The Occult Universe of David Bowie and the Meaning of “Blackstar”


In the wake of David Bowie’s death, his last album, “Blackstar”, is his swan song, an enigmatic conclusion to a career punctuated by otherworldly alter-egos and esoteric symbolism. We’ll look at the meaning of “Blackstar” in the context of David Bowie’s career.

Very few artists can boast the longevity of David Bowie in the music industry, as his career spanned over five decades and produced 28 albums. Throughout the decades, Bowie migrated from one musical genre to another, and even from one persona to another, but a constant remained: He was surrounded by an otherworldly aura.

Through his work, Bowie turned himself into a musical ‘ascended master’, a Gnostic Christ-like figure who achieved a high level of illumination and who sought to communicate a cryptic message to humanity. While many of Bowie’s eccentricities could be attributed to drugs and rock and roll, one cannot paint a complete picture of this artist without mentioning his most enduring obsession: Western occultism.

David Bowie, born as David Robert Jones in 1947, is seen by some as a sort of ‘Renaissance Man’ whose professed ‘universality’ is an attempt to show the apex of evolution by reassembling the fragmentary pieces of our society; thus, he resembles many occultists.

However unlike most occultists, Bowie has considerable wealth, critical acclaim, penetrating intelligence, and enduring good looks; he seems set to go on to even greater heights and achievements. What next, godhead? There is a Faustian/Mephistophelean element here. How else can one explain the absolute zenith of this man’s worldly trajectory? In fact, there are people who are convinced that his brobdingnagian success is not without some kind of otherworldly assistance. (…)

Nevertheless, it can not be ignored that Bowie has constructed his public persona from the various parts of the puzzle that are at the roots of modern occultism. He was summoning up some of these pieces at the early age of 16.
– Peter R. Koenig, The Laughing Gnostic – David Bowie and the Occult

Throughout his career, Bowie often turned himself into a mere vessel as he lent his body to various personas who spoke through him, often communicating messages of deep occult significance.

Bowie’s final album Blackstar is no exception. In fact, it is a “meticulously planned” final chapter of the “Book of Bowie”, one that confirms the true meaning of his work and the occult inspiration behind it. Therefore, in order to understand Blackstar, one must first understand some of his most iconic imagery.

Occult Bowie

If one had to select a quote that would aptly sum up the Occult David Bowie, it would probably be this one:

“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”

In these four lines, Bowie reveals a source of his esoteric worldview: the secret society Golden Dawn.

“The Golden Dawn was a magical secret society, a crowning glory of the occult revival which flourished at the end of the 19th century and taught a unique blend of Jewish mysticism (called Cabbala or Kabbalah, also to be found in Bowie’s symbolism), astral travel, magic, yoga (also practiced by Bowie) and how to communicate with angels and demons. For this latter communion it was first necessary to empty the mind, to make room for the unknown to enter – something that bears a strong resemblance to Bowie’s ‘cut-up’ method of writing lyrics”.
– Ibid.

When Bowie states that he is “immersed in Crowley’s uniform”, he is referring to Aleister Crowley, the 20th Century British occultist who was a member of the Golden Dawn and a founder of the O.T.O (Ordo Templi Orientis). He was mostly known for his work in the realms of Sex Magick, Black Magick and his philosophy, the Thelema (read my full article about Crowley here).

Magick techniques have become popularised through the writings of Aleister Crowley who was once a member of the Golden Dawn, and later of the Ordo Templi Orientis (O.T.O.), which was (and still is) deeply involved with sex–magic. The public perception of both the Golden Dawn and the Ordo Templi Orientis are pseudo–masonic organisations where the aspirant (or member) goes through stages of ceremonial initiation wearing semi–Egyptian costumes — similar to the one Bowie wore for a photo session with Brian Ward in 1971.
– Ibid.

Aleister Crowley and David Bowie.
Aleister Crowley (left) and David Bowie (right) in the inner-sleeve of the CD version of Space Oddity.

