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The 2013 Mercedes Super Bowl Commercial and its Occult Message

The Super Bowl has become much more than a football game. It is a multifaceted event that mixes sports entertainment with the music industry and big corporation advertisement, monopolizing mass media attention for days.  This unique yearly event is watched by hundred of millions of people worldwide and is therefore a great platform for the occult elite to push its Agenda. Even worst, its becoming an increasingly blatant celebration of the Illuminati’s industry (see last year’s article Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry).

Super Bowl advertisements are also big part of the show – they are probably more discussed and analyzed than the actual football game. This year, Mercedes stepped into the Super Bowl commercial arena with a cinematic ad promoting a new car model. While it does a good job selling the car, it also communicates other messages to the Super Bowl TV audience. In short, it is the elite delivering a message about who’s running the show.

The ad is based on the Faustian concept of selling one’s soul for fame and riches, a favorite of the Illuminati industry. In less than 2 minutes, the ad manages to pack some telling symbolism and some realness about the entertainment industry. Here’s the ad.

http://www.youtube.com/watch?v=oPNr0_6MnDo

Signature Required

The ad begins with a guy admiring a billboard featuring the car in question. The Devil then pops up and tells him:

“Make a deal with me kid and you can have the car and everything that goes along with it”.

The Devil tempting the guy to sell his soul.
The Devil tempts the guy to sell his soul.

The guy takes the pen and then envisions what would happen if he made a deal with the Devil. Apparently, what would happen to him would be pretty darn cool. According to the ad, this is what happens when you sell your soul:

You become a celebrity and get to date the hottest girl right now, Kate Upton.
You become a celebrity and get to date the hottest girl of the moment. This year, its Kate Upton.

 

You get to party with giants of the music industry such as Usher.
You get to party with giants of the music industry such as Usher.

 

You become the "it" person and make the cover of magazines (many of which contain Illuminati symbols as seen in the series of articles Symbolic Pics of the Month).
You become the “it” person and your face is featured on magazine covers.

You also drive a nice car, have girls running after you and you become a race car champ. So extremely cool. Such a great deal.

Back to reality, the guy looks at the contract that was presented to him by the Devil.

The symbol of the Devil is apparently the reverse of the ancient Chi-Rho symbol that was adopted by the Catholic Church as a symbol of Christ. Notice that the small hourglass-shaped symbol at the left is similar to the illuminated thing that was between the guy and Usher. Is this a way of saying that they own all of that?
The symbol of the Devil is apparently the reverse of the ancient Chi-Rho symbol that was adopted by the Catholic Church as a symbol of Christ. Notice that the small hourglass-shaped symbol at the left of the inverted “P” is similar to the illuminated sign that was between Usher and the guy. Yup, the Devil owned that club.

 

Looking closer at the Devil's rings, one of them is clearly Masonic. Why would this symbol be there...unless they want it to be there.
Looking closer at the Devil’s rings, we see that the on on top is clearly Masonic. Why would this specific symbol be there? It refers to a real, powerful secret society. There are many symbolic messages in this short commercial.

The guy then realizes that the car is affordable enough for him not to sell his soul to obtain it. Good for you, guy, whoever you are.

The ad ends with some subtle occult numerology.

The 13 part of 2012 is on fire. 13 is probably the most important number in Masonic and occult numerology. It is not highlighted for nothing.
There is fire on the 13 of 2013. Thirteen is probably the most important number in Masonic and occult numerology. It being highlighted is another way of saying that those behind that ad are “in the know”.

So, while the guy did not fall for the Devil’s trap, the ad nevertheless showed what is required to rise up the to highest ranks of the entertainment industry. One must make a deal with an evil entity that is apparently a member of a secret society, who then “magically” gets you in all the right places in music, fashion and sports. Yes, all of this was conveyed in a short advertisement for a car. Is this another way of the elite to brag about how it runs the show? One thing is for sure, all of the Super Bowl audience will soon be absorb that message…And some will buy that car.

 

“Prometheus”: A Movie About Alien Nephilim and Esoteric Enlightenment

The science-fiction movie “Prometheus” explores theories on the origins of humanity and their relation to extra-terrestrial visitors. While most might find this premise very “fictional”, many aspects of the movie actually symbolically reflect some beliefs and philosophies of the occult elite. We’ll look at the esoteric meaning of the movie “Prometheus”.

 Warning: Major spoilers ahead!

There is no shortage of movies involving angry aliens these days and we can definitely add Prometheus to the list. However, while most of these alien flicks are centered around shooting them in their ugly faces before they destroy Earth, Prometheus has a back story dealing with timeless questions puzzling humanity such as “Where do we come from?” and “Why are we here?”… plus a healthy dose of shooting aliens in their ugly faces.

Directed by Ridley Scott, the movie was originally intended to be a prequel to the classic 1979 movie Alien, but the final product has little relation to it. The movie tells the story of scientists that discover ancient artifacts depicting visitors from another planet. To investigate this discovery, the scientists get the backing of a giant corporation and embark on a space mission to find the planet the aliens came from and to ask them important questions. The premise is based on the Ancient Astronauts theory, which stipulates that thousands of years ago, early humans were in contact with a superior alien race.

As the movie’s name suggests, Prometheus is also filled with mythological references and symbolism that give the movie an underlying esoteric meaning. While the movie is, at face value, about humans going into space to find their alien creators, Prometheus can also be viewed as a metaphor for spiritual illumination as it is portrayed by occult secret societies. Let’s look at the concepts explored in the movie.

The Engineers?

At the beginning of the movie, a humanoid alien debarks on Earth and drinks a strange liquid.

An alien arrives on Earth as a massive spaceship leaves the planet.
An alien is dropped off on Earth by a massive spaceship.

After drinking the liquid, the alien completely disintegrates and falls into the water.

The alien is disintegrated at very core, at the DNA level and interacts with the Earth's water to create a new lifeform.
The alien is disintegrated at its very core, at the DNA level and interacts with the Earth’s water to create a new life form.

In the water, the DNA triggers a biogenetic reaction and, on a microscopic level, we see single cells beginning to multiply themselves. This is the movie’s theory of how human life appeared on Earth.

The movie's title screen shows a single cell multiplying itself. This is how human life began on Earth.
The movie’s title screen shows a single cell multiplying itself, creating life on Earth.

The movie then fast-forwards to 2089, where two archeologists, Elizabeth Shaw and Charlie Holloway, are searching a cave in Scotland. There, they discover a painting drawn by a caveman that depicts humans looking towards a star formation in the sky. The researchers discovered that this particular star formation can be found in the art of several ancient cultures.

The star formation in this cave painting is similar to star formations found in ancient Egyptian, Sumerian, and Mayan art.

The archeologists believe that aliens (whom they call the “Engineers”) came from this particular star formation and spread human life on Earth. This causes them to embark on a space mission to find that planet and seek answers from the Engineers.

The premise of the movie is heavily inspired by the “Ancient Astronauts” theory originally proposed by authors such as Eric Von Daniken and Robert Temple. According to those theories, humanity was either created or “helped” by visitors from another planet, who left lasting traces on human history.

The director of Prometheus, Ridley Scott, appears to believe this theory. In an interview with Hollywood Reporter, he stated:

“NASA and the Vatican agree that it is almost mathematically impossible that we can be where we are today without there being a little help along the way … That’s what we’re looking at (in the film), at some of Eric Von Daniken’s ideas of how did we humans come about”.
– Hollywood Reporter, “Ridley Scott’s New Alien Movie Influenced by Ancient Astronaut Theory

Let’s take a closer look at the Ancient Astronauts theory.

Ancient Astronauts

Proponents of the Ancient Astronauts theory believe that much of human knowledge, culture and religion are remnants of an alien “mother culture”. Ancient monuments considered to be too advanced for the technology of the time such as Stonehedge, Easter Island and the Great Pyramid of Giza are considered to be proof of alien contact. Eric Von Daniken also claims that ancient art and iconography throughout the world contain depictions of space vehicles, non-human intelligent creatures, and advanced technology. He claims that cultures that had no contact with one another had similar themes in their art, proving that there was a common source of their knowledge.

An actual cave painting found in Italy that is said to depict Ancient Astronauts visiting earth. This image was probably the inspiration for the cave painting found in Prometheus.
Egyptian hieroglyph said to depict flying machines.
In Prometheus, similarities between ancient Egyptian, Mayan, Sumerian and other civilization's artifacts prompt the research team to go and seek humanity's "Engineers".
In Prometheus, similarities between Egyptian, Mayan, Sumerian and other civilization’s artifacts prompt the research team to travel to space and seek humanity’s “Engineers”.

Proponents of the Ancient Astronauts theory claim that many ancient religious texts contain references to visitors from outer space. Two of the main works often cited are the Book of Genesis and the Book of Enoch, which both mention the existence on Earth of enigmatic giant beings named the Nephilim.

The Watchers and the Nephilim

The Book of Genesis mentions the presence on Earth of beings named Nephilim (the King James version uses the term Giants). These beings are described as hybrids that are the result of procreation between human females and “sons of Gods”.

“When human beings began to increase in number on the earth and daughters were born to them, the sons of God saw that the daughters of humans were beautiful, and they married any of them they chose. (…) The Nephilim were on the earth in those days—and also afterward—when the sons of God went to the daughters of humans and had children by them.”
– Genesis 6:1–4 (New International Version)

In Numbers 13, the Nephilim are mentioned again, described as giant destructive beings that appeared quite different from regular humans.

“And they spread among the Israelites a bad report about the land they had explored. They said, “The land we explored devours those living in it. All the people we saw there are of great size. We saw the Nephilim there (the descendents of Anak come from the Nephilim). We seemed like grasshoppers in our own eyes, and we looked the same to them”.
– Numbers 13:32-33

The apocryphal Book of Enoch greatly expands on the Nephilim and their originators, the Watchers. According to the text dating from 300 BC, the Watchers were a group formed of 200 “sons of God” who disobeyed God and descended to Earth to breed with humans. They were said to have taught humans advanced skills such as metallurgy, metal working, cosmetics, sorcery, astrology, astronomy, and meteorology. Because the Watchers disobeyed God, they were also called the Fallen Angels.

The offspring of the Watchers were the Nephilim, described as giants who lived among humans. They ultimately became a destructive presence on Earth and were said to have consumed “all acquisitions of men”. In order to rid these beings from Earth (along with the humans who mixed with them) God created the Great Flood. In order to ensure the survival of humanity, however, Noah was forewarned by God to build his ark.

Another ancient Jewish text, The Book of Jubilees, states that ten percent of the disembodied spirits of the Nephilim were allowed to remain on Earth after the flood, as demons, to try to lead humans astray until the Final Judgement. Is this why the occult elite is so bent on corrupting the masses with materiality and perversion?

So who were the Watchers and the Nephilim? Many different researchers have proposed many different interpretations, including a class of rich humans, demons or an ancient super-race. Proponents of the Ancient Astronaut theory believe that they were actually aliens that were sent to Earth to oversee the evolution of humanity – hence their name “the Watchers”.

The premise of Prometheus is greatly influenced by this theory as the aliens in the movie are giant beings who came to Earth to create and teach humanity.

The crew finally meets one of its "Engineers", a giant alien. Unfortunately, the alien didn't feel like discussing.
The crew finally meets one of its “Engineers”, a giant alien. Unfortunately, the alien didn’t feel like having a discussion on the origins of humanity and ripped David the Android’s head off (the guy on the left).

Discovering that aliens were part of human evolution is not important from a scientific standpoint alone, but also from a spiritual one, as it could potentially render many religions completely obsolete. All belief systems would be thoroughly questioned, or at least revised to include the “alien angle”.

Spiritual Dilemma

The spiritual implications of the space mission are subtly reflected in the movie, through various scenes questioning the relevancy of Christianity in this alien-engineered context.

At the beginning of the trip, the Captain of the ship installs a Christmas tree but is ridiculed by his superior.
At the beginning of the trip, the Captain of the ship installs a Christmas tree. He is asked by his superior “What the hell is that?”, to which the Captain answers: “It’s Christmas!”.  The fact that this history-altering space mission takes place during Christmas time (the holiday that celebrates the birth of Jesus Christ) gives it a religious meaning.
Elizabeth, the hero of the movie. ^ridly wears a Christian cross around her neck. This pendant will become symbolic of the spiritual dilemma that might result from the findings of the mission.
Elizabeth, the hero of the movie, proudly and prominently wears a Christian cross around her neck. This pendant becomes symbolic of the spiritual dilemma that results from the findings of the mission.

When the ship arrives at its destination, the crew discovers a deserted building built by an alien civilization containing … dead aliens. After running tests on one of the bodies, the crew realizes that aliens are indeed the originators of human life on Earth. In other words, the Ancient Astronauts theory is correct and the beings from another planet was indeed the “Engineers” of humanity. Once Elizabeth confirms this discovery to her boyfriend Charlie, he immediately questions her about the validity of her cross pendant:

“- OK, I guess you can take your father’s cross off now.
– Why would I want to do that?
– Because THEY made us.”

Elizabeth then gives a “whoa”-worthy reply:

“- And who made them?”

She, therefore, does not see a contradiction between believing in Christianity and in the Ancient Astronauts theory simultaneously. She still believes that God is the first creator of everything … but now she has to add aliens to the equation.

After this profound discussion, Elizabeth and Charlie get horny and have spaceship sex. What the couple doesn’t know is that Charlie was injected with alien DNA by David, an android.

Before Charlie visited Elizabeth in her quarters, David, a robot with an inquisitive mind, tricks Charlie into drinking a beverage containing alien DNA, knowing that he would copulate with Elizabeth and therefore give birth to a half-alien child.
Before Charlie visited Elizabeth in her quarters, David, a robot with an inquisitive mind, tricks Charlie into drinking a beverage containing alien DNA, knowing that he would copulate with Elizabeth and she would, therefore, give birth to a half-alien child. Notice the Christmas tree in the background.

The couple copulates without protection and Elizabeth soon learns that she is pregnant. She immediately realizes that her pregnancy is very, very wrong, as her child is not human and very hostile. Considering the fact that the mission takes place during Christmas time, Elizabeth becomes a kind of anti-Virgin Mary. Instead of giving birth to Christ, she will give birth to a half-alien creature … not unlike the Nephilim.

Upon discovering her pregnancy, Elizabeth's cross is removed from her and stored away, symbolically meaning that her Christian faith is not valid anymore.
Upon discovering her pregnancy, Elizabeth’s cross pendant is removed and stored away, symbolically meaning that her Christian faith is not valid anymore.

Elizabeth manages to “abort” the monstrosity. Then, the mission goes terribly wrong and everyone dies except her. After almost giving up, Elizabeth apparently has an epiphany and becomes determined to discover the truth about the aliens. Apparently, they abandoned humanity a long time ago and they were even planning to destroy the earth. Something must have gone very wrong with human evolution.

At the end of the movie, she puts the cross back around her neck, signifying that she did not lose faith and that her quest for truth is now greatly spiritual. It is not about science anymore, but about the basic human need of having existential questions answered.

prometheus15
Elizabeth puts back her cross and is determined to find the truth about the alien Engineers.

The entire movie can be interpreted as a spiritual metaphor – a quest for enlightenment. The title of the movie itself, Prometheus, is greatly indicative of the underlying esoteric meaning of the movie.

Prometheus and the Quest for Enlightenment

In Greek mythology, Prometheus is a Titan, the primeval race of deities that came before the Olympians. He stole fire from the gods in order to give it to humanity – an act that enabled progress and civilization. For accomplishing the act of bringing fire (a symbol of divine knowledge) to humanity, Prometheus became an important figure in the mythology of Mystery schools, such as Freemasonry and Rosicrucianism, which are based on the usage of occult knowledge in order to achieve godhood.

Prometheus, a favorite figure of the illuminist elite, is prominently displayed in the Rockefeller Center (read the article about it here).
Prometheus, a favorite figure of the Illuminist elite, is prominently displayed in the Rockefeller Center.

The Judeo-Christian equivalent of Prometheus is Lucifer, a “fallen angel” of great intelligence who, once a favorite of God, then defied him and brought a new form of knowledge to mankind. The name Lucifer is Latin for “light-bringer”, which is exactly what Prometheus accomplished by bringing fire to man. This “light” is said to be the occult knowledge taught in Mystery Schools, as it allows “enlightened humans” to ascend back to godhood.

The story of the Watchers and the Nephilim described above also appear to follow the same archetype as it tells the story of “sons of God” rebelling against his rule and descending to Earth, teaching humanity important knowledge. Also, like Lucifer, the Watchers are dubbed “Fallen Angels”. Where therefore see that there’s a lot of inter-connectivity in these mythos and in the movie’s symbolism.

At the beginning of the space trip, the president of the corporation funding the mission holds a briefing and gives a speech regarding the importance of the mission:

“The Titan Prometheus wanted to give mankind equal footing with the gods and for that, he was cast from Olympus. Well, my friends, the time has finally come for his return”.

In the movie, Prometheus is the name of the spaceship that transports humans to their alien Engineers. It symbolically represents humans using the “fire” (knowledge) that was given to them to ascend back to godhood (their alien creators) by their own means. This metaphor of spiritual initiation is reminiscent of the many mythological stories found throughout History that hide a similar esoteric meaning.

However, Mystery Schools believe that illumination is not given to all, but only to a chosen few and this is aptly reflected in Prometheus. In the movie, all of the people who were on board for selfish, monetary or insincere purposes died. Only the one that was there for the truth and with a strong spiritual faith survived. This type of narrative is on-par with allegorical stories of spiritual illumination stating that only the true of heart will reach that higher state of being.

Other than Elizabeth, another non-human character survived, David the Android.

Towards the end of the movie, David gets his head cut off but, since he's a robot, he stills functions. Elizabeth takes the head and continues her journey, symbolically meaning that she needs pure human intellect and technology to reach enlightenment.
Towards the end of the movie, David gets his head cut off but, since he’s a robot, he stills functions. Elizabeth takes the head and continues her journey, symbolically meaning that she needs pure intellect and technology to reach enlightenment.

David has a great intellectual capacity, making him believe that he is superior to his human colleagues. Despite this fact, he is nevertheless crucial to Elizabeth’s quest – a subtle message stating that transhumanism is important in human evolution.

At the end of the movie, David does not understand why Elizabeth desires to continue her search for her creators. The difference is that she has a soul and he doesn’t. It is for this reason that she put back the cross around her neck. Her quest is not simply a space mission, it is a spiritual pilgrimage to discover where she comes from.

In the final scene of the movie, Elizabeth decides to not go back to Earth (mankind) and will continue to search for the Engineers (godhood). Her quest is not over and maybe there'll be a sequel to this movie.
In the final scene of the movie, Elizabeth decides to not go back to Earth (representing materiality and the lower self) and continues to search for the Engineers (representing illumination and godhood). Her quest is therefore not over … and there might be a sequel.

In Conclusion

While most moviegoers probably stepped out of the Prometheus thinking that it was a “decent alien movie”, digging a little deeper into its meaning and symbolism reveals another layer of interpretation. Drawing inspiration from the Ancient Astronauts theory, Prometheus proposes a radical rewrite of history and theology, one that makes humanity a product of extra-terrestrial “creator gods”. The movie also intermixes this quest for scientific knowledge with spiritual and metaphysical questions, making this story not only about angry aliens but about timeless existential questions.

As the title of the movie suggests, the story of humans going into space to find their creators has an underlying esoteric meaning, as it can be interpreted as a metaphor for spiritual enlightenment. The Titan Prometheus is a central figure in occult mystery schools, an archetypal figure of a “rebel from above” that brought divine knowledge to humanity – with all the benefits and pitfalls it engenders. Occult secret societies believe that this knowledge provides the path back to divinity. The same way the spaceship Prometheus leaves earth to find the Engineers, occult initiates look to leave the material plane to reach illumination and “be one” with the Great Architect of the Universe.

That being said, is there any truth to the many stories and mythologies referring to a divine figure coming from above to impart knowledge to humanity? Do the figures of Prometheus, Lucifer, and the Watchers of the Book of Enoch have a factual basis to them? Is there an “outside” source for humanity’s advanced and esoteric knowledge? Was there once a Nephilim-type “super-race” on Earth helping humanity develop itself, but ultimately corrupted it? Is this the “missing link” in human evolution? Is it the reason why humanity is self-destructive and somehow out-of-synch with the rest of the planet? Does this outside source come from aliens as suggested in Prometheus or from fallen angels and/or demons as written in ancient texts? Is this outside source behind the teachings of secret societies and behind … the Illuminati?

conspiracy-keanu

I agree with your face, Keanu. Whoa, indeed.

 

Major Hollywood Talent Agency Throws a Lewd Mind Control-Themed Party at Sundance Festival

CAA

With A-list clients such as Jennifer Aniston, Tom Cruise, Camron Diaz, Tom Hanks, Vanessa Hudgens, Will Smith, Meryl Street, Nicole Kidman, Steven Spielberg, Britney Spears, Kanye West and many, many others, Creative Artists Agency (CAA) is well known as Hollywood’s leading talent agency. Literally dealing with billions of dollars and the most influential people in film, music, television and sports, CAA is a powerful entity in the entertainment industry.

This year, the agency threw one hell of a party during the Sundance festival – one that managed to even shock the Hollywood crowd that was present. The party featured “lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.” According to guests, the party was overtly lewd, pornographic and debaucherous and was described as a mash-up of “Cirque du Soleil and the orgy scene from Stanley Kubrick’s Eyes Wide Shut.”

While all of this fake sex and drugs is a good indication of the moral standards that are upheld at Hollywood’s higher instances, this is surprisingly not the most disturbing fact about the party. The theme and the symbolism of this event, based on a perverted version of Alice in Wonderland + an Eyes Wide Shut type orgy is nothing less than a celebration of the industry’s Mind Control and sex rituals. As stated in numerous articles Alice in Wonderland is a staple in Mind Control programming, where slaves are told to “follow the White Rabbit” and “go through the looking glass”. Having an Alice look-a-like (who is a child by the way) performing sex acts on the White Rabbit is the type of sick perversion MK handlers attach to the story. Furthermore, satanic sex rituals à-la Eyes Wide Shut are also used on MK slaves to traumatize them.

In short, CAA’s party is one big celebration of the Illuminati’s entertainment industry, one that is about exploitation, prostitution, drugs, mind control and rituals. Even if everything there was fake, it was an accurate reflection of what truly happens behind the scenes in Hollywood. Here’s an article about CAA’s party from the LA Times.

A bawdy CAA party at Sundance shocks guests, including clients

Creative Artists Agency’s party at the Sundance Film Festival, featuring scantily clad performers and sex toys, provokes a public relations backlash.

PARK CITY, Utah — Parties at the Sundance Film Festival typically feature maverick filmmakers, the best in nouvelle cowboy cuisine and plentiful pours of high-end spirits and Utah microbrews.

But the bash thrown by Hollywood’s powerful Creative Artists Agency on Sunday night took festival revelry in an unexpectedly bawdy direction, as Sundance guests mingled with lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.

For decades, CAA has carefully maintained a reputation as Hollywood’s most meticulous talent firm, but CAA’s leave-nothing-to-chance attention to decorum vanished in that Bacchanalian blizzard on the snowy streets of this mountain resort.

Some CAA clients found the party so shocking that they said it made them embarrassed to be associated with the agency.

“I said to my agent, ‘Is this how you want to brand yourself? Pole dancers? Really?'” said Oscar-nominated writer-director Naomi Foner, who was at the festival with her film, “Very Good Girls.”

And Foner, who is the mother of Jake and Maggie Gyllenhaal, said she didn’t see the sex toys.

“I would have been much more verbal if I had seen that,” said the 66-year-old screenwriter of “Running on Empty.”

The performers were part of a Las Vegas troupe, the Act LV, which was hired by the Mint Agency, CAA’s party planner for the evening.

“The performance by Simon Hammerstein’s The Act LV was more explicit than intended,” CAA said in a statement. “We regret if this created an uncomfortable setting for any of our guests.”

The party planners and CAA had wanted to “wow the crowd,” said Jordan Fogle, the chief executive of the Mint Agency, a Toronto-based marketing and events firm.

The Act LV is known for delivering lewd thrills that toe the line between performance art and impropriety.

“They [CAA executives] were a little bit concerned,” Fogle said following the public relations backlash to the party. “It’s not the image they want to portray — a slutty, trashy image. It’s the antithesis of what they are as a brand.”

CAA’s client roster includes A-list stars such as Will Smith, Meryl Streep and Steven Spielberg. It also negotiates deals for Coca-Cola, Dell, Mattel and other top corporations. Its licensing division represents the Sundance Institute, which presents the film festival every January. (Sundance declined to comment about the party.)

The CAA executives on hand included managing partner Kevin Huvane and agents Chris Andrews, Micah Green and Roeg Sutherland.

One ranking agent at a rival firm said the event, first described in a Hollywood Reporter story, was unlikely to trigger a mass client exodus for CAA, although it could compel the defection of clients who were already unhappy with the agency’s work.

In addition to its renown as North America’s preeminent indie movie festival, Sundance long has enjoyed a reputation for scenes of epic partying — a kind of bottoms-up free-for-all for celebrities and movie executives alike that functions something like Hollywood’s annual spring break, albeit in a skiing hamlet where you can’t rent a keg without a temporary beer permit.

The capacity-filled CAA party, held on Park City’s Main Street in the Claim Jumper restaurant, coincided with two other major events thrown by its main Hollywood rivals down the block: William Morris Endeavor and United Talent Agency.

“I thought it would be a tamer burlesque show integrating live art,” Fogle said. “Instead, it was like going down the rabbit hole. It was like an acid trip the whole night.”

Indeed, witnesses described an NC-17 mash-up of Cirque du Soleil and the orgy scene from Stanley Kubrick’s “Eyes Wide Shut.” Some 500 guests included an industry crowd of film executives, festival attendees and such marquee CAA clients as Nicole Kidman, Alexander Skarsgard, Evan Rachel Wood and Danny McBride as well as movie mogul Harvey Weinstein.

One attendee said she was particularly put off by the man in a rabbit costume on stilts.

“He was very creepy, walking very slowly,” recalled party-goer Stephanie Cregger. “He was wearing a strap-on sex toy and a woman dressed as Alice in Wonderland was playing with him.”

CAA client and Academy Award-winning screenwriter Nat Faxon said it was hard to talk about his new movie, “The Way, Way Back,” while two women simulated a sex act on a bed nearby.

“It was difficult,” said Faxon, “to have a conversation about my movie while that was going on right next to you.”

– Source: LA Times

 

Sandy Hook Survivors Are Made to Sing “Over the Rainbow” to Commemorate the Shooting

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Some of the children who survived the Sandy Hook school shooting recorded a version of Judy Garland’s song Over the Rainbow, one month after the massacre. In one big media event, these young children were brought to a recording studio and made to record the song, all under the never-ceasing clicks and flashes of cameras. They then went on to perform the song on Good Morning America. The song is now on sale iTunes and Amazon.

While news sources describe this event as a “emotional healing process”, there are quite a few strange facts about this “event”. The most obvious one is: Why are these children being exposed to the public in such a way? Why are they pushed in mass media spotlight? Why are they in a recording studio with music industry people looking for publicity and made to sing a song that almost “embraces” what happened? Why isn’t this “healing process” happening in private, with friends and family? Why are iTunes and Amazon involved (yes, the song will be sold on these services for “charity” – the new word to justify exploitation)?

This is however not the most troubling part of this story. Considering the context surrounding the massacre and the possibility that the perpetrator was under mind control (as I described in Thought of the Month (01/13): Mass Shootings and Mass Media), the song choice Over the Rainbow is quite telling and, sadly, quite appropriate. As I stated in several other articles, the movie The Wizard of Oz and the song Over the Rainbow are major tools used by Mind Control handlers to program their slaves (if you have no idea what I’m talking about , please read the article entitled Origins and Techniques of Monarch Mind Control). Through violence and trauma, slaves are encouraged to dissociate from reality and are told to go “Over the Rainbow”.

“Dorothy is looking for a place where there is no trouble which is a place “over the rainbow.” To escape pain, alters go over the rainbow.

Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant. The theme song of the movie goes, “Somewhere over the Rainbow…there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy. The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

So, in short, to “commemorate” a shooting that was carried out by a MK patsy, survivors of the shooting are made to sing (because this wasn’t of their own initiative neither was it their song choice) a song that is used to program MK slaves. All of this in one big staged media event, where the children are asked to smile and pose for the cameras. How about not exploiting these kids for BS charity and not making them further part of this horrifying ritual that was the Sandy Hook shooting?

Here’s an article about the event.

A song for Sandy Hook: Watch the children who survived school massacre’s heart-breaking recording of Over The Rainbow in memory of their lost friends and teachers

  • The children, aged six to nine, recorded the Judy Garland classic on January 14
  • Song released on iTunes and Amazon today with proceeds going to United Way and Newtown Youth Academy

This is the heartbreaking video of the survivors of the Sandy Hook shooting as they sing Over The Rainbow in memory of the friends and teachers they lost.

The 21 elementary school children, aged between six and nine, gathered together to sing the Judy Garland classic for charity and mark the one-month anniversary on Monday.

Some of the children had been inside the school in Newtown, Connecticut when a gunman opened fire, killing 20 children and six teaching staff on December 14.
The students appeared with singer-songwriter Ingrid Michaelson on Good Morning America today. They recorded the song at the home of two former band members of Talking Heads. The track went on sale today on Amazon and iTunes, with proceeds benefiting a local United Way and the Newtown Youth Academy. Kayla Verga, ten, says she sang for her friend, Jessica Rekos, who was killed at Sandy Hook. She says it feels like Jessica is beside her, singing along with her.

The song was recorded at the home of musicians Tina Weymouth and Chris Frantz, who performed with bands Talking Heads and Tom Tom Club. The Song for Sandy Hook was recorded at the couple’s home studio in Fairfield, Connecticut while parents looked on. The little girls wore green ribbons in their hair and pinned to their sweaters to remember their friends and teachers.

Mr Frantz told the Daily News: ‘It was emotional, absolutely. But the kids were resilient. They loved to sing and they were good at it.’
Moving tribute: The children, aged six to nine, appeared with singer Ingrid Michaelson on GMA this morning
Moving tribute: The children, aged six to nine, appeared with singer Ingrid Michaelson on GMA this morning

Source: Daily Mail

Emeli Sandé’s “Clown”: A Song About Selling Out to the Music Industry?

Emeli Sandé’s video “Clown” is simple, subtle and artistic but nevertheless conveys a very clear and disturbing message about the music industry and those that rule it. Is “Clown” about Emeli Sandé “selling her soul” to the elite? We’ll look at the meaning of the song and music video.

Emeli Sandé is an English-born Scottish singer whose album Our Version of Events became the best selling album of 2012 in the UK. With three number one singles and widespread critical acclaim, Sandé is set to win a flurry of awards in 2013 and possibly more recognition “across the pond”. Did her recent success come with a hefty price tag? Judging by the message conveyed in her single Clown, yes, yes it did.

It certainly doesn’t take much analytical effort to understand that Clown portrays the music industry as a monolithic, coercive and even dangerous entity, lead by powerful people who demand nothing less than total submission from their chosen artists. In exchange for success, a damning contract (akin to an oath) must be signed that not only leads to relinquishing creative control, but, on a higher level, relinquishing an artist’s very soul. Is this why Sandé became an important part of the London Olympics’ Ceremonies (a seemingly blatant elitist occult ritual), where she sang in a disturbing segment entitled “Abide With Me”, which told the story of a young child giving away his soul to a malevolent entity? Maybe. Let’s look at the video.

Clowns Get No Respect

Clown is pretty much the opposite of most of the videos I describe on this site. There is no migraine-inducing fashion, no super-futuristic dance moves and no symbols being flashed every 3 seconds. Yet, in the end, the same dark reality is conveyed and the same elitist group is being acknowledged and referred to.

The video is shot in black and white, in the style of silent films of the 1920s. All of the action takes place in a single setting, a kind of meeting room where it seems important issues are being discussed. On one of the walls, we read the words “Anywhere in the world and solar system”. These words often appear on music industry contracts as a way of defining the true reach of it in case of legal issues. Also, these words give this meeting room an ethereal dimension, one that transcends time and place.

The decisions being made seem to have a weight that supersedes any regular political or national entity. There are men in military uniforms resembling those worn during the reign of Hitler or Mussolini, though the racial diversity of this panel indicates that we are not looking at a traditional fascist government, but at something of a “higher level”, hence the words “Anywhere in the world and solar system”. Put another way, the video appears to refer to a dictatorship evolving on a supra-national level, such as maybe …  the Illuminati and the NWO?

Emeli taken in by two soldiers
Emeli is taken in by two soldiers

The video begins with a strange scene: Emeli enters this room escorted by two soldiers as if she were a prisoner, yet she is greeted with warm applause from around the room. Right from the start, the video describes the contradiction of being a star in this day and age: influential and revered by the masses, while still completely in submission to higher powers. The applause Emeli receives is almost sarcastic as if saying “We are applauding you like your fans do — but we still own you”.

Emeli is then presented with something that represents the dilemma of anyone who wants to make it big in the music industry.

Emeli is given a pen in order to sign a contract.
Emeli is given a pen in order to sign a contract.

Before any words are even exchanged between the men and Emeli, the singer is expected to sign a contract. As we see by her reaction, this is not an ordinary business contract, but a document that will heavily impact the rest of her life. Signing this document equals relinquishing some of her rights, freedoms, creative control and … her soul?

Emeli refuses and says “No”. Immediately, the men in the room show signs of impatience and become more forceful. One of the men steps up to her, tells her “Please, you must reconsider” and makes her sit down.

As a man steps up to Emeli, she gives a look saying "Why you touching me for?"
As a man steps up to Emeli, she gives a look saying “Why you touching me for?”

We then see other gestures indicating that Emeli’s physical integrity is being violated. While these actions are somewhat subtle in the video, they are a symbolic way of referring to the physical and psychological violence stars can be subjected if they do not fully comply with the elite’s will.

Emeli is given the paternal "look at me when I'm talking to you" move by a man in uniform.
Emeli is given the paternal “look at me when I’m talking to you” move by a man in uniform.
She is also being lectured and talked down, while a coercive finger is being wagged at her.
She is also gets lectured and talked down as a menacing finger is being wagged at her.

Emeli is treated with the typical speech that is given to artists to convince them to sign a contract. She is told to take advantage of this rare opportunity to be rich and famous. We quickly get a sense that, if she refuses to sign with these people (the elite), she will never “make it” because they are basically the only path to celebrity, that there is apparently no way of making it big in the music industry but signing with this monolithic entity that is controlled by a closed group of individuals.

The men tell Emeli:

“You have great talent, and the brightest of futures. All we require is your consent”.

To which she replies:

“You mean my surrender.”

This implies that the contract is indeed one that forces Emeli to submit to the powers that be and to become a virtual puppet, or a clown. One man then replies:

“We mean your co-operation”

This means that they want Emeli to willfully accomplish what is expected of her, even if she realizes that it goes against what she believes in … which is the meaning of “selling out”.

When Emeli says:

“I want freedom, to be myself”,

a man promptly replies:

“What use is freedom … if you live in the gutter”

flaunting the prospect of material gain, and loss, in order to get her to sign the contract.

As she continues to hesitate, the men get angrier and start yelling at her. At one point, a man says “We need a decision” and a vote gets taken, although Emeli does not get a vote. By a show of hands, the men decide what to do with Emeli. With a single gesture, one man sums up her fate if she doesn’t sign the contract.

By running his hand across his throat. this man says that not only Emeli's career is dead, but, since she already "know too much", she will probably die in "strange circumstances", not unlike man other uncompromising artists.
By running his hand across his throat, this man is saying that Emeli’s career is over. Also, since these men are in uniforms and that Emeli is a prisoner, she will probably be killed … Maybe in “strange circumstances”, not unlike many other uncompromising artists.

In short, if she does not accept the terms of the contract, these men will kill her. She is then reminded of the opportunity she is passing up:

“Success is impatient. You audience is waiting.”

When presented again with the pen and paper, Emeli grabs the pen and begins singing the chorus of the song, confirming that she accepts the terms of the contract.

“I’ll be your clown
Behind the glass
Go ‘head and laugh ’cause it’s funny
I would too if I saw me
I’ll be your clown
On your favorite channel
My life’s a circus-circus
rounding circles
I’m selling out tonight”

The song’s lyrics describe the sadness of an artist who has been reduced to the status of a clown, a puppet that is told what to do in order to obtain material gain. As depicted in the video, the song’s lyrics also convey the fact that she was forced into this contract, which is, when all is said and done, nothing more than glorified exploitation.

“I’d be less angry if it was my decision
And the money was just rolling in
If I had more than my ambition
I’ll have time to please
I’ll have time to thank you as soon as I win”

At the end of the video, Sandé signs the contract (although we don’t actually see her do it) and is taken away by the soldiers. It would seem, therefore, that this is yet another story of free will, freedom, and integrity being forcefully taken away through coercion and power. It is another story depicting the victory of evil against good, of darkness against light. It is another “victory speech” of the Illuminati industry, blatantly showing off how it controls the industry, to the point that it makes its “clowns” sing about their own sad state of puppetry. While Emeli Sandé is arguably more talented and mature than most pop stars, Clown does not convey a message that is very different from what we have seen on this site. The only difference is that this song is aimed at the adult contemporary market, rather than the tween market.

In Conclusion

In this era where an increasingly monolithic music industry is revealing itself to a public that is still clueless, the messages reaching to airwaves are becoming increasingly filtered, similar and upsetting. The themes of rebellion, of the victory of the human spirit over a soul-crushing system, of transcending boundaries through art are silenced and virtually banned from the music industry. Where are these groups that had a message? That stood for something? Who would prefer death to selling out? They do still exist – but they are not in the elite-controlled mass media anymore. Today, stars are either “chosen” from a young age and built from the ground up by the industry, or are talented individuals like Emeli Sandé who are “recruited” and forced to become a “clown”.

Clown is about submission, about giving up, about the victory of oppression over the human spirit, about giving in to pressure, about accepting temporary material gain for success, about signing over one’s soul over to a powerful, oppressive group. For some reason, these messages must be communicated to the public, as if to subliminally demoralize the masses, to make sure that no real role models or icons – those who uphold certain values above anything else – are there to inspire and give hope to the world.

While the song is full of regret and melancholy, it is still a “victory speech” from the Illuminati to the masses. In a very simple and theatrical matter, Clown describes how the industry functions, how it treats its stars and how it forces them to sell their soul. Some might interpret Clown as Sandé “speaking out” against the industry. But the “moral of the story” being told is that she gave in. And now she’s on TV. And she sang during the Olympics in front of a billion people in a ceremony that was tainted with the symbolism of the elite, the same group depicted as forcing her to sign that contract in her video. Before her Olympic performance, perhaps Sandé sang to herself I’m selling out tonight.

