In this edition of SPOTM: Madonna, Miley Cyrus, Lil Nas X, Christina Aguilera and more proof that the occult elite is on a mission to expose the world to the One-Eye sign.
Special thanks for everyone who sent in pics!
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The One-Eye sign is one of the most recurrent themes on The Vigilant Citizen because it is also one of the most recurrent themes in mass media. Throughout the years, this site has highlighted hundreds upon hundreds of clear instances where major artists, models, celebrities, politicians and public figures posed with one eye hidden.
The sign is everywhere: In music videos, on magazine covers, on movie posters, in advertisement and so forth. The sheer number of these pictures is simply staggering. Considering these facts, the repeated occurrence of the One-Eye sign simply cannot be the result of coincidence. Indeed, there is a clear effort to have this sign displayed everywhere.
So, why is this sign everywhere and what does it mean? Here’s a look at the timeless and transcendental symbol of the Eye.
The human eye has been used as a symbol since the dawn of civilization. It can be found across all ages and cultures. Carl Jung identified the eye as a classic “archetypal symbol” – an image that is embedded in humanity’s “collective unconscious”. According to his theory, humans instinctively respond to archetypal symbols and unconsciously assign to them a specific meaning.
“Eyes are probably the most important symbolic sensory organ. They can represent clairvoyance, omniscience, and/or a gateway into the soul. Other qualities that eyes are commonly associated with are: intelligence, light, vigilance, moral conscience, and truth. Looking someone in the eye is a western custom of honesty. In this way covering of the eyes, by wearing a helmet, sunglasses, etc. can mean mystery, not seeing the complete truth, or deceit. The eye often means judgment and authority.”
– Dictionnary of Symbolism, University of Michigan
In nearly all cultures, the symbol of the eye is associated with spiritual concepts such as divinity (the Eye of Providence), spiritual illumination (the Third Eye) or magic (the evil eye).
“The eye symbolizes seeing and light, and therefore consciousness itself. The eye is the part of us that beholds the universe and sees our place in it. It is knowledge, awareness and wisdom. The eye takes in light, the pure energy of the universe, and presents it to the inner spirit. It is the gateway, indeed the very union, between the self and the cosmos.”
– Peter Patrick Barreda, Archetype of Wholeness – Jung and the Mandala
In the Bible, Jesus referred to the eye as the “lamp of the body”.
“The eye is the lamp of the body; so then if your eye is clear, your whole body will be full of light. But if your eye is bad, your whole body will be full of darkness. If then the light that is in you is darkness, how great is the darkness!”
– Matthew 6:22-23
The symbol of the eye always had a mystical and spiritual dimension assigned to it. As the popular saying goes: Eyes are the windows to the soul. For this reason, the symbol of the eye is particularly important in occult circles and Mystery schools.
Since the dawn of civilization, the symbol of the eye and the sun (aka the “eye in the sky”) are associated with divinity. In Ancient Egypt, the symbols of the Wadjet, the Eye of Horus and the Eye of Ra are all associated with the solar god.
“The early sun god was named Horus. When Ra took over the title of sun god, he was also known as “Ra-Horakhty or Ra, who is Horus of the 2 horizons.”
It was in a battle with Set that Horus lost the use of one eye. Thoth restored the eye, and this was when Horus was also named Wadjet.”
– Ancient Pages, Eye Of Horus – Powerful, Ancient Egyptian Symbol With Deep Meaning
Because the symbol of the eye is associated with the sun – a proxy of divinity – the esoteric eye has a peculiar quality: It is “all-seeing”.
The archetype of the all-seeing one-eyed sun god can also be found in other ancient cultures. In Persia, Ahura Mazda was considered to be the creator of Earth, the heavens, and humankind, as well as the source of all goodness and happiness on earth. He was said to have “the sun for an eye”.
“The supreme god Ahura Mazda also has one Eye, or else it is said that ‘with his eyes, the sun, moon and stars, he sees everything.”
– Manly P. Hall, The Secret Teachings of All Ages
In Norse mythology, Odin was known as the ‘Allfather’ (or father of the gods). He was represented as an old man with one eye.
Odin is yet another representation of a one-eyed creator sun god.
“The Supreme, invisible Creator of all things was called All-Father. His regent in Nature was Odin, the one-eyed god. The Norwegians regarded Balder the Beautiful as a solar deity, and Odin is often connected with the celestial orb, especially because of his one eye.”
– Ibid.
Considering the fact that Western occultism was greatly influenced by the esoteric teachings of the civilizations above, the symbol of the All-Seeing Eye made its way into orders such as the Rosicrucians, the Illuminati, and the Freemasons.
“Albert Mackey writes that the All Seeing Eye is “an important symbol of the Supreme Being, borrowed by the Freemasons from the nations of antiquity.” The All Seeing Eye is a symbol representing the watchful gaze of God. It reminds us that every thought and action is to be recorded by the Grand Architect of the Universe, and that we are bound to our obligations in spirit as well as in blood.”
– James E Frey, 32°, Midnight Freemasons
Due to the heavy influence of Freemasonry on the historical events of the past centuries, the symbol of the All-Seeing Eye was included on prominent documents such as the reverse of the Great Seal of the United States and the Declaration of Human Rights.
“If any one doubts the presence of Masonic and occult influences at the time the Great Seal was designed, he should give due consideration to the comments of Professor Charles Eliot Norton of Harvard, who wrote concerning the unfinished pyramid and the All-Seeing Eye which adorned the reverse of the seal, as follows: “The device adopted by Congress is practically incapable of effective treatment; it can hardly (however artistically treated by the designer) look otherwise than as a dull emblem of a Masonic fraternity.”
– Hall, op. cit.
The symbol of the eye was also adopted by several powerful secret societies such as the O.T.O.
That being said, does the symbol of the All-Seeing Eye actually represent God – as in the Judeo-Christian God? Well, this is where things get … occult (occult means hidden). The prominent American Freemason Albert Pike wrote that the true meaning of occult symbols is only revealed to high-level initiates.
“It is in its antique symbols and their occult meaning that the true secrets of Freemasonry consist. But these have no value if we see nothing in the symbols of the blue lodge beyond the imbecile pretenses of interpretations of them contained in our monitors. People have overlooked the truth that the symbols of antiquity were not used to reveal but to conceal. Each symbol is an enigma to be solved, and not a lesson to be read. How can the intelligent Mason fail to see that the blue degrees are but preparatory, to enlist and band together the rank and file Masonic army for purposes undisclosed to them, that they are the lesser mysteries in which the symbols are used to conceal the truth?”
– Albert Pike, Legenda and Readings of the Ancient and Accepted Scottish Rite of Freemasonry
Manly P. Hall, another prominent Freemason wrote that the All-Seeing Eye esoterically represents the ultimate goal of occultism: To attain divinity through one’s own means. This is done through the activation of the pineal gland – the Third Eye.
“Operative Masonry, in the fullest meaning of that term, signifies the process by which the Eye of Horus is opened. In the human brain there is a tiny gland called the pineal body, which is the sacred eye of the ancients, and corresponds to the third eye of the Cyclops.”
– Hall, Op. Cit.
In Islamic eschatology, the end-times figure named Al-Masīḥ ad-Dajjal (“the false messiah, liar, the deceiver”) is said to be blind in his right eye. By pretending to be the Messiah, the Dajjal would deceive and take over the world. For these reasons, the Dajjal bears great similarities with the Antichrist in Christianity.
The coming of the Dajjal would be preceded by several signs such as: People will stop offering the prayers; dishonesty will be the way of life; falsehood will become a virtue; people will mortgage their faith for worldly gain; usury and bribery will become legitimate; there will be acute famine at the time; there will be no shame amongst people; many people will worship Satan; there will be no respect for elderly people and people will start killing each other without any reason.
Considering the fact that the world today is ruled by what we call the “occult elite” (because of its ties with occult orders), it is no surprise that its main symbol is found everywhere. However, it is all done in a deceitful way. Today’s entertainment industry thrives on control, manipulation, and distortion. It is also all about debasing the masses from everything that is true, pure and healthy. Today, the symbol of the All-Seeing Eye is now about a select group of people oppressing, monitoring and controlling the world population.
While the All-Seeing Eye is esoterically associated with the opening of the Third Eye to attain spiritual illumination, the One-Eye sign made by celebrities is about the exact opposite: Hiding and incapacitating an eye. The symbolism of this gesture is powerful.
When you hide one eye, you effectively block half of your vision. In symbolic terms, you become half-blind to the truth. By hiding one eye, celebrities symbolically “sacrifice” a vital part of their being for temporary material gain. And, since eyes are the “windows to the soul”, this gesture symbolizes the partial or total loss of one’s soul.
The One-Eye sign is also an important symbol in the occult elite’s secret obsession: Monarch mind control. Known by many as project MKULTRA, mind control aims to turn humans into slaves through abuse, trauma, and programming. There is an actual culture revolving around Monarch mind control, complete with its own universe of symbols. And the One-Eye sign is part of it.
The omnipresence of the One-Eye sign in mass media also serves another purpose: It proves that all outlets of mass media are owned by a very small, elite group. Indeed, in order to have the same exact sign appear consistently and repeatedly across all media platforms and across the world, there needs to be a centralized source of power that forcibly makes this happen.
Think about the amount of money, power, and influence that is required to have all of these celebrities perform this specific gesture in videos and photoshoots. Now, ponder on the amount money, power, and influence that is required to have this specific sign plastered across magazine covers, movie posters, music videos and anything else that might reach the eyes of the masses.
In short, this symbol represents the global elite and all of its agenda: The debasing of the human psyche, the promotion of satanism, the normalization mind control, the normalization of transhumanism, the blurring of genders and more. The ultimate goal: Straying the masses as far away as possible from Truth, health, and balance.
The symbol of the eye is an archetype that transcends time and space. Perhaps because humans instinctually respond to gazing eyes, there is something about that symbol that is jarring yet fascinating. While, in ancient times, the symbol of the All-Seeing Eye was often equated with the sun god, it gradually became a symbol of the power of the secret societies that shaped history in the last centuries.
Nowadays, the entertainment industry revels in the twisting and corruption of powerful symbols in the pursuit of its debasing agenda. The omnipresence of the One-Eye sign now symbolizes the omnipresence of the occult elite. It is them saying: “Look at who we control”.
That being said, there is a silver lining here. The One-Eye sign is a convenient way of identifying media to avoid because it is most likely drenched in the occult elite’s debasing agenda.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
YG is a rapper from Compton, California who released his first single in 2009. Since then, he got signed with Def Jam records and released a steady stream of mixtapes and albums, amounting to an ever-growing fanbase. Other than a few radio hits, YG is mostly known for FDT (F*** Donald Trump), a protest song released a few months prior to Trump’s election.
YG has also been quite open about his “personal demons”, namely alcohol abuse, which he says was used to cope with his paranoia. In 2019, his close friend Nipsey Hussle died after being shot 6 times – a story that sparked its fair share of theories and conspiracies. This sad event clearly affected YG in a profound way. He even stated that the death of Hussle was the main reason behind the delay of his album release.
Yup, this doesn’t feel right. And In The Dark – the first video released by YG since the murder of Nipsey Hussle – doesn’t feel right either. It’s basically a party with Satan and a bunch of demonesses dancing around as blood drips on a Masonic floor. Many interpreted the occult symbolism of the video as a veiled reference to the blood sacrifice of Nipsey Hussle. It also lead some people to conclude that YG sold his soul.
When these Satanic hip-hop videos pop up on YouTube, about 95% of the comments express disgust towards this symbolism that is historically alien to the genre. In the Dark is not an exception. Here are some of the comments found on YouTube.
Judging by the comments, fans of rap do not like this kind of satanic stuff. But why does it keep popping up in videos featuring influential artists? Because it HAS to. It is part of an agenda.
The video begins with YG sitting on a couch and watching TV. Then, he sees an alluring bottle of tequila.
One could interpret this intro as “YG fighting his alcohol demons”. However, the video does not depict the downside of alcohol abuse and its repercussions. Quite to the contrary, after he drinks the Diablo brand Tequila, a funky, bass-heavy beat starts playing as YG and his crew join a party filled fun and sexy girls. And Satan.
YG rhymes:
I’m in the dark goin’ brazy
I’m in the dark throwin’ twenty past eighty
I’m in the dark, it’s a movie, Scorsese
I’m in the dark, that’s how life been lately
YG is “in the dark” and he appears to like it. Ironically, the definition of the expression “being in the dark” is “in a state of ignorance about something”. Is YG “in the dark” about what his video actually about? Because he did not direct it.
In the context of the video, “in the dark” also mean “being in the dark side of the occult music industry”. The symbolism of the video cannot be clearer.
Is this scene a “tribute” to Hussle? Considering the creepy setting and the overall context of the video, the “tribute” is rather gruesome. Is it maybe a reference to a … blood sacrifice?
Then, YG ceremonially enters the dark side.
In occult-themed music videos, the Masonic floor is nearly always on prominent display. It is the dualistic surface on which ritualistic transformation occurs.
In the video, YG stands around looking somewhat confused by all of this weirdness. He is also somewhat reticent to join in. Does he reject this madness and go back home? Nope.
In the scene above, YG is dressed in red from head to toe, and that’s extremely symbolic. Yes, YG often wears red because he is affiliated with the Bloods, but there is more to this. Considering the occult context of the video, the red garments (especially on a ritualistic floor) bear a second meaning: Sacrifice and/or initiation.
Does the video represent YG’s initiation in the occult elite’s industry?
Later in the video, there is literal blood on the dancefloor.
As stated above, the checkerboard pattern floor is a ritualistic surface on which occult transformation occurs. Blood on this floor represents blood sacrifice. Nipsey Hussle?
Then, things get weirder.
The video ends with YG and his crew leaving the party as we hear loud, demonic laughter. Then, YG is back on his couch watching TV. Did this all happen in his head? That’s not really important.
In the Dark is yet another recent hip-hop video that is drenched extremely overt satanic imagery. It contains the same exact symbolism as other videos analyzed on this site such as Up by Young Thug, Topanga by Trippie Redd and many others. This is not about being “edgy” or “creative”- it is about hegemonical control of pop culture by the occult elite.
In YG’s case, the video has even darker implications. It is the first video released by YG after the violent death of Nipsey Hussle it contains some dark references to the event. The combination of the Nipsey chain, the wall of skulls and the blood on the Masonic floor is rather telling and, to someone who knows about occult symbolism, the message appears to be quite clear. YG himself was on the floor, dressed in red, in what seems to symbolize an occult initiation.
Was Nipsey Hussle sacrificed as the “price” for YG’s selling out? Is YG even aware of this? Or is he … in the dark?
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
In this edition of SPOTM: Millie Bobby Brown, Greta Thunberg, a “drag kid” and Netflix doing its best to put the one-eye sign in our faces.
As usual, there were tons of one-eye signs all over mass media this month. To make sure the masses get exposed to these signs, they are often prominently displayed on the cover of magazines and right on the promotional posters of movies and TV series.
Special thanks to everyone who sent in pics!
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Eurovision is an annual international song competition with participants representing primarily European countries. The show has been broadcasting every year since 1956 and is one of the most watched non-sporting events in the world, with an average audience of 300 million viewers.
Needless to say, Eurovision has been incredibly influential throughout the decades and has helped launch the careers of countless artists. That being said, is there a chance that the show’s reach could be used by the elite to push its messages and symbolism? You betcha. And this year’s edition was particularly obvious. Taking place in Israel, the show even culminated with an elaborate yet horrifying performance by the Grand Priestess of the music industry herself: Madonna.
Here are some “lowlights” of the finale.
The finale featured dozens of performances by dozens of artists from dozens of countries around the world. Despite this great variety of cultural backgrounds, there was a clear common thread: Submission to the occult elite. Indeed, Eurovision is clear proof that the global music industry has to be subjected to the elite’s debasing and hegemonic culture.
Here are some examples.
Strangely enough, the same exact symbolism was used during the performance of Mahmood – the representative from Italy.
The Eurovision finale also contains other elements of the elite’s agenda.
The finale also had some classic Illuminati symbolism.
First, I need to say that people have the right to act and dress the way they want. And, if they’re talented enough, they definitely have the right to sing and take part in competitions. However, there was a clear and obvious overrepresentation of gender-ambiguous people during Eurovision and I am convinced that lots of them were there BECAUSE they were trans or drag queens and not because of talent. As stated in countless articles in the past, there is an agenda to expose the masses (and especially young people) to gender confusion. And Eurovision did its part. Here are some people who performed during the finale.
Then, Madonna came out. And it was horrific.
Madonna’s performance at Eurovision was controversial for several reasons. First, many were unhappy that Madonna went to Israel to perform considering the whole Palestinian issue. Second, her singing was horrible. It was torture. She was easily the worst performer of the night.
While these issues were widely discussed in mass media, the most obvious one was ignored: Her performance was a pseudo-satanic, New World Order, occult ritual. And, as usual, Madonna fully embodied her given role of Grand Priestess of the industry.
Before going into the performance, it is also important to note that Madonna is an adept of Kabbalah – Jewish mysticism that is at the root of most schools of Western occultism such as Freemasonry. Furthermore, the fact that this performance took place in Israel is also relevant to the symbolism that was put on display.
Madonna recently created an alter-persona named Madame X she describes as an “agent with) several personalities. As seen in my article about Madame X, the entire thing is all about Monarch Programming.
Madame X constantly wears an eyepatch which is a convenient way of constantly displaying the one-eye sign – proof of submission to the occult elite.
Then Madonna begins singing Like a Prayer, a song about mixing sexual acts with religious devotion. Madonna sings this pseudo-satanic song all the time (she performed it at the 2018 MET Gala) because it is the perfect prelude to a black mass.
Other than the fact that Madonna sings horribly, she also sings with a thick accent that sounds Israeli or maybe Eastern European. Why? Well, the alter personas of MK slaves can be programmed to have accents. It seems like we’re listening to one of Madame X’s alters singing.
The setting here is extremely symbolic. The combination of stairs going up between pillars is fully Masonic.
At the beginning of the performance, Madonna was standing at the top of the stairs representing the highest level of “illumination”. By going down the stairs, Madonna symbolically lowers herself to the level of the masses. While doing so, she showcases an inverted cross because that is what they want the masses to believe in.
This scene is a clear reference to the rebuilding of Solomon’s Temple, a crucial part of Masonic teachings. The rebuilding is said to usher in a new era – a new world order.
The two pillars found in Masonic symbolism are references to the pillars of Solomon’s Temple named Boaz and Achin.
The site of Solomon’s Temple is in Israel and there have been constant rumors of the elite trying to take control of Temple Mound in order to rebuild Solomon’s Temple. In short, Madonna is basically referring to the dawning of a new era ruled by the elite.
Then, things get even weirder.
Then Madonna says a bizarre speech that appears to be threatening a group of people.
“They are so naive. They think we are not aware of their crimes. We know be we are just not ready to act. The storm isn’t in the air. It’s inside of us. I want to tell you about love and loneliness. But it’s getting late now. Can’t you hear outside of your Supreme hoodie the wind that’s beginning to howl?”
The lyrics of that song are about the elite telling the masses that the future is not for them.
Not everyone is coming to the future
Not everyone is learning from the past
Not everyone can come into the future
Not everyone that’s here is gonna last
Despite all of the symbolism we just saw, 99% of news media focused on the fact that there was a Palestinian flag next to an Israeli flag and that people were offended. They completely missed the bigger picture: Everybody is on their way to die.
Then, the crowd goes wild. Did they understand anything of what just happened? Probably not.
Eurovision 2019 was a showcase of elite pawns and elite agenda. It was all about MK symbolism, occult symbolism, and the now unavoidable gender-blurring agenda. Appropriately enough, the show ended with an extremely symbolic and ritualic performance by Madonna which summed up the elite’s entire philosophy. It also conveyed its utter hatred and contempt for the masses, even celebrating their death in the “future”.
It is all there, it is all in our faces and it is more blatant than ever. If you don’t see it, take a hint from Madonna and WAKE UP.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Isaac Kappy was an actor who appeared in several Hollywood productions such as Thor, Terminator Salvation, and the series Breaking Bad. However, in the past years, he was mostly known for accusing several Hollywood personalities of pedophilia and satanic ritual abuse. Some of the names he named throughout his videos and social media posts are Tom Hanks, Steven Speilberg, James Gunn, Kathie Griffith, and Seth Green.
Soon after these accusations, Kappy made the news for allegedly choking his friend Paris Jackson at a party and for threatening Seth Green on several occasions. These actions lead him to be investigated by the LAPD and to be labeled as a “nutjob” by mass media sources.
On May 14th, Kappy found a violent death after plunging from a bridge onto the Interstate 40 highway in Arizona. According to police sources, Kappy “forced himself” off the bridge after two teenagers physically attempted to stop him from doing so. After the fatal jump, Kappy was struck by a passing vehicle.
Shortly before his death, Kappy deleted his entire Instagram history and posted a final letter with the ominous caption: “Beware the man that has nothing to lose, for he has nothing to protect”. In this lengthy suicide note, Kappy writes that he “has not been a good guy” and compared himself to Judas Iscariot (who betrayed Jesus). He also referred to Donald Trump, the QAnon movement and his attempts at exposing Hollywood.
Bizarre fact: The letter was dated July 4th, 2019.
A few days before his death, Kappy posted a final video where he repeats several times that he did a “very dumb thing” and that he let “the darkness consume him”.
Although Kappy does not explain exactly what he did (because that would put people in harm’s way), he is convinced that there is no coming back from his decision and that his life was essentially over.
Here some notable quotes from the video where he also answers questions from viewers.
“This will likely be my last broadcast.”
“There are a lot of people that I kept out of my life, that I wanted in my life, but I didn’t want to bring harm to, because of all the Illuminati sh*t.”
“This struggle against darkness consumed me. Yeah, I’m a bad guy. I’m a bad guy.”
“I have done a disservice to God. I have done a disservice to America.”
“Did I hurt a child? No, I did not hurt a child. I did not kill anyone, no. No, I’m not being threatened.”
“I took some bait. There was a lot of work in inducing what I did.”
“I’m a traitor and it happened in the blink of an eye. I accessed some very high levels of consciousness and then I went way, way, way down.”
“I exposed a lot of bad guys and now I’m exposing myself.”
“Have I become one of them? I am. Now I am one of them. Those people that I was so concerned with finding and rooting out because of the darkness … and I just let the darkness consume me.”
“In the beginning, when I came out, it was from a place of bravery and love. I have betrayed all of you.”
“They will write books about this decision and how f*cking dumb it is.”
“Did I lie about Seth Green? No, Seth Green is a pedophile.”
I crossed a line I shouldn’t have crossed.
“No, I did not take a Satanic vow.”
“I am not suicidal.”
“I’m not going to tell you what I did because, at this point, it could still endanger people and I don’t want to do that.”
“Can you help me? You can pray for my soul.”
“I did not join the Illuminati.”
“Something bad is about to happen.”
“Some things were planted inside my consciousness.”
“Have I been MKULTRA-ed? Well, let’s say there was some things that happened that were not normal as far as things playing in my head that came from outside.”
“I need to pray, I need to pray a lot.”
Kappy also said on a few occasions that he was suffering from PTSD and that he underwent severe trauma.
All of these bizarre facts sparked a great number of theories across the internet. Some claim that the people who were “physically restraining Kappy” before jumping were actually pushing him off the bridge. The fact that Kappy clearly stated that he was not suicidal in his final video only exacerbated these theories.
Others state that Kappy was a victim of gangstalking, which could explain the quote from his final video about “things playing in my head that came from outside”. Other theories claim that he was being blackmailed by the elite, citing a mysterious video involving children that briefly surfaced on Kappy’s social media accounts.
Even more bizarre, some claim that Tom Hanks “predicted” Kappy’s death in one of his IG posts.
For years now, Tom Hanks has been creeping people out with bizarre pictures of random single gloves, shoes or boots found on the ground, combined with strange captions. Many of the comments on these pictures state that these pictures actually represent people who were killed or abducted by the occult elite.
About a month prior to Kappy’s death, Hanks (who was accused by Kappy of pedophilia) posted the above picture of a glove on Route 66 (Kappy died on Route 66) with the caption:
“Historic Route 66. Roadkill? I hope not! Hanx.”
Strange.
One thing is for sure, Kappy was convinced that he had a fateful (and fatal) run-in with the occult elite in the days prior to his death and that he irredeemably sold out. He was convinced that he betrayed his followers and was very aware that his days were numbered.
But what actually happened? We’ll probably never know.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Pepper.Pics is an Instagram account that showcases over 1,600 “fashion pics” of a 9-year-old Belgian girl named Pepper. Maintained by her mother Bonnie van Geel, the account has been active for several years (since Pepper was a toddler) and boasts over 30,000 followers. Following the success of that account, Pepper was recruited to pose for several brands and magazines such as Stella McCartney Kids, Mini Maven Magazine, Mimi & Lula and Daniel Wellington. While that might sound all well and good, a look at pics on the IG account leads to an uneasy feeling … for several reasons.
First, there is something cringe-worthy and exploitative about social media accounts created by parents for children who are too young to consent or even understand the implications of such online exposure. As if that wasn’t enough, a disturbing number of these pics feature the child in “revealing” clothing and suggestive positions which leads us to wonder: Who actually follows these accounts and why?
Before going any further, here’s a pic from that account which has a comment that sums up the entire situation at hand.
Adding to the disturbing factor, a great number of these pics contain symbolism relating to Monarch mind control and the overall exploitation of children. As you’ll soon realize, that entire account is basically a Vigilant Citizen 101 course.
Appropriately enough, Pepper often wears clothing by fashion brands NUNUNU and Caroline Bosmans. Both of these companies were discussed on this site because their IG accounts feature revolting pictures involving children. Indeed, NUNUNU’s IG account promoting its “genderless” clothing collection contains overt satanic symbolism combined with the sexualization of minors. The IG account of Caroline Bosmans is a sickening collection of pictures involving unhappy children in traumatizing situations.
Pepper.Pics follows the same bizarre, exploitative, “artistic” blueprint. Although I feel uncomfortable posting some of these “suggestive” pics, this stuff needs to be exposed and dissected. There is a subculture of “art” and “fashion” that is based on the exploitation and the corruption of children. And this account is yet another clear example of it.
Here are some of the pics found on this account.
A disturbing number of the posts on Pepper.Pics feature a child in revealing and suggestive clothing and situations. In fact, if the model in these pics was an adult, they would be considered “sexy”. But the model is a child. Why are these pics being taken? Why are they posted on the internet? And, most importantly, who are these thousands of followers looking at these pics and liking them?
A ridiculous number of pictures on the IG account feature blatant one-eye symbolism and imagery relating to mind control. There are also lots of references to Alice in Wonderland which is the primary programming script of Monarch mind control.
This was a small sample of the 1,600 posts found on the Pepper.Pics IG account. As seen above, the pics revolve around specific themes that are 100% in line with the occult elite’s agenda: Sexualization of children, MK symbolism and the all-important one-eye sign. Evidently, Pepper’s mother knows all about the elite’s agenda and is doing everything possible to push her girl “into the spotlight”.
On a wider scale, this account is yet another proof of a massive subculture found all over social media that loves seeing children losing their innocence and involved in “adult” situations. This disturbing trend needs to be exposed because, chances are, it is only the tip of a very disgusting iceberg.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
The MET Gala is a yearly gathering of industry stooges who parade around in elaborate outfits, as photographers take hundreds of pictures for the world to see. The goal? Fundraising. The real goal? The elite showcasing its pawns and its agenda.
In my article about last year’s MET gala (The 2018 Met Gala: Because the Industry Loves Blasphemy), I explained how the entire theme fit the elite’s obsession with desecrating Christianity. Some observers even described the event as all-out “satanic”, complete with Madonna conducting a black mass.
This year’s theme was Camp: Notes on Fashion. The name is inspired by Susan Sontag’s 1964 essay that defined camp as “love of the unnatural: of artifice and exaggeration” (coincidentally enough, “love of the unnatural” perfectly describes the philosophy of the occult elite).
Camp is usually associated with drag culture and goes back a few centuries. The first English definition of the term “camp”, which appeared in a 1909 edition of the Oxford English Dictionary, states:
“ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to, characteristic of, homosexuals…”
While not as controversial as last year’s blasphemous theme, this year’s theme was a perfect way to push the all-important gender-blurring agenda. Of course, there’s was lots of occult elite symbolism all over the place.
To understand why the MET Galas are so consistently agenda-friendly, let’s take a quick look at this event’s history.
The MET Gala is an annual fundraising event for the benefit of the Metropolitan Museum of Art’s Costume Institute in New York City. The Gala is reputed as a “luxurious, blockbuster” event and considered “the jewel in New York City’s social crown”. The event is widely regarded as one of the most exclusive social events in the world and one of the biggest fundraising nights in New York City, which raised a staggering $200 million dollars to date.
The first gala took place in 1948 and, for years, it almost entirely consisted of members of New York high society and the fashion industry. In the 1970’s, the event started to become more celebrity-oriented with attendees like Andy Warhol, Diana Ross, and Cher intermixing with the city’s elite
The event is overseen by Vogue editor-in-chief Anna Wintour who also assembles the list of invitees. In 2014, the individual tickets cost $30,000 for those outside the official guest list, after prices were raised by $10,000 to increase the exclusivity of the event.
In short, the event is organized by the industry elite and for the industry elite. At the center of it all: Industry pawns.
If you’re invited at the MET Gala, that means that you’re an industry pawn. And, to represent this fact, you must wear elite-approved clothing. Here are some examples.
