Taylor Swift’s Look What You Made Me Do is said to be about her poking fun at her foes and herself. However, the symbolism of the video directly refers to the sinister side of the entertainment industry and its obsession with mind control.
Taylor Swift is not new to the game. Back in 2009, in the article The 2009 VMAs: The Occult Mega-Ritual, I explained how Swift was part of a televised ritual. It was Taylor Swift’s “initiation” into the entertainment industry. After she was “humiliated” by Kanye West during an acceptance speech, Swift re-emerged, dressed in red, as a new and consecrated artist. This is when Swift’s work began to be tainted with the codes and symbolism of the occult elite.
Eight years later, at the 2017 VMAs, Taylor Swift premiered her new video Look What You Made Me Do (known as LWYMMD on Twitter). The message of the video couldn’t be clearer: She is now a full-fledged industry slave. What does that mean? Read on.
Most mass media sources who’ll attempt to “decode” this video will point out the disses directed at Kanye West, Kim Kardashian, Katy Perry, and her ex-boyfriend Calvin Harris. However, by doing so, they ignore about 90% imagery of the video. There is something else going on.
To those “in the know”, the video can almost be read as an MK-Symbolism 101 course. Indeed, the video taps into all of the imagery and concepts that have been discussed on this site for years. Those who rule the entertainment industry need to have this Monarch culture constantly at the forefront of popular culture. Now it is Taylor Swift’s turn to bring it in full force, with a video that is breaking records of YouTube and Spotify.
LWYMMD is indeed a blatantly obvious Monarch manifesto. (If you’ve never heard of Monarch programming, a deviation of the CIA project MKULTRA, read this article first).
The main goal of Monarch is to program slaves to have multiple personas that can be triggered at will. Beta Programming (aka Sex Kitten programming) is used to create sex slaves to be trafficked in the shady elite underworld.
Newsflash: The entertainment industry is full of Beta Kittens. Newsflash: The elite brags about this in mass media using the likes of Taylor Swift.
They Made Her Do It
To understand the true mind state of the video, one doesn’t need to look much further than the title: Look What You Made Me Do. Industry handlers own Taylor Swift and they make her do whatever is needed to push their agenda.
The video symbolically describes what happens to stars who get caught up in the higher levels of the occult entertainment industry. Although they are insanely successful, they also become slaves to the industry, with no life of their own. Their sound, image, and even their personality are shaped at will by those behind the scenes.
The video doesn’t only portray Swift as a slave of the industry, it also announces that she has paradoxically “ascended” to the status of Grand Priestess. Sounds ridiculous? Maybe it would be ridiculous … if the video wasn’t so blatant about it.
Mass media has been hard at word “decoding” the video. However, most critics completely miss the main underlying thread of the video.
“The video is good fun, if a little bit mad; it’s certainly the most brazen and ambitious pop music video since Beyoncé dropped Lemonade in the spring of last year, replete with pyrotechnics and dozens of costume changes. But it doesn’t amount to much more than a succession of disconnected images.”
– The Guardian, Look what you made her do: decoding the disses of Taylor Swift’s new video
The video is not a “succession of disconnected images”. It is actually very linear and coherent. However, in order to understand the narrative at hand, one needs to a thing or two about Monarch programming.
The video begins with a zombie Taylor Swift rising from the dead.
I don’t like your little games
Don’t like your tilted stage
The role you made me play
Of the fool, no, I don’t like you
I don’t like your perfect crime
How you laugh when you lie
You said the gun was mine
The first verse is said to allude to Kanye West and/or Katy Perry because they both performed on tilted stages. However, when one considers the context of the video, she can also be singing to her handlers who ‘play little games’ to program her and who push her into “the roles they make her play”.
We then see zombie Taylor burying the old Taylor.
This image of Swift’s corpse is juxtaposed with the new persona laying in diamonds.
In MK programming, diamonds are used to identify Sex Kitten slaves who elevated to a “higher” level and to become “presidential models”.
“For bona-fides & recognition signals, the Monarch slaves wear diamonds to signify they are presidential models, rubies to signify their Oz programming for prostitution, and emeralds to signify their programming to do drug business.”
– Fritz Springmeier, The Illuminati Symbolism to Create Mind Control Slaves
In the next scene, Taylor is crowned a “high priestess” of the industry. How? By recreating the High Priestess tarot card.
In previous articles, I’ve stated that Madonna was considered a High Priestess of the industry. It appears that Taylor Swift has now achieved this status as well.
But why is this Grand Priestess surrounded by snakes?
