The Occult Interpretation of the Movie “Black Swan” and Its Message on Show Business


“Black Swan” is an intense psychological thriller describing a ballet dancer’s metamorphosis into the “Black Swan”. Behind the movie’s freaky facade lies a profound commentary on the cost of fame, the sacrifice of artists and the hidden forces behind the shady world of high-stakes entertainment. We will look at the occult symbolism of the movie and its themes relating to the dark side of show business.

Directed by Darren Aronofsky, Black Swan follows shy ballet dancer Nina along her path to success in the demanding world of professional ballet. Black Swan can be considered a companion piece to the director’s previous movie, The Wrestler, which also describes the ups and downs of a troubled person working in a lesser-known field in the performing arts: professional wrestling. Although both movies explore similar themes (i.e. sacrificing one’s self for the good of the performance), the world in which Nina evolves and the obstacles she must endure are diametrically opposed to those of The Wrestler. Randy “The Ram” Robinson is a blue-collar guy living in a blue-collar town and must cope with the physical pain caused by his blue-collar lifestyle.  Nina, on the other hand, performs in the refined world of ballet and her struggles are psychological, emotional and even spiritual.

I often point out that great works of art can be interpreted in numerous ways, depending on the knowledge and experiences of each viewer. This movie is no exception … there are indeed numerous ways to interpret the plot of the movie. Through the use of meanings and symbols, however, the movie clearly alludes to many issues previously discussed on The Vigilant Citizen: the dark and occult side of fame, duality, trauma-based mind control, the forced creation of an alter persona and more. The main character, Nina, goes through a metaphysical change – by getting in touch with her “dark side” –  in order to become a better performer. This change is imposed on Nina by her “handler”, in this case, her ballet director. The movie uses subtle references to trauma-based mind control to explain the creation of an independent alter-person in Nina’s psyche.

Although Black Swan is fiction, it nevertheless explores hidden realities of high-stakes art and performance. There are numerous examples of artists who have embraced darker alter egos to take their art to “another level” … and many who ultimately are consumed by them. We will look at the occult and mind-control elements of Black Swan and see how they relate to some of the realities of the world of professional entertainment.

Warning: Major spoilers ahead!

Movie Summary

Black Swan is a modern retelling of Pyotr Ilyich Tchaikovsky’s classic ballet, Swan Lake. In the movie, the ballet director, Thomas Leroy (played by Vincent Cassel), describes to his dancers the basic plot of the ballet:

“We all know the story. Virginal girl, pure and sweet, trapped in the body of a swan. She desires freedom, but only true love can break the spell. Her wish is nearly granted in the form of a prince. But, before he can declare his love, the lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself and, in death, finds freedom”.

Nina, a shy and fragile young woman is chosen to play the role of the Swan Queen and must therefore embody both the pure White Swan and the evil Black Swan. Her quest for perfection as a ballet dancer leads her to experience, in her everyday life, the transformation experienced by the White Swan in the ballet’s story. The events of Nina’s daily life therefore mirror the story of the character she takes on as a ballet dancer, ultimately leading to confusion and, as the line between reality and fiction blurs, to apparent insanity.

The director’s use of mirrors and reflections in numerous scenes are a constant reminder of Nina’s altered perception of reality. Mirrors in the movie are often misleading and Nina’s reflections seem to have a “life of their own”. As Nina becomes haunted by the Black Swan, this alternate persona takes a life of its own and acts outside of Nina’s conscious control. We will explain later how this relates to trauma-based mind control.

If you have not read other articles on this site, trauma-based mind control – also known as Monarch Programming –  is the process in which an individual is subjected to intense trauma and dehumanization in order to cause a mental dissociation. This causes a fragmentation of the slave’s personality and enables the handler to create an alternate persona that can be programmed at will. Some researchers claim there are occult elements at work in this process.

“Project MONARCH could be best described as a form of structured dissociation and occultic integration, in order to compartmentalize the mind into multiple personalities within a systematic framework. During this process, a Satanic ritual, usually including Cabalistic mysticism, is performed with the purpose of attaching a particular demon or group of demons to the corresponding alter(s). Of course, most skeptics would view this as simply a means to enhance trauma within the victim,  negating any irrational belief that demonic possession actually occurs.”
– Ron Patton, Project Monarch

A promotional poster for Black Swan. Nina (played by Natalie Portman) is shown with a crack through her face, representing the fracturing of her personality, an important concept and symbol of mind control.