The MET Galas are a perfect encapsulation of the current agenda of the occult elite. Organized by Vogue – an elite institution that is part of the CondeNast media empire – the Gala is all about carefully selected celebrities following a carefully selected theme. The net result of this carefully calculated event: News and social media flooded with pictures of celebrities dressing up in ridiculous outfits to please their elite masters.
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Journal of the American Academy of Child & Adolescent Psychiatry recently published a study titled Association Between the Release of Netflix’s 13 Reasons Why and Suicide Rates in the United States: An Interrupted Times Series Analysis and its conclusion is quite telling:
The release of 13 Reasons Why was associated with a significant increase in monthly suicide rates among U.S. youth aged 10 to 17 years. Caution regarding the exposure of children and adolescents to the series is warranted.
According to the study, 13 Reasons Why was associated with a 28.9% increase in suicide rates amongst young people directly following its release in April 2017. The number of deaths by suicide recorded during this month was greater than the number seen in any single month during the five-year period examined by the researchers.
These results confirm prior concerns regarding the show. Indeed, immediately after its release, various mental health specialists and organizations warned against the insidious effects of the show on its viewership. The main problem: Graphic depiction of suicide combined the glorification of the person committing it.
“Mental health experts describe the show as worrisome and point to how its relatable characters and graphic depiction of suicide can pose a health risk for young people already struggling with mental health issues.”
– CNN, ’13 Reasons Why’ tied to rise in suicide searches online
Shortly after the show’s premiere, a study revealed that 13 Reasons Why was linked to a rise in suicide-related web searches, notably “How to commit suicide”.
“After the premiere of “13 Reasons Why,” the search phrase “how to commit suicide” rose 26% above what would normally have been expected for that time; “suicide prevention” went up 23%; and “suicide hotline number” climbed 21%, based on the paper’s data. “The time for rhetorical debate is over,” said John Ayers, research professor at San Diego State University and lead author of the paper. “While ’13 Reasons Why’ has certainly caused the conversation to begin — it’s raised awareness, and we do see a variety of suicide-related searches increasing — our worst fears were confirmed,” he said. “That is, thousands of people, thousands more, are searching online about ways to kill themselves.”
– Ibid.
The series revolves around a 17-year-old high school student and his deceased friend who killed herself due to gossip, sexual assault at her high school and a lack of support from her friends and her school. The dead protagonist left a box of cassette tapes detailing the thirteen reasons why she ended her.
Despite its dark and disturbing premise, everything about this series is geared towards teens and pre-teens. To add some extra “teen” appeal, Netflix even got Selena Gomez to act as the executive producer … although she just got out of rehab for an “undisclosed mental health problem” … and although she just released a video where she engaged in self-harm.
Under the deceptive premise of “addressing mental health issues”, the show actually glamorizes suicide. The main character’s suicide is steeped in mystery which leads to fascination. By exposing the evil at her school, she also becomes a hero whose suicide became an effective way of getting back at the people who wronged her.
It is easy to see how exposing a young person with mental health issues to a show that depicts a teenager who committed suicide as some sort of post-death-vigilante-hero could lead to suicide ideation … and actual suicide. Through dozens of hours of carefully crafted drama, the show creates an immersive experience that focuses on specific dark ideas, thoughts, and emotions.
In short, is all part of an obvious mass media agenda to debase, corrupt and demoralize the population – especially young people. And Netflix is part of it. Big time.
In the past years, I’ve analyzed several Netflix series because, simply put, the streaming service is now at the forefront of popular culture. As cable television is becoming a relic of the past – especially to young people – Netflix is currently enjoying a position of near-monopoly in television content.
To consolidate its position of power in the industry, Netflix constantly invests massive amounts of dollars for the creation of original content. How massive? $12 billion in 2018 and $15 billion in 2019 massive.
Despite these massive numbers dedicated to content creation, the shows that are selected to be “Netflix originals” are carefully curated. There is no variety of opinions, viewpoints, or perspectives on there. Quite to the contrary, everything that is sponsored by Netflix is fully and consistently in line with the agenda of the global elite.
As seen in previous articles, Netflix series clearly push specific agendas such as gender blurring (Bill Nye Saves the World), the glorification of Satanism as “female empowerment” (Chilling Adventures of Sabrina) and the normalization of trauma-based mind control (Stranger Things, Black Mirror: Bandersnatch).
However, 13 Reasons Why is probably the most insidious of them all and the show might just be directly linked to the actual death of actual teenagers.
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In my article about the 2009 Video Music Awards, I dubbed Madonna the “grand priestess of the music industry”. And, ten years later, we can confidently say that Madonna lived up to that title. Indeed, throughout the years, Madonna’s act consistently put on display her position of power in the music industry, often acting as a “godmother” to new female superstars.
To exemplify this fact, most of her public appearances are imbued with a ritualistic and ceremonial dimension.
Madonna is well aware of the ritualistic meaning behind her performances. Prior to her 2012 Superbowl Half-Time performance, Madonna told Anderson Cooper:
“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”
And, yup, that performance was “impactful”.
In 2019, at 60 years old, Madonna is still at it. While her fans like to gush about how Madonna keeps “reinventing herself”, her act is actually quite consistent: It is actually 100% based on the occult elite’s current agenda, combined with an attempt to remain relevant by associating with young and popular artists.
Case in point: Her new album Madame X. Indeed, everything about this album is pure occult elite agenda as it clearly revolves around the dark world of Monarch programming. And, to stay relevant, Madonna recruited Colombian reggeaton star Maluma to dance around her.
Here’s a look at the symbolism surrounding this new thing she did.
Madonna’s new alter-persona Madame X is described as a “secret agent who changes identities”. And, unsurprisingly enough, this is all about MKULTRA. The name itself relates to the lack of a core personality.
To introduce her fans to her new alter-persona, Madonna released a short video titled Welcome to the World of Madame X. This 59 seconds-long video managed to pack a whole lot of obvious MK symbolism.
The video begins with Madonna saying:
“Madame X is a secret agent traveling around the world, changing identities, fighting for freedom, bringing light to dark places”.
It should be noted that one of the actual goals of project MKULTRA was to create spies and secret agents who changed identities through triggers. “Fighting for freedom and bringing light to dark places” is basically code for saying “doing the occult elite’s bidding”.
Madonna then lists her various “identities”:
“Madame X is a dancer, a professor, a head of state, a housekeeper, an equestrian, a prisoner, a student, a mother, a child, a teacher, a nun, a singer, a saint, a whore …”
Here, Madonna alludes to various kinds of programming, including Beta Kitten programming (a whore).
While she says these words, the viewers are treated to various images that directly point to Monarch programming.
All of this obvious imagery sets the stage for Madame X’s single Medellín. The song and video prominently feature Maluma, a reggaeton artist from Colombia who is extremely popular with young people. In other words, he’s a perfect recruit for the Grand Priestess of the industry.
The video begins with a prayer that is all about Monarch mind control.
She says:
“Dear God,
How can I trust anyone after years of disappointment and betrayal? How could I not want to run away? Again and again … Escape … I will never be what society expects me to be … I’ve seen too much … I cannot turn back … I have been kidnapped, tortured, humiliated and abused”.
That last sentence sums up trauma-based mind control – the basis of Monarch programming. Slaves are kidnapped to then be tortured, humiliated and abused to force dissociation.
In the next scene, Madame X is a dance teacher who wears equestrian clothes, complete with a horse whip.
The lyrics of the first verse describe an MK slave being drugged and dissociated … while Maluma says generic Spanish words.
I took a pill and had a dream (Yo también)
I went back to my 17th year
Allowed myself to be naive (Dime)
To be someone I’ve never been (Me encanta)
I took a sip and had a dream
And I woke up in Medellín (¿Te gusta?)
The sun was caressing my skin (Dime)
Another me could now begin (Woo)
So Madonna took a pill and became “someone she’s never been”. She then “took a sip” and “another her could begin”. Those are references to an alter-persona being triggered after being drugged (drugs are used in MKULTRA programming to facilitate dissociation).
Then, in the video, Madonna tells Maluma to come to her and things get sexual … and uncomfortable.
After some kissing, spanking and other things that make one’s facial expression gradually morph from “annoyed” to “horrified”, things get ritualistic: Madame X and Maluma get married.
This is not a wedding between two lovers: It is an initiation. Maluma, a rising star in the music business gets married to Madame X – a representative of the occult elite’s MK system.
If you’ve read other articles on this site, you probably realized that everything relating to Madame X is in perfect conformity to the wider agenda that is imposed on the entire entertainment industry. Indeed, Madame X features all of the MKULTRA symbolism, the occult color codes, and the ritualistic elements we’ve seen displayed in the past by the likes of Britney Spears, Lady Gaga, Rihanna, Beyoncé, and many others.
While critics like to say that younger artists are “influenced” by Madonna, there’s something deeper going on here: ALL of these artists are forced to display a specific set of symbols and narratives in their work. Even Madonna. Why? Because there’s an obvious effort to “hegemonize” global popular culture, to make it fully compliant with the occult elite’s agenda.
And, at age 60, Madonna still needs to do this MKULTRA, one-eye stuff. Why? Well, I’ll let one of Madonna’s own Instagram posts answer that question.
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In this edition of SPOTM: Taissa Farmiga, Britney Spears, Madonna, the most ridiculous shirts you’ve ever seen and a bunch of pics that will make you say “wow” … as in “wow, what is wrong with these people?”.
Special thanks to everyone who sent in pics!
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
In 2013, I published an article entitled The End of April: A Time of Human Sacrifice where I explained the extreme importance of this time of year in occult calendars. Indeed, the last two weeks of April, which culminate on May 1st (aka May Day), could be dubbed the “most magickal time of the year” – but for all of the wrong reasons.
A quick look back a recent history reveals something strange: Many violent events involving mass deaths by fire (or gunfire) occurred during the last two weeks of April. Here are some examples:
If one looks further back in history (and outside of the US), one would find a long list of horrific events that happened between April 15th and May 1st. Most of these events feature the same characteristics: A large number of innocent victims who die by fire.
Throughout the years, this strange fact was observed by several sources. Here are some examples.
The conclusions of these articles are rather similar: “We don’t know what’s going on and we’re scared”. Although media sources acknowledge this bizarre April anomaly, they do not provide a rational explanation. Why? Because the truth is occult.
Here’s a summation of the significance of the end of April in occult calendars.
“April 19 – May 1 – Blood Sacrifice To The Beast, a most critical 13-day period. Fire sacrifice is required on April 19.
April 19 is the first day of the 13-day Satanic ritual day relating to fire – the fire god, Baal, or Molech/Nimrod (the Sun God), also known as the Roman god, Saturn (Satan/Devil). This day is a major human sacrifice day, demanding fire sacrifice with an emphasis on children. This day is one of the most important human sacrifice days, and as such, has had some very important historic events occur on this day.”
– Occult Holidays and Sabbaths, Cutting Edge
While the exact dates of occult rituals vary due to moon phases and other variables, there is nothing new about human sacrifices in April. Throughout the centuries and across civilizations, the second half of April was always a time of blood sacrifice. Those were often celebrated through the worship of Baal (or related deities).
The worship of Baal took many names (Enlil, Molech, etc.) and spread across several civilizations. Being a sun god and a god of fertility, rituals celebrating Baal took place after the vernal equinox (a time of rebirth) and often involved human sacrifice.
“The cult of Baal celebrated annually his death and resurrection as a part of the Canaanite fertility rituals. These ceremonies often included human sacrifice and temple prostitution.”
– Baal, Encyclopedia Mythica
This practice was also mentioned in the Bible.
“They have built the high places of Baal to burn their children in the fire as offerings to Baal–something I did not command or mention, nor did it enter my mind.”
– Jeremiah 19:5
Today, the ancient practice of blood sacrifices still exists. However, in this age of mass media, the occult elite partakes in mega-rituals made to be witnessed by the entire world. Why? For increased magical potency.
“The human sacrifice required during many of these occult dates needs to contain the following elements, each one of which is exaggerated to the highest possible degree:
1. Trauma, stress, and mental anguish, sheer terror
2. The final act in the drama should be destruction by a fire; preferably a conflagration.
3. People must die as human sacrifices, especially children, since The Darkness views younger human sacrifice as most desirable”
– Ibid.
At the time of writing this article, the “magickal” time of year is not yet over. However, some events already fall right into this period’s “criteria”.
On April 15th, the famed Notre-Dame de Paris Cathedral was engulfed in flames, an event that was heavily mediatized across the world.
To those who know about the occult link between April and fire, the Notre-Dame event was difficult to ignore. And it only took a few hours before theories floated online.
To be honest, when I saw the footage, I immediately thought about the April occult agenda. However, another part of me thought: “This might only be an accident”.
No matter what actually happened, the footage of the fire – and its symbolic meaning – immediately reminded me of images that were posted on this site some years ago.
Was the Notre-Dame fire a symbolic attack on Christianity? Perhaps. However, I feel the need to mention an important fact: Notre-Dame is, in actuality, an occult temple. It was built by the Knights Templar (the ancestors of the Freemasons) and everything about it is 100% based on occult principles.
Explaining all of the occult elements of Notre-Dame would require an entire book. However, it is safe to say that the Cathedral is nothing less than a physical representation of the occult elite’s beliefs and philosophy. Perhaps this is the reason why, shortly after the fire, prominent billionaires pledged hundreds of millions of Euros to rebuild this temple.
Less than a week after the Notre-Dame fire, the world witnessed an actual attack on Christianity. And it was on Easter Sunday. And, sadly, it fit exactly the “requirements” of the end-of-April sacrifices.
On April 21st, Sri Lanka was hit with a series of coordinated attacks in churches and luxury hotels, killing at least 290 people. The first wave of attacks struck during busy Easter services at churches in the heart of the country’s minority Christian community, in the cities of Colombo, Negombo, and Batticaloa.
At the time of writing these lines, no group officially took responsibility for the attacks. And, while the Sri Lankan government blamed a little-known local jihadist group named National Thowheed Jamath for the bombings, the group did not come forward yet. Furthermore, authorities also believe that the bombers had international support. A government official stated:
“There was an international network without which these attacks could not have succeeded.”
Strange fact: Sri Lankan authorities were warned about a bomb threat a full two weeks before the attacks. Cabinet spokesman Rajitha Senaratne said at a press conference that the warnings were not passed on to the Prime Minister,
My 2013 article about the Boston bombings, I wrote these words:
While many ascribe the occurrence of these events during the end of April to coincidence, the fact remains: Mass violent events involving death and fire happen regularly during the same time period that is occultly dedicated to Baal, who is worshipped through fire and human sacrifice.
Sadly, in 2019, the “prophesy” was, once again fulfilled. To make things worse, the attacks occurred in the most satanic of contexts: Churchgoers were during Easter Sunday celebrations.
Hopefully, we’ll reach May Day without any other proof that the end of April is … the most “magickal time of the year”.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Since 2011, The Vigilant Citizen has been documenting the life and career of Britney Spears in great detail for a simple reason: She is one of the most obvious examples of mind control in the entertainment industry today. And the bizarre turn of events of the past months tends to confirm this fact.
Spurred by the revelations of an anonymous source close to Britney and the social media activity of Britney’s mother, the campaign #FreeBritney has been gaining steam. The theory: The singer is being held against her will at a “mental health” facility since the beginning of January.
Is she being held against her will for MKULTRA reprogramming? Before we explore this question, here’s quick look back at the events that defined Britney’s life.
Not unlike other industry slaves, Britney entered the business as a child. At age 11, she was cast on The Mickey Mouse Club, a popular TV show on the Disney Channel.
A few years later, she embarked on a highly successful solo career, making her one of the biggest stars in the world. However, not unlike other industry slaves, “cracks” began to appear in her programming around the age of 30.
Her infamous breakdown of 2007 – where she shaved her head and attacked cars with an umbrella – displayed all of the symptoms of an MK slave attempting to break free from programming.
A few months later, Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and placed on a 5150 involuntary psychiatric hold (Kanye West was sent to this same facility against his will after his own MK breakdown in 2016).
Since then, Spears was forced to live under the conservatorship of her father Jamie Spears who was given complete control over her career, finances, and personal life.
In 2012, Britney attempted to end the conservatorship and regain control of her life but was rejected by the court due to “psychological issues”. Strange fact: The actual “psychological issues” were never disclosed. Even stranger, the lawyers of the conservatorship requested the judge to seal the court records that describe her actual condition. According to this 2012 TMZ article:
Documents were filed Tuesday in the conservatorship case, urgently asking the judge to seal certain records. In the papers, lawyers for the conservators called the records “highly sensitive,” adding “irreparable harm and immediate danger” would befall Britney if the documents weren’t sealed.
Multiple sources with firsthand knowledge tell TMZ … the records are medical documents outlining Britney’s condition and treatment.
We’re told the singer has a disorder affecting her personality that can affect her state of mind. We’re told she is doing “extremely well” but needs the safety net of a conservatorship.
“Irreparable harm and immediate danger”? Is Britney’s mysterious “condition and treatment” actually MKULTRA? Recent revelations point in that direction.
At the beginning of April, media sources announced that Britney Spears “voluntarily” checked in a mental health facility to “help herself better cope with her father’s serious health issues”.
However, some claim that this is a lie. On April 16th, the podcast Britney’s Gram released an “emergency episode” after receiving “an anonymous tip from a credible source” claiming that Britney was being held against her will at a mental facility since January 14th (you can listen to it here). After explaining that he’s a “paralegal who worked on Britney’s conservatorship”, the source said:
“What is happening is disturbing to say the least.”
The unnamed man went on to explain that Jamie Spears had discovered that Britney stopped taking her medication. And, when she refused to take any other kind of medication, Jamie Spears pulled the plug on Britney’s Domination tour, telling her: “Blame it on my illness”.
According to the source, this series of events explains the bizarre January 4th post on Britney’s Instagram account.
The anonymous source then confirms that Britney was sent to a mental health facility in mid-January and that there is no “end in sight” for her stay at the facility. He ended the call by saying that Britney “did not want to go” and that it was “not a decision she made, at all”.
While this anonymous tip was enough to rile up Britney’s fans, the social media activity of Britney’s mother took things to another level.
On April 16th, Britney’s mother Lynne Spears posted a picture on Instagram with the caption This is “Faith!”. The post was interpreted by many as a subtle response to Britney’s situation.
Even more revealing, Lynn “liked” several comments by fans claiming that Britney was being held against her will. Here are some comments “liked” by Lynne Spears:
Lynne’s social media activity caused #FreeBritney to trend on social media. The hashtag even reached mainstream media.
Are people finally seeing the truth about Britney? Hopefully so. Here are the top comments found under Britney’s Gram podcast.
Kim Noble is a peculiar artist for several reasons. She has Dissociative Identity Disorder (DID) and has over 13 personalities (alters). These alters have their own name, age, and history, which exist separately from one another. Even stranger, many of these alters became artists who paint in their own distinctive style. And, while the creations of these alters differ widely from one another, there’s a clear recurring theme in most of Kim Noble’s paintings: Ritual abuse and trauma-based mind control.
My article Origins and Techniques of Monarch Mind Control explains how intense trauma is used to force MK slaves to dissociate from reality, allowing handlers to split the minds of the slaves and to program new alter personas. Kim Noble’s paintings depict the various facets of this horrific practice in graphic detail while also highlighting the symbolism associated with this dark underworld.
Noble’s work provides a rare “inside” look at the practices and symbolism of ritual abuse, and, as seen in countless articles on The Vigilant Citizen, this sadistic sub-culture is often glorified in mass media.
In 2011, I published an article titled Kim Noble: The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas, where I went over the artist’s backstory and explained the meaning of some of her paintings. However, since, the publication of that article, several of her paintings disappeared from her website and flickr gallery.
Considering the importance of Noble’s works in research on ritual abuse and mind control, I found it necessary to gather her most relevant paintings in a single post for easy reference.
When available, the name of the painting will be mentioned in the caption (the name is often extremely revealing). The post will also include screenshots from Kim Noble’s Facebook page, where she answers questions about specific paintings, providing additional insight and information.
Here’s the complete gallery of Kim Noble’s paintings about ritual abuse, divided by alter name.
Warning: Some of these paintings are extremely disturbing.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
This site often talks about young, brand new artists who were groomed by their record labels and released onto the world with a carefully calculated gimmick. Well, this article will not be about that kind of artist. It will be about a 76-year old icon who was part of the most influential group in the history of pop music and who attained the title of “living legend” about three decades ago.
Indeed, Paul McCartney began recording music over 60 years ago. He released over 30 albums as a member of The Beatles, Wings and as a solo artist. He was inducted in the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and, again, in 1999 as a solo artist. He’s also an 18-time Grammy Award winner who has written or co-written 32 songs that reached number one on the Billboard Hot 100 chart.
So, Paul McCartney is not exactly a newcomer. In fact, he’s been, for decades, the subject of the oldest conspiracy theory in the history of pop music: “Paul is Dead“.
This theory, which surfaced around 1967, asserts that McCartney actually died in a car crash in 1966 and was replaced by a look-a-like.
Proponents of the theory maintained that, in November 1966, McCartney had an argument with his bandmates during a Beatles recording session and drove off angrily in his car, crashed, and was decapitated. To spare the public from grief, or simply as a joke, the surviving Beatles replaced him with the winner of a McCartney look-alike contest. This scenario was facilitated by the Beatles’ recent retirement from live performance and by their choosing to present themselves with a new image for their next album, Sgt. Pepper’s Lonely Hearts Club Band.
– Wikipedia, “Paul is Dead”
Those who believe that “Paul is Dead” analyzed the facial structure of the real McCartney versus the fake one, decoded hidden messages in the band’s song lyrics (some in reverse) and interpreted symbolism found in The Beatle’s album art.
Whoever Paul truly is, that person went on to have a long and prolific career. And he doesn’t appear to be close to retiring. His latest album Egypt Station debuted at #1 on the US Billboard 200.
However, in this day and age, to remain part of the industry (even if you’re a “living legend”) you must embrace the elite’s agenda. And show your submission. And Paul did what he had to do.
Paul’s latest video Who Cares is yet another example of this fact. While the song has a distinct 1985 feel to it, the video is very 2019. Indeed, it has all of the symbolism and mind control messages found in countless pop videos nowadays.
Unlike the video, the song’s lyrics are quite simply: They’re about not caring about what others think. The chorus goes:
Who cares what the idiots say
Who cares what the idiots do
Who cares about the pain in your heart?
Who cares about you?
I do
In the video, actress Emma Stone plays the role of an anxious woman seeking treatment from Paul McCartney, who plays the role of a “behavioral hypnotist”. Then things sink quickly into the dark world of Monarch programming (if you don’t know what that is, read this article first). In fact, he turns into a mind control handler.
Right from the start, the video uses lots of imagery, references, and symbols that relate to mind control.
The actual video begins with Emma Stone entering a building from the emergency exit door. Right from the start, things are topsy-turvy.
Then, Emma finds Paul McCartney’s office, who goes by a symbolic pseudonym.
So why is McCartney called Dr. Lorenz and why is he also a meteorologist? These clues point to a specific person: Edward Norton Lorenz.
Edward Norton Lorenz was an American mathematician and meteorologist who founded modern chaos theory from which is derived the “butterfly effect” which theorizes that the flapping of butterfly wings can lead to a tornado. In Who Cares, the fields of psychology and meteorology are combined to tell a story rife happening in the inner-world of Emma Stone.
When Emma enters McCartney’s office (aka Dr. Lorenz), we immediately see lots of symbolic objects.
Then Dr. Lorenz begins interacting with his patient with sentences that are reminiscent of NLP (neuro-linguistic programming).
“It’s a bit unruly here but, that’s the way it goes. Disorder. Out of order. Order out of disorder. It all gets a bit chaotic sometimes, doesn’t it?”
All of this relates to the chaos theory of the actual Dr. Lorenz. Also, as seen in previous articles, the main motto of the occult elite is “order out of chaos”.
Right after drinking some of the tea, Emma spaces out. Was the tea laced with something? Drugs such as LSD are used in actual Monarch programming to facilitate the programming of MK slaves.
Then, the setting of the video changes drastically. Emma completely dissociates from reality (the goal of Monarch mind control) and enters a bizarre alternate dimension that is rife with symbolism. Not unlike classic MK tales such as The Wizard of Oz and Alice in Wonderland, this alternate world represents the dissociated slaves’ perception of reality while they are being programmed through trauma.
While dissociated, Emma is constantly surrounded by dudes with faces painted half black and half white, not unlike the painting seen in Dr. Lorenz’s office.
In the video, these dualistic ‘demons’ torment Emma and take pleasure in subjecting her to various forms of trauma. The credits say that these guys are the “idiots” that McCartney sings about in the song’s chorus.
At face value, Dr. Lorenz teaches Emma to not care about what idiots say and do. That’s great advice. However, considering the MK symbolism found in the video, there’s a deeper meaning. While dissociated, Emma is actually being subjected to trauma by the “idiots”.
In the end, we see the final product of the programming.
Then the video snaps back to reality.
The video ends with a prolonged outro featuring some curious objects.
Who Cares manages to pack in 6 minutes a plethora of symbols that are directly associated with the occult elite. Paul McCartney plays the role of a hypnotist who uses the false premise of treating Emma Stone’s anxiety to lead her into dissociation and trauma-based mind control.
On a wider scale, this video proves that the elite’s agenda is unavoidable, even for iconic veteran artists such as Paul McCartney. To remain in the industry, all artists must abide by the Orwellian and totalitarian rules of the elite that forces all artists to adopt a specific set of symbols and narratives. And that includes promoting the elite’s most horrific practice: Monarch mind control.
Who cares? We do.
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Teen Vogue recently posted a video on YouTube entitled 5 Common Misconceptions About Sex and Gender and it is … quite surreal. The YouTube description says: “7 Activists and LGBTQIA+ people debunk common misconceptions about sex and gender”. In the video, various speakers (none of them in the field of science) dismiss scientific facts about the human body to replace them with artificial constructs.
To be honest, this was difficult to watch. Because it is NOT about the right of people to live their lives in whatever way they feel happy and comfortable. It goes way beyond, into a strange territory of delusion and social engineering. It is about superseding science and replacing it with a radical and extreme agenda that denies the existence of two sexes. And this is posted by a magazine that caters to young people.
Here are some “lowlights”:
The video begins with Belgian model Hanne Gaby Odiele who says:
“Binary is bullsh*t.”
Then, Maria Trida, a producer at Teen Vogue says:
“This idea that the body is either male or female is totally wrong!”
Then, the video adds a thick layer of confusing, non-scientific “facts” to explain sex.
“We all have characteristics that are typically male and typically female, and it is really about political choices, social factors, ideological choices, that we assign meaning to different parts of our body. So, the meaning may be that they meant, most of us are taught that if you have a vagina, you’re a girl; or if you have a penis, you’re a boy.”
Then the video attacks the fact that chromosomes determine the sex of a human being.
“Saying that a person with XY chromosomes is only male is a narrow way to look at the diverse range of chromosome differences that we can have as a person.”
“Too many people still believe that there’s such a thing as a true sex and that it comes from your chromosomes. It’s not the case. Science has known this for decades, and it’s actually a consensus in science and uncontroversial.”
Then the video explains that a trans woman (a man who decided to become a woman) is actually a biological woman. The video insists that all of the body parts of a trans woman are actually female body parts. One trans woman in the video says:
“My biology is the biology of a woman, regardless of whether or not doctors agree.”
In short, the video wants you to ignore what your eyes can clearly and to embrace a complex and confusing agenda that denies sex and gender.
What we appear to be witnessing is called Lysenkoism:
“Lysenkoism can be used metaphorically to describe the manipulation or distortion of the scientific process as a way to reach a predetermined conclusion as dictated by an ideological bias, often related to social or political objectives.”
– Wikipedia, Lysenkoism
Like most attempts by mass media to blur genders, the video was not well received at all. Here are the first comments one reads under the video.
If you scroll down, the comments keep going.
Sadly, this is not the first attempt by mass media to indoctrinate young people with this agenda. Here’s a segment from the Netflix show Bill Nye Saves the World. Set your face to cringe.
The gender blurring agenda is strong and it has been going on for years. The fact that it is being pushed by the world’s major media outlets tells us that it comes straight from the elite. Why? For many reasons. The main one: They want people to be debased and removed as far as possible from anything that makes them grounded and in harmony with life and nature. I mean, they want young people to be confused about being male or female – a basic (easily observable) building block of human life.
Here’s what they’re looking to creation: A population that is lost, confused and depressed. Because these people are the easiest to control and manipulate.
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The Grammy-nominated rapper Nipsey Hussle died after being shot six times outside of his clothing store on Sunday afternoon. He was 33 years old. The shooter fled the scene and remains at large. According to a witness, Hussle was killed “military-style”, with five shots to the body and one to the head.
About 30 minutes prior to the fatal shooting, Hussle tweeted: “Having strong enemies is a blessing”.
Law enforcement sources state that Hussle was shot by a young black man who opened fire at close range and then ran to a waiting getaway car. It is believed that the man might be involved in gang activities. Hussle had long been associated with the Rollin 60s Neighborhood Crips, one of Los Angeles’ largest street gangs.
Another source told the LA Times that detectives were working leads and stressed the killing might not be tied to a larger street gang dispute. Detectives are still trying to recover any security video that might exist.
The shooting came a day before Hussle was scheduled to meet with LAPD Chief Michel Moore and Police Commissioner Steve Soboroff “to talk about ways he could help stop gang violence and help us help kids”. Representatives from Roc Nation (Jay-Z’s talent agency and production company) were also supposed to attend the meeting.
