The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point: Their performances were littered with Illuminati symbolism.
Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.
Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.
Taylor Swift Kills a Bunch of Men
The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well, that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.
While performing her single Blank Space, Swift plays the role of a man-eating rich woman.
The entire set is made of a dualistic black and white pattern juxtaposed with objects that are red the color of blood sacrifice. Taking place in a posh mansion, the performance refers to the blood sacrifices the occult elite loves to indulge in.
This performance is yet another example of the elite wanting to make death and murder cool and sexy.
The good and wholesome Taylor Swift played the role of a rich elite Madam who sacrifices men inside a big mansion.
Charli XCX is clearly a new favorite of the music industry. Her performance at the AMAs was a perfect occasion to “introduce” her to the American public. The result? Another ritualistic performance color-coded to symbolize an initiation into the music industry.
The performance follows the classic narrative of “good girl gone bad” – where the artist begins wearing white, looking somewhat pure to then morph into a black-clad sex bomb. Britney Spears, Rihanna, Beyoncé, Lady Gaga, Taylor Swift and many other female pop stars went through this narrative at one point or another in their career.
Iggy Azalea – P*ssy Power
As if to emphasize the fact that only a select few get the spotlight, Charli XCX went back on stage with Iggy Azalea … who was later featured with Jennifer Lopez.
Iggy’s began her performance hosting a mock press conference surrounded by a very symbolic logo.
Underneath the electroshocked kitten head is the word “power”, which is almost ironic as none of these slaves have any power over their lives.
The second song performed by Iggy was Beg for It and its lyrics are in perfect line with her Beta Kitten persona. The first words of the song pretty much refer to her being a prostitute.
Pulled up looking picture perfect, baby
High price, but I’m worth it, baby
The first words of the second verse explain that the cat logo means “P*ssy Power”. While one might interpret that as a mentally challenged brand of feminism, it is actually about being a Beta Kitten.
Pussy power, pay me by the hour
Yes, I was begging for it … Begging for that song to stop.
All Eyes on Fergie
Then Fergie came on stage to perform her single L.A. Love which is about loving Los Angeles. No need to incorporate a bunch of Illuminati symbols in that, right? Wrong. Her music video and her AMA performance were drenched in Illuminati imagery.
Fergie indeed performs in front an entrance made of two pillars – on which are drawn All-Seeing Eyes – topped by a triangle. This is a classic design used in Masonic imagery and architecture.
At the very end of her performance, Fergie removed some of her clothes (she really didn’t need to) and stood between the two pillars. Was she getting ready for her initiation?
J-Lo Trying to Stay Relevant
Jennifer Lopez is looking to be a music industry star again. What does she need to do? Step 1: Make a song called “Booty” and feature Iggy Azalea. Step 2: Push Kitten Programming.
But wait, isn’t that scene a little familiar?
Did J-Lo’s team lack imagination? No. Because J-Lo’s team is actually Beyonce’s team who is Iggy Azaleas’s team. They are all pawns of the same group who uses them to push their specific codes.
Whether it be the MTV Video Music Awards, the Grammys or American Music Awards, I’ve been analyzing award shows for years (while attempting to conceal my aversion for them) because they are a mirror of the music industry. These shows are indeed a clear reflection of the elite’s rituals, symbols, and agenda. If one would read all of my articles on award shows, a clear and obvious pattern emerges – one that cannot be ignored or written out as being “coincidence”.
Award shows do not exist to reward the most deserving artist, they are a carefully planned media event that celebrates those behind the music industry … And these people are simply sick. The 2014 AMAs were an unholy mix of oversexualization and dehumanization, peppered with veiled rituals and occult symbolism. And all of this garbage was intercut with quick shots of the Kardashians dancing with a blank stare on their faces. In short, if you did not watch these awards, you did the right thing.
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