“servicing” would be a more accurate word) Bill Cosby in 1970.
‘I was there seeing my boyfriend and Paige called me and said Bill was on tour and she was travelling with him.
‘They picked me up at my friend’s house and I remember sitting in the back of a stretched black limo with them both and Bill wanted to score some drugs.
‘I called around and found a bag of pot some place on the edge of El Paso.
‘Paige was in to her drugs and Bill wanted to get her some, she was along on the trip like his pet dog, she was a very subdued person, more like moon on the water in terms of her personality.
‘They were clearly well acquainted with each other, it didn’t seem like a new thing. As far as I know they dated for a while.
‘Paige always seemed in a stupor, a daze, like he was controlling her. All I remember is that their relationship wasn’t healthy.’
‘Paige was a young thing who was very much taken advantage of by the men of Hollywood, she was intelligent and talented, it’s a tragedy what happened to her.’
The sentence ‘Paige always seemed in a stupor, a daze, like he was controlling her’ is significant as it perfectly describes the mind state of an MK slave.
Page Young’s friend Richard Sample explains how she was passed around and manipulated by Hollywood elite.
‘She told me about all the men who had abused her. She said she had an affair with John Huston, and that he had done things to her, abused her.
‘I remember one incident in which John hid her shoes to make her think she had gone crazy. It was only a small thing but she was really bothered by it.’ (…)
In another story Paige confided in Melanie that a relative of a major celebrity had made a sex tape of her.
‘She was terrified of it coming out, in that day you knew your career was going to be over once it got round.
‘For weeks all she could think about was getting hold of that tape, she thought it was going to ruin her.’
Young was also a regular at the Playboy grotto where star-studded orgies were known to occur.
At the age of 30, which is about the age where most MK slaves start to break down, Young was found dead in an apparent suicide. The details of her death are symptomatic of the mind state of a Monarch programming victim.
Former model Melanie Myers, who still lives in Hollywood, remembers that fateful day clearly.
‘Paige had the whole thing planned out down to the last detail,’ she said.
‘It was Palm Sunday and she came to tell me she was going to kill herself.
‘She stayed in the back house of the duplex where we lived and I was at the bathroom window.
‘She comes up to the window and calls out to me, “I want to show you something.”
‘I was like, “What are you up to now Paige?”, I couldn’t be bothered with any more of her drama.
‘But she was like “No you’ve gotta come and see it”. So I go to her apartment and she gave me a guided tour of her suicide scene in her bedroom.’
Myers says that what she found still haunts her today.
‘It was chilling,’ she recalls. ‘There was a large American flag draped across her bed and there was a pentagram laid out on the wooden floor.’
Myers added: ‘I remember her showing me around it because it was somehow important, but I didn’t know what it meant.’
But it was the bedroom wall that shocked Myers the most.
‘It was covered floor to ceiling with photos of Hugh Hefner,’ she said.
‘There were news clippings, magazine articles, everything you could think of. Written across it was something like: “Hugh Hefner is the devil”.
‘The whole wall was a shrine saying, “I hate Hugh Hefner”, the crux of her anger was against him.
The description of Young’s suicide room contains several revealing details. First, dark occultism is a integral part of Monarch Programming which leads MK slaves to become obsessed with occult symbols. This probably explains why a pentagram, a symbol that is used in ritual magick, was laid out on the floor of her room.
MK slaves also develop an obsession with their handler/programmer whom they often end up referring to as “the devil” or “Satan”. Not only do MK handlers force their slaves to undergo horrific torture to induce trauma, they subject them to all kinds of Satanic rituals. Some accounts describe slaves being forced in to a “black wedding” with Satan himself (played by the handler) in a ritual designed to cause intense trauma.
Friends of Young believe that the elaborate setup of her suicide room was an attempt to bring mass media attention to the sick ways of the Hollywood elite. Like most MK-related deaths, mass media either ignored or spread disinformation about her life and death. All facts pointing to the dark side of Hollywood have been swept under the rug. To this day, most sources still wrongly state that Young died of an “overdose” – the usual official cause of MK-related deaths – despite the fact that police reports clearly state that her death was due to a gunshot to the head.
“Memorial site findagrave.com wrongly claims that she passed away from an overdose of sleeping tablets, as does the site whosaliveandwhosdead.com.