Slowly but surely, Hussle was making his way in the music industry. Two months ago, his debut album Victory Lap was nominated for best rap album at the 2019 Grammy awards.
Hussle was also known for his community work in Los Angeles. For instance, he once gave a pair of shoes to every student at an elementary school in Hyde Park. He also helped fund upgrades to the campus playground. Hussle also owned properties and businesses in his area, including the shopping mall where he got shot. He was known for offering jobs to people who struggled and even the homeless.
To some, Hussle was becoming a positive black leader and that was enough to get him killed. Here’s a post from a user on Reddit:
He was murdered because he was making change in black communities. The government assassinated him just like they did to Fred Hampton, Malcom X, MLK, and plenty others. One of COINTELPROs main objectives was to take out any “black messiah” and that’s exactly what Nipsey Hussle was becoming. He was launching STEM programs in inner cities, he was always preaching about investing in real estate and was conscious of the things keeping African Americans down. The most obvious reason for his assassination is because he was making a documentary about Dr. Sebi who claimed to have had the cure for AIDS. Wasn’t log before Dr. Sebi was assassinated either. We cannot let this be swept under the rug. The US murdered Nipsey Hussle.
Immediately after Hussle’s death, many took to social media to point out the link between the rapper and the controversial Dr. Sebi.
Dr. Sebi (real name Alfredo Darrington Bowman) was a herbalist and self-proclaimed healer who operated in New York, Los Angeles and Honduras. He claimed to cure all disease with herbs and a unique vegan diet. Dr. Sebi taught controversial theories such as HIV was not the cause of AIDS and that Africans (and their descendants) had unique genetic characteristics that required unique medicine.
Sebi opened a practice named USHA Research Institute in Honduras where he treated celebrities including Lisa Lopes, Steven Seagal, John Travolta, Eddie Murphy, and Michael Jackson.
In 2016, Dr. Sebi was arrested and incarcerated in Honduras for money laundering. He was held for several weeks in a Honduran prison as his family was attempting to obtain his release. On August 6, 2016, Sebi died due to complications of pneumonia while under the custody of Honduran authorities. It is believed that the length of his time in custody and the condition of the jail may have contributed to his death. Followers of Sebi questioned the circumstances surrounding his arrest and death, claiming that there was a conspiracy to silence him because his teachings went against the interests of big pharma.
In 2018 the Nipsey Hussle announced that he was working on a documentary shedding light on Dr. Sebi’s infamous trial where he proved that he found the cure for AIDS. In one interview (linked below), Hussle actually stated that he might be killed over this documentary.
Here are some posts on social media about Hussle’s death.
Nipsey got killed just before he could expose the government in his upcoming documentary about Dr. Sebi… who died mysteriously after claiming to have the cure for AIDS pic.twitter.com/IrCygL647I
— LakeShowYo (@LakeShowYo) April 1, 2019
Nipsey talking about the dangers he faced from working on this documentary.. RIP 💔 pic.twitter.com/vhhw5izRZZ
— LakeShowYo (@LakeShowYo) April 1, 2019
AINT NO GANG MEMBER IN LOS ANGELES COUNTY BOLD ENOUGH TO STEP IN THE HEART OF THE 60S AND SHOOT A REAL REP IN BROAD DAYLIGHT THIS GOVERNMENT SHIT USE YOUR BRAIN
— . (@Laflaree7) March 31, 2019
Nipsey Hussle got shot 6 times today. This is far from coincidental https://t.co/JbfGfbZYih
— ✂ (@insexure) March 31, 2019
I will just leave this right here…#WakeUp pic.twitter.com/2t6DfIKKQK
— Jared Sawyer Jr. (@JaredSawyerJr) April 1, 2019
Many pointed out that Lisa “Left Eye” Lopez tragically lost her life in Honduras after seeing Dr. Sebi and promoting his teachings.
Nick Cannon openly supported the theory that Hussle’s death was linked to Dr. Sebi (a few months ago, Cannon also commented on Kanye West, stating that “MK-ULTRA is real”).
Cannon vowed to have Hussle’s documentary released.
The fashion brand Zara posted last weekend a photoshoot showcasing its new kidswear collection on Instagram … and it did not go well. The pictures were flooded with disapproving comments accusing the brand of “sexualizing a child”, which prompted the company to remove the pictures from its IG account.
However, the controversy did not die off. A British mother posted the pics on the popular forum Mumsnet with the title I’m feeling uncomfortable about this Zara kids ad. The post lead to more outrage and some media attention.
Shot by the “legendary” photographer Fabien Baron (who designed Madonna’s infamous Sex book), the pictures feature a young girl wearing a thin dress, standing on a darkened beach or sitting on a bed.
In this pic, the dress is “strategically” revealing. Also, the setting around the girl is dark and creepy and she doesn’t look too happy. But that’s not all. There’s some symbolism going on here. Notice the girl’s hand position. Does it remind of something?
Here are the other pics posted on Zara’s IG account.
While some commenters saw nothing wrong with the pictures, many found the pictures “creepy” and “inappropriate for a child”. Most were disturbed by the all-around “adult” vibe of the last one. Here are some comments posted on Mumsnet.
Did the photographer purposely sexualize a child? Or are people looking too much into this? Maybe we should look at other works by the photographer.
Fabien Baron is a French photographer, art director, and magazine editor. He is renowned internationally for his iconic ad campaigns and his work as editorial director of Andy Warhol’s Interview magazine.
Baron gained great notoriety for designing Madonna’s 1992 book Sex. At the time of its release, the book generated a great deal of controversy around the world due to its explicit pictures of various taboo practices. While the book was deemed shocking 27 years ago, it foreshadowed the exact direction that the fashion and music industry would take in the following decades. In short, it was a blueprint for the entertainment industry today.
Here are some pages from that book.
I won’t analyze the entire book here but the following page is relevant to this article. It is about Madonna copulating with a teenager who had “hardly no pubic hair” and who was “just a baby”.
What?
The fashion industry is becoming too “comfortable” with children. Prime examples of this phenomenon are the entire catalog of the children’s fashion brand Caroline Bosmans and Céline Dion’s disturbing clothing line for children. Although the Zara pictures are more subtle, they nevertheless exude a similar dark, creepy and uncomfortable vibe while featuring a child in adult situations.
Considering the fact that these pictures were shot by a photographer who literally trailblazed the “over-sexualization” of mass media, one would be inclined to think there was no accident here. He knew exactly what he was doing.
For years, The Vigilant Citizen has been warning against the blatant agenda seeking to sow division in the masses, especially when it comes to race and political affiliation. The unrelenting efforts of the elite to create an ever-widening gap between blacks and whites, liberals and conservatives and even between men and women can be easily observed all over mass media and in the public space. And it is working.
The “hate hoax” perpetrated by Empire actor Jussie Smollett was a disturbing example of the dishonesty and unscrupulous nature of those who are looking to push this agenda. And, at first, it worked perfectly. The event succeeded in generating extreme outrage and animosity in the public space while prompting calls for urgent political action. The story had everything. I mean, Smollett was even wearing a noose around his neck, tapping into sensitive and potentially explosive imagery.
However, the arrest of Smollett and the exposure of this false flag event brought some relief: Justice will be served and, more importantly, the truth will come out.
But it didn’t. In a completely baffling turn of events, Smollett’s case was fully dismissed. Not only that, the case was sealed, meaning that its details will not be released to the public. How did this happen?
The answer is simple: Connections to the elite. Powerful people got involved and made a mockery of this extremely important trial. Let’s look back at what happened.
On January 22, 2019, Smollett received a threatening letter which depicted a stick figure hanging from a tree with a gun pointing towards it. It read “Smollett, Jussie you will die” and “MAGA” and contained a white powder determined to be Tylenol.
On January 29, 2019, Smollett said that he was attacked in the early morning of that day in Chicago’s Streeterville neighborhood. The police were called after 2:30 AM. When they arrived, Smollett had a white rope around his neck. He told police that he was attacked outside his apartment building by two men in ski masks who called him racial and homophobic slurs, and said: “This is MAGA country”. Smollett claimed they used their hands, feet, and teeth as weapons in the assault.
According to a statement released by the Chicago Police Department, the two suspects then “poured an unknown liquid” on Smollett and put a noose around his neck.
Smollett claimed that the attack may have been motivated by his criticism of the Trump administration and that he believed that the alleged assault was linked to the threatening letter that was sent to him earlier that month.
Following the “attack”, prominent figures in politics and the entertainment business initially support for Smollett, including Kamala Harris.
Kamala Harris and Cory Booker (both Presidential candidates) described the attack as an attempted modern-day lynching. Booker urged Congress to pass a federal Anti-Lynching bill co-sponsored by him and Harris. The bill says that “if two or more people are convicted of killing someone because of their ‘actual or perceived race, color, religion, or national origin,’ they can be sentenced to up to life in prison. Smollett’s hoax was being used to pressure lawmakers to pass this bill which would add a racial dimension to the justice system. The event also got intense media coverage.
When asked about the holes in his story, Smollett played the race card. Again.
“I have to acknowledge the lies, and the hate. And it feels like if I had said it was a Muslim, or a Mexican, or someone black, I feel like the doubters would have supported me much more. A lot more. And that says a lot about the place that we are in our country right now.”
On February 16, Chicago police discovered evidence indicating that Smollett had paid two brothers of Nigerian descent $3,500 to stage the attack. The brothers worked as extras on Empire.
Proof against them was irrefutable: Financial records indicated that the brothers purchased the rope found around Smollett’s neck at a hardware store in Ravenswood over the weekend of January 25; They were also caught on camera in a clothing store where they bought gloves, ski masks, and a red hat that the police say was used in the attack. The brothers asked specifically for a MAGA hat, which the store doesn’t sell.
After interrogating the brothers, Chicago police released because “information they presented during the interrogation scored them their exit from custody”. In other words, they probably snitched on Smollett.
On February 20, 2019, Smollett was charged with a class 4 felony for filing a false police report. On March 8, Smollett was indicted on 16 felony counts of “false report of offense” related to the incident.
The FBI is still investigating whether Smollett was involved in the threatening letter that was sent to him the week before the incident.
On February 19, 2019, Cook County State’s Attorney Kim Foxx announced that she had recused herself from the investigation, due to her “familiarity with potential witnesses in the case”.
A few weeks later, the Chicago Sun-Times reported that former first lady Michelle Obama’s chief-of-staff and Democratic fixer Tina Tchen reached out to Foxx. And wheels got in motion.
The leaked e-mails and text messages between Tchen and Foxx clearly show that powerful people worked “behind the scenes” to make sure that justice was not served.
Tchen was to “Reach out to FBI to ask that they take over the investigation” in lieu of the Chicago Police Department, which was agreed upon. A Smollett family member responded: “Omg this would be a huge victory.”
The result of this meddling: On March 26, all charges filed against Smollett were dropped, and Judge Steven Watkins ordered the public court file sealed.
According to TMZ, Kim Foxx, told Chicago police she was dropping the case because Jussie would have only gotten community service if convicted. And, according to her, Smollett had already done some community service.
This “slap on the wrist” happened despite a mountain of evidence. Why? Elite meddling.
If you never heard of Q, read my article entitled An Objective Analysis of the QAnon Phenomenon. Many believe that Q is directly connected to President Trump and, to prove this fact, Q sometimes hints access to classified materials.
On February 16th, a Q drop containing several pictures of Smollett alongside high-level political figures claimed that the hoax was used to push for new legislation.
On February 21st, another Q drop about Smollett alluded to the leaking of phone records – a prediction that came true about three weeks later.
Everything about this case is extremely fishy.
Why did this hoax happen in the first place? Who would profit from such a situation? At first, Chicago police theorized that Smollett faked this attack to further his career as an actor. However, in light of the elite meddling that occurred prior to the case’s dismissal, there’s clearly something way bigger happening here. In fact, Foxx and Tchen probably received orders for instances that are even higher than them.
This entire debacle was absolutely disastrous for the “hate and division” narrative. It highlighted how hoaxes can be completely manufactured to generate a pre-determined response by mass media and the political sphere. Now that it got exposed, the hoax needed to go away. They did not want a thorough investigation nor a full trial which could have exposed the true motives of this hoax and the influence of more high-level actors.
In short, the forces at work here go all the way up to the global elite.
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In this edition of SPOTM: Jennifer Lopez, Billie Eilish, Juice WRLD and a whole lot of celebrities doing the one-eye sign. Also: Possibly the most Satanic clock ever made … inside a church.
Special thanks to everyone who sent in pics!
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Imane Fadil was a Moroccan ex-model who became a celebrity after becoming a key witness in the 2013 “Rubygate” trials which accused the media mogul and ex-Prime Minister of Italy Silvio Berlusconi of “child prostitution”. Fadil was also looking to be a witness in a related investigation (dubbed “Ruby ter”) that is still ongoing.
In 2018, Fadil claimed in an interview that Berlusconi’s infamous “parties” lead to dark, satanic rituals. She was also in the process of writing a tell-all book about Rubygate and the dark secrets of Berlusconi. The name of the projected book was quite evocative: I Met the Devil.
However, in the past weeks, things dramatic turn. Imane Fadil died in a hospital room in Milan on March 1st after a month of agony. Media sources reported her death only 15 days after the fact, mostly because authorities announced the opening of a homicide investigation. Indeed, the cause of Fadil’s death is currently believed to be “murder by radioactive poisoning”.
Here’s a look at the bizarre story.
In 2013, Berlusconi was found guilty of paying for the sexual services of dancer Ruby Rubacuori when she was a minor. He was also charged with abusing his political powers in an attempt to cover up the relationship.
17-year old Moroccan belly dancer and alleged prostitute Karima El Mahroug (better known as “Ruby Rubacuori”) claimed to have been given $10,000 by Berlusconi at parties at his private villas. The girl told prosecutors in Milan that these events were like orgies where Berlusconi and 20 young women performed an African-style ritual known as the “bunga bunga” in the nude.
– Daily Beast, Berlusconi’s “Bunga Bunga Orgies”
In 2014, Berlusconi filed an appeal and managed to get the convictions against him overturned. However, the “Ruby ter” investigation is still ongoing which alleges that Berlusconi bribed 18 girls that participated in his parties to “speak positively” about Berlusconi. A month prior to her hospitalization, Fadil had requested to be a witness in this trial.
Fadil’s last interview, given to the Italian newspaper Il Fatto Quotidiano on April 2018, addressed topics that were not discussed in court: Satanic rituals taking place in hidden rooms inside Berlusconi’s mansion. Here’s a rough translation of this infamous interview.
Imane Fadil, a model of Moroccan origin, was just over 25 years old when she was invited for the first time to Arcore, the home of Berlusconi, in 2011. She participated in eight “elegant dinners” and during some of these, according to her, she saw everything: The girls, the stripteases, and the “Bunga Bunga” parties. She then stopped attending and went to the public prosecutor’s office to reveal everything she had seen, complete with names and surnames. The result? Photographers, interviews, headlines, lawsuits. Today, Imane is 33 years old and she is about to finish a book that will reveal everything you need to know about Berlusconi.
Today, after a few years, how do you remember that whole affair?
It was a devastating thing, impossible to describe. At first I was alone against everyone, nobody believed my version.What did everyone think?
That I was telling those things because I wanted money and success.And how was it?
I used to go to Arcore because I hoped it would be enough to get into that circle and get a job (in television). Then, I understood what was truly happening and I spoke up.Were you defamed at that time?
Yes, by all. The first was Emilio Fede. But then I sued him and they condemned him, now there’s the appeal. He also sued me, but his case was dismissed because I said the truth and he didn’t.(…)
Your ugliest memory?
The last night I went there, there were all these naked girls dancing. One of them was laying on the ground and was wearing only a loincloth and she was shaking desperately, staring at me. Her eyes seemed to say: “Don’t judge me, help me!”. A terrifying memory.Have you ever witnessed explicit scenes?
No, I did not.And who told you this happened?
Well, the last night a girl came to me and told me: “Look, to get something you have to do something more.” And I understood everything. Until that moment I had hoped I would never be asked for such a thing.Now you are writing a book. Why?
Because I want to tell everything. This is not limited to a powerful man who had girls. There is much more to this story, much more serious things.Explain.
It’s not easy to tell, it will be the first time I do it. But the time has come.Please go ahead.
This gentleman is part of a sect that invokes the devil. Yes, I know I’m saying something strong, but it is true. And many others know this.They know what?
That continuous obscenities happened in that house. A sort of sect, made up of only women, dozens and dozens of complicit females.Did you see these rituals?
Let’s say I have many clues. In that room where Bunga Bunga was held there was a small room with clothes, all the same, like tunics, about twenty or thirty. What were they for? And then there was another small underground room with a swimming pool, with another room next to it, totally dark, without any light. An underground pool and a room without lights? Why?Weak clues. It could be a relaxation area. Is it a fact that you have not seen any actual Satanic rituals or anything like that?
Look, I’ve seen worse. Things that are difficult to explain briefly.Please try.
I saw strange, sinister presences. I’ve been a psychic since I was a child due to my father being was sanctified. And I tell you that, in that house, there are disturbing presences. There’s evil in there, I’ve seen it, there’s Lucifer.Do you know that saying such things could be perceived as crazy?
Of course I know, but I don’t care what people will say. I never said anything because I had no evidence. Now I have it.Do you have proof? Please show it.
No, not yet, I’ll do it later. I just have to finish this book. And then the world will know.
– Il Fatto Quotidiano, Imane Fadil: “Le notti di Bunga Bunga a casa di Berlusconi. Ad Arcore una setta di Satana con tuniche e riti”
At the time of her death, Fadil was looking for a publisher that was “courageous enough” to print her book entitled I Met the Devil. Immediately after her death, the draft of the book was seized by prosecutors. The Italian newspaper Il Fatto Quotidiano published a small excerpt of the book that was shared by Fadil in 2018. Here’s a rough translation.
She saw the girls in a sort of circle, with Berlusconi at the center as a pivot: A kind of adoration, with some nude, others half-naked, and others disguised, wandering through the underground living room. It was then that Imane found courage and went to Berlusconi to tell him that she wanted to go home. But Silvio told her to wait. In the basement, Imane saw what she called a sort of brothel with naked girls and half-naked in the pool. There were also minors who perhaps did not realize what was happening.
“The virgin maiden arrived”, Imane repeated with horror. They were announcing the very young “selection” for that evening.
– Il Fatto Quotidiano, Imane Fadil, il suo libro mai pubblicato: “Io, in quel bordello sotterraneo”
Fadil died on March 1st after a long period of agony as her vital functions progressively shut down. She experienced her first symptoms on January 29th. She was then hospitalized for nearly a month where she underwent a long series of tests as doctors were looking for the cause of her pain. During this time, Fadil told her brother and lawyer that she feared she had been poisoned.
After her death, it was revealed that she was probably poisoned by a “very strange” cocktail of radioactive elements that caused the progressive deterioration of her internal organs. These elements are not freely available to the general public.
On the day of her death, the Judicial Authority seized Fadil’s body and the entirety of her medical records.
When news broke about Fadil’s death, Berlusconi commented:
“It is always sad when a young person dies. However, I never met her this person.”
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My first article about K-POP was nine years ago and, since then, things have evolved considerably. K-POP has exploded from its Asiatic market base to take over the music industry worldwide. For instance, in 2018 the group BTS successfully crossed-over to the Western world to become one of the best-selling musical groups in the world. According to the International Federation of the Phonographic Industry (IFPI), BTS represented the second best-selling artists worldwide in terms of physical, digital, and streaming platforms, coming in second only to Drake. In December 2018, Billboard reported that BTS ranked #8 in their year-end Top Artist Chart and #2 in the Duo/Group ranking, second only to Imagine Dragons. Another confirmation of the group’s “acceptance” into the Western market: BTS will be the musical guests on Saturday Night Live on April 13th alongside Emma Stone.
BTS was formed by Big Hit Entertainment in 2013. Six years later, Big Hit announced the creation of a second K-POP group: Tomorrow X Together – also known as TXT. Consisting of five boys aged between 16 and 19 years old, the group is described as “BTS’ little brother”. Although the group just emerged from the laboratories of Big Hit, it only took days to reached the top of the K-POP world. Why? Connections. To who? The Crown.
On March 5th 2019, TXT was introduced to the public in a media showcase organized by Big Hit. The following day, Spotify chose TXT as the “Early Noise” feature of 2019 – an initiative to identify the next big thing in music. A statement released by Spotify stated:
“Early Noise is the culmination of Spotify’s commitment to unearthing rising stars and we are very excited to play a part in TXT’s rise to the K-Pop stratosphere. Through the Early Noise initiatives, we believe that Spotify can develop a global audience for TXT and connect this young talented group with fans from all over the world”.
When the world’s largest streaming service has got your back, you’re doing good. There’s lots of YouTube love as well. At the time of writing these words, the group’s first video Crown amassed over 35 million views in less than ten days. These numbers directly rival those of top Western mainstream artists.
It’s been less than a week since their debut, and rookie K-pop group Tomorrow X Together are already making waves. Their first mini album The Dream Chapter: STAR dropped on Monday (March 4), and it didn’t take long for the Korean boy band to clinch the No. 1 spot on the iTunes Top Albums chart, dominate worldwide Twitter trends, and sign a U.S. distribution deal with Republic Records. Not to mention, the music video for their debut single “Crown” racked up over 14 million views in its first 24 hours.
– MTV News, Your Guide to Tomorrow X Together, the K-Pop Rookies All Over Your Timeline
Considering the fact that TXT is a brand new group, does it mean that it’ll be bringing a fresh, new, innovative energy to the music world? Of course not. For instance, take a look at this pic found on Twitter.
Here’s another promo pic.
During the media showcase, the group was asked about the song creation process. Beomgyu’s answer is short, yet perfectly sums up the group’s reality.
“Unfortunately, we were not able to participate directly with the lyrics.”
– Billboard, Inside Tomorrow X Together’s Debut Showcase in Seoul
The video Crown sums up another reality of the group: They are owned by the occult elite, which keeps forcing its agenda and symbolism on popular culture – especially towards young people. Here’s a look at it.
The Korean title of the song essentially translates to The Day Horns Grew Out of My Head. Wow, that sounds kind of satanic. But is it, though? Yes, it is.
This is the “official” explanation of the song.
One day, a boy wakes up to find horns sprouting from his head, and these horns made him feel confused and alone, so he isolated himself, afraid of what people would say — until he met a boy with wings and he didn’t feel so alone anymore; and by connecting with another person, the boy starts to see his horns as a crown.
However, through occult symbolism, the video adds another layer to the song which takes on a deeper meaning.
The background and the group’s attire focus on the elite’s trademark colors: Black, white and red. These colors and the dualistic checkerboard pattern are extremely important in occult rituals.
This powerful combination is also used in Monarch mind control.
The lyrics of the first verse describes something an MK slave would say:
You, who’s staring at me blankly in the mirror
Is not me (YA, YA, YA)
Dizzy headaches and
Something on my head
Wanna run away, wanna disappear
Far away (YA, YA, YA)
(Save me) Who am I?
I don’t know who I am oh
Then, they realize that horns are growing on their heads.
My body must have gone mad
There’s a horn coming out of my head
What do I do? I don’t know how to stop it
Oh, I’m the only bad thing in this world
(Save me, maybe I have turned into a monster
Got no one but you)
In the second verse, the boy meets a guy with wings.
Why is the world treating me like this?
Got a horn on me all of a sudden
Would there be a light? Even for the devils?
And then your wings were spread in front of my eyes
In the chorus on the song, the singers embrace the fact that they have horns on their heads.
There’s a horn rising up on my head
But I love it
You become my crown
The sensation of going pit-a-pat
My heart is mayhem
But I love it
(We have finally become perfect)
[The two of us, us, us]
The symbol associated with evil and black magic (horns) has turned into a symbol of power (crown). The union between the horned person and the winged person has made them “perfect”. This alludes the occult concept of the union of opposites. The refrain of the song further exemplifies this concept:
Tell me please
I’m the only one who completes your half
This moment, my name is called
Did you know that there’s a mythical figure that has horns, wings and that represents the union of opposites? Its name is Baphomet.
In occult symbolism, Baphomet represents the esoteric forces at work while practicing magic.
“The practice of magic – either white or black – depends upon the ability of the adept to control the universal life force – that which Eliphas Levi calls the great magical agent or the astral light. By the manipulation of this fluidic essence the phenomena of transcendentalism are produced. The famous hermaphroditic Goat of Mendes was a composite creature formulated to symbolize this astral light. It is identical with Baphomet the mystic pantheos of those disciples of ceremonial magic, the Templars, who probably obtained it from the Arabians.”
– Manly P. Hall, The Secret Teachings of All Ages
Appropriately enough, the song Crown contains several references to magic. During the hook, the group sings:
Stop the loneliness, abracadabra
Stop the suffering, abracadabra
To most, abracadabra is a silly incantation used in stage magic tricks. However, in occult circles, this phrase is believed to be imbued with actual magical power. Its origins are ancient and mysterious.
Scholars who support the Hebrew etymology say that abracadabra is a corruption of the Hebrew, ebrah k’dabri, meaning “I will create as I speak,” ie that the act of speech will magically create new realities. If this is indeed the derivation, then it would chime with the kabbalistic notion that the words and letters of the Hebrew alphabet have the power to create.
– abracadabra, Jewish Chronicles
The bridge of the song contains another reference to magic.
Your existence changes my world like magic
I’m not in pain anymore
(I got crown on my head)
In the video, the concept of magic is represented by the pentagram – which is also found on the forehead of Baphomet.
With a few simple (yet powerful) words and symbols, the video describes the occult process of the union of opposites to create magic. Considering the fact that the members of TXT did not write any of their song’s lyrics, this profound meaning comes from their puppetmasters. Does the video provide proof of such a claim?
Did you enjoy the video? If so, you can also buy a Baphomet-inspired shirt.
Only days after being introduced to the public in a media event orchestrated by its mother company Big Hit, TXT was launched into the “K-POP stratosphere” (as Spotify puts it). The video Crown is the group’s introduction to the world, a manifesto summing up the beliefs of those who own them.
While this video featuring innocent-faced adolescent boys has a cutesy vibe that is meant to appeal to children and teenagers, its symbolic message is quite dark and profound: It describes the forced exposure of the boys to the dark, evil side of spirituality (horns on the head), an experience that is described as painful in the song’s lyrics. When exposed to “the light”, the group ends up embracing the horns – referring to it as a “crown”.
In some ways, Crown is the group’s “initiation” into the occult elite’s industry. Indeed, to make it big, artists need to “grow horns on their heads” and embrace the deformity forced on them. Furthermore, they must be used to normalize the occult elite’s beliefs and symbolism to the youth in videos that use cute visual techniques to communicate powerful messages.
The main one: Confusing horns on your head for a crown.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
The Denver International Airport (DIA) is a creepy place and it keeps getting creepier. If you read my 2008 article Sinister Sites: The Denver Internation Airport, you already know about its demonic horse that killed its creator, its Masonic plate saying “New World Airport Commission” and its horrific murals depicting a genocide.
All of these bizarre things and more lead to “conspiracies” regarding the airport and its possible secret purpose. What’s up with the bizarre markings on the floor? Why did they build a massive tunnel system underneath the airport? And, of course, why are there gargoyles looking over travelers?
Instead of providing taxpayers rational explanations about the airport they have to use, the DIA launched recently launched a media campaign poking fun at the conspiracies surrounding the airport. And that campaign was weird.
This year, the DIA decided to take the weirdness to yet another level by installing a talking animatronic gargoyle that surprises travelers with sassy jokes and comments. The airport posted a video on YouTube showcasing this thing that probably cost a whole lot of taxpayer money.
In the video the gargoyle says to one passenger:
“Welcome to the Illuminati Headquarters, I mean, Denver International Airport!”
In another hilarious bit, it says:
“Well, I’m 243 years old now”.
If you do the math, that means that the gargoyle was born in 1776. The Bavarian Illuminati was founded in 1776. The video ends with classic Illuminati imagery.
Judging by the comments on YouTube, most viewers do not appreciate the gargoyle.
The question that is begging to be asked is: WHY? Why is there a creepy, horned demon talking to people who are trying to catch a flight?
A spokesperson of the DIA told Fox News:
“DEN is known for the conspiracies about our airport, and we wanted to find a playful way to embrace the conspiracies. We always strive to win the hearts of our passengers by giving them the unexpected. We hope the gargoyle gave them all a good belly laugh, and more reason to want to travel through DEN.”
As one commentator stated: “If there is one place in the world you don’t want anything unexpected is a place where you get into a crowded tube with jet engines and go way up in the sky”. Furthermore, do airports actually require marketing campaigns? I mean, people go to airports because they have to. There is no airport competition.
In a somewhat bizarre tweet (for an international airport), the DIA claims that the gargoyle celebrates the airport’s 24th anniversary.
That barely makes sense. And why are they celebrating a 24th birthday? That’s not a milestone. More importantly, why a gargoyle?
The actual origin and purpose of gargoyles are somewhat vague and mysterious. However, these “stone demons” tend to appear in highly esoteric places. For instance, the most famous gargoyles in the world are probably those perching at the top of the Notre-Dame Cathedral in Paris. This famous landmark was built by the Knight Templars (an occult order of the Middle-Ages) and is replete with esoteric symbolism.
While the common explanation of gargoyles is that “they ward off evil”, occult researchers agree that the truth is infinitely deeper.