 

The National Intelligence Council Predicts a Very Transhuman Future by 2030

A soldier testing an exoskeleton prototype
A soldier testing an exoskeleton prototype

The National Intelligence Council is a high-level agency best known for producing National Intelligence Estimates – forecasts predicting future trends and issues of the next fifteen years. These extensive reports are produced every election year and are directly delivered to the  incoming President between Election Day and Inauguration Day. The latest NIC report released on December 2012 is called Global Trends 2030: Alternative Worlds (read it here) and discusses several issues such as the decline of the role of the United States as a global policeman and the rise of non-state actors in world politics. It also mentions another key issue: A fast-paced race towards transhumanism.

“Human Augmentation” is indeed considered a key issue in the next 15 years as new technologies will allow all kinds of modifications “ranging from implants and prosthetics to powered exoskeletons, human augmentation enhancing innate human abilities”. These augmentations would be used on soldiers, workers and anyone that can afford them, giving them “super-human” powers and capabilities, whether it be on a physical or a mental level.

Some might say: “That sounds cool VC, what is wrong with that? Why do you always say that it is wrong”. I personally never described transhumanism as being “right” or “wrong”, I don’t make these kinds of judgement calls. I however do have facts about the issue. First, transhumanism is undeniably being actively pushed by mass media and promoted as something that is necessary and inevitable in the future; Second, it is a logical continuation of the Luciferian philosophy held by the world elite where godhood and immortality is meant to be achieved by humans by their own means. In fact, Max More, a leading transhumanist philosopher considers himself as a “Luciferian”.

“The Devil—Lucifer—is a force for good (where I define ‘good’ simply as that which I value, not wanting to imply any universal validity or necessity to the orientation). ‘Lucifer’ means ‘light-bringer’ and this should begin to clue us in to his symbolic importance. The story is that God threw Lucifer out of Heaven because Lucifer had started to question God and was spreading dissension among the angels. We must remember that this story is told from the point of view of the Godists (if I may coin a term) and not from that of the Luciferians (I will use this term to distinguish us from the official Satanists with whom I have fundamental differences). The truth may just as easily be that Lucifer resigned from heaven.
– Max More, “In Praise of the Devil”.

Lastly, due to the prohibitive cost of “human augmentation”, transhumanism will only be available to the richest and most powerful people and the world (the world elite) and will created an even wider gap between the “masses” and the “elite”. The National Intelligence Council report states:

“The high cost of human augmentation means that it probably will be available in 15-20 years only to those who are able to pay. Such a situation may lead to a two-tiered society.”

This is why transhumanism is so heavily promoted in mass media. It will only be available to the richest people on Earth, creating a separate, “elite” class of “superhumans” and this concept needs to be accepted by the masses, even if it goes against its best interests. Through predictive programming using movies, TV and video games, the masses are “programmed” in perceiving transhumanism as an inevitability, as something that is bound to happen. That way, when it will actually happen, nobody will be outraged by it, it will be considered as something normal.

Here’s an article on the NIC Report.

U.S. spy agency predicts a very transhuman future by 2030

The National Intelligence Council has just released its much anticipated forecasting report, a 140-page document that outlines major trends and technological developments we should expect in the next 20 years. Among their many predictions, the NIC foresees the end of U.S. global dominance, the rising power of individuals against states, a growing middle class that will increasingly challenge governments, and ongoing shortages in water, food and energy. But they also envision a future in which humans have been significantly modified by their technologies — what will herald the dawn of the transhuman era.

This work brings to mind the National Science Foundation’s groundbreaking 2003 report, Converging Technologies for Improving Human Performance — a relatively early attempt to understand and predict how advanced biotechnologies would impact on the human experience. The NIC’s new report, Global Trends 2030: Alternative Worlds, follows in the same tradition — namely one that doesn’t ignore the potential for enhancement technologies.

In the new report, the NIC describes how implants, prosthetics, and powered exoskeletons will become regular fixtures of human life — what could result in substantial improvements to innate human capacities. By 2030, the authors predict, prosthetics should reach the point where they’re just as good — or even better — than organic limbs. By this stage, the military will increasingly rely on exoskeletons to help soldiers carry heavy loads. Servicemen will also be adminstered psychostimulants to help them remain active for longer periods.

Many of these same technologies will also be used by the elderly, both as a way to maintain more youthful levels of strength and energy, and as a part of their life extension strategies.

Brain implants will also allow for advanced neural interface devices — what will bridge the gap between minds and machines. These technologies will allow for brain-controlled prosthetics, some of which may be able to provide “superhuman” abilities like enhanced strength, speed — and completely new functionality altogether.

Other mods will include retinal eye implants to enable night vision and other previously inaccessible light spectrums. Advanced neuropharmaceuticals will allow for vastly improved working memory, attention, and speed of thought.

“Augmented reality systems can provide enhanced experiences of real-world situations,” the report notes, “Combined with advances in robotics, avatars could provide feedback in the form of sensors providing touch and smell as well as aural and visual information to the operator.”

But as the report notes, many of these technologies will only be available to those who are able to afford them. The authors warn that it could result in a two-tiered society comprising enhanced and nonenhanced persons, a dynamic that would likely require government oversight and regulation.

Smartly, the report also cautions that these technologies will need to be secure. Developers will be increasingly challenged to prevent hackers from interfering with these devices.

Lastly, other technologies and scientific disciplines will have to keep pace to make much of this work. For example, longer-lasting batteries will improve the practicality of exoskeletons. Progress in the neurosciences will be critical for the development of future brain-machine interfaces. And advances in flexible biocompatible electronics will enable improved integration with cybernetic implants.

– Source: io9.com

Droid DNA “Hyper Intelligence” Commercial and its Transhumanist Message

droid1

This TV ad promoting Verizon’s Droid DNA phone is weird, cringe-worthy and also promotes something else: Transhumanism. Indeed, the ad does not only sell a smartphone. Not unlike movies and music videos, it normalizes the concept of “upgrading” humans by merging them with machines.

While most of us already entertain a somewhat unhealthy, dependent relationship with our cellphones, this ad makes things creepier by showing the device completely modifying the user’s body and genetic makeup. Yes, it is “only a commercial”, but all of the concepts behind it are real and will be available to a very rich and limited public very soon. Here’s the ad.

http://www.youtube.com/watch?v=IYIAaBOb5Bo&feature=youtu.be

The ad takes place in some kind of transhumanist lab where the “Droid DNA Augmentation” process begins. Right from the start, we hear the usual vocabulary associated with transhumanism such as “augmentation”, “upgrade” and so forth. Many people believe that the human body is the most advanced machine on Earth. Not transhumanists.

We then see the guy's DNA makeup being transformed into a black, artificial, robotic DNA string.
When connected to the phone, the guy’s DNA makeup changes into a black, artificial, robotic DNA string. Was that included in his 3 year contract with Verizon?

 

While showing some kind of robot stuff being shot right in the guy's veins, we hear "neuro-speeds increased to 4G". Isn't that a little creepy and invasive procedure to get a new cell phone?
Something is then shot right in the guy’s veins. Meanwhile, we hear “neuro-speeds increased to 4G”. Yes, they do love “shooting” or inserting things into our bodies under the guise of “its good for you” in order to better monitor and control us.

 

While scientists are supervising the procedure, we hear "brain upgraded to a Quad Core processor". Really? Our brains are inferior to a Quad Core processor, which will be totally obsolete in about 10 months? Didn't know our brains were Pentium 4's.
While scientists are supervising the procedure, we hear “brain upgraded to a Quad Core processor”. Really? Are our brains inferior to a Quad Core processor, a technology that will be totally obsolete in about 10 months? Didn’t know our brains were Pentium 4’s.

The ad ends with a purely transhumanist slogan: “It’s not an upgrade to your phone, its an upgrade to yourself”. Yes. And then, if they don’t like you, they’ll just re-format your Quad-Core processor brain and re-install a better version of you. Go transhumanism!

Despite the Doom and Gloom Pt. 2: My 2012 Holiday Message

leadholiday2

2012 is coming to an end and, boy, was it a crazy one. Once again this year, I tried my best to bring you the one-of-a-kind information and analyses you can only find at Vigilant Citizen. I’ve always made it a point to prove that it is possible to write about the topics discussed on this site without being pushy, preachy, alarmist, hateful or completely delusional and I hope that I proved it again this year. While it is not always easy for me to stay on top of things and to write about some topics, it is nevertheless with great honor and pleasure that I do so. I’ve always enjoyed expressing myself through writing and, everyday, I thank God for the opportunity of reaching people while doing what I love. This website is truly a labor of love and the amazing feedback I receive daily from VC readers never fail to keep me motivated.

I am however not the only one who contributes to this site. This year again, the VC community came through with thousands of great comments and forum posts, enriching the site with a wealth of information and opinions. Due to the diverse nature of this site’s readership, there are often disagreements and heated debates but, when everything stays respectful, I consider this a very good thing. Opposing and confronting opinions has always been a healthy exercise that ultimately profits to everyone involved, so I’m all for it. What is truly important is that ideas and issues that are completely ignored by mass media are being discussed in a real and uncompromising matter. So I’d like to thank everyone who took the time to contribute to this site and to enlighten others, no matter the opinion.

I’d also like to give a special shout to the moderators of the VC Forums who did their best to keep the community striving and to Egersis who proofread dozens articles this year. Thank you all for your time and dedication.

That being said, this year also brought its fair share of problems and challenges. I had to deal with issues that made me realize that some people are actually trying to hurt my work and my credibility. I had to deal with heavy and sustained DDoS attacks that caused the site to be down for several days, attempts to hack the site, as well as threats and harassment by e-mail. Also, in what appear to be attempts at character assassination, I discovered that some people are spreading fabricated rumors about me on other websites and forums. As a lover of truth, reading outright lies about me is upsetting, but I guess that’s the price to pay for telling it like it is. I cannot control those who are trying to do me harm – and my only response to them is a quote from the immortal Johnny Cash:

Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s done in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Fortunately, I know that most readers of this site are discerning enough to realize that my only goal is to provide information based on research. I’ve always urged people to never unconditionally take my word and to look up everything for themselves. This site was never intended to provide “all of the truth” or “all of the answers” (I am still seeking the truth myself) but rather to be a starting point, an incitement to begin a quest for knowledge. My suggestion to true truth-seekers is to research information from several sources and to use your own mind and reasoning to come to your own conclusions. If you believe that you are more enlightened than others because you’ve started following another shepherd, the sad fact is that…you are still a sheep. I personally never wanted people to blindly follow me. Quite to the contrary, I am looking to encourage people to think for themselves. That’s what the world desperately needs right now.

Don’t Get Lost

Researching about the true motivations of the elite can become a disturbing and consuming exercise. It is easy to become angry, bitter and disgruntled about what is discovered. Yes, realizing that the elite is a sick, twisted and outright evil group is very unsettling and leads to lots of questioning. But, in the end, we must not allow ourselves to be sucked into “their” world and become obsessed with their culture of death. We must live our own lives to the fullest, according to our own values and, more importantly, we must never forget that life is still breathtakingly beautiful. I often say that for each minute one spends learning about the ugly truth in the world, one must spend five enjoying its beauty. If we become angry, bitter and depressed, we’ve lost and they won. It is not enough to know about their plans, we must carry out OUR plans. “They” are definitely trying to debase us from what is real, right, pure, good and authentic to make us accept their values, but we don’t have to accept it.

The greatest thing about being Vigilant Citizens is that we can recognize mass media BS, laugh at it, completely reject it and go on living the life we want to live. No obsessing about superficiality and materialism. No being scared to death by the news trying to push an agenda. No worshiping celebrities. Just real, basic, timeless values based on morals and principles – all concepts that are deemed uncool nowadays but that are nevertheless the roots of a strong person and of a strong community. “They” want to weaken these roots in order to make the masses more suggestible and manipulable. Strong values indeed cause people to say “NO, I won’t do anything for money; NO, I won’t neglect my family; NO, I won’t be in debt for materialistic crap; NO, I won’t fall for mass media lies”.

In the end, this is what VC is all about: Understanding the deceit in this world in order to avoid it. So, please after researching the truth about the elite, do not despair nor become bitter. Seize the moment, go outside, enjoy nature, breathe fresh air, spend time with your friends and family, cook a tasty meal, read a great book, play a musical instrument, follow your dreams and give a horse a great big slap on the ass because, despite the doom and gloom, life is still beautiful. In today’s world, slaves are chained through their minds. As easily as they can chain you with propaganda, you can break these chains with truth and vigilance. And then, you are free to do whatever you want.

So Happy Holidays to everyone and remember that, no matter how grim it might get, truth and righteousness will always prevail!

VC

 

Ke$ha Claims She Was Forced to Sing “Die Young”

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kesha-warrior-promo_thelavalizard

In the wake of the Sandy Hook shooting, radio stations across the country are dropping Ke$ha’s single Die Young from their playlist. The song’s constant repetition of the words “we’re gonna die young” is now apparently deemed inappropriate for airplay. As I’ve stated in The Illuminati Symbolism of Ke$ha’s “Die Young” and How it Ridicules the Indoctrinated Masses, the entire imagery of the video and of the live performances that accompanied the song were about glorifying death and ritual sacrifices. All of this was interlaced with Illuminati symbolism, hinting that the whole thing was yet another way of the elite to push a culture of death on the masses.

In reaction to this backlash, Ke$ha took to Twitter and posted an unexpected comment: “I did NOT want to sing those lyrics and I was FORCED TO.”

tweet
Ke$ha’s tweet as captured by MTV.com

This tweet was later deleted because it probably pissed off her bosses.

But who exactly forced her to sing those lyrics? Why was she credited as a writer of the song? As I stated in the Die Young article:

“In reality, Ke$ha didn’t do anything for any LOLs. She did not direct the video. She is just performing what she is told to perform, like most pop stars. The fact of the matter is: Illuminati symbols are becoming more prevalent because that was the plan all along – to gradually make them part of popular culture. The occult elite is revealing itself and the masses are dancing to their tunes.”

Pop stars have no control over their careers, they are puppets used to push Agendas. Die Young was all about celebrating the sick culture of death that is prevalent in mass media today. Ke$ha’s temporary tweet gave us a small glimpse of the coercive and forceful nature of the music industry and how it imposes content on stars.

It apparently took a mass shooting to make some people realize that there is something sick and unhealthy in popular culture. I am not for censorship of any kind, but for people to wake up and reject the crap that is pushed on them. Let’s hope other tragedies won’t be needed to make more people see the obvious.

 

The Mysterious Connection Between Sirius and Human History

Since ancient times and across multiple civilizations, Sirius, the dog star, has been surrounded by a mysterious lore. Esoteric teachings of all ages have invariably attributed to Sirius a special status and the star’s importance in occult symbolism is an attestation of that fact. What makes Sirius so special? Is it simply due to the fact that it is the brightest star in the sky? Or is it also because humanity has an ancient, mysterious connection with it? This article looks at the importance of Sirius throughout History and secret societies and will describe the symbolism surrounding it.

Sirius is located in the constellation Canis Major – also known as the Big Dog – and is therefore known as the “dog star”. It is over twenty times brighter than our sun and is twice as massive. At night time, Sirius is the brightest star in the sky and its blue-white glare never failed to amaze stargazers since the dawn of time. No wonder Sirius has been revered by practically all civilizations. But is there more to Sirius than meets the eye?

Artifacts of ancient civilizations have revealed that Sirius was of a great importance in astronomy, mythology, and occultism. Mystery schools consider it to be “sun behind the sun” and, therefore, the true source of our sun’s potency. If our sun’s warmth keeps the physical world alive, Sirius is considered to keep the spiritual world alive. It is the “real light” shining in the East, the spiritual light, whereas the sun illuminates the physical world, which is considered to be a grand illusion.

Associating Sirius with the divine and even considering it as the home of humanity’s “great teachers” is not only embedded in the mythology of a few primitive civilizations: It is a widespread belief that has survived (and even intensified) to this day. We will look at the importance of Sirius in ancient times, analyze its prominence in secret societies and we will examine these esoteric concepts as they are translated in popular culture.

sirius.gif

In Ancient Civilizations

In Ancient Egypt, Sirius was regarded as the most important star in the sky. In fact, it was astronomically the foundation of the Egyptians’ entire religious system. It was revered as Sothis and was associated with Isis, the mother goddess of Egyptian mythology. Isis is the female aspect of the trinity formed by herself, Osiris and their son Horus. Ancient Egyptians held Sirius in such a high regard that most of their deities were associated, in some way or another, with the star. Anubis, the dog-headed god of death, had an obvious connection with the dog star and Toth-Hermes, the great teacher of humanity, was also esoterically connected with the star.

The Egyptian calendar system was based on the heliacal rising of Sirius that occurred just before the annual flooding of the Nile during summer. The star’s celestial movement was also observed and revered by ancient Greeks, Sumerians, Babylonians and countless other civilizations. The star was therefore considered sacred and its apparition in the sky was accompanied with feasts and celebrations. The dog star heralded the coming of the hot and dry days of July and August, hence the popular term “the dog days of summer”.

Several occult researchers have claimed that the Great Pyramid of Giza was built in perfect alignment with the stars, especially Sirius. The light from these stars was said to be used in ceremonies of Egyptian Mysteries.

“This ancient people (Egyptians) knew that once every year the Parent Sun is in line with the Dog Star. Therefore, the Great Pyramid was so constructed that, at this sacred moment, the light of the Dog Star fell upon the square “Stone of God” at the upper end of the Great Gallery, descending upon the head of the high priest, who received the Super Solar Force and sought through his own perfected Solar Body to transmit to other Initiates this added stimulation for the evolution of their Godhood. This then was the purpose of the “`Stone of God,’ whereon in the Ritual, Osiris sits to bestow upon him (the illuminate) the Atf crown or celestial light.” “North and South of that crown is love,” proclaims an Egyptian hymn. “And thus throughout the teaching of Egypt the visible light was but the shadow of the invisible Light; and in the wisdom of the ancient country the measures of Truth were the years of the Most High.” [1. Marshall Adams, The Book of the Master]

Recent scientific discoveries relating to the Great Pyramid and its mysterious “air shafts” have lead researchers to further confirm the importance of Sirius within the pyramid.

Star alignment with the Great Pyramid of Giza. Orion (associated with the god Osiris) is aligned with the King’s Chamber while Sirius (associated with the goddess Isis) is aligned with the Queen’s Chamber.
Star alignment with the Great Pyramid of Giza. Orion (associated with the god Osiris) is aligned with the King’s Chamber while Sirius (associated with the goddess Isis) is aligned with the Queen’s Chamber.

A fascinating aspect of Sirius is the consistency of the symbolism and meanings attached to it. Several great civilizations have indeed associated Sirius with a dog-like figure and viewed the star as either the source or the destination of a mysterious force. In Chinese and Japanese astronomy, Sirius is known as the “star of the celestial wolf”. Several aboriginal tribes of North America referred to the star in canine terms: the Seri and Tohono O’odham tribes of the southwest describe the Sirius as a “dog that follows mountain sheep”, while the Blackfoot call it “Dog-face”. The Cherokee paired Sirius with Antares as a dog-star guardian of the “Path of Souls”. The Wolf (Skidi) tribe of Nebraska knew it as the “Wolf Star”, while other branches of knew it as the “Coyote Star”. Further north, the Alaskan Inuit of the Bering Strait called it “Moon Dog”. [2. J.B. Holberg, Sirius: Brightest Diamond in the Night Sky]

The Dogon Tribe and Atlantis

In 1971, the American author Robert Temple published a controversial book entitled The Sirius Mystery where he claimed that the Dogons (an ancient African tribe from Mali) knew details about Sirius that would be impossible to know without the use of telescopes (You’d need one like the Orion here to make this possible). According to him, the Dogon understood the binary nature of Sirius, which is, in fact, composed of two stars named Sirius A and Sirius B. This lead Robert Temple to believe that the Dogons had “direct” connections with beings from Sirius. While some might say “you can’t be Sirius” (sorry), a great number of secret societies (who have historically held within their ranks some of the world’s most influential people) and belief systems teach about a mystic connection between Sirius and humanity.

In Dogon mythology, humanity is said to be born from the Nommo, a race of amphibians who were inhabitants of a planet circling Sirius. They are said to have “descended from the sky in a vessel accompanied by fire and thunder” and imparted to humans profound knowledge. This lead Robert Temple to theorize that the Nommos were extraterrestrial inhabitants of Sirius who traveled to earth at some point in the distant past to teach ancient civilizations (such as the Egyptians and Dogons) about the Sirius star system as well as our own solar system. These civilizations would then record the Nommos’ teachings in their religions and make them a central focus of their Mysteries.

The Dogon’s mythology system is strikingly similar to the ones of other civilizations such as the Sumerians, Egyptians, Israelites, and Babylonians as it includes the archetypal myth of a “great teacher from above”. Depending on the civilization, this great teacher is known as Enoch, Thoth or Hermes Trismegistus and is said to have taught humanity theurgic sciences. In occult traditions, it is believed that Thoth-Hermes had taught the people of Atlantis, which, according to legend, became the world’s most advanced civilization before the entire continent was submerged by the Great Deluge (accounts of a flood can be found in the mythologies of countless civilizations). Survivors from Atlantis traveled by boat to several countries, including Egypt, where they imparted their advanced knowledge. Occultists believe that the inexplicable resemblances between distant civilizations (such as the Mayas and the Egyptians) can be explained by their common contact with Atlanteans.

“Was the religious, philosophic, and scientific knowledge possessed by the priestcrafts of antiquity secured from Atlantis, whose submergence obliterated every vestige of its part in the drama of world progress? Atlantean sun worship has been perpetuated in the ritualism and ceremonialism of both Christianity and pagandom. Both the cross and the serpent were Atlantean emblems of divine wisdom. The divine (Atlantean) progenitors of the Mayas and Quichés of Central America coexisted within the green and azure radiance of Gucumatz, the “plumed” serpent. The six sky-born sages came into manifestation as centers of light bound together or synthesized by the seventh – and chief – of their order, the “feathered” snake. The title of “winged” or “plumed” snake was applied to Quetzalcoatl, or Kukulcan, the Central American initiate. The center of the Atlantean Wisdom-Religion was presumably a great pyramidal temple standing on the brow of a plateau rising in the midst of the City of the Golden Gates. From here the Initiate-Priests of the Sacred Feather went forth, carrying the keys of Universal Wisdom to the uttermost parts of the earth.

(…)

From the Atlanteans the world has received not only the heritage of arts and crafts, philosophies and sciences, ethics and religions, but also the heritage of hate, strife, and perversion. The Atlanteans instigated the first war; and it has been said that all subsequent wars were fought in a fruitless effort to justify the first one and right the wrong which it caused. Before Atlantis sank, its spiritually illumined Initiates, who realized that their land was doomed because it had departed from the Path of Light, withdrew from the ill-fated continent. Carrying with them the sacred and secret doctrine, these Atlanteans established themselves in Egypt, where they became its first “divine” rulers. Nearly all the great cosmologic myths forming the foundation of the various sacred books of the world are based upon the Atlantean Mystery rituals.” [3. Manly P. Hall, The Secret Teachings of All Ages]

Is Thoth-Hermes-Trismegistus the equivalent of the Dogon’s Nommos, who are believed to originate from Sirius? Ancient texts concerning Hermes describe him as a teacher of mysteries who “came from the stars”. Furthermore, Thoth-Hermes was directly connected with Sirius in Egyptian mythology.

“The dog-star: the star worshipped in Egypt and reverenced by the Occultists; by the former because its heliacal rising with the Sun was a sign of the beneficient inundation of the Nile, and by the latter because it is mysteriously associated with Toth-Hermes, god of wisdom, and Mercury, in another form. Thus Sothis-Sirius had, and still has, a mystic and direct influence over the whole living heaven, and is connected with almost every god and goddess. It was “Isis in the heaven” and called Isis-Sothis, for Isis was “in the constellation of the dog”, as is declared on her monuments. Being connected with the Pyramid, Sirius was, therefore, connected with the initiations which took place in it.” [4. Helena Blavatsky, Theosophical Glossary]

“The Trismegistic treatise ‘The Virgin of the World’ from Egypt refers to ‘the Black Rite’, connected with the ‘black’ Osiris, as the highest degree of secret initiation possible in the ancient Egyptian religion – it is the ultimate secret of the mysteries of Isis. This treatise says Hermes came to earth to teach men civilization and then again ‘mounted to the stars’, going back to his home and leaving behind the mystery religion of Egypt with its celestial secrets which were some day to be decoded.” [5. Robert Temple, The Sirius Mystery]

Interpreting the mythology of ancient cultures is not an exact science and connections are inherently difficult to prove. However, the symbolic link between Sirius and occult knowledge has constantly appeared throughout History and has seamlessly traveled through the ages. In fact, it is as revered today as it was millenniums ago. Modern secret societies such as the Freemasons, the Rosicrucians and the Golden Dawn (which are considered to be Hermetic Orders due to the fact their teachings are based on those of Hermes Trismegistus) all attribute to Sirius the utmost importance. An educated look at their symbolism provides a glimpse at the profound connection between Sirius and occult philosophy.

Sirius in Occult Symbolism and Secret Societies

To claim that Sirius is “important” to Hermetic Orders would be a gross understatement. The dog star is nothing less than the central focus of the teachings and symbolism of secret societies. The ultimate proof of this fact: many secret societies are actually named after the star.

In the Tarot

The seventeenth numbered major trump is called Les Étoiles, (French for The Star), and portrays a young girl kneeling with one foot in water and the other on and, her body somewhat suggesting the swastika. She has two urns, the contents of which she pours upon the land and sea. Above the girl’s head are eight stars, one of which is exceptionally large and bright. Count de Gébelin considers the great star to be Sothis or Sirius; the other seven are the sacred planets of the ancients. He believes the female figure to be Isis in the act of causing the inundations of the Nile which accompanied the rising of the Dog Star. The unclothed figure of Isis may well signify that Nature does not receive her garment of verdure until the rising of the Nile waters releases the germinal life of plants and flowers.

“The seventeenth numbered major trump is called Les Étoiles, (French for The Star), and portrays a young girl kneeling with one foot in water and the other on and, her body somewhat suggesting the swastika. She has two urns, the contents of which she pours upon the land and sea. Above the girl’s head are eight stars, one of which is exceptionally large and bright. Count de Gébelin considers the great star to be Sothis or Sirius; the other seven are the sacred planets of the ancients. He believes the female figure to be Isis in the act of causing the inundations of the Nile which accompanied the rising of the Dog Star. The unclothed figure of Isis may well signify that Nature does not receive her garment of verdure until the rising of the Nile waters releases the germinal life of plants and flowers.”
– Manly P. Hall, The Secret Teachings of all Ages

In Freemasonry

In Masonic lodges, Sirius is known as the “Blazing Star” and a simple look at its prominence in Masonic symbolism reveals its utmost importance. The Masonic author William Hutchinson wrote about Sirius: “It is the first and most exalted object that demands our attention in the Lodge.” The same way the light of Sirius made its way into the Great Pyramid during initiations, it is symbolically present in Masonic lodges.

“The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius glitters in our lodges as the Blazing Star.” [7. Albert Pike, Morals and Dogma]

Sirius, the Blazing Star, at the center of the Masonic mosaic pavement.
Sirius, the Blazing Star, at the center of the Masonic mosaic pavement.
The Blazing Star shining upon members of a Masonic lodge
The Blazing Star shining upon members of a Masonic lodge

“(The Blazing Star) originally represented SIRIUS, or the Dog-star, the forerunner of the inundation of the Nile; the God ANUBIS, companion of ISIS in her search for the body of OSIRIS, her brother and husband. Then it became the image of HORUS, the son of OSIRIS, himself symbolized also by the Sun, the author of the Seasons, and the God of Time; Son of ISIS, who was the universal nature, himself the primitive matter, inexhaustible source of Life, spark of uncreated fire, universal seed of all beings. It was HERMES, also, the Master of Learning, whose name in Greek is that of the God Mercury.” [8. Ibid.]

In Freemasonry, it is taught that the Blazing Star is a symbol of deity, of omnipresence (the Creator is present everywhere) and of omniscience (the Creator sees and knows all). Sirius is, therefore, the “sacred place” all Masons must ascend to: It is the source of divine power and the destination of divine individuals. This concept is often represented in Masonic art.

Masonic art portraying Sirius, the Blazing Star, as the destination of the Mason’s journey.
Masonic art portraying Sirius, the Blazing Star, as the destination of the Mason’s journey.

To achieve perfection, the initiate must successfully understand and internalize the dual nature of the world (good and evil; masculine and feminine; black and white, etc.) through alchemical metamorphosis. This concept is symbolically represented by the union of Osiris and Isis (the male and female principles) to give birth to Horus, the star-child, the Christ-like figure, the perfected man of Freemasonry – who is equated with the Blazing Star.

“The sun and moon … represent the two grand principles … the male and the female … both shed their light upon their offspring, the blazing star, or Horus.” [9. Ibid.]

The Egyptian hieroglyph representing Sirius has been esoterically interpreted to be a representation of this cosmic trinity.

The hieroglyph representing Sirius contains three elements: a “phallic” obelisk (representing Osiris), a “womb-like” dome (representing Isis) and a star (representing Horus).
The hieroglyph representing Sirius contains three elements: a “phallic” obelisk (representing Osiris), a “womb-like” dome (representing Isis) and a star (representing Horus).

This concept is so crucial for Freemasons, that it was embedded in some of the most important structures in the world.

The Washington Monument, an Egyptian obelisk representing the male principle, is directly connected with the dome of the Capitol, representing the female principle. Together they produce Horus an unseen energy represented by Sirius. (For more information, read the article Mystical Sites – The U.S. Capitol on The Vigilant Citizen).
The Washington Monument, an Egyptian obelisk representing the male principle, is directly connected with the dome of the Capitol, representing the female principle. Together they produce Horus an unseen energy represented by Sirius.

As stated by Albert Pike above, the Egyptian god Horus and the star Sirius are often associated. In Masonic symbolism, the eye of Horus (or the All-Seeing Eye) is often depicted surrounded by the glittering of light of Sirius.

A Masonic tracing board depicting the sun above the left pillar (representing the masculine), the moon above the right pillar (representing feminine) and Sirius above the middle pillar, representing the “perfected man” or Horus, the son of Isis and Osiris. Notice the “Eye of Horus” on Sirius.
A Masonic tracing board depicting the sun above the left pillar (representing the masculine), the moon above the right pillar (representing feminine) and Sirius above the middle pillar, representing the “perfected man” or Horus, the son of Isis and Osiris. Notice the “Eye of Horus” on Sirius.
The Eye of Horus inside a triangle (symbolizing deity) surrounded by the glow of Sirius, the Blazing Star
The Eye of Horus inside a triangle (symbolizing deity) surrounded by the glow of Sirius, the Blazing Star
The All-Seeing Eye inside the Blazing Star in Masonic art.
The All-Seeing Eye inside the Blazing Star in Masonic art.

Given the symbolic correlation between the All-Seeing Eye and Sirius, the next image becomes self-explanatory.

The light behind the All-Seeing Eye on the American dollar bill is not from the sun, but from Sirius. The Great Pyramid of Giza was built in alignment with Sirius and is therefore shown shining right above the Pyramid. A radiant tribute to Sirius is therefore in the pockets of millions of citizens.
The light behind the All-Seeing Eye on the American dollar bill is not from the sun, but from Sirius. The Great Pyramid of Giza was built in alignment with Sirius and is therefore shown shining right above the Pyramid. A radiant tribute to Sirius is therefore in the pockets of millions of citizens.

Order of the Eastern Star

The symbol of the OES is an inverted star, similar to the Blazing Star of Freemasonry.
The symbol of the OES is an inverted star, similar to the Blazing Star of Freemasonry.

Considered to be the “female version” of Freemasonry (although men can join), the Order of the Eastern Star (OES) is directly named after Sirius, the “Star rising from the East”. A “general public” explanation of the origins of the Order’s name claims it originated from the “Star of the East” that lead the Three Magis to Jesus Christ. A look into the occult meaning of the Order’s symbolism, however, makes it clear that the OES is a reference to Sirius, the most important star of Freemasonry, its parent organization.

OES art depicting Sirius above the Great Pyramid.
OES art depicting Sirius above the Great Pyramid.

Madame Blavatsky, Alice Bailey , and Theosophy

Helena Blavatsky and Alice Bailey, the two main figures associated with Theosophy, have both considered Sirius to be a source esoteric power. Blavatsky stated that the star Sirius exerts a mystic and direct influence over the entire living heaven and is linked with every great religion of antiquity.

Alice Bailey sees the Dog Star as the true “Great White Lodge” and believes it to be the home of the “Spiritual Hierarchy”. For this reason, she considers Sirius as the “star of initiation”.

“This is the great star of initiation because our Hierarchy (an expression of the second aspect of divinity) is under the supervision or spiritual magnetic control of the Hierarchy of Sirius. These are the major controlling influences whereby the cosmic Christ works upon the Christ principle in the solar system, in the planet, in man and in the lower forms of life expression. It is esoterically called the “brilliant star of sensitivity.” [10. Alice Bailey, Esoteric Astrology]

Not unlike most many esoteric writers, Bailey considers Sirius to have a great impact on human life.

“All that can be done here in dealing with this profound subject is to enumerate briefly some of the cosmic influences which definitely affect our earth, and produce results in the consciousness of men everywhere, and which, during the process of initiation, bring about certain specific phenomena.

First and foremost is the energy or force emanating from the sun Sirius. If it might be so expressed, the energy of thought, or mind force, in its totality, reaches the solar system from a distant cosmic centre via Sirius. Sirius acts as the transmitter, or the focalising centre, whence emanate those influences which produce self-consciousness in man.” [11. Alice Bailey, Initiation, Human and Solar]

Aleister Crowley, the A.A. and Kenneth Grant

In 1907, Crowley started his own occult order called the A.A. – short for Argentium Astrum, which can be translated to ‘The Order of the Silver Star’. The ‘Silver Star’ was, of course, a reference to Sirius. Even if Crowley almost always referred to the dog star in veiled terms, the whole of his magickal philosophy, from his development as a young Freemason through to his final years as the Head of the O.T.O, is wholly in accordance with the Sirian influence, which was identified and expressed by other writers of his era. His alleged contact with his Holy Guardian Angel that later led to the channeling of ‘Liber AL: The Book of the Law’ is believed to have originated from Sirius.

If Crowley used code words to describe Sirius, his protégé Kenneth Grant has explicitly and extensively written about the dog star. Throughout his numerous books, he often described Sirius as being a powerful center of magickal magnetic power. His belief that the star holds the central key to unlocking the mysteries of the Egyptian and Typhonian traditions has strengthened over time and became a central focus of his research. One of Grant’s most important and controversial thesis was his discovery of the “Sirius/Set current”, which is an extra-terrestrial dimension connecting Sirius, the Earth and Set, the Egyptian god of Chaos – who was later associated with Satan.

“Set is the initiator, the Opener of mans’ consciousness to the rays of the Undying God typified by Sirius – the Sun in the South.” [12. Kenneth Grant, The Magical Revival]

“Sirius, or Set, was the original “headless one” – the light of the lower region (the south) who was known (in Egypt) as An (the dog), hence Set-An (Satan), Lord of the infernal regions, the place of heat, later interpreted in a moral sense as “hell”. [13. Ibid.]

Although each occult philosophy describes Sirius in a slightly different matter, it is still consistently regarded as the “sun behind the sun”, the true source of occult power. It is perceived as the cradle of human knowledge and the belief of the existence of a strong connection between the star and planet Earth never seems to become outdated. Is there a true link between Sirius and Earth? Is the dog star an esoteric symbol representing something happening in the spiritual realm? Is it both? One thing is for sure, the cult of Sirius is not a “thing of the past” and is very alive today. An in-depth look at our popular culture, which is heavily influenced by occult symbolism, reveals numerous references to Sirius.

Sirius in Popular Culture

Direct references to Sirius in popular culture are too many to enumerate (e.g. see the name and the logo of the most important satellite radio in the world). A more interesting aspect of popular culture to analyze are the coded references to Sirius. Important movies have indeed made veiled yet profound references to the dog star (apparently intended to those “in the know”), where the star plays the role it was always given by the Mysteries: as an initiator and a divine teacher. Here are some examples.

In Disney’s Pinocchio, based on a story written by Freemason Carlo Collodi, Gepetto prays to the brightest star in the sky to have a “real boy”. The Blue Fairy (her color is a reference to Sirius’ light-blue glow) then descends from the heavens to give life to Pinocchio. Throughout the marionette’s quest to become a boy (an allegory for esoteric initiation), the Blue Fairy guides Pinocchio towards the “right path”. Sirius is therefore represented as a source of life, a guide and a teacher. (For more information see the article entitled The Esoteric Interpretation of Pinocchio on The Vigilant Citizen).
In Disney’s Pinocchio, based on a story written by Freemason Carlo Collodi, Gepetto prays to the brightest star in the sky to have a “real boy”. The Blue Fairy (her color is a reference to Sirius’ light-blue glow) then descends from the heavens to give life to Pinocchio. Throughout the marionette’s quest to become a boy (an allegory for esoteric initiation), the Blue Fairy guides Pinocchio towards the “right path”. Sirius is therefore represented as a source of life, a guide, and a teacher. (For more information see the article entitled The Esoteric Interpretation of Pinocchio).

The theme song of the movie Pinocchio is also an ode to Sirius.

When you wish upon a star, makes no difference who you are
Anything your heart desires will come to you

If your heart is in your dreams, no request is too extreme
When you wish upon a star as dreamers do

(Fate is kind, she brings to those who love
The sweet fulfillment of their secret longing)

Like a bolt out of the blue, fate steps in and sees you thru
When you wish upon a star, your dreams come true

In Harry Potter, the character named Sirius Black is most likely a reference to Sirius B. (the “darker” star of Sirius’ binary system). He is Harry Potter’s godfather, which makes Sirius, once again, a teacher and a guide. The wizard can turn into a big black dog, another link with the “dog star”.
In Harry Potter, the character named Sirius Black is most likely a reference to Sirius B. (the “darker” star of Sirius’ binary system). He is Harry Potter’s godfather, which makes Sirius, once again, a teacher and a guide. The wizard can turn into a big black dog, another link with the “dog star”.
In the Truman Show, a spotlight – used to imitate the light of a star in Truman’s fake world – falls from the sky and nearly hits him. The label on the spotlight identifies it as Sirius. Truman’s encounter with Sirius gives him a glimpse of “true knowledge” and prompts his quest for truth. Sirius is therefore the “star of initiation”. It caused Truman to realize the limitations of the his studio world (our material world) and lead him to freedom (spiritual emancipation).
In the Truman Show, a spotlight – used to imitate the light of a star in Truman’s fake world – falls from the sky and nearly hits him. The label on the spotlight identifies it as Sirius. Truman’s encounter with Sirius gives him a glimpse of “true knowledge” and prompts his quest for truth. Sirius is, therefore, the “star of initiation”. It caused Truman to realize the limitations of his studio world (our material world) and lead him to freedom (spiritual emancipation).