Let’s now look at some central themes of the movie.

Nina and her Trauma

Nina lives in a small New York apartment with her mother, Erica, about whom the least we can say is that she is overbearing. Many allusions to trauma-based mind control can be found in Nina’s living environment and her mother’s controlling behavior.

Nina’s bedroom. Notice the butterflies on the wall, a reference to Monarch programming. Next to the window is a big white rabbit, a symbol of mind control originating from Alice in Wonderland – a fairy tale used in the programming of MK slaves.  By following the White Rabbit Alice is lead to an alternate world, Wonderland, which, in mind control terms, refers to a slave’s dissociative state.

Nina’s mother, a retired ballet dancer who failed to become a star, acts more as a mind-control handler than a mother. She obviously has boundary issues and keeps tight control over all aspects of Nina’s life. Real-life Monarch slaves often start their difficult lives as victims of ritual abuse in their own household. Symbols relating to mind control in Nina’s house probably reflect this sad reality, including her pink, childlike bedroom.

Every night, Erica Sayers winds up the music box next Nina in order to make the little ballerina dance. This is quite symbolic of Nina’s mind-controlled state.
Erica Sayers, Nina’s mother, forcibly undressing her adult daughter. This unsettling scene depicts to Nina’s total submission to her mother and also hints to the unhealthy sexual “familiarity” between the two.

Other people in Nina’s life, apparently preying on her weakness and “victim energy”, take advantage of her sexually.

An old pervert makes obscene gestures to Nina while riding the train. This disturbing scene tells a lot about Nina’s relation to sexuality. Sexual predators sometimes have the sick ability to sniff out and prey on sex-abuse victims.

Nina’s mother has, therefore, subjected her daughter to trauma-based mind control in order to make her a submissive woman who would realize her mother’s failed dreams. This has trained Nina to disassociate to make her existence bearable, which in turn makes Nina the perfect subject for the creation of a dark alter persona: the Black Swan.

Bringing out the Black Swan

Getting back to the storyline, Thomas, the ballet director, is looking for a new ballet star play the role of the Swan Queen. Nina’s meticulous dancing is perfect to play the role of the White Swan, but she must also be able to play the Black Swan, a role that requires the dancer to be twisted, sexual and dangerous. Nina’s frigid style is not suitable for the Black Swan, but Thomas chooses her as the Swan Queen anyway. He knows she has it in her, and he will bring it out.

Thomas bringing out the Black Swan in Nina

At one point, Thomas tells Nina:

“Perfection is not just about control. It is also about letting go. Surprise yourself so you can surprise the audience. Transcendence. Very few have it in them.”

Watching Nina dance, he later says:

“I knew the White Swan wouldn’t be a problem. The real work would be your metamorphosis into her evil twin.”

In order to obtain perfection, or in alchemical terms, to accomplish the Great Work, Nina must master both good and evil – light and darkness. The occult concept of duality becomes therefore extremely important (more on this later).

Thomas’ job is to create in Nina a new, agressive and sexual alter-ego. He therefore becomes Nina’s new mind-control handler. Whereas her mother “programmed” her daughter to be a submissive ballet dancer who never questions her mother/handler, Thomas requires her to embrace the exact opposite. He represents the “big league”, the next level of Monarch programming.

After her meeting with Thomas, Nina, dressed in white, crosses the path of another Nina, dressed in black. This symbolically represents the coming of Nina’s new, dark alter-ego.

In order to become a Black Swan, Nina must be able to be somewhat comfortable with sex, and even enjoy it. So Thomas gives Nina homework: to “touch herself”. Ready to do everything to become a better dancer, Nina tries to masturbate but her mother causes a blockage. Sexual pleasure becomes therefore a form of emancipation from her mother’s control and her initiation to the “big league”.

As the Black Swan grows in power, Nina starts hallucinating physical mutations on her body. The only other person that can see these mutations are Nina’s mother, who, as a handler, has the “key” to her psyche. She is aware of Nina’s gradual transformation and tries to repress it, knowing it will cause the lost of her “little girl”.

Nina hallucinates all kinds of strange mutations on her body. They represent the gradual coming out of the Black Swan in her.