“The most impressive thing about the art of the gargoyle is that in the medieval world it is possible to similarities in design, if not in style, between forms built as far apart as northern Scotland and southern Spain. The modern loss of the ancient esoteric lore has meant that much of the significance of these fascinating figures is now unrecognized, though there are often strange survivals which are clearly influenced by grimoire litterature, or which have esoteric or magical inscriptions or sigils as, for example, the extraordinary collection on the walls of the parish church in the Lancastrian town of Littleborough.”
– Fred Gettings, Dictionary of Demons
Eliphas Levi, one of the most influential occultists in the Western world, wrote in his famous book Dogme et Rituel de la Haute Magie that gargoyles are one of the many faces of the “terrible emperor of night”.
“We recur once more to that terrible number fifteen, symbolized in the Tarot by a monster throned upon an altar, mitred and horned, having a woman’s breasts and the generative organs of a man – a chimera, a malformed sphinx, a synthesis of deformities. Below this figure we read a frank and simple inscription – THE DEVIL. Yes, we confront here that phantom of all terrors, the dragon of all theogonies, the Ahriman of the Persians, the Typhon of the Egyptians, the Python of the Greeks, the old serpent of the Hebrews, the fantastic monster, the nightmare, the Croquemitaine, the gargoyle, the great beast of the Middle Ages, and – worse than all these – the Baphomet of the Templars, the bearded idol of the alchemist, the obscene deity of Mendes, the goat of the Sabbath. The frontispiece to this “Ritual” reproduces the exact figure of the terrible emperor of night, with all his attributes and all his characters.”
In short, gargoyles perfectly represent occultism. To the profane, these grotesque creatures are mere “decorations”. To the initiates, they represent the dark demonic forces that can be found in the spiritual world – if one knows how to deal with it.
For all of these reasons, installing a gargoyle at the DIA makes perfect sense.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Luke Perry, who was hospitalized since February 27 in Los Angeles after suffering a stroke, died Monday at the age of 52. The actor was mostly known for his role as Dylan McKay in the television series Beverly Hills, 90210, which was a cultural phenomenon in the 1990s.
At the time of his death, Perry was working in Los Angeles on the set of the series Riverdale.
According to the release sent by his agent, Luke Perry died of a “serious stroke”. He was surrounded by his children Jack and Sophie, his fiancée Wendy Madison Bauer, his ex-wife Minnie Sharp, as well as his mother, brother, and sister.
Perry was rushed to the hospital last Wednesday morning after suffering the stroke while at his home in Sherman Oaks, California. According to the emergency dispatch audio obtained by TMZ, paramedics received a call for a stroke at the residence. When EMTs arrived, he was responsive and talking, but his condition deteriorated shortly after.
His reps said doctors had sedated Luke, hoping to give his brain a fighting chance to recover from the trauma of the stroke. However, apparently, the damage was too extensive.
Luke Perry was hospitalized the same day Fox Studios had announced the reboot of the series Beverly Hills, 90210 for six episodes this summer. While Luke had not signed on to be a regular on the series, he was scheduled to make a few guest appearances.
He also filmed a role in Quentin Tarantino’s upcoming Charles Manson movie Once Upon a Time in Hollywood.
While Perry was an international star during the era of Beverly Hills, 90210, he mostly appeared in minor roles or low-budget productions in the last two of decades. While Perry found his way back to mainstream success, he mostly got involved in dark, elite-backed projects.
Perry had a recurring role in the Netflix series Riverdale – a series popular with teenagers that has been dealing with increasingly dark and disturbing topics. The series takes place in the same universe as Chilling Adventures of Sabrina, a teen series that deals with dark topics such as Satanism, witchcraft, cannibalism and sacrificial murders.
Perry’s last role will be in Quentin Tarantino’s upcoming movie Once Upon a Time in Hollywood – a movie about Charles Manson and the murders committed by his followers. According to occult researchers, Manson was an MK slave and handler. The movie was initially set to be released on August 9th, 2019 which coincided with the 50th anniversary of the gruesome and ritualistic murder of Sharon Tate (who was Roman Polanski’s wife). After some protests, the release date of the movie was moved to July 26th.
Once Upon a Time in Hollywood is well on its way of becoming one of the “cursed” movies in Hollywood. Indeed, Perry is the second actor to pass away after being cast in the film. Last September, Burt Reynolds died before he had begun filming.
In a final bizarre twist of fate, Perry suffered a “massive stroke” on the same day Fox Studios announced the reboot of 90210.
Although these facts might all be coincidences, Perry’s death nevertheless bears the markings of a typical suspicious Hollywood death. Did Perry actually suffer a stroke or is he the latest victim of the dark side of Hollywood?
The Independent Spirit Awards “is the premier awards event for the independent film community”. While it is theoretically an alternative to the “Hollywood mainstream”, the event is nevertheless attended by a whole lot of “Hollywood mainstream” people. In fact, its red carpet event was a typical parade of Hollywood stars wearing designer clothes.
The event’s proximity to Hollywood is not only figurative. It is literal: It took place in Santa Monica which is a short drive from Hollywood.
In a nutshell, the whole “independent film awards” thing is basically another tentacle of the giant octopus that is the entertainment industry. The same people are at the top and the same agenda flows through it. And the cold open of the Independent Spirit Awards couldn’t exemplify this fact in a more striking matter.
Although it is meant to be a silly comedic skit, the cold open managed to sum up Hollywood’s disgusting underbelly in four minutes.
Here’s the description of the video on YouTube:
Host Aubrey Plaza and her coven kick off the 2019 Film Independent Spirit Awards the only way possible: ancient rituals and virgin sacrifice!
Wow, sounds amazeballs!
Plaza tells her “sisters” gathered on the “unholiest of afternoons” to “conjure the film independent spirit.” She adds:
“Through this ancient ritual, we shall reject commercial cinema and pledge our souls to the pursuit of dangerous art”.
He says:
“What the f***, Aubrey?’ You said it was gonna be a party, not some ****ed up white girl s**t.”
Aubrey replies:
“I’m sorry you showed up early okay, I’m doing my black magic ceremony to banish s****y sequels and lazy reboots.”
Then Henry reminds Plaza that they both just did a new Chucky movie together. The joke is that the movie is basically a lazy reboot. Speaking of witch (not a typo), let’s take a look at the official poster of Audrey Plaza’s upcoming movie Child’s Play.
Then Plaza calls for the “virgin sacrifice”. Sharon Stone pops out of nowhere with the virgin: Finn Wolfhard from Stranger Things. Sharon says:
“I told him I was giving him a ride to Gamestop.”
LOL! Preying on minors is amazeballs!
As Plaza prepares to stab Wolfhard, he yells that he is not a virgin, that all women love him and that he’s a “four-quadrant cutie”. This whole discussion about the sex life of a 16-year-old boy is rather weird.
How come Sharon Stone has access to so many virgins? Does she have a source for Hollywood virgins? This is all rather creepy, especially considering the actual child-exploitation rings that exist in Hollywood involving high-level directors and movie stars.
Then Plaza grabs a pair of scissors and violently stabs Wolfhard about ten times as the witches laugh. Plaza yells:
“Spirit, come to me! Make me your host!”
Then, with the voice of some kind of demon, Plaza screams “Let the Independent Spirit Awards begin!”. LOL. That was amazeballs.
This movie awards ceremony began with a coven of powerful witches performing a blood sacrifice in the name of the industry. Not unlike the Netflix series Chilling Adventures of Sabrina, the skit portrays the witches’ coven as a cool sisterhood that draws power from black magic.
The skit then trivializes the fact that the Hollywood elite actually preys on youth, abuses them and even sacrifices them. Here’s a question: Would this skit be deemed “funny” if five middle-aged men were sacrificing a 16-year-old girl? And that one man said: “I can get another virgin”? Probably not.
In short, this four-minute comedy sketch managed to sum up Hollywood’s toxic agenda, mental sickness, and deep hypocrisy.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you
Caroline Bosmans is a luxury brand for children that is highly praised in its native Belgium and around the fashion world. Popular amongst the children of the rich and famous (i.e. P. Diddy), the brand is described as “radical and graphic” by fashionistas. Indeed, although Caroline Bosmans creates garments for toddlers and children, it is all about being edgy and fashion-forward.
However, there’s a problem. The world of fashion is sick and twisted. Adding children to the mix is often a recipe for “what the hell is wrong with them”. A prime example is the children’s brand NUNUNU which, as seen in my article Something Is Terribly Wrong With Céline Dion’s “Genderless” Clothing Line, is simply revolting: References to child abuse, the sexualization of children and even all-out satanism.
Sadly, the marketing around Caroline Bosman sends out the same disturbing vibes. Nearly all of the pictures place children in bizarre, oppressive and unpleasant contexts in which lots of telling symbolism is added. Adding to the bad vibes, all of the children in their promotional pics appear to be either sad, upset, traumatized or … dead. In short, the brand is a reflection of the occult elite’s sickening sub-culture of preying on children.
Here are some examples.
Visitors to the official website of the brand are greeted with a bunch of pics that sum up the brand: Mixing children with the weirdness of the fashion world.
The website has a section named “Artwork” where children are used as props in strange setups.
Not unlike NUNUNU, scrolling down the Instagram account of Caroline Bosman leads to an increasingly intense feeling of dread and disgust. Here are some examples.
Caroline Bosmans is yet another “luxury” clothing brand for children that mixes high fashion with a disturbing sub-culture that obsesses on children for all of the wrong reasons. It is all about preying on children, placing them in traumatizing situations, alluding to their abuse and sexualizing them.
What is the purpose of such revolting imagery? Does it actually help sell products or is there a deeper agenda behind this? If one combines the imagery of this brand with what was observed with NUNUNU, a clear pattern emerges. It is not about the love of children, it is about hate. It is about using and abusing them. It is about evil.
On a wider scale, it is about the occult elite abducting children, subjecting them to trauma-based mind control and placing them in pedophile rings. The symbolism of these brands is a celebration of this sick culture. And celebrities are quite happy throwing their money at them.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
In this edition of SPOTM: The symbolic posters of the movie Us, the creepiness of the Masked Singer, Halsey can’t stop hiding one eye and more proof that the fashion industry is mentally challenged.
Special thanks for everyone who sent in pics!
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Something bizarre and incomprehensible is happening on YouTube. On one hand, the video platform has been hard at work demonetizing and un-recommending videos that could “misinform users” (i.e. conspiracy theories). On the other hand, YouTube is never stopped enabling the proliferation of thousands of deeply disturbing videos sexualizing children.
Indeed, on one hand, YouTube is using advanced “machine learning”, combined with an army of human moderators, to censor videos that basically consist of adults discussing topics that may or may not be 100% factual. On the other hand, YouTube is profiting from videos that clearly and unmistakably exploit children for the viewing pleasure of pedophiles. Maybe I’m crazy, but one of those things is way worse than the other.
Two years ago, I published an article entitled Something is Terribly Wrong With Many “Kids” Videos on YouTube which highlighted the shocking, disturbing and traumatizing content found in countless videos aimed at children. Because these videos often use popular characters such as Elsa to lure children into viewing the videos, this upsetting phenomenon was dubbed Elsagate by some online forums including Reddit.
My 2017 article also contained a section titled “Catering to Pervs” which exposed videos that are clearly made to please “child lovers”. These videos feature children wearing inappropriate clothes and doing inappropriate things while the pervs watching post inappropriate comments.
The existence of these videos has caused lots of controversy in the past two years. However, no clear action was taken by YouTube to stop this. In fact, things have gotten worse.
The video below exposes the disturbing extent of the problem. It explains how a regular YouTube viewer can end-up in a wormhole of “recommended videos” that basically consist of child exploitation. The comments are mostly bizarre “compliments” and timestamps to the most “revealing” parts of the videos. In short, it is a soft CP ring right inside YouTube.
In the description, MattsWhatItIs wrote:
Youtube’s recommended algorithm is facilitating pedophiles’ ability to connect with each-other, trade contact info, and link to actual CP in the comments. I can consistently get access to it from vanilla, never-before-used Youtube accounts via innocuous videos in less than ten minutes, in sometimes less than five clicks.. Additionally, I have video evidence that these videos are being monetized by Youtube, brands like McDonald’s, Lysol, Disney, Reese’s, and more.
Going deeper into WTF territory is kids doing ASMR videos. ASMR stands for “Autonomous sensory meridian response” and is described as “a combination of positive feelings and a distinct static-like tingling sensation on the skin” when one is exposed to specific sights sounds such as someone whispering.
There are videos on YouTube of children doing this kind of stuff. And these videos clearly cater to pervs. Here’s a video that sums up the issue.
https://youtu.be/M78rlxEMBxk
How come these videos exist (and are being monetized) while others are being snatched off the platform for dubious reasons? On January 25th, a YouTube blog post announced the removal of “conspiracy videos” from its recommendation system.
“We’ll begin reducing recommendations of borderline content and content that could misinform users in harmful ways—such as videos promoting a phony miracle cure for a serious illness, claiming the earth is flat or making blatantly false claims about historic events like 9/11”.
Needless to say, the YouTube recommendation algorithm is a major source of traffic for YouTube creators. The makers of the videos affected by this policy (which is extremely broad and subjective) will have a hard time reaching their audience. Also note that, in a classic move of manipulation, the blog post uses flat earth ridiculousness to justify the censorship of a wide range of topics, including 9/11 and countless others that are not mentioned on there.
So the question needs to be asked: Why doesn’t YouTube use its “censorship” resources to fight a real, urgent and deeply disturbing problem? There are actual children that are being used by unscrupulous adults to generate money and to build a network of pedos right on YouTube. Why isn’t “machine learning” used to fight this evil instead of censoring debatable opinions and stifling free speech?
When one considers the fact that YouTube is directly connected with the occult elite, the answer becomes obvious.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you
Billie Eilish is a 17-year-old singer who is quickly becoming an industry darling. After signing with Interscope Records in 2016, her debut single Ocean Eyes became a viral hit and her debut EP has now clocked over 1.5 billion streams worldwide. Since then, Apple Music named Eilish an Up Next singer (a big deal in the industry), Forbes identified Billie as “the artist to watch in 2019”, and NME claimed that she’s the “most talked about teen on the planet”. Adding to the buzz, Billie was featured on both official soundtracks of Netflix’s 13 Reasons Why. She also appeared in countless magazines and she’s already modeling for all kinds of fashion projects.
In short, the promotional machine is well in place for the release of her debut album When We All Fall Asleep, Where Do We Go?. However, some fans have noticed that, as Billie entered deeper in the music industry, her entire persona became darker. While her “bored, dead-eyed, depressed teenager” persona made her popular amongst young people, her recent videos steered towards all-out depictions of abuse and trauma-based mind control. Her latest single bury a friend is yet another step in that direction as it embodies all of the sick obsessions of the industry elite. Before we look at the video, here’s a recap of Billie Eilish’s career.
Not unlike other artists who entered the industry at a young age, Billie Eilish’s family is well established in show business. Her parents – actors, musicians, and screenwriters Maggie Baird and Patrick O’Connell – both appeared in several movies and TV series. Her older brother Finneas O’Connell had roles in the series Glee and Modern Family. He also writes many of Billie’s songs.
After signing with Interscope Records, Billie’s career took off and an entire persona was crafted around her. To make it, you have to push the agenda. Ten years ago, Interscope artist Lady Gaga was all about Monarch mind control imagery. Now it is Billie Eilish’s turn. But worse.
The music videos leading up to bury a friend are simple yet extremely symbolic. Put together, they tell the story of a young girl entering a dark, repressive world.
The next video you should see me in a crown goes even deeper in “trauma territory”.
Needless to say, the above scenes are many people’s worst nightmares as they play on our natural, instinctive revulsion of specific things. For this exact reason, spiders are used in actual MK programming to cause trauma and dissociation.
One thing discovered by research into the genetic transmission of learned knowledge by humans to their children was that people are born with certain fears. Snakes, blood, seeing internal body parts, and spiders are all things that people are born fearing. The phobias toward these things are passed down genetically from one generation to another. In searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work “wonderful” to split the mind. Along this line, the following are samples of traumas done to program slaves: a. being locked in a small confined spot, a pit or cage with spiders and snakes. b. being forced to kill, and cut up and eat innocent victims, c. Immersion into feces, urine and containers of blood. Then being made to eat these things. By the way, when the child is placed into a small box with spiders or snakes, they will often be told that if they play dead the snake will not bite them. This carries out two things for the programmers, it lays the basis for suicide programs (i.e. “if-you-are-dead, then you-are-safe” thinking) and it teaches the child to dissociate. Traumas to split the mind are not just high voltage or natural phobias, but encompass the full range of the emotional and spiritual being of the victim.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Most of the awful things described above appear in Billie’s videos: Confinement, ingesting poison, forced contact with repulsive insects, etc. bury a friend covers the rest.
The videos leading to bury a friend depicted the “trauma and breakdown” of Billie Eilish. bury a friend portrays the final product: A demon-possessed yet utterly abused MK slave.
In an interview, Billie stated that the video has something to do with the concept of sleep paralysis. Most people who experience this phenomenon feel an “evil presence” around them. For this reason, it is often referred to as “a demon in the bedroom”. In bury a friend, Billie is the demon.
Then, an unseen “force” takes control of Billie.
The hands represent MK “handlers” – those who drug, abuse, traumatize and program MK slaves. Coincidentally enough, all of these horrible things happen in the video.
As this is happening, Billie sings about a series of traumatizing things:
Step on the glass, staple your tongue (Ahh)
Bury a friend, try to wake up (Ah-ahh)
Cannibal class, killing the son (Ahh)
Bury a friend, I wanna end me
All of these things are used to traumatize slaves. “Bury a friend” is the final blood sacrifice.
At this point, it is difficult NOT to see the mind control theme of this video. In actual MK programming needles are used to cause pain, trauma and to inject drugs and poisons.
At this point, she sings:
I wanna end me
I wanna, I wanna, I wanna… end me
I wanna, I wanna, I wanna…
MK slaves are tempted to kill themselves in order to end their suffering. However, they cannot because they lost control of their body and free will.
The second verse of the song explains that she’s dealing with an entity that can help her become a star. However, there’s a cost.
Keep you in the dark, what had you expected?
Me to make you my art and make you a star
And get you connected?
I’ll meet you in the park, I’ll be calm and collected
But we knew right from the start that you’d fall apart
‘Cause I’m too expensive
The bridge of the song sums up the true meaning of the song.
For the debt I owe, gotta sell my soul
‘Cause I can’t say no, no, I can’t say no
Then my limbs all froze and my eyes won’t close
And I can’t say no, I can’t say no
It is about selling her soul to the industry and becoming part of its MK system.
Demonology and satanic rituals are an important part of MK programming. As if to confirm everything, Billie is seen in an extremely symbolic pose.
For centuries, the arch of hysteria has been associated with demon possession.
Probably for this reason, the arch of hysteria is extremely important in occult elite symbolism.
At the end of the video, Billie disappears from under the guy’s bed. Think this was creepy? There might be even more to this.
What does Billie actually mean by “bury a friend”? Some believe that it is a reference to the death of XXXtentacion.
As seen in my article about the bizarre death of X, the rapper was getting involved with the darker side of the industry. Also, he was obsessed with the number 666. Oddly enough, in kabbalistic numerology, the date of death is translated to 6.6+6+6.6+6+6.
Considering the fact that bury a friend combines the concepts of selling one’s soul, “owing a debt” with a whole lot of evil stuff, one question needs to be asked: Was X the blood sacrifice required for Billie’s big break in show business?
Mainstream media tagged Billie Eilish as “the future of pop”. And, as seen above, everything about her reeks of industry toxicity. While she is praised for her originality, she is also yet another young artist who is going for the “soulless, depressed, suicidal, satanic, mind controlled zombie” persona.
The video bury a friend sums up everything that is foul with the music industry. It depicts the abuse of a young girl at the hands of unseen people as she turns into an evil, possessed demon. It encompasses all of the sick obsessions of the occult elite and crams them into the music video that is meant to be viewed by millions of teenagers.
Since she’s the perfect vessel to push the industry’s agenda, her career is taking off and she will get a whole lot of exposure. Is it worth it? Well, in Billie’s own words:
For the debt I owe, gotta sell my soul
‘Cause I can’t say no, no, I can’t say no
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you
Every once in a while, a celebrity takes over the news cycle for a series of weird or embarrassing reasons. In the past years, I published articles entitled What is Happening to Shia Labeouf and What is Happening to Katy Perry, which highlighted similar patterns. Apparently, it is Céline Dion’s turn. Indeed, the French-Canadian diva has attracted media attention for all kinds of strange reasons in the past weeks, leading some to even question her well-being.
To begin, the numerous media-friendly outings are somewhat out of character Céline, as she spent her entire career avoiding show business-related events. In 2012, in the wake of Whitney Houston’s untimely death, Céline Dion even admitted her distrust of the entertainment industry because it can destroy lives.
“I’m scared of show business, I’m scared of drugs, I’m scared of hanging out, and that’s why I don’t do parties and hanging out, and that’s why I’m not part of show business. We have to be afraid. I’ve always said you have to have fun and do music and you can never be part of show business because you don’t what it’s going to get yourself into. You have to do your work and get out of there.”
– E-News, Céline Dion Remembers Whitney Houston: “Drugs,” “Bad Influences Took Over”
Ever since the death of her husband and manager René Angélil in 2016, Céline’s “protection” against the industry appears to have vanished. In the past couple of years, Céline has taken part in all kinds of show business events, parties, fashion projects, and media stunts.
Because Céline is apparently a “lover of haute couture” her bizarre outings could be chalked up to “high fashion eccentricity”.
However, things recently took a sour turn. It’s like she’s was told by the industry elite she was avoiding her entire career: “Join us or lose everything”. And when Céline associated her name with Israeli fashion brand NUNUNU to create a “genderless” clothing line for children, things stopped being cool or funny.
In my article titled Something is Terribly Wrong With Céline Dion’s “Genderless” Clothing Line, I looked at the disturbing symbolism surrounding NUNUNU and its online marketing. Believe it or not, pictures on the site’s website and IG account directly refer to Satanism, child abuse and mind control. The video ad for the brand CÉLINUNUNU was also an upsetting piece of “WTF am I watching right now?”.
Since the publication my article about CÉLINUNUNU, the brand published more disturbing pictures involving children in bizarre scenarios. Here are some of them.
After the release of CÉLINUNUNU, Céline gave an interview on CNN with brand creators Iris Adler and Tali Milchberg. The interview is … weird.
https://www.youtube.com/watch?v=CJuicH-uiSE
After the launch of CÉLINUNUNU, Msgr. John Esseff, a priest of 65 years and an exorcist in the Diocese of Scranton, Pennsylvania, made the news for declaring that the brand is “demonic”. In NC Register, he explained:
“I’m convinced that the way this gender thing has spread is demonic. It’s false. I don’t even know how many genders there’s supposed to be now, but there are only two that God made. The devil is going after children by confusing gender. When a child is born, what is the first things we say about that child? It’s a boy, or it’s a girl. That is the most natural thing in the world to say. But to say that there is no difference is satanic.
People behind this are influencing children to disorder. This is definitely satanic. There is a mind behind it—an organized mindset.
The devil is a liar and there are huge lies being told. This is being done for money, and there is divisiveness that comes from this—marks of the devil. The evil one feels that he can do these things without somehow being recognized behind it all. This [gender neutrality] is a ploy he has. It is being driven by an agenda because there is a spirit behind it.”
– NC Register, Exorcist Warns About Celine Dion’s Occult Children’s Clothing
Is Céline Dion the mastermind behind this clothing venture? Of course not, the brand has been around for years. Céline is simply being used to sell it. And when one is used by the elite, you can count on elite-owned media to cover it. Especially if there’s some unhealthy going on.
As stated in the beginning of the article, it appears to be Céline’s turn to be in the eye of a media storm. She’s everywhere. For instance, Céline’s recent trip to Paris made the news for all kinds of reasons. First, her emaciated physique (combined with weird wardrobe) lead some people to ask: Is she OK?
Is being part of the industry taking a toll on her? When asked about her weight, Céline became somewhat defensive. During an interview with The Sun, Céline said:
“If I like it, I don’t want to talk about it. Don’t bother. Don’t take a picture. I’m doing this for me. I want to feel strong, beautiful, feminine and sexy. If you like it, I’ll be there. If you don’t, leave me alone.”
Whether or not these two are in a relationship is not a fact I’m really interested in. However, it is just the piece of JUICY GOSSIP required to fuel the perfect media storm. Some publications came out with bold statements saying “Leave Céline alone!”, arguing that her weight and relationships are nobody’s business. However, these clickbaity rags (i.e. Jezebel) are just being hypocritical, as their “articles” only amplify the media storm.
To further prove that there is indeed a media storm, two important Céline-related announcements were made in the past two days: A $23 million biopic entitled The Power of Love will be released in 2020. The day after, Céline became the new face of L’Oréal Paris.
The days of Céline being “afraid” of show business are clearly over. She’s been scooped up by it and is now the center of a classic, artificially-created media storm. While Céline used to be solely about the music, she is now being used to promote specific agendas. Her brand CÉLINUNUNU is admittedly about creating a “new order” of genderless children.
Will keep going deeper into the industry? Because, in her own words: “You can never be part of show business because you don’t what it’s going to get yourself into”.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you
Warning: Enormous spoilers ahead!
Described as a “Netflix event”, Black Mirror: Bandersnatch is an interactive film that allows viewers to “choose their own adventure”. On several occasion during the film, viewers are presented with two options and are given 10 seconds to decide. Upon selection, the option plays out and the narrative adapts accordingly. Consequently, the choices made by the viewers lead to different scenes, story paths and, ultimately, to different endings. However, once an ending is reached, the film loops the viewers back to unselected choices, making it easy to view the entire film and analyze it as a whole.
The viewers are making the decisions for Stefan Butler, a young computer whiz who is adapting a fantasy choose-your-own-adventure book into a video game. The film appears to be heavily inspired by this 1984 BBC documentary that follows the creation of a “mega-game” named Bandersnatch by the London software company Imagine before the holiday season. That game was never released.
Black Mirror: Bandersnatch takes the context of this fascinating period of British tech history and adds a whole lot of creepiness to it. And, considering the fact that this is a Black Mirror episode – a series about the potentially perverse effects of modern technology on humanity – things get very meta, very quickly. In fact, several levels of meta end up leaving most viewers’ minds looking like this.
As Stefan attempts to create an innovative game that allows multiple narrative paths, he’s also the protagonist of an innovative film that allows multiple narrative paths. As things progress, Stefan realizes that he is not in control of his own mind – the viewer is. This realization triggers a descent into madness as Stefan begins obsessing about a specific symbol (named the “White Bear”) and a demon named Pax.
In short, the viewer controls Stefan’s mind. In shorter, that’s mind control. Appropriately enough, the film is replete with symbolism relating to MK-ULTRA and trauma-based mind control. Furthermore, in some story paths, Stefan discovers that he’s was drugged, studied and monitored since birth.
While several news sources analyzed Bandersnatch, nearly all of them missed an obvious point: It is about trauma-based mind control. From the backstory of the protagonist to the MK-symbolism peppered throughout, Bandersnatch is an “adventure” in the mind of a slave. And it all starts with the title of the episode.
The book Bandersnatch and its author Jerome F. Davies are totally fictional. However, the origins of the name Bandersnatch leads us deep into mind-control lore.
Bandersnatch is the name of a fictional creature in Lewis Carroll’s 1872 novel Alice Through the Looking-Glass, the sequel to Alice’s Adventures in Wonderland.
As discussed in many articles on this site, the story of Alice in Wonderland is an actual programming script used in trauma-based mind control. The same way Alice “goes through the looking glass” to Wonderland, MK slaves are told to dissociate, mentally leaving the real world to retreat to the internal world created by the programmer. For this reason, symbolism associated with Alice in Wonderland is constantly used in mass media to illustrate mind control. Obviously, Bandersnatch is no exception. The name itself is a direct reference to Alice in Wonderland. Furthermore, Stefan even ends up looking for a white rabbit by going through a mirror (more on this later).
Before learning about the dark truth about Stefan, we see several clues relating to his mind control. However, it is only on second viewing that these scenes take on their full meaning.
As Stefan embarks in the creation of his video game for the software company Tuckersoft, he also takes interest in the dark story of the author of the book Bandersnatch.
Soon enough, Stefan finds himself obsessing over the same symbols as Davies. And the White Bear is one of them.
In Black Mirror, the White Bear symbol has several layers of meaning. As illustrated above, it represents the branching narratives in the video game Stefan is developing. On a wider scale, it represents free will – the ability to make decisions – and, in Stefan’s case – the lack thereof. For this reason, the symbol ends up representing a higher force that is in control of Stefan’s mind.
The White Bear symbol appeared in previous episodes of Black Mirror and, every time, it refers to a “force” controlling people. Indeed, the symbol has been used to refer to government conspiracy, high-tech monitoring, mind control, and dark spiritual forces. Does this symbol represent the occult elite?
As Stefan loses his mind, he starts seeing a lion-like demon named Pax.
While watching a documentary about the life of Jerome F. Davies (the author of the book Bandersnatch), Stefan learns about Pax.
“Davies became convinced he had no control over his own fate because his wife was spiking him with psychoactive drugs at the behest of a demon called Pax, a sort of lion figure he claimed he’s seen in a vision”.
As seen above, in Lewis Caroll’s Alice in Wonderland books, Bandersnatch is a horned lion. If one goes through the many story branches of Black Mirror: Bandersnatch, lions start appearing in several significant places.
In one story branch, Colin – a “superstar” video game programmer at Tuckersoft – gives Stefan LSD to help him get out of his creative rut.
At the height of their acid trip, Colin explains the dark implications of the game Pac-Man.