 

In Conclusion

From the dawn of civilization to modern times, from remote tribes of Africa to the great capitals of the modern world, Sirius was – and still is – seen as a life-giver. Despite the disparity between cultures and epochs, the same mysterious attributes are given to the dog star, which can lead us to ask: how can all these definitions synchronize so perfectly? Is there a common source to these myths about Sirius? The dog star is invariably associated with divinity and is regarded as a source of knowledge and power. These connections are particularly evident when one examines the teachings and the symbolism of secret societies, who have always taught about a mystical link with this particular celestial body. Is there a secret link between human evolution and Sirius? Unlocking this secret would mean unlocking one of humanity’s greatest mysteries.

 

 

 

The Order of the Illuminati: Its Origins, Its Methods and Its Influence on the World Events

The Order of the Illuminati is often at the center of debates about the impact of secret societies on human history. Is the Illuminati a myth or does it truly secretly rule the world? As the number of people asking that question has grown, facts about the Order have become diluted with misconceptions and disinformation, making objective research on the subject difficult. This article attempts to shed some factual light on the Order of the Illuminati by reviewing some of the most important documents on the subject.

The word “Illuminati” is thrown around rather freely to describe the elite group that is secretly running the world. Most have a general idea of the meaning of the term but are confused about the concepts and the ideas relating to it. Is the Illuminati the same thing as Freemasonry? What are their goals? What are their beliefs? Why do they act in secret? Do they practice occultism? Attempting to objectively research the subject can become an arduous task as most sources end up being either dismissive disinformation pieces that deny (and even ridicule) anything related to the Illuminati or, at the other end of the spectrum, espouse ill-informed fear mongering based on rumors and misconceptions. In both cases, the researcher ends up with the same result: a distorted version of the truth.

Considering that Secret Societies are supposed to be, by definition, secret and that history is often rewritten by those in power, obtaining the unbiased truth about the Illuminati is a challenge. This article does not claim to “reveal” or “expose” everything that is to be known about the Illuminati; it rather attempts to draw a more precise picture of the Order by citing authors who have extensively studied the subject. Whether they are, at the end of the day, critics or apologists of the Illuminati, these authors base their thoughts on credible facts. Some of the most interesting documents on the Illuminati were written by initiates of Secret Societies as they understood the philosophical and spiritual undercurrent driving the movement forward. Using these works, we will look at the origins, the methods and the impacts of the Illuminati on world history.

Types of Secret Societies

Although several groups called themselves “Illuminati” in the past, the most influential and memorable of them was the Bavarian Illuminati. Founded on May 1, 1776, the organization created by Adam Weishaupt blurred the line between “spiritual” and “political” Secret Societies. By mixing the occult sciences of Freemasonry and Rosicrucianism while conspiring to achieve precise political goals, the Illuminati became an actor on the world stage. While most Secret Societies of the time catered to rich people and their fascination with occultism, the Bavarian Illuminati actively sought to profoundly change the world.

Secret Societies have existed throughout the course of history, each of them with different aims and with different roles in society. While the Egyptian mystery schools were part of the Egyptian institution, other groups were secret due to their subversive and conspiratorial aims. These two next quotes, written by two famous political figures, describe these opposing views on Secret Societies:

“A mystical Fraternity, who, in an earlier age, boasted of secrets of which the Philosopher’s Stone was but the least; who considered themselves the heirs of all that the Chaldeans, the Magi, the Gymnosophists, and the Platonists had taught; and who differed from all the darker Sons of Magic in the virtue of their lives, the purity of their doctrines, and their insisting, as the foundation of all wisdom, on the subjugation of the sense, and the intensity of Religious Faith?”
– Sir Edward Bulwer Lytton, 1884 [1. Sir Edward Bulwer Lytton, Zanoni]

“The governments of the present day have to deal not merely with other governments, with emperors, kings and ministers, but also with the secret societies which have everywhere their unscrupulous agents, and can at the last moment upset all the governments’ plans.”
– British Prime Minister Benjamin Disraeli, 1876

These quotes describe different realms of influence of Secret Societies. The first one refers to the spiritual side while the second describes the political side. Not all Secret Societies dwell in the spiritual and not all of them get involved in political machinations. The Bavarian Illuminati operated in both realms.

“Spiritual brotherhoods are pledged to Wisdom and guiding humanity towards the realm of the Infinite; Political brotherhoods [are comprised] of power-seekers who cloak their manipulative agenda in darkness. (…)

All secret societies share certain fundamental themes. Membership is restricted to those who have an abiding interest in the subject. Thus, a spiritual group will attract people seeking more knowledge of a particular teacher or type of practice. The student is aware of the subject matter in advance and will approach the group for further instruction. More rarely, an individual may be “tapped” by the group because of a perceived affinity to its purpose.

In a political secret society, membership is restricted to those who share an ideological affinity with the goals the group represents. At the furthest end of the political spectrum, the mission will be revolution. Such a society will go to great lengths to defend itself. (…)

The Illuminati are perceived by many as spanning the chasm between the spiritual and the political secret society. Often credited (or blamed) for influencing the French Revolution in 1787, the Illuminati taught a doctrine of social and political liberation that hinged on the equality of man, the embrace of rationalism, and the denial of crown and church as the legitimate institutions for the regulation of social and moral values. (…) While the views of the Illuminati may sound quite advanced for the time, the European revolutions they are believed to have encouraged degenerated into brutal bloodbaths whose singular lack of moral compass was appalling.” [2. James Wasserman, The Mystery Traditions]

While some believe that Adam Weishaupt was the sole mastermind of the Illuminati and that his organization rose to glory and died in less than twelve years, most researchers initiated in occultism believe that the Bavarian Illuminati was the rare appearance of an ancient Brotherhood that could be traced back to the Knight Templars of the Middle-Ages.

Manly P. Hall, a 33rd Degree Freemason, and prolific author, described in his pamphlet “Masonic Orders of Fraternity” an “Invisible Empire” that has been silently working for centuries towards social change. It periodically became visible throughout History, through different organizations who bore different names. According to him, these groups have a great yet silent impact on society, even transforming the educational system to form future generations.

“The direct descent of the essential program of the Esoteric Schools was entrusted to groups already well-conditioned for the work. The guilds, trade unions, and similar protective and benevolent Societies had been internally strengthened by the introduction of a new learning. The advancement of the plan required the enlargement of the boundaries of the philosophic overstate. A World Fraternity was needed, sustained by a deep and broad program of education according to the “method”. Such a Fraternity could not immediately include all men, but it could unite the activities of certain kinds of men, regardless of their racial or religious beliefs or the nations in which they dwelt. These were the men of “towardness”, those sons of tomorrow, whose symbol was a blazing sun rising over the mountains of the east. (…)

It was inevitable that the Orders of Fraternity should sponsor world education. (…) The program included a systematic expansion of existing institutions and the enlargement of their spheres of influence.

Slowly, the Orders of Universal Reformation faded from public attention, and in their places appeared the Orders of World Brotherhood. Everything possible was done to prevent the transitions from being obvious. Even history was falsified to make certain sequences of activity unrecognizable. The shift of emphasis never gave the impression of abruptness, and the motion appeared as a dawning of social consciousness. The most obvious clues to the secret activity have been the prevailing silence about the origin and the impossibility of filing the lacunae in the records of seventeenth- and eighteenth- century fraternal Orders. (…)

The Orders of Fraternity were attached by slender and almost invisible threads to the parent project. Like earlier Schools of the Mysteries, these Fraternities were not in themselves actual embodiments of the esoteric associations, but rather instruments to advance certain objectives of the divine plan.” [3. Manly P. Hall, Masonic Orders of Fraternity]

Here, Hall mentions a “silence” and lack of information regarding the workings of Secret Societies during the 17th and 18th century, the epoch during which the Bavarian Illuminati was active. It is during this time period that Secret Societies took action, causing revolutions, overthrowing Monarchical and Papal powers and taking hold of the banking system. Was the Bavarian Illuminati part of the Invisible Empire described by Hall? Is it still active today? Let’s first look at Adam Weishaupt and his infamous Secret Society.

Adam Weishaupt, Trained by the Jesuits

Adam-weishaupt

Adam Weishaupt was born in Ingolstadt, Bavaria on February 6, 1748. His father died when he was seven and his godfather, Baron Ickstatt, entrusted his early education to the most powerful group of the time: the Jesuits. Known for its subversive methods and conspiratorial tendencies, the Society of Jesus had a stronghold on Bavaria’s politics and educational system.

“The degree of power to which the representatives of the Society of Jesus had been able to attain in Bavaria was all but absolute. Members of the order were the confessors and preceptors of the electors; hence they had a direct influence upon the policies of government. The censorship of religion had fallen into their eager hands, to the extent that some of the parishes even were compelled to recognize their authority and power. To exterminate all Protestant influence and to render the Catholic establishment complete, they had taken possession of the instruments of public education. It was by Jesuits that the majority of the Bavarian colleges were founded, and by them they were controlled. By them also the secondary schools of the country were conducted.” [4. Vernon L. Stauffer, The European Illuminati]

The inner-workings of the Society of Jesus was quite similar to the occult Brotherhoods it was apparently working against. It functioned with degrees, initiation rites, elaborate rituals and esoteric symbols and had been suppressed countless times in several countries due to its subversive tendencies.

In 1773, Weishaupt’s godfather used his great influence at the University of Ingolstadt to place his godson as chair of canon law. At that time, the institution was under heavy Jesuitical dominance and that particular position was traditionally held by influential Jesuits. Weishaupt’s growing embrace of Age of Enlightenment philosophies placed him at odds with the Jesuits and all kinds of political drama ensued. Despite this fact, Weishaupt learned a lot from the Jesuit’s organization and their subversive methods to obtain power. It is during this time that the idea of a Secret Society began to enter Weishaupt’s thoughts.

“Brilliant, and well trained in the conspiratorial methods of access to power, young Weishaupt decided to organize a body of conspirators, determined to free the world from the Jesuitical rule of Rome.” [5. Peter Tomkins, The Magic of Obelisks]

While some authors believe that the Jesuits (who were suppressed by papal bull in 1773) used Weishaupt to perpetuate their rule, others state that he was seeking to overthrow their powerful hold on Bavarian. On a wider scale, he was convinced that the world would profit from the overthrow of all governmental and religious institutions in the world to replace them by a world-wide, yet secretive, committee of “initiates”. To achieve his aims, he would use Jesuit methods against the Jesuits.

As Weishaupt pursued his studies, he also became knowledgeable in occult mysteries and Hermetism. He recognized the attractive power of this mysterious knowledge and understood that Masonic lodges would be the ideal venue to propagate his views. He, therefore, sought to become a Freemason but was quickly disenchanted with the idea.

“His imagination having taken heat from his reflections upon the attractive power of the Eleusinian mysteries and the influence exerted by the secret cult of the Pythagoreans, it was first in Weishaupt’s thought to seek in the Masonic institutions of the day the opportunity he coveted for the propagation of his views. From this, original intention, however, he was soon diverted, in part because of the difficulty he experienced in commanding sufficient funds to gain admission to a lodge of Masons, in part because his study of such Masonic books as came into his hands persuaded him that the “mysteries” of Freemasonry were too puerile and too readily accessible to the general public to make them worthwhile”. [6. Stauffer, Op. Cit.]

Weishaupt soon realized that to achieve his aims, it would be necessary for him to create his own secretive group, composed of powerful individuals who would embrace his views and help him propagate them.

“He deemed it necessary, therefore, to launch out on independent lines. He would form a model secret organization, comprising “schools of wisdom,” concealed from the gaze of the world behind walls of seclusion and mystery, wherein those truths which the folly and egotism of the priests banned from the public chairs of education might be taught with perfect freedom to susceptible youths.” [7. Ibid.]

The goal of Weishaupt’s organization was simple yet monumental: to overthrow all political and religious institutions in order to replace it with a group of Illuminati initiates. According to him “universal happiness complete and rapid could be achieved by disposing of hierarchy, rank and riches. Princes and nations will disappear without violence from the earth; the human race will become one family; the world will be the abode of reasonable men”. On May 1, 1776, the Order of the Illuminati was founded.

The Bavarian Illuminati

Weishaupt’s Illuminati began humbly with only five members, but after a few years and with powerful connections, the Order became a major political force across the world. Influential deciders, rich industrials, powerful noblemen and mysterious occultists joined the Order and participated in its conspiratorial objectives. Some historians claim that the Order’s quick rise to success was due to a secret meeting between Weishaupt and a mysterious figure named Cagliostro, the most powerful occultist of the time.

“In Ingolsstadt, Cagliostro is believed to have met Adam Weishaupt, professor of philosophy and canon law at the university, who in 1776, had founded the sect of Illuminati. Calling themselves heirs to the Knights Templar, they declared their interest in using celestial intervention as achieved by Cagliostro for the furtherance of a program of worldwide religious reform, but one more radical than Cagliostro’s, “committed to avenging the death of the Templar’s Grand Master Molay by reducing to dust the triple crown of the popes and disposing of the last of the Capet Kings.”

Cagliostro obliged, and described in prophetic detail the decapitation of Louis XVI, an event hardly to be envisaged at that time as anything but improbable.” [8. Tompkins, op. cit.]

The Bavarian Illuminati was originally comprised of three primary grades: Novice, Minerval and Illuminated Minerval. Each grade was designed to achieve particular objectives while assuring complete control and dominance to the apex of the pyramid. Here’s a brief look at each grade.

Novice

Entry-level members of the Bavarian Illuminati were attracted and introduced to the Order using attractive vocabulary (the quest for wisdom and betterment) and occult lore. They were however introduced to a highly monitored and controlling hierarchy, one that resembles the system of the Jesuits. There was no mention of the Order’s political aims.

“Once enrolled, the instruction of each Novice was to be in the hands of his enroller, who kept well hidden from his pupil the identity of the rest of his superiors. Such statutes of the order as he was permitted to read impressed upon the mind of the Novice that the particular ends sought in his novitiate were to ameliorate and perfect his moral character, expand his principles of humanity and sociability, and solicit his interest in the laudable objects of thwarting the schemes of evil men, assisting oppressed virtue, and helping men of merit to find suitable places in the world. Having had impressed upon him the necessity of maintaining inviolable secrecy respecting the affairs of the order, the further duties of subordinating his egoistic views and interests and of according respectful and complete obedience to his superiors were next enjoined. An important part of the responsibility of the Novice consisted in the drawing-up of a detailed report (for the archives of the order), containing complete, information concerning his family and his personal career, covering such remote items as the titles of the books he possessed, the names of his personal enemies and the occasion of their enmity, his own strong and weak points of character, the dominant passions of his parents, the names of their parents and intimates, etc. Monthly reports were also required, covering the benefits the recruit had received from and the services he had rendered to the order. For the building-up of the order the Novice must undertake his share in the work of recruitment, his personal advancement to the higher grades being conditioned upon the success of such efforts. To those whom he enrolled he became in turn a superior; and thus after a novitiate presumably two years in length, the way was open for his promotion to the next higher grade.” [9. Stauffer, op. cit.]

When a Novice proved to his superiors to be worthy of advancement, he was initiated to the grade of Minerval.

Minerval

Minerval seals of the Bavarian Illuminati. These pendants, worn around the necks of Minerval initiates, featured the Owl of Minerva . Also known as the Owl of Wisdom, this symbol is still found today in powerful places: around the White House, hidden on the dollar bill or on the insignia of the Bohemian Club.
Minerval seals of the Bavarian Illuminati. These pendants, worn around the necks of Minerval initiates, featured the Owl of Minerva . Also known as the Owl of Wisdom, this symbol is still found today in powerful places: around the White House, hidden on the dollar bill or on the insignia of the Bohemian Club.

The term Minerval is derived from Minerva who was the Roman goddess of poetry, medicine, wisdom, commerce, weaving, crafts, magic, and the music. She is often depicted with her sacred creature, an owl, which symbolizes her ties to wisdom. An ancient symbol of the mysteries, Minerva is prominently featured in places such as the Library of Congress and the Great Seal of California.

The second grade of the Illuminati was one of indoctrination. The initiates were lectured on the spiritual principles of the Order but had little information regarding the true aims of Weishaupt and his close circle of administrators.

“The ceremony of initiation through which the Novice passed into the grade Minerval was expected to disabuse the mind of the candidate of any lingering suspicion that the order had as its supreme object the subjugation of the rich and powerful, or the, overthrow of civil and ecclesiastical government. It also pledged the candidate to be useful to humanity; to maintain a silence eternal, a fidelity inviolable, and an obedience implicit with respect to all the superiors and rules of the order; and to sacrifice all personal interests to those of the society.” [10. Ibid.]

Minervals were permitted to meet some of their superiors (Illuminated Minervals) and to engage in discussions with them. This privilege alone was a great source of motivation for the new initiates.

Illuminated Minerval

Selected from among the Minerval, the Illuminated Minerval were given specific tasks to accomplish in order to prepare them to take action in the “real world”. Most of their work consisted in the study of mankind and the perfection of methods to direct it. Each Illuminated Minerval was entrusted with a small group of Minervals who were scrutinized, analyzed and lead towards specific directions. Lower-grade members of the Order, therefore, became test subjects for techniques that might be applied to the masses in general.

“To the grade Illuminated Minerval were admitted those Minervals who in the judgment of their superiors were worthy of advancement. Elaborate initiatory ceremonies fixed in the candidate’s mind the notions that the progressive purification of his life was to be expected as he worked his way upward in the order, and that the mastery of the art of directing men was to be his special pursuit as long as he remained in the new grade. To accomplish the latter, i.e., to become an expert psychologist and director of men’s consciences, he must observe and study constantly the actions, purposes, desires, faults, and virtues of the little group of Minervals who were placed under his personal direction and care. For his guidance in this difficult task a complicated mass of instructions was furnished him.

In addition to their continued presence in the assemblies of the Minervals, the members of this grade came together once a month by themselves, to hear reports concerning their disciples, to discuss methods of accomplishing the best results in their work of direction and to solicit each other’s counsel in difficult and embarrassing cases. In these meetings the records of the assemblies of the Minervals were reviewed and rectified and afterwards transmitted to the superior officers of the order.” [11. Ibid.]

From this basic structure, the Illuminati began its expansion. Everything was in place for Weishaupt to achieve an important goal: the infiltration of Freemasonry.

Infiltration of Freemasonry

In 1777, the year following the creation of the Illuminati, Weishaupt joined the Masonic lodge of Theodore of Good Counsel in Munich. Not only did he successfully propagate his views into the lodge, he also managed to get the lodge to be”virtually absorbed into the Illuminist order almost immediately”. [12. Hall, op. cit.]

A definite alliance between the Illuminati and Freemasonry became possible in 1780 when a prominent figure by the name of Baron Adolf Franz Friederich Knigge was initiated into Weishaupt’s Order. The German diplomat’s Masonic connections and organizational skills were promptly put to use by the Order. Knigge would go on to accomplish two important tasks for the Illuminati: He revised the hierarchy of the Order, created new higher grades and allowed the full integration of Masonic lodges into the system.

“Two weighty consequences promptly followed as the result of Kinigge’s advent into the order. The long-sought higher grades were worked out, and an alliance between the Illuminati and Freemasonry was effected.” [13. Ibid.]

Knigge, an influential North German diplomat and occultist joined the Illuminati in 1780. He is here shown displaying the sign of the Hidden Hand (see the article entitled The Hidden Hand that Shaped the World on the Vigilant Citizen).
Knigge, an influential North German diplomat, and occultist joined the Illuminati in 1780. He is here shown displaying the sign of the Hidden Hand (see the article entitled The Hidden Hand that Shaped the World on the Vigilant Citizen).

Knigge’s influence upon the Order was profound and immediate. The new system he devised attracted Freemasons and other powerful figures, which gave the movement great momentum. Here’s the system devised by Knigge:

illuminatigrades1

Knigge’s kept the Order’s original grades untouched but added new grades above them. The second level of the Illuminati incorporated the grades of Freemasonry making, therefore, the Brotherhood simply a part of the wider Illuminist superstructure.

“The grade Novice (a part of the system only in a preparatory sense) was left unchanged by Knigge, save for the addition of a printed communication to be put into the hands of all new recruits, advising them that the Order of the Illuminati stands over against all other forms of contemporary Freemasonry as the one type not degenerate, and as such alone able to restore the craft to its ancient splendor. (…)

The three symbolic grades of the second class seem to have been devised solely for the purpose of supplying an avenue whereby members of the various branches of the great Masonic family could pass to the higher grades of the new order.” [14. Ibid.]

The highest grades of the Order were restricted to a select few and included powerful individuals and influential figures. The grade of Prince held within its ranks National Inspectors, Provincials, Prefects and Deans of the Priests. At the top of the pyramid was the Magus (also known as Areopagites), which comprised the supreme heads of the Order. Their identities were safely guarded and are still difficult to confirm today.

Knigge’s strategy gave impressive results and allowed the Illuminati to become an extremely powerful movement.

“The new method of spreading Illuminism by means of its affiliation with Masonic lodges promptly demonstrated its worth. Largely because of the fine strategy of seeking its recruits among the officers and other influential personages in the lodges of Freemasonry, one after another of the latter in quick succession went over to the new system. New prefectures were established, new provinces organized, and Provincials began to report a steady and copious stream of new recruits. (…) Students, merchants, doctors, pharmacists, lawyers, judges, professors in gymnasia and universities, preceptors, civil officers, pastors, priests — all were generously represented among the new recruits. Distinguished names soon appeared upon the rosters of the lodges of the new system. Duke Ferdinand of Brunswick, Duke Ernst of Gotha, Duke Karl August of Saxe-Weimar, Prince August of Saxe-Gotha, Prince Carl of Hesse, Baron Dalberg, the philosopher Herder, the poet Goethe, the educationist Pestalozzi, were among the number enrolled, By the end of 1784 the leaders boasted of a total enrollment of between two and three thousand members 106. and the establishment of the order upon a solid foundation seemed to be fully assured.” [15. Ibid.]

Weishaupt, however, did not enjoy his Order’s success for long. Suspicions of Illuminati conspiracy against governments and religious arose across Europe. Seeing a credible threat to its power, the Bavarian government launched an edict outlawing all communities, societies, and brotherhoods that existed without due authorization of the law. Furthermore, internal disagreements between Weishaupt and the higher-ups of his Order lead to disputes and dissension. In the midst of it all, some members went directly to the authorities and testified against the Order, an opportunity that was not missed by the Bavarian government.

“Out of the mouths of its friends, the accusations which its enemies made against the order were to be substantiated. By the admissions of its leaders, the system of the Illuminati had the appearance of an organization devoted to the overthrow of religion and the state, a band of poisoners and forgers, an association of men of disgusting morals and depraved tastes.” [16. Ibid.]

By 1788, through the use of aggressive legislation and criminal charges, the Bavarian Illuminati was apparently dissipated and destroyed by the government. While some see here the conclusion of the story of the Illuminati, one must not forget that the tentacles of Illuminism had the time to spread way beyond to confines of Bavaria to reach Masonic lodges across Europe. In other words, the Illuminati was never destroyed, it simply went underground. A year later, an important event would prove that Illuminism was more potent than ever: The French Revolution.

The French Revolution

The violent overthrow of the French Monarchy in 1789 symbolizes to many the victory of Jacobinism and Illuminism over the traditional institutions of the time. The adoption of the Declaration of Human Rights officially recorded Masonic and Illuminist values into the core of the French government. The country’s new motto “Liberté, Égalité et Fraternité” (Freedom, Equality and Brotherhood) was said to be a famous Masonic saying that was used in French lodges for centuries.

The official document of the Declaration of Human Rights contains several occult symbols referring to Secret Societies. First, the symbol of the All Seeing Eye within a triangle, surrounded by the light of the blazing star Sirius, is found above everything else (this symbol is also found on the Great Seal of the United States). Underneath the title is depicted an Ouroboros (a serpent eating its own tail), an esoteric symbol associated with Alchemy, Gnosticism and Hermetism, the core teachings of Masonry. Right underneath the Ouroboros is a red phrygian cap, a symbol representing Illuminist revolutions across the world. The entire Declaration is guarded by Masonic pillars.
The official document of the Declaration of Human Rights contains several occult symbols referring to Secret Societies. First, the symbol of the All-Seeing Eye within a triangle, surrounded by the light of the blazing star Sirius, is found above everything else (this symbol is also found on the Great Seal of the United States). Underneath the title is depicted an Ouroboros (a serpent eating its own tail), an esoteric symbol associated with Alchemy, Gnosticism, and Hermetism, the core teachings of Masonry. Right underneath the Ouroboros is a red Phrygian cap, a symbol representing Illuminist revolutions across the world. The entire Declaration is guarded by Masonic pillars.

Backlash Against Illuminism

If though Bavarian Illuminati was said to be dead, the ideas it promoted still became a reality. The Freemasons and Rosicrucians were still thriving, and the Illuminati appeared to be living through them. Europe was undergoing profound turmoil as a new class of people took the helms of power. Critics began to emerge, revealing to the masses the secret forces behind the changes they were witnessing.

Leopold Hoffman, a Freemason who was convinced that the Illuminati corrupted his Brotherhood, published a series of articles in his journal entitled Wiener Zeitschrift.  He claimed that the lower grades of the Illuminati had been dissolved, but the highest degrees were still active. He also added that Freemasonry was being “subjugated by Illuminism” and transformed to serve its ends. He also stated that the French Revolution was the result of years of Illuminist propaganda.

In 1797, John Robinson, a Scottish physician, mathematician and inventor (he invented the siren) published a book entitled “Proofs of a Conspiracy against All the Religions and Governments of Europe, carried on in the Secret Meetings of the Free Masons, Illuminati, and Reading Societies”. This devout Freemason became disenchanted when he realized that his brotherhood had been infiltrated by the Illuminati. Here’s an excerpt from his book:

“I have found that the covert of a Mason Lodge had been employed in every country for venting and propagating sentiments in religion and politics, that could not have circulated in public without exposing the author to great danger. I found, that this impunity had gradually encouraged men of licentious principles to become more bold, and to teach doctrines subversive of all our notions of morality—of all our confidence in the moral government of the universe—of all our hopes of improvement in a future state of existence—and of all satisfaction and contentment with our present life, so long as we live in a state of civil subordination. I have been able to trace these attempts, made, through a course of fifty years, under the specious pretext of enlightening the world by the torch of philosophy, and of dispelling the clouds of civil and religious superstition which keep the nations of Europe in darkness and slavery.

I have observed these doctrines gradually diffusing and mixing with all the different systems of Free Masonry; till, at last, AN ASSOCIATION HAS BEEN FORMED for the express purpose of ROOTING OUT ALL THE RELIGIOUS ESTABLISHMENTS, AND OVERTURNING ALL THE EXISTING GOVERNMENTS OF EUROPE. I have seen this Association exerting itself zealously and systematically, till it has become almost irresistible: And I have seen that the most active leaders in the French Revolution were members of this Association, and conducted their first movements according to its principles, and by means of its instructions and assistance, formally requested and obtained: And, lastly, I have seen that this Association still exists, still works in secret, and that not only several appearances among ourselves show that its emissaries are endeavouring to propagate their detestable doctrines, but that the Association has Lodges in Britain corresponding with the mother Lodge at Munich ever since 1784. . . The Association of which I have been- speaking is the order of ILLUMINATI, founded, in 1775 [sic], by Dr. Adam Weishaupt, professor of Canon-law in the University of Ingolstadt, and abolished in 1786 by the Elector of Bavaria, but revived immediately after, under another name, and in a different form, all over Germany. It was again detected, and seemingly broken up; but it had by this time taken so deep root that it still subsists without being detected, and has spread into all the countries of Europe” [17. John Robinson, Proofs of a Conspiracy]

Augustin Barrel, a French Jesuit priest also published in 1797 a book linking the French Revolution to the Bavarian Illuminati. In “Mémoires pour servir à l’histoire du Jacobisime”, he traced back the slogan “Liberty and Equality” back to the early Templars and claimed that, in the higher degrees of the order, liberty and equality is explained not only by “war against kings and thrones” but by “war against Christ and his altars”. He also provided details pertaining to the Illuminist take-over of Freemasonry.

“Barruel charged that not only the lower order of Masonry were duped by Weishaupt, but also those of Weishaupt’s own Illuminati, for whom he had provided another top-secret level of direction known as the Aeopagus, a withdrawn circle of directors of the whole order, who alone knew its secret aims. To Barruel, such revolutionary leaders as La Rochefoucauld, Lafayette, and the duc d’Orléans, had become Illuminati agents and dupes of more extreme radicals such as Danton, provocateurs who sparked the Illuminati-directed rebellion. Barruel further charged that the entire French Masonic establishment had been converted to Weishaupt’s revolutionary ideas, its lodges turned into secret committees which planned bloodshed.” [18. Tompkins, op. cit.]

Propagation in America

Most of America’s Founding Fathers were part of Secret Societies, whether the Freemasons, the Rosicrucians or others. Some of them traveled to Europe and were well versed in the doctrines of the Illuminati.

From 1776 to 1785 – when the Bavarian Illuminati was openly active – Benjamin Franklin was in Paris serving as the ambassador of the United States to France. During his stay, he became Grand Master of the lodge Les Neufs Soeurs which was attached to the Grand Orient of France. This Masonic organization was said to have become the French headquarters of the Bavarian Illuminati. It was particularly influential in the organizing of the French support for the American Revolution and was later part of the process towards the French Revolution.

In 1799, when German minister G.W. Snyder warned George Washington of the Illuminati plan “to overthrow all governments and religion”, Washington replied that he had heard “much of the nefarious and dangerous plan and doctrines of the Illuminati“. He, however, concluded his letter by stating: “I believe notwithstanding, that none of the Lodges in this country are contaminated with the principles ascribed to the society of Illuminati“.

In another letter to Snyder, written a month later, Washington continued on the topic:

“It was not my intention to doubt that, the Doctrines of the Illuminati, and principles of Jacobinism had not spread in the United States. On the contrary, no one is more truly satisfied of this fact than I am.

The idea that I meant to convey, was, that I did not believe that the Lodges of Free Masons in this Country had, as Societies, endeavoured to propagate the diabolical tenets of the first, or pernicious principles of the latter (if they are susceptible of separation). That Individuals of them may have done it, or that the founder, or instrument employed to found, the Democratic Societies in the United States, may have had these objects; and actually had a separation of the People from their Government in view, is too evident to be questioned.”

Part of the original letter written by George Washington regarding the Illuminati
Part of the original letter written by George Washington regarding the Illuminati

Judging by this letter, George Washington was obviously well aware of the doctrines of the Illuminati And even if he did not believe that the Masonic institutions of the United States propagated its doctrines, he concedes that individuals might have undertaken that endeavor.

After the Bavarian Illuminati

Today, the term Illuminati is used to loosely describe the small group of powerful individuals who are working towards the creation of a World Government, with the issue of a single world currency and a single world religion. Although it is difficult to determine if this group descends directly from the original Bavarian Illuminati or that it even uses the term Illuminati, its tenets and methods are in perfect continuation of it. As stated above, the name that is used to describe the occult elite can change. And, ultimately, the name is irrelevant; what needs to be recognized is the underlying current that has existed for centuries.

According to Manly. P Hall, the Bavarian Illuminati was part of what he calls the “Universal Brotherhood”, an invisible Order at the “source” of most Hermetic Secret Societies of the past. It has worked for centuries towards the transformation of mankind, guiding it through a worldwide alchemical process. The same way the alchemical Great Work seeks to turn crude metals into gold, it claims to work towards a similar metamorphosis of the world. According to Hall, the Universal Brotherhood sometimes makes itself visible, but under the guise of different names and symbols. This would mean that the Knights Templars, Freemasons, Rosicrucians, and Illuminati are temporarily visible manifestations of an underlying force that is infinitely more profound and more powerful. However, human beings being what they are – weak toward greed and power-lust – these movements often become corrupted and end up conspiring against the masses for more power and material gain.

“Certainly there was an undercurrent of things esoteric, in the most mystical sense of the word, beneath the surface of Illuminism. In this respect, the Order followed exactly in the footsteps of the Knights Templars. The Templars returned to Europe after the Crusades, bringing with them a number of choice fragments of Oriental occult lore, some of which they had gathered from the Druses of Lebanon, and some from the disciples of Hasan Ibn-al-Sabbah, the old wizard of Mount Alamut.

If there was a deep mystical current flowing beneath the surface of Illuminism, it is certain that Weishaupt was not the Castalian Spring. Perhaps the lilies of the Illuminati and the roses of the Rosicrucians were, by a miracle of Nature, flowing from the same stem. The old symbolism would suggest this, and it is not always wise to ignore ancient landmarks. There is only one explanation that meets the obvious and natural requirements of the known facts. The Illuminati were part of an esoteric tradition which had descended from remote antiquity and had revealed itself for a short time among the Humanists of Ingolstadt. One of the blossoms of the “sky plant” was there, but the roots were afar in better ground”. [19. Hall, op. cit.]

Hall concludes that the Illuminati existed long before the advent of Weishaupt’s Order and that it still exists today. It was under the guise of defeat and destruction that the Illuminati realized its greatest victories.

“Weishaupt emerged as a faithful servant of a higher cause. Behind him moved the intricate machinery of the Secret School. As usual, they did not trust their full weight to any perishable institution. The physical history of the Bavarian Illuminati extended over a period of only twelve years. It is difficult to understand, therefore, the profound stir which this movement caused in the political life of Europe. We are forced to the realization that this Bavarian group was only one fragment of a large and composite design.

All efforts to discover the members of the higher grades of the Illuminist Order have been unsuccessful. It has been customary, therefore, to assume that these higher grades did not exist except in the minds of Weishaupt and von Knigge. Is it not equally possible that a powerful group of men, resolved to remain entirely unknown, moved behind Weishaupt and pushed him forward as a screen for its own activities?

The ideals of Illuminism, as they are found in the pagan Mysteries of antiquity, were old when Weishaupt was born, and it is unlikely that these long-cherished convictions perished with his Bavarian experiment. The work that was unfinished in 1785 remains unfinished in 1950. Esoteric Orders will not become extinct until the purpose which brought them into being has been fulfilled. Organizations may perish, but the Great School is indestructible”. [20. Ibid.]

The Great Seal of the United States features the unfinished Great Pyramid of Giza, a symbol of the unfinished work of the Esoteric Orders: a New World Order. The Seal was adopted on the American dollar by Franklin Delano Roosevelt, a 32nd Degree Freemason and a Knight of Pythias with ties Manly P. Hall.
The Great Seal of the United States features the unfinished Great Pyramid of Giza, a symbol of the unfinished work of the Esoteric Orders: a New World Order. The Seal was adopted on the American dollar by Franklin Delano Roosevelt, a 32nd Degree Freemason and a Knight of Pythias with ties Manly P. Hall.

The Illuminati Today

If the Illuminist Agenda is still alive today, what form does it take? From the esoteric and spiritual point of view, some modern Secret Societies such as the O.T.O. (Ordo Templi Orientis) have claimed to be the heirs of Illuminism. Other researchers stated that there exist hidden Orders above the 33 “visible” degrees of Freemasonry that form the Illuminati. As they are, by definition, secret, obtaining details about these Orders is quite difficult.

The political side of modern Illuminism is a lot more visible and its plans are obvious. An increasingly restrictive and concentrated group is being entrusted with the creation of important decisions and policies. International committees and organizations, acting above elected officials are today creating social and economic policies that are applied on a global level. This phenomenon is rather new in world history as a rather than kingdoms or nation-states, a non-elected shadow government, composed of the world’s elite, is gradually becoming the center of world power.

“On another political plane are ideological groups such as the Council on Foreign Relations, or participants in the World Economic Forum. Here we find leaders in politics, business, finance, education, and the media who share a belief in the value of global solutions; are in position of high authority and influence; and represent different levels of involvement with the inner circle of the group. Most members simply welcome the opportunity to associate with other well-known luminaries and are honored by being offered membership or attendance privileges. Yet, the ideology at the highest levels of such groups supports a world government – to be administered by a class of experts and planners, entrusted with running centrally organized social and political institutions. Although members may be persuaded to add their considerable voices to certain transnational political and economic policies, they may bot be as supportive (or even aware) of the long-range ambitions of the inner circle. While these groups quite often hold their meetings in secret, their membership lists are a matter of public record. It is the central agenda that is disguised.” [21. Wasserman, op. cit.]

The main elite groups and councils are the International Crisis Group, the Council on Foreign Relations, the World Economic Forum, the Brookings Institution, Chatham House, the Trilateral Commission and the Bilderberg Group. The Bohemian Club is known to hold informal gatherings of the world elite punctuated with strange ceremonies and rituals. The Club’s insignia is an Owl similar to the one found on the Bavarian Illuminati’s Minerval seal.

Insignia of the Bohemian Club
Insignia of the Bohemian Club

If one would carefully study the members and attendees of these exclusive clubs, one would notice that they combine the most powerful politicians, CEOs and intellectuals of the time with lesser-known individuals with famous names. They are descendants of powerful dynasties that rose to power by taking over vital aspects of modern economies, such as the banking system, the oil industry or mass media. They have been associated with game-changing events, such as the creation of the Federal Reserve in 1913. This act completely modified the banking system of the United States, placing it in the hands of a few elite corporations. A proof of this is the court decision of 1982 stating that “The Reserve Banks are not federal instrumentalities for purposes of the FTCA [the Federal Tort Claims Act], but are independent, privately owned and locally controlled corporations“.

In his book “Bloodlines of the Illuminati”, controversial author Fritz Springmeier claims that today’s Illuminati is formed from the descendants of thirteen powerful families whose ancestors had close or distant ties to the original Bavarian Illuminati. According to Springmeier, the 13 bloodlines are the Astors, the Bundys, the Collins, the DuPonts, the Freemans, the Kennedys, the Li, the Onassis, the Reynolds, the Rockefellers, the Rothschilds, the Russells and the Van Duyns. [22. Fritz Springmeier, The Bloodlines of the Illuminati]

There is no doubt that by virtue of the material and political resources they own, some of these families have a great deal of power in today’s world. They appear to form the core of what we call today the Illuminati. However, are they conspiring to create a New World Order? Here’s a quote from David Rockefeller’s memoirs that might answer some questions:

“For more than a century, ideological extremists at either end of the political spectrum have seized upon well-publicized incidents such as my encounter with Castro to attack the Rockefeller family for the inordinate influence they claim we wield over American political and economic institutions. Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that is the charge, I stand guilty, and I am proud of it.” [23. David Rockefeller, Memoirs]

In Conclusion

The story of the Illuminati has been repressed or revealed, debunked or exposed, ridiculed or exaggerated countless times – all depending on the point of the authors and whether they are “apologists” or “critics”.  To obtain the absolute truth about a group that was always meant to be secret is quite a challenge and one must use a great deal of judgment and discernment to differentiate the facts from the fabrications. As it is not possible to answer all of the questions relating to the Illuminati, this article simply attempted to draw a more precise picture of the Order and to present important facts relating to it.