This situation reflects the ugly truth behind real-life ritual abuse. Children, who are already dissociative due to their parent’s abuse, are handed over to “higher instances” who continue the programming process. In this case, Nina is handed over to the entertainment world (known to use Monarch programming on celebrities) to create in her an alter persona destined to be a world-renowned star.

Thomas presenting the new Swan Queen, Nina

In order for Nina to become the new Swan Queen, however, someone must step down.

Beth MacIntyre: The Ageing Star Who Was Pushed Aside

Beth MacIntyre at Nina’s crowning ceremony. She has just learned she is no longer the Swan Queen. She is obviously not happy.

Beth MacIntyre (played by Winona Ryder) is the previous star of the ballet company.  However, she is growing old and “losing her edge”. As a veteran, Beth already went through the “Black Swan process”, and, as some people might say, she “sold her soul to the devil”. Although this deal gave her years of great performances, in the end, the process completely destroyed her. She has become a bitter, conceited and hateful person who is incapable of existing without being the Black Swan.

There are many real life cases of celebrities suffering the same fate. After being recruited, programmed and primed by the industry to become a superstar, they are suddenly dropped and forgotten. Being psychologically damaged, not knowing who they really are, the fallen stars sink into depression, drugs, alcoholism and even suicide.

Thomas, who was Beth’s handler (he called her “my little princess”, a mind-control trigger) no longer needs the alter-ego he created in her. It is however impossible to “deprogram” her, so she completely loses her mind. The next day, the ballet company learns she got hit by a car. Thomas says:

“You know what, I’m also sure she did it on purpose. Everything Beth does comes from within, from some dark impulse. I guess that’s what makes her so thrilling to watch … so dangerous … even perfect at times. But also so damn destructive.”

So the “spirit”, the alter ego that consumed and destroyed Beth, was also the hidden force behind her great performances. The public has always been fascinated by intense and inspired performers who touch them on a primal and visceral level.  Depending on the performance, this source of artistic transcendence has been attributed to the divine or to the devil. Controversial and groundbreaking performers have often dwelt between brilliance and insanity – tapping into a mysterious force at the source of artistic greatness and, on the other hand, imminent self-destruction. Religious people might say this force is nothing less than spirit possession; scientists might say that psychological torment leads to creativity. No matter the term one uses for this “force”, it certainly exists and it is tapped into by some of the world’s most influential artists. Beth hosted this force and it completely destroyed her … and now it can move on to Nina.

The Black Swan Takes Over (Black Wings and Mirrors)

A symbolic movie poster. From the little ballerina rises, as a phoenix from its ashes, a gigantic and menacing Black Swan.

The Black Swan is the artistically brilliant yet spiritually destructive force Thomas wants to see born in Nina. He obviously knows about the Black Swan’s devastating powers, but he doesn’t care and never did: he is after the ultimate performance. Once Nina has been “used” up by the Swan, he will find another dancer to replace her. He is a representation of the entertainment industry, which manipulates artists into becoming Black Swans,  ultimately trashing them when the Swan’s effects have faded.

Black Wings

The “force” of the Black Swan is symbolically represented by black wings at different stages of the movie.

Shortly after being crowned “Swan Queen”, Nina is fascinated by this creepy statue. Little does she know that it represents what she is about to become.
Black wings on the back of Lily (played by Mila Kunis) while she is “giving pleasure” to Nina. The black wings represent the “force” that is communing with Nina. It is penetrating her, giving her orgasm, but also taking over her life.
Nina at the end of her “perfect” performance as the Black Swan. She is briefly shown with black wings, symbolizing that she has become “one” with the Black Swan.


Mirrors are used throughout the movie to symbolically reflect the true state of Nina’s psyche.

Creepy mirror reflection that has a mind of its own. As her metamorphosis advances, Nina realizes that a totally separate entity is living within her. It is completely acting outside of her control. In min-control symbolism, mirror reflections represent a slave’s alter-persona that is programmed and manipulated by a handler.
Right before her big performance as the Black Swan, Nina fights against herself in her dressing room. During the fight between Nina and the Black Swan, a mirror breaks, representing the collapse of the psychological boundary separating both entities. By shattering the mirror, Nina becomes the Black Swan.

The Magnum Opus and the Sacrifice

At the show’s premiere, Nina gives a stellar performance. She successfully plays the sweet and timid White Swan, and, when the time came, she was overtaken by the “force” to become the twisted, yet thrilling, Black Swan. By marrying the white and the black, the good and the evil, the light and the dark, Nina has accomplished the alchemical Great Work, the occult path to illumination.