“There are messages in every game. Like Pac-Man, do you know what PAC stands for? P-A-C. Program and Control. He’s program and control. The whole thing is a metaphor. He thinks he’s got free will but really, he’s trapped in a maze, in a system. All he can do is consume, he’s pursued by demons that are probably just in his own head. Even if he does escape by slipping out on one side of the maze, what happens? He comes right back on the other side”.
Not unlike Pac-Man, Stefan has to constantly consume pills to keep going. And, as his madness grows, he is also followed by demons. Actual demons.
After Colin’s death, Stefan leaves the apartment in a panic. However, he is stopped short by something quite scary.
In Monarch mind control, slaves are actually assigned demons to enforce programming.
“Programming involves an organization system, established by horrendous trauma, for the alter personalities involving internal mental imagery, which is driven by demons, who provide the power. Undoing it requires an understanding of the mental processes involved, the imagery or blueprint used, and the spiritual dynamics.”
– Fritz Springmeier, The Formula to Create a Mind Control Slave
As stated above, programming involves a system established by “horrendous trauma”. If the viewers select the right options, the backstory of Stefan is revealed: He’s a product of trauma-based mind control.
When Stefan manages to go inside the mysterious locked room of his father, he discovers the dark truth about his life. The viewers also discover the meaning behind the symbols Stefan was obsessing about.
At this point, Bandersnatch ventures deep in the world of trauma-based mind control – also known as Monarch programming. The goal of this practice is to cause slaves to dissociate from reality as a coping mechanism to extreme trauma. Once dissociated, slaves become extremely suggestible and easy to reprogram.
Towards the beginning of the film, Stefan’s therapist insists that he discusses the death of his mother at a young age – a traumatic event that deeply affected the rest of his life. Stefan claims that his mother died because of Rabbit – his favorite toy.
So the “trauma inception” was caused by a white rabbit. In Alice in Wonderland, Alice is lured to the looking glass by a white rabbit.
The White Rabbit is a programming figure for Alice In Wonderland Programming who will allow you to go to otherwise inaccessible places for adventure. He represents the master. The White Rabbit is an important figure to the slave.
– Ibid.
When Stefan watches the “Trauma Inception” tape, he discovers the truth about his mother’s death.
With Stefan’s backstory, Bandersnatch covers some of the core principles of trauma-based mind control. The omnipresence of Pax and the White Bear indicate the pervasiveness of the programming that controls all aspects of his life.
This leads us to wonder: If Stefan is an MK slave and that he’s not in control of his fate, what does that makes us, the viewer? Answer: The handler. Indeed, as the story progresses, Stefan becomes aware of the fact that he is controlled by the choices made by the viewer and he attempts to resist them. But that doesn’t work.
At a critical moment in the film, the viewer is presented with two options: To kill Stefan’s father or to back off.
Depending on the choices the viewer makes, one can end up viewing wildly different endings. In one ending, Stefan goes back in time, embarks with his mother on the train and dies with her. In another one, Stefan discovers that he’s in a Netflix series and things get weird and even more meta. However, in most endings, Stefan ends up either creating a badly rated game and/or in jail.
Is there a happy ending somewhere in there? Not really. It is all very depressing. However, there is a path that allows Stefan to complete his video game and to get a 5/5 rating. The path: Stefan has to kill his father and chop up his body. After completing this gruesome task, Stefan appears to be at peace with himself and manages to create the perfect game. However, shortly after that, he gets arrested and his game gets taken off the shelves.
Did Stefan get rid of his MK programmer? Or did he lose his mind and kill his own father? It’s your choice. Or is it?
As highlighted in previous articles on this site, mass media has taken a specific direction in the past few years. Indeed, nowadays, most entertainment seems to be dark, sinister, depressing, and laden with fear and paranoia. Also, entertainment is increasingly replete with imagery and storylines relating to Monarch mind control -as if there was an attempt to normalize it. Netflix, the streaming service that is now at the forefront of popular culture, has been hard at work producing content that fits this agenda. In the past months, I’ve explored the MK symbolism of the Netflix series Stranger Things and the occult messages in Chilling Adventures of Sabrina. Black Mirror: Bandersnatch is yet another entry in this growing library of agenda-friendly content on Netflix.
However, contrarily to other series available out there, Bandersnatch ventures in the uncharted territory of interactive entertainment. Instead of simply viewing MK-related “entertainment”, the viewers actively take part in it. In fact, the viewers end up playing the role of the MK handler. And, like actual MK handlers, the viewers can order Stefan to kill himself or to kill others. One could argue that giving viewers this little power-trip over an MK slave makes the entire world of mind control seem less horrifying and even “entertaining”.
However, since we’re dealing with Black Mirror, we need to take another step back and see the meta going on here. As the viewers bask in the god-like feeling of deciding Stefan’s fate, they are also being carefully guided by the narrative. Furthermore, all the while, the viewers are monitored and analyzed by Netflix. Indeed, there are already several articles out explaining the data-mining of decisions made by viewers.
In short, the true subject of the “Program and Control Study” is not Stefan … it’s you.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
In this edition of SPOTM: Samuel Jackson, Iggy Azalea, David Beckham, Travis Scott and irrefutable proof that the occult elite controls mass media.
Special thanks to everyone who sent in pics!
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Gillette, a company that made billions by selling overpriced razor blades to men for decades, has launched an ad campaign targeting “toxic masculinity”. And the ad is … toxic. Through stereotypes and generalizations, it accuses 50% of the human population of terrible wrongdoings and calls for a drastic modification of its behavior. The admitted goal: To shape the men of tomorrow. Welcome to an era where marketing mixes with Orwellian propaganda.
On Gillette’s official website, the campaign is described using a vocabulary coming directly from social-engineering think-tanks.
Thirty years ago, we launched our The Best A Man Can Get tagline.
Since then, it has been an aspirational statement, reflecting standards that many men strive to achieve.
But turn on the news today and it’s easy to believe that men are not at their best. Many find themselves at a crossroads, caught between the past and a new era of masculinity. While it is clear that changes are needed, where and how we can start to effect that change is less obvious for many. And when the changes needed seem so monumental, it can feel daunting to begin. So, let’s do it together.
It’s time we acknowledge that brands, like ours, play a role in influencing culture. And as a company that encourages men to be their best, we have a responsibility to make sure we are promoting positive, attainable, inclusive and healthy versions of what it means to be a man. With that in mind, we have spent the last few months taking a hard look at our past and coming communication and reflecting on the types of men and behaviors we want to celebrate. We’re inviting all men along this journey with us – to strive to be better, to make us better, and to help each other be better.
From today on, we pledge to actively challenge the stereotypes and expectations of what it means to be a man everywhere you see Gillette. In the ads we run, the images we publish to social media, the words we choose, and so much more.
“A new era of masculinity”? “Types of men and behavior we want to celebrate”? This is all pure social engineering.
Before we go any further, let’s look at this ad.
Instead of selling a product, the ad sells an idea: Men are bad and they need to change. To do so, it uses classic marketing and cinematography techniques to vilify an entire gender by highlighting its supposed toxicity.
The ad begins with men of all ages looking at themselves in the mirror with a guilty look on their face.
As they stare in the mirror, the words “bullying”, “sexual harassment” and “toxic masculinity” are heard in the background. Appropriately enough, the words all come from mass media.
In a disapproving tone, the narrator says: “Is this the best a man can get?”. Guys, you’ve let Gillette down. Gillette is not happy with you right now. You are not living up to the tagline it used for decades to sell overpriced razor blades as a near-monopoly.
Is online bullying truly a “masculinity” issue? Don’t girls also send hurtful text messages? The answer: Yes, they do. Because, this is a jerk-versus-not-jerk issue, not a male versus female issue. But the ad is all about distortion and manipulation. It maintains an awkward distance with reality that makes it difficult to watch.
Throughout the ad, young boys are depicted as wild, out-of-control animals that cause havoc everywhere they go. The message: We need to train boys to follow our agenda since birth. If not, they will become destructive.
The ad then proceeds to explain how men should modify their behavior in order to be “better”.
What actual TV show depicts a man assaulting a maid and who is laughing at those scenes? The answer: None and nobody. It’s a fake scenario. The message of this scene: Mass media needs to be tightly controlled to prevent the depiction of any behavior that is deemed “toxic” (it already is). Moreover, one shouldn’t laugh or be entertained by things that are now deemed toxic.
In other scenes, the ad presents individual jerks being jerks … and blames 50% of the human population.
Once again, this is not typical “men” behavior, this is typical jerk behavior. And, sadly, both men and women are capable of displaying it. This is why wise people say that people should be judged by the contents of their character, not by their race, gender, and so forth.
That being said, this is how Gillette portrays men:
This scene screams out “men are all the same”. It is the definition of generalization. Most fathers know the difference between children playing and fighting. And most of them act and discipline their children accordingly. However, this scene lumps all “males” together and paints them all as inept fathers.
Other scenes call for men to interfere with other men in order to protect women. Or something. I’m honestly not sure.
What’s the message of this scene? Men should physically stop other men from talking to women? Is this the kind of society we want to live in?
The narrator says:
“And there will be no going back. Because we believe in the best in men. To say the right thing. To act the right way. Some already are. In ways big and small. But some is not enough. Because the boys watching today will be the men of tomorrow.”
The ad actually says that “some” men are OK but most of them are toxic. Wow.
Of course, the ends with a celebration of #metoo. Thank you, Gillette’s marketing team.
Judging by comments on YouTube, most people hated the ad.
So why did this razor brand insult its core demographic? Isn’t it the marketing equivalent of suicide? Is it a way of getting media coverage through divisive controversy? Yes, but there’s more.
Although the ad is based on a ridiculous premise, it is also rather terrifying. It signals the coming of a new wave of marketing that is not about selling products but about modifying behavior according to a specific, clearly defined agenda.
In short, it is social engineering.
Social engineering is the use of centralized planning in an attempt to manage social change and regulate the future development and behavior of a society.
– Definition
As the definition states, social engineering originates from “centralized planning”. In this case, the world elite. There is a reason why the same exact agenda oozes from everywhere. And Gillette, which is owned by the mega-corporation Procter & Gamble, is directly connected with the elite.
Indeed, P&G is a consumer goods company that owns dozens of brands found in households across the world such as Tide, Crest, Pampers, Bounty, Vicks, Oral-B and many more (it also participated in price-fixing cartels, child labor, and forced labor). Its leadership is part of elite organizations such as the Bilderberg group, where major world policies are decided.
In short, the messages contained in the ad do not originate from the good conscience of the people at Gillette. It is a verbatim manifesto of the elite’s agenda that is being pushed through various platforms.
For instance, the Netflix series Chilling Adventures of Sabrina features the same core message: Masculinity is bad and it needs to be punished. Through various scenes, the series depicts men as a horde of violent brutes who cannot act in a reasonable matter.
What is the purpose of this propaganda? What is the end game? Are masculine males a threat to the elite? Yes, but there’s more.
We are currently living in a unique era in human History. The very concept of “gender” (which is the very core of our genetic makeup) is being completely redefined and replaced with artificial constructs to serve specific social engineering purposes. The goal: To debase humans as far a possible from their natural state. The result: A population that is confused, depressed, unhealthy and thoroughly unbalanced that is extremely suggestible to mass media campaigns such as this one.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
Desmond Napoles (aka Desmond is Amazing) is an 11-year-old drag performer who rose to fame due to his appearances on national television, fashion magazines and LGBTQ-related events. He became an instant media darling when a video of him dancing at a gay pride parade became viral.
According to his official website, Desmond is a “performer, drag kid, awarded LGBTQ advocate, outspoken gay youth, editorial model, public speaker, founder of his own drag house, fashion designer, muse, and icon”.
However, despite these lofty titles, many consider Desmond’s entire act to be little more than child abuse and exploitation by unscrupulous adult handlers. The controversy surrounding Desmond reached another level when a video of him dancing at a gay bar for tips surfaced online, sparking a bitter debate online and in the media.
At the center of it all is an 11-year-old child who has been exposed to the world of drag since he was a toddler.
Napoles identifies as gay and states that he has been out since a very early age. Napoles’s parents stated that at the age of two or three, they understood that he was “likely gay” and they exposed him to a variety of gay culture, including showing him drag performances and taking him to pride parades. Napoles’s parents stated that he was “openly gay” when he entered kindergarten. Napoles’s mother reports that he began gravitating towards drag performances when he was two and watched RuPaul’s Drag Race. According to Napoles’ parents, Napoles is on the autism spectrum and his drag activity helps him relieve symptoms of autism disorder.
– Wikipedia, Desmond Napoles
Is Desmond “expressing himself” or is he being exploited? A look his “career” provides the answers. Here are some examples.
On December 25th 2017, Desmond appeared in a YouTube video with Michael Alig – the founder and ringleader of the Club Kids, a group of young New York City clubgoers that became a cultural phenomenon during the late 1980s and early 1990s.
Most people know Michael Alig for a darker reason: The gruesome murder of Angel Melendez in 1996 for which he served 17 years in prison for manslaughter.
On the night of March 17, 1996, Alig and his roommate, Robert D. “Freeze” Riggs, murdered Melendez after an argument in Alig’s apartment over many things, including a long-standing drug debt. Alig has claimed many times that he was so high on drugs that his memory of the events is unclear.
According to Riggs, he hit Melendez a total of three times on the head with the hammer. Then Alig grabbed a pillow and tried to smother him. While Melendez was unconscious, Riggs went to the other room; when he returned, he noticed a broken syringe on the floor. Riggs claimed that Alig was pouring “some cleaner or chemical” into Melendez’ mouth, then duct-taped it with the help of Riggs.
After Melendez’s death, Alig and Riggs did not know what to do with the body. They initially left it in the bathtub, which they filled with ice. After a few days, the body began to decompose and became malodorous. After discussing what to do with Melendez’s body and who should do it, Riggs went to Macy’s to buy knives and a box. In exchange for 10 bags of heroin, Alig agreed to dismember Melendez’s body. He cut the legs off, put them in a garbage bag, cut off the head and put it in another bag, and stuffed the rest into a box. Afterwards, he and Riggs threw the box into the Hudson River.
– Wikipedia, Michael Alig
Alig was released from jail in 2014. Three years later, he was arrested for trespassing and smoking crystal meth outside the Bronx Supreme Court in February 2017. A few months later, Desmond sits next to him filming this video.
2018 was a big year for Desmond as he made several appearances in mainstream media.
Desmond was also featured in several fashion magazines. If you’ve read my series of articles Symbolic Pics of the Month, you will instantly recognize some of the symbolism going on there.
Desmond’s social media accounts are also full of symbolism.
As if his schedule wasn’t full enough, Desmond also performs in various venues for money. In last December, a video of Desmond dancing at the gay bar 3 Dollar Bill in Brooklyn surfaced online and caused outrage. Dressed in a crop top and full makeup to look like Gwen Stefani, Desmond danced as adult men threw money on stage … not unlike a stripper.
The footage caused a great deal of controversy as many believed that no child should be performing at a bar for adults where alcohol flows. Faced with the backlash, Desmond’s mother took to social media to justify the performance.
As you can see, the mother states that being concerned for the well-being of an 11-year-old child is “blatant homophobia”. Does that make sense? What if it was a young girl who was dancing in front of straight men? The outrage would probably have been tenfold. In other posts, Desmond’s mother stresses the fact that Desmond is autistic to justify his act.
Desmond also recently made the news for a new, “groundbreaking” project: Haus of Amazing, a social network where drag kids can share and connect. The website says that “because the drag house is restricted to members age 20 and younger, members can communicate freely and candidly with their peers without the often judgmental interference of adults.”
Is there a chance that such a site would attract adult pedolphiles? I mean, come on. Because there are others “drag kids” out there and their acts are even more upsetting. Here’s an example.
Queen Lactatia, a 10-year-old Canadian boy named Nemis Quinn Mélançon-Golden, is also being heavily promoted in mainstream media. I won’t describe his entire life. You only need to see a few social media posts to understand that there’s something terribly wrong going on here.
Despite everything mentioned above, the mainstream media coverage of Desmond Is Amazing is overwhelmingly glowing. I did not find one mass media source that even mentioned some of the questionable-for-his-age things associated with his act. Quite to the contrary, all the reports and articles I found celebrate Desmond’s “fierceness” and paint his parents as saints. Why is the coverage surrounding him so Orwellian-ly one-sided?
Desmond is not simply a “boy who likes to dress in drag”. He is being used to push several agendas, including the sexualization of children and the normalization of pedophilia. To do so, he is being pushed into a world that is should be reserved exclusively for consenting adults. Anything else is child abuse.
P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Thank you.
On December 31st 2018, over 800 guests rang in the new year at an occult-elite-themed “Illuminati Ball” in New York City. Heavily inspired by the infamous masked ball held by Baroness de Rothschild in 1972, the Illuminati ball featured dark rituals, faux human sacrifices and Illuminati “leaders” in ornate animal masks. The event also featured elements from Eyes Wide Shut as masked guests witnessed performances that mixed eroticism with esoteric rituals.
Not unlike actual Illuminati balls held by the occult elite, the event took place inside a sumptuous building: The Weylin in Brooklyn, New York.
Upon arrival, guests selected a mask from the Masking Room and were then lead to the Domed Ballroom, where they were welcomed by “Baron de Rothschild,” a.k.a. the Pig King.
Accompanying the Pig King was his pregnant wife, the “Baroness de Rothschild,” who at one point gives birth to a bizarre creature.
Throughout the night, rituals and “initiations” took place in the many rooms and floors of the building under various themes such as wealth, love, basic needs, fame, and respect.
Of course, no elite-themed event would be complete without a celebration of cannibalism.
Weird fact: The rapper Prodigy of the group Mobb Deep was apparently a big fan of previous Illuminati parties.
The official website of the event states:
The most thrilling, surreal, unique and immersive New Year’s Eve masquerade ball in the world.
Indulge in a surreal and unforgettable experience this New Year’s Eve where you’ll be led through an exploration of the myth and mystery of the Illuminati by sirens and sailors, mermaids and sacred cows, barons and baronesses.
Explore your deepest desires with daring aerial, fearless fire, and provocative dance and interactive experiences unfolding continuously throughout three sprawling floors in a massive, stunning monument to wealth and prosperity, Weylin.
The site’s FAQ contains some interesting information.
Are we really being considered for the Illuminati?
No. This is an immersive theater production about the Illuminati. We endeavor to enlighten and entertain you.Is this a sex party?
No. The evening will be decadent and sensual and the show will contain some nudity, but this is absolutely not a sex party.Are you worshipping the devil?
Absolutely not! We are not worshipping the devil. We are not sacrificing anyone — or anything. We are peace loving people who believe in nature and positivity. We want people to find the path to their dreams within themselves and treat all living beings with kindness.
The website also contains a weird “Commandments” tab which is about the Georgia Guidestones.
The event was organized by Cynthia von Buhler – an artist who is mostly known for her work as an author and illustrator for children’s books. In 2001 von Buhler was commissioned by Steven Spielberg to illustrate Martha Stewart’s story for Once Upon A Fairy Tale (Viking).
However, most of von Buhler’s other creations, which include paintings, sculptures and “immersive theatre” are far from children friendly.
The Illuminati Ball is very similar to the UNICEF Masked Ball that was described on this site a few months ago. Both were inspired by the Rothschilds and both attracted well-to-do individuals in a watered-down version of occult elite rituals. Like children who “play house” while pretending to be grown-ups, the guests of these parties took part in mock sacrifices, cannibalism, and occult rituals they pretended to be occult elite.
I guess that the next step would be to actually sacrifice children, eat actual humans and performs black magic rituals for maximum magical potential. Because that’s what these things are actually about.
If I had to sum up 2018 in one word, it would be “noisy”. Because, well, 2018 was a year full of noise. And I’m not only referring to the constant noise emanating from the multiple devices that surround us. I’m also talking about the “weaponized noise” that is polluting mass media.
Here are two definitions of noise:
1- Any sound that is undesired or interferes with one’s hearing of something.
2- Irrelevant or meaningless data or output occurring along with desired information.
The general population consumes, on a daily basis, a great amount of mass media for information and entertainment. This content is purposely interwoven with a great amount of noise which only exists to anger, confuse and divide. Here are some specific examples that you can find online: A clickbaity headline carefully crafted to be infuriating; A meme circulating on Facebook distorting a divisive issue; A Reddit post based on a strawman argument discrediting an issue or a person; An accusatory tweet custom-made to stir up outrage and controversy.
In the grand scheme of things, none of these things are important yet they succeed in taking an incredible amount of time, energy and attention from people. More importantly, they contribute to creating a toxic social climate.
In 2019, we need to realize one important fact: Most of this noise is manufactured. Indeed, “weaponized noise” is a new form of propaganda. It is used to polarize issues and to cause a wedge between groups of people. The end game is simple: Divide and Conquer. They want to pit us against each other. Liberals versus conservatives; Whites versus Blacks; Men versus women; Whatever versus whatever else. We are being programmed to hate each other, and as a consequence, completely unable to unite.
Indeed, seeing the masses united towards a common goal is the ultimate fear of the elite. The best way to keep people under control is through perpetual division. To achieve perpetual division, you need to foment irrational hate. And to achieve irrational hate, you need to turn people into debased individuals who cannot resist their most destructive impulses.
As the public space becomes angrier, a culture of vengeance and retribution has emerged where people actively root for the destruction of those they don’t agree with. Are we going in the right direction here? Are those the values we truly want to live by? If not, whose values are we adopting? Think about it.
In my article The Sick, Twisted Messages in “Chilling Adventures of Sabrina”, I explained how this Netflix series glorified vengeance against those we don’t like. Indeed, in the series, tormenting someone through witchcraft is characterized as “fun”. Furthermore, Satanism is sold as a way to be “free to love and hate”.
We are far from “love thy neighbor”. Is it a coincidence that, as the public space turns into a hateful, spiteful cesspit, a belief system endorsing these heinous sentiments is being openly promoted? Is the elite providing the masses with the perfect philosophical backdrop to justify indulgence in their basest impulses without any guilt?
The Vigilant Citizen is not about adding to the noise, it is about cutting through it. It is not about taking a side, shouting slogans and generating more noise, it is about taking a step back, shutting up and observing what is happening. Instead of promoting division, this site is about unity through the understanding of universal truths.
2018 marked the tenth year of existence of The Vigilant Citizen and, throughout this decade, I’ve been highlighting a clear pattern of elite programming. Mass media is being used to wage a war against our minds, bodies, and souls. And the sooner we realize this fact, the sooner we can move away from it.
When the true nature of the elite is exposed, when its agenda is made clear and when its symbolism is decoded, lots of things begin to make sense. Their toxicity becomes so nauseating that it becomes impossible to ingest. The traps set up against us become obvious and easy to avoid.
In the past decade, we’ve seen a growing number of people actively seeking the truth and questioning mass media programming. This powerful movement of truth seekers has rejected the toxicity and the depravity of the elite and has reconnected with the good, pure and essential things in life.
Of course, the elite does not want to see this happening. This is why their propaganda is getting desperate. This is why they are bombarding us with weaponized noise. And this is why they are actively attacking and censoring those who expose the truth.
While mass media has always been tightly controlled, the internet allows the free circulation of information. And they want this to stop.
Big tech companies have been hard at work purging the internet from content that goes against the elite’s agenda through various means: Reduced social media exposure, removal from search engine results and demonization.
This site has suffered from all of these things. However, it remains alive through adaptation to a hostile environment. One thing that I had to realize is that relying on big tech companies for exposure and revenue was a big mistake. For this reason, I undertook several steps toward complete independence.
One of these steps was creating a Patreon page where VC readers can contribute a small amount per month to help the site cover costs and fund new content. Many good sites and good people have disappeared from the internet and I won’t allow The Vigilant Citizen to go away. Not on my watch.
To the current VC patrons, I’d like to extend a big thank you for your support and your generosity this year. You are the backbone of this site and your contribution allows me to keep publishing articles about issues that very few dare writing about. Each new patron is a step towards independence and towards a site that is totally ad-free.
While I’m at it, I’d also like to thank everybody who contributed to this site in other ways: Thank you to those who enrich articles with their enlightening comments; Thank you to those who share articles on social media to help spread the word; Thank you to those who send in messages with tips, symbolic pics and helpful information; Thank you to those who participate in the VC Forums. You’re all greatly appreciated.
Throughout this year, a variety of topics were discussed on this site and many of them were rather disturbing. While I realize that this stuff can generate a sense of dread and disgust, I find it crucial to fully expose it. Why? Because it is right there in our collective faces. This site is about mass media and super-viral videos, not obscure stuff. And lots of it is directed at young people.
That being said, that doesn’t mean that we need to wallow in their filth. Once their sickness is identified, the next step is to move towards mental, physical and spiritual health. And what better time than the holiday season to go into full healing mode?
What better time to completely cut the noise and enjoy the silence of nature? What better time to purge hate and replace it with love towards friends, family, and community? What better time to do things that makes us a better person, in all ways possible? Because, in the end, that’s what being a vigilant citizen is all about.
Merry Christmas, happy new year and see you in 2019!
Sincerely,
VC
P.S. If you have learned anything from my writing on this site this year, and if you want to see it continue, please consider showing your support through Patreon. If you prefer, you can also make a one-time donation here. Thank you for your support!
Every December, the reputed magazine The Economist publishes a special edition that predicts the trends and the events of the year to come. And every time, the cover of these editions is an elaborate collection of images referring to various people and concepts. While the meaning of some of these images is obvious, others appear to be coded for “those in the know”. This year’s edition is no exception. In fact, it is more cryptic than ever.
Why would anybody spend time deciphering these covers? Because The Economist isn’t just any publication – it is directly connected with the world’s elite. It is partly owned by the Rothschild banking family of England and its editor-in-chief, John Micklethwait, has attended the Bilderberg Conference several times. In short, the leadership at The Economist has inside knowledge of the elite’s agenda, and they do their best to promote it.
As seen in my articles about the 2015 and 2017 editions of The Economist, these covers are often replete with occult elite symbolism, mixed with subtle messages about the many ways the elite controls the masses. The 2019 edition is more blatant than ever.
This is the description posted by The Economist on its official website:
The World in 2019 will build on three decades of publishing success: this will be the 33rd edition. It will look ahead to the Trump administration’s prospects with a new Congress, the reality of Brexit, elections in India, Indonesia, Nigeria and across Europe, tech disruptions from AI and China (could 2019 mark “peak Sillicon Valley”?), space travel 50 years after the Moon landing and culture 500 years after Leonardo da Vinci.
Note that the description emphasized the fact “this will be the 33rd edition”. Why emphasize this random numerological this fact? Is it because 33 is the most important number in Freemasonry? That would make sense because the cover features intense Masonic symbolism through the works of Leonardo da Vinci.
The main theme of this cover is Leonardo da Vinci because 2019 will mark the 500th anniversary of his death. As such, the art style is made to look like a da Vinci manuscript.
The first detail that one might notice is the mirror writing. Why is everything written backward? Well, da Vinci often wrote in mirror writing and the reason he did that remains a mystery. Some claim that he did not want to smudge ink while he was writing; others believe that he did not want other people to steal his ideas. Those who have researched Vinci’s occult leanings believe that his backward writing might have something to do with him attempting to conceal esoteric knowledge. In his day, those who accused da Vinci of being a heretic even called his mirror script “writings of the devil”. In occult circles, mirror writing is often associated with Satanism and black magic, based on the reversal of symbols.
Let’s look at the symbolism of the cover.
At the center of the cover is the Vitruvian Man, da Vinci’s famous sketch depicting a man stretched out inside a circle and a square. It is said to be a representation of “the perfect man”.
While the Vitruvian Man is often described as a “study of human proportions”, it bears a much deeper symbolic meaning in occult circles – especially in Freemasonry. It esoterically represents the human body (the microcosm) as a reflection of the entire universe (the macrocosm) – a hermetic principle summed up by the saying “As Above, So Below”.
Da Vinci’s sketch was based on the works of Vitruvius, a Roman architect who was considered to be the “First Grand Master” of Freemasonry. Appropriately enough, the Vitruvian Man visually depicts the ultimate goal of Freemasonry: Squaring the circle.
In Masonic symbolism, the square represents the physical body and the circle represents the soul. On a wider scale, the square represents the material world, while the circle represents the spiritual realm. One of the goals of Freemasonry is to harmonize these two opposite worlds (physical and spiritual) to create the “perfect man”. This concept is fully represented in the logo of Freemasonry.
The logo of Freemasonry combines a square and a compass – two tools used in architecture. The square is used to draw squares while the compass is used to draw circles. By “squaring the circle”, the Freemason is said to achieve godhood.
I won’t go deeper in the connections between da Vinci and occultism because that would require an entire book (and I’m not talking about The da Vinci Code). Let’s just remember that, for its 33rd end-of-year edition, The Economist features a “modern” Vitruvian Man.
The 2019 Vitruvian Man wears night-vision goggles, or maybe a VR headset. Is his sight being improved or is he being blinded? In his hands, he holds a leaf of cannabis, a baseball, and a smartphone. One could argue that all of these things are used to distract and pacify the modern man through drug companies, big tech, and entertainment.
The Vitruvian Man also has two tattoos. On his forearm is a double-helix, the symbol representing DNA. This is most likely a reference to the intense research in DNA modification happening in the private sector. Was the Vitruvian Man’s DNA altered?
Across his heart is tattooed “#MeToo”. While the #metoo movement did expose some Hollywood creeps, it also has created a climate of censorship and repression where many people have accused, judged, and sentenced to expulsion in the public sphere.