Today’s political atmosphere is quite different from the time of Weishaupt and the American Founding Fathers, yet there are still many similarities. While the Bavarian Illuminists purportedly denounced the political and religious oppression of the Vatican, a new kind of oppression is taking form. As democracies merge into a single world government, as privacy and freedoms become replaced by “security” and high tech surveillance, as schools crack down on critical thinking, as mass media dumbs-down and disinforms the masses, as secret operations carry out crimes against humanity and as all major protests get violently repressed by a growing police state, it is easy to draw the conclusion that a similarly repressive system is currently being instated. Did the Illuminati truly “liberate” the Western World from the oppression of the Vatican or did it simply continue in its footsteps?

“The minority, the ruling class at present, has the schools and press, usually the Church as well, under its thumb. This enables it to organize and sway the emotions of the masses, and make its tool of them.”
– Albert Einstein

“Scream and Shout”: A Video About Britney Spears Being Under Mind Control

will.i.am and Britney Spears’ video “Scream and Shout” features Britney “singing” in a British accent. But that’s not the only mind-control related part of this video. In this article, we’ll look at the Monarch programming symbolism in “Scream and Shout”.

Britney Spears is probably the most obvious victim of mind control in the music industry. If the strange facts regarding her personal life are not enough to convince an educated observer, the symbolism surrounding her act tells it all. Almost as if her handlers were mocking her sad mental state while bragging about it to the public, Britney is made to perform in videos such as Hold it Against Me and Scream and Shout – which symbolically refer to her own mental slavery.

Like all things related to the occult elite, the message is conveyed in veiled symbolic ways that require some prior knowledge to be understood. Viewed in this way, Scream and Shout is yet another example of a pop video laced with mind control symbolism hidden under the guise of “style” and aesthetics.

While will.i.am appears to be playing the role of the handler (he “selects” a Monarch programming alter persona at the beginning of the video), Britney plays the role of the slave, even singing with a weird British accent – as if an alter persona had been triggered. Monarch slaves can indeed be programmed to embody a totally different identity, complete with a backstory and an accent.

The disturbing fact about Britney singing with a British accent is that during the time she made tabloid news for “mental problems”, she was caught speaking with a British accent in real life. Here’s an article from 2008 that describes Britney’s strange behavior. It even states that her odd behavior is symptomatic of “dissociative identity disorder” – a medical term that pretty much describes what Monarch programming is all about. (Also, notice the animal-print dress in the next picture – a pattern used to identify Sex-Kitten Monarch slaves).

Britney Spears Lapses Into a British Accent

Britney Spears has a new accessory to go with her pink wig: a British accent.

In the last several weeks, Spears, 26, has been videotaped numerous times trading her Louisiana twang for U.K. inflections.

“She had the English accent thing going the whole time” while shopping at Kitson last Thursday, according to a source. “It didn’t stop.”

Even when angry, the accent appears. On an L.A. shopping trip to Macy’s on Jan. 13, she screamed at the paparazzi, “Get out of my G—— face!” – in a British accent.

So is it all in fun or has she flipped her pink wig?

“When someone has dissociative identity disorder” – formerly known as multiple personality disorder – “each identity is split off from the other,” says L.A. psychologist Renee A. Cohen, who is not treating Spears. “Each identity would have its own name, memories, behavioral traits and emotional characteristics.”

Cohen says the critical question is: “When Britney uses the British accent, or appears to take on another identity, does she know she’s Britney Spears?”

“Otherwise, she could simply be behaving this way for attention, for sympathy, or any other reason,” adds Cohen. “It’s foolish to attempt to diagnose her without a formal evaluation.”

One possible influence could be Spears’s maternal grandmother, Lilian Bridges, who was originally from England.

Also, Spears’s new beau, photographer Adnan Ghalib, grew up in Birmingham, England.

According to paparazzi who trail the singer around the clock, one thing is for sure: the pink wig means something’s changing.

“When she puts on the pink wig, you just know something crazy is about to happen,” said one paparazzo.

– Source: People.com

So Britney, who has been diagnosed with severe psychological issues, sings with a British accent, a symptom of dissociative identity disorder, one of her reported conditions. Isn’t this a little twisted? Using a symptom of mental illness in a pop song? Especially considering the fact that she most probably was told to do this? But the actual truth behind all of this is even more twisted: Britney does not simply have “psychological issues” … she is a victim of mind control. She most likely has several personas programmed into her – one which may have a British accent. In Scream and Shout this alter appears to be switched on. This might sound a little outlandish, but the symbolism in the video makes everything clear.

(For more information on Monarch Mind Control, please read the article entitled Origins and Techniques of Monarch Mind Control first).

Scream and Shout … That It’s About Mind Control

According to the video director Ben More, the theme of the video is multiplicity. More says the idea behind it “was essentially trying to reduce what the song is about to symbols”. Britney multiplying herself and extensive MK-related imagery indeed give the video a dark symbolic meaning.

The video does not have an intricate storyline, instead, it is comprised of a series shots with aesthetic appeal. And, of course, MK symbolism. Rather than babble for days about this video, I’ll just highlight some of its symbolic shots – all of which follow themes promoted by the elite such as mind control and dehumanization.

Multiplying Personas

Is Will.I.Am selecting Britney’s alter persona?

The video begins with will.i.am browsing through filters (à la Instagram) to apply on a picture of a butterfly. This scene can represent will.i.am as a Monarch Programming Handler who switches and triggers alter personas of an MK slave. This slave is represented here by a Monarch butterfly having alters applied to it the same way filters are applied to pictures. But who is the MK butterfly? Britney Spears with her fake British accent, of course.

On several occasions, Britney is shown "multiplying herself". Is it a way of symbolically representing her having multiple personas?
On several occasions, Britney is shown “multiplying herself”. Is it a way of symbolically representing her multiple personas? will.i.am gets the same treatment – handlers are often MK victims themselves.

 

In this apparently random scene, an unknown hooded person smashes into a wall and breaks in multiple pieces. Does this represent a MK slave fragmenting in multiple personalites?
In this apparently random scene, an unknown hooded person smashes into a wall and breaks into multiple pieces. Does this represent an MK slave fragmenting into multiple personalities?

Dehumanization

The theme of transhumanism, robotization, and dehumanization is always prevalent in MK-themed videos, and this one is no exception. On top of the heavily auto-tuned and robotic singing in the video, viewers are treated to visuals that mirror the constant trend of dehumanization in mass media. Hidden under the guise of being futuristic, these images tell viewers what the elite thinks the future SHOULD look like.

This artificial limb company probably paid a good chunk of change to have its product featured in the video. It is also there because it perfectly synchs with the robotic-dehumanized theme of the video.
This artificial limb company probably paid a good chunk of change to have its product featured in the video. It is also featured in the video because it perfectly syncs with the robotic-dehumanized theme of the video.

 

The above image is somewhat remiscient of this now popular image representing transhumanism - which pushes the merging of humans with robots.
The image from the video is reminiscent of this popular image representing transhumanism – which pushes the merging of humans with robots.

 

Here we see a 3D model of Will.I.Am being conceived. In other words, a synthetic, alter Will.I.Am.
Here we see a 3D model of will.i.am being conceived … a synthetic will.i.am created by a machine.

 

Portrayed as mounted trophies? Like we do with animals that were hunted? Who hunted them? Their handlers?
Portrayed as mounted trophies? The same way hunters proudly display the animals they shot? Not very engrossing.

One-Eye

Of course, in this MK-Ultra themed video, there’s some one-eye imagery going on.

One of this guy's eyes is apparently a camera lens - a futuristic way of placing inevitable the one-eye sign into the video.
One of this guy’s eyes is apparently a camera lens – a creepy, futuristic way of placing the inevitable one-eye sign into the video.

 

Guy on the left: Yup, one-eye once again.
Guy on the left: one-eye for no particular reason.

Finding Another Victim?

The video ends in a symbolic matter. Will.I.Am fires a net, catching a golden statue representing a naked woman. Did the handler find a new victim to program?
will.i.am fires a net that catches a golden statue of a naked woman. Did the handler find a new victim to program?

 

In Conclusion

When one understands the true living conditions of Britney Spears as a Monarch slave under the control of MK handlers – the underlying meaning of her video Scream and Shout is somewhat unsettling. There is something seriously twisted about having her sing and perform about her own enslavement, going as far as having her adopt a British accent, like when she was completely “broken down” in 2008. There is something even more twisted in having young people from all over the world watching this imagery, not knowing that it symbolically refers to Monarch Programming, a practice that as sadistic as it is horrifying.

Regular readers of Vigilant Citizen might notice that there is redundancy in the messages and imagery found in recent pop videos. While this also causes some of my music business articles to be somewhat redundant, my goal is to highlight the pattern that emerges, to prove that there is a conscious and sustained effort to push a specific agenda to the masses. Each repetition is further proof that there is no coincidence or “reaching” here, just the execution of a clear and defined agenda focused on the propagation and normalization of a specific set of messages and symbols.

Given the way Britney is mocked in her own video, it is easy to understand that not only do those in control not have positive intentions … but that they relish the fact that they own this virtual slave. Considering that state of mind, wouldn’t you think that they’d love to see the whole world, to a certain extent, under this type of mind control?

 

Origins and Techniques of Monarch Mind Control

Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim)  and the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler.  While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.

 

NOTE: This article contains disturbing elements and might trigger Monarch survivors.

Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery, and the entertainment industry. This article will look at the origins of Monarch programming, its techniques, and its symbolism.

Origins

Throughout the course of history, several accounts have been recorded describing rituals and practices resembling mind control. One of the earliest writings giving reference to the use of occultism to manipulate the mind can be found in the Egyptian Book of the Dead. It is a compilation of rituals, heavily studied by today’s secret societies, which describes methods of torture and intimidation (to create trauma), the use of potions (drugs) and the casting of spells (hypnotism), ultimately resulting in the total enslavement of the initiate. Other events ascribed to black magic, sorcery and demon possession (where the victim is animated by an outside force) are also ancestors of Monarch programming.

It is, however, during the 20th century that mind control became a science in the modern sense of the term, where thousands of subjects have been systematically observed, documented and experimented on.

One of the first methodical studies on trauma-based mind control was conducted by Josef Mengele, a physician working in Nazi concentration camps. He initially gained notoriety for being one of the SS physicians who supervised the selection of arriving prisoners, determining who was to be killed and who was to become a forced laborer. However, he is mostly known for performing grisly human experiments on camp inmates, including children, for which Mengele was called the “Angel of Death”.

josef-mengele-1935-e1300215793662
Joseph Mengele, 1935

Mengele is infamous for his sordid human experiments on concentration camps prisoners, especially on twins. A part of his work that is rarely mentioned however, is his research on mind control. Much of his research in this field was confiscated by the Allies and is still classified to this day.

“DR. GREEN (Dr. Joseph Mengele): The most significant programmer, perhaps one could give him the title of the father of Monarch Programming was Joseph Mengele, an ex-Nazi Concentration Camp doctor. Thousands of Monarch mindcontrolled slaves in the U.S. had “Dr. Green” as their chief programmer.” [1. Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave]

“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip. The Nazis continued their work in developing mind control and rocketry technologies in secret underground military bases. The only thing we were told about was the rocketry work with former Nazi star celebrities like Warner Von Braun. The killers, torturers, and mutilators of innocent human beings were kept discretely out of sight, but busy in U.S. underground military facilities which gradually became home to thousands upon thousands of  kidnapped American children snatched off the streets (about one million per year) and placed into iron bar cages stacked from floor to ceiling as part of the ‘training’. These children would be used to further refine and perfect Mengele’s mind control technologies. Certain selected children (at least the ones who survived the ‘training’) would become future mind controlled slaves who could be used for thousands of different jobs ranging anywhere from sexual slavery to assassinations. A substantial portion of these children, who were considered expendable, were intentionally slaughtered in front of (and by) the other children in order to traumatize the selected trainee into total compliance and submission”. [2. Ken Adachi, Mind Control the Ultimate Terror]

Mengele’s research served as a basis for the covert, illegal CIA human research program named MK-ULTRA.

MK-ULTRA

Mkultra-lsd-doc
Declassified MK-Ultra document

Project MK-ULTRA ran from the early 1950s to at least the late 1960s, using American and Canadian citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the use of many methodologies to manipulate individual mental states and alter brain functions, including the surreptitious administration of drugs and other chemicals, sensory deprivation, isolation, and verbal and physical abuse.

The most publicized experiments conducted by MK-ULTRA involved the administration of LSD on unwitting human subjects, including CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public, in order to study their reactions.

However, the scope of MK-ULTRA does not however stop. Experiments involving violent electroshocks, physical and mental torture and abuse were used in a systematic matter on many subjects, including children.

Declassified picture of a young MK-ULTRA subject, 1961.
Declassified picture of a young MK-ULTRA subject, 1961.

Although the admitted goals of the projects were to develop torture and interrogation methods to use on the country’s enemies, some historians asserted that the project aimed to create “Manchurian Candidates”, programmed to perform various acts such as assassinations and other covert missions.

MK-ULTRA was brought to light by various commissions in the 1970s, including the Rockefeller Commission of 1975. Although it is claimed that the CIA stopped such experiments after these commissions, some whistle-blowers have come forth stating that the project simply went “underground” and Monarch Programming has become the classified successor of MK-ULTRA.

The most incriminating statement to date made by a government official as to the possible existence of Project MONARCH was extracted by Anton Chaitkin, a writer for the publication The New Federalist. When former CIA Director William Colby was asked directly, “What about monarch?” he replied angrily and ambiguously, “We stopped that between the late 1960s and the early 1970s.” [3. Anton Chaitkin, “Franklin Witnesses Implicate FBI and U.S. Elites in Torture and Murder of Children”, The New Federalist]

Monarch Programming

Although there has never been any official admittance of the existence of Monarch programming, prominent researchers have documented the systematic use of trauma on subjects for mind-control purposes. Some survivors, with the help of dedicated therapists, were able to “deprogram” themselves to then go on record and disclose the horrifying details of their ordeals.

Monarch slaves are mainly used by organizations to carry out operations using patsies trained to perform specific tasks, who do not question orders, who do not remember their actions and, if discovered, who automatically commit suicide. They are the perfect scapegoats for high-profile assassinations (see Sirhan Sirhan), the ideal candidates for prostitution, slavery and private movie productions. They are also the perfect puppet performers for the entertainment industry.

“What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.

People say, “What’s the purpose of it?” My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they’ll create a Satanic Order that will rule the world”. [4. D. Corydon Hammond, Ph.D]

Monarch programmers cause intense trauma to subjects through the use of electroshock, torture, abuse and mind games in order to force them to dissociate from reality – a natural response in some people when they are faced with unbearable pain. The subject’s ability to dissociate is a major requirement and it is, apparently, most readily found in children that come from families with multiple generations of abuse. Mental dissociation enables the handlers to create walled-off personas in the subject’s psyche, which can then be programmed and triggered at will.

“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.

Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”. [5. Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse]

Monarch mind control is covertly used by various groups and organizations for various purposes. According to Fritz Springmeier, these groups are known as “The Network” and form the backbone of the New World Order.

Origins of the Name

Monarch mind control is named after the Monarch butterfly – an insect who begins its life as a worm (representing undeveloped potential) and, after a period of cocooning (programming) is reborn as a beautiful butterfly (the Monarch slave). Some characteristics specific to the Monarch butterfly are also applicable to mind control.

“One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind control.” [6. Ibid.]

“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.” [7. Ron Patton, Project Monarch]

Method

The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.

The following is a partial list of these forms of torture:

1. Abuse and torture

2. Confinement in boxes, cages, coffins, etc, or burial (often with an opening or air-tube for oxygen)

3. Restraint with ropes, chains, cuffs, etc.

4. Near-drowning

5. Extremes of heat and cold, including submersion in ice water and burning chemicals

6. Skinning (only top layers of the skin are removed in victims intended to survive)

7. Spinning

8. Blinding light

9. Electric shock

10. Forced ingestion of offensive body fluids and matter, such as blood, urine, feces, flesh, etc.

11. Hung in painful positions or upside down

12. Hunger and thirst

13. Sleep deprivation

14 Compression with weights and devices

15. Sensory deprivation

16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously

17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents

18. Limbs pulled or dislocated

19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust

20. Near-death experiences, commonly asphyxiation by choking or drowning, with immediate resuscitation

22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives

23. Forced participation in slavery

24. Abuse to become pregnant; the fetus is then aborted for ritual use, or the baby is taken for sacrifice or enslavement

25. Spiritual abuse to cause victim to feel possessed, harassed, and controlled internally by spirits or demons

26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities

27. Abuse and illusion to convince victims that God is evil, such as convincing a child that God has abused her

28. Surgery to torture, experiment, or cause the perception of physical or spiritual bombs or implants

29. Harm or threats of harm to family, friends, loved ones, pets, and other victims, to force compliance

30. Use of illusion and virtual reality to confuse and create non-credible disclosure [8. Ellen P. Lacter, Ph.D., Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control]

“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” [9. Springmeier, op. cit.]

“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. [10. Patton, op. cit.]

Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings, and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks, and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. [11. Ibid.] Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty.

The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.
The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.

In each case, the slave is given a particular interpretation of the movie’s storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies.

“As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, “Imagine you are watching a favorite television show.” This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.” [12. Springmeier, op. cit.]

Levels of Monarch Programming

The levels of Monarch Programming identify the slave’s “functions” and are named after the Electroencephalography (EEG) brainwaves associated with them.

Types of brain waves in EEG
Types of brain waves in EEG

Regarded as “general” or regular programming,  ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victim’s personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.

BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses, and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denotes Kitten programming.

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression are evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. [13. Patton, op. cit.]

In Conclusion

It is difficult to remain objective when describing the horrors endured by Monarch slaves. The extreme violence, the abuse, the mental torture and sadistic games inflicted on victims by “notable scientists” and high-level officials prove the existence of a true “dark side” in the powers that be. Despite the revelations, the documents, and the whistle-blowers, a great majority of the population ignores, dismisses or avoids the issue altogether. Over two million Americans have been programmed by trauma mind-control since 1947 and the CIA publicly admitted its mind control projects in 1970. Movies such as The Manchurian Candidate have directly referred to the subject, even depicting actual techniques, such as electroshock, the use of trigger words and microchip implementation. Several public figures we see on our TV and movie screens are mind control slaves. Famous people such as Candy Jones, Celia Imrie and Sirhan Sirhan have gone on record and disclosed their mind control experiences…and yet the general public claims that it “cannot exist”.

The research and funds invested in project Monarch do not however only apply to mind control slaves. Many of the programming techniques perfected in these experiments are applied on a mass scale through mass media. Mainstream news, movies, music videos, advertisements and television shows are conceived using the most advanced data on human behavior ever compiled. A lot of this comes from Monarch programming.

 

 

Nurse Who Answered Prank Call at Kate’s Hospital Found Dead

One of the first “commoners” to be somewhat in contact with Kate and William’s unborn baby is found dead shortly afterwards in suspected “suicide”. The events leading to this death are quite strange.

Nurse Jacintha Saldanha took a prank call made by an Australian radio station impersonating the Queen and transferred it to another nurse who divulged personal information about Kate’s health. According to news sources, this faux-pas might have caused her to take her own life shortly afterwards.

It is way too early to advance any kind of conclusion regarding this story, but its premise is rather suspicious. I hope we are not looking at some kind of ritual sacrifice.

Nurse Jacintha Saldanha who took a prank phone call at Duchess of Cambridge’s hospital is found dead in suspected suicide

A nurse who was duped into transferring a prank call from two Australian radio presenters at the hospital treating the Duchess of Cambridge for severe morning sickness was found dead in a suspected suicide.

Jacintha Saldanha, 46, a nurse at the King Edward VII’s Hospital in central London, answered the call at 5.30am on Tuesday from the Sydney-based 2Day FM station, whose DJs pretended to be the Queen and Prince Charles. Ms Saldanha put them through to a colleague who provided details of the Duchess’s condition.

Mrs Saldanha was found unconscious at a nurses’ residence close to the private hospital in Marylebone, central London, at about 9.35am this morning and despite the efforts of paramedics could not be revived. Scotland Yard said the death was not being treated as suspicious, and a source said officers were investigating whether she had taken her own life. Mental health experts cautioned against any assumptions about factors contributing to her death.

The nurse, a mother-of-two who started working at the hospital in 2008, is the first member of staff heard to answer on a recording of the hoax call from presenters Mel Greig and Michael Christian.

Ms Greig, seeking to impersonate the Queen, asked to be put through to “my grand-daughter”, prompting Mrs Saldanha to reply: “Oh yes, just hold on ma’am.”

The hospital, which is rated as one of London’s best private medical establishments and has a reputation for closely guarding the privacy of its patients, spoke of its shock and “very deep sadness” at the death of Ms Saldanha, whose partner and two sons live in Bristol. Her family said last night: “We as a family are deeply saddened by the loss of our beloved Jacintha.”

In a statement, the hospital said: “She was an excellent nurse and well-respected and popular with all of her colleagues.

“We can confirm Jacintha was the victim of a hoax call to the hospital. The hospital had been supporting her throughout this difficult time.”

Lord Glenarthur, the hospital’s chairman, added: “This is a tragic event. Jacintha was a first class nurse who cared diligently for hundreds of patients during her time with us.”

The radio prank, which was pre-recorded and vetted by lawyers from the radio station before it was broadcast, was picked up by media worldwide and acutely embarrassing for the hospital, which has a long history as the hospital of choice for the royal family.

In a statement earlier this week, the hospital’s chief executive John Lofthouse condemned the prank, adding: “We take patient confidentiality extremely seriously and we are now reviewing our telephone protocols.”

Mr Lofthouse added: “I think this whole thing is pretty deplorable; our nurses are caring, professional people trained to look after patients, not to cope with journalistic trickery of this sort.”

The hospital offers its VIP patients private lines that are connected directly to their rooms but the Australian DJs were able to reach the Duchess’s personal nurse via the switchboard in an apparent breach of procedure.

It is understood that Mrs Saldanha, who was registered to practice in Britain in July 2003, had not been disciplined or suspended by the hospital.

She answered the hospital’s phone line in her role as duty nurse because there was no receptionist manning the switchboard at the time of the call.

St James’s Palace said that neither Prince William and his wife nor any royal staff had complained to the hospital about the prank, adding that they had offered their “full and heartfelt support” to staff and to the nurses involved.

The couple, who had to announce that they are expecting their first child sooner than planned after Kate was hospitalised with acute morning sickness on Monday, said that they were “deeply saddened” by Mrs Saldanha’s death. A spokesman at St James’s Palace said: “Their Royal Highnesses were looked after so wonderfully well at all times by everybody at King Edward VII Hospital, and their thoughts and prayers are with Jacintha Saldanha’s family, friends and colleagues at this very sad time.”

While little information about Mrs Saldanha’s mental health was available, nurses’ leaders last night suggested that there could be a link between her death and the prank.

Dr Peter Carter, chief executive of the Royal College of Nursing, said: “It is deeply saddening that a simple human error due to a cruel hoax could lead to the death of a dedicated and caring member of the nursing profession.”

In a statement, the ambulance service said: “We were called at 9.25am this morning to an address on Weymouth Street. We sent two ambulance crews and a duty officer. Sadly the patient, a woman, was dead at the scene.”

The owners of the Sydney radio station said last night that the two presenters were “deeply shocked” at the nurse’s death and had agreed to stop broadcasting until further notice.

– Source: The Independent

 

An Inmate Claims that James Holmes Confessed that he was “Programmed to Kill”

In the article entitled Was the “Batman Shooting” a Ritualistic Murder Carried Out by Mind Controlled Patsy?, I explained why James Holmes might have been a product of MK-Ultra. Now an inmate named Steve Unruh claims that Holmes confessed to him that he was “programmed” to performs the killings.

In a not-very-publicized article from the Denver Westword, Unruh indeed claims that Holmes told him that he was programmed to kill by an “evil therapist” – a very simple term describing what might have been his trauma-based mind control handler. He also reportedly added that “he felt like he was in a video game” during the shooting (which is somewhat how one feels when an alter persona is triggered) , that “he wasn’t on his meds” and “nobody would help him.”

Unruh added that “When he got out to his car, he wasn’t programmed no more”, meaning that he probably reverted to his core persona after the murders. Holmes has mentioned NLP (neuro-linguistic programming), a technique often by Monarch programming handlers.

“If one studies NLP, one will find that NLP books such as Basic Techniques Book II by Clifford Wright, teach people how to create dissociative states which are alternate personalities, and that they teach people how to develop different states of mind, and pseudo multiple personalities. It is difficult to express all the different cross-overs that NLP has with Monarch Programming, but at different times the concepts of NLP certainly would be helpful to the handlers.”
– Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

Although most of the article in the Denver Westword is dedicated to discrediting Steve Unruh, those who know a little about Monarch programming might realize that his story might have some truth to it.

James Holmes: Inmate’s strange tale of “confession” and suicide efforts

Steven Unruh is having a hard time convincing anyone that he spent hours talking to Aurora theater shootings suspect James Holmes shortly after his arrest last July. Jail officials say there’s no way that Unruh could have had that kind of access. Yet certain elements of the story — which includes a description that resembles the headbanging routine that sent Holmes to the hospital last week — have been attracting attention from law enforcement and even families of the shooting victims.

“They’re going to try to discredit my story,” Unruh told Westword in a recent interview at the jail. “But I was able to have a four-hour talk with him. I talked him out of suicide.”

There are plenty of reasons to be skeptical of the tale presented by Unruh, a 38-year-old inmate with a long history of drug and theft charges. To begin with, his account of what Holmes supposedly told him is as bizarre as a William S. Burroughs fever dream. Also, Unruh just got out of prison last January after serving six years for methamphetamine and credit-card fraud convictions, and he says he’s been diagnosed as having a bipolar condition.

“It’s always been meth with me,” he says. “If I drink a beer or something, I’ve got the voices in my head that drive me to do more drugs. I’m really weak-minded.”

He’s going public with his account of an encounter with Holmes, he says, only after first trying to interest the Arapahoe County District Attorney’s Office in his story. He’s currently facing habitual criminal charges and had hoped to deal his way into mental health treatment rather than a twelve-year prison sentence. Although an investigator visited him, “the DA hasn’t been working with me,” he sighs.

What Unruh can prove is that he was booked into the Arapahoe County Sheriff’s Office Detention Facility on drug and theft charges at 6:44 p.m. on July 19 — just hours before the attack in Aurora at a midnight showing of The Dark Knight Risesthat left twelve dead and dozens wounded. Unruh says he was still in the booking area when officers brought in Holmes, whose head was initially covered with a hood. Although Holmes was put into a cell by himself, Unruh says inmates in the area are able to communicate by shouting through a small gap in the cell doors, which move back and forth on rails.

“I didn’t know who he was,” Unruh explains. “I could hear some black dudes yelling from the other side, ‘You’re a piece of shit! Kill yourself!’ I had been in prison before, so they said, ‘Tell this dude he’s not going to be all high and mighty on the prison yard.'”

Unruh says he began talking to Holmes, explaining how poorly child killers are received in prison. Jail staff quickly covered the window in Holmes’ cell door with a tarp, but Unruh says he heard him pounding on the wall with his fists — and then running, slamming his body and his head into the wall. (Unruh described this action in an interview that took place several days before Holmes reportedly engaged in similar headbanging last week.)

“It went on for ten minutes before I couldn’t handle it any more,” Unruh says. “I told him, ‘Don’t be doing that. You need to repent to the people for what happened.’ He asked me to do an apology letter for the kids.”

Captain Vince Sauter of the Arapahoe County Sheriff’s Office says that both the physical layout of the booking area and staff’s monitoring of the area would have prevented the kind of dialogue Unruh claims. “Even if they were in booking at the same time, they couldn’t shout from one cell to another like that,” he says. “For someone to say they were communicating with this person — it can’t happen.”

Lieutenant J.D. Knight, who directly supervises booking operations, agrees. “It would be virtually impossible for Mr. Unruh to have any of the communications he has stated,” he says.

But Unruh insists the sporadic conversation continued even after Holmes was moved to another cell in the area. He says that Holmes told him “he felt like he was in a video game” during the shooting, that “he wasn’t on his meds” and “nobody would help him.” He says Holmes also mentioned NLP — presumably, neuro-linguistic programming, a much-scorned and outmoded approach to psychotherapy — and claimed to have been “programmed” to kill by an evil therapist.

“When he got out to his car, he wasn’t programmed no more,” Unruh says. “It sounded kind of crazy. He was trying to run it by me, basically.”

Unruh has a phone number that he says Holmes asked him to call. (The number connects to the cell phone of a bereavement counselor, who says she has no acquaintance with Holmes or Unruh.) He has a form that indicates James Holmes tried to send him a letter, but it was rejected by jail authorities. (Knight says he has no record of any letter sent by Holmes to Unruh, intercepted or otherwise.) He claims to have received messages from Holmes via other inmates since that night, but he admits he doesn’t know if the sender was actually Holmes.

Still, Unruh’s story seems to have drawn interest in one unlikely quarter. He says Holmes told him he “walked up and down the aisles” of the theater three times before he opened fire, and that detail, if true, might have some bearing on the pending litigation by victims’ families against the theater chain. Unruh has paperwork indicating that he’s been in communication with at least one family member on that point.

Unruh’s story may well prove to be nonsense. Whether it’s his nonsense or Holmes’s own, the lack of answers in the Aurora tragedy has some people looking for whatever answers can be found.

– Source: Denver Westword

 

Symbolic Pics of the Month (12/12)

In this edition of SPOTM: Jared Leto, Rihanna, Big Sean and a whole lot of other symbolic weirdness.

The photoshoot entitled “Surrealismo De Los Pies A La Cabesa” (Surrealism from Head to Toe) appeared in the November issue of Bazaar Espana and is chock-full of mind control symbolism. Here’s model Eugenia Volodina is a picture evoking duality and confusing reflections, two important techniques in MK programming. The doll versions of the model can allude to an alter persona.

 

Here we have two opposing personas blinding each other

 

Eyes hidden, mask representing an alter persona.

 

Gotta do the one-eye thing in this Illuminati mind control photoshoot.

 

Gotta do it again to make sure the message is understood.

 

…and again for those that are really slow to understand.

 

Do the gloves on the model’s head represent the HANDlers messing with her mind?

 

Standing on a Masonic checkerboard pattern floor, the model is wearing red (symbol of sacrifice). The model appears in pain and the image is torn at the level of her face, representing the fracturing of her personality…Yes, all of the above imagery was found in a single photoshoot.

 

Speaking of checkerboard pattern floors, here’s Rihanna performing at SNL. The backdrop was very Masonic, complete with a checkerboard pattern floor at twin pillars.

 

The cover of the  single “Marble Floors” by rapper French Montana features the exact same imagery. Why be different when you can be a pawn?

 

Jared Leto posing with creepy-ass Terry Richardson. You know about that hand sign.

 

You know about that hand sign too.

 

Very original Jared, keep it up, I’m proud of you.

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The December issue of XXL magazine features rapper Big Sean hidding one eye and  showing you why he’s “living the good life”.

 

Azelia Banks in her video “Atlantis” is eager to throw up Illuminati symbolism whenever she can.

 

Glee’s Lea Michelle in Flare magazine. This pic contains several symbols referring to mind control: Masonic floor, bird cage, animal prints (referring to Sex Kitten programming).

 

Anna-Nicole Smith’s daughter is apparently entering the fashion industry at a very early age.

 

Her deceased mother Anna-Nicole Smith was the face of Guess for several years. Smith’s multiple breakdowns, her strange death and the symbolism in her work (she is here portrayed as Marilyn Monroe) have all of the marking of a MK slave. I hope her daughter does not follow in her footsteps.

 

BBC’s foundation “Children in Need” (yes, BBC is the company that protected pedophile Jimmy Savile) created “high fashion” versions of the foundation’s logo: A one-eye bear. These bears were promoted celebrities. Here’s child-star Chloe Moretz posing with a bear in leopard-print (which represents Beta programming in mind control). That is all so twisted.

 

A creepy looking Kristen McMenemy posing with a bear created by Alexander McQueen, a designer whose work is permeated with MK symbolism. Who better to create stuff to supposedly help children?

 

Jessie J promoting her bear while doing the one-eye thing. It is as if these pics are saying “Give your money to BBC so it can continue abusing children”.

 

On the night of the American elections, the entire world saw the results displayed in real time on the Rockefeller building which is owned by the…Rockefellers. Between the bars representing the Democratic and the Republican party is an artwork depicting a Demiurge “shaping” the world with a Masonic compass – an important gnostic symbol in Secret Societies. The symbolism of this scene is quite telling and flagrant:  No matter who wins, it is the Masonic compass that will ultimately shape the world…And that’s pretty much all you need to know about politics.

 

Odd Danske Bank Commercial “A New Normal” Tells You What is Normal in the NWO

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Until February 2012, Danske Bank was owned by elite financier Peter Straarup who is a member of the Trilateral Commission (created by David Rockefeller) and of the Bilderberg group. The bank’s latest commercial entitled “A New Normal Demands New Standards” is quite odd, not to say deeply disturbing and upsetting. It basically shows a bunch of things that are supposedly considered “the new normal”…And most of these things…not good.

In fact, they reflect a whole bunch of things part of the New World Order Agenda, whether it be a police state, the repression of free speech, pushing transhumanism or brainwashing children. Yes, all of these things are slyly referred to in the commercial. I guess its message is that the bank recognizes and understands the reality of today’s world and so forth…But the resulting product depicts nevertheless a grim picture of the fuiture.

Here are some of the things the commercial considers to be the “new normal”.

A guy throwing a rock at police in riot gear. Since when is that normal? When things like this happen, its because democracy is failing miserably. So, no, it is not normal, Danske Bank.

 

Thousands of Chinese workers cramped into a high-tech, chemical sweat-chop. Those are modern-day slaves. Not normal, Danske Bank.

 

A desperate guy hitting police in riot gear with his umbrella. That’s normal now?

 

Silencing people with money? That’s the new normal? But, on a serious note, is this BANK actually catering to the Occupy Wall Street crowd? The crowd that was protesting…big banks? There’s some weird mind games going on in this ad.

 

Kids being brainwashed by video games promoting a police state?

 

Little girl mesmerized by a tablet?

 

Robots playing soccer? Does the “new normal” means dehumanizing everything?

 

Emotionless creepy smile that seems to say “Help me, I’m miserable”?

In short, most of the things shown in the video are not normal. They are things the NWO wants to see becoming normal by flooding mass media with messages. Thank you Bilderberg-owned bank for letting us know that everything you believe to be normal is…not.

Sinister Sites: IRS Headquarters, Maryland

The IRS was originally created as a “temporary measure” during wartime but there is nothing temporary about it now. The gigantic IRS complex in New Carrollton, Maryland was built in 1997 and is still growing today, indicating that this institution is indeed here to stay. This modern building has all of the state-of-the-art amenities one can think of, but it is the odd public art in front of it that is the most noteworthy. While these sculptures might be merely “decorative” to most people, they conceal a meaning that is infinitely profound to those who are versed in occultism. In fact, fully understanding the origins and the meaning of the symbols in front of the IRS building means understanding who is truly in power in America (and around the world). It also provides the key to understanding what they believe in and how they perceive the masses.

The IRS is not known to be a very artistic institution and there is not much art present at its headquarters in Maryland. However, the few pieces that are on display manage to convey everything that needs to be known about those who built the complex.

General Layout

The entrance to the IRS headquarters is guarded by two black and white pillars made of the highest quality marble, topped with white hands. Between the two pillars is a dark pyramid with a metallic capstone on which is written “We the People”.

The art in front of the IRS Headquarters features a pyramid with a capstone between two pillars. The black and white stripes refer to the Hermetic concept of duality.

What does all of this represent? Here’s an “official” description:

“The most striking elements are the huge, white marble hands atop each column. Each hand points skyward, one with the forefinger extended; the other is an open hand, the fingers ever so slightly cupped.

The 1997 work is called “Vox Populi,” which is Latin for “the voice of the people.” The hand with the raised index finger represents deliberation, argument, the gesticulation of a speaker giving his or her opinion. The hand with an open palm represents the act of voting or taking an oath.”
– The Washington Post, “The Big Hands of the Law”

That is all well and good, but what does “Vox Populi” have to do with the IRS? Can citizens weigh in or vote on anything about the IRS? Why are the pillars black and white? Why is there a pyramid with a capstone in the middle? As it is the case for most occult symbols, there’s as basic (and unsatisfactory) interpretation given to the masses and a “real” meaning for those in the know. For those in the know, the art is a nod to the highest degrees of Freemasonry.

This Masonic monument in Israel contains exactly the same elements: A pyramid with a capstone between two pillars. The stripes on the ground represent duality.

Let’s look at each element of this (not so) public art.

Twin Pillars

The symbolism of the twin pillars is ancient and profound. It refers to the core of hermetism which is the basis of secret society teachings. The pillars represent duality and the union of opposites. In Freemasonry, the twin pillars are called Jachin and Boaz.

” These two pillars respectively connote also the active and the passive expressions of Divine Energy, the sun and the moon, sulphur and salt, good and bad, light and darkness. Between them is the door leading into the House of God, and standing thus at the gates of Sanctuary they are a reminder that Jehovah is both an androgynous and an anthropomorphic deity.”
– Manly P. Hall, The Secret Teachings of All Ages

Two pillars guard the entrance of the IRS building the same way pillars guard the entrance of Masonic temples.

 

Masonic art depicting the twin pillars named guarding the entrance of a Masonic temple.

While not all pillars are necessarily Masonic, those in front of the IRS building contain other features that leave no doubt regarding their secret society connection.

The IRS pillars feature exactly 13 black and white stripes and a very significant hand sign.

Sharply contrasting with the rest of the building, the pillars are stripped in black and white, a pattern evoking duality. This concept visually represented on the Masonic mosaic pavement.

The black and white checkerboard floor is probably the most important feature in Masonic lodges.

To make things even more explicitly Masonic (for those in the know) each pillar is comprised of exactly 13 stripes, a number that is of the utmost importance in Masonic lore. Considering the constant attention to occult numerology in Masonic art, this fact alone should be very telling.

Above each pillar are white marble hands. It is interesting to note that formal Masonic attire requires white gloves. One of the hands points upwards, towards the sky. While the official meaning claims that it refers to the act of public discussion, this hand sign, placed in the esoteric context of the artwork, takes on a much more ancient and mystical meaning.

Named the “hand to god”, the “sign of Preservation” or the “hand of the Mysteries”, the sign of the hand pointing upwards can be found in many works of art that bear an esoteric meaning. It is nearly always associated with figures that are seen to possess “knowledge from the gods”.

The classic depiction of Hermes always depicts him pointing towards the heavens. Known as the “messenger of God”, Hermes is a central figure in Masonic lore. He is considered to be the teacher of theurgic sciences, therefore helping humanity ascend towards godhood (the word Hermetism derives from Hermes).
“Plato, an initiate of one of these sacred orders, was severely criticized because in his writings he revealed to the public many of the secret philosophic principles of the Mysteries.” – Manly P. Hall. In this classic depiction of Plato by Raphael, he is pointing upwards.
This Masonic item for sale features the same hand sign as found in front of the IRS building.