The process, however,consumed her. By allowing the Black Swan to completely possess her, Nina gave the performance of a lifetime, but she has become a different person. Thomas and the audiences are in love with Nina as the Black Swan – the same way the prince of the ballet falls in love with the White Swan’s evil twin. But this is not the “real” Nina. The Black Swan is a destructive force she cannot live with: it is tormenting her on a physical and psychological level. Not able to go on, the only way Nina can free herself, is by killing herself. And this is what she does.

Nina dying at the end of her performance. Her last words to Thomas: “I was perfect”. 

Does this remind you of anyone else’s self-sacrificing performance?

Lady Gaga “sacrificed” in her performance at the 2009 VMA’s.

Real Life Black Swans

Beyonce and Sasha Fierce, a pop-music equivalent of the White and Black Swan.

There are real (and tragic) examples of brilliant artists who have been consumed by an intense role. Either they self-destroyed or they HAD to die as a ritual sacrifice. Is Black Swan a commentary on this mysterious phenomena?

A recent example of a self-destructive role is Heath Ledger’s Joker in The Dark Knight.

People close the Ledger claim his role as the Joker caused his demise.

Jack Nicholson warned Heath Ledger on ‘Joker’ role

Heath Ledger thought landing the demanding role of the Joker was a dream come true – but now some think it was a nightmare that led to his tragic death.

Jack Nicholson, who played the Joker in 1989 – and who was furious he wasn’t consulted about the creepy role – offered a cryptic comment when told Ledger was dead.

“Well,” Nicholson told reporters in London early Wednesday, “I warned him.”

Though the remark was ambiguous, there’s no question the role in the movie earmarked as this summer’s blockbuster took a frightening toll.

Ledger recently told reporters he “slept an average of two hours a night” while playing “a psychopathic, mass-murdering, schizophrenic clown with zero empathy …

“I couldn’t stop thinking. My body was exhausted, and my mind was still going.”

Prescription drugs didn’t help, he said.

– NY Daily News, Source

For more on Heath Ledger, read this article I wrote on his last movie and symbols regarding his sacrifice “The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice.

Another example of an actor dying in mysterious circumstances after playing the role of a devilish and twisted character is Brandon Lee as The Crow.

Brandon Lee mysteriously died DURING the filming of The Crow. The official story of his death is still widely disputed. The scene during which he died was highly symbolic.

In addition to those two extreme cases, there are many cases of artists who, after years of brilliance, mysteriously self-destroyed. Drugs and suicide are often blamed for the tragedies but who really knows what  happened with Jimi Hendrix, Kurt Cobain and Jim Morrison, just to name a few?


In Conclusion

Black Swan is a profound movie that can be interpreted on many levels. We looked at the occult and mind-control elements of the movie and examined its messages on the shady world of show business. The movie’s commentary on the entertainment world’s marriage with occult forces is something that has been discussed numerous times on the Vigilant Citizen. Although the concept is rarely discussed or even noticed by the average person, insiders in the entertainment world often attest to strange forces of varying kinds at work in the industry.

Through Nina’s metamorphosis from a shy nobody to a possessed superstar, the viewers experience the dark side of entertainment. Mind control, manipulation and immorality collide with success and recognition. Dark impulses, addictions and self-destruction arise with artistic genius and creative brilliance. Those who are “running the show” know how to bring the Black Swan out of up-and-coming artists … and they know very well it will destroy them in the long run. And they are OK with that. The same way Beth was pushed aside to welcome a new Swan Queen, the public will always welcome the elite’s newest star with applause and acclaim. Because, as they say, the show must go on.



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535 Comments on "The Occult Interpretation of the Movie “Black Swan” and Its Message on Show Business"


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3 months 7 days ago

Did Nina as the black swan write whore in the bathroom mirror?

5 years 2 months ago

Natalie Portman is in the new Miss Dior perfume commercial, directed by Sofia Coppola, with music by Serge Gainsbourg. All three of them are supposed to be from Illuminati bloodlines (see Pseudo Occult Media for more info). Don't buy Dior.

4 years 11 months ago

also yves saint lauren…most of the stylists are part of THEM…as most of the artificially launched famous people of show business.