On a somewhat related note, the Vitruvian Man holds a scale – a classic symbol representing justice. However, the scale is heavily slanted on the side that has 5 people versus 4. Is this the U.S. Supreme Court, who recently gained a new and controversial judge, or is this just the tilted scales of justice in 2019?
Overall, the modern Vitruvian Man appears to be blinded, weakened, distracted, and repressed. The circle around him that once symbolized the spiritual realm is now the Earth. Did the Vitruvian Man lose his soul? Is he now concerned only with Earthly matters?
The cover features an exact replica of da Vinci’s sketch analyzing the proportions of the human head. Above the image is written (in reverse) “Facial recognition”, which the next step in Big Brother surveillance technology.
The Economist cover also analyses the proportions of Donald Trump’s head.
The other head of state featured on the cover is Vladimir Putin with the words “Putin’s pipelines”. This is a reference to the natural gas pipelines that are being built by Russia, in Syria, the Post-Soviet States, and even Europe. NordStream 2, a natural gas pipeline linking Russia to Germany, is set to be completed in 2019. This highly controversial project was deemed to be “act of betrayal” from Germany as critics say it will leave Europe at the mercy of Russian energy.
TurkStream, a Russia-Turkey pipeline, was launched in November of 2018 and will help consolidate Russia’s economy and regional influence.
Right behind Putin is Pinnochio – a puppet whose nose grows after telling a lie (Fun fact: The tale of Pinocchio is also a profound Masonic allegory). So the cover implies that someone will lie in 2019. But who? Trump and Putin (the only two politicians on the cover)? The elite in general? Kanye West? No clear answer. It’s just The Economist telling the masses that they are being lied to in general. Thanks, guys.
Right under Putin, standing on Northern Europe and facing America, are none other than the Four Horsemen of the Apocalypse. The Book of Revelation describes the Horseman as harbingers of the Last Judgement. The White Horse is said to symbolize Conquest, Pestilence and the coming of the Anti-Christ; The Red Horse represents War; the Black Horse is associated with Famine, and the Pale Horse brings Death. That’s some heavy-handed catastrophe-predicting stuff.
Why did The Economist add this extremely ominous Biblical figure on its cover? There is no clear explanation.
This one can be interpreted in a few ways, and all of them are upsetting. It is a classic depiction of a stork carrying a newborn baby. However, there’s one important detail: There’s a barcode on the bag carrying a baby.
This might be a reference to “designer babies”, a controversial practice that should gain momentum in 2019.
A designer baby is a human embryo which has been genetically modified, usually following guidelines set by the parent or scientist, to produce desirable traits. This is done using various methods, such as germline engineering or preimplantation genetic diagnosis (PGD). This technology is the subject of ethical debate, bringing up the concept of genetically modified “superhumans” to interbreed with and eventually replace modern humans.
– Wikipedia
The second meaning of this image could be child trafficking. Barcodes are placed on products to track inventory and to complete transactions. Child trafficking is about treating human as products to be sold. It’s a pretty effective (and disturbing) way of symbolizing child trafficking.
Finally, considering the fact that the stork is right under the Four Horsemen of the Apocalypse, this image could also have a biblical meaning. The Book of Revelation states that, after the rapture, people on Earth would be forced to receive the “mark of the Beast” (666) in order to “buy or to sell”. What better way to force a person to receive the mark of the Beast than by applying it at birth?
The cover contains several other images referring to events The Economist is predicting to come in 2019. Here’s a quick rundown.
The cover of “The World in 2019” is an apt reflection of the occult elite. It mixes occult symbolism with references to the control and manipulation of the masses. It also takes a bizarre pleasure at predicting catastrophic events while keeping people guessing with vague and unexplained references. The elite likes to withhold information and reverse writing emphasizes this fact.
At the center of it all is the Vitruvian Man, a symbol used by the Masons to represent a human reaching full potential. However, the 2019 version is blinded and distracted by things pushed by the elite. Will we allow ourselves to follow the bleak path that they predict?
Warning: Major spoilers ahead!
With the advent of streaming services such as Netflix, entertainment is increasingly consumed in the form of multi-episode series. Spanning for dozens of hours, these series do not simply tell a story, they create immersive worlds in which viewers become greatly invested. Indeed, modern series are not strictly about a narrative – they’re long-winded experiences that become a part of the lives of those who watch, rewatch and binge-watch them.
The first season of Chilling Adventures of Sabrina, a series aimed at teenagers, contains ten one-hour episodes. In these ten hours of content, lots of words get said, lots of messages are implied, and lots symbolism gets burned in the minds of the viewers. And, as someone who sat through this first season (twice), I can confirm that there is a lot to unpack in there.
A few months ago, I wrote a short article titled “Chilling Adventures of Sabrina” Will Be Extremely Satanic, which described the overt satanic symbolism of the series’ trailer.
Released right before Halloween – the most important holiday in satanic circles – the series takes its young viewers into an occult adventure mixed with all kinds of social messages: The viewers are taught the basics of Satanism, that witchcraft is the best way to get back at the “patriarchy”, and that cannibalism is not that bad after all. In short, the series is the occult elite trying to brainwash children with its agenda.
The series is based on the Archie Comic Sabrina the Teenage Witch. However, it was “re-imagined” to be darker and edgier … and to fit the elite’s agenda. The story takes place in the same universe as Riverdale – another series that is extremely popular with teenagers (and probably requires its own article). Both series were developed by Roberto Aguirre-Sacasa, a writer who is also known for creating Glee (pure musical horror) and for a play entitled Say You Love Satan, which is described as a “gay demonic romantic comedy”.
Chilling Adventures of Sabrina could also be described as a “demonic romantic comedy”, but it goes much further.
In the first episode, the premise is described as follows:
“In the town of Greendale, where it always feels like Halloween, there lived a girl who is half-witch, half-mortal, who, on her 16th birthday, would have to choose between two worlds: The witch world of her family and the human world of her friends”.
The main premise is custom-made to be relatable to teenagers. It is about a 16-year-old girl who goes to high school, loves her boyfriend, and goes out with her friends. But, also, she’s a witch and her family members are proud satanists. Throughout her infernal adventures, lots of disturbing things happen and lots of messages are delivered. Here are some of the themes exploited by the series.
In every episode of the series, the main “selling points” of Satanism are interwoven in the plot and presented in a way that is relatable to teenagers. Sabrina’s two aunts and cousin are staunch witches who yell out “praise Satan” whenever something good happens. However, they are not pointy-nosed harpies riding around on brooms, but likable, intelligent women who act as caring mothers to Sabrina. In fact, all witches in the series are witty, charismatic, good-looking people that are open-minded and tolerant of all lifestyles.
As stated above, Sabrina has a dilemma: Should she become a super-powerful witch with all kinds of cool powers? Or should she remain a lame, basic girl? This is how the series presents the “dilemma”. As Sabrina says herself: “there are so many delicious things about being a witch”.
To become a witch, Sabrina must go through a “dark baptism” and give herself to Satan. However, Sabrina has some questions which are used to educate the viewers about Satanism. At one point Sabrina asks the High Priest of her coven:
” – But the Devil … he’s an embodiment of evil.
– Incorrect. He is the embodiment of free will. Good. Evil. Those words matter to the False God but the Dark Lord is beyond such precepts.”
Yes, throughout the series, God is referred to as the False God – an impotent and oppressive fatherly figure. To make the dark baptism even more appealing, the High Priest adds:
“In exchange for their service and devotion, witches are exempt from hell.”
Right before the baptism, the High Priest provides more Satanism 101:
“Our Dark Lord teaches us: There is no law beyond Do What Thou Wilt. Our Dark Lord asks: “Would you like to be happy, child? To be free? Free to love and hate? To be what nature meant you to be, true to her laws and yourself only?
– Yes father.
– Do you believe in Lucifer, the archangel, who preferred the loss of Heaven to the loss of his pride?
– Yes father.”
Later in the series, the viewers are taught the Satanic interpretation of the Book of Genesis.
“Did Eve die when she at the fruit, children? No. Of course not. The False God lied to Eve because he desired to keep her naked and ignorant in his garden. But our lord Satan, inhabiting a snake, gave Eve knowledge and set her free.”
As we’ll see later, Satan is often described as a liberating and empowering figure for women.
The series is also full of small, twisted details. For instance, the Satanic choir of the school sings a song that begins with these words:
Always is always forever
As one is one is one
Inside yourself for your father
All is none all is none all is none
The name of the song is I’ll Never Say Never to Always and it was written by … Charles Manson. Yes, the crazy cult leader, serial killer and MKULTRA slave/handler Charles Manson.
As Sabrina learns about the dark arts, she sometimes rebels against her Satanic upbringing and tries to break from it. Does she succeed? Of course not. In fact, Sabrina ends up signing the Book of the Beast (giving her soul to Satan), which turns her into a super-powerful witch. And these super-powers end up saving the entire town of Glendale. Thank you, Satan.
To make Satanism even more appealing, the series also equates it with feminism.
Nearly all of the men depicted in the series are angry, pushy, violent, homophobic, and judgmental brutes.
One of the first scenes of the series shows the jocks hitting Sabrina’s friend Susie who might become a transsexual. To make things worse, the school principal, described as a misogynist, does not take action. Who will save these girls from “toxic masculinity”? Witches, of course (powered by Satan). The message is clear: “Since men are more physically powerful than women, witchcraft is the best way to get back at them”.
Many other acts of witchcraft in the series are preceded with #metoo moments.
The final, crucial moment of the season—when Sabrina goes through with signing the Book of the Beast and hands her soul to Satan—is framed as feminist power-move. Ms. Wardwell tells Sabrina:
“I know you’re scared, Sabrina. Because women are taught to fear power. Own your power. Don’t accept it from the Dark Lord. Take it. Wield it. Save your friends”.
The relationship between witchcraft and feminism also involves her non-witch friends.
To protect Susie from bullies at school, Sabrina creates a club for “women protecting women” and to fight the “culture of puritanical masculinity”. The name of the club is WICCA which stands for “Women’s Intersectional Cultural and Creative Association”.
The word “intersectional” is not random. It refers to a very specific concept in “critical theories”.
Intersectionality is a concept often used in critical theories to describe the ways in which oppressive institutions (racism, sexism, homophobia, transphobia, ableism, xenophobia, classism, etc.) are interconnected and cannot be examined separately from one another. The concept first came from legal scholar Kimberlé Crenshaw in 1989 and is largely used in critical theories, especially Feminist theory, when discussing systematic oppression.
– Intersectionality, Definition
The acronym WICCA also has a meaning: It is a form modern pagan witchcraft. Once again, feminism and witchcraft are mixed together and presented as a cohesive whole to “empower” women. Sabrina even likens the school club to a witches’ coven where “sisters defend each other”.
Once formed, WICCA members discover that some books were banned from the library by the school board. They make it their mission to get these books unbanned. Citing “fascism”, they claim that “no one should decide what we can and cannot read”. The books in question: The Bluest Eye and Lolita.
Once again, the series refers to works and issues that are very real. The Bluest Eye is an actual 1970 novel written by the African American author Toni Morrison. Throughout the years, the book was banned by several school boards because it contains graphic scenes of “rape, abuse, incest, and child abuse”. One particular scene describes, in shocking detail, the abuse of a girl by her father and was deemed inappropriate to be read by children in several States. For instance, in 2016, a school in Michigan banned The Bluest Eye because it was deemed “pornographic” and contained “negative references against the Christian faith”.
WICCA also opposes the banning Lolita, a novel about a middle-aged man who becomes obsessed with a 12-year-old girl with whom he becomes sexually involved after he becomes her stepfather.
Why are they specifically fighting for and championing books involving adults with minors? Maybe because the entire series (and the occult elite that created it) is hell-bent on it.
At the moment of her dark baptism, Sabrina is still technically 15 years old. Despite this fact, the series clearly implies that her baptism involves her copulating with Satan.
White wedding dresses represent the purity of the bride and Sabrina’s virginity was deemed extremely important prior to the baptism. When she confirmed that she was still “untouched” prior to her dark baptism, her aunt replies: “Praise Satan!”. Sabrina then asks “Why does he get to decide what to do with my body?”. Lots of innuendo going on there.
Her signing the Book of the Beast is described as the “moment of consummation” between Satan and Sabrina. Like, when newlyweds go on their honeymoon. Then, things get even more blatant.
Once she enters the School of Unseen Arts, Sabrina discovers that her fellow students are into unbridled witch orgies where everything goes.
The series also normalizes another obsession of the occult elite: Cannibalism.
In past articles on The Vigilant Citizen, I noted that cannibalism is, for some sick crazy reason, being promoted in mass media. Chilling Adventures of Sabrina is playing its part. Big time.
In the first episode, Sabrina’s aunts (who run a mortuary) receive the body of a boy who was stabbed to death. Upon looking at the cadaver, aunt Zelda sighs:
“It’s a shame they wanted an open casket—we haven’t had long pig in ages.”
The expression “long pig” is used by psychopaths to describe human flesh as food. Therefore, Zelda wanted to eat a young boy who recently was murdered. That’s great entertainment for our youth.
In a later episode, Zelda dreams about receiving Satan for dinner. She prepares him his favorite dish: Roasted child.
In the Thanksgiving episode, we learn that Sabrina’s coven celebrates a different holiday: “Feast of Feasts”. On this day, one “lucky” witch gets ritual sacrificed and is eaten by the rest of her coven.
Throughout the episode, Sabrina opposes this “barbaric practice” and attempts to stop it. And she succeeds: Sabrina’s friend doesn’t get eaten. However, on the night of the Feast of the Feasts, the witches become angry and demand blood. One particularly zealous witch then slits her throat and offers her body to the coven.
In the same episode, Ms. Wardwell says that she usually “orders in” on Thanksgiving.
Satanic rituals and symbols are mostly based on the inversion, corruption, and perversion of Christianity. Chilling Adventures of Sabrina thoroughly desecrates Christianity in many ways – from subtle references to overt blasphemy.
In an early episode, when Sabrina asks questions about Satan to the High Priest, her aunt interjects and says:
“Forgive her Father, she knows not what she says”.
This sentence is a distortion of Jesus saying “Father, forgive them for they know not what they do” while crucified.
In another episode, aunt Zelda asks the High Priest for “spiritual guidance” and for a Satanic confession. Then, things get … not appropriate for children.
Confession is a rite in the Catholic Church. The series turns it into a fetish. Also, Jesus was flagellated before bearing the cross.
Later, Sabrina tries to do Jesus-like things. When her boyfriend’s brother Tommy dies inside the mines, Sabrina decides that she should resurrect him – not unlike Jesus made Lazarus rise from the dead. However, Sabrina’s method involves the darkest of arts: Necromancy.
After the ritual, Tommy is resurrected and goes back home. However, something is terribly wrong: Tommy came back as a soulless zombie who might kill his entire family. In the end, Sabrina’s boyfriend has to shoot his own brother in the head. In short, the entire ordeal was a corrupt version of Jesus’ resurrection.
Sabrina also wants to resurrect the witch that was sacrificed. To do so, she buries her in magical dirt called “Cain’s Pit”.
According to her aunt, the magical pit is made from “soil harvested from Cain’s garden and soaked with Abel’s blood”.
While this bit of dialogue might fly above the heads of most viewers, it bears a deep spiritual meaning. Here’s a quick recap of the story of Cain and Abel.
In the biblical Book of Genesis, Cain and Abel are the first two sons of Adam and Eve. Cain, the firstborn, was a farmer, and his brother Abel was a shepherd. The brothers made sacrifices to God, each of his own produce, but God favored Abel’s sacrifice instead of Cain’s. Cain then murdered Abel, whereupon God punished Cain to a life of wandering. Cain then dwelt in the land of Nod, where he built a city and fathered the line of descendants beginning with Enoch.
The Biblical story also adds that the “earth became cursed as soon as Abel’s blood hit the ground”. It is in this cursed dirt that Sabrina’s family resurrect dead witches. Occult circles perceive themselves as descendants of Cain who built a city and a lineage by his own means, without the assistance of God.
Considering the grave and disturbing nature of the topics discussed above, it is hard to believe that this article was about a show aimed at teenagers (and probably also watched by lots of pre-teens and children). In many ways, Chilling Adventures of Sabrina is a typical teen series, custom-made to be relatable to them. However, on top of this basic teen-centric narrative, the series adds a thick layer of subversive messages meant to sell very specific ideas.
All of the topics discussed above (selling satanism, witchcraft as an ally of feminism and LGBTQ, sexualizing minors, glorifying cannibalism and desecrating Christianity) have been, for years, pushed by mass media in several ways. Chilling Adventures of Sabrina is yet another Netflix entry to is looking to shape and mold the youth to adopt specific ideas, values and attitudes.
In short, Chilling Adventures of Sabrina is a perfect snapshot of popular culture in 2018: Social propaganda mixed with overt Satanism.
The Illinois Statehouse installed several holiday decorations this year: A Nativity scene depicting the birth of Jesus, a Christmas tree, a Menorah and … a Satanic sculpture.
Entitled “Snaketivity”, the display depicts a snake wrapped around a woman’s hand as she holds an apple. On the side of the sculpture is the logo of the Satanic Temple – the head of Baphomet inside an inverted pentagram – and the words “Knowledge is the Greatest Gift”.
The symbolism of this sculpture refers to the book of Genesis and goes to the very core of Luciferian philosophy. It represents Eve grabbing the “forbidden fruit” of knowledge that was given to her by Lucifer who took the form of a serpent. Lucifer told Eve that biting the fruit would allow Adam and herself to become “like gods, knowing good and evil”. This is known as the “original sin” which God to expel Adam and Eve from the Garden of Eden.
To Luciferians, the serpent is not a deceiver but a “savior” who allowed humanity to access the knowledge required to achieve divinity through its own means. The marking under the sculpture saying “Knowledge is the Greatest Gift” refers to the “gift” given from Lucifer to man in the form of divine knowledge. This interpretation of the book of Genesis has been, for centuries, a core difference between theistic religions and occult schools.
Despite the very biblical meaning of its display, the Satanic Temple insists that its goal is not about proselytizing for its own religion. Next to the sculpture, the Satanic Temple also installed an also inscription saying: “Religion is but myth and superstition that hardens hearts and enslaves minds”.
In a GoFundMe campaign to raise money for the sculpture, the Satanic Temple wrote:
“The Satanic Temple—Chicago will no longer allow one religious perspective to dominate the discourse in the Illinois State Capitol rotunda during the holiday season. … Please consider what you may do to help us bring Satan to Springfield!”
Another sign near the sculpture contains a disclaimer from the state:
“The State of Illinois is required by the First Amendment of the United States Constitution to allow temporary, public displays in the state capitol so long as these displays are not paid for by taxpayer dollars. Because the first floor of the Capitol Rotunda is a public place, state officials cannot legally censor the content of speech or displays. The United States Supreme Court has held that public officials may legally impose reasonable time, place and manner restrictions regarding displays and speeches, but no regulation can be based on the content of the speech.”
Dave Druker, the spokesman for the secretary of state, confirmed that the Chicago-based Satanic Temple had the right to place its sculpture on display inside the statehouse.
“Under the Constitution, the First Amendment, people have a right to express their feelings, their thoughts. This recognizes that.”
This is not the first PR stunt conducted by the Satanic Temple. And, every time the Temple does something, media sources make sure to emphasize that the Satanic Temple is “not a group of devil worshipers, but liberal political activists who oppose the increasing influence of the religious right in American politics”.
However, despite its venerable speeches about its “principles” and “separating church and state”, all it actually accomplishes is having Satanic stuff put on display in public spaces. Here are some examples of its stunts.
In 2015, the Satanic Temple unveiled a massive statue of Baphomet in Detroit in what was dubbed “the largest satanic event in history”.
The unveiling took place in an industrial building near Detroit River after attempts to have the Baphomet sculpture installed at the Oklahoma State Capitol failed. Entry to the venue required guests to sign a contract “selling their souls to the devil”. The proceeds from the event went to support abortion rights – one of the Temple’s favorite causes.
In 2016, the Satanic Temple created an after-school program called After School Satan. The program is up-and-running in several cities across the United States, including Atlanta, Los Angeles, Salt Lake City, Pensacola, Washington, D.C., Tucson, Springfield, MO, Seattle, WA, and Portland, OR.
The Satanic Temple is also working on other projects. The West Michigan Friends of The Satanic Temple are currently raising money on a GoFundMe page to bring their own “Satanic holiday monument” to the Michigan state Capitol.
“The concept is a clean, bold shape of the Baphomet head as a star with solar LED lights shining up from the base for striking shadow and light, a flickering light emanating from the flame of universal balance will make the lines between them dance. A nearly complete halo will connect the horns and ears but stop at the bottom to represent the inherent imperfection of the material form but also allowing the mouth of Baphomet to interact with the base to indicate the sharing of worldly knowledge.”
Although media love to say that the Satanic Temple is about “science” and “rationality”, the fact remains that it did not advance any of these causes throughout the years. The only thing the Satanic Temple actually managed to accomplish is fully on-par with the elite’s agenda described on this site: To normalize satanism and its symbolism in the public space while making it appealing to the masses.
Regular readers of this site probably noticed that I often quote this 1927 book in my articles. There is a good reason for this: The Secret Teachings of All Ages is, simply put, the ultimate reference in occult symbolism available today. Unlike most “modern” books about occultism and secret societies – which are mainly about “dispelling myths” and disinforming the public – The Secret Teachings of All Ages is a genuine effort at transmitting unfiltered knowledge.
Through his meticulous yet colorful exploration of occult schools through the ages, Manly P. Hall highlights the common esoteric philosophy that has been handed down from generation to generation – and from civilization to civilization – since antiquity. The ultimate goal: Spiritual illumination through the activation of the pineal gland (also known as the “third eye”). As Hall explores secret societies from past to present, ancient symbols suddenly make sense, folk legends take on a new dimension, and historical mysteries begin to reveal their secrets.
Hall dedicated The Secret Teachings of All Ages to the idea that “concealed within the emblematic figures, allegories and rituals of the ancients is a secret doctrine concerning the inner mysteries of life, which doctrine has been preserved in toto among a small band of initiated minds”.
As stated above, this book differs greatly from your Freemasonry For Dummies-style books of the 21st Century. The Secret Teachings of All Ages is not for dummies. It is written by an occultist for occultists. In fact, for decades, the book was not marketed to the general public at all. Until recently, The Secret Teachings of All Ages was only available in oversized, very expensive editions that were only sought after by dedicated occult researchers.
Unlike modern “occult” authors, Manly P. Hall did not shy away from exposing the great influence of Freemasonry and other secret societies on the world today. Furthermore, Hall also did not shy away from explaining how occultism can be used for nefarious purposes through demonology and black magic.
In short, there is no agenda or condescension in this book – only years of research compiled in an original, skillfully written and beautifully illustrated volume. Here are some of the topics discussed in The Secret Teachings of All Ages:
Manly P. Hall was a Canadian-born author, lecturer, astrologer and mystic, who had an important, yet subdued, influence on American History. In the 1920s, Hall was in his early 20s and obtained a significant sum of money from members of a family that controlled a valuable oil field in California. These funds were used by Hall to travel around the world and acquire a substantial personal library of ancient literature. This collection formed the knowledge base of his future works.
In 1928, Hall published Encyclopedic Outline of Masonic, Hermetic, Qabbalistic and Rosicrucian Symbolical Philosophy: Being an Interpretation of the Secret Teachings concealed within the Rituals, Allegories and Mysteries of all Ages – more commonly referred to as The Secret Teachings of All Ages.
In 1934, Hall founded the Philosophical Research Society (PRS) in Los Angeles, a nonprofit organization dedicated to the study of religion, mythology, metaphysics, and the occult. US President Franklin Roosevelt, a prominent Freemason, was a known member of the PRS. Some researchers believe that the PRS influenced Roosevelt in adopting the Great Seal of the United States (the unfinished pyramid and the all-seeing eye) on the dollar bill in 1935.
Although Hall had close ties with Freemasonry, he only officially joined the order 23 years after writing The Secret Teachings of All Ages. Indeed, on June 28, 1954, Hall was initiated as a Freemason into Jewel Lodge No. 374 in San Francisco (now the United Lodge). On December 8, 1973, Hall was recognized as a 33° Mason – the highest honor conferred by the Supreme Council of the Scottish Rite – at a ceremony held at the PRS.
While he projected the image of a mystic sage, Manly P. Hall’s personal life was rather troublesome. Hall was married twice, the first ending with his wife’s suicide; the second, almost 20 years later, was to a woman who was classified by the FBI as a certifiable “nuisance”. Both marriages were childless.
Hall’s second wife, Marie Schweikert Bauer, claimed that Hall had numerous affairs with men. She also believed that his last male interest, an occultist by the name of Daniel Fritz, might have been responsible for Manly P. Hall’s bizarre death in 1990. Indeed, Hall’s life ended in tragedy: His body was found under suspicious and horrifying circumstances: He had been dead for hours and had thousands of ants streaming from his nose and mouth. The case was never solved. Were the “dark arts” involved in his death?
Although Hall wrote numerous books and gave hundreds of lectures throughout his life, The Secret Teachings of All Ages remains his magnum opus.
The Secret Teachings of All Ages is not merely a dictionary defining the meaning of symbols. It is a full and thorough revision of world history as seen by occultists. Through the chapters of his book, Hall sometimes proposes surprising theories that are, to this day, highly controversial. Here are two examples.
On several occasions, Hall asserted that most of humanity’s occult knowledge originates from Atlantis, a lost continent that existed West of Greece thousands of years ago. During its Golden Age, Atlantis was the home of a highly advanced civilization that flourished until it was completely submerged in a gigantic cataclysm. Hall argued that this “Great Flood” was an important historical event that was recorded in the lore of several cultures around the world.
According to him, the Biblical stories of the race of Cain, of the Giants (Nephilim) and Noah’s Ark are all allusions to the deluge of Atlantis. Forced to evacuate their island, Atlanteans sailed to several parts of the planet, where they imparted their evolved knowledge to the locals.
“May it not have been that these demigods of a fabulous age who, Esdras-like, came out of the sea were Atlantean priests? All that primitive man remembered of the Atlanteans was the glory of their golden ornaments, the transcendency of their wisdom, and the sanctity of their symbols – the cross and the serpent. That they came in ships was soon forgotten, for untutored minds considered even boats as supernatural.
Wherever the Atlanteans proselyted they erected pyramids and temples patterned after the great sanctuary in the City of the Golden Gates. Such is the origin of the pyramids of Egypt, Mexico, and Central America. The mounds in Normandy and Britain, as well as those of the American Indians, are remnants of a similar culture. In the midst of the Atlantean program of world colonization and conversion, the cataclysms which sank Atlantis began. The Initiate-Priests of the Sacred Feather who promised to come back to their missionary settlements never returned, and after the lapse of centuries tradition preserved only a fantastic account of gods who came from a place where the sea now is.”
Although Atlanteans imparted great knowledge to the civilizations they encountered, they also introduced them to their darker impulses:
“From the Atlanteans the world has received not only the heritage of arts and crafts, philosophies and sciences, ethics and religions, but also the heritage of hate, strife, and perversion. The Atlanteans instigated the first war; and it has been said that all subsequent wars were fought in a fruitless effort to justify the first one and right the wrong which it caused. Before Atlantis sank, its spiritually illumined Initiates, who realized that their land was doomed because it had departed from the Path of Light, withdrew from the ill-fated continent. Carrying with them the sacred and secret doctrine, these Atlanteans established themselves in Egypt, where they became its first “divine” rulers. Nearly all the great cosmologic myths forming the foundation of the various sacred books of the world are based upon the Atlantean Mystery rituals.”
The existence of Atlantis would indeed explain lots of unexplainable mysteries. However, concrete proof of its existence has never been found … or at least has never been revealed to non-initiates.
Sir Francis Bacon was a philosopher and statesmen who served as Attorney General and as Lord Chancellor of England in the 17th century. Dubbed the “father of empiricism”, Bacon is credited with developing the scientific method.
However, not unlike other influential figures in History, Bacon’s was also rumored to be a powerful occultist associated with the Rosicrucians and the Freemasons. Manly P. Hall believed that Bacon was one of the powerful figures sent by a “hidden order” to influence human history.
“Father of modern science, remodeler of modern law, editor of the modern Bible, patron of modem democracy, and one of the founders of modern Freemasonry, Sir Francis Bacon was a man of many aims and purposes. He was a Rosicrucian, some have intimated the Rosicrucian. If not actually the Illustrious Father C.R.C. referred to in the Rosicrucian manifestoes, he was certainly a high initiate of the Rosicrucian Order, and it is his activities in connection with this secret body that are of prime importance to students of symbolism, philosophy, and literature.”
In The Secret Teachings of All Ages, Hall dedicates an entire chapter to Sir Francis Bacon and the many ways he purportedly influenced Western civilization. First, Hall asserts that Bacon was given the task to oversee the translation of a new version of the Bible by King James himself – with whom he was very close.
“It was in recognition of Bacon’s intellectual accomplishments that King James turned over to him the translators’ manuscripts of what is now known as the King James Bible for the presumable purpose of checking, editing, and revising them. The documents remained in his hands for nearly a year, but no information is to be had concerning what occurred in that time. Regarding this work, William T. Smedley writes: “It will eventually be proved that the whole scheme of the Authorised Version of the Bible was Francis Bacon’s.”
The first edition of the King James Bible contains a cryptic Baconian headpiece. Did Bacon cryptographically conceal in the Authorized Bible that which he dared not literally reveal in the text – the secret Rosicrucian key to mystic and Masonic Christianity?”