In the context of esoteric teachings, a human pointing towards God represents the ultimate goal of the Mysteries: Ascending from the state of a mere mortal to achieve godhood.

The hand above the other pillar does not point towards the sky but is rather opened. While pointing towards somewhere means moving in that direction, an opened palm is traditionally associated with “stop” or “halt”.  In Masonic symbolism, the twin pillars are often topped with contrasting symbols (the sun and the moon or globes representing earth and heavens). Could the white hands above the pillars represent the same opposite notions of godhood (pointing towards god) and earthly materiality (halt sign)?

On these Masonic pillars are etched various quotes regarding the U.S. Constitution and the Bill of Rights. Some of them are quite odd in such this one by Barbara Jordan:

“The Bill of Rights was not ordained by Nature or God.”

Considering the fact that a bunch of laws blatantly violating the Bill of Rights (notably the First and Fourth Amendment) were enacted shortly after this building was erected, one can ask if this quote wasn’t some kind of a warning. As we see new police-state-style laws violating privacy, free speech and encouraging oppression, we can definitely conclude that the elite views the Bill of Rights as something “very human, very fragile” that can easily be violated. While the above quote can be interpreted as a reminder to not take the Bill of Rights for granted, in the context of its location, it conveys an unsettling message about how it can easily be tampered with.

The Pyramid

Between the two pillars is the most recognizable symbol representing the occult elite: A pyramid with a shiny capstone. On the pyramid is written the US Constitution, which famously starts with “We the People”. A close look at the sculpture leads to several questions.

First, why is the U.S. Constitution etched on a symbol that is associated with occult secret societies whose highest degrees are restricted to “elite men”? Isn’t there a contradiction here? Second, in occult elite symbolism, the base of the pyramid represents the masses, while the capstone represents the “illuminated”. Conveniently enough, the words “We the People” is written on the charcoal-colored based. Does the capstone (which is placed above the pyramid and the U.S. Constitution) mean that the elite is above the law?

In Conclusion

Far from being decorative, the art in front of the IRS building in Maryland describes the true source of power behind the American government, its spiritual and political philosophy, and its perception of the masses.

While the IRS doesn’t shy away from collecting money from every single American worker in the United States, the occult symbolism in front of its headquarters is definitely not meant for every single American worker. It is meant to be understood by a very few “select” ones. The fact that a public building is adorned with symbols of an elite secret society is abhorrent.

Contrarily to the “official” meaning of the pointing hand, no citizen has a say on the policies of these institutions or even what they display in front of their building. It is rather those in the capstone who dictate what will happen to “We the People”. As the official IRS motto goes: Service plus Enforcement equals Compliance. Maybe the finger that is pointing upwards should be the middle one.

 

Taylor Swift’s Performance at the 2012 AMA’s: A Typical Initiation Ritual

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We’ve seen in previous articles that music award shows are often rife with ritualistic elements that reflect the occult inner-workings of the entertainment industry. The elaborate musical performances of these shows are conceived to promote artists’ latest singles but also contain symbolism reflecting elite’s  Agenda and philosophy.

In the article on the 2009 VMA Awards, we’ve seen that Taylor Swift undergone a symbolic initiation ritual. In her performance at the 2012 American Music Awards, she appears to undergo another initiation, by partaking in the often seen “good girl gone bad” narrative, complete with a transformation symbolized by color codes. Let’s look at the performance.

Swift begins her performance in a virginal white dress. Notice the Masonic checkerboard pattern floors on each side of her.

Her performance takes place in what I like to call an “Illuminati Ball”: Parties where guests are masked and that are known to turn into all-out orgies (see the movie Eyes Wide Shut). For centuries, the occult elite enjoyed these masquerade balls. In more secretive circles, these events were also used to initiate new members.

Taylor Swift begins her performance in a white dress, representing purity and innocence. She is the new candidate for initiation and is welcomed by two masked individuals. In the background, we see a checkerboard pattern floor, the ceremonial Masonic surface on which transformative rituals occur.

Swift innocently dances around and mingles with some masked individuals for a while.

Who are these faceless individuals?

Then her transformation occurs.

Swift emerges from a pile of people wearing a red and black dress – symbol of sacrifice and initiation.

After Swift’s initiation, the set gets dark and things get nastier.

From dancing innocently, things get a lot more sexual. Do these moves symbolically allude to the orgy that happen in these Illuminati balls?

Swift’s song is called I Knew You Were Trouble and appears to be, at first glance, about  guy that is not too nice with her. However, after seeing the symbolic meaning of her performance, can this heartless “guy” actually represent the occult entertainment industry? Here’s the chorus:

“Cause I knew you were trouble when you walked in
So shame on me now
Flew me to places I’d never been
So you put me down oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places I’d never been
Now I’m lying on the cold hard ground”

Yes, being initiated into the industry can allow you to fly to new places…but it’ll eventually leave you lying on the cold hard (checkerboard) ground.

 

The Illuminati Symbolism of Ke$ha’s “Die Young” and How it Ridicules the Indoctrinated Masses

Ke$ha’s “Die Young” is probably one of the most blatant Illuminati videos ever released. While the symbolism is so overt that it is almost ridiculous, there’s an underlying message to the video: Even if you’re dumb enough to embrace all of that Illuminati brainwash, you’re still not part of the elite and therefore, still subject to “Die Young”.

Ke-dollarsign-ha has never been the most inspirational singer around. She started her career as an alcoholic party girl that’s not too strict about personal hygiene (see the Tik Tok line “Before I leave brush ma teeth with a bottle of Jack”) and, for her new album, she turned into some kind of Illuminati witch-type deal. She is far from the only pop star that has gone through this kind of metamorphosis and it was probably pre-planned by her record label. How many singers have gone from an “around-the-way” girl to an Illuminati figurehead? That’s what the industry does.

To the untrained eye, this kind of transformation is usually somewhat subtle … Ke$ha’s Die Young is anything but. In fact, it is one giant clusterfreak of Illuminati symbols. It is so obvious and in-your-face that it forced mainstream music sources such as Billboard.com to “admit” that the video was all about Illuminati symbols (see their article entitled Ke$ha Shouts-Out Illuminati in ‘Die Young’ Video). Interestingly enough, not too long ago, these same sites were calling sites like Vigilant Citizen “batsh*t crazy” for even alluding to the existence of these symbols and describing their meaning. Now, these sites say “Yeah, there are Illuminati symbols” in a matter-of-fact way. What happened to the batsh*t crazy part? However, the mainstream sites still only refer to this concept in an extremely superficial way, not giving any insight on their true meaning and the real Agenda behind it all.

Some might rationalize what is happening by saying: “Ke$ha did it for the LOLs and to make fun of the conspiracies”. This is plausible, but this argument is now surfacing every time a video contains Illuminati symbolism. Are all videos now making fun of conspiracies? In reality, Ke$ha didn’t do anything for any LOLs. She did not direct the video. She is just performing what she is told to perform, like most pop stars. The fact of the matter is: Illuminati symbols are becoming more prevalent because that was the plan all along: To gradually make them part of popular culture. The occult elite is revealing itself and the masses are dancing to their tunes.

The real issue at stake is however not the symbols that are flashed on screen, but the underlying messages that are communicated to the viewers. It is about the Agenda – about making specific values and attitudes cool and desirable to young people. It is about promoting the culture of death (i.e. Die Young), about sexualizing everything, about materialism, about a corrupted and debased brand of spirituality and so forth.

As I watch Ke$ha and her gang fondling themselves, I can’t help but wonder: Is the video making fun of the masses that have been brainwashed by the lifestyle promoted by the elite?  Let’s look at the video.

An Orgy … Of Symbols

The video takes place in Mexico, where Ke$ha and a bunch of cult followers arrive at a cabin. We quickly realize that the group arriving literally worships death.

As the car door opens, a Skull and Bones symbols flashes, representing the cult of death emanating from this car.

 

Skull and Bones is also the name of Yale’s elite secret society, which includes members such as George Bush Sr., George Dubya and John Kerry.

 

Is “Evil” written on the side of the car?

The car is, in fact, a hearse – these big black cars used to carry dead people. So, yeah, there’s definitely some death-worshiping going on here.

When the hearse opens, we see Ke$ha in a black veil, posing as if she was some sort of sexual religious statue. She is then carried on the shoulders of her gang of mimbos, as in cultures where people carry statues of the Virgin Mary on the streets.

While this is happening, a bunch of symbols is flashed on the screen. Vigilant Citizen readers probably instantly recognized them.

Ke$ha wearing an All-Seeing Eye ring while hiding one eye. Just making sure you understand who she is working for.
Inverted crosses (a symbol of the Church of Satan) flash about five thousand times during the video. They’re working very hard to make that Satanic crap trendy.
In another scene, Ke$ha and her gang play at pulling tarot cards (to determine who’s the sacrificial lamb of the night?). Ke$ha pulls the “Devil” card and everybody bursts into laughter. So much fun is to be had with Satanic symbols!

Looking at the way Ke$ha’s gang acts, the only word that comes to mind to describe them is “not too bright”. What is the first thing they do when they enter the cabin they drove so far to reach? They trash it. I realize that trashing things is a cool, rock star thing to do, but even drunk rock stars know to trash a place when they LEAVE, not when they arrive and actually NEED a facility.

“This place is too nice. Let’s destroy it and then have sex on broken furniture. Yeah, we’re idiots”.

After mindlessly wrecking the place, there is one thing left to do: Mindlessly dance to a generic pop song. Of course, the dancing quickly turns into an orgy, all of which happens with a bunch of occult symbols all around.

Ke$ha sits a the throne of the “orgy”, under a pentacle. While this symbol is not associated with Satanism, it is used in occult rituals, hinting that there’s a Sex-Magick aspect behind all of this.
While this is happening, Ke$ha does the one-eye sign, a way of saying that this sex and death worshiping cult that is full of suggestible idiots (representing the masses) is sponsored by the Illuminati industry.
…the video is also apparently also sponsored by the new Windows Phone thingie. Do like Ke-dollarsign-ha and buy it now! She then sends a text message to “Animals”, which is the name given to Ke$ha fans. Animals. Almost as flattering as Little Monsters.

Throughout the video, symbols are flashed on screen, mainly triangles that are either upright or reversed. In esoteric symbolism, upright triangles represent the masculine principle while reverse triangles represent the feminine principle. The combination of both represents the union of opposites and, in more “human” terms, sexual intercourse. So, while people are frolicking in the video, symbols convey the concept of Sex Magick on an almost subconscious level.

In case all of the stuff happening on screen is not enough to make you understand young viewers that sex is happening there, shots of wolves doing it might light a bulb above their heads. Also, is that a way to give a “shout-out” to bestiality – one of the “guilty pleasures” of the sick Illuminati elite?

The orgy goes on until cops arrive and start shooting. When this happens, Ke$ha walks decidedly towards the armed cops.

Even if you’re dumb enough to be brainwashed by Illuminati propaganda (to the point of having an Illuminati symbol right on your ass), you are not exempt from police state oppression. You might be doing what the elite wants you to do, but that doesn’t mean you’re part of it.
Just making sure you understand who’s sponsoring this video.

Since the song is called Die Young, we are lead to think that Ke$ha is shot and killed by the police. Die Young is therefore yet another video that depicts police state oppression and violence as normal, even cool. The moral of the story? Even if you have been thoroughly brainwashed by Illuminati propaganda and have lived your life according to the debased culture promoted by mass media, you are still a disposable pawn according to the elite. You might believe you are a “rebel” going against “The Man” but you’re actually playing right in their hands. Far from being “enlightened”, these symbols and this way of life are conceived and manufactured by the elite to dumb-down the masses, in order to make them suggestible and manipulable.

The culture of death that is now prevalent in mass media is extremely present in this song. The phrase “We’re gonna die young” is repeated countless times (in an upbeat matter) as if to drill in teenager’s skulls that human life is not valuable. This is right on par with the elite’s depopulation Agenda.

In Conclusion

Readers of this site might be realizing that the symbolism that has been pointed out for years is becoming increasingly prevalent and obvious in mass media. The process is gradual yet very noticeable and the concept of Revelation of the Hierarchy is in full force in the entertainment business. It has been said that the best way of hiding something is in plain sight. The Illuminati symbolism we see in popular culture is becoming so prevalent that it is BECOMING popular culture. While some might claim that “it’s a trend” or that “Ke$ha is making fun of it”, they don’t see the important reversal is happening here: Trends used to come from the streets to then be picked up and reflected by mass media; Nowadays, trends are CREATED by mass media and forced on the world through repetition and omnipresence.

There is, however, more at stake here than simply the presence of symbols in music videos. There are tons of videos with the same message and symbolism as Die Young – all promoting the same Agenda. Brainwashed by thousands of hours of music videos, young people become the cult followers in Ke$ha’s video, pushed to live pointless, self-destructive lives based on the gratification of their lowest impulses. Indulging in one’s animalistic instincts has always been considered to be the opposite of reaching spiritual enlightenment – and that’s exactly what the elite wants. If the masses were to gain enough awareness to avoid the traps and pitfalls set up by the system, the virtual enslavement caused by debt and mass-media mind control would crumble.

The way of life “glamorized” by the elite causes people to be lost, devoid of strong values and suggestible to mass-media propaganda. However, in the end, even if they do exactly what is expected from them, the masses are still perceived by the elite as a brainless cattle that need to be put in its place by a strong police force. As Ke$ha and her fans mindless yell “we’re gonna die young”, thinking they are cool and edgy, they actually unknowingly celebrate their own servitude to a tune created by their rulers. Go Animals!

 

Ke$ha’s Performance at X Factor Australia: In Your Face Illuminati Symbolism

 

It’s been pretty much established since day one that Ke-dollarsign-ha is an industry pawn. Well, she’s apparently not done pawning it up. Her recent performance at X Factor Australia is basically one big tribute to the Illuminati. The symbol of the all-seeing eye within a triangle couldn’t be more in your face – it is even on dancer’s clothes. If we’re not seeing that symbol, a bunch of spinning pentagrams are there to hypnotize viewers.

And isn’t weird that she repeats “we’re gonna die young” about 20 times in the song?

Here’s the performance.

Symbolic Pics of the Month (11/12)

In this month’s SPOTM: Kanye West, Rihanna, Ke$ha and some NWO symbolism.

The editorial shoot of the September issue of Vogue Italia is called “Multifaceted Women” and is about models putting on weird creepy masks on their faces. In Mind Control symbolism, masks represent alter personas of MK slaves – switching masks means switching alters.

 

This model is “putting on” one of her personas. Is the title “Face the Future” a way of saying to readers that the future is all about MK slaves and MK symbolism?

 

Putting lipstick on a creepy, dehumanizing mask. MK slaves are not even aware that they are wearing a mask (a metaphor for an alter persona) when they are triggered. Is this why this model doesn’t seem to be aware that she is putting makeup on a mask – and not her actual face?

 

…Just chilling wearing a mask…next to a horse…nothing to see here.

 

…Just chilling, wearing a creepy mask, looking completely lifeless like a MK slave during programming…being licked by a dog wearing studs. Nothing to see here.

 

Pic on the right: Changing personas?

 

Paris Hilton’s boyfriend River Viiperi hiding one eye and doing the Masonic sign of the hidden hand (see the Article entitled The Hidden Hand that Shaped History). Hard to ignore this hand sign combo.

 

In case you didn’t read that article (you should, it’s great), here’s what Masonic books depict the “sign of the Master of the Veil”.

 

Rob Kardashian also feels the urge to hide one eye while posing for a pic

 

French singer Mylène Farmer has to do it too.

 

Ad for perfume features blond Rihanna with one eye hidden.

 

Speaking of RiRi, her new album cover has the ever-present one-eye symbolism. There is also a focus on her new tattoo of the Egyptian goddess Isis. Apparently, it is dedicated to her grandmother. That is all well and good, but Isis is mostly known to be the mother of Horus and the ultimate figure of the Mysteries. Freemasons are call themselves the “widow’s sons” – the “widow” being Isis who lost her husband Osiris. Being initiated in occult mysteries has been defined as “unveiling Isis” as exemplified by Madame Blavatsy’s book “Isis Unveiled”.

 

Rihanna performing with a big Eye of Horus on her chest. Does she know about the deeper meaning of these symbols? Not sure. One thing is for sure: Those who handle her definitely do.

 

Kanye West walking around with some pants patched with Church of Satan symbols: An inverted pentagram and Baphomet. Looking sharp Kanye!

 

Another pop star rocking the Church of Satan logo, Ke-dollarsign-Ha.

 

In the music video “I Was There”, Beyonce sings in front of a giant shining logo of the UN. Is there still doubt that these artists are used for the elite’s propaganda? Imagine if it was a Nazi symbol behind her, while she is singing an emotional song conceived to stir up some emotions? You’d probably think: “Wow, she is being used for Nazi propaganda”. Well, the same thing is happening here, but with different logo.

 

Iggy Azalea’s video “Bac 2 Tha Future” features a Monarch Butterfly on one eye – a blatant, reoccuring symbol of Monarch programming. But wait, maybe its an accident. Sometimes butterflies land on people’s eyes while they’re shooting a music video. It happens.

 

Maybe this is also an accident.

 

Well, if she’s gonna use that image for the cover of her mixtape, + a bunch of butterfly wings around her, I’d say that this Monarch Mind Control symbolism is there on purpose.

 

The ad for Britney’s perfume refers to the occult concept of duality. It is very similar to the Seal of Solomon, a Kabbalistic symbol representing duality and the Hermetic saying “As Above, So Below”. In Monarch Mind Control (something Britney probably knows about), duality is used to program individuals, where there’s a “good” and a “bad” girl.

 

The cover of this science magazine is a rather blatant promotion of transhumanism. Of course, sex has to be used to sell the love of robots.

 

This promotional ad for the European Union is pretty weird. It combines symbols of several religions into a single star with the saying: “We can all share the same star”. This is a rather apt way of representing all world religions merged together for the elite’s NWO. Furthermore, why is there hammer and sickle of communist USSR? It is not a religion. This is rather odd, but fitting, when we know that the NWO is intended to become one big totalitarian world system.

 

The logo of BBC’s “Children in Need” Foundation is a teddy bear with one eye hidden. Knowing that the BBC is covered up for decades Jimmy Savile’s sex abuse on children, it is somewhat fitting that their logo also represents Illuminati mind control.

 

 

The World Health Organization is Taking Cash Handouts from Junk Food Giants

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The World Health Organization (WHO) is the United Nation’s “public health” arm and has 194 member states. While its official mission is “the attainment by all people of the highest possible level of health“, it is also clear that it works according to a specific agenda, one that laid out by the world elite and the organizations that are part of it. In the article entitled ‘Contagion’ or How Disaster Movies “Educate” the Masses, we’ve seen how the WHO was involved in the promotion of mass vaccination campaigns following (bogus) disease scares, of civilian camps, of the bar-coding of individuals and so forth.

More proof of the WHO’s “elite bias” has been recently uncovered by a study: The organization has been taking hundreds of thousands of dollars from the world’s biggest pushers of unhealthy foods such as Coca-Cola, Nestlé and Unilever. It is relying on these companies for advice on how to fight obesity..é which is the equivalent of asking a drug dealer for advice on how stay off drugs and NOT buy his product.

Coca-Cola, Nestlé and Unilever are not simply “food companies, they are gigantic conglomerates that produce and distribute an enormous proportion of processed foods across the world. In the article entitled Irrational Consumerism (or The Few Companies Who Feed the World), I described how only a few mega-conglomerates own most of the world’s brands of processed foods. To refresh your memory here are some of the brands owned by Nestlé:

Cereals

Cinnamon Toast Crunch
Cheerios (outside US, Canada and Australia)
Cini Minis
Honey Nut Cheerios (outside US, Canada and Australia)
Oat Cheerios
Cookie Crisp
Golden Grahams
Honey Stars
Koko Krunch
Milo Cereals
Nestlé Corn Flakes
Nesquik
Shreddies
Shredded Wheat
Clusters
Trix

Yogurt

Munch Bunch
Ski

Coffee

Bonka
Nescafé
Nespresso
Partner’s Blend
Ricoffy
Ristretto
Ricoré
Sical
Tofa
Taster’s Choice
Zoégas
Shrameet

Water

Aberfoyle
Aqua D’Or
Aqua Pod
Acqua Panna
Al Manhal
Aquapod
Arrowhead
Buxton
Contrex
Deer Park
Hépar
Ice Mountain
Henniez
Korpi
Levissima
Nestlé Aquarel
Nestlé Vera
Ozarka
Perrier
Poland Spring
Powwow
Minere
Pure Life/Pureza Vital
Quézac
San Pellegrino
San Bernardo
Viladrau
Vittel
Zephyrhills

Other drinks

Nestea (Joint venture with Coca-Cola, Beverage Partners Worldwide)
Enviga (Joint venture with Coca-Cola, Beverage Partners Worldwide)
Milo
Carnation
Caro
Nesquik
Libby’s
Growers Direct Organic Fruit Juices
Good Host
Juicy Juice
Ski up and go

Shelf-stable products

Bear Brand
Carnation
Christie
Coffee-Mate
Dancow
Gloria
Klim
La Lechera
Milkmaid
Nespray
Nestlé
Nesvita
Nestlé Omega Plus
Nido
Ninho
Svelty
Emswiss
Milo

Ice cream

Camy
Dreyer’s
Edy’s
Frisco
Häagen-Dazs (North America and the United Kingdom)
Hjem-IS (Denmark & Norway)
Maxibon
Motta
Mivvi
Nestlé
Nestlé Drumstick
Oreo (Canada)
Peters (Australia)
Push-Up
Schöller
Skinny Cow

Infant foods

Alete
Alfare
Beba
Cérélac
FM 85
Gerber (the world’s largest baby food company)
Good Start
Guigoz
Lactogen
Nan
NAN HA
NanSoy
Neslac
Nestlé
Nestogen
Nido
PreNan

Performance nutrition

Musashi
Neston
Nesvita
PowerBar
Pria
Supligen

Healthcare/nutrition

Boost
Carnation Instant Breakfast
Nutren
Peptamen
Glytrol
Crucial
Impact
Isosource
Fibersource
Diabetisource
Compleat
Optifast
Resource

Seasonings

Buitoni
Maggi
Carpathia
CHEF
Thomy
Winiary

Frozen foods

Stouffer’s
Lean Cuisine
Buitoni
Hot Pockets
Lean Pockets
Papa Guiseppi
Tombstone Pizza
Jack’s Pizza
DiGiorno Pizza
California Pizza Kitchen Frozen

Chocolate, confectioneries and baked goods

100 Grand Bar
Aero
After Eight
Allens
Animal Bar
Baby Ruth
Bertie Beetle (Australia)
Big Turk (Canada)
Black Magic
Boci (Hungary)
Blue Riband
Bono(Brazil)
Breakaway
Butterfinger
Butterfinger BB’s
Butterfinger Crisp
Bon Pari (Czech Republic, Poland and Hungary)
Cailler
Caramac
Carlos V
Chips Ahoy! (Canada)
Coffee Crisp
Chunky
Drifter
Frigor
Galak/Milkybar
Goobers
Heaven
Hercules Bars (with Disney)
Icebreakers
Kit Kat (Hershey’s in the US)
Lion
Matchmakers
Milky Bar
Mirage
Joff
Munchies
Nestlé Alpine White
Nestlé with Almonds
Nestlé Crunch
Nestlé Crunch Crisp
Nestlé Crunch with Caramel
Nestlé Crunch with Peanuts
Nestlé Crunch Pieces
Nestlé Crunch White
Nestlé Milk Chocolate
Nestlé Princessa
Nestlé Wonder Ball
Nips
Nuts (Europe)
Oh Henry (except US)
Peppermint Crisp
Perugina Baci
Polo
Quality Street
Raisinets
Rolo (Hershey’s in the US)
Rowntrees

Fruit Pastilles
Jelly Tots
Pick & Mix
Randoms
Fruit Gums
Tooty Frooties
Juicy Jellies
Snowcaps

Smarties
Texan Bar
Toffee Crisp
Toll House cookies
Turtles
Walnut Whip
Violet Crumble
Yorkie
XXX mints

Petcare

Alpo
Beneful
Cat Chow
Dog Chow
Fancy Feast
Felix
Friskies
Go Cat
Butchers
Bakers
Winalot
Gourmet
Mighty Dog
Mon Petit
ONE
Pro Plan
Purina
Tidy Cats

Along with Nestlé, Unilever is one of the world’s largest conglomerates in the world, with a yearly revenue of 60 Billion dollars. Yes, Billion. One billion is a thousand times one million. While Unilever owns a great number of brands selling personal care products, it is also the world’s largest maker of ice cream, with brands such as Popsicle, Klondike, Ocean Spray ice cream, Slim Fast ice cream, Breyers, Starbucks and Ben & Jerry’s. Here’s a list of other foods and beverages produced by Unilver.

Ades or Adez — soya-based drinks
Alsa — desserts and syrups
Amora — French mayonnaise and dressings
Amino — dehydrated soup (Poland)
Annapurna — salt and wheat flour (India)
Becel — also known as Flora/Promise; health-aware: margarine, spreads, cooking oil, milk, fermented milk
Ben & Jerry’s — ice cream
Best Foods — mayonnaise, sandwich spreads, peanut butter and salad dressings
BiFi — sausage-based snacks (The Netherlands — Germany)
Blue Band — family-aware: margarine, bread, cream alternatives
Bovril — beef extract
Breyers — ice cream
Brooke Bond — tea
Bru — instant coffee (India)
Brummel & Brown — margarine
Bushells — tea (Australia, New Zealand)
Calvé — sauces, ketchup, mustard, mayonnaise, peanut butter
Chicken Tonight — Wet sauces range (excl UK & IE)
Choysa — tea, marketed mainly in Australia and New Zealand
Conimex — Asian spices (Netherlands)
Colman’s — mustard,condiments, packet sauces & OK Fruity Sauce
Continental — side dishes
Country Crock — margarine
Darko (Дарко) — ice cream (Bulgaria)
Delma — margarine (Poland)
Du Darfst (Germany)
Elmlea — Pourable artificial cream available in different varieties (UK)
Fanacoa — Mayonnaise, mustard, ketchup (Argentina and for export to Latin America)
Flora — margarine, light butter, jams
Fruco — ketchup, mayonnaise and condiments
Fudgsicle
Heartbrand — ice cream (umbrella logo)
Hellmann’s — mayonnaise
I Can’t Believe It’s Not Butter — margarine spread
Imperial Margarine — margarine
Jif Lemon & Lime Juice
Kasia — margarine (Poland)
Kecap Bango — soya sauce in Indonesia
Kissan — Ketchups Squashes and Jams (India and Pakistan)
Klondike — Ice cream sandwiches
Knorr (Knorr-Suiza in Argentina) — sauces, stock cubes, ready-meals, meal kits, ready-soups, frozen food range
Lady’s Choice — mayonnaise, peanut butter and sandwich spreads (Philippines, Malaysia)
Lan-Choo — tea (Australia/New Zealand)

Lao Cai Seasoning
Lipton — tea
Lyons — tea
Lipton Ice Tea — ready-to-drink tea (partnership with PepsiCo)
Lizano Sauce (Salsa Lizano) — Costa Rican condiment
Lyons’ — tea (Ireland)
Maille — French mustard
Maizena — corn starch
Marmite — yeast extract spread (except in Australia and New Zealand, called Our Mate)
McCollins — tea (Peru)
Mrs. Filbert’s — margarine (USA)
Paddle pop — Ice cream (Australia, Indonesia, Malaysia [incorporated with Wall’s])
Pfanni — Bavarian potato mixes
Peperami — Sausage snacks
PG Tips — tea (UK)
Phase — cooking oil
Planta — margarine
Popsicle — Frozen treats
Pot Noodle — cup noodles
Promise — Becel/Flora
Ragú — pasta sauces (Exl. UK & IE)
Rama — margarine
Royal — pastas (Philippines)
Royco — stock cubes, non-MSG stock (only in Indonesia)
Red Rose Tea — tea (Canada)
Sana — Margarine (Turkey)
Saga — tea (Poland)
Sariwangi — tea (Indonesia)
Scottish Blend — tea
Skippy — peanut butter
Slim•Fast — diet products
Slotts — mustard (Sweden)
Sunce (Sun) — Mayonnaise (Serbia, Macedonia, Bosnia and Herzegovina, Montenegro) brand now discontinued, Sunce factory now produces Uniliver brand Knor Mayonnaise
Stork margarine
Streets (ice cream) (Australia/New Zealand)
Tortex — ketchup (Poland)
Turun sinappi — mustard (Finland/Sweden)
Unilever Food Solutions — professional markets (food service)
Unox — soups, smoked sausages
Vaqueiro — cooking margarine, cooking oil
Wall’s ice cream
Wheel (detergent)
Wish-Bone salad dressing

The brands owned by Coca-Cola are too numerous to list but you might already know that the company has a stronghold on sugary drinks across the world, whether we look at soft-drinks, juices or energy drinks.

The owners of these companies are not only businessmen but participants in elite forums such as the Council on Foreign Relations and the Bilderberg group. They have a say in the forming of social and economic policies across the world.

With funding coming directly from these conglomerates, we have another proof that the WHO is not truly attempting to make the world a healthier place. It is rather shaping the world’s health according to the interests and the Agenda of the world elite. Do you really need an international organization to help you stay healthy? Simply staying of the toxic foods sold by those who fund the WHO is an incredibly good start.

Here’s an article on the WHO receiving money from major junk-food distributors.

World Health Organisation ‘taking cash handouts from Coca-Cola to plug black holes in budget’

  • The Pan American office has accepted $50,000 from Coca-Cola, $150,000 from Nestle and $150,000 from Unilever
  • It has also been relying on the food and beverage industry for advice on how to fight obesity

The World Health Organisation has taken thousands of pounds from food companies such as Coca-Cola and Nestle.

A regional WHO office has also taken donations from Ben & Jerry’s ice cream and Unilever, according to a study.

The Pan American office – known as PAHO – has received £35,000 in donations from Coca-Cola, £100,000 from  Nestle and a similar amount from Unilever.

The WHO is the public health arm of the UN and fights chronic ailments such as diabetes and heart disease, caused primarily by unhealthy diets.

The Pan American Health Organisation has also been relying on the food and beverage industry for advice on how to fight obesity.

Accepting industry funding goes against WHO’s worldwide policies.

The Pan American office – known as PAHO, based in Washington – has so far accepted $50,000 from Coca-Cola, the world’s largest beverage company, $150,000 from Nestle, the world’s largest food company, and $150,000 from Unilever, whose brands include Ben & Jerry’s ice cream and Popsicles.

The cash donations were described by Irene Klinger, a senior adviser for partnerships in PAHO, as ‘a new way of doing business.’ However, she insisted WHO is careful to maintain control of its policy decisions.

WHO is increasingly relying on ‘partnerships’ with the industry, instead of maintaining neutrality like it always has done, to fill holes in its budget. However, it still refuses to partner with the tobacco industry.

Since 2010 WHO has cut its own funding for chronic disease programs by 20 per cent. These diseases cause 63 per cent of premature deaths worldwide, but the WHO department in charge of fighting them receives just six percent of the UN’s budget.

Boyd Swinburn, an Australian professor and longtime member of WHO’s nutrition advisory committees, said: ‘WHO is getting hijacked. They’re cash-strapped, and they’re bringing the private sector in. That’s very dangerous.’

However, Jorge Casimiro, Coca-Cola’s director of international government relations and public affairs, said: ‘It’s about the convergence of the interests. What we’re trying to say is we’re ready to take action. We’re companies who want to do this. We’re ready to go.’

Meanwhile, Coca-Cola has also placed a top official on the steering board for WHO’s Pan American Forum for Action on Non-Communicable Diseases, a group that helps determine how WHO fights obesity in Mexico.

WHO’s Geneva headquarters and five other regional offices have been stopped from accepting money from the food and soda industries, among others.

Spokesman Gregory Härtl said: ‘If such conflicts of interest were perceived to exist, or actually existed, this would jeopardize WHO’s ability to set globally recognized and respected standards and guidelines.’

It has also emerged that at least two of specially appointed nutrition advisers working on behalf of WHO had direct financial ties to the food industry.

Murray Skeaff, a New Zealand professor, received research money from Unilever, the conglomerate with $60 billion sales last year.

Esté Vorster, a South African professor, advised a sugar association and took travel and ‘after hours’ money to judge a contest for Nestle. Vorster said she does not participate in discussing the sugar guideline.
– Source: Daily Mail

Britney Spear’s Former Nanny To Testify in Trial About How the Singer was Manipulated by Handler

 

Proof is piling up that Britney Spears is a victim of mind control at the hands of unscrupulous handlers. While mass media points their finger at specific “controlling” individuals, it is increasingly obvious that she is the product of a system that totally suppressed her free will and personal freedom. What makes Britney’s case different from others is that the apparent feud between her past and present handlers is causing some otherwise “censored” information to leak out about how pop stars are completely owned and handled by people behind the scenes. If people are lead to believe that Spear’s case is special, well, it is more common than most would believe.

The upcoming Sam Lutfi trial (Spear’s former manager and handler) might bring up more revelations about Britney’s near-slave status. The singer’s former nanny is set to testify about Lutfi’s manipulative tactics and, according to a source: “she just wants the truth to come out and it will be shocking”. Britney herself won’t be at the trial because, according to the judge, it would cause her ‘irreparable harm and immediate danger.’ Re-read this sentence closely and ask yourself : “Why?”  Is it because MK slaves who learn about their true condition are often programmed to “self-destruct”?

As the article below states, all of her internet activities are closely controlled and monitored so, chances are, she’ll never end up on Vigilant Citizen. Hope she’ll find a way to free herself one day.

Britney Spears’ former nanny ‘to testify in Sam Lutfi trial that star has been emotionally manipulated’ by her handlers

Britney Spears finally has her personal and professional back on track, bagging a high-profile position as a judge on The X-Factor and marriage proposal from agent Jason Trawick.

But trouble is looming for the the vulnerable pop star as her public meltdown is set to be dredged up in a Los Angeles courtroom again this week.

Former manager Sam Lutfi is suing the singer and her parents for breach of contract, defamation and libel and RadarOnline has reported that Lourdes Torres, a former nanny for Britney’s children, will testify that the singer has been emotionally manipulated throughout her court-mandated conservatorship.

Torres, who cared for Britney’s two sons in the months after the conservatorship was instated in 2008, will testify to witnessing emotional manipulation.

She also claims that she quit her job because she was ‘so disturbed’ by what she saw happening to the singer, a source said, adding: ‘[Torres] isn’t after money, she just wants the truth to come out and it will be shocking.’

The trial is expected to last close to three weeks, with Lutfi, Britney’s fiance, Jason Trawick and her parents scheduled to testify.

Lutfi also filed papers at Los Angeles County Superior Court in September asking a judge to make the former Disney star available as a witness.

But Britney will not be taking the stand as, according to Fox News, the judge has ruled it could potentially cause her ‘irreparable harm and immediate danger.’

Spears’ legal team have successfully prevented the singer from having any contact with Lutfi for the past three years by having a restraining order granted against him.

Spears’ father applied for the order in 2009 claiming: ‘Mr Lutfi has drugged Britney. He has cut Britney’s home phone line and removed her cell phone chargers. He yells at her. He claims to control everything – Britney’s business manager, her attorneys and the security guards at the gate.’

And since the restraining orders have expired, Britney’s team have restricted her cellphone and Internet usage to ensure that Lutfi is not able to contact her.

A source told RadarOnline.com: ‘Britney’s cell phone and internet use is restricted and heavily monitored, and this is done for her protection.

‘Britney’s father Jamie and her fiance Jason want to make sure that her former manager, Sam Lutfi, isn’t able to contact her’.

‘Britney and Jason essentially share a cell phone, and it’s routinely checked to see who has been calling.’

The 30-year-old, who was committed to a  psychiatric ward in 2008, is also not allowed access any gossip websites to prevent her from seeing any negative stories about herself.

But despite the fact that a judge has ruled that Britney isn’t mentally competent enough to testify, a source told RadarOnline that Lutfi’s lawyers are still pushing the issue.

While it is unlikely the singer will ever testify, if she did the source says: It would be explosive for so many reasons.’

Jury selection began last Friday and will continue on Tuesday, with opening statements expected later in the week.
Source: Mail Online

“The Cabin in the Woods”: A Movie Celebrating the Elite’s Ritual Sacrifices

“The Cabin in the Woods” is a widely successful horror film that also obtained great critical acclaim. While many appreciated the movie for its wit, humor, and originality, the movie’s storyline is nevertheless serious and very real: It depicts the elite’s use of occult rituals on the unsuspecting masses. We’ll look at the symbolic meaning of “The Cabin in the Woods”.

Warning: Major spoilers ahead!

Considered to be “groundbreaking” and a “game-changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.

At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.

The heroes (or the victims) of the movie are somewhat uni-dimensional. We soon learn that they were manipulated to become that way.

As the movie progresses, many key aspects of the occult elite and its way of functioning are described in vivid detail: Mediatised mega-rituals, occult secret societies, mind control, high-tech monitoring and so forth. At the end of the movie, one might realize that these scared and confused teenagers running around and falling into traps are…us, aka the masses. Let’s look at the elements found in the movie and analyze their full significance.

The Nameless Organization

At the beginning of the movie, we see five friends hopping into a van and driving to a cabin in the woods (hence the title of the movie) where fun, alcohol and teenage frolicking awaits. The pals, however, don’t know that this weekend of apparent partying is, in fact, a big ritual sacrifice conducted by a high-level, international organization.

Never named in the movie, the organization behind the blood sacrifice utilizes high-tech facilities across the world and appears to have plenty of resources and employees. Can we associate this organization with the occult elite, the NWO and its secret facilities? Yes, yes we can.
Simply looking at the command center, we understand that is not a small, clandestine operation, but a highly sophisticated organization dealing with military tracking equipment that is only available at the highest governmental levels.

The organization’s sole purpose is to set up high-profile mega-rituals involving the deaths of civilians across the world in order to appease dark forces beneath the Earth. These rituals are made possible through the manipulation of certain individuals into doing certain things, causing them to unknowingly become participants in an occult ritual. This concept has been discussed several times on this site as mega-rituals involving symbolic elements and blood sacrifices do happen in real life, where everything is staged and set up to obtain maximum exposure and magickal potency.

Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatized events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.

“Of course, many serial murders are nothing more than the work of a single individual acting out a graphic horror movie he saw, or responding to powerful “psychotic” impulses for aggression and predation. But many other serial murders involve a cult protected by the U.S. government and the corporate media, with strong ties to the police. These murders are actually intricately choreographed rituals; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, them on a grand scale, amplified incalculably by the electronic media. In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is paganized, brutalized and debased in this, the “Nigredo” phase of the alchemical process.