In 1976 Bowie stated:

“My overriding interest was in Kabbalah and Crowleyism. That whole dark and rather fearsome never–world of the wrong side of the brain.”
– David Bowie, from “Bowie on Bowie: Interviews and Encounters with David Bowie” by Sean Egan

In a 1983 interview, Bowie added:

“I had this more–than–passing interest in Egyptology, mysticism and the Kabbalah. At the time it seemed transparently obvious what the answer to life was. My whole life would be transformed into this bizarre nihilistic fantasy world of impending doom, mythological characters and imminent totalitarianism.”
– David Bowie, Musician, May 1983

Considering the importance of occultism in Bowie’s life, the most iconic personas of his career take on an added level of significance, a level that is reinforced in Blackstar.

Major Tom

In 1969, Bowie released Space Oddity, a single that was cleverly released only nine days before the moon-landing of Apollo II, making it the unofficial theme of this historic event. The song introduced Major Tom, an astronaut who was launched in space and whose ultimate fate remained uncertain. The song indeed finishes with the words:

“Here am I floating ’round my tin can
Far above the Moon
Planet Earth is blue
And there’s nothing I can do”
– Space Oddity

On an esoteric level, Major Tom represents the ascension of mortals towards divinity – an interpretation that is apparently confirmed in the 2015 video for the song Blackstar.

In 1972, Bowie introduces a new alter ego who instead descends to Earth from the heavens.

Ziggy Stardust

The two forms of Ziggy Stardust. One emphasizes the one-eye sign, the other features a circle on the pineal gland, aka the third eye.
The two forms of Ziggy Stardust. Left emphasizes the one-eye sign (from the album Alladin Sane) and the other emphasizes the pineal gland, aka the third eye (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars).

For his fifth album, Bowie introduced the alter-ego Ziggy Stardust, an androgynous alien rock star who was sent by the “Infinites” to announce the coming of Starmen to Earth.

In Bowie’s visionary performance, civilization was going to collapse and the ‘Infinites’ would arrive. Ziggy Stardust was to announce the coming of these ‘starmen’ bringing hope. Ziggy is their prophet, the messiah who takes himself to incredible spiritual heights, and is kept alive by the devotion of his disciples. When the Starmen finally arrive, they take bits and pieces of Ziggy so they can manifest themselves as real physical beings. Eventually they tear him to pieces on stage during the performance of the song ‘Rock’n’Roll Suicide’. At the moment of Ziggy’s death, the Starmen take on his essence, and become visible.
– Ibid.

With Ziggy Stardust, Bowie embodied the archetype of the “dying god”, a savior sent from above who ends up sacrificing his life.

The androgynous nature of Ziggy Stardust occultly represents a state of a higher spiritual level. In occultism, the highest stage of illumination is achieved through the internalization of duality and the equilibrium between opposing forces –  good and evil, active and passive, male and female. This concept is symbolically represented by the horned, hermaphrodite god Baphomet. It is also represented in alchemical symbolism such as the Alchemical Androgyne.

“The symbol reproduced above is from a rare edition of the Turbæ Philosophorum published in Germany in 1750, and represents by a hermaphroditic figure the accomplishment of the magnum opus. The active and passive principles of Nature were often depicted by male and female figures, and when these two principle, were harmoniously conjoined in any one nature or body it was customary to symbolize this state of perfect equilibrium by the composite figure above shown.” (Manly P. Hall, The Secret Teachings of All Ages).
This symbol from the Turbæ Philosophorum (1750) represents a hermaphroditic figure as the accomplishment of the magnum opus. The active and passive principles of Nature were often depicted by male and female figures, and when these two principles were harmoniously conjoined in any one nature or body it was customary to symbolize this state of perfect equilibrium by the composite figure above shown.

Ziggy Stardust also embodies the opposite of the spiritual and the material worlds: While he represents a high level of spiritual illumination, he is also a bisexual, promiscuous rock star bent on heavy drug use.

Contrarily to Major Tom who ascended from Earth to the skies, Ziggy Stardust descends from the “heavens”. He is a “higher being” who takes the form of a human in order to communicate a message, not unlike Jesus Christ.

Station to Station

In 1976, Bowie released Station to Station, an album he claimed to barely remember recording, mainly due to heavy cocaine use. He even added that it was the work of “an entirely different person,”.