As stated in this last paragraph, the cover of the first edition of the King James version contained various esoteric symbols associated with the Rosicrucian Order.
At the bottom of the cover is a unique symbol: A pelican feeding its young with its own blood.
Hall also believed that Sir Francis Bacon was actually Shakespeare – a theory that has been floating around for centuries.
“Scores of volumes have been written to establish Sir Francis Bacon as the real author of the plays and sonnets popularly ascribed to William Shakspere. An impartial consideration of these documents cannot but convince the open-minded of the verisimilitude of the Baconian theory. In fact those enthusiasts who for years have struggled to identify Sir Francis Bacon as the true “Bard of Avon” might long since have won their case had they emphasized its most important angle, namely, that Sir Francis Bacon, the Rosicrucian initiate, wrote into the Shakespearian plays the secret teachings of the Fraternity of R.C. and the true rituals of the Freemasonic Order, of which order it may yet be discovered that he was the actual founder.”
In the following paragraphs, Hall explains the many similarities between Bacon and the mysterious artist known as Shakespeare. While he presents a compelling case, he does not stop there. Hall also asserts that Bacon, like other important figures in History, faked his death to serve humanity under various pseudonyms.
“According to material available, the supreme council of the Fraternity of R.C. was composed of a certain number of individuals who had died what is known as the “philosophic death.” When the time came for an initiate to enter upon his labors for the Order, he conveniently “died” under somewhat mysterious circumstances. In reality he changed his name and place of residence, and a box of rocks or a body secured for the purpose was buried in his stead. It is believed that this happened in the case of Sir Francis Bacon who, like all servants of the Mysteries, renounced all personal credit and permitted others to be considered as the authors of the documents which he wrote or inspired.”
The Secret Teaching of All Ages contains many other theories that cause its readers to rethink human history as a whole.
Manly P. Hall’s The Secret Teachings of All Ages is not only a “good read”: It is an eye-opening experience. It provides a much-needed look at an entire side of history that is all but ignored in everyday life. While one might not agree with Hall’s unabashed admiration of secret societies, the information his book imparts remains invaluable.
After decades of semi-obscurity, The Secret Teachings of All Ages is finding a new readership in the 21st century, as a growing number of people find themselves thirsty for occult truth. Far from fading into irrelevancy, this 91-year old book provides the knowledge necessary to better understand the forces at work today.
Special thanks to everyone who sent in pics!
The Vigilant Citizen was launched on November 22, 2008. That was exactly 10 years ago … and, wow, was it a different time: George W. Bush was still technically the President of the United States, Donald Trump was firing people on The Apprentice, and T-Pain was dominating the music charts.
Since then, presidents and rappers have come and gone. Scandals, current events, and controversies have occupied everyone’s attention to ultimately fade away forever. However, during this time, one thing has remained unchanged: Symbolism.
For this reason, the first article ever published on The Vigilant Citizen (Sinister Sites: The Denver International Airport) is still as relevant today as it was a decade ago. Why? Because this site is not about the deceptive noise of words. It is about the silent truths of symbols.
Symbolism is the universal language of humanity. Contrarily to words, symbols cannot lie. By their very nature, symbols can only be exactly what they are. However, to fully grasp the true meaning of a symbol, one must first acquire the knowledge of what it is intended to mean.
In a single figure a symbol may both reveal and conceal, for to the wise the subject of the symbol is obvious, while to the ignorant the figure remains inscrutable.
– Manly P. Hall, The Secret Teaching of All Ages
Since its inception, The Vigilant Citizen has sought to provide the keys necessary to understand the true meaning of the symbols that surround us. While mass media and the Powers That Be use endless words to lull the masses into accepting a world of deceit, symbolism reveals the raw truth about who they are and what they’re about.
To celebrate The Vigilant Citizen’s decade of existence, here’s the Top 10 VC articles ever published (in no particular order).
Sinister Sites: The Denver International Airport is the first article ever published on this site. I don’t remember exactly how, in 2008, I ended up looking at pictures of the DIA, but I do remember being haunted for days by the mural of a gas-masked military figure stabbing a dove as crying mothers held dead babies. I even lost sleep thinking about it. What does it mean? Why does it emanate such an “evil energy”? Why is it inside a public international airport?
So I began researching the airport’s history and the works of art it had on display. The information I found was mind-blowing. Unable to contain my astonishment, I immediately felt the need to share my findings with other people. So I wrote an article about it and The Vigilant Citizen was born.
Contrary to most articles about the DIA found online at the time, I wanted the article to focus on facts, pictures, and references – not fear, panic, and rambling. For this reason, this article was (and still is) often used as an introduction to the “DIA Conspiracy”.
Bizarre fact: The Denver International Airport recently launched an ad campaign referencing the “conspiracy” by mockingly embracing it, only adding to the “conspiracy”.
Occult and Prophetic Messages in Rihanna’s Umbrella was published a few weeks after the site launch. It was the first article I wrote about a music video, though definitely not the last. At that time, the thesis of the article was shocking and groundbreaking: The song was actually about Rihanna being possessed by the devil and controlled by the occult elite industry. Through a shot-by-shot analysis of the video’s visuals and lyrics, I explained the dark, disturbing meaning behind the song. The article went viral and the site took off. But that doesn’t mean that everybody agreed.
Back in 2008, there was about zero discussion happening about occult symbolism in popular culture. It was simply not part of the public discourse. In fact, most people barely paid attention to the symbolism in music videos. Consequently, many reactions to the article were negative and even insulting. Despite comments urging me to “lay off the drugs and stop doing this”, I kept doing this. Regular readers quickly realized along with me that the same pattern of symbols kept reappearing (i.e. the virginal white dress that becomes black). In the months that followed, Jay-Z and Beyoncé went full-on “Illuminati” and the word became a household name.
Nowadays, my articles about Satanic music videos are met with zero “lay off the drugs”. They’re mostly met with “Duh”. For instance, I recently analyzed Trippie Redd’s Topanga – a video by a new rapper that is nothing less than a Satanic ritual. Before I even began writing the article, most of the YouTube comments on the video already pointed out its Satanic symbolism. The world is waking up.
Lady Gaga, the Illuminati Puppet became a viral sensation in 2009. To this day, it remains one of the most read articles in the site’s history. It was the first Vigilant Citizen article to discuss Monarch mind control and its symbolism in popular culture. It was also the first article to highlight the unmistakeable one-eye sign as a proof of industry control.
Lots of unsuspecting Lady Gaga fans randomly stumbled upon this article and they were not pleased. Lots of “Little Monsters” sent me hateful e-mails and comments, telling me that I was “batsh-t crazy”.
However, Lady Gaga was seemingly on a mission to vindicate the article. She kept doing the one-eye sign and her videos kept featuring occult and MK symbolism. This led many Little Monsters to become Little VCs. And that made me particularly happy. While there is nothing wrong with “preaching to the choir”, my main goal was always to reach new people through popular culture.
Due to its viral status, the article was reported on by several mainstream publications, including this 2010 article in The Guardian.
Here’s an excerpt from the article.
Bizarre fact: Since 2016, Lady Gaga has been publicly discussing her mental trauma, including disassociation, PTSD, and having surrounded herself with people who “betrayed” her.
In short, this was more than another article about Lady Gaga: It was a wake-up call for thousands of people who were mindlessly singing “po-po-po-poke her face”.
The Mysterious Case of Elisa Lam shed some much-needed light on one of the most bizarre cases in recent years. It all began when I stumbled upon the creepy surveillance video of Elisa Lam acting weird … only a few minutes before her death. The way she contorted her arms and hands deeply disturbed me. Something was not right. It looked “paranormal”.
Completely flabbergasted by what I saw, I began digging for information about Elisa Lam and her death. I ended up discovering all kinds of bizarre facts and “coincidences”. For instance, the Cecil Hotel (where the events took place) had a morbid history of suicides and murders. And there were plenty more.
In late 2013, the article quickly reached viral status and was featured on multiple news sites. The story also inspired books, movies, and documentaries.
Once again, The Vigilant Citizen was the first site to bring forth new information that forced people to realize that there may be more going on in this world than meets the eye.
Mind Control Theories and Techniques used by Mass Media is the “Read Me First” article of this site and the theoretical basis behind the analysis I provide. The article is essentially a crash course in the field of Mass Communications and an eye-opening review of modern propaganda.
Early thinkers in the field of Communications were raw and honest. They described, in clear terms, the true mindset of the elite at a time where radios and TVs were entering American homes. It was through their works that I developed an acute interest in mass media.
For instance, in his 1922 book Public Opinion, Walter Lippman compared the masses to a “bewildered herd” and a “great beast” that needed to be guided by the ruling class through mass media.
In the 1928 book Propaganda, Edward Bernays (aka the “Father of Public Relations”) wrote:
“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country.”
The article sums up the works of these “elite thinkers”, explains how mass media is controlled by five mega-corporations and lists the numerous ways modern entertainment is, in actuality, sophisticated propaganda.
Although the article was published more than 9 years ago, all of the techniques it describes are only more obvious today.
The Hidden Messages in Eyes Wide Shut is an important article that takes an in-depth look at a unique movie in popular culture.
Some believe that Eyes Wide Shut was Stanley Kubrick’s attempt to expose the occult elite. Bizarrely, Kubrick died only five days after submitting the final cut of the movie to Warner Brothers. Since then, an aura of mystery has surrounded this complex film replete with profound messages and revealing symbolism.
The story follows a man who crosses paths with the New York elite and ends up at masked balls where the rich and powerful gather to perform occult sex rituals. As we follow this man on his bizarre journey, the movie subtly sends out clues, symbols, and messages that tell an alternate story about the occult elite.
Kubrick was known for his obsessive attention to detail and Eyes Wide Shut was a prime example of this. For this reason, a 3-part series of articles was required to properly explain its esoteric meaning.
Since its publication in 2013, the article has become one of the most consulted analyzes about Eyes Wide Shut online. It has been used as a reference by several books, essays, and news articles. In short, it helped many get their eyes … wide open.
The 2009 VMAs, The Occult Mega-Ritual was my first article about an awards show and I can confidently confirm that it blew some minds. For the first time ever, an article took the time to analyze what happens during an awards show as these ceremonies are actually a way for the occult elite to congratulate itself. The 2009 VMAs was probably the most blatant occult mega-ritual ever.
It featured Madonna (the grand priestess of the industry) giving a bizarre speech, Jack Black telling the audience to pray to Satan, Lady Gaga playing the role of a blood sacrifice, and P!nk re-enacting a Masonic initiation. More famously, it featured Kanye West “humiliating” a wide-eyed Taylor Swift who was wearing a virginal white dress. She then re-emerged wearing a blood red dress – confirming her initiation into the industry. In a way, the 2009 VMAs kicked off a new, darker era in the music industry, ruled by overt occult elite symbolism.
This article garnered lots of attention and snapped lots of people out of their mass media slumber as they realized that pop stars were merely pawns on a massive Masonic chessboard.
The #4 spot is not about one article, but exactly 72 articles. Since 2011, the series of articles Symbolic Pics of the Month (aka SPOTM) keeps an “eye” on the countless subversive images that creep up in popular culture over the span of a month: Fashion shoots, magazine covers, album covers, movie posters, social media posts, and more. The goal is simple: To demonstrate, without a shadow of a doubt, that a clear pattern of symbolism permeates popular culture. In turn, this very identifiable pattern proves that the entire entertainment industry is controlled by a small elite group.
How many pictures of celebrities flashing the one-eye sign have been posted in SPOTM articles? I’d say about 1.5 million. Okay, maybe not that many, but it’s a ridiculous amount. From pop stars, to movie stars, to fashion models, to athletes, to politicians, without forgetting cartoon and video game characters – nobody escapes. If you’re part of pop culture, you have to show this sign.
It did not take long before VC readers picked up on this pattern of symbols and realized that symbolic pics literally surrounded them. Month after month, readers from all over the world send in symbolic pictures from their local area, proving that the elite agenda is a worldwide phenomenon.
SPOTM quickly became a VC-fan favorite as it allows readers to keep up with the general direction of popular culture without having to sift through the crap. (Special thanks to everyone who has sent in pics!)
Yup, the article entitled There Is Something Terribly Wrong With Céline Dion’s New “Genderless” Clothing Line was posted less than a week ago and it is already in the top 10. Compared to other articles cited above, it is not very long and it is not very elaborate but BOY does it say a lot about the occult elite. Don’t get me wrong, the article could have easily been three times lengthier and it could have included dozens of additional pictures. But there was no use: What was included in the article was enough to deeply disturb any person with a soul and a conscience. More importantly, it was more than enough to understand the hidden agenda behind it all.
CELINUNUNU is not simply another fashion brand: It is a reflection of the occult elite. The promotional video featuring Céline Dion sneaking into a maternity ward and saying that “Our children are not our children” is not simply another ad: It is a manifesto. It is a depiction of the elite preying on the minds and souls of children. It is an admission of the elite’s unrelenting attempt to “get them while they’re young”.
After watching this abomination of an ad, I visited the official website of NUNUNU and its Instagram account. I was shocked. As I scrolled down the hundreds of images posted by this brand, I felt like I was sinking in the depths of hell: Overt sexualization of children, blatant references to Satanism, and trauma-based mind control. It is all so obvious.
Since its publication, the article quickly became one of the site’s most popular articles. While it merely scratches the surface of a single fashion brand, it also exposes the infinite depth of occult elite depravity.
There is Something Terribly Wrong With Many “Kids” Videos on YouTube is one of the most important articles I’ve ever published. Indeed, toddlers around the world are watching tons of YouTube videos on their parents’ phones … and it is time we paid attention to them.
While some of these videos are simply mind-numbingly bizarre, others clearly attempt to shock and traumatize young minds. Even worse, some videos appear to showcase actual child abuse. And even worse than that, some of these videos appear to cater to the perversions of child abusers. How about we investigate the people who create these videos and make money off them?
On Reddit, /r/elsagate has been monitoring the evolution of this phenomenon and lists the VC article as one of the primers.
On the positive side, this increased awareness has produced some tangible results. Faced with increasing outrage, YouTube was forced to demonetize or completely remove thousands of videos that preyed on children or catered to “child lovers”. Also, the co-founder of a YouTube channel featuring young girls in suggestive situations that I discuss in the article was arrested for the molestation of a minor. But this is all merely the tip of the iceberg. A very disgusting iceberg.
Sinister Sites: The Georgia Guidestones is the second article ever published on The Vigilant Citizen. Ten years later, the mystery remains: Who built this monument? For what purpose? What is its true message?
Known as “America’s Stonehedge”, the Georgia Guidestones consists of massive granite slabs on which are inscribed ten “commandments”. The first one: “Maintain humanity under 500,000,000 in perpetual balance with nature”. Yes, that would technically mean that, in order to satisfy this monument, 93% of the human population needs to go.
Other commandments call for a new world language, a world court of law, and a tight control of human reproduction. In short, this monument appears to describe the rules of a New World Order … after a wave of super-massive depopulation.
A year after the publication of this article, I obtained a copy of the official Georgia Guidestones Guidebook, which was written by the mysterious anonymous creators of the monument. I had to rewrite the article with this new information. This text was like an occult elite manifesto. The document began with these sentences:
“It is very probable that humanity now possesses the knowledge needed to establish an effective world government. In some way that knowledge must be widely seeded in the consciousness of all mankind. Very soon the hearts of our human family must be touched and warmed so we will welcome a global rule of reason.”
The entire text was full of references to a New World Order, mixed with various occult concepts such as “as above, so below”.
The article also (most likely) solved the puzzle regarding the author of the monument. Indeed, a slab of the monument says: “Author: RC Christian (a pseudonym)”. Why was this particular pseudonym chosen? Well, the English name of the founder of the Rosicrucian Order (a powerful occult secret society) is Christian Rose Cross. There are also other links between the monument and the Rosicrucian Order.
In short, this article has played an important role in understanding the history and meaning of the Georgia Guidestones – a monument that declares that a secret elite is actively seeking to lead humanity in a specific direction. To this day, it remains one of the most searched-for articles in the history of the site.
The Vigilant Citizen – a fully independent website created and maintained by one (very motivated!) person – has managed to reach and inform millions of people around the world. To some, the site prompted a life-changing quest for deeper truth and knowledge. To others, the site simply motivated them to pay more attention to the symbols and the messages found in mass media. In cases, great victories were achieved.
However, this site has been facing difficult obstacles and challenges. Freedom of information is currently under fire and websites are being censored through various underhanded methods.
In the past few months, major tech companies such as Google and Facebook have joined forces to reduce the exposure of non-mainstream websites, while promoting mainstream, agenda-friendly websites. The net result: Most VC articles have disappeared from the first page of Google search results. Also, even if you have “liked” the VC Facebook page, the articles posted on there do not automatically appear on your news feed. These changes are making it very difficult for non-MSM sites to reach people and become viral. But that is not all.
Another way to censor independent voices is to demonetize them. When creators cannot cover the costs of operation and fund new content, they must shut down. Many did, and many others are struggling. Allowing big companies to select which site should strive and which site should fail is nothing less than a form of control of information.
Considering these facts, I believe that the future of The Vigilant Citizen (and similar websites) is clear: We need to stop relying on big tech companies, and we must rely on each other.
For this reason, I have created a Patreon page where readers can support the site with a small monthly donation. If enough patrons contributed a few dollars per month, The Vigilant Citizen would be able to operate without any ads and it would end its reliance on big tech companies.
To add to the challenges, the site was the target of some particularly intense DDoS attacks which appeared to use an enormous amount of resources. There were also other forms of attacks that I don’t even feel like describing right now.
Despite all of these obstacles, the site is still alive and well. One could say: “If they’re attacking you, it is because you’re doing something right”. I believe so. And, judging by the countless heart-warming messages I’ve gotten from readers over the years, many of you believe so as well.
Ten years ago, The Vigilant Citizen helped to create a truth movement that has been gaining momentum ever since. Today, those who seek to deceive us are facing an ever-growing number of people who do not buy into the lies and the madness anymore. We’ve changed lives, spared children, and saved souls. And we must continue because things are getting serious. They are actively trying to divide and conquer us through lies and manipulation. More than ever, we must remain Vigilant Citizens.
If you have learned anything from my writing on this site, and if you want to see it continue, please consider showing your support through Patreon. Also, you can download all of the best VC articles in a single PDF e-book here.
Thank you for your support today and over the past 10 years … and here’s to another decade of truth!
I always appreciated the fact that Céline Dion was a somewhat wholesome figure in a music business that is heavily bent on depravity. However, since the death of her husband and manager René Angélil, she’s been involved in increasing weirdness.
Since wrapping up her Las Vegas residency, Céline apparently found a new mission: To “free” newborns from gender binarity. Because that was the main complaint of newborns. To do so, she released CELINUNUNU, a “gender-neutral” clothing line for babies created in conjunction with the global fashion brand NUNUNU.
Some might consider this piece of news to be yawn-worthy as CELINUNUNU is yet another over-priced fashion brand using a celebrity endorsement to generate sales. However, there is more to it. NUNUNU is already a huge brand in Hollywood. Its website contains an extensive picture gallery of celebrities’ children wearing their creations, including Angelina Jolie, Kourtney Kardashian, Hilary Duff and many more.
By their own admission, the brand is about more than fashion. It is a way to “shape children” for the future. First, let’s look at the promo video featuring Céline Dion.
The CELINUNUNU promo features Céline Dion sneaking into a maternity ward and altering the look of other people’s children. While most news sources found the video “hilarious”, many were also disturbed by the video’s strange messages.
Celine then sneaks inside the hospital’s maternity ward and discovers something unacceptable.
Then, Céline spreads around some black powder and everything changes. For the worst.
Then, security arrests Céline and takes her out of the hospital. Good. Let’s make sure this doesn’t happen again.
To sum up the video, it’s not good. Of course, Céline Dion is merely the face of the brand. The entire line was created by NUNUNU, an Israeli fashion brand for children that is already a global hit.
When I say that something is wrong with NUNUNU, I am not talking about its ridiculous name but rather its entire philosophy and symbolism. The brand’s “About” page says:
led completely by their intuition, co-owners and designers iris adler and tali milchberg created children’s clothing collections that broke stereotypes and dodged accepted norms. their need for a basic dna and a unisex offering in kids fashion, created a global trend that is now an inspiration worldwide. driven by an agenda that defies the traditional dichotomy of boy/girl clothing, iris and tali showed that in the world of real individuals not everything is so black and white.
Yes, to quote their own words, the brand is indeed “driven by an agenda”.
NUNUNU’s agenda is not only about gender-neutrality. It is about something much darker. A quick trip down the brand’s Instagram Page reveals some disturbing material: The sexualization of children, satanism and Monarch mind control. In short, all of the obsessions of the occult elite.
The brand’s IG account also contains various pictures and paintings that are tagged #inspiration. Nearly all of them are creepy, disturbing and full of symbols referring to the darkest practices of the occult elite.
There are many other images, but we’ve seen enough. All of them point in the same direction: Occult elite depravity and the shameless preying on children. All of this crap is “clothed” in the self-righteous vocabulary of gender neutrality and “freeing children”. Who better than Céline Dion (and her wholesome aura) to make this appealing to moms with money to burn?
NUNUNU? More like NONONO.
The World Economic Forum (WEF) is one of the most influential elite organizations, alongside the Council on Foreign Relations, the Bilderberg group, and the Trilateral Commision. Every year, the forum brings together some 2500 top business leaders, international political leaders, economists, celebrities and journalists to discuss world issues.
The Board of Trustees of the WEF is composed of some of the powerful people in the world. Here are some of them.
In many ways, the WEF is similar to the Bilderberg Group. Interesting fact: Klaus Schwab, the Founder and Executive Chairman of the WEF is a former member of the steering committee of the Bilderberg Group.
Not unlike other powerful organizations that claim to “help the world”, the WEF is accused of actually promoting the interests of the world elite.
The Transnational Institute describes the World Economic Forum’s main purpose as:
“To function as a socializing institution for the emerging global elite, globalization’s “Mafiocracy” of bankers, industrialists, oligarchs, technocrats and politicians. They promote common ideas, and serve common interests: their own.”
Far from actually solving world problems, the WEF is accused of simply shifting the blame from governments and major conglomerates to regular citizens.
“A study, published in the Journal of Consumer Research, investigated the sociological impact of the WEF. It concluded that the WEF do not solve issues such as poverty, global warming, chronic illness, or debt. They have simply shifted the burden for the solution of these problems from governments and business to “responsible consumers subjects: the green consumer, the health-conscious consumer, and the financially literate consumer.” They merely reframe the issues, and by so doing perpetuate them. Gore is singled out as a prime example. Gore’s speeches deliberately shift focus away from the problems of unregulated markets and corporate activities to one of moral pathologies, individual greed, etc. In doing so he is actually promoting the creation of new markets, and hence perpetuating the same old problems in a new guise. New markets will follow the same patterns as the old ones because the core problem of corporate governance is never addressed.”
– Markus Giesler Ela Veresiu, Creating the Responsible Consumer: Moralistic Governance Regimes and Consumer Subjectivity
The WEF’s Annual Meeting of the Global Future Councils took place on November 11-12 in the United Arab Emirates. One of the topics discussed was “mind control using sound waves”. The WEF’s official website published an article entitled Mind control using sound waves? We ask a scientist how it works where University of Oxford Professor Antoine Jérusalem describes the technology and the issues related to it.
Controlling the brain with sound waves: how does it work?
Well, to get straight to the science, the principle of non-invasive neuromodulation is to focus ultrasound waves into a region in the brain so that they all gather in a small spot. Then hopefully, given the right set of parameters, this can change the activity of the neurons.
If you want to get rid of neurons that have gone wild, for example in epilepsy, then you might want to crank up the energy to essentially kill them. But if you want to selectively promote or block the neuronal activity, you need to fine-tune your ultrasound waves carefully.
In other words, there’s a difference between ultrasound stimulation used for removing tissue, and ultrasound neuromodulation, which is aimed at controlling neuronal activity without damaging the tissue.
Ultrasound neuromodulation is something that definitely works, but that we still don’t understand.
What social good can come of it?
The current buzzwords are Alzheimer’s and Parkinson’s disease, as well as traumatic brain injuries. But scientists are also looking at the spinal cord and peripheral nervous systems. As far as I am concerned, since the brain is the de facto centre of decision for so many processes, any of them could be targeted.
Is it safe?
When attempting to ‘control’ neuronal activity by providing minute mechanical vibrations to a region of the brain, it’s important that the focus of the ultrasound, frequency and amplitude are properly tuned, or the brain can potentially be damaged. The point is that we still don’t know how to tune all of this; and if I were to exaggerate a bit, I could say that our current approach is not that far off from fiddling around with the settings on a radio until we hear the right station.
One of the many difficulties is to know for sure that we are indeed controllingneurons with these sound waves, as opposed to damaging them. The truth is that we still don’t know how the process works. And if you don’t know how it works, you don’t know how much is “too much”.
What are the biggest ethical challenges?
The potential of this technique is huge – by that I mean the sheer number of applications, as well as the ethical use.
From a biological perspective, it’s similar to drugs. It can cure you, it can get you addicted, and it can kill you. It’s all about staying within a given set of rules. From an ethical perspective, the world is changing so fast that it’s difficult to assess what will be acceptable tomorrow that is not today.
I am also convinced that human nature is such that if something can be done, it will be done. The question is by whom. I would rather have a fair society leading the dance than some rogue state without any respect for human or animal life. If we want to lead that dance 10 years from now, we need to start researching today.
How dystopian could it get?
I can see the day coming where a scientist will be able to control what a person sees in their mind’s eye, by sending the right waves to the right place in their brain. My guess is that most objections will be similar to those we hear today about subliminal messages in advertisements, only much more vehement.
This technology is not without its risks of misuse. It could be a revolutionary healthcare technology for the sick, or a perfect controlling tool with which the ruthless control the weak. This time though, the control would be literal.
What can we do to safeguard its potential?
I am not going to argue that scientists are all wise and knowledgeable when it comes to what should and should not be done. Some of us will go as far as we can get away with. But that’s human nature, and not unique to scientists.
Either way, our job is to find something that is beneficial to humanity. And if you find a way to make somebody better, then you most likely also know how to do the contrary. The goal is to make sure that regulation prevents the latter, without impeding the former. I believe that this is the role of regulators. And I think that the European Union, where I work, is quite good at this.
Another role of politicians should be to provide a communication platform to explain the long vision of any given area of research. And it can be too early, or not a good idea, and the final decision might very well be to stop it. But in the long term, the public should have the potential benefits of a new technology explained to them in plain words, which is something that scientists are not necessarily good at.
Politicians should remember that if we don’t do it, then somebody somewhere will do it anyway…potentially unregulated.
In short, Antoine Jérusalem says that remote mind control is an incredibly powerful technology that has the power to possibly cure illnesses. However, in the wrong hands, the technology can completely take control of one’s brain. In his words, it can be the “perfect controlling tool with which the ruthless control the weak”.
That being said, remote mind control is nothing new and the elite had access to this kind of technology for years. A few months ago, I published an article about a leaked 1996 document describing remote mind control.
Despite the technology’s admitted dystopian potential, Antoine Jérusalem believes that humanity cannot avoid developing it. He probably says that because a company developing this technology is part of the WEF. His solution to make sure that the technology is not used to turn humans into mind control slaves? Government regulation.
In short, the WEF states that this technology should be under the control of the global elite. Does that comfort you?
Trippie Redd is part of a new generation of artists that some affectionately call “mumble rappers”. They’re young, they have colorful hair, they have tattoos all over their faces and they love to rap about “poppin’ pills”. Also, many of these young rappers are deeply into satanism and occult rituals. In my articles about the music videos of Lil Uzi Vert and Young Thug, I explained how Satanic symbolism has become perversive in modern urban music.
Trippie Redd is in perfection continuation of this trend. While crazy hair and face tattoos scream out “I’m an eccentric and an individualist”, the symbolism surrounding his act follows the elite’s agenda to a T. Indeed, everything about him fits right in the specific pattern of symbols I’ve highlighted on Vigilant Citizen for years.
In 2017, Redd released a song entitled TR666. Also, he used the term TR666 often on social media. Also, he tattooed his hand with TR666.
Of course, many fans interpreted TR666 as meaning “Trippie Redd 666” which seems to imply that Trippie Redd is a Satanist. However, not unlike other artists who display blatant satanic symbolism, Redd denies being into Satanism. In a (now deleted) Instagram post, Redd explained that 666 was not about the devil:
[They] be telling you “666” is the mark of the beast, explaining it’s a dark entity with wooly hair, and all this other s**t… N**ga, that’s black people! Six protons, six neutrons, six electrons, N**GA! Do your research. Don’t try to knock a black successful man and say I’m satanic or illuminati. I be trolling, you know what I’m saying? But this is not no troll, this is black power s**t.
In short, he’s trying to say that 666 is actually about “Black Power”. No, it’s not. There is a reason why the slogan of this site is “Symbols rule the world, not words nor laws”: Words can be twisted to mean anything, but symbols do not lie. Here are some pictures of Trippie. The symbolism surrounding him do not lie.
If you need more confirmation of the Satanic agenda behind Trippie, the lead single from his debut album provides it. Big time.
Trippie Redd’s song Topanga samples the 2006 gospel song It Ain’t Over by Maurette Brown Clark. The original gospel song has a heavy “Lord praising” vibe as the chorus goes like this:
It ain’t over until God says it’s over
It ain’t over until God says it’s done
It ain’t over until God says it’s over
Keep fighting until your victory is won
In Trippie Redd’s version, the words “It ain’t over” are sampled as he sings the following:
Don’t talk to strangers
Since a youngin’ I’ve been totin’ bangers
I might take that lil’ b—tch to Topanga
I said, “Stop, little b—tch, you in danger”
The song is basically about Trippie bring a “lil b—tch” to his hometown and him shooting guns.