The French adept Antonin Artaud, architect of the theory of the “Theater of Cruelty” with its transformative power, and the inspiration for the extreme sex-and-death media of our time, had this to say about the processing of the Group Mind: ‘Aside from trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically… That is how strange forces are aroused and transported to the astral vault, to that dark dome which is composed above all of… the poisonous aggressiveness of the evil minds of most people… the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.’

The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans,” “the profane,” the “gentiles” and the “goyim” (cattle) by secret society initiates. “I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested that man deliberately invented the dogma of materialism in order to shield himself from the evidence of what was being done to him by means of psycho- spiritual warfare methods hyped by “coincidence,” symbolism and ritual.”
– Michael A. Hoffman, Secret Societies and Psychological Warfare

Although the above quote was written more than 20 years ago, it perfectly describes the plot of The Cabin in the Woods which, in turn, describes mega-rituals in a direct but very caricatural matter. By doing so, the movie reveals the elite’s way of functioning while fictionalizing it – it puts everything out in the open while making people believe that “it’s just a movie”. While there is a lot of satire and foolishness in the movie, its underlying concept is truer than most would believe.

The shady organization carries out rituals across the world, some of which succeed and others fail. Most are made to appear as “accidents” and those that succeed are widely publicized across the world.

This elite organization, as powerful as it is, only obeys the will of dark forces called “The Ancients” and “the gods”. The “technicians” overseeing the ritual are actually members of an occult brotherhood and their job is to make sure rituals are complete.

After the death of the first victim, we see one of the technicians reciting a dark prayer and then kissing a pendant bearing the secret society’s magical symbol. Like in real life, some operations that appear to be about science and pragmatism are actually motivated by very obscure and occult reasons.

So the U.S. branch of this shady Organization manipulates five all-American students to go spend a weekend in a remote cabin in the woods. The cabin is set up in an environment that is totally artificial and controlled by the puppet masters. In fact, the cabin and its surrounding is one big TV recording studio, complete with mics and cameras, mind-altering drugs to control the actors and remote-controlled doors and light effects.

As the teenagers drive towards the cabin’s location, we realize that they are entering a “virtual” zone that is totally created by and controlled by the organization. Inside of it, the teenagers become puppets at the hand of high-tech puppet masters.

The Sacrificial Lambs

Once arrived at the cabin, the teenagers are made to embody specific archetypes in order to complete the ritual drama required by the gods. It, therefore, needs to be carried out in a specific matter and it needs to completely recorded and televised. The “gods” require the death of five specific archetypes in the ritual drama: The whore, the athlete, the fool, the scholar and the virgin.

The Whore

In the brotherhood’s temple are displayed stone tablets representing each archetype that needs to be slain. This one represents the whore.

Right from the start of the movie, the character named Jules Louden plays the role of an s-bomb that appears to be aroused by anything. During her (short) stay at the cabin, she constantly feels the urge to talk about doin’ it or to dance like a stripper. We, however, learn that Jules is not being herself: She was drugged and manipulated to become the proverbial whore. Upon closer look, an astute viewer might realize that Jules Louden bears many characteristics of a Sex Kitten mind control slave.

The first scene involving Jules emphasizes the fact that she dyed her hair blond. In Mind Control symbolism, blond hair is used to identify Beta Kittens – Marylin Monroe programming. We then learn that the “puppet masters” laced her hair dye with chemicals to reduce cognition and to augment her libido.

So Jules is not usually a whore – she was manipulated and drugged into becoming one, the same way the elite uses mind control to make regular girls become Beta Kittens (think of the many slutty “celebrities” that started off “normal”). In the cabin, Jules displaying the typical behavior of an MK slave, a victim of Beta programming.

“BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level.”
– Ron Patton, Project Monarch

The most obvious example of Beta Kitten behavior occurs when Jules is “dared” to make-out with a wolf head mounted on the cabin wall. She engages in a disturbingly long make-out session with the wolf head, as her friends awkwardly watch. The scene ends with Jules saying “thank you” to the wolf, confirming that the drugs she was given completely eliminated her inhibitions.

Jules is getting a lot of pleasure making out with this wolf head because she was programmed to accomplish such tasks. Bestiality is only one of the twisted things actual Beta Kittens are ordered to do by their handlers.

The puppet masters make it clear that Jules needs to be sacrificed first – because she is a whore and therefore corrupted. This needs to happen in a very specific matter in order to follow dark occult principles. The technicians want her to be killed during coitus and, more specifically, when she is nearing climax. Magick principles stipulate that individuals accumulate the most “life force” during the moments right before climax. Sacrificing a person right at that moment would, therefore, ensure the most magickal potency to a ritual.

The technicians closely monitor Jules copulating with the jock, hoping that she will take her shirt off. Explaining the ritual to an “outsider” who doesn’t understand why she MUST undress, a technician says: “We’re not the only ones watching…Got to keep the customer satisfied. You understand what’s at stake here?” In other words, the ritual needs to be graphic and fully broadcasted to be considered a success, something we see in real life without even realizing it.

After a few minutes of frolicking, which gets the teenagers (and the viewers) excited, Jules gets viciously attacked by a zombie right when she nears climax. The odd combination of copulation and death is characteristic of the dark rituals and is also featured be in underground snuff films circulated in elite circles. In short, Jules’ death was planned according to the occult elite’s way of functioning.

The Fool

Like in most horror movies involving teens, there is some kind of stoner in the pack providing comic relief. Always smoking a joint, the character named Marty Mikalski plays that role. Interestingly enough, the “fool” is also quite the conspiracy theorist.

Inside the van, Marty explains how society is being heavily monitored through cameras and “chips inside children’s heads”. He states that one must sometimes “go off the grid” to escape the madness. Of course, he says all of these things while rolling a joint, subtlety telling the viewers: “Only paranoid potheads are against microchips and state monitoring”. To make things worse, Marty then shows a finished joint to Jules and tells her “I’ll make you see things my way”, meaning that being “aware” equals being on drugs.

As discussed in my articles on the movies Contagion and 2012, “conspiracy theorists” (or anyone with non-mainstream views) are always depicted as loons with little to no credibility. Marty in The Cabin in the Woods accomplishes the same function. While he says things that are believed by many people, we still almost hear a “coo-coo” sound effect in the background while he discusses microchips and such.

The fool, however, turns out to be right about a lot of things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool.  We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).

The Virgin

In most cultures that practiced ritual sacrifices, virgins were considered to be the “highest quality” offerings due to the fact that they were considered pure, clean, uncorrupted and innocent. They were untainted by man and the world and were therefore perceived as holy and the most spiritually potent. The character named Dana Polk was made to play that role in the ritual drama, although she isn’t actually a virgin (there’s apparently not many teenage virgins available nowadays)

Although she appears to be the weakest and the most vulnerable of the victims, the virgin ended up being an unlikely hero.

For the ritual to be complete, Dana needed to outlive all of her friends and her death was optional. The important thing is that she suffered as the puppet masters need to capture pain and punishment on camera, a fetish of the real-life dark forces behind the Illuminati. In fact, the ritual in The Cabin in the Woods follows a specific protocol that is similar to the actual rituals carried out by the occult elite. Here are some of them.

Rules of the Ritual

Most mega-rituals follow specific rules that are clearly spelled out in the movie. These rules are made to give the rituals more potency while allowing the powers that be to avoid the negative effects of bad karma (according to their weird interpretation of it).

1st Rule: Announcing What Will Happen Beforehand.

On their way to the cabin, the teenagers meet an unsavory character dubbed “The Harbinger” that warns them in not-so-subtle ways that they will be killed. Despite the warnings, the friends resolutely carry on.

As seen in previous articles on this site, mega-rituals are often preceded by “clues” in mass media warning or preparing the victims (and the world) for what’s coming. If, after being warned, victims go on of their own free will, then the puppeteers are liberated from karmic responsibility.  During the movie, one technician says:

“They have to make the choice of their own free will. Otherwise, the system doesn’t work. Its like The Harbinger…this creepy old f*ck who is practically wearing a sign saying ‘You Will Die’. Why do we put him there? The System. They have to choose to ignore him. They have to choose what happens in the cellar. Yeah, we rig the system as much as we need to but, in the end, if they don’t transgress, they can’t be punished.”

This concept is often seen in real life where victims of ritual sacrifice place themselves in a specific situation, although they have been thoroughly manipulated to do so (see MK victims dying from an “overdose”).

In one of the cabin’s rooms is a painting depicting a lamb being torn to pieces by all kinds of vicious creatures. This is yet another way the victims are subtly “warned” of what is bound to happen. However, since the kids have no idea of what’s happening, they simply ignore it. This can be compared to the elite hiding in plain sight warnings and predictions about the NWO in public places (see the murals at the Denver International Airport).

2nd Rule: The Victims Must Seal Their Own Fate

Although every aspect of their environment is tightly controlled and manipulated by the puppet masters, the victims are still made to choose their fate by their own free will.

By reading cryptic Latin phrases inside a book, the 5 friends summoned themselves the redneck zombies that will tirelessly want to kill them. By triggering the killers themselves, the puppeteers are freed from karmic responsibility.

Although the above concepts are extremely obscure, they are clearly defined and communicated in the movie. They are a reflection of the occult elite’s (aka the Illuminati’s) particular way of functioning, where nothing is obvious and everything is manipulated behind the scenes in order to obtain a specific result. Ancient blood sacrifices were accomplished out in the open with participants that knew what was happening (not that I’m idealizing those days) but today, it is about deceit and manipulation, with an emphasis placed on suffering and anguish, something that only those dealing in black arts would revel in. Upon discovering exactly what was happening, Marty (the stoner) says:

“A ritual sacrifice? Great. You tie someone to a stone, get a fancy dagger and a bunch of robes. It’s not that complicated.”

To which the virgin replies:

“Tt IS simple. They don’t just want to see us killed. They want to see us punished”.

Who Wins in the End?

The ending of the movie is very telling, yet very unsettling. In order for the ritual to be complete, Marty must die before the virgin. If this doesn’t happen, the “ancient evil gods” will rise and kill everyone on Earth. When asked to kill himself to save the world, Marty refuses – knowing very well he’ll be killed anyway by the evil gods.

Dana and Marty then light up a joint and wait for the gods to rise. Dana says:

“It’s time to give someone else a chance…Giant evil gods”.

Then a giant hand rises up from beneath the Earth, kills everyone and then reaches out to grab the movie viewers. And that’s how the movie ends…with an evil god grabbing the viewer.

The big winner of the movie? An Evil god aka Satan himself.

So, in the end, the only winner of the movie is a “giant evil god” rising up straight from hell, one that could be equated to Satan in Abrahamic religions. Dana and Marty, the “heroes” of the story, therefore willingly allowed the evil god to rise up and to take over the Earth. The “heroes” brought about the worst ending possible, one of the movie’s original twists that kept the audience guessing. It nevertheless has an important symbolic meaning and tells a lot about those who are behind the movie. In retrospect, were the puppeteers the good guys or the bad guys? They were sadistic jerks carrying out an occult ritual but they were also trying to save the world from the wrath evil gods. Hmmm…

In Conclusion

The Cabin in the Woods is a hit with movie fans due to its wit and its study of the horror film genre. However, going past these obvious remarks, the story of the movie conceals another layer of interpretation: It reveals the Illuminati’s occult way of functioning in order to maintain power and to imprint the group mind with symbols using rituals and sacrifices. The “organization” in the movie uses an odd mixture of scientific knowledge with the “old world” occult rituals to carry out its plans. While this story is pure fiction, it also reveals (in a strange way) how the occult elite truly functions.

That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbinger in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”.

 

Symbolic Pics of the Month (10/12)

In this month’s SPOTM: Lady Gaga, Marina and the Diamonds and a whole lot of blatant MK imagery in fashion photoshoots.

 

This photoshoot entitled “Sweet Escape” is featured in the October issue of W magazine and was shot by Nick Knight – the director Lady Gaga’s video “Born This Way” (analyzed on this site). The photoshoot is replete with Mind Control imagery, complete with references to trauma and alter personas. The title “Sweet Escape” references the concept of dissociation. In this image, the otherwordly model appears to be lifting up while reading a fairytale (which are used to programmed MK slaves).

 

In this pic, the model is holding a cage with a bird trapped in it, a classic symbol representing mind control. To make things more obvious, one of the birds is hiding one of the model’s eyes while the other is shown bleeding.

 

In this pic, the model is “in the clouds” (dissociation) and there’s another emphasis on a single eye. She has red scars on her arms and legs, symbolizing the trauma and abuse of Mind Control.

 

The model’s alter persona lies dormant in a stroller while the active persona is awake. She wears rabbit ears, symbol of mind control (as in follow the white rabbit towards dissociation).

 

The reflection in the mirror is “independent” from the model, symbolizing the existence of a separate alter persona that is “behind the looking glass”. Scars on the chair still represent trauma.

 

Discarted/unused alter personas laying lifeless on a dead tree. They are “silenced” by butterflies on their mouth – representing Monarch programming. This entire photoshoot truly contains almost every symbol associated with mind control.

 

The final images of the photoshoot are a lot darker, as if representing the final product of the MK slave. In this image, a “black wedding” with the dark side…the model doesn’t seem to happy about it.

 

Final image of the shoot: An emotion-less model in a very dark setting with one eye hidden. Transformation complete?
Isabela Fontana in Allure magazine with a mega-emphasis on the one-eye symbol.

 

Another pic from Fontana’s photoshoot with a collar, symbolizing control and dehumanization.

 

Lady Gaga “tributing” Michael Jackson during a London fashion week. That’s great, but why is she wearing big-ass Mickey Mouse ears (a symbol of mind control)? Is she ridiculing the fact that MJ was a victim of the MK music industry?

 

During the same fashion show, Gaga wore another outfit. But let’s try to ignore that flowery thing she has on her face and let’s look at the guy next to her: hat designer Philip Treacy. His t-shirt is also referring to Michael Jackson in an odd way, with a one-eyed charicatural version of him. Why does it seem like people in the industry ridicule MJ’s death? How about stopping these questionable “tributes”  and let him rest in peace? In case you’re wondering about Philip Treacy’s connections with the Mind Control entertainment industry, let’s look at some of his most famous hat designs:

 

I don’t think there’s a more blatant way to describe Monarch Mind Control.

 

Yup, that’s how he does it.

 

Creepy-ass Terry Richardson with Lady Gaga, who is wearing a sex-kitten outfit. Wait, maybe this has nothing to do with sex-kitten programming and she only likes the pattern…

 

Nope, sex-kitten.

 

Popular Welsh singer Marina and the Diamonds is all about that Illuminati one-eyed symbolism. Here she is on the cover of Factory magazine.

 

Just, you know, like, casually hiding one eye and stuff.

 

Again.

 

Like all young female industry pawns, Marina poses as a blond Marylin Monroe, the prototype of industry-controlled sex-kittens.

 

So this hair color is “6.66 Babylon”? That’s a pretty hardcore hair color name…

 

Speaking of the number of the beast, here’s a new design from Lil Wayne’s favorite clothing line, UNIF. Three 6’s holding hands…how cute!
Macedonian ad for mobile phone company… And, for no apparent reason, a model hiding one eye.

 

Homepage of the official website of Stitches…For no apparent reason, a model hiding one eye.

 

Laundry Day Festival in Belgium…a bunch of young people dancing under a gigantic stage full of Illuminati symbolism disguised as a theme of pseudo-esoteric-enlightenement.

 

Creepy Nestlé “We Will Find You” Contest Uses Chip to Track “Winner”

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A new contest involving Nestlé candy bars makes the concept of a highly monitored police state fun and exciting…for idiots. The ominously titled “We Will Find You” contest places a tracking chip inside the “winning” candy bar, allowing the Nestlé HQ to track winners via satellite and to dispatch a team to give them their prize. The TV ad states:

“The bar will be equipped with a GPS signaling device. When activated, it will beam a signal into space via satellite and will return to earth. This will alert a secret control room who will scramble a crack team of highly trained individuals. They will board a helicopter, find the special bar and give the winner 10,000£.”

Here’s the ad.

So, to sum up, winners of the contest are tracked and found by a swap team who “arrest” them as if they were terrorists or enemies of the state. However, instead of beating the crap out of them and sending them to undisclosed jails, they give them 10,000£. You see how a police state is fun? Friendly agents jump out of helicopter and give you money! It’s perfect!…until they’ll use the same techniques to beat the crap out of dissidents and send them to undisclosed jails.

Muse’s Matt Bellamy Says He No Longer Thinks 9/11 Was an ‘Inside Job’

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Muse is a band that is somewhat popular among truthers due its messages alluding to conspiracies and resistance to corrupt powers. The band’s 2009 album The Resistance was perceived by many as a true anti-Illuminati manifesto with rebellious anthems such as Uprising. The lyrics of this song refer to dumbed-down masses being controlled by higher powers, a theme that is often discussed by truthers. Here are the lyrics:

Paranoia is in bloom,
The PR transmissions will resume,
They’ll try to push drugs that keep us all dumbed down,
And hope that we will never see the truth around
(So come on)
Another promise, another scene,
Another packaged lie to keep us trapped in greed,
And all the green belts wrapped around our minds,
And endless red tape to keep the truth confined
(So come on)

They will not force us,
They will stop degrading us,
They will not control us,
We will be victorious
(So come on)
Interchanging mind control,
Come let the revolution take it’s toll,
If you could flick a switch and open your third eye,
You’d see that
We should never be afraid to die
(So come on)

Rise up and take the power back,
It’s time the fat cats had a heart attack,
You know that their time’s coming to an end,
We have to unify and watch our flag ascend

Another title of this album is entitled MK-Ultra, which describes mind control and how it is used on a large scale to control the masses. Here are the lyrics:

The wavelength gently grows,
Coercive notions re-evolve,
A universe is trapped inside a tear,
It resonates the core,
Creates unnatural laws,
Replaces love and happiness with fear
How much deception can you take?
How many lies will you create?
How much longer until you break?
Your mind’s about to fall
And they are breaking through,
They are breaking through,
Now we’re falling,
We are losing control
Invisible to all,
The mind becomes a wall.
All of history deleted with one stroke
How much deception can you take?
How many lies will you create?
How much longer until you break?
Your mind’s about to fall
And they are breaking through,
They are breaking through,
Now we’re falling,
We are losing control

Since the release of Resistance, Muse enjoyed mainstream success, even partaking in the MTV Music awards and the Illuminati ritual that was the 2012 Olympics Ceremonies. The band’s acceptance into the music business seems to have modified its message, turning it into something that is more in line with the rest of mainstream media. In a recent interview with Metro, lead singer Matt Bellamy stated that he did not believe that 9/11 was an inside job anymore – rallying himself with the official version of the story. Did the music industry get to him?

Muse’s Matt Bellamy says he no longer thinks 9/11 was an ‘inside job’

Muse‘s Matt Bellamyhas revealed that he no longer thinks the terrorist attacks which were carried out on the World Trade Center on September 11 were an “inside job”.Previously, the frontman had claimed that there was “massive evidence” to support theories that US authorities had either allowed the attacks to take place or had made them happen. In a 2006 interview with CMU, he stated: “There was a document called ‘Project For The New America Century’… which clearly says, ‘We need a Pearl Harbour-level event so we can have an excuse to invade the Middle East’.”

Speaking to the Metro, however, Bellamy said that his political views were “more nuanced now” and that he no longer believed in conspiracy theories surrounding the tragedy.

He said: “I don’t believe that any more, although there are lots of questions to be answered.”

He went on to add: “I still read a lot about political history, the influence of corporations and the military, but I make sure I’m reading from credible sources. I think my political views are a bit more nuanced now.”Discussing the band’s plans for their forthcoming tour dates, meanwhile, he revealed: “We have a symbolic upside-down pyramid suspended over us as we play. It will screen videos and images that relate to the songs. At some point, the pyramid will turn inside out and consume Dom ‘s drum kit. Then Dom becomes a ninja who starts battling with corrupt businessmen… I’m serious. That’s not a joke.”

So the idea of 9/11 being a false flag operation to justify military operations is not “credible” to Bellamy anymore? Maybe he should check out this video of Patrick Clawson of the influential Washington Institute for Near East openly calling for a false-flag operation to justify the invasion of Iran.

B.O.B. and Nicki Minaj’s “Out of My Mind” or How to Make Mind Control Entertaining

“Out of My Mind” is considered to be an upbeat and funny song about B.O.B. being completely crazy. A closer look at the song’s lyrics and video, however, reveal that it is yet another attempt to glamorize one of the elite’s most despicable practices: Mind Control Programming. We’ll look at B.O.B. and Nicki Minaj’s “Out of My Mind” and how it refers to Monarch Mind Control.

B.O.B.’s Out of My Mind is about him being a crazy so, fittingly enough, the video takes place in a mental institution. While most would stop their analysis there, a closer look at the song and video reveal that B.O.B. is getting a specific type of “treatment”. Some people are “out of their minds” due to mental health problems, but others are there by force. Those that have mental health problems usually get treated by competent people while those who “lost it” by force get treated extremely badly. They are violently abused and traumatized by sadistic handlers until they completely dissociate from reality – literally going “out of their minds”. This is what we call ritual abuse, the basis of Monarch Mind Control (for more information read the article Origins and Techniques of Monarch Mind Control). Out of My Mind is a cartoonish, yet blatant, description of the process of Mind Control.

As we’ve seen in previous articles on Vigilant Citizen, making Monarch programming cool, fashionable and, ultimately, acceptable is an important part of the elite’s Agenda. On a regular basis, we see popular artists releasing material that is rife with Mind Control and Illuminati symbolism, in order to keep the elite’s Agenda fresh and new  – making sure it stays on TV, radio and getting plenty of hits on YouTube. Performed by two of rap’s hottest artists, Out of My Mind gives Mind Control imagery yet another go at the airwaves. Despite its disturbing nature, the video is presented in a lighthearted, sexy way, which comes across as positive and attractive to young viewers. Let’s look at the video’s main scenes.

B.O.B. is Not Receiving Proper Treatment

The video begins with B.O.B. and Nicki Minaj locked inside a cell and acting all crazy. On the wall behind them are carvings that appear to be made by someone that is crazy and paranoid, but, on closer look, one can decipher words and symbols directly referring to Illuminati mind control. There are several All-Seeing Eyes, a symbol that not only represents the occult elite but is central in actual mind control programming. This ancient occult symbol is at the center of systems used to program MK slaves and was even used by the father of mind control, Josef Mengele.

“The All-Seeing Eye is placed in the center of Star’s systems, just like Mengele would put in an All-Seeing Eye.”
–  Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

Behind B.O.B. are weird carvings such as the All-Seeing Eye inside a spaceship. There are also unsettling phrases such as “They are us” and “We are them”. Who are “They”? Is this a reference to the elite controlling these artists and making them their pawns? Hence …”We are them”?

Not only does the All-Seeing Eye represent the occult elite, it also represents constant surveillance and monitoring, that there is no escaping the handler’s grasp. For this reason, many MK slaves become obsessed with the symbol and find themselves drawing it everywhere.

“Because the slave is monitored from so many different unseen methods, it does begin to seem hopeless to some to ever be free of Big Brother. If you add to all this, that the slave has been programmed repeatedly that there is no escaping their All-seeing eyes, then it is easy to see why so many slaves acquiesce & just comply.”
– Fritz Springmeier, Deeper Insights into the Illuminati Formula

At the bottom left, we see a carving saying “They see” with a creepy eye in between. Who are “They”? Maybe the symbol right next to it bears the answer: An eye inside a triangle, a symbol of the Illuminati.

While B.O.B. is jumping around in his cell, some unfriendly looking fellows, who do not appear to be caregivers, march toward his cell. At the center of them, an evil-looking, Josef Mengele-type appears ready to program the rapper.

Looking like a sadistic mad scientist, the man in the middle brings B.O.B. a straitjacket. He is accompanied by four agents dressed in riot gear.

At this point, it should be clear that B.O.B. is not at a typical mental health institution. He is at a programming site, run by high level “scientists” and heavily armed governmental agents. As seen in previous articles, normalizing police state agents is also part of the Agenda.

B.O.B. is taken by force somewhere to probably be abused and tortured by the creepy scientist who is coldly looking over in the back.

Of course, the video sugarcoats the dark reality behind it, by making every appear fun! and sexy! Therefore, the tools used to torture B.O.B. are brought in by nurses in outfits that are .. .non-regulatory.

While Monarch programming is atrociously cruel, videos like this one make the concept trivial and even unconsciously positive to young, unaware viewers.

B.O.B.’s lyrics in the first verse refer to him being evaluated by “they” and even names classic mind control techniques. Here’s part of it:

“My brain is on vacation, they telling me
And I’m bi-polar to the severity
And I need medication, apparently
And some electrocompulsive therapy”

The main goal of mind control is to traumatize victims severely enough to cause them to completely dissociate from reality. Once this is accomplished, handlers can program new alter personas into the blank slate that their brain has become. While dissociated, MK slaves are literally “out of their minds”. In B.O.B.’s verse, the phrase “My brain is on vacation, they telling me” aptly describes an MK slave that has dissociated from reality. The lines “And I need medication, apparently/ And some electrocompulsive therapy” refer to two important techniques of Mind Control: The usage of drugs (“medication”) and electroshock torture.

“Another basic component of the Monarch program is lots of electroshock. Stun guns, staffs with hidden electric cattle prods, and cattle prods are frequently used on the slaves. Electroshock is used to create the dissociation from trauma during the programming, and later it is used to remove memories after the slave has carried out a mission, or to instill fear and obedience in a reluctant slave. Slaves generally carry horrible body memories of excruciating electro-shock tortures to their entire bodies. As the slaves begin a therapeutic deprogramming process they will recover these horrible memories, not to mention many other painful memories.”
– Ibid.

As if to emphasize the importance of this technique in the song, we hear an electroshock sound effect during B.O.B’s verse – a sound that probably terrifies actual MK victims.

Dr. Minaj

The next part of the video is B.O.B.’s “Psych Evaluation”, performed by “Dr.” Minaj. We soon realize that she is not there to hear about B.O.B’s feelings, but rather to practice a technique that is extensively employed by mind control handlers: To humiliate, insult and demean victims to further their trauma. Minaj proceeds to diss the hell out of B.O.B. and his career, making the rapper come close to tears. In this excerpt, she ridicules one of B.O.B’s hits:

“Now can we pretend them airplanes in the night skies
Are like shooting stars?
Well, you gon’ really need a wish right now
When my goons come through and start shooting stars”

Of course, in actual programming, handlers are a lot more cruel, sadistic and hurtful but the basic concept is nevertheless present.

Minaj then goes into stripper mode and hints to the fact that she might be under mind control herself.

Dr. Minaj removes her white coat to reveal a sexy outfit with a prominent leopard print pattern. In mind control, feline prints are used to identify Sex Kittens – products of Beta programming. Minaj’s stripper-like demeanor confirms her being a Sex Kitten.

It has been reported that MK handlers are often under mind control themselves and this scene appears to describe this fact.

Towards the end of her verse, Minaj says:

“You know, I graduated Summa Cum Laude
That’s why they thinking I’m Illuminati”

It is rather odd to refer to these “crazy Illuminati rumors” while playing the role of an MK slave/handler in a video promoting Monarch mind control. Also, nobody with even a little knowledge believes that Nicki is “part of the Illuminati”. Rather, she is one of the several pawns used by the industry to promote an Agenda … and she will probably be dropped as soon as her “cool factor” is gone, like hundreds of other pop stars before her.

In what appears to be a moment of lucidity, Minaj offers to free B.O.B. from his shackles. Her handler alter however appears to kick back in and she leaves the room somewhat confused and embarrassed.

Parole Board

After his weird encounter with Dr. Minaj, B.O.B. is taken to the parole board.

B.O.B. enters the room pushed by an over-armed police guy and with his head covered so he doesn’t know where he is. I’m pretty sure they don’t do that in a regular mental institution. However, keeping victims confused and in the dark is a common tactic used Monarch programming.

While B.O.B. raps before the parole board, one of the judges gets all hot for B.O.B., asking him to call her. Yes kids, being an MK slave is very attractive.

The video ends with B.O.B. and Minaj looking lost and confused, asking repeatedly “If I’m here … and you’re there … and I’m here … and you’re there”. Hmm, are they confused about who they are? About their core and alter personalities? That’s how MK slaves feel. B.O.B. then whispers to Minaj: “Shhh … they might be listening”.

In Conclusion

At first glance, Out of My Mind appears to be a fun song about being wild and crazy, but a closer look at the lyrics and the video reveals that it actually refers to extremely specific aspects of Monarch Mind Control. Once this fact is known, the song suddenly stops being fun and turns into a disturbing case of normalizing and glamorizing of the cruel practice that is Mind Control. We see and hear references to trauma, dissociation, being drugged, electrocuted, roughed up by government agents and even manipulated by handlers. While all of this sounds horrible written out, catchy rhymes and sexy nurses make the pill easy to swallow for young viewers who will probably jump around screaming “I’m out of my f*cking mind!”.

In the end, Out of My Mind is yet another example of the elite’s Agenda being marketed to young music fans. Mind control is heavily used by the elite to keep a stronghold on various areas of power, particularly the entertainment industry. While not all pop artists are victims of Mind Control, most have signed contracts that make them pawns of the occult elite and force them to give up control of their creative creations. While rappers used to be about “fighting the power” and “representing the streets”, they are now seen in cells, confused, and abused by cops and mad scientists, talking about being electroshocked. The music industry has been hijacked, folks … and while videos like this may make it obvious to some, most will just laugh and say “You’re out of your mind”.

 

Symbolic Pics of the Month (09/12)

In this edition of Symbolic Pics of the Month: Police state fashion, pop stars with weird t-shirts and ads that make you go hmmm…(what you know about this C + C Music Factory reference??).

This photoshoot “named State of Emergency” by photographer Steven Meisel came out in 2006 (a few years before the creation of this site). It is featured here because it eerily foreshadowed police state tactics that appeared in the following years. And it makes it sexy. This pic apparently predicted the the sexually demeaning TSA searches and pat-downs that were instated around 2010.

 

Another airport scene showing a mode forcibly undressed and searched at an airport check up. Again, many cases of TSA agents requesting people to undress and get patted down have appeared 3-4 years following this photoshoot.

 

Allusions to police brutality at an airport, complete with batons and aggressive K9 unit…and look at that dress!

 

Agents with TSA badges violently apprehending a model. Is it foreshadowing the next step of “airport security”?

 

Other pics in the shoot take place in the streets, where fashion models are brutalized by police in riot gear. Its all about making police state sexy.

 

Model laying on the ground with police foot on her throat…Police brutality is not glamorous.

 

I know I ask this often but…Is this fashion? Really?

 

As usual, a lot of one-eye signs popped out in mass media in August. Here’s Katy Perry with a mask hiding one eye.

 

Han Hyo Joo in September’s edition of Vogue Korea

 

On this single cover, Ayah Marar is hiding one eye and the name of the song is “Mind Controller”…Can’t really add more to that.

 

A gigantic hat hides one of Gwen Stefani’s eyes on the cover of Bazaar magazine.

 

This ad for Lady Gaga’s Little Monster mobile app reminds us that Gaga still is an Illuminati puppet.

 

Model Coco Rocha doing the trifecta of Illuminati signs in the NY Times: Self-mutilation, devil horns and one eye. Name of the article? “Expanding Her Efforts to Be a Role Model”

 

Kreyshawn’s album cover features a bunch of eyeballs and one-eyed creatures observing her. A giant one-eyed thing is wrapped around her…is she under its control? Also, there are pyramids in the background, making this thing a big Illuminati tribute.

 

An interesting way of portraying Mitt Romney…

 

Ashley Benson is known for being an actress and for wearing shirts with inverted crosses on them.

 

In last month’s Symbolic Pics, we saw Rihanna wearing a shirt saying “Control Minds” in the shape of an inverted cross. This month, we have Rihanna walking around with a shirt saying “Sex Kittens” – which is, as we know, a type of Monarch programming. The shackled figures convey the concept of mind control.

 

Illuminate your cigarette with this Illuminati lighter.

 

This ad for OPI nail lacquer “celebrates the incredible life & legacy of Whitney Houston”. If that’s the case, why does this thing appear to be splashing blood everywhere? Is it subtly celebrating Houston’s sacrifice? Let’s look at other ads by this same makeup company.

 

I guess we know who they’re rolling with…

 

This graph made by MTV shows the world’s richest rock stars. Notice how a bolt of lightning emerges from pyramid of artists to another pyramid with an all-seeing eye at the bottom. Is the image hinting at who or what made these artists as rich as they are?

The Movie “Videodrome” and The Horror of Mass Media

“Videodrome” is an 80’s science fiction horror film that contains some gore, James Woods and Betamax videotapes. Above all, the movie communicates a strong message on the perversity of mass media, its dangers to the human psyche and how it is used to manipulate the masses. 

Warning: This article contains spoilers and disturbing subject matters.

Videodrome is a dark Canadian movie about a sleazy CEO of a small cable TV station and his discovery of a broadcast signal featuring live torture and murder. As fascination turns into obsession, then into physical illness, the movie symbolically describes, in a very extreme and graphic way, the impact of mass media perversity on the human psyche, as well as the dark forces behind it.

The movie’s odd mix of gore, taboo subject matters, and social commentary make it an original, but a disturbing film to watch. I am glad I did not watch the movie as a child because I’d probably have gotten nightmares for days. Thirty years later, though Videodrome‘s horror special effects appear quite corny and laughable, one thing is for sure: Its message hasn’t aged a bit. In fact, the metaphorical meaning behind the twisted scenes in the movie is as real, relevant and shocking as it ever was, which probably explains why it became somewhat of a cult classic.

Videodrome was produced in 1983 but one can argue that it was decades ahead of its time. It successfully predicted the growing control of mass media by shady forces, the coming of reality television and the propagation, through various mediums such as the Internet, of all kinds of extreme underground films.

While many perceive the movie as a criticism of the effect of mass media, some claim that it is nothing less than a manifesto from the elite to reveal the way it functions.

“This writer submits that part of the ongoing “Revelation of the Method”, the cryptocracy recently issued a kind of Rosicrucian manifesto, revealing precisely what television is doing to us and what the future of the video imperium they are planning for us will be like. The name of this manifesto is Videodrome, directed by the Canadian David Cronberg whose other works include two films about psychic assassins, Scanners which features the Kennedy-sigil exploding head and the Dead Zone”.
– Michael A. Hoffman, Secret Societies and Psychological Warfare

Let’s look at the movie’s plot and how it relates in the context of today.

Discovering the Videodrome

Max Renn is the president of CIVIC-TV, one of those sleazy television stations that specialize in low-grade programs such as soft “adult” shows and low-grade violent movies. He is convinced that the public is hungry for more extreme TV experiences and that his network must bring this to its viewers.

During a TV interview, Max Renn argues that TV acts as a catharsis, meaning that it is a healthy outlet for our violent and sexual needs. He soon discovers first hand that his theory is completely false.

Renn is actively looking for something new and exciting to propose to his viewers. To do so, he has a secret contact: A TV pirate named Harlan who can intercept satellite signals from across the world. The pirate shows him a television show that will change his life.

Harlan shows Renn a television signal broadcasting nothing but ultra-realistic torture, abuse, and murder performed by masked individuals. Renn believes that it is all staged and that it is exactly the kind of programming his network needs.

Renn discovers later in the movie that nothing in Videodrome is staged and that it is, in fact, snuff TV, which is real live footage of violent acts.

In the “real world”, the concept of snuff videos is taboo and controversial. However, some researchers have exposed the existence of underground networks distributing snuff videos in elite organizations. Everything from blood rituals to abuse involving mind-controlled slaves and minors is distributed and consumed by high-placed circles operating above the law. Also, high-profile crimes that bear a ritualistic aspect are sometimes recorded and sold at high price.

“Some of the Son of Sam murders were videotaped by cult-members and copies command high prices in cash, drugs and other commodities on the underground snuff-film circuit.”
– Michael A. Hoffman, Secret Societies and Psychological Warfare

The masses are introduced and desensitized to the occult elite’s taste for the violent and perverse through mass media.

“None of this ought to be too shocking to any American TV watcher since a version of this process can be seen in those glimpses of actual murders and other horrors we are shown on broadcast TV, on the “news” and in “specials”, right in the “Videodrome”. Simulated snuff-videos are already available at many of our cheery neighbourhood video-rental stores. Cable and network television broadcast the highest grade of brutalizing voyeurism.”
– Ibid.

In the movie, Max Renn is somewhat representative of the masses. Even though he knows that Videodrome is not the most engrossing show on TV, he still irresistibly attracted to its graphic material. Fascination with blood and lust is a primal and instinctive reflex and has been used as a tool to capture attention and to control since ancient times (see Circus and Gladiatorial Games in the Roman Empire). Furthermore, when no moral objections are involved, some are willing to be exposed to truly evil and twisted deeds to satisfy a craving that often turns into an obsession.

In the movie, Nicki, the woman Max is dating, gets sexually aroused by the violence in Videodrome. Completely submitting to the call of their lowest impulses, the couple gets “busy” while watching some guy getting tortured. While blood and lust are primal instincts that are meant to ensure survival, we see here that they’ve been twisted and distorted by mass media to manipulate weaker minds.

Watching Videodrome quickly produces negative effects on Renn. His interest in the show quickly turns into an obsession. The tape he uses for entertainment soon begins to consume him.

Max’s obsession with Videodrome causes a blurring between reality and fiction. Here, TV takes life and literally calls him.

Max begins to experience intense hallucinations. He doesn’t see a difference between television and reality. He soon realizes that Videodrome is not just “entertainment”.

More Than a TV Show

While researching the origin of Videodrome in order to broadcast it on his TV station, Renn learns that it is much more than a TV show. One his friends tells him that the action on Videodrome is not staged and that those behind it are powerful and dangerous. While the show simply appears to be about violence, there is much more behind it. Max’s friend tells him:

“It has something that you don’t have, Max. It has a philosophy. And that’s what makes it dangerous”.

This concept is very true in mass media. While most people do not live according to a specific philosophy and do not put a lot of thought about what they watch on TV, those in power and those controlling the airwaves are often motivated by strong philosophical and political motives. This results in the communication of propaganda to people who do not even realize they are watching propaganda.

The man behind Videodrome is Professor Max Oblivion, who only communicates through TV screens.

“The battle for the mind of North America will be fought in the video arena. The Videodrome. The television screen is the retina of the mind’s eye. Therefore, the television screen is part of the physical structure of the brain. Therefore, whatever appears on the television screen emerges as raw experience for those watching. Therefore, television is reality. And reality is less than television.”

Oblivion is an idealist convinced that technology, particularly television, would help lead humanity to a better tomorrow. He runs “Cathode Ray Mission”, a homeless shelter that provides a “healthy dose” television to those who cannot afford it.

Oblivion’s office is full of items relating to religion and philosophy. He believes that mass media can bring near-spiritual salvation and promise eternal life through television.