“Bowie himself remembers almost nothing of the album’s production, not even the studio, later admitting, “I know it was in LA because I’ve read it was”.

Despite this fact, the album dealt with heavy occult symbolism. The song Station to Station, referred to travel through the Kabbalistic Tree of Life.

“Here are we
One magical movement
from Kether to Malkuth”
–  Station to Station

“Kether” and “Malkuth” are two of the 10 elements of the Kabbalistic Tree of Life — the highest and lowest parts, respectively.

If you follow the path described by Bowie above, Keter to Malkhut describes the descent from Godhead to the physical realm. The theme of "descent from the heavens" has always been at the core of Bowies work.
If you follow the path described by Bowie above, Keter to Malkhut describes the descent from Godhead to the physical realm. The theme of “descent from the heavens” has always been at the core of Bowie’s work.

In a 1997 interview, Bowie expands on the “magickal” meaning of the song and how no mainstream sources ever addressed it.

“The “Station to Station” track itself is very much concerned with the stations of the cross. All the references within the piece are to do with the Kabbala. It’s the nearest album to a magick treatise that I’ve written. I’ve never read a review that really sussed it. It’s an extremely dark album. Miserable time to live through, I must say.”
– Q Magazine, ChangesFiftyBowie”, 1997

On the cover art of the album we find Bowie drawing the Kabbalistic Tree of Life:

Bowie drawing the Kabbalistic tree of life.
Bowie drawing the Kabbalistic tree of life.

Several decades later, in 2015, Bowie is confronted with his own mortality and feels the need to offer his fans one final offering. Blackstar takes all of the elements mentioned above (and more) to create one final, enigmatic, ritualistic drama.


Released two days before his death, Blackstar is David Bowie’s swan song in which he wraps up the mythology he has cultivated for five decades. The video of the same name is a tapestry of dark images. At the center of it all: A human being becoming a god.

The video begins with a dead astronaut on a remote planet.
The video begins with a dead astronaut on a remote planet.

Is this Major Tom? Are we seeing his final resting place?  A young girl opens the astronaut’s helmet and finds an ornate skull.

Inside the helmet is a jewel-incrusted skull, the perfect kind of artifact to be used during Black magick.
The jewel-encrusted skull represents the astronaut’s ascension into godhood.

The skull is then revered as some kind of artifact from the gods.

A "grand priestess" holds the skull amongst two rows of women who cannot help trembling in its presence.
A “grand priestess” holds the skull between two rows of women who cannot help trembling in its presence.

Sung in the matter of an incantation, the lyrics of the first verse allude to an occult ritual:

In the villa of Ormen, in the villa of Ormen
Stands a solitary candle, ah-ah, ah-ah
In the centre of it all, in the centre of it all
Your eyes

In the video, the men and women are separated, which conveys the idea of two opposing energies (male and female). Both groups end up making us witness an indirect sex magick ritual.

On one hand, the women "assume the position".
On one hand, the women “assume the position”.
While three creepy masked strawmen, who appear to be animated due to something deeply unholy, move lascivously while crucified.
On the other, three crucified scarecrows (who appear to be animated by an unholy force), move their hips in a suggestive manner.

The combination of sex magick with the twisting of Christ’s crucifixion gives the video a strong “Crowleyian” direction.

In an interview, the director of the video, Johan Renck, discusses Crowley.

“Well, I’m a huge Crowley fan, I’ve always been. I tried to make a movie on his life a few years ago but we didn’t manage to put it together. I love Crowley for being an audacious man at certain point in time. I think he’s greatly misunderstood. He was a good guy, but he was portrayed as an evil man and he wasn’t.”
– Vice News, 
Behind “Blackstar”: An Interview with Johan Renck, the Director of David Bowie’s Ten-Minute Short Film

The name of the album itself, Blackstar, refers to an important occult concept: the Midnight Sun.