As it is often the case in the entertainment industry, the music video takes things to another, Satanic level. Directed by fashion photographer Kenneth Cappello, the video is an all-out Black Mass ritual.
In the spiritual context of the video, snakes can represent Satan taking the form of a serpent in the Book of Eden.
Then, the video turns into an all-out ritual.
In another scene, we see the result of Redd’s magical dealings.
References to magical levitation can be found throughout history and cultures. In some cases, it is associated with divine power and, in others, the result of demonic activity.
In some religions, magical levitation (through sorcery) is interpreted as an affront to God.
“Levitation by magic was depicted in Jewish texts to be practiced by Balaam who lived at the time of Moses. Magic involves directly ordering the spirits to carry out tasks thereby ignoring God. Instead of submission to God, self pride and ego of the individual is used to order the spirits to carry out tasks such as levitation.”
– Summers Montague, Witchcraft and Black Magic
This concept is famously exemplified in the story of Simon Magus – the sorcerer credited to be the founder of Gnosticism. To prove that he was a god to people in the Forum, Simon Magus began levitating. Then, the apostle Peter prays to God to stop his flying, and he stops mid-air and falls into a place called “the Sacra Via” (meaning “Holy Way” in Latin), breaking his legs “in three parts”.
In short, the act of levitating through magic symbolically represents the ultimate goal of occultism: Achieving godliness through one’s own means. Therefore, the fact that Trippie levitates in video carries heavy symbolic meaning.
Then, things are taken to another satanic level.
When the drugs kick in, the girls basically lose their minds and their soul.
Towards the end of the video, a Christian ritual is desecrated to turn the video into pure Satanic Black Mass.
The crown of candles is a direct reference to Saint Lucy Day as celebrated in Italia, Scandinavia and some parts of the United States.
Why would Trippie Redd dress as Saint Lucy? Because Black Masses are about desecrating Christian traditions and perverting their meaning.
A deeper look at the story of Saint Lucy gives this video a meaning that is even more disturbing.
Known as St. Lucia of Syracuse the woman was honored in the Middle Ages and remained a well-known saint in early modern England. According to legend she brought food and aid to Christians hiding in the catacombs using a candle-lit wreath to light her way and leave her hands free to carry as much food as possible.
In addition she helped her fellow Catholics hiding in the dark underground catacombs who were at risk of suffering persecution.
Saint Lucy was also well known for her beautiful eyes. It was said that her eyes radiated her love for Christ.
However, her mother who feared for Lucy’s future arranged a marriage to a young man of a wealthy pagan family. Lucy’s mother suffered from a bleeding disorder and her condition made Lucy deeply worried.
One night, while dreaming, Lucy saw Saint Agatha who had been martyred fifty-two years during the Decian persecution. The saint told Lucy that because of her faith in God her mother would be cured and that Lucy would be the glory of Syracuse, as she was of Catania.
With her mother cured, Lucy took the opportunity to persuade her mother to allow her to distribute a great part of her riches among the poor.
When the Governor of Syracuse learned the jewelry had been given away to the poor he became furious. The governor sentenced her to forced prostitution, but when guards went to fetch her, they could not move her even when they hitched her to a team of oxen. The governor ordered her killed instead. After torture that included having her eyes torn out, she was surrounded by bundles of wood which were set afire; they went out. She prophesied against her persecutors, and was executed by being stabbed to death with a dagger. Her name is listed in the prayer “Nobis quoque peccatoribus” in the Canon of the Mass.
Legend says her eyesight was restored before her death. That was the reason she became the patron saint for people who are blind and suffer eye disorders.
– Ancient Pages, Why We Celebrate Saint Lucy’s Day
Considering the fact that Saint Lucy got her eyes torn out and became the patron saint of the blind, this scene from the Trippie Redd video takes on a more sinister meaning.
The video ends with a final act of desecration.
While Trippie Redd appears to be an eccentric individual, his act is 100% in line with the elite’s agenda which includes normalizing satanism through deceptive symbolism. Through obscure yet unmistakeable references, the videos is an actual satanic Black Mass, complete with invocations and the desecration of Christian symbols and rituals.
Of course, Trippie Redd wasn’t the mastermind behind this video. The visuals of Topanga were created by a fashion industry photographer who is fully aware of occult elite symbolism. Trippie, like many other young artists in his position, is a mere pawn in the grand scheme of things.
XXXtentacion, Trippie’s former associate was going through the same path. Indeed, X rapped about selling his soul to Baphomet and wore hats saying “Team Satan 666”. Oddly enough, X was killed 06/18/18, a date which can be kabbalistically translated to 6/6+6+6/6+6+6. Coincidence? Perhaps.
No matter what the case may be, as Trippie Redd enters deeper into the darker realms of the music industry, I’d like to dedicate a line from his own song to him:
“Stop that now, you in danger”
UNICEF stands for United Nations International Children’s Emergency Fund. Its mission is to “address the needs of children and women in developing countries”. Apparently, another mission is to host creepy masquerade balls featuring celebrities dressed in satanic costumes.
On October 25th, UNICEF held its yearly Masquerade Ball at Clifton’s Republic in Los Angeles and it was weird. While the advertised goal of the event is to raise money for children, a look at the symbolism around the party hints to another goal: To celebrate the occult elite’s twisted culture. Indeed, the event featured celebrities and socialites partying in a setting inspired by Eyes Wide Shut (a movie about sex magick orgies in elite secret societies) … to help children.
According to the official website:
The UNICEF Masquerade Ball is UNICEF Next Generation’s signature philanthropic event. Masked guests, dressed in their finest attire, dance the night away in celebration and support of UNICEF’s lifesaving work. Over 800 emerging global leaders, innovators, celebrities and philanthropists attend the UNICEF Masquerade Ball each year.
Not unlike most posh Hollywood happenings, the UNICEF ball was preceded by a red carpet event where the illustrious guests paraded around in their Louboutin heels, Versace dresses and … satanic masks. All for hungry children of course.
Getty was also in attendance at last year’s ball. Let’s see if his mask was less satanic.
And no, this is no “coincidence”.
Lydia Hearst is the great-granddaughter of the media tycoon William Randolph Hearst – one of the most powerful and influent men of the 20th century. He was a prominent member of the occult elite. Here are some quotes about him:
“William Randolph Hearst Jr., was a 33 degree mason and a very powerful man in the media world.”
– B.Huldah, The JFK Files“Illuminatus William Randolph Hearst gave Anton LaVey some big help. His Avon Publishing published his Satanic Bible in 1969 (it was first released in Dec. ‘69). Since then it has reportedly gone through over 30 printings. LaVey’s next book The Satanic Rituals also was published by Hearst Avon in 1972. It talks about the power that blood sacrifices give the magician. Hearst’s papers also gave him publicity.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Considering these facts, the inverted cross begins to make sense.
Ready to meet the other guests?
A short video promoting last year’s ball was somewhat cringe-inducing. It begins with images of children in developing countries. Then, dance music starts playing as we see rich socialites drinking and dancing while dressed like demons.
A look at the official website of the event makes things clear: The event is 100% inspired by the occult elite and its rituals. The website greets you with this image.
The “Attire” tab of the website is actually a Pinterest page featuring images that are supposed to inspire party-goers. This year’s theme was “Post Modern Surrealism”. However, looking at the images that were selected, there’s clearly a more specific theme happening here: Occult elite. It seriously looks like a mega-edition of Symbolic Pics of the Month.
Even more bizarre, UNICEF’s Pinterest page features several pictures from the 1972 Masquerade Ball hosted by Helene De Rothschild. A few years ago, I published an article about this exact event, explaining how it was a “blueprint” for today’s occult elite symbolism.
Not unlike “modern” occult elite parties, the Rothschilds ball mixed “surrealism” with subtle satanism and allusions to cannibalism.
Here are other images featured on UNICEF’s Pinterest page.
In short, the UNICEF page basically says: “We fully adhere to the occult elite’s twisted culture”. Some might say: “It’s all good, as long as it’s for the children”. Is UNICEF really for the children?
While UNICEF’s original goal was to provide temporary emergency relief to children victim of World War II, it became a permanent part of the United Nations System a few years later. Since then, its mission gradually changed from saving children from death to “advocating for their rights”.
Critics of UNICEF claim the agency and Bellamy have contributed to the crisis by focusing on political causes and steering UNICEF away from the “core business” of ensuring children’s survival.
Richard Horton, editor of the prestigious medical journal The Lancet, has published a blistering editorial, which calls Bellamy’s direction “shameful.”
Bellamy’s “rights-based approach” (focusing on children’s “rights” as opposed to their simple physical survival), Horton said, has also been devastating to children, an estimated 10 million of whom die from preventable causes before the age of five every year.
UNICEF’s implementation of its “children’s rights” vision is also vulnerable to criticism. Indeed, UNICEF’s Medium Term Strategic Plan is more of a blueprint for social engineering along radical feminist lines. The plan states, “UNICEF will advocate for legal reforms and adoption of policies and programs that will raise the status of girls and women both in the family and in society.”
– Wendy McElroy, UNICEF’s ‘Rights’ Focus Is All Wrong
While the organization “masquerades” itself in a mask of charity, its true face has been revealed through countless controversies involving fraud, corruption, and children.
UNICEF has been often criticized for preventing millions of orphans from being adopted by families in the Western world. Other groups state that UNICEF has turned into a “contraceptive-distributing, abortion-performing and sterilization-providing partner of some of the world’s most notorious “family planning” organizations”.
In 2014, the Kenya Catholic Doctors Association accused UNICEF of conducting a “secret mass sterilization exercise” when an anti-fertility agent was found in the tetanus vaccine administrated to 2.3 million girls and women.
In February 2018, UNICEF admitted to not protecting children who were sexually abused by the United Nation’s own staff.
The UN’s children’s agency has admitted shortcomings in its humanitarian support to children who allege that they were raped and sexually abused by French peacekeepers in Central African Republic.
A statement by Unicef Netherlands is the first public acknowledgement of the agency’s recent failure to provide support to some of the victims of alleged abuse by peacekeepers in the African nation. It comes as the aid sector and the UN face increasing scrutiny for their failings in managing internal sexual misconduct by their own staff.
Unicef was given the task of overseeing the support for children who said they had been abused by peacekeepers.
– The Guardian, Unicef admits failings with child victims of alleged sex abuse by peacekeepers
In March 2018, UNICEF signed onto the “International Technical Guidance on Sexuality Education” that calls for children to be able to “describe male and female responses to sexual stimulation,” and “summarize key elements of sexual pleasure.” Some groups accused UNICEF of “sexualizing children”.
The document also promotes the idea that a person’s “gender identity” may not match their biological sex. UNICEF wants this explained to children in kindergarten, arguing they should “reflect on how they feel about their biological sex and gender”. Should this truly be a priority?
This article went from B-list celebrities parading in devil horns and inverted crosses to social engineering in developing nations. The link between these two separate worlds is clear: The occult elite. While, under the guise of charity, a very specific agenda is being conducted in the poorest nations of the world, the same organization holds parties inspired by the Rothschild’s pseudo-satanic balls.
All you need to do is to connect the dots to understand who truly hides behind those masks.
As usual, the one-eye sign was prominently featured on the cover of magazines all over the world. The goal? Total visibility, complete control.
Special thanks to everyone who sent in pics.
Poppy has been creeping out people on since 2015 on YouTube with hundreds of bizarre, surrealist and hypnotic videos. In my article “That Poppy”: The YouTube Star Under Illuminati Mind Control, I explained how her entire act revolves around MKULTRA. Indeed, nearly every video on that channel addresses a different facet of mind control as Poppy speaks to the camera in a robotic matter. Also, peppered throughout the videos, are lots of subtle yet unmistakable nods to satanism. In short, Poppy is 100% in-line with the agenda of the occult elite.
Poppy is also a recording artist signed with Island Records. She will soon release a second studio album entitled Am I a Girl? and embarking on a second world tour of the same name. And this time, the media push is strong. Indeed, slowly but surely, she is crossing over to the mainstream and is poised to become a household name.
When I first wrote about Poppy in 2017, she was a viral phenomenon with millions of YouTube views. However, she was still fairly unknown to the general public. This will probably change soon as she’s been getting that sweet media exposure that is usually reserved to the world’s biggest stars. And you better believe that everything about her is still focused on Illuminati mind control.
The poster of Poppy’s tour Am I a Girl? Tour is also replete with MK symbolism.
The name of the tour – Am I a Girl? – is the type of question an MK slave would ask after being turned into a blank slate through intense trauma and programming.
Time is Up, the lead single of her new album is one of the most blatant celebrations of mind control ever released in mainstream media. And, it was performed it on national television.
In Time is Up, Poppy is as an MK slave (as usual) who curses humanity as a whole and who roots for its destruction. Yup. Here’s a look at it.
The lyrics of this song and the imagery of the video are 100% about Poppy being a mind control slave. While there are also allusions to her being some kind of AI robot, the video implies that she’s a girl who has been fully dehumanized through programming.
The first frame of the video says it all.
The lyrics of the first verse could not be more blatantly about MKULTRA:
In the factory
In the sterile place where they made me
I woke up alone
Dizzy from the programming
Have I been wiped again?
Oh my God, I don’t even know
Poppy wakes up “in the factory” (the mind control site) “dizzy from the programming”. In the disturbing world of trauma-based mind control, “programming” involves drugs, sexual abuse, mental and physical torture, electroshock therapy, and other horrific practices.
When she asks “Have I been wiped again?”, it means that she was subjected to trauma so intense that she dissociated from reality and her mind “broke down” to the state of a blank slate that can be reprogrammed by her handler.
She then describes her MK site.
It’s a mystery
Everyone around me’s so busy
Is this my home?
Am I your prisoner or your deliverer?
Oh my God, you don’t even know
In her YouTube videos, Poppy is a brainwashed slave who is used to brainwash other people, notably her cult following. This concept is also present in Time is Up.
Apparently, these pills are not very healthy. Poppy’s followers soon find themselves convulsing with pain.
In the second verse, Poppy basically wishes for the destruction of humanity because of the environment.
Exponentially, every day I’m growing my memory
You wouldn’t believe
Your life is meaningless, you’re just like cockroaches
Extermination’s your only hope
Human history, pollution, and overcrowded cities
That’s your legacy
But don’t look so depressed
You’ll soon be nothingness
Oh my God, you don’t even know
Poppy, an MK slave programmed by the occult elite, tells humanity that “extermination is its only hope”. She is basically a mouthpiece of the elite which has been fantasizing about depopulating the planet (see the Georgia Guidestones and the disturbing murals at the Denver International Airport).
The video then proceeds to confirm that Poppy is a tool of the occult elite.
In short, Time is Up is a mix of everything occult elite: MKULTRA and its horrific practices, the extermination of humanity and, to top it off, subtle Satanism. And CBS thought it was awesome. Indeed, Poppy performed that song on the Late Late Show. The performance was super-symbolic.
As you can see, there’s a lot going on there. First, Poppy’s outfit is basically a giant inverted cross – a symbol representing satanism; Girls with blond wigs (representing Beta Kitten slaves) dance inside MK tubes; Finally, two guys put on gas masks and end up “dead” at Poppy’s feet.
A closer look at the monitor confirms that Poppy is not a robot but an MK slave.
Poppy represents a new generation of pop stars that are taking things to a creepy new level. Indeed, while most pop stars end up releasing some MK-themed videos, Poppy’s entire act is about her being an MK slave. She is constantly playing that role, even in interviews. The subtext is that she is constantly subjected to abuse, trauma, and torture while undergoing “programming”.
There is something surreal in watching Poppy singing on national TV that people are “like cockroaches” and that “extermination is their only hope”. Since she’s basically a blanked-out slave, everything she says has been programmed into her. In other words, the elite is speaking through her to the masses. And people are applauding this because Poppy is cute and the beat is catchy.
Unless they wake up soon, the masses will keep applauding messages celebrating their own destruction … until their time is up.
Kanye West is the latest in a long list of celebrities under mass media microscope following a severe mental breakdown. In Kanye’s case, things are taking a larger social-political dimension as he’s a rare celebrity openly supporting President Trump. And Trump welcomed this support with open arms. Literally.
Kanye’s love for Trump’s “dragon energy” and “MAGA” policies attracted extreme backlash from fellow rappers and mass media in general who accuse him of the worst insults: Sell-out, Uncle Tom, race traitor, etc.
Rapper TI, who worked with Kanye in past, lashed out on social media:
“This is my stop, I’m officially DONE!!!! [F—] Trump & his Lil Cookie Boy. At one time it was a pleasure to work alongside you. Now, I’m ashamed to have ever been associated with you.This is the most repulsive, disgraceful, embarrassing act of desperation & auctioning off of one’s soul to gain power I’ve ever seen. You ass kissing and boot licking on a whole new level & I refuse to associate myself with something so vile, weak, & inconsiderate to the effect this has on the greater good of ALL OUR PEOPLE!!!!”
TI also released a video of him sitting in the Oval Office while a Melania Trump lookalike stripped for him.
The backlash against Kanye also extended to the press.
Some believe that Kanye’s support for Trump is the result of him being mentally unstable. Rapper and TV host Nick Cannon took things further by alluding to MKULTRA.
Following Kanye’s visit to the White House, Nick Cannon posted a rather incisive tweet implying that Kanye is under mind control.
While one could dismiss this tweet as yet another celebrity rambling on social media, Nick Cannon’s case is different: He knows things. Indeed, Cannon was married for eight years to one of the most blatant examples of industry mind control: Mariah Carey.
Mariah Carey’s story is a typical example of industry mind control. In 1993, at age 23, Mariah got married to Tommy Mottola, the President of Sony Music. While Mariah skyrocketed to the top of the charts, her tumultuous relationship with Mottola – who was more of an MK handler than a husband – took a severe toll on her mental well being. Indeed, Motolla controlled every aspect of Mariah’s personal and professional life. He monitored her every move and kept her cloistered in a mansion she ended up calling “Sing Sing” (the name of a maximum security prison in NY).
In 2004, Michael Jackson famously called Tommy Mottola “a devil” while describing Mariah Carey’s situation:
“And Tommy Mottola is a devil!
I’m not supposed to say what I’m going to say right now, but I have let you know this. Please don’t videotape what I am going to say, ok? Turn that off please. Do it, do it, I don’t mind! Tape it!
Mariah Carey, after divorcing Tommy, came to me crying. Crying. She was crying so badly I had to hold her. She said to me, “This is an evil man, and Michael, this man follows me.” He taps her phones, and he’s very, very evil. She doesn’t trust him. He’s a horrible human being. And we have to continue our drive until he is terminated. We can’t allow him to do this to great artists, we just can’t.”
Is it a coincidence that everything surrounding Mariah during those years involved Monarch butterflies – the main symbol of Monarch mind control?
In the years following the Motolla divorce, Mariah went through a mental breakdown, which often happens after years of trauma-based mind control. Not unlike Britney Spears and others, the breakdown began with “erratic behavior”.
On July 21st, 2001, Carey made a bizarre appearance at the Carson Daly show, which is now infamously referred to as the “Ice Cream Meltdown”. It began with Mariah pushing an ice cream cart while wearing a large men’s shirt. She then stripped it off and asked Carson Daly to “kidnap her”. She then talked about how she needed therapy and that “she wasn’t seeing any money in the bank”. Daly, visibly shaken announced: ‘
“Ladies and gentlemen, Mariah Carey has lost her mind.”
Six days later, Carey posted disturbing messages on her website:
”I don’t know what’s going on with my life”
A few days later she was hospitalized for 14 days.
“On July 26, she was suddenly hospitalized, citing “extreme exhaustion” and a “physical and emotional breakdown. Carey was admitted to an undisclosed hospital in Connecticut, and remained hospitalized and under doctor’s care for two weeks, followed by an extended absence from the public.”
– Wikipedia, Mariah Carey
Carey was hospitalized for the same reason as Kanye and remained under “doctor’s care” for about the same period of time at the “undisclosed hospital”. Today, Mariah is officially diagnosed with the same mental issue as Kanye: Bipolar disorder.
Nick Cannon was married to Mariah between 2008 and 2016. During this period, she exhibited the typical behavior of an MK slave post-breakdown: “Out of it” and heavily medicated. If someone can attest that MKULTRA is real, it is Nick Cannon.
On November 20th 2016, Kanye was handcuffed and rushed to the UCLA Medical Center where he spent ten days under medical care.
While the official diagnosis was “temporary psychosis” due to dehydration and sleep deprivation, revelations made by people close to Kanye implied a much graver problem. Indeed, more than three months after Kanye’s released from the hospital, long-time collaborator Malik Yussef revealed during an interview that his “memory was coming back”. Yussef told Popsugar:
“I’ve been to his house sat down with him for about six, seven hours, just walking through his health and recovery. His memory is coming back, which is super good. [He’s] just healing, spending time with his family.”
So Yussef indicated that, following his forced hospitalization, Kanye suffered from severe memory loss and that, three months after, has not yet fully recovered. Considering these facts, one can naturally ask: What actually happened during these ten days at the hospital and what could cause such a prolonged memory loss?
Here is something to consider: The main tool of trauma-based mind control is electroshock therapy (ECT) and the primary side effect of ECT is memory loss.
“Memory loss is the primary side effect associated with ECT treatment. Most people experience what’s called retrograde amnesia, which is a loss of memory of events leading up to and including the treatment itself. Some people’s memory loss is longer and greater with ECT. Some have trouble recalling events that occurred during the weeks leading up to treatment, or the weeks after treatment. Others lose memories of events and experiences in their past.
Memory loss generally improves within a few weeks after ECT treatment. As with psychiatric medications, no professional or doctor can tell you for certain what kind of memory loss you will experience, but virtually all patients experience some memory loss. Sometimes the memory loss in some patients is permanent.”
– PsychCentral, Risks of Electroconvulsive Therapy (ECT)
Another fact to consider: Kanye received these “treatments” at the same facility where Britney Spears and Amanda Bynes were rushed to on “psychiatric hold” during their own MKULTRA-style breakdowns.
In 2018, Kanye re-emerged in the public space, claiming he was “out of the sunken place“.
The expression “sunken place” comes from the 2017 movie Get Out and refers to the main character’s state of dissociation after being hypnotized by a woman using past trauma.
As you can see, there’s been lots of talk about Kanye and mind control. You know who else spoke about Kanye and mind control? Kanye.
Kanye (who now goes by Ye) posted on Twitter several cryptic videos entitled “Mind Control”. In the last video of the series, he speaks against the mind control of social and mass media and its “bigger agenda”.
So, is Ye still under mind control? Is he being controlled by – as Nick Cannon puts it – “devils” who are “using him as a puppet”? On Twitter, many disagreed with Cannon’s assessment.
Is it possible that Ye actually broke programming? Did he witness first hand the dark side of the industry and is now taking a stand against it? Is Ye simply a contrarian? It might be a mix of everything. I am not even sure if Ye actually knows the exact answer. However, I am sure of this: Ye went through something dark and disturbing during his hospitalization and came out a changed person. And those behind this are the true “devils”.
Most of my articles about award shows stress one important fact: They’re often carefully orchestrated pieces of ritual drama involving a limited number of characters. Take a look at my previous articles about past award shows and you’ll quickly see a clear pattern forming.
The 2018 AMAs obviously fit in this unmistakable pattern. The entire show was orchestrated to convey to convey a clear message: “All Hail Taylor Swift”. And, in an era where everything must be politicized to an extreme level, Swift made her political “coming-out” at the most strategic moment possible.
Mass media can create out of nothing an intense buzz in a matter of hours, and it was Taylor Swift’s time to shine. The buzz began on October 8th, when she announced on Instagram that she would vote Democrat at the midterm elections. Citing LGBQ rights and systemic racism, Swift wrote to her 112 million followers that, although she supported women in government, she could not give her support to Marsha Blackburn, the Republican candidate for Senate in the state of Tennesse.
This announcement ended Taylor Swift’s years of “unacceptable” political silence. Indeed, since Donald Trump’s election in 2016, Swift remained silent on political issues, a silence that was deafening to the ears of some journalists. For instance, this 2017 article from The Guardian equals Taylor Swift not attacking Trump to her being a “messenger for Trump”, even associating her with the “alt-right”.
The article stated:
In the year since Donald Trump was elected, the entertainment world has been largely united in its disdain for his presidency. But a notable voice has been missing from the chorus: that of Taylor Swift, the world’s biggest pop star. Her silence is striking, highlighting the parallels between the singer and the president: their adept use of social media to foster a diehard support base; their solipsism; their laser focus on the bottom line; their support among the “alt-right”.
– The Guardian, The Guardian view on Taylor Swift: an envoy for Trump’s values?
The article ends with this damning sentence.
Swift seems not simply a product of the age of Trump, but a musical envoy for the president’s values.
– Ibid.
Other news sources also could not handle Taylor Swift’s silence which was perceived as an act of treason. Why couldn’t she be more like Katy Perry who openly supported Hillary Clinton during the Presidential campaign?
Considering this history, Taylor Swift’s endorsement of the Democratic Party generated an instant buzz. News sources reported a noticeable spike in voter registration following the Instagram post.
And yes, the people at The Guardian were appeased.
As usual, these “commentators” completely ignore a highly important fact: The Taylor Swift brand is owned by the record business. Everything she says and does is controlled by her industry handlers. Taylor Swift never actually supported Trump in the past, she simply did not take a political stance, perhaps because her Tennesse / Country Western fanbase is highly conservative. It was a calculated move.
But now the calculations have changed. Taylor Swift political endorsement dropped at a strategic time and spurred a media momentum leading to the 2018 AMAs.
And the AMAs were all about Taylor Swift. It was not even funny. It was all scripted to crown her the queen of the night.
The 2018 AMAs did not waste time. The ceremony began with a video listing Taylor Swift’s many accomplishments in the music business.
The announcer then says that Taylor was up for “four huge awards” and that she could break the record of most wins ever by a female artist. Will she do it?! The suspense is killing me!
Then, it was time for Taylor Swift’s performance. And boy was it symbolic. It was a classic occult-elite toxic stew of symbolism mixed debasing messages about being a cruel, hateful and manipulative witch.
The song is evocatively called I Did Something Bad, from her 2017 album Reputation. The lead single from that album was Look At What You Made Me Do and its video was replete with Illuminati mind control symbolism. I Did Something Bad is also a pure product of occult elite brainwash. The chorus of the song sums up the elite’s message to the youth:
They say I did something bad
Then why’s it feel so good?
They say I did something bad
But why’s it feel so good?
Most fun I ever had
And I’d do it over and over and over again if I could
It just felt so good, good
It just felt so good
Bad is good.
The performance begins with Taylor standing in what looks like a futuristic occult temple, complete with a red-lit altar and pillars. A bunch of men are laying at her feet, completely at her mercy.
At face value, the song is about Taylor Swift destroying men “who talk sh*t”. Some believe that it is about Kanye West and other dudes. However, it is difficult to ignore the underlying spiritual meaning of this entire display. Indeed, the performance is a celebration of the elite’s favorite religion: Deceitful satanism.
Then, not unlike other female pop stars, Swift compares herself to a witch being burned at the stake.
They’re burning all the witches even if you aren’t one
They got their pitchforks and proof, their receipts and reasons
They’re burning all the witches even if you aren’t one
So light me up (light me up), light me up (light me up)
Apparently, that cobra is called Karyn and it made regular appearances during Taylor’s tour. But what’s up with her and snakes? In her video Look What You Made Me Do, she was surrounded by snakes. Some say that it is a reference to Kim Kardashian calling her a snake in a leaked phone call (or something). However, considering the occult and spiritual context of this performance, the symbol of the snake takes on a profound meaning.
The song is called I did something I Did Something Bad. In Genesis, Eve bit the proverbial apple that was given to her by Satan, who took the form of a snake. She did something bad because this was strictly forbidden by God, who banished Adam and Eve from the garden of Eden. Occult mysteries teach that this serpent, associated with Lucifer the light bringer, is actually a savior of humanity.
At the end of the performance, Taylor plays again with men as if they were puppets.
At this point, we’re about 3 minutes into the AMAs and the show already turned into a hellish satanic nightmare complete with fire, lightning, a giant snake, men laying lifeless on the ground and Taylor singing that she “did a bad thing”. She got a standing ovation.
Later in the evening, Taylor won all four awards she was up for, effectively breaking the record they were talking about at the beginning of her performance. Yes, it was such a perfect night for Taylor … as if it was all planned in advance.
But, hold on, was there even someone else present at these awards? Yes, there was this guy.
My first article about award shows was The 2009 VMAs: The Occult Mega-Ritual, which involved Kanye West interrupting a young, wide-eyed and “wholesome” Taylor Swift during her acceptance speech. The entire ceremony was a highly symbolic ritual drama meant to “initiate” Taylor into the elite industry.
Nine years later, Taylor is crowned queen of the AMAs with a highly symbolic performance. While Kanye wasn’t there to interrupt her many speeches, he still remains her arch-nemesis.
Indeed, during the course of the same week, Taylor Swift, the country girl from Tennessee (which voted for Trump by a margin of 61% to 35%), urges people to vote Democrat. Meanwhile, Kanye West, the rapper from Chicago (one of the largest Democratic strongholds in the United States), is walking around with a MAGA hat and is set to meet Trump for a second time.
The ritual drama goes on.