YSL wrote a satanist book for children called "tremendous lulu"….i think it may be a good article for VC…

4 years 11 months ago
there are some actors or "stars" that i don't like just by feeling, from the first moment that i saw them, i didn't like them, something unpleasant is pushing me away from them…i can't describe it better than it is trasmitted in this article, it seems that they have a kind of dark force, element inside them…among these is Nathalie Portman (that i don't consider so talented or carismatic, she hasn't personality for cinema, she hasn't that little shine, carisma which real stars had), Scarlett Johannson (strange face always expressing a kind of constant hate, unhappiness), Angelina Jolie (one of… Read more »
5 years 1 month ago
Fantastic analysis, especially of the symbolism and sexual themes. I only disagree with you about the reasons for Nina's death. I think that she had to die because she could never have given another performance like that again. In the first act of the play when we see her portraying the white swan she is nervous and fragile, perfect for that role. Before act 2 begins she "murders" Lilly in her dressing room. The symbolism here is a bit confusing, but the bottom line is that she realizes she's "killed" Lilly and this act of evil and passion allows her… Read more »
Randall Starr
3 months 7 days ago
You speak of Tchaikovsky but he was just the composer of the music. It may be insulting to say “just” but you must in order to understand the awesome power of ballet – it’s too much for one to master to bring to history. Like the Director of Photography spends his whole life studying the moving image, he no longer has the time to study storytelling and filmmaking in its whole like the director. After having been composed in 1876, it was only with the 1895 production, brought about by master ballet director Marius Petipa that what we know as… Read more »
2 years 5 days ago

You should mention that her name NINA means "DOLL" in other languages

3 years 3 days ago

Ever hear of the AAkhet center in tallahassee FL? It has a pyramid with the eye of Horus in it and is a psychotherapy center. A psychologist focuses on the evaluation, prevention, diagnosis, and treatment of mental health issues. Psychologists are concerned with the different aspects of behavior and mental processes. A clinical psychologist uses psychotherapy and other counseling skills to improve emotional and mental health.

3 years 2 months ago

In my opinion, this is one of the greatest articles VC wrote. Janis Joplin also had an alter ego called 'Pearl' shortly before her death… May be this is something more than just a considence. It's so sad to think about it

Drew Down
4 years 11 months ago

She hurt her ribs and had to sell her trailer to get medic during filming. She was on Letterman talking about it last year and she looked like she was gonna cry. Letterman was obviously disturbed to. Also, I noticed when she came on he said something to her. From her facial expression it wasnt pleasant. Maybe a trigger?

4 years 11 months ago

I knew there was something really wrong with this movie. to be honest i was really creeped out by it.. it took me about three tries to watch it til the end. i was completely troubled by this movie. Thank you for explaining about all these symbolisms and things in it, you have answered my many questions about it.

Gretchen Ellis
4 years 11 months ago
I think what bothers me most about this movie (that I have not seen for reasons that will be obvious below) is that it glorifies and even heroicizes childhood abuse in the pursuit of artistic genius. The shattering of her psyche is desirable because it allows her to embrace her dark side and become "perfect" in her art. The truth of child abuse is so far from this that this twisted lie is disgusting. As a victim of childhood sexual and emotional abuse, I find such a glorification of trauma to be revolting and horrifying. You do not become "perfect"… Read more »
4 years 11 months ago

i do agree with you…i was thinking the same about how the hollywood hidden ped…. lobby try to "normalise" and even idealise the sexual abuse on children…see the polanski case – so many actors without any shame took the side of polanski…not because they thought Polanski was innocent, no, but they said that "yes, he did this disgusting act, but don't touch him"…

Dr. D. A. Zerkl
5 years 29 days ago
Re: The movie "The Black Swan", where the Illuminati inserted scenes that allude to some of their control/eugenic "programs" and associated covert technologies. They do this "advertising" to the masses, for black-occultic reasons, and also as a means of serving a type of "Notice" of what they are (currently) doing, or are planning to do. Along these lines, there were two scenes in Black Swan, both towards the end of the movie, that were blatant "displays" of current black-project "programs" involving the crimes of "bio"-engineering of humans/Humanity: The first of these, was when Portman's character, after again noticing the scratches… Read more »
5 years 2 months ago
It's interesting how the movie, although one of the best among those on the Oscar ceremony, was almost completely ignored. Maybe the prize shouldn't be given to a movie that criticize its own disturbing universe. HOWEVER, Natalie Portman got the Oscar. Despite the movie's greatness in many aspects, only the "Black Swan" herself deserved the prize. The manipulated image of the main character was the only one to be praised, since the most of the movie was an attack on showbusiness. Great job for them. Now, the ceremony won't rise any suspicions. The movie wasn't really ignored (only its theme),… Read more »
10 months 5 days ago

I don't think she dies at the end, she goes insane. She wants control but lost it. Throughout the film she hallucinates, we have to find out what is real and what is not. This film is a masterpiece.

