“Mother Mary”: What the Film Reveals About the Occult Elite’s Agenda in Pop Music

In "Mother Mary", Anne Hathaway plays a pop star attempting a comeback after a highly publicized breakdown. Through highly symbolic scenes, the movie describes the ritualistic and demonic side of the music industry and the true cost of success. Here's a look at the occult meaning of this movie.

Warning: Immense spoilers ahead!

Throughout the years of analyzing pop culture, a recurring theme has been highlighted numerous times on this site: The proverbial red dress. I’m not talking about a dress that happens to be red; I’m talking about red that happens to be a dress. Like, aggressively and overwhelmingly red.

In the color codes of the occult elite, red is the color of initiation and sacrifice. When it appears in an occult-coded performance or music video, it is meant to signify profound transformation through a ritualistic process.

One of this site’s earliest mentions of the red dress appeared in “The 2009 VMAs: The Occult Mega-Ritual.” The entire show was highly ritualistic and highlighted the pivotal moment when Taylor Swift ascended to superstardom.

If you thought that one might be “reaching” about the symbolic meaning of the red dress, well, Hollywood created an entire movie about it. And it made sure you understood that this dress has a deep spiritual meaning rooted in the dark occult practices.

Mother Mary is about a veteran pop star seeking a comeback after a traumatic event. According to the movie’s writer and director David Lowery, Mother Mary – the pop star played by Anne Hathaway – was inspired by “Beyonce and Taylor Swift in fifteen years.”

Or maybe a younger Madonna. In fact, the names Mother Mary and Madonna both refer directly to the Virgin Mary in a rather blasphemous manner. And, like Madonna, Mother Mary is a veteran of the music industry who routinely shows her allegiance to the occult elite to remain a celebrity.

The movie’s music was written by Charli XCX, FKA Twigs, and Jack Antonoff (who has written songs for Taylor Swift, Lana Del Rey, Sabrina Carpenter, and many others). In other words, this movie about the dark side of the industry was made with the help of people who are deep in it.

Here’s a look at the symbolic meaning of that movie.

Possessed

 

The movie begins with Mother Mary performing a song at a show. Her imagery is inspired by Catholicism, as illustrated by the halo on her head and the rosary beads around her hand. This will all be symbolically desecrated.

There is nothing holy about what she’s singing. The song is called “Burial,” and the chorus foreshadows what will happen at the end of the movie.

This black suit fits like a glove
I was born to be the widow of love

While the song is playing, the movie sends us a message that is not subtle.

The words “Cover your ears this song is curs’d” appear on the screen.

This is actually good advice for most pop music that has been coming out in recent years. Lady Gaga herself stated that her song “Abracadabra” contained a spell.

While Mother Mary’s performance was acclaimed by her fans, all is not what it seems. Because, behind the scenes, she’s breaking apart at the … seams.

Mary is deeply unwell and traumatized. There is something inside of her that is driving her mad. 
While freaking out, Mary has visions of being under the spell of a spiritual entity represented by floating red fabric. Her outfit features a symbolic “hole” on her stomach, signifying that the entity is taking a piece of her.
While this is happening, a London fashion designer named Sam feels a spiritual connection with Mother Mary.

During the movie’s intro, Sam talks about “feeling that Mother Mary was coming to see her.” And that’s exactly what happens.

Mary barges into Sam’s room, where the designer is fully expecting her. The gloves on the wall might be sending a subtle hint: Sam is a HANDler. 
Sam lives in those elite-owned European châteaux – the type of place where occult dealings take place. 

Mother Mary needs Sam to make her a dress for her big comeback. However, Sam is angry that Mary abandoned her as a collaborator (and possibly a lover) several years earlier. Right from the get-go, Sam is demanding and controlling.

Before agreeing to make Mary a dress, Sam asks:

– Will you let me do whatever I like?
– Yes.
– Will you do exactly as I say?
– Yes.

Only after being assured of complete compliance by Mary does Sam agree to make her a dress.

With her assistant, Hilda, Sam repeatedly takes Mary’s measurements in a rather forceful manner, one of the many ways she asserts her dominance over her.

As the movie progresses, one realizes that something is off and creepy about the Sam and Hilda duo, played by Michaela Coel and Hunter Schafer.

Hunter Schafer and Michaela Coel appeared together in a 2024 Boy.Brother.Friend magazine photoshoot. They look … weird. 

As she starts working on Mary’s dress, Sam explains what happened to her in these past years. She was so distraught by Mary leaving her that she literally manifested an evil spirit.

Sam explains how a “red ghost” emerged from her pain of being separated from Mary.

After hearing Sam’s story, Mary realizes that the same red entity is now inside of her. She proceeds to tell Sam the story of her possession.

Mary explains how the entity “found” her during a séance she organized with some friends.
The séance is led by a woman named Imogen, who connects with the spirit and brings it into contact with Mary.

Imogen is played by singer/actress FKA Twigs. Interesting fact: She recently starred in The Carpenter’s Son – a movie with demonic undertones where she played the role of the Virgin Mary. And now she’s in another demonic movie named after the Virgin Mary.

After connecting with the red spirit, Mary’s life and career took a disturbing turn.