Do the snakes represent Swift owning up to her being called a snake by Kim Kardashian on social media? On one level, yes. However, considering the occult context of this scene, snakes also represent a deeper concept. Indeed, in Mystery schools, the serpent is associated with Lucifer – the light bringer – the “savior” who brought knowledge to Adam and Eve by convincing them to bite the proverbial apple. She’s a Grand Priestess in the occult elite’s system.
On each pillar is inscribed ET TU BRUTE, a Latin phrase meaning “And you, Brutus?”. These words were made famous in William Shakespeare’s play Julius Caesar, said by Caesar as he was being stabbed to death by his friend and protégé Brutus.
What does that mean in Taylor Swift’s context? Is she the Julius Ceasar of the industry who keeps being stabbed by lower individuals? Whatever. Because, in the next scene, we understand that, despite being a High Priestess and akin to Julius Caesar, she is still subjected to the will of her handlers.
Why is Taylor Swift singing “Look what you made me do” as she crashes her car? Who made her do this? As Swift gets out of the car, things are symbolically clear.
When Swift sings “look what you made me do”, she is actually singing to the industry that owns her. It controls her rise to success and her downfalls, pushing her to self-destruction (and even death) if needed.
The next scene clearly depicts what being an elite star truly means.
Humans stuck in bird cages is a recurrent symbol to identify MK slaves in popular culture. This specific symbol has been identified several times on Vigilant Citizen.
While in the cage, Swift sings:
I don’t like your kingdom keys
They once belonged to me
This is blatant MKULTRA vocabulary. Handlers in MK programming obtain the “keys of the kingdom” of a slave by taking control of their core persona – their real self.
The next scenes depict Swift as a Beta Kitten who leads a bunch of other kittens.
In the above scene, Swift and her followers steam money from a streaming company. Is that what actually happened?
In another scene, Swift is the head of an army of girl bots.
According to mass media, this scene pokes fun at Swift’s “squad” of models she likes to hang out with. This might be correct on one level. However, the imagery goes much deeper than that.
As a High Priestess, Swift has power and influence over the next generation of industry bots.
The Old Taylor is Dead
The end of the video depicts the death of the “old Taylor” and the birth of yet another persona.
The next scene is another Monarch symbolism classic.
This scene is yet another Monarch industry cliché. Need an example? Okay, here’s the final scene from Iggy Azalea’s video Change Your Life.
Then Taylor says:
“I’m sorry, the old Taylor can’t come to the phone right now.”
“Why? Oh ’cause she’s dead!”
The video ends with Taylor Swift’s multiple personalities arguing with each other.
At one point the zombie tells the starry-eyed, constantly surprised Swift of the early days:
“Stop acting you’re all nice. You are so fake.”
That’s the point of it all. Everything about her is fake. She constantly gets re-shaped and re-molded to fit her handlers’ will. Which one is the real Swift? Who knows? Oh, her handlers know.
On a more visceral level, LWYMMD is about death, pride, greed, revenge, viciousness, hatred, mockery, power, control, exploitation and boatload of egoism. It is about negativity, destruction, and low vibrations. In short, it is a typical product of today’s toxic popular culture.
Some might say: “Bro, you reaching bro. This is about Taylor Swift dissing Kanye, Kim, Katy, Calvin, and others. That’s it. I read it on E! Online, so I got the actual 411 bro”. But, bro, think about it for a second. Kanye completely broke down last year and was forcibly sent to a hospital. He reportedly suffered memory loss and still has not resurfaced. The entire Kardashian/Jenner family has been, for years, all about Beta Kitten programming. Katy Perry has been a tool of the elite for years. In short, we are witnessing puppets insulting other puppets. Behind the scenes, the puppet masters are the same. There is no actual beef, just ridiculous, fabricated drama from people living in a toxic cloud.
Like in everything else in history, the truth about LWYMMD lies in the symbolism. Through strong imagery, the video depicts Taylor Swift ascending ranks inside a sinister system bent on control and exploitation. Stars like Swift are at the mercy of the people that control them. And when they are ordered to do something, whether it is constructive or self-destructive, they do it or they break down. And when they do it, all they can say is: “Look what you made me do.”
- Stephen King doing the one eye sign.
- Kanye West claims Cardi B is an Illuminati industry plant to replace Nicki Minaj
- Stephen King: "we never sleep".
- Robin Williams’s daughter says it is 'disturbing' AI is used to replicate father's voice
- Nobel Prize goes to scientists behind mRNA Covid vaccines
- Washington Post: “The rise of ‘Chinese Communist Party’ as a pejorative”
- Reminder Anderson Cooper used to work for the CIA. Maybe he still does?
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