The Disturbing Message Behind Sia’s Videos “Chandelier”, “Elastic Heart” and “Big Girls Cry”

Sia’s video trilogy, “Chandelier”, Elastic Heart”, and “Big Girls Cry”, all feature the young dancer Maddie Ziegler performing elaborate choreography. A deeper look at the symbolism in these videos reveals the disturbing story of a young girl’s abuse inside the elite’s system of mind control.

While she only obtained mainstream success in 2014, Sia has been hard at work in the music industry for years. In addition to her own six studio albums, Sia has written hit songs for the world’s biggest pop stars including Beyonce, Rihanna, Britney Spears and Rita Ora. If you’re a reader of Vigilant Citizen, you already know that ALL of these artists have been mentioned on this site because they have all been used to push the elite’s Agenda at some point or another in their careers. Sia is, therefore, not a stranger to the higher ups of the music industry and the messages it wants to perpetuate.

The imagery associated with Sia’s sixth album 1000 Forms of Fear is right in line with the elite’s ongoing Agenda, which includes the sexualization of children, the normalization of ritual abuse, and the promotion of mind control. While these are strong words to describe videos of a young girl dancing while wearing a wig, the plethora of symbols surrounding the video trilogy strongly points in that direction.

The album cover features the blond wig worn by Sia and Maddie Ziegler.

This blond wig represents the concept of alter persona. The creation of alter personas is the main goal of Monarch mind control (if you don’t know what I am referring to, read this article first) and, coincidentally, products of Beta Kitten programming are often made to wear blond wigs. In the videos, this wig is worn by Maddie Ziegler, who is a typical child star raised by a twisted industry.

Maddie Ziegler

Maddie Ziegler began dancing at the age of 2 and, at age 8, appeared on Dance Moms, a “reality TV” show that I will never watch because it would probably cause me severe nausea and intense chest pain. I have come across a few screenshots from the show and …  they gave me severe nausea and intense chest pain. The show is one is yet another excuse to dress young girls in slutty outfits and putting them on TV.

This is Maddie Ziegler’s younger sister in Dance Moms. Call me old-fashioned, but girls her age should be playing in a sand pit or something. Instead, she is dressed in skirts and jewelry, wears makeup, and dances on national TV.

Ziegler has also appeared in a few Disney TV shows (the ultimate launch pad of screw up child stars). Today, at age 12, things are getting out of hand.

Ziegler, age 12, looking adult-like with high heels, in the summer issue of Kode magazine.

Ziegler (age 12) wearing makeup, a short skirt, and heels while showing off her legs.

Maddie Ziegler is yet another example of a child star who grew up in an industry ruled by sick people who prey on the innocence of children. Sia’s videos symbolically describe the dark side of this entire system. Let’s look at the videos.

Chandelier

If one listens to Chandelier without watching the video, it appears to be about a girl who parties and gets drunk in order to keep sadness and desperation at bay.

Party girls don’t get hurt
Can’t feel anything, when will I learn
I push it down, push it down

I’m the one “for a good time call”
Phone’s blowin’ up, they’re ringin’ my doorbell
I feel the love, feel the love

1, 2, 3 1, 2, 3 drink
1, 2, 3 1, 2, 3 drink
1, 2, 3 1, 2, 3 drink

Throw ’em back, till I lose count

Some parts of the lyrics indicate that the “one for a good time call” might actually be in the “pleasure for men” industry.  She “parties” (works) all night, but she actually feels miserable. She gets wasted to become blind to the truth and numb from the pain.

But I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ’cause I’m just holding on for tonight
On for tonight

However, at the end of the night, the sun sheds light on the harshness of her reality.

Sun is up, I’m a mess
Gotta get out now, gotta run from this
Here comes the shame, here comes the shame

While the song might have heavy implications that can be interpreted in several ways, the video adds an even more disturbing dimension by featuring a 12-year-old girl in a skin-colored spandex suit dancing ecstatically to it. The video plunges the song into the dark world of mind control, where abandoned children deal with trauma, abuse,  and multiple personalities.

The cover of Chandelier features two lifeless, mannequin-like girls, lying face down and wearing the same wig – which implies split personality. The one on top wears a dualistic black and white pattern  (used in the programming of MK slaves) while the other one wears the kind of outfit that a Beta kitten would wear when she’s “on for tonight”.

The video features Maddie Ziegler dancing inside a grimy and abandoned apartment with strange drawings (apparently drawn by her) hanging on the wall.

Maddie dances around a dirty room with a disgusting mattress (she must probably sleep on). Above that mattress are the type of drawings an MK slave would create. One of them is a face with four eyes – which represents a split personality.

Flashing one eye – indicating that this is about the MK system.

The video ends with a shot of Maddie standing in the doorway while the image blurs, making it appear as if she is wearing nothing (I won’t even post a screenshot of this). This probably pleased child lovers watching the video. Elastic Heart goes even further.