Industry Slave

In a symbolic scene, Mary is seen having increasing trouble climbing the stairs to perform on stage, representing the physical toll the possession is taking on her. Her halo is partially destroyed, representing the spiritual toll of the possession.

While speaking with Sam, Mary describes her years as a pop star as “possessed” by this red spirit.

Before performances, Mary has bloodwork done on her – it is about physical and spiritual control. 
While performing in front of crowds, Mary has visions of the red entity. In this shot, it takes the shape of Baphomet’s head, subtly indicating the demonic nature of it all.

As this is happening, Mary sings Holy Spirit 2, a song about rejecting God and embracing the spirit that took over her. Here are the lyrics.

[Verse 1]
You got that cold feeling, your sacred heart’s blue
Do you know what to pray for anymore
Or if you can make it through?

[Verse 2]
But me, I was raised up to believe
You could fill a cathedral with what I thought was true
All those churches all came crashing down, those churches all came crashing down, yes, they do
So now
I believe in you

[Chorus]
Did you ever feel you’re holy?
Did you ever feel it? Did you ever fear it?
Did you ever feel you’re holy?
Did you ever feel it? Did you ever fear it?

Feel the sign of your mind could match the prayer of your lips
Lord, forgive our wasted time
Did you ever feel the sway of my hips, the press of my fingertips?
No, I ain’t gon’ win this fight
Did you ever feel the—?
Babe, I spent my whole life praying for my whole life
I’ve never felt like this before
Babe, I spent my whole life praying for my whole life
I’ve never knelt like this before

So come on, baby, put the spirit in me, tongue, the fire in me
Rip me open, let me breathe
Come on, baby, put that heart into mine, press your knees into mine
Press my needs into the ground

In numerous past articles, I’ve pointed out that pop stars are often made to sing about their own slavery and spiritual darkness. This is what’s happening here. The song talks about “wasted time” with the Lord and her begging to be penetrated (spiritually and sexually) by the spirit.

After she sings these cursed words, a horrific, highly mediatized “accident” occurs.

During her performance, Mary drops from a platform and ends up hanging by the neck. The viral event became a turning point in her life and career.

After the event, people speculated that it was Mary having a breakdown and attempting suicide. But there was a spiritual dimension to this mega-ritual.

As Mary is hanging by the neck, a scene shows us what is happening on a spiritual level: The red spirit penetrates and violates her.

Mary attempted to break free from Sam (who represents the occult elite) and go her own way. As a punishment, a demonic entity found her, took over her, and pushed her to destroy herself.

Since then, Mary has been completely out of it. Sam tells her she can help her expel that spirit, and things become very symbolic.

Sam and Mary perform a ritual to summon the spirit and make it leave Mary.

If you draw a line between the candles above, you get a pentagram. And you get a hint about Sam’s true identity.

The sigil of Baphomet consists of a pentagram inside a circle, like above. The candles are arranged in the positions of the Hebrew letters spelling “Leviathan” in the sigil. 

The sigil above bears the name “Samael”, the king of demons.

Sam’s full name is Sam Anselm, which contains all the letters to form the name Samael. Coincidence?

Samael is also the husband of the demonic Lilith, the primordial she-demon. In parallel, there’s a husband/wife dynamic between Sam and Mary.

During their ritual, Mary stabs herself in the chest with a pair of scissors. Then, Sam sticks her hand inside of her and pulls out the red fabric.

Guess what happens next? Yes. Sam uses that red fabric to create Mary’s new iconic comeback dress.

In a highly symbolic scene, Mary floats before Sam wearing the red dress. Mary is wearing the very symbol of her spiritual possession. 

Happy Ending?

To most viewers: The movie has a happy ending. Mary is liberated from that spirit and uses it as an inspiration to make a big comeback. However, when one understands the movie’s underlying symbolism, the ending becomes the exact opposite: she is more controlled than ever.

During the credits, Mary sings the praises of her those who control her in a symbolic setting.

The movie ends with Mary performing a song talking about sacrifice and “blood in her mouth.” The ladders behind her represent her climbing in the industry after her full compliance.

Notice that everyone is wearing black. By doing so, the movie follows the exact same color codes highlighted on this site countless times.

Mary went from wearing a white dress to a red one, and finally to a black one. The same transition between these specific colors can be found across pop culture to represent an artist’s transformation.

Mary’s white outfit with a gold halo represents purity and godliness. Red represents sacrifice and spiritual metamorphosis. Black represents the completed embrace of the “dark side.” Even her halo is black. Mary is not free. She completed the process to become a fully controlled industry slave.

In Conclusion

The movie Mother Mary is about a pop star who attempted to break free from her collaborator (and lover) Sam, who represents the darkness of the occult elite. Sam did not take this betrayal lightly. She manifested a metaphysical force that would cause Mary to nearly destroy herself before irresistibly coming back to Sam.

After securing Mary’s full compliance, Sam had her wear the very symbol of her spiritual possession: a red dress. While the movie makes it seem as if she is “liberated” from that spirit, she’s actually more controlled by it than ever. The black dress seen during the credits confirms that Mary has fully “turnt.”

While this movie is technically fiction, it contains some truths that have been explained on this site for years. In its own way, Mother Mary documents the ritualistic dimension of pop culture and the spiritual cost of being an industry slave. The movie itself is a ritual: It is about Mother Mary submitting to Samael.

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