And website allstarpics.net, which features several glamour shots of the brunette, incorrectly claims she committed ‘suicide by barbiturate overdose’.”
– Ibid.
One can even wonder if she was actually “suicided” by those who controlled her, as she was increasingly talking about “leaving it all” – a sign of her programming wearing off. Whatever the case may be, the life and death of Paige Young provide yet another glimpse at the dark side of Hollywood – one that is filled with powerful sadistic men and helpless slaves who suffer for years until they disappear … forever.
The 2014 American Music Awards Were Littered With Illuminati Symbolism
The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point: Their performances were littered with Illuminati symbolism.
Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.
Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.
Taylor Swift Kills a Bunch of Men
The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well, that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.
While performing her single Blank Space, Swift plays the role of a man-eating rich woman.
The entire set is made of a dualistic black and white pattern juxtaposed with objects that are red the color of blood sacrifice. Taking place in a posh mansion, the performance refers to the blood sacrifices the occult elite loves to indulge in.
This performance is yet another example of the elite wanting to make death and murder cool and sexy.
The good and wholesome Taylor Swift played the role of a rich elite Madam who sacrifices men inside a big mansion.
Charli XCX
Charli XCX is clearly a new favorite of the music industry. Her performance at the AMAs was a perfect occasion to “introduce” her to the American public. The result? Another ritualistic performance color-coded to symbolize an initiation into the music industry.
The performance follows the classic narrative of “good girl gone bad” – where the artist begins wearing white, looking somewhat pure to then morph into a black-clad sex bomb. Britney Spears, Rihanna, Beyoncé, Lady Gaga, Taylor Swift and many other female pop stars went through this narrative at one point or another in their career.
Iggy Azalea – P*ssy Power
As if to emphasize the fact that only a select few get the spotlight, Charli XCX went back on stage with Iggy Azalea … who was later featured with Jennifer Lopez.
Iggy’s began her performance hosting a mock press conference surrounded by a very symbolic logo.
Underneath the electroshocked kitten head is the word “power”, which is almost ironic as none of these slaves have any power over their lives.
The second song performed by Iggy was Beg for It and its lyrics are in perfect line with her Beta Kitten persona. The first words of the song pretty much refer to her being a prostitute.
Pulled up looking picture perfect, baby
High price, but I’m worth it, baby
The first words of the second verse explain that the cat logo means “P*ssy Power”. While one might interpret that as a mentally challenged brand of feminism, it is actually about being a Beta Kitten.
Pussy power, pay me by the hour
Yes, I was begging for it … Begging for that song to stop.
All Eyes on Fergie
Then Fergie came on stage to perform her single L.A. Love which is about loving Los Angeles. No need to incorporate a bunch of Illuminati symbols in that, right? Wrong. Her music video and her AMA performance were drenched in Illuminati imagery.
Fergie indeed performs in front an entrance made of two pillars – on which are drawn All-Seeing Eyes – topped by a triangle. This is a classic design used in Masonic imagery and architecture.
At the very end of her performance, Fergie removed some of her clothes (she really didn’t need to) and stood between the two pillars. Was she getting ready for her initiation?
J-Lo Trying to Stay Relevant
Jennifer Lopez is looking to be a music industry star again. What does she need to do? Step 1: Make a song called “Booty” and feature Iggy Azalea. Step 2: Push Kitten Programming.
But wait, isn’t that scene a little familiar?
Did J-Lo’s team lack imagination? No. Because J-Lo’s team is actually Beyonce’s team who is Iggy Azaleas’s team. They are all pawns of the same group who uses them to push their specific codes.
In Conclusion
Whether it be the MTV Video Music Awards, the Grammys or American Music Awards, I’ve been analyzing award shows for years (while attempting to conceal my aversion for them) because they are a mirror of the music industry. These shows are indeed a clear reflection of the elite’s rituals, symbols, and agenda. If one would read all of my articles on award shows, a clear and obvious pattern emerges – one that cannot be ignored or written out as being “coincidence”.
Award shows do not exist to reward the most deserving artist, they are a carefully planned media event that celebrates those behind the music industry … And these people are simply sick. The 2014 AMAs were an unholy mix of oversexualization and dehumanization, peppered with veiled rituals and occult symbolism. And all of this garbage was intercut with quick shots of the Kardashians dancing with a blank stare on their faces. In short, if you did not watch these awards, you did the right thing.