“Apuleius said when describing his initiation (vide ante): “At midnight I saw the sun shining with a splendid light.” The midnight sun was also part of the mystery of alchemy. It symbolized the spirit in man shining through the darkness of his human organisms. It also referred to the spiritual sun in the solar system, which the mystic could see as well at midnight as at high noon, the material earth being powerless to obstruct the rays of this Divine orb. The mysterious lights which illuminated the temples of the Egyptian Mysteries during the nocturnal hours were said by some to be reflections of the spiritual sun gathered by the magical powers of the priests. The weird light seen ten miles below the surface of the earth by I-AM-THE-MAN in that remarkable Masonic allegory Etidorhpa (Aphrodite spelt backward) may well refer to the mysterious midnight sun of the ancient rites.”
– Manly P. Hall, The Secret Teachings of All Ages

Bearing in mind Bowie’s impending death, the lyrics of the song take on a very personal meaning:

“Something happened on the day he died
Spirit rose a metre and stepped aside
Somebody else took his place, and bravely cried
(I’m a blackstar, I’m a blackstar)”

Is Bowie referring to his own death? Is he referring to his spirit-less body being taken over by a Blackstar? This is yet another allusion to Bowie being “taken over” by a mysterious being who states:

I’m the Great I Am (I’m a blackstar)

“I Am that I Am” is the response God used in the Hebrew Bible when Moses asked for his name.

In the video, Bowie plays the role of three separate characters.

The "blind follower" with buttons instead of eyes. This character represents the simple man.
The “blind follower” with buttons instead of eyes. This character represents the simple, ignorant man.
The preacher propagating the "book of Blackstar"
The preacher propagating the “Book of Blackstar” – with dumbfounded followers behind him.
The "flamboyant trickster" who appear to have taken over Bowie's body and claimed to be the Blackstar.
The “flamboyant trickster” who appears to have taken over Bowie’s aging body with eccentric mannerisms.

The video, therefore, depicts the several layers associated with occult knowledge. There are those who are in direct contact with its “true source” while the blind masses are fascinated by a bastardized version of it, sold by charismatic figures. David Bowie indicates that he is, simultaneously, a blind simple man and an occult initiate – a Blackstar.


Bowie’s final video bears the name of a significant Biblical figure: Lazarus.

"The Raising of Lazarus" by Rembrant.
“The Raising of Lazarus” by Rembrandt

In the New Testament, Lazarus died of an illness and was resurrected four days later by Jesus Christ. In the context of Bowie’s terminal illness, the title Lazarus conveys the idea of immortality, while playing with the constant idea of him being from “another world”.

In the video, Bowie plays the role of the same characters as in Blackstar.

In the role of the "blind follower", we see Bowie as the simple man, the regular human who is physical weak, laying on his deathbed and scared of things to come.
In the role of the “blind man”, Bowie is an aging human who is physically weak, laying on his deathbed and scared of things to come.

Look up here, I’m in heaven
I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now

From a dresser in the corner of the room (possibly symbolizing a portal to another dimension), emerges another Bowie, the flamboyant, eternally-young Bowie.

This Bowie is not dying - he even allows himself a few dance moves.
This Bowie is not dying – he even treats himself to few dance moves.

The costume worn by this Bowie refers to a specific relic from his past.

It is the same outfit as worn on the cover of "From Station to Station" on which he is seen drawing the Kabbalistic tree of life.
Bowie wears the same outfit as seen on the cover of “Station to Station” in which he is drawing the Kabbalistic Tree of Life.

As stated above, according to Bowie, this 1976 album was written “by an entirely different person”.

In Lazarus, we witness the return of this immortal being.

With theatrical maneurisms, this Bowie begins writing feverishly inside a book, as if animated by a higher force. Is this the source of Bowie's inspiration throughout the years?
With theatrical mannerisms, this Bowie writes feverishly, as if animated by a higher force. Is this the source of Bowie’s inspiration throughout the years?
At one point we see the skull from Blackstar, implying that this Bowie possesses that secret occult knowledge.
At one point we see the skull from Blackstar, implying that this Bowie possesses that secret occult knowledge.

Although Bowie’s mortal body succumbed to physical illness (which is the ultimate fate of all humans), another part of him lives on, that otherworldly being who took over his body throughout his career.

The video ends with occult Bowie retreating back to the dresser and closing the door. That's all folks.
The video ends with occult Bowie retreating back to the dresser and closing the door.