As it is the case in the real world, Professor Oblivion’s altruistic dream got taken over by people who mean business. He is killed by a shady yet powerful organization that wants to use Videodrome to control and manipulate the masses. And Max soon discovers who they are.

The organization runs behind a front company named Spectacular Optical. The eye logo and the ominous slogan “Keeping an eye on the world” is rather Illuminati-ish.

When Renn meets to head of Spectacular Optical, he is shown an introductory video that describes the organization an “enthusiastic global corporate citizen that makes inexpensive glasses for the Third World and missile guidance systems for NATO”. In other words, it is the type of mega-corporation that would be part of our world’s global elite. Spectacular Optical also makes Videodrome.

The head of Spectacular Optical, Barry Convex, tells Max that Videodrome is extreme because exposure to violence affects the nervous system and “opens receptors in the brains and the spine which allow the Videodrome signal to sink in” – and mess with people’s minds. One can wonder if there is some factual basis behind this theory: Do sex and violence create a primal response in our bodies that makes us more receptive to other messages and signals? Even if there were serious studies on the subject, I doubt they would be divulged to the public.

Max then learns that he was purposely deceived into watching Videodrome because Spectacular Optical needs to take over his TV station to broadcast its signal to the masses. To do so, Max will be used as a mind-controlled patsy to kill his partners and hand over Channel 83 to Spectacular Optical.

When the Program Programs You

Although Max realizes that weird stuff is going on, his exposure to Videodrome has rendered him utterly powerless and at the mercy of those broadcasting the signal. The movie illustrates in a rather graphic matter how individuals can easily be brainwashed and controlled by mass media.

The head of Spectacular Optimal literally jams inside Max a tape in order to program his mind and control his actions. This is a rather graphic way of representing how the elite-controlled mass media programs its viewers, figuratively inserting a tape into people to get its Agenda and messages accepted.

Controlled by the tape, Renn enters the office of his TV station and takes out his partners. He is then told to go take care of Bianca Oblivion, the daughter of Professor Oblivion. There, he is stopped short and Bianca uses a TV screen to “deprogram” him. He is however quickly reprogrammed to kill the head of Spectacular Optical, Barry Convex. Max has become a blank slate that can be programmed and re-programmed at will.

Bianca’s TV points back at Max the gun he is holding. Media, therefore, became a reflection of him and him, a reflection of media. The TV then shoots Max which allows him to be free from the Videodrome tape and to be “reborn” in an almost religious way. Max’s new mantra: “Death to Videodrome, Long Live the New Flesh”.

Max then goes to take care of Barry Convex, who is in an optical trade show for reading glasses and such. The theme of the show is de Medici, Florence’s prominent political dynasty, banking family and royal house of the 14th century. This choice of theme is rather interesting considering the fact that Spectacular Optical can easily be related to the occult elite we call the Illuminati.

The de Medici family can be seen as a prototype of today’s Illuminati bloodlines, as it had a stronghold on the monetary, cultural and even religious affairs of their subjects (the family produced four popes). From an occult point of view, de Medici’s translated classical works on Mystery teachings (such as the Corpus Hermeticum) are often credited for having revived hermeticism, the Kabbalah and Gnosticism in Europe – all basic teachings of today’s secret societies. The theme of the trade show can therefore further associate Spectacular Optical with the occult elite.

The stage of the trade show contains two quotes: “The eye is the window to the soul” and “Love comes in at the eye”. Considering the fact that this organization controls people by making them watch acts of cruelty, these sayings conceal a disturbing meaning. Then again, doublespeak is a specialty of the elite.

When Renn shoots Convex, we find out that he’s some kind of alien or monster, which is somewhat reminiscent of the movie They Live (read my article about They Live here).

Dazed and Confused

After carrying out his murderous mission, Renn hides in an abandoned place. He once again finds himself in front of a TV that directly talks to him. It tells him that “death is not the end” and that it can “help him”. Is it proposing eternal life through appearing on television? Max then tells the TV what many people unconsciously feel.

“I don’t know where I am now. I am having trouble finding my way around.”

His exposure to Videodrome (mass media) has caused him to lose his thoughts and even his free will. The TV, which uses the image of Nicki to seduce him and attract his attention, replies:

“Videodrome still exists. Its very big, very complex. You’ve hurt them, but you haven’t destroyed them. To do that, you’d have to go on to the next phase.”

The TV then tells him that he needs to go “all the way” and become the New Flesh. To do that, he has to kill himself. We see here how mass media can be a manipulative force, using seduction and rhetoric to influence behavior, even if it involves shooting oneself in the head. Then, the TV says: “Here, I’ll show you”.

The TV shows Max how to shoot himself.

Right after, Max imitates what he saw on television, says  “Long live the New Flesh” and shoots himself in the head … and the movie ends on that unsettling note.

Did Max truly “complete his transformation” and become New Flesh? Probably not. Like most of what is said on television, all of this New Flesh story was most likely a bunch of BS used to manipulate his confused mind and to push him towards suicide. By shooting Convex, Max became an enemy of Videodrome and, like most mind-controlled patsies, he was pushed into a “self-destruct mode” once he stopped being useful to the organization.

On a larger scale, the ending of the movie communicates a strong statement about the influence of mass media on the world. Does it directly influence people’s thoughts and actions, even if it goes against their best interests? This movie says yes.

 

In Conclusion

While the premise of Videodrome is over-the-top science fiction, its underlying message rings even truer today than it did in 1983 when it was released. With the advent of new technologies such as the Internet and mobile devices, we are today, more than ever, surrounded by the signals of the real-world Videodrome that is mass media. Its images and message can now reach us in a variety of ways, following us anywhere we go. While not as in-your-face and extreme as the movie’s Videodrome, today’s mass media still tap into these two primal urges humans that are difficult for humans to ignore: Blood-lust and flesh-lust. These two instincts were encoded in our DNA for the survival of individuals and the propagation of the species, but they are now “soft spots” that can easily be triggered with specific stimuli, causing an immediate and powerful reactions. As people get desensitized to sexual and violent imagery, mass media constantly pushes the envelope to bring new, distorted and twisted ways to capture their viewer’s attention. While the showing of a woman’s ankle caused quite a stir a few decades ago, today Internet users keep demanding for more extreme footage to get excited. As Max says in the movie: “They need something rough”. How long will it take until all-out snuff movies become acceptable for mass consumption? Some say that we are already being introduced to the Illuminati twisted underground world as a lot of snuff is actually already in mass media and we don’t even realize it.

However, as the movie states, blood and lust are not the ultimate end, but merely a vehicle to communicate the most important aspect of it all: the Agenda. This is what it is all about. It is about materialism, superficiality, the sexualization of anything, the destruction of family values and much more. All of the articles on Vigilant Citizen show that behind the bells, the whistles, the sexiness and the eye candy, a message is being communicated – one that goes with the best interests of the elite. Watching Lady Gaga in a music video wearing a bikini and whipping some guy (which oddly resembles a scene in Videodrome) is a good attention-grabber but, as we’ve seen in many articles, there are many messages that also being communicated. The Videodrome signal that causes everything from hallucinations and brain tumors is the constant conditioning that is exerted by mass media to force the world to accept a specific world vision – which is a fake as a hallucination.

In the Illuminati’s Videodrome, the masses are constantly exposed to the values that need to be accepted, the mindset that needs to be adopted and the symbolism that needs to be embraced. From mega-rituals disguised as current events to propaganda disguised as entertainment, TV viewers find themselves like Max Renn, with tapes inserted right in their belly. Don’t want your mind to end up like Max’s? Remove that tape, throw it in the garbage and think for yourself.

 

Britney Spears Forced to Stay Under Conservatorship Due to “Psychological Issues”

In my several articles on Britney Spears, I described how she was one of the most obvious examples of mind control in the entertainment industry. The singer has absolutely no control over her own personal life, much less her professional life. This is even enforced by judicial courts as her father and fiance Jason Trawick have legal conservatorship over her life. In other words, they are her handlers.

Britney has been attempting to liberate herself from these men controlling all aspects of her life (how can one’s fiance be in control of one’s life?) but  courts are not about to let her go… And the reasons cited for the continuing of her conservatorship are quite cryptic and mysterious. Documents were filed in her case that “urgently ask the judge to seal certain records” as they are deemed “highly sensitive” and would cause “irreparable harm and immediate danger” should they be made public. The documents relate to her condition and treatment.

Do these “highly sensitive” documents mention something about her being under Monarch mind control? It would certainly explain why the revelation of this information would cause “irreparable harm and immediate danger”. Here’s an article on Spears’ conservatorship.

Britney Spears Conservatorship In Place Due To Psychological Issues

It’s been four-and-a-half years since a judge placed Britney Spears under conservatorship of her father, Jamie Spears, giving him control of her career, personal life and finances — but the 30-year-old singer has had enough.

RadarOnline reports that Spears is growing increasingly frustrated that she’s still kept under the conservatorship and met with Judge Reva Goetz to discuss her progress.

“Britney said she doesn’t understand why it’s still in place and expressed her belief that she has got to be the only person under a conservatorship that has managed to land a $15 million work contract. Britney wants the conservatorship to end, it’s fine with her if it stays in place as far as her business and professional life, but she wants to call the shots when it comes to her personal life,” a source close to the singer revealed to RadarOnline.

Spears has been getting her career back on track following a mental breakdown in 2008. The singer locked herself in a room with one of her children in her Los Angeles home and refused to hand him over to ex-husband Kevin Federline. Police were called to intervene and said the singer appeared to be “under the influence of an unknown substance.” Spears was rushed to Cedars-Sinai Medical Center for evaluation and the following day a court suspended her visitation rights and Federline was given sole custody of their children. Three weeks later Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and placed on a 5150 involuntary psychiatric hold.

At the time, People magazine reported that Spears went willingly, after exhibiting more alarming behavior. “She was driving around her neighborhood like a mad-woman,” revealed a family insider, who added, “Britney has been prescribed medication which she refuses to take. This is just another sad, sad evening.”

Sources also told the magazine that Spears suffers from psychological issues, with one source claiming, she’s “bipolar… she’s had manic episodes for years.”

Spears’ camp never confirmed that the singer suffers from bipolar disorder, but whatever psychological problems she has are enough to keep her under the conservatorship. According to TMZ, documents were filed on Tuesday in Spears’ case that urgently ask the judge to seal certain records. Sources told the website that the records — which her lawyers called “highly sensitive” and would cause “irreparable harm and immediate danger” should they be made public — are medical documents outlining the singer’s condition and treatment.

Though Spears has been doing “extremely well,” according to the website’s source, her “personality disorder” apparently makes her too much of a wild card to be able to make her own decisions.

“Britney’s team of doctors just don’t feel that she is ready for the conservatorship to end. They have specific concerns related to her mental health and aren’t ready to tell the judge that Britney is ready to go it alone just yet. Judge Goetz is the only person that can end the conservatorship,” the source explained to RadarOnline.

Britney has been able to make some headway in the case and now has two men controlling her life. In April, her fiance, Jason Trawick, was approved as a co-conservator, a request that was made by Britney herself.

Currently, Trawick and Britney’s father share control of the personal conservatorship, allowing them to make life decisions for the singer — and of the business conservatorship, which involves managing the singer’s career and finances. According to TMZ’s sources it’s likely the two will indefinitely control the business side of things as it’s been an incredibly successful arrangement thus far.

– Source: Huffington Post

The Occult Symbolism of the 2012 Olympics Opening and Closing Ceremonies

Watched by almost a billion viewers across all five continents, the 2012 Olympic ceremonies were, for a few hours, the focal point of the world. As is the case for most high-profile media events, the world elite’s messages, symbols, and agenda were part of the show. We’ll look at the occult symbolism of the opening and closing ceremonies of the 2012 London Olympics.

Olympic ceremonies are often among the most watched TV events on the planet. They are an exceptional chance for the host countries to showcase their greatness through a grandiose, elaborate and massive show. The 2012 London Olympics were no exception as England’s history, culture and accomplishments were thoroughly celebrated and applauded. Some moments were grand, others were funny; some were dark and even disturbing. Other moments were highly symbolic, reflecting the agenda of the occult elite. Given that London is one of the power capitals of the world, it would have been more surprising if the symbolism and philosophy of the global elite had not been infused throughout the ceremonies.

Of course, not everything was symbolic in that sense and not everything was in-your-face, but over the course of the several hours that the ceremonies lasted, a good deal of symbolism was communicated to billion of viewers around the world. Let’s look at the most symbolic moments of the 2012 London Olympics.

Opening Ceremony

The ceremonies were designed and coordinated by Danny Boyle, director of the movies Trainspotting and Slumdog Millionaire. Entitled Isles of Wonder, the opening ceremony focused on the history of England and the actors that influenced it. The journey began in ancient and mythical England then traveled through the industrial revolution, ending in modern times. The story was told using specific symbols and references that recall the occult side of Great Britain.

Green and Pleasant Land

The show begins in pastoral England, complete with farmers and cricket players. There are also many symbols alluding to its ancient mystical lore. The focal point of the show is a hill that is said to have magical properties: Glastonbury Tor.

The mythical spirally hill named Glastonbury Tor overlooks pastoral England. This recreation of the Tor is topped by a giant oak tree, a tree considered sacred by Celtic Druids and representative of the Supreme Deity.

Glastonbury Tor is one of the oldest sacred sites in England. Believed to be at the intersection of powerful ley lines, the Tor is related to many mystical stories and legends. For instance, it is thought to be Avalon from the legend of King Arthur and his 12 knights, a story that is esoterically associated with the sun and the twelve signs of the zodiac. Another legend claims that Joseph of Arimathea, the great uncle of Jesus Christ who was a tin merchant, brought young Jesus on a trip to Glastonbury. He later came back to the site and threw the chalice used by Jesus during the last supper (the fabled Holy Grail) in Chalice Well – an area of Glastonbury said to have magical powers. Archeologists have also discovered that the construction of the Glastonbury abbey involved sacred geometry “known by the builders of Egyptian pyramids” and passed down through societies of stonemasons (the originators of modern Freemasonry).

The “real” Glastonbury Tor, topped by St. Michael’s Church. The hill is the site of Christian pilgrimages and seasonal rituals practiced by ritual magicians, witches, pagans, and of various occult and spiritual festivals.

The presence of Glastonbury Tor in the Olympic stadium provides a definitively mystical and esoteric undertone to the opening ceremonies.

While countrymen work the land and run around maypoles (which incidentally bear a cosmic and phallic occult meaning), a young boy in the crowd stands up and sings part of a classical English hymn, William Blake’s Jerusalem.

William Blake is often described as a “visionary” whose artistic works were heavily inspired by Druidism, Gnosticism, and Freemasonry (his depiction of the “Grand Geometrician” holding a Masonic compass is above the Rockefeller Center in New York). While some of his creations had Christian connotations, they were often told from a Gnostic and esoteric point of view. Jerusalem refers to the apocryphal story described above of Jesus visiting the “green and pleasant land” of Glastonbury with his great-uncle, Joseph of Arimathea.

And did those feet in ancient time
Walk upon England’s mountains green?
And was the holy Lamb of God
On England’s pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?
The poem asks if Jesus walked in England and founded New Jerusalem (as described in Revelation) among these “dark Satanic Mills”. This enigmatic expression is said to refer to England’s industrial revolution and the dark buildings that came with it.
Coincidentally, the next part of the opening ceremonies describes just that: The construction of “dark Satanic Mills”.

The Industrial Revolution

After the singing of the hymns, men in top hats, enter England’s Green and Pleasant land and bring about important change.

The men in top hats survey the land and shake hands. This small elite group will coordinate the industrial revolution and get the masses to work.

The top-hat guys are lead by civil engineer Isambard Kingdom Brunel, who stands at the base of the Tor and give a speech quoting Shakespeare’s The Tempest. The oak tree then rises from the ground and hundreds of workers emerge from under the Tor and begin transforming England’s landscape.

At this point, there are a few facts that deserve to be pointed out. First, the legend of King Arthur stipulates that the top of the Tor provided entrance to Annwn, the ancient word for the Underworld. Second, the official name of the segment about the industrial revolution is Pandemonium, which is the name of the capital of Hell in Milton’s classical work Paradise Lost. These clues indicate that London did not become New Jerusalem (a metaphor for heaven) as stated by Blake’s hymn, but literally hell on earth. And all of this pandemonium was brought about by a handful of elite men who got thousands of workers apparently emerge from the underworld and build industrial England.

Peasants of the country worked in hellish conditions to bring to reality the elite’s vision.

It is now an established fact that the bringing down of monarchies and the push for industrial revolution during the 18th century was heavily influenced by Secret Societies such as the Grand Orient Freemasons and the Bavarian Illuminati, who called for an “unshackling of science” and a “new age of Reason”. The men in top hats coordinating the transformation can, therefore, be associated with the secretive groups that historically engendered a new economic, political and social system during the 18th Century.

The unfolding of “Pandemonium” is depicted using two very distinct groups: Elite “thinkers” who decide and oversee the project and “workers” who work in the field and take orders. All of this happens in the Olympic stadium, which is surrounded by giant triangles with illuminated capstones – a classic symbol representing an elite ruling above masses.
The final product of Pandemonium is one big messy grey mass full of “Satanic mills” and seven phallic chimneys spitting out smoke.

Leave the Kids Alone

The next important sequence of the ceremony paid tribute to the National Health Service (NHS) and Great Ormond Street Hospital (GOSH). The set combined sick kids on hospital beds with characters from English children’s literature and had a very strange and dark undertone from the start, when it began with the theme from The Exorcist, which is, in case you don’t know, a movie about a child possessed by the Devil. Odd choice.

The sequence begins with children on hospital beds who get put to sleep by nurses. Then J.K. Rowling appears and reads a quote from Peter Pan alluding to Neverland, which becomes real in the “two minutes before you go to sleep”. I couldn’t say if that was done on purpose, but many elements of this set, mostly the mix of vulnerable children in a hospital with fairy tales and the concept of blurring the lines between reality and fiction, are all associated with mind control programming. Like the Wizard of Oz and Alice of Wonderland, the story of Peter Pan is heavily used in mind control programming as victims are told to escape to “Neverland” while inducing dissociation from reality.

A child reading Peter Pan. On the page, we see a scary Captain Hook standing next to … a kid strapped to a bed? According to Franz Springmeier, Monarch programming uses a technique called “Peter Pan Programming”, in which Captain Hook represents the handler.

After J.K. Rowling’s appearance, hordes of ghouls and villains from English literature enter the stage, running after the children and scaring the crap out of them.

As if under the spell of this gigantic figure of Lord Voldemort, this young girl’s bed hovers high above the ground. Does this represent dissociation engendered by intense trauma?

While the evil characters run after the children, the nurses are completely immobile and powerless as if declaring “Health workers can do nothing when the elite’s mind control is happening behind closed doors”.

Luckily, a whole bunch of Mary Poppins fly down and shoo away the scary characters. Then, a rather creepy giant baby appears on stage.

Is it just me or does the giant baby have a big “separation” on the forehead?

The odd combination of children in a hospital and fairy tales might have been a clever way to combine two important aspects of British culture. It can also be a sick way of referring to Monarch mind control. On that note, let’s bring out Mr. Bean!

Abide With Me

Right before the Parade of Nations, the ceremony presented a dark segment that confused and disturbed more than a few viewers. Supposedly dedicated to victims of the 7/7 London Bombings, it had the feel of a dark ritual. Also, once again, we see an innocent child being preyed upon by dark forces. Despite the fact that the Christian hymn Abide With Me was playing in the background, the performance had an eerie feel, as if we were witnessing some kind of occult child sacrifice.

The set begins with a group of performers feverishly dancing under a giant orange ball resembling the sun orb. Then a young boy appears, looking somewhat lost and confused. One of the dancers approach the boy and looks to take something precious from him.

The dancer takes from the young boy an imaginary ball, which can represent his life force or maybe his soul.

Once the dancer takes the child’s soul, he taunts him with it and takes it away from him. The boy attempts to take it back but it is no use, he cannot do it. Apparently drained and resigned, the boy embraces the dancer who stole his soul.

The boy hugs the man who preyed on him and is ultimately integrated into the “dark side”.

At the end of the set, the child is at the center of the dancers and raises his hands in the air as if saying “I am reborn with the dark side”. On that creepy, disturbing note, let’s bring out the athletes!

Nations and Flames

As it is always the case, the Parade of Nations is done in a very orderly manner, with each country entering the stadium separately, in alphabetical order (we’ll see how it contrasts with the closing ceremony). Each flag was then placed at the feet of the Tor and the magical oak tree.

Once that was accomplished, the ceremony then focused on the almighty torch and the “fire that never dies”. The occult symbolism behind the torchbearer carrying the Olympic flame was discussed in my article  London 2012: The Olympic torch relay and Prometheus so I won’t dwell on that aspect, though it is very significant.

The show ended with the lighting of the Olympic cauldron which was composed of petals representing each nation present during the Olympics.

Viewed from above, the Olympic Stadium resembled a gigantic eye whose pupil was being lit.

Combined with the ever-present pyramidal structures around the Stadium, the event became one big tribute to the Illuminati elite. Two weeks later, the closing ceremony took the Illuminati symbolism to another level.

The Closing Ceremony

Contrary to the opening ceremony that reflected on the past, the closing ceremony looked towards the future … as envisioned by the elite. Not unlike the opening ceremony, it featured a whole lot of British music and I am pretty sure that record companies paid top dollar to have their artists perform on this unique world stage. I’ll skip the music performances and focus on the core message of the closing ceremony: Celebrating the Illuminati’s New World Order.

Praise Illuminati

Contrarily to the opening ceremony, the closing ceremony was all about nations blending together into one giant global community – one of the goals of the New World Order. While, at the beginning of the games, athletes entered the stadium behind their national flag and a banner bearing the name of their countries, all of that was gone at the closing ceremony. Everyone was mixed together.

We then witnessed a weird segment.

Performers used blocks to build a pyramid at the center of the stage…and began literally revering it.
“We all lay down before the almighty Illuminati pyramid”. This Illuminati blatant-ness lasted several odd minutes.

Imagine

Musical performances began with a specific song, John Lennon’s Imagine, and a specific verse from it which was considered, by some observers, to be somewhat out of place in the context of the Olympic ceremony.

As if to emphasize the words said in that verse, John Lennon was shown singing it.

Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace

You, you may say
I’m a dreamer, but I’m not the only one
I hope some day you’ll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world

Under the cauldron representing all countries joined together “as one”, young children sing Imagine.

In the context of the Olympics, where people come from all countries and all religions, this verse was a little out of place. More importantly, no countries, no religions, no possessions and “a world as one” is a good way to describe the global system the elite is trying to create with the New World Order. Was Lennon envisioning a secretive group of politicians and bankers creating his perfect world? Probably not. But when you get killed by an MK-Ultra patsy, the elite can pretty do what it wants with your work and image.

Let’s Worship Fire for, Like, a Half an Hour

After a bunch of performances (featuring a whole lot of Jessie J for some reason), the ceremony heavily focused on the Olympic cauldron. Before it is extinguished, it slightly opens up and a fiery phoenix appears above it.

As if emerging from the fire produced by the petals (representing Nations of the world), a phoenix appears above the cauldron.

The symbol of the phoenix, the bird that is reborn from its ashes, is extremely important to occult secret societies and, consequently, to the occult elite.

“The phoenix is the most celebrated of all the symbolic creatures fabricated by the ancient Mysteries for the purpose of concealing the great truths of esoteric philosophy. (…) Mediæval Hermetists regarded the phoenix as a symbol of the accomplishment of alchemical transmutation, a process equivalent to human regeneration. The name phoenix was also given to one of the secret alchemical formula. (…) In the Mysteries it was customary to refer to initiates as phoenixes or men who had been born again, for just as physical birth gives man consciousness in the physical world, so the neophyte, after nine degrees in the womb of the Mysteries, was born into a consciousness of the Spiritual world. This is the mystery of initiation to which Christ referred when he said, “Except a man be born again, he cannot see the kingdom of God” (John iii. 3). The phoenix is a fitting symbol of this spiritual truth.”
– Manly P. Hall, Secret Teachings of All Ages

While the phoenix represents spiritual rebirth on an individual level, it can also represent the rebirth of the entire world from its ashes – as a New World Order.

This gigantic mural situated inside the UN’s Security Council Chamber in New York features a phoenix rising from a world in ashes.

Right after the apparition of the phoenix above the Olympic cauldron, the boy band Take That performed a song with a rather symbolic title, considering the context: Rule The World.

With a phoenix rising above all nations as a backdrop, Take That sings “Rule the World”. This is getting pretty blatant.

After the song, a bunch of ballet dancers dressed as phoenixes hopped around, as if revering and giving tribute to the fiery bird above them.

Praising the phoenix in a ritualistic and celebratory manner.

At midnight, the Olympic cauldron and the petals representing each country are slowly extinguished, but the phoenix, representing the occult elite and the New World Order, stays lit above it. In other words, as the nations of the world slowly disappear, a New World Order will emerge. On that note, let’s listen to The Who!

In Conclusion

Olympic Ceremonies traditionally showcase the host Nation’s history and culture but also celebrates those behind the games: the occult elite. Since London is a power capital of the world with a rich occult history ranging from the Knight Templars to influential Masonic lodges, and not forgetting prominent occultists advising the royals such as John Dee and Sir Francis Bacon, is it surprising to see this aspect of History being referred to in a symbolic matter?

While obviously not everything during Olympic ceremonies related to Illuminati symbolism, there were plenty of elements inserted throughout to get the message across. In the end, the Olympic games, like many other media events, turned into a worldwide mega ritual celebrating the goals and the symbolism of the world elite. On that note, let’s bring out the Spice Girls!

 

Wonder Girl’s “Like Money”: Promoting Transhumanisn Through K-Pop

We’ve seen in previous articles that the concept of transhumanism (which can be defined as the merging of humans and robots) is actively being promoted in mass media, whether it be movies, TV shows, music videos or video games (for articles on the subject, type “transhumanism”  in the search bar at the top of the page).

A blatant example of the promotion of transhumanism can be found in the Wonder Girl’s latest video, Like Money. This widely popular K-Pop group is crossing over to America (the song is in English and features Akon) and has been pushing Illuminati symbolism for a while.

Member of the group Sohee in photoshoot featuring one-eye and Mickey Mouse mask (representing Mind Control). Many other symbolism pics of the group can be found.

In the video, the singers are depicted as robots constructed by faceless scientists and presented as “new and improved” versions of themselves. Yes, apparently losing one’s soul and becoming a remote-controlled robot is now considered an “improvement”. If you  want to watch the video, you can view it here.

The video starts with scrambled video of a single eye, a fun way of letting you know that there’s going to be some Illuminati Agenda going on there.

The intro of the video describes “Project WG and is pretty much an infomercial for transhumanism. Here’s what it says:

“Project WG, deemed a success. Human genetics are combined with robotic enhancements. Yubin, Yenny, Sohee, Lim, Sun: Bionic women given the title of Wonder Girls. They are perfectly designed for complete domination. The future is now.”

These short few phrases contain pretty much all of the characteristics of the transhumanist agenda. By using words such as “enhancements”, “bionic”, “perfectly designed” and “domination”, the concept of transhumanism is sold as something better than regular old human beings. The last phrase “The future is now” is a nice example of predictive programming as it basically tells the viewers that transhumanism will inevitably be part of the future.

The next scenes of the video show members of the group completely blank and lifeless on high-tech operating tables and being put together by faceless scientists. Not only does it make transhumanism look cool, it is a great way of depicting puppets of the music industry. All of internal organs (even the heart) have been removed to be replaced by mechanical parts.

If eyes are windows to the soul, than this electronic eye is a window nothing much.

The rest of the video features amazing lyrics such as “Love me like money, Love me like cars, Love me babe love me babe wherever you are” – proving that brains were probably also removed during “Project WG”.

Fjögur Píanó, a Viral Video About Monarch Mind Control?

The viral video Fjögur Píanó has been viewed several million times, but not many understand what it is truly about. While there is a great deal of mystery about the video, one thing is certain: There is a lot of mind control symbolism in the video. We’ll look at the hidden meaning behind Fjögur Píanó.

Watching Fjögur Píanó is a strange experience. There’s Shia Leboeuf and some girl naked, there’s weird piano playing in the background and a whole lot of butterflies. There’s some dancing, some fighting, and lollipops with little scorpions inside. What the hell is going on? And why? I won’t claim that this article will fully decode this head-scratcher, but a lot of its symbolism strongly hints towards a specific concept: Monarch Mind Control. While this video is unique and original (unlike many of the videos analyzed on this site), it nevertheless contains many classic elements of Monarch mind-control symbolism (if you are unfamiliar with Monarch Mind Control, read the article entitled Origins and Techniques of Monarch Mind Control first). When these symbols are decoded, the story starts to make a little more sense and an underlying message begins to surface

Fjögur Píanó is part of the series of videos accompanying the new album from the Icelandic band Sigur Rós. The band asked a dozen filmmakers to each choose a song from its album, Valtari, and shoot a video inspired by the music. All the directors received the same $10,000 budget and “zero instructions from the band”.  Probably due to its high profile cast and unexpected nudity, Fjögur Píanó quickly became a viral sensation, garnering media attention and millions of views across the web.

The video was directed by Alma Har’el, an Israeli filmmaker, who is known for directing music videos for several bands, as well as TV spots for Obama’s first presidential campaign in 2008. Contrarily to her TV commercials, Har’el’s work for Fjögur Píanó is strange, disturbing and difficult to comprehend. While it is somewhat impossible to extract a coherent narrative from the video, understanding some of its symbolism helps make sense of it. While some might interpret the video as being about difficult relationships, there are elements that seem to allude to something deeper and more disturbing. For example, why are there “outside people” controlling the main characters’ environment? Let’s look at the scenes of the short video.

Dazed and Confused

Right from the start, it is evident that the couple featured in this video is very confused, not in control of their destiny and trapped in a very restrained world.

The couple wakes up dazed and confused in a room that used to have frames hanged on the wall.

Shia and his girlfriend (played by Denna Thomsen) wake up with all kinds of bruises and marks on their bodies, but they do not seem to remember why. Obviously, a lot of abuse and violence happened to them the day before.

After waking up, Shia sees tally marks on Denna’s back, similar to those used by prisoners to count days behind bars. This suggests both individuals are in a state of forced confinement, and the “prison” is apparently their own bodies.

The couple then engages in a choreographed dance that alludes to sexuality mixed with dominance and violence.

While dancing, Shia and Denna are wearing each other’s clothes. In Mind Control, the occult concept of the union of opposites is extremely important and used during programming. Are Shia and Denna actually two sides of the same person?

At the end of the dance, Shia and Denna perform a symbolic gesture: They “remove” their faces with their hand and then “let them go”. The concept of removing faces or masks is used in actual mind-control programming to represent the removal and subsequent replacement of the core persona with alter personas. In the context of the video, there is a definite sense of the loss and confusion of identity between the two. They might even be two opposite sides of the same person.

The Handlers

After the dance, two strange dudes enter the room and give the couple suspicious-looking lollipops with scorpions inside. Since scorpions are known to be venomous insects, there is a reason to believe that these lollipops aren’t simply pieces of candy but most probably mind-altering drugs, such as those used in mind-control programming. The couple eagerly sucks on these lollipops, indicating that they are helplessly addicted to them.

Distracted by the candy given by his handlers, Shia doesn’t seem to realize that he is being blindfolded and taken for a ride.

Simply by blowing on them, the handlers are able to get the couple to go where they want it to go. The fact that no physical contact is necessary to control the couple implies that it is all about … mind control.

While the handlers are taking the couple to another location, the camera focuses on an image featuring the one-eye sign along with a hole in a heart – symbols associated with and used in Monarch programming.

The couple is ushered into a car where they take a “virtual” ride, with one of the handler in the driver’s seat.

The car is not moving but images projected on a screen give the impression they are going to exotic places. This is reminiscent of the concept of dissociation in mind control, the process of causing the mind control subject to disconnect from reality, mentally transporting somewhere without ever actually moving.
In another scene, there isn’t even a car.  In other words, it is all about illusion. The “ride” is actually happening in the minds of the victims and the handlers (in MK, handlers are often under mind control as well).
Inside the car, the couple is completely obsessed with the lollipops, licking them in a lascivious and sexual way. The animal prints on Shia’s clothing and inside the car hint to Beta (also known as Sex Kitten) Programming. In this type of programming, MK slaves are often given libido-inducing drugs.

Back in the Room

After the psychedelic ride, the couple is taken back to their room. The empty walls are now filled with frames containing dead butterflies, a sight that visibly disturbs the couple. After the buzz of the drugs, harsh reality settles in and the couple appears to have a rare moment of lucidity.

Shia is extremely concerned about the butterflies on the wall. These are not there simply for mere decoration – they represent something dark in profound. Perhaps they remind them of their state of mind control?

The couple then gets sexy and sensual, but Shia appears to be obsessed with a specific face, which he draws on Denna’s body. He then draws the face on cardboard.

Unmistakable with his shiny third eye, Shia drew the face of his handler on Denna. Is she a creation of his handler?

As if to confirm the fact that Denna is a split from Shia’s personality created by his handlers, Denna immediately shows what she truly is.

Denna takes a butterfly frame from the wall and shows it to Shia, as if saying “Look, this is what is happening to us. We are under mind control!”.

Shia then appears extremely confused, going from tears to laughter to anger. Obviously not happy about whatever Denna has told him, he breaks the butterfly frame. At this point, Denna apparently disappears and Shia is alone with himself – another hint pointing to the fact that she’s part of his split personality. He then does something that is found in almost every single mind-control themed video:

Shia breaks a mirror, a symbolic image that represents his attempt to break from his programming. If you’ve read other articles on this site, you know that this gesture is almost inevitably found in fiction relating to mind control.

After destroying his room, Shia turns finds his girlfriend again (or the opposite side of himself) and starts hitting her.

As the couple fight, a scene shows a porcelain doll being broken with blood coming out of it. In mind-control programming, slaves are often depicted as dolls or puppets, which represent their powerlessness against their handlers.

After the fight, Shia adds a tally mark on Denna’s back – another day as a mind control slave. Exhausted, they fall asleep.

Shia sleeps next to the same butterfly he woke up with. Despite all of his efforts, he is still under Monarch Programming.

The handlers then come into the room to clean it up and to remove the frames from the wall, leaving it in the same state it was the morning before. The couple then wakes up in the same way they did before, with the same bruises and scars. They start another day in the never-ending, mind-numbing loop that is the life of a mind-controlled slave.

In Conclusion

Fjögur Píanó is a cryptic and strange video that has been described as a “dream sequence without a narrative” by some critics. However, by decoding some of the video’s symbolism, we discover that there is a story being told, one that is told in a very figurative fashion. The “official” explanation of the video states that it is about a difficult relationship and the many butterflies represent “beautiful things that die fast”. While this might explain some aspects of the video, there are other elements that cannot be ignored. The couple is obviously living in a state of virtual imprisonment, where every aspect of their lives are manipulated by outside forces: Shia and Denna’s living environment is controlled and modified by the handlers; they are drugged, blindfolded and forcibly taken on weird, dissociative trips; and their attempts to break free are useless. In short, the couple is utterly powerless versus the world around them – the only thing they can do is add another tally mark on Denna’s back.

In a somewhat hip, artistic and fashionable matter, Fjögur Píanó tells the story of mind-control slaves. While many have applauded the video’s “genius”, most have not understood its underlying meaning. In the end, viewers watching the video are like the couple in Fjögur Píanó: Taken for a ride, without any idea where they are being taken.

 

Symbolic Pics of the Month (08/12)

In this edition of the Symbolic Pics of the Month: The Olympics, Azelia Banks, Selena Gomez, Beyonce and the fashion world gone Illuminati.

The Opening Ceremony of the London Olympics basically took place in a gigantic eye. The culmination of the ceremony was the lightening of the Olympic cauldron which was, incidentally, the pupil of the eye. Expect a full analysis of the ceremonies once the Games are over.

 

Speaking of one gigantic eye, here’s one of the mascots of the Olympics. Hundreds of them are scattered around London.

 

Speaking of eye, Rita Ora (who was featured in last month’s Pics of the Month) unveiled her new album cover. Yes, it is all about one eye symbolism, like countless other industry puppet’s album covers. Original, brilliant, profound, revolutionary – those are all words that we cannot apply to this album cover.

 

Dior’s new ad campaign features not-so-subtle one-eye action.

 

Another brand, same sign.

 

Fashion magazine, same sign.

 

Here’s Beyonce flashing the Roc aka “eye-inside pyramid” sign for her fans on Tumblr.

 

The handsign made by Beyonce is featured on this t-shirt made by yet another brand using a lot of Illuminati symbolism, WAXDfashion

 

More symbolism from same brand.

 

Yup, they really want kids walking around with these symbols.

 

Fashion brand Iron Fist wants you to party with them…while they’re flipping you off and flashing a single eye inside an inverted pentagram.

 

 

Azealia Banks is becoming one of these artists that is forcibly pushed down our collective throats. She hasn’t accomplished much  but she is already clear on who’s controlling her.

 

She’s constantly sporting Mickey Mouse-related stuff – a mind control symbol that is often slapped onto industry pawns. But maybe this shirt is just a coincidence…no pattern there…

 

Still can be a coincidence.

 

A big-ass Mickey Mouse head right between her legs on cover of Paper magazine.

 

MK symbolism right on her head. No coincidence.

 

Azealia seems to enjoy her Baphomet horns in the video Liquorice.

 

Her album cover pretty much sums it up: A beautiful siren under the control of the all-seeing eye.

 

Robert Downey Jr. giving the “one-eyed salute” in many different ways.

 

Keith Urban combines one-eye with the “hidden hand”, a Masonic symbol (see the article entitled The Hidden Hand that Shaped History).

 

The “original” Sugababes are back together as “Mutya Keisha Siobhan”. To celebrate their comeback, they released these pics announcing that they’re still pawns.

 

Selena Gomez thought it was a good idea to sport a shirt bearing 666 while visiting a children’s hospital.

 

Speaking of the number of the beast, a new TV series entitled 666 Park Avenue will soon be featured on ABC. According to the network, the series “follows a couple who learns that the Manhattan building complex that they just moved into, including its upscale tenants, might be possessed by a mysterious demonic force”. This story is very similar to Rosemary’s Baby, a movie that was analyzed on this site, where rich elitists living in NYC dabble with the occult forces and the Devil himself. This promotional pic clearly features a Masonic checkerboard pattern.

 

This image is heavily circulating around social networks. What’s your take on it?

 

“Gravity Falls”: A New Disney TV Show Loaded With Illuminati Symbolism

The many articles on this site attempt to prove that the same set of symbols – those of the ruling elite – are being permeated across popular culture. While we often look at outlets intended for teenagers or young adults (such as movies and music videos), children are definitely not exempt of it. A blatant example is Disney’s new show Gravity Falls, a “quirky and endearing” cartoon about 12-year old twins spending summer with their Great Uncle Stan in Gravity Falls, Oregon.