Elastic Heart

Featuring a near-naked Shia Labeouf wrestling with Maddie Ziegler inside a cage, the Elastic Heart video sparked some mass media controversy due to its pedophile undertones. This even prompted Sia to apologize on Twitter.

It is interesting that Sia “anticipated” the “cries”, but went with it anyway. This is not the kind of subject to take lightly, especially considering the fact that countless people have been traumatized by it.

It is also interesting that Sia felt that Shia Labeouf was the only dancer who plays that role in her video. As I stated my article What is Happening to Shia Labeouf, Shia has been involved, in several ways, in the disturbing world of MK, including growing up as  Disney child star. Recently, he was the star of the video Fjögur Píanó, which was clearly about Monarch programming (see my article about it here) and over the past years, he has displayed the kind of erratic behavior that is typical of MK slaves. In an interview with Interview Magazine, Shia described the difficult relationship with his father by using terms that can also be applied to mind control handlers.

He’s the marionette puppeteer. My dad is the key to most of my base emotions. My greatest and my worst memories are with my father, all my major trauma and major celebration came from him. It’s a negative gift. (…) But we’ve got something going on between us that’s really valuable to me right now, more valuable to me than having a father. And I financially support his whole lifestyle. I pay him to be my marionette puppeteer.
– Interview Magazine, “Shia LaBeouf”

So, yes, I suppose Shia is the right person to play a role in a trilogy that revolves around mind control. Is Shia playing the role of his own manipulative father in the video? Is he a predatory abuser? Do the dancers represent warring states in Sia’s head? Maybe all of the above.

The video begins with Shia and Maddie facing each other inside a giant cage. They are both trapped and are both, symbolically, MK slaves.

Shia gets weirdly intimate with Maddie. the fact that he’s not wearing any clothes doesn’t help.

Maddie reacts to the “advances” (for lack of a better word) by acting like an animal, biting Shia’s hand and roaring at him, as if she knew what was coming. However, Maddie warms up to Shia and gets close to him. Sometimes children don’t know the boundary between love and abuse.

The video ends with Maddie being able to escape the cage while Shia is too big to follow her.

This video featuring two lost souls in a strange setting with disturbing undertones ends sadly.

While it is difficult to exactly pinpoint what went on in Elastic Heart, the Big Girls Cry video is obvious … for those “in the know”.

Big Girls Cry

While the song is about “big girls” being heartbroken, the video features a little girl for three and a half minutes. During that time, the girl played again by Maggie Ziegler, performs all kinds of facial expressions that end up telling a story. And, she does indeed mimic the abuse and trauma suffered by an MK slave. When one understands what this is truly about, the video is actually quite clear, even blatant.

Maddie sucks her thumb, a gesture alluding to the innocence and helplessness of children.

She then appears to smears lipstick all over her mouth and face – which represent the early sexualization of this innocent child.

On her hand is written “Don’t Think” which is the kind of motto MK handlers brainwashes slaves with.

Both eyes forcibly held open, maybe to force her to watch something traumatizing – not unlike that iconic scene in Clockwork Orange.

The one-eye sign confirming that it is all about Illuminati mind control.

Forced to ingest something … God knows what.

Maddie holds her ears, screams, and shakes as if she is being electroshocked – a common trauma-inducing torture in MK.

She then spins around with a confused look on her face. The trauma of electroshock causes dissociation and the feeling of spinning and floating on air.

Then the hands of an unseen person (the HANDler, perhaps?) strangles Maddie.

Her facial expressions are controlled by the handler.

Forced to silence.

Hanged by the neck as a form of torture.

The video ends with the final product of the traumatizing and dehumanizing process of mind control.

The end result of this abuse: A young person that is broken, bewildered and dissociated from reality.

In Conclusion

Sia’s video trilogy tells a story that is dark and disturbing. It will, however, remain a mystery to most viewers because most of them say “Wow, that’s so creative and artistic” without truly understanding what it is about. The videos all star Maddie Ziegler, a child performer that is sadly becoming another face of the mass media’s obsession with child exploitation.

Each video in the trilogy describes a different aspect of mind control, creating a disturbing narrative. Chandelier depicts a child that was visibly abandoned in a disgusting place, surrounded with images alluding her alter persona; Elastic Heart portrays a conflictual relationship with some kind of father figure with an underlying theme of child abuse and Big Girls Cry sums up the process of mind control using hand gestures and expressive faces.

While this imagery is absorbed by the viewers, powerful music plays in the background, causing an emotional connection with what is happening. In the end, the videos serve the ultimate purpose of the elite’s entertainment industry: To normalize their sick obsessions (child abuse, exploitation and mind control) and to make them part of popular culture. While the masses dance to songs they don’t truly understand, the true victims of the system are still ignored by the public as they are locked into a powerful system and subjected to …1,000 forms of fear.