In Lazarus, Bowie bids farewell to the physical world but reminds us that a part of him lives on … that same part of him that ascended into space as Major Tom and descended to Earth as Ziggy Stardust. This Bowie travels from the physical to the spiritual world with the same ease as he travels from “Station to Station” through the Kabbalistic Tree of Life.

In Conclusion

Although David Bowie’s career spanned several decades, produced 28 albums, and exploited all kinds of enigmatic concepts, one aspect remained constant: He projected the aura of an otherworldly being, one that did not really belong on Earth, that sometimes appeared to be either spiritually illuminated or demonically possessed.

His final album, Blackstar is a direct continuation of the “Bowie mythos”. Meticulously planned to turn his death into a work of art, the imagery of Blackstar ties together several iconic moments of Bowie’s career into one final narrative, one that confirms the extreme importance of occultism in his work.

Lazarus, Bowie’s final parting gift, conveys one important message: Bowie was a vessel to something greater, something deeper, something darker, and something more profound than most ever realized. Claiming “I am the Great I Am”, this Being gave Bowie the inspiration to become an immortal icon and lead his fans to rally behind the declaration that “Bowie is God”.

Was Bowie truly influenced by unseen occult forces or was he simply a brilliant entertainer with a penchant for dramatics? Bowie answered this question a long time ago:

“I’m closer to the Golden Dawn
Immersed in Crowley’s uniform
I’m not a prophet or a stoneage man
Just a mortal with potential of a superman”

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700 Comments on "The Occult Universe of David Bowie and the Meaning of “Blackstar”"

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I tried to watch the Blackstar video. I had to mute it after a few seconds because of the dissonece of the voices. It’s very dualistic.

Also, I found the dancing of the two men and the people on the cross very other-worldly. I couldn’t watch the whole thing. Too much evil. I feel nausceous just remembering it.

Only someone who is completely spiritually blind would think this is artistic and innocent.


Lara I could echo your statement word for word! Unlike you, however, I unfortunately watched the whole video. The drumbeat was unnerving as well. My stomach is in knots.

Amen I totally agree. Next time you watch a video like that you can pray after watching it and ask GOD to remove any of those spirits from that video off of you in JESUS’ Name!

What rot. Demons can’t just possess someone through listening to evil music. Stop getting your doctrine from neo-Pentecostal snake oil sellers / anecdotes from false teachers and get it instead from the Bible.

”They travel the earth, through the air an water, looking for a host to posses.”
The bible does say that possesion without His protection is imminent, even through the AIRwaves.

Jesus is a demonic parasite infecting our species. You are just as bad as the crowley followers by pushing such filth onto the masses. Christianity only exists because it ruthlessly slaughtered and gleefully tortured and brainwashed people who refused to believe such nonsense. Christians should be put to the stake (as they did the pagans) for their crimes against the species.
They preach forgiveness while cutting off your arms. All crimes will be paid back, nothing will be forgiven of the wicked and their acts will be paid for in blood and pain.

Read Acts of the Apostles, and you’ll see how the very first christians lived, interpreted their scriptures and spread the gospel. And compare it to islam, how the first muslims lived, interpreted their scriptures and spread the quran. There’s a huge difference.

Are you a sadist or something?

You are confusing Christianity with Catholicism.

Driscol~how much persecution have YOU suffered as a result of Christianity?? Yeah. That’s what I thought. I’ll agree that unspeakable things have been done in the name of “Christianity,” however, they were not true representations of Christ any more than the phony t.v. evangelists are. Anyone declaring such a murderous contempt for a percentage of humanity declares themselves a true PSYCHOPATH. Get help for your anger issues before they further manifest.

That presumes that they EXIST. “They” do not exist. It’s all nonsense. We are living on a moderately sized planet circling a nondescript star in its green zone. That star itself resides in the outer spiral arm of a rather modest galaxy among the billions and hundreds of billions of galaxies in the observable universe. That is NOT to say that there are no spiritual beings, energy/etheric beings actually make sense as a part of a quantum reality. BUT those beings have nothing to do with the bible (sic) – as it, along with all other period religious texts are factually wrong and in constant conflict with themselves and each other. They are not going to be compelled by shouting the names of beings you worship at them and they are not going to be “cast out” if they have a method of getting “in” and want to be there.… Read more »

so you have tried occultism have you??