2 years 8 months ago
Another interesting fact Brittany Murphy before her death (r.i.p) was going to do a screen test for black swan and it would have been a huge role for her that would have show cased her versatility in the acting world also shes an actress who is featured on this site and had a very strange death at age 32 near her final days a lot of controversy was surrounding her about anorexia and drug use and prescription drug use much in the way Marilyn Monroe was surrounded by bad press before her death both were at a down point before… Read more »
2 years 10 months ago

This was a very good article. I wonder if the director himself is creating this film because he is opposed to the dark forces at work. His pervious film Requim for a Dream seem to be an artistic reaction against destructive force of drugs. Also I liked Pi and The Fountain although I'm not sure I understand all themeanings in them. I just wanted to note that the new disney film The Lone Ranger was anti-Christian, anti-family, and the good people were prostitutes and the bad people were capitalists.

3 years 2 months ago

I was so disappointed with this film when my mother took me to see it. I felt Natlie Portman should have gotten an Oscar for playing Ann Bolyen in the film The Other Boylen girl- now that was an oscar worthy performance. I mean she goes freaking crazy at the end of this film and kills herself;Hollywood needs some fresh ideas.

3 years 3 months ago

I rented this movie and was totally mesmerized by the deeply spiritual/psychological meaning. My mom and I were glued to the screen. When it ended my mom asked who made it and commented that it was a "dark but amazing" movie……and to get it out of her house right now! Her reaction made me laugh but she was dead on. I immediately put on my jacket and took it back to the store. That movie scared the crap outta me. It was too spot on. Too realistic.

4 years 11 months ago

The comparisons to "The Wrestler" are unfair. Despite the same director, the protagonist in the Wrestler, while having his faults, had a good heart and attempted to correct his faults.

4 years 11 months ago

Natalie Portman winning the Best Actress Academy Award could be symbolic of her rise to the dark side, reprogrammed, dehumanized and greatly awarded for doing so. She has often said that it was hard for her to get out of character. Same circumstance of Heath Ledger as the joker. This movie gave me nightmares for a few days and movies never do that to me!

4 years 11 months ago
there are many talented people around the world and they are searched, loved by the public which really understand and appreciate the art – the real art i mean…for example Lili Marlene a very talented girl which creates a wonderful music of wonderful melody and deep significant lyrics, she is not voulgar, i never saw her wearing strange staff or doing idiot behaviour just to get fame. She is simple, she is really talented and she is loved by milions of fans. You never see her videos on mtv or on radio, but she is loved and searched everywhere anyway!… Read more »
5 years 9 days ago

she's fucking crazy…a cray cray i tell ya a cray cray

5 years 9 days ago

This is controversial and borderline inapporpriate, but I read your article on "Rosemary's Baby" before this one. What do you think of Natalie Portman's pregnancy shortly after the release of the movie and leading into the award ceremonies? This was by far her most important role to date, the peak of her career, and in the middle of it all she gets knocked up and engaged. Just a thought.

Harlequin Nameless
5 years 1 month ago

It's just like Joker said: "They need you right now. When they don't, they'll cast you out…like a leper." With Heath, with Michael, and God knows what will happen in the future. We're not the monsters…we're just ahead of the curve.

5 years 1 month ago
Brilliant artilce VC. I have personally subscribed myself to your articles for about a half year now. You offer a very unique perspective & quality information to sustain your argument. I have one question, anyone who can answer this, may answer this (But i would prefer VC of course haha) I understand the whole idea of Mind Control, and anarch programming. I even feel this same concept applies to abusive relationships around the Nation (Father/son, mother/daughter, boyfriend/girlfriend etc…) But my question is…Why would these people (The creators of Black Swan) want to display these sorts of things to the public,… Read more »