Eternity is a long time to be wrong!

We are spiritual beings in a temporary physical state.

When this temporary state ends the simple logic engendered by your apparently limited ability to understand anything beyond your flesh will determine your eternal destination.

Just hope you never wonder into a museum……No wonder what one might encounter there! Please go back and watch some Mr. Rodgers and real House wives of where ever, eat some hamburger helper and read your Christian Bible. It will all be OK…… just don’t think…….drink the kool-aid.

@Leigh I’m kinda thirsty here wish you had saved me some koolaid but you drank it ALL. Sheeple you!

I’ve WANDERed into plenty of museums, everything from art to natural history to modern science and tech. In fact, I used to volunteer at the McKinley Museum at the McKinley National Monument, before I moved away. You can still find my name on a volunteer of the year award plaque there though. God gave us brains. I tend to use mine. I grew up on Mr. Rogers. He taught some valuable lessons, some of which you could still stand to learn. I don’t watch the “real” housewives, as I am a housewife, and there is nothing real about them. I also don’t serve hamburger helper to my family either. Isn’t there MSG in that, along with a laundry list of other preservatives? The Bible isn’t required reading, so I don’t know what you have against it, but I am plenty cultured, so thanks for asking.

Right on Deborah!

Mischaracterization is an easy way of dismissing a point of view. The scriptures are constantly exhorting us to think about our actions and consequences. Some of the great scientific minds in history believed in the Christian God; Nicholas Copernicus, Sir Francis Bacon, Johannes Kepler, Galileo Galilei, Blaise Pascal, Isaac Newton, Robert Boyle, Michael Faraday, William Thomson Kelvin, Max Planck.

The beauty of Bowie’s music is that it’s never been innocent.You obviously don’t get it…

He ‘got it’ exactly right; Bowie chose to give his life to the dark lord and was richly rewarded for it, for a life’s work of deceiving the masses into the secret society type influence of hidden darkness; is art brilliant when it is ‘programmed’ into you from the ‘channel’ you live by

There is no “dark lord” — of all the things in the Abrahamic religions, nothing is more nonsense in the latter versions (Christianity, Islam and Mormonism) than the idea of a “dark lord” — In the myth set that birthed all of these things, Satan was, at most, a lawyer whose JOB It was to advocate against G_d. Go ahead, ask a Jewish rabbi if I’m not right.

With all due respect, everything that you wrote Tommy is utter nonsense.

Read the Od Testament. It is sicker than this video.

The story would be much sicker for everyone if there was no Israel and Christ.

You do not know that, neither do I.


The movements of the people are based on the original Popeye cartoons. Yeah, its that innocent.

Hmmm. I wonder if its a coincidence that demonically possessed people also feel nauseous when confronted with the word of God or any other Truth or goodness. I cant imagine that a mere music video could make any spiritually strong person physically sick. Maybe it was your demons being cast out by great music?

Hmmm. It seems that you have never heard of great music.
‘demons blind and deaf’ – true.

No ‘demonically possessed people” come from cultures that teach them that “demonic possession” happens. Therefore when they are psychologically damaged and it is blamed on demons, they react to the things that the mental construct that they have learned says they should. It’s that simple really. Yes, I’ve been on treatment teams. You’d be amazed what treatment rather than witchdoctory (disguised as something else because… modern religion, right?) does for those who are sadly, ill mentally.


Try visiting an established paranormal hot-spot & perhaps you get the opportunity to experience ‘psychological manifestations’ you’ll have to explain away.. IF only life were that simple. You’re narrow-minded &/or well programmed.

totaly agree

Thank you, someone with common sense!!! Who doesn’t see real Satanic rituals on this video??? This isn’t just art, this is real.

No more than “Satan” is real – which is to say, not at all.

Reyn~Rosalyn meant Luciferian. Oh, but wait! All of these prolific writers, artists, occultists (that of course doesn’t include high level politicians and world figures that outwardly profess one religion, while secretly practicing another) all professing their dedication to a Being that doesn’t exist?! You’re hilarious!!

amazing article.