The 40 seconds long intro theme alone is loaded with symbolism. Here it is.

http://www.youtube.com/watch?v=tctX771EQeA

First, Great Uncle Stan wears a fez, which is the hat worn by the Shriners – an appendant body of Freemasonry. As they like to say, all Shriners are Masons, but not Masons are Shriners.

 

Stan wearing a Fez hat. Also, he is hiding one eye for the heck of it.

 

An Old School Shriner.

Up until 2010, only 32nd Degree Scottish Rite Masons (the highest degree attainable other than the honorary 33rd) or Knight Templars of the York Rite could join the Shriners. This means that Grunkle Fez is most probably a high level Freemason. Therefore, he knows what’s the deal with all of these symbols. He knows.

The show is full of eyes everywhere. There’s even a jar of eyeballs for sale at Stan’s store.

 

All-Seeing eye inside of triangle and more here…

 

This frame flashes for literally a split second at the end of the intro. We can easily recognize the Illuminati pyramid with illuminated capstone and All-Seeing eye, along with other alchemical and magical symbols. Also, there’s the Contra code on NES, which is rather hilarious.

I won’t start analyzing all of the episodes but here are some interesting shots from the first episode of Gravity Falls.

Aside from the eyeballs everywhere, the little humans in a jar are homunculi – a concept that is found in alchemy and occult rites.

 

19th-century engraving of Goethe’s Faust and Homunculus

 

All-Seeing Eye at the apex of the mountain

 

“Floating eyeballs, are they watching me?”.

 

The attic of Great Uncle Stan’s shack has a prominent Masonic stained glass window featuring a symbol that is omnipresent in this cartoon.

 

Stan appears to have two Owl clocks – the owl is an ancient symbol representing the occult elite (those who work in darkness), the Illuminati and the Bohemian Grove.

 

Check out the rug on the floor.

 

The letter “A” of the word “Shack” consists of a compass above and All-Seeing Eye, a combination of symbols of found in Masonic symbolism.

 

The entrance of a Masonic lodge.

 

In short, Disney’s new show is centered around a specific set of symbols associated with secret societies and the occult elite, which we call the Illuminati. While some might argue that these signs are inserted to add “mystery” to the show, we must also consider the fact that popular culture in general is being permeated with the exact same set of symbols. This show plays it part by exposing young children to the symbolism, which normalizes it and ultimately accomplishes what the occult elite has been doing for centuries: Hiding in plain sight.

 

The Esoteric Symbolism of the Viral Video “I, Pet Goat II”

“I, Pet Goat II” is a computer-animated video that is loaded with silent messages and esoteric symbolism. While the movie has no dialogue, each symbol tells a piece of a story that covers the fields of history, politics, occult conspiracies and spirituality. We’ll look at the esoteric meaning behind the viral sensation “I, Pet Goat II”.

Produced by the Canadian production crew Heliofant, I, Pet Goat II is a short animated movie that quickly went viral on the internet. Praised for its visual feats and its interesting imagery, the video, however, left many puzzled about the meaning of its symbolism. Politics, conspiracies and false flag operations are mixed with esoteric spirituality and occult symbolism in one big mesmerizing mind bender.

After watching the video, many might say something like “What the hell did I just watch?”. The story is somewhat non-linear and there are many cryptic and enigmatic elements in the movie. I won’t claim to fully decode every single symbol-filled frame of the video, but many of the messages are easily understandable due to rather heavy-handed symbolism.

In general, the movie appears to be about the political and social climate of the past decade – complete with puppet Presidents, false flag terror, and mind-controlling sorcerers. Then, through the following of a Christ figure, we leave all the sadness behind to enter a new, sunny era. In short, the story is about the triumph of spiritual enlightenment against the forces of darkness. Let’s look at the movie and at some of its many details.

I, Pet Goat II

The opening scene is already replete with symbolism.

The video begins with an interesting scene: A goat inside a box in what appears to be some sort of detention (FEMA) camp. The goat has a bar-code on its head with the numbers 6 6 6 underneath it. If I, Pet Goat is about liberation from the forces of darkness, this first scene seems to depict the exact opposite. Does this goat represent those who have been “boxed in”, bar-coded and brainwashed by the corrupt system? The usage of the pronoun “I” in the title implies that the goat might be, in fact, the viewer himself.

The Puppet Show that is Politics

In the first part of the video, a hidden puppet master controls George “Dubya” Bush inside a classroom. When the planes struck the World Trade Center in September 2001, Bush was inside a classroom reading the book My Pet Goat to children. The Masonic checkerboard floor of the classroom might signify that this whole charade had a ritualistic component to it.

Bush tap-dances, makes scary faces and says random stuff to keep the masses clueless about the truth.
Above Bush is an interesting graphic depicting the evolution of mankind from fish to monkey, to a man holding a weapon. What is the final stage of evolution? The illuminated man, represented by a sunburst around its head.

Bush wears a dunce cap, this conical hat that was given to “slower” students to humiliate them. When Bush is done making a fool out of himself, he turns into Obama, a charming and distinguished man wearing a graduation cap. He starts off nice and lovable, but he ultimately begins to laugh at the audience. While he appeared to be the perfect response to the idiocy of Bush’s era, the fact remains: He is simply another puppet controlled by the same puppet master.

While most of the audience is totally oblivious to what is happening, one girl is not buying it.

While the masses appear to be deaf, dumb and blind (and restrained by barb wire), this little girl realizes that “this apple is not hers and drops it”. Obama is concerned by the awakening of this girl.

We are then taken to the cold and snowy outside world around the school. On a wall, there’s a graffiti with an important message behind it.

On the school wall is a graffiti saying “Psalm 23”.

The Biblical verse that is referred to by the graffiti appears to foretell the journey viewers are about to embark on.

The Lord is my shepherd, I lack nothing. He makes me lie down in green pastures, he leads me beside quiet waters, he refreshes my soul. He guides me along the right paths for his name’s sake. Even though I walk through the valley of the shadow of death I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.

– Psalm 23, NIV

A World in Decay

The outside world is dark, cold and literally in decay. It is sad, corrupt and everything is shaking and crumbling down.

At one point, two towers – reminiscent of the WTC – fall down. We then learn that it was an inside job.

Bin Laden is wearing a CIA badge, hinting at the fact that he was a tool used by the American government to advance its agenda. The moon crescent, a symbol associated with Islam, is reversed, which may be a way of saying that all this Al-Qaeda stuff is a perversion and an exploitation of Islam.

While oil leaks from everywhere, a six-pointed star appears under the Statue of Liberty, renamed by the makers of the movie “Lady of Helotry” (“helotry” means serfdom or slavery).

Is the six-pointed star (also known as the Star of David) appearing under the Lady of Helotry a way of saying that the US is highly influenced by Israel?

While the world is crumbling down, many ancient institutions disappear or get destroyed.

This Mosque is destroyed by fighter jets.
This Latino worker is sinking, along with his hammer and sickle – representing the disappearance of Marxism in third world countries. On Heliofant’s official site it is said: “After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.”

Controlling the Masses

The world is under the spell of an evil sorcerer named Drako. According to the makers of  the movie, Drako is:

“The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of bureaucratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.”

Does this sound like what we call the Illuminati? Yes, yes it does.

The same way the Illuminati seeks to brainwash children since birth, Drako preys on this unborn child named Ludovic.

Drako’s reptilian eye awaits the birth of Ludovic.
In esoteric tradition, the symbol of the serpent-entwined egg is known as the Orphic Egg. In short, it represents the latent seed of life and the infinite potential of creation. In other words, while this child appears to be hopeless, he still has the power to reach his full potential.

When the egg is hatched and the child is born, Drako literally takes control of his mind in a creepy, parasitic way.

Drako has the pyramid and all-seeing eye found on the US dollar bill on his chin. Not only does it represent the fact that he controls the currency, it also represents the Illuminati. Underneath Drako’s eyes is the saying “Ordo Ab Chao” – meaning Order Out of Chaos, the occult elite’s favorite slogan. Also, the dude has only one eye open. Could he, like, more represent the Illuminati?

 

The Liberator

Amid all this chaos, a figure emerges with the power to make everything right.

Navigating on an Egyptian ceremonial boat, Jesus Christ appears to be in trance.

The Christ-like figure has a third eye painted right on the pineal gland, which refers to the concept of spiritual illumination. The triangle above the eye represents divinity and that illumination leads to the contact with one’s own divine nature. The symbols on Christ’s forehead are in complete opposition to pyramid on Drako’s chin. While both figures bear similar symbols on their faces, Christ has them “right” and Drako has them in reverse/inverted, meaning that he (and the Illuminati) have corrupted these ancient symbols.

Named by the makers of the video “The Fire of Truth”, the Christ figure is not meant to be Jesus Christ himself, but a representation of the concept of Inner Christ as defined by Gnosticism. According to this esoteric current of Christianity, the Inner Christ is the potential found in everyone to reach godhood through spiritual illumination. On Heliofant’s website, The Fire of Truth is described as:

“That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!! “

When the Christ figure breathes the Fire of Truth on the world, some oppressed or distressed characters come back to life, like Ludovic, the child inside the egg. Also, Aali, a little Muslim boy that appeared battered and dead rises back to life.

Little Aali rises up from the crumbles of the destroyed Mosque, twirling in traditional Dervish attire.

The boy is executing the ancient art of Sufi whirling, which is practiced by the Sufi Dervishes of the Mevlevi order. The Dervishes are an ancient esoteric current of Islam.

“The mysteries of the Islamic faith are now in the keeping of the dervishes – men who, renouncing worldliness, have withstood the test of a thousand and one days of temptation. Jelal-ud-din, the great Persian Sufic poet and philosopher, is accredited with having founded the Order of Mevlevi, or the “dancing dervishes,” whose movements exoterically signify the motions of the celestial bodies and esoterically result in the establishment of a rhythm which stimulates the centers of spiritual consciousness within the dancer’s body.”
– Manly P. Hall, The Secret Teachings of All Ages

Whirling Dervishes

The rebirth of the Muslim boy as a Whirling Dervish signals that there is a link between him and the Inner Christ: Both represent initiation into esoteric schools, which all have a common goal – the contact with divinity through spiritual illumination. Other religions with esoteric undercurrents such as Hinduism (represented by a dancing Shiva), are also represented in the movie. Is the Christ figure maybe the Anti-Christ deceiving all religions into following him? Perhaps.

When the Christ figure exits the Cathedral, the building (which was guarded by an evil-looking gargoyle) crumbles behind him.

In this new era of spiritual enlightenment, elaborate man-made buildings become unnecessary and outdated. They therefore crumble and disappear.

As night turns into day, the Christ figure opens his fiery eyes and navigates towards the sunlight. Lotus flowers, symbols of spiritual enlightenment in Eastern philosophy, appear behind him, confirming to the viewers that the path to freedom is indeed a spiritual one.

In Conclusion

I, Pet Goat II has received widespread acclaim for its technical prowess and its original storytelling. Although there is no narration or dialogue, an elaborate story is delivered using the most ancient and universal language in History: Symbolism. Through symbols, the movie manages to deliver an acerbic critique of today’s Western Civilization, to describe its numerous evils and even to predict its inevitable downfall. More importantly, a thorough decoding of the movie’s symbolism reveals a powerful message of spiritual enlightenment based on ancient Mysteries. While this esoteric aspect of the movie might not be understood by many, it is at the core of the movie and is presented as the ultimate solution to the evils and corruption of today’s world. The movie’s conclusion is, therefore, a very personal one: Either YOU become a pet goat with a 666 bar-code on your forehead or YOU become a Christ figure with a third eye on your forehead. This notion of personal enlightenment is definitively a Gnostic one and is common to most esoteric schools of thoughts in all civilizations.

Agreeing or disagreeing with the movie’s spiritual conclusion is a question of personal beliefs, but it is nevertheless obvious that those behind I, Pet Goat II are “in the know” about all things occult, esoteric and even conspiratorial. Each scene has a profound underlying story behind it – whether it be historical, political or spiritual – that would take pages and pages of words to thoroughly explain. Therein lie the power of symbols: They can simply be admired for their aesthetic beauty or they can, when fully understood, reveal a profound story about humanity, God and everything in between.

Symbolic Pics of the Month (07/12)

In the July edition of the Symbolic Pics of the Month: Lindsay Lohan, Rihanna, Nicki Minaj and Katharine McPhee. Also: What the hell is wrong with the fashion world?

 

This photoshoot from Bulgarian fashion mag 12 Magazine features models mutilated in all kinds of sick ways. While the photoshoot is supposed to showcase “makeup”, it is mostly another way of glamorizing violence and dehumanization in mass media, especially in the fashion world. This model has a black eye which is also a way to flash the one eye sign.

 

This one has a creepy smile carved in her face, as if she was tortured by a sadistic torture guy.

 

Her was face apparently burned by acid or something…these are the of kind of mutilations that purposely leave lifetime scars to send a message to someone.

 

She got her neck slit…And look at that fabulous eye shadow!

 

Star Photographer Terry Richardson has been featured a few times on this site due to his disturbing, degrading and symbolic photoshoots. A recent example is this photoshoot featuring the troubled actress Lindsay Lohan. In this pic, she is holding a loaded gun to her head. The most unsettling thing about this pic is Lohan’s expression – she appears genuinely not well.

 

I guess that’s another way to do it.

 

 

Beth Ditto flashing the one eye sign (again).

 

Speaking of one eye, it keeps appearing everywhere for no apparent reason, like in this Bape catalogue.

 

Same catalogue, same sign.

 

This Disney shirt is sold in Target stores everywhere. I guess that’s a good way have little girls where the one-eye sign everywhere they go.

 

The cover of Japanese magazine Koakuma Ageha combines the one eye sign with a mask (representing alter personas in Mind Control).

 

Speaking of mind control, Jason Gardiner, judge of the Australian show Dancing On Ice poses oddly in this widely publicized pic with a butterfly on his mouth. While Australian papers described the pic as “bizarre”, a little knowledge in symbolism is enough to realize that the butterfly silencing Gardiner represents Monarch mind control.

 

Israeli singer Marina Maximilian Blumin on the cover of a magazine with a Monarch butterfly under one eye. She was discovered in an American-idol type show, which is the music industry’s new preferred way to discover, to control and to introduce new artists to the masses.

 

British singer Rita Ora was also discovered in one of these shows and is now signed with Jay-Z’s label Roc Nation. In this pic, she is wearing an eye with a triangle as a pupil. Right under the necklace, her shirt says “Made Me”. Did the Illuminati industry make her? It certainly did.

 

Katharine McPhee, the star of the NBC show Smash was discovered on an American Idol-type show. In her case: American Idol. In this symbolic promotional poster, she is at the top of a pyramid made of people. The “A” from smash forms the capstone of the pyramid while Katharine’s eye is right in of it the middle, making this poster a subtle tribute to the Illuminati industry. The phrase “Stars aren’t born, they’re made” pretty much sums up how the industry functions.

 

The plot of Smash revolves around the production of a Broadway Musical on Marilyn Monroe – the prototype of the blond Monarch sex kitten, slave to the industry. Katharine is therefore yet another star who dresses like Marilyn at one point of her career.

 

Nicki Minaj is another Marilyn Monroe wannabe. I am pretty sure she is not naturally blonde.

 

Rihanna performing on SNL. Behind her: a huge eye inside a triangle. Yes, RiRi, we know who’s the boss of you.

 

At Hackney, Rihanna performs “Man Down” under a lighted pyramid topped by the Eye of Horus.

 

Hmmmmmmmmmmm……

 

Katy Perry’s “Wide Awake” : A Video About Monarch Mind Control

Katy Perry’s music video “Wide Awake” is another offering from the pop music industry that conceals references to Monarch programming within its symbolism. References to this practice occur often in mass media but are often coded using specific symbols and imagery. We’ll look at the hidden meaning of Katy Perry’s “Wide Awake”.

Many articles on this site described how many items of popular culture conceal within their symbolism references to an unknown, horrendous practice: Monarch programming. This technique of mind control seeks to create fully “programmable” individuals and is used by the shadowy elite in fields such as the military, politics and the murky underworld (for detailed information on Monarch programming, read the article Origins and Techniques of Monarch Mind Control). Another area in which mind control (especially Monarch programming) is used is the entertainment business – not only because some celebrities are actual victims of mind control, but because entertainment is used to subtly normalize and glamorize this awful practice through symbolism.

Katy Perry’s video Wide Awake is yet another music video that alludes to the concept of Monarch programming through its storyline and its imagery. While this might not be obvious to most people, those who have some knowledge of the subject of mind control find it extremely blatant.

In many ways, the video resembles works that have been previously analyzed on this site, such as the movies Labyrinth and Sucker Punch and music videos like Paramore’s Brick by Boring Brick. All of these productions visually represent the inner-world of Monarch slaves through a specific set of symbols: mirrors, butterflies (especially Monarch butterflies), mazes and so forth. Not only do these objects aptly portray psychological concepts, they are actual “trigger images” used in mind control on Monarch slaves. Wide Awake fully utilizes this set of symbols, which gives the storyline a deeper, and more disturbing, meaning.

Most mainstream media articles on Wide Awake say that it is about Katy Perry “navigating the maze of fame”. While this might be true, the video cannot be completely explained without considering the element of Monarch programming. For instance, why is Perry shown at sitting in a wheelchair, completely “out of it” inside a health institution? Probably because there is more to the video than meets the eye. Let’s look at the deeper meaning of its scenes.

Wide Awake

At the beginning of the video, we see Katy completing the filming of her popular video California Gurls. She is wearing her now famous pink wig. She is fully into her “sexy pop star” persona.

Katy is doing what is expected of her in front of the cameras.

When she enters her dressing room, Katy removes her wig, which symbolically represents her switching to another alter (this gesture was also an important part of Lady Gaga’s video Marry the Night). Katy then stares at herself in the mirror for a while – until she dissociates from reality (dissociation is an important part of mind control) and enters a fantasy world. This world is, in fact, the inner-world of Katy Perry’s psyche.

Katy stands at a gateway flanked by two pillars. In esoteric symbolism, pillars guard the entrance of sacred and mystical places. In this case, it is Katy’s own mind.

Katy soon realizes that her inner-world is a dark labyrinth that is full of traps and dangers. She doesn’t appear to know the way inside her own mind. She even gets caught in traps that were placed by her handlers.

During mind control, handlers literally take control of the slave’s mind and can program everything within it. This causes the slave to become a stranger inside his/her own mind as their thoughts are meticulously controlled and programmed.

Katy realizes that she won’t make it through the maze without an important element – one that has been stripped from her during her programming: Her core persona. Through fireworks emerging from her breasts (of course), she calls for help and her core persona appears before her in the form of a young Katy.

Katy’s core persona is the “real her” (Katheryn Elizabeth Hudson), complete with her values and convictions. It is the personality she had before being subjected to programming. Mind control seeks to strip individuals from their core persona in order to program a new one that will easily comply with orders. Here, Katy has the opportunity of reconnecting with her core persona. It will indeed become her guide.

Katy and her core persona then enter a room full that truly screams out “Monarch programming”.

Katy and little Katheryn find themselves in a room full of mirrors. The dark-and-light floor represents duality, a concept extremely important in mind control programming. The fact that little Katheryn’s reflection does not appear in the mirror emphasizes the fact that the girl is not real, but a part of Katy’s psychology. Katy’s dress is full of butterflies, a rather strong reminder that she is under Monarch Programming.

Looking through the mirror, Katy sees nasty-looking paparazzi. While she is mesmerized by the sight, her core persona realizes that the world around Katy is shattering (inner-worlds of Monarch slaves are programmed by handlers and can be modified or destroyed at will). Desperate, Katy breaks the mirror in front of her and leaves the room, a symbolic act representing her attempting to break out of her programming.

As Katy breaks the mirror, we see butterflies flying off her dress – an image that emphasizes the fact that she is breaking out of Monarch programming.

 

Breaking Out?

The next scene is in sharp contrast to the rest of the video. While before it was all about fantasy and mystery, we are now in a cold, sterile health institution. In other words, we appear to be out of Katy’s head and back to reality. Katy appears to be completely “shut down”, sitting in a wheelchair in what appears to be a mental institution. Is this her MK programming site?

Katy looks like what MK victims must look like after enduring the trauma of Mind control. She is totally “out of it” and probably drugged by the strawberry she is holding.

Mind control slaves are subjected to all kinds of torture by their handlers. At some point during the “treatment”, the pain, whether physical or emotional, becomes too much to bear and their brain’s natural response is to dissociate from reality. Handlers actually want their subjects to dissociate as it facilitates programming. They use movies such as Alice in Wonderland and Wizard of Oz to program victims to dissociate “through the looking glass” or “over the rainbow”. Up until now, the video took place in Katy’s dissociative inner-world.

While Katy is somewhat of a zombie, her core persona, little Katheryn,  is “Wide Awake” and is determined to get out of there. Some people, however, do not want to see that happen.

Two men with horned heads (see Baphomet) block Katheryn’s way to freedom. Do these non-human, evil-looking men represent Katy’s handlers?

However, Katheryn’s will-power blasts the horned guys away and even brings Katy back to life.

The lyrics of the song convey this sense of liberation from a deceitful and oppressive state of mind. Here’s the first chorus:

I’m wide awake
Yeah, I was in the dark
I was falling hard
With an open heart
I’m wide awake
How did I read the stars so wrong?
I’m wide awake
And now it’s clear to me
That everything you see
Ain’t always what it seems
I’m wide awake
Yeah, I was dreaming for so long

So, at this point, one might ask: Is this video about Katy actually breaking out of mind control? The rest of the video might answer the question.

Upon leaving the institution, Katy and her core persona find themselves back in the fantasy land.

Katy and her core persona are back in the dissociative fantasy land –  at the other side of the Labyrinth where things seem nicer.
This cat with hypnotic eyes is a reminder that Katy might still be tightly monitored and under the control of her handlers. The butterflies on Katy’s head are also a good indicator of this fact.

At this point, Katheryn hopes on her bike and leaves Katy.

Katheryn, the core, authentic persona of Katy says goodbye. Why is she leaving? Isn’t our core personality something we should ALWAYS have?

Before leaving, Katheryn leaves Katy a gift … a symbolic gift.

Back in her dressing room, realizes that she’s been given a butterfly. Did her Katheryn give Katy the poisonous gift of being back under mind control?

The butterfly leads us from the dressing room to a stage, before a performance of the song Teenage Dreams. In other words, Katy (and viewers of the video) have gone full circle and are back at the starting point. Although a quest appears to have been completed and foes appear to have been defeated, Katy is back in her “sexy pop star” persona, complete with lollipop bras. This is who she is now, a product of the music industry. Her core persona is gone.

Did she learn something from Katheryn and is now better equipped to face the pitfalls of celebrity? Maybe. However, the orgy of butterflies in the video reminds us that, in the end, she is still under the control of the music industry and the MK symbolism it promotes. Need more proof? Check out her attire while she performed Wide Awake at the MuchMusic Video Awards in Canada.

Katy is basically one big giant butterfly – the ultimate symbol of Monarch Programming.
Monarch butterflies over one eye. That’s like VC 101.

 

In Conclusion

Katy Perry’s Wide Awake is a prime example of Monarch programming symbolism being promoted in mass media products. While it may be deemed “original” and “imaginative” by many, it is strikingly similar to other MK-themed video analyzed on this site. For instance, Paramore’s Brick by Boring Brick also features a younger (purer) version of the singer, a flurry of butterflies, rooms full of mirrors and so forth. Why are all of these symbols found in these unrelated videos (any countless others)? It is because these symbols are, in fact, related: They are symbols of Monarch Programming mind control. This is the common thread uniting these symbols. It also explains the otherwise puzzling plots of the videos.

Although it is probably the most disgusting and vicious concept known to man, Monarch programming is often referenced in popular culture. And, since Monarch programming is one of the ways the occult elite keeps a stranglehold on many areas, including the entertainment industry, it is often subtly glamorized in mass media. Most people let all of this imagery go straight to their minds without even understanding its true meaning. However, there is one way to not allow these unwanted messages to reach our brains: Be TRULY wide awake.

 

Lauryn Hill’s Tumblr Letter on the Music Business

Several newspapers have reported that Lauryn Hill was in trouble with the government for not filing taxes from 2005-2007. While I do not know (nor care) about her financial status and her tax paying habits, I found Hill’s response to the charges quite compelling. In a first public statement in years, Hill describes the control, manipulation and exploitation of the music industry and her efforts to get away from it all. Here’s the letter published on her new Tumblr account.

It was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes.  These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger.  In response to these charges, Ms. Hill has issued the following statement:

“For the past several years, I have remained what others would consider underground.  I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda.  Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance.  I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm.  I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power.  These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity.  So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it.  During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics.  Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright.  When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource.  It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it.  This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system.  It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it.  If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family.  Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by.  This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation.  In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’.  Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before.  Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego.  Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else.  Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual.  I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking.  To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights!  These forms of expression, along with others, effectively comprise my free speech!  Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season!  I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns!  I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period.  Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified.  When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes.  This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done.  This is part of that process.  To those supporters who were told that I abandoned them, that is untrue.  I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.”

– Source: Tumblr

 

As it is always the case when celebrities reject and pull away from the industry, Hill has been often portrayed as crazy and unstable in the media. However, those who know about the dark side of the industry know that Hill did the only SANE thing one can do in her situation: Get out. I guess we know what the following song is about.

 

The Rothschilds and Rockefellers Join Forces in Multi-Billion Dollar Deal

From left to right: John D. Rockefeller Jr. and John D. Rockefeller.

If you needed proof the world elite is a tightly-knit group geared on dynasties and bloodlines, well here’s a pretty good one. The most powerful family of Europe, the Rothschilds have joined forces with the most powerful family of America, the Rockefellers, in a super-multi-billion-dollar deal that greatly expands the influence of both families. For centuries, the Rothschilds and the Rockefellers silently shaped the world as we know it, influencing political decisions, the economy and even wars between nations. As Mayer Amschel Rothschild stated: “Give me control of a nation’s money and I care not who makes her laws.” 

Both families are now major actors in the creation a New World Order and this deal is a great example of how these ancient dynasties are merging into a single, world-dominating unit. As David Rockefeller stated in his memoirs:

“Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that’s the charge, I stand guilty, and I am proud of it.”
-David Rockefeller, “Memoirs of David Rockefeller” p.405

Here’s an article on the mega-deal between the two most powerful families on Earth.

Transatlantic alliance between Rothschilds and Rockefellers for wealth management

As if they weren’t already well-connected enough, the world’s two greatest dynasties joined forces yesterday as Europe’s Rothschild banking clan bought a stake in the Rockefeller group’s wealth and asset management business to gain a foothold in the US.

The patriarchs of the two families – 96-year-old David Rockefeller and Jacob Rothschild, 76 – cemented a five-decade acquaintance as the younger man’s London-based £2bn RIT Capital investment trust bought a 37 per cent stake in the American’s business.

In addition to bringing together the two doyens, the deal will considerably expand the vast networks of both families.

To give a taste: Lord Rothschild’s son, Nat Rothschild, is a well-known entrepreneur with stakes in a range of companies such as Genel, the Kurdistan-focused oil producer run by former BP chief executive Tony Hayward and Bumi, the Indonesian mining group. He was also linked with George Osborne and Peter Mandelson at a notorious party on an oligarch’s yacht off Corfu in 2008.

Lord Rothschild’s niece Kate is married to Ben Goldsmith, brother of Conservative MP Zac Goldsmith and Jemima Khan and son of the late billionaire business tycoon Sir James Goldsmith.

On the Rockefeller side, for starters, David’s granddaughter Ariana is a successful fashion designer who married the construction heir Matthew Bucklin in 2010. And let’s not forget the founders who, although no longer with us, live on through their business creations.

The Rockefeller family’s journey to vast riches began in 1870 when John D Rockefeller set up Standard Oil and went on establish a fortune that is widely regarded to be the largest in US history. The family’s wealth management operation was set up in 1882 to manage that fortune.

The Rothschild dynasty goes back even further, to when Mayer Amschel Rothschild started a business in Frankfurt towards the end of the 18th century. It helped finance Britain’s war against Napoleon in the 19th century and raised funds for a loan allowing the British government to buy the Suez canal.

The Rothschilds bought the stake in Rockefeller from French banking group Société Générale for an undisclosed sum. SocGen, which has owned the stake since 2008, appointed a new head of private banking in March, replacing Daniel Truchi with Jean-François Mazaud.

SocGen’s sale of the stake comes as banks around the world sell peripheral assets to reduce their risks and strengthen their capital bases in order to meet tough regulations aimed at preventing a repeat of the 2008 financial crisis.

Commenting on the deal, Mr Rockeller said: “Lord Rothschild and I have known each other for five decades. The connection between our two families remains very strong. I am delighted to welcome Jacob and RIT as shareholders.”

– Source: The Independent

Here’s an article describing the long-standing ties between the Rothschilds and the Rockefellers.

 

Rothschild and Rockefeller: their family fortunes

As a Rothschild trust prepares to buy a stake in the Rockefeller empire, how have these two dynasties managed to hold on to their wealth for so long?

You know you’ve really made it when your surname becomes an adjective.

In the late 19th century, the term “Rothschild Tudor” came into use to describe the family’s half-timbered estate cottages, sprinkled across their vast landholdings in Buckinghamshire. And in America, for more than 80 years, Rockefeller has been shorthand for “very rich indeed”. The name crops up in two classic Thirties Broadway numbers: On the Sunny Side of the Street (“If I never had a cent, I’d be rich as Rockefeller”) and the Gershwins’ They All Laughed (“…at Rockefeller Centre – now they’re fighting to get in”).

That’s why, for gilded dynasty watchers, the news of a union between these über-rich clans is so delicious: Lord Rothschild’s investment trust, RIT Capital Partners, is to buy a 37 per cent stake in Rockefeller Financial Services.

The numbers involved are pretty mind-boggling. RIT has £1.9 billion in net assets; the Rockefeller company has £22 billion. As if that wasn’t enough, these companies are just minor fragments of the two family empires. RIT was only founded in 1961; the principal family bank, NM Rothschild & Sons, was set up in 1811, and is run by Lord Rothschild’s cousin, David de Rothschild.

As we will see, there are a lot of Rothschild cousins, all of them pretty deep-pocketed, and plenty of them keen on starting new ventures. It’s symptomatic of the dynasty that Nat Rothschild, Lord Rothschild’s son, didn’t join the family bank when he left university but went to Lazard, before joining an investment management company, Atticus Capital, and then setting up a vast investment vehicle, Vallar plc.

As for Rockefeller Financial Services, that was founded as early as 1882, when John D Rockefeller set up one of the first investment management businesses designed to run a single family’s money. So, as well as making a fortune from their principal company – Standard Oil – the Rockefellers have been making money from their money, as it were, for 130 years.

That is what makes these two dynasties so exceptional – not just their dizzying wealth, but the fact that they have held on to it for so long: and not just the loot, but also their family companies. Other banking dynasties have fallen by the wayside – SG Warburg, founded by Siegmund Warburg in 1946, was swallowed up by Swiss Bank Corporation in 1995; its asset management side, Mercury Asset Management, was taken over by Merrill Lynch in 1997.

Barings Bank, the oldest merchant bank in London, founded in 1762, collapsed in 1995, thanks to the disastrous £827 million punt taken by Nick Leeson. Lehman Brothers remained under family control until the death of Robert Lehman in 1969 – the bank’s collapse in 2008 was the spark that lit the greatest recession since the Thirties. And who now banks with the Medicis, the leading bankers in Europe in the Middle Ages, and the financial backers behind the Renaissance?

It’s true that enormous fortunes – big enough to match 19th-century Rothschild and Rockefeller figures – have been made in recent years. Mark Zuckerberg is thought to be worth more than £12 billion since Facebook went public this month, though that figure seems to diminish a little with each Wall Street trading day. But, still, it’s unlikely that the name Zuckerberg will be associated with dynastic wealth for more than a century, as the Rothschild and Rockefeller names have been.

Part of the reason is that dotcom fortunes, like Zuckerberg’s, can be founded within the four walls of a tiny Harvard dormitory. Great banking and oil ventures needed vast manpower, and vast representation across the world, to establish a foothold in the Victorian rich lists. Those deep foundations produce a lasting infrastructure, a lasting familial obligation to the business, and that lasting association in the popular mind between a particular surname and great wealth .

Also, the Rockefeller and Rothschild families were consciously dynastic from the moment their businesses began. The founder of the Rothschild empire, Mayer Amschel Rothschild, was born in Frankfurt, Germany, the Jewish descendant of a 16th-century Rothschild, Izaak, who took his name from the sign outside his house – “Zum roten Schild” (“At the sign of the red shield”).

It was Mayer Amschel who laid the foundations of today’s Rothschild power base, by sending his five sons off to different European financial hubs: Frankfurt, Vienna, Paris, Naples and London, where his third son, Nathan Mayer Rothschild, founded the eponymous bank in the City in 1811. Almost immediately, NM Rothschild became a major force in the City, bankrolling the Duke of Wellington during the Napoleonic Wars.

John D Rockefeller got going a little later. The son of a travelling salesman, he made a fortune in food supply, before turning to oil refining in Ohio. By 1868, he owned the biggest oil refinery in the world, in partnership with his brother.

Throughout Rockefeller history, the name has stamped itself deep into the popular psyche through its philanthropy. That first John D Rockefeller founded Chicago University and Rockefeller University, as well as the Rockefeller Foundation – backer of, inter alia, the London School of Hygiene and Tropical Medicine, and the New School in New York.

It was his son, John D Rockefeller Junior, who built New York’s Rockefeller Centre. The Gershwins were quite right in their lyrics, Manhattan’s gazillionaires did fight to get into the soaring art deco skyscraper, and it became one of the city’s biggest pieces of prime real estate: 19 buildings across 22 acres, all in the very centre of New York, between 5th and 6th Avenues and 48th and 51st Streets.

The cliché of fabulous new wealth is “rags to rags in three generations”, but each generation of the Rockefellers kept on building up the current account, while spreading the philanthropic interests. John D Rockefeller Junior gave the land for the Museum of Modern Art, stuffed the Met with medieval masonry and set up New York’s best-kept secret, the Cloisters museum, a staggering complex of five French monasteries perched on a cliff above the Hudson River.

His five sons continued the dynastic pattern – and that dynastic importance was intensified with the use of Roman numerals: JD Junior’s son was dubbed John D Rockefeller III. His brother Nelson was Gerald Ford’s vice-president; another brother, Winthrop, was Republican Governor of Arkansas. And the youngest brother, David, is still with us, at 96, now the Rockefeller patriarch and still hurling dollar bills at charitable institutions. In 2005, he gave away £64 million to the Museum of Modern Art and Rockefeller University – each.

A philanthropic streak runs through the Rothschilds, too. Jacob Rothschild’s home, Waddesdon, in Buckinghamshire – built in Rothschild Loire château style, rather than Rothschild Tudor – now belongs to the National Trust, but he continues to cram it with treasures appropriate to its Victorian builder, Baron Ferdinand de Rothschild. He also endowed the National Gallery generously during his time as chairman of its trustees, and did much to turn Somerset House from London’s biggest car park into its finest neo-classical palace.

The new union between the two clans does more than weld two vast fortunes to each other, then. It allies a pair of dynasties that have – coincidentally, independently – followed the two rules that all mega-plutocrats must obey if they want to be remembered in a century’s time. One: ensure your children feel a duty to preserve the family fortune. And, two, paradoxical as it may sound: give as much money as you can to universities, galleries and hospitals.

– Source: The Telegraph

 

Madonna’s MDNA Tour Replete with Illuminati Agenda

The Grand Priestess of the music industry is back on tour and it began in Tel-Aviv, Israel. As we’ve seen in the article on the 2012 Superbowl Half-Time show, Madonna signed a multi-year deal with Interscope records and, since then, all of her new works fully embrace the same Illuminati Agenda as the rest of the music industry. However, since it is Madonna things are taken to another level. People have come to expect controversy from Madonna, but this is not simply controversy for the sake of it like she used to do  in the 90’s. Nope, this is symbolic and calculated controversy, engineered to carry all of the Illuminati’s messages. Here’s a short article from the Telegraph that sums up her show.

Madonna tells Israel: you can’t be a fan of mine and not want world peace

Madonna, whose conversion to the esoteric Jewish sect Kabbalah sparked an unlikely trend in Hollywood, launched her world tour in Tel Aviv last night with a plea for peace in the Middle East.

The American singer greeted 30,000 Israeli fans in Tel Aviv’s Ramat Gan Stadium with the declaration: “You can’t be a fan of mine and not want peace in the world”. Her management had distributed hundreds of free tickets to

“We all bleed the same colour,” Madonna told her ecstatic crowd, standing against the backdrop of an enormous illuminated crucifix and satanic symbols. “If we can all rise above our egos and our titles and the names of our countries and our religions, and treat everyone around us with dignity and respect, then we are on the road to peace. If there is peace here in the Middle East, there can be peace in the whole world.”

The diva then went on to perform her song “Gang Bang” accompanied by images of blood stains, video clips showing the singer spraying bullets from both a hand gun and a machine gun, and closing on the phrase “die, bitch!”

Israel’s ultra-orthodox community, however, were outraged that the “Like A Virgin” singer was performing in the Jewish state. A report in religious journal ‘HaEda’ described the tour as “disgraceful” and claimed rumours the “famous gentile singer” would be visiting religious sites in the country’s north had spared “pain and rage within the god-fearing community”.

Madonna has reportedly postponed a planned tour of Galilee following protests by the local religious community.

– Source: The Telegraph

So the show began with Madonna pleading for “world peace”, a slogan of the New World Order. A few minutes later, she dances around toting machine guns, revolvers and an AK-47 – a weapon that is widely used in wars across the world, including in Israel. The cognitive dissonance between what Madonna says (i.e. “If there is peace here in the Middle East, there can be peace in the whole world”), and what she does (shooting and killing bunch of people with blood stains everywhere) is typical of Illuminati double-speak. Like Orwell wrote several decades ago, WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH.

Glamorizing death, violence and oppression. Also, leopard prints represent Sex-Kitten programming, hinting that these women were “programmed” to do this.

Atop hypocritical double-speak involving war, there is also hypocritical double-speak involving spirituality. After her moralizing speech about “respect”: “If we can all rise above our egos and our titles and the names of our countries and our religions, and treat everyone around us with dignity and respect, then we are on the road to peace”, the show turns into a big Black Mass insulting Christianity.

The show begins with a red (bloody) illuminated crucifix bearing the letters MDNA – an acronym strangely similar to MDMA, another name for Ecstasy – a drug that is very popular on dance floors across the world.

 

Madonna’s Black Mass included monks turning into male strippers along with guts, guns and satanic symbols being flashed on the walls. Things that so many pop stars did in the recent years. This is not about art, this is all-out, insistent propaganda.

In short Madonna’s MDNA tour reflects how the Illuminati confuses the world with its double-speak. It lulls the world with talks of “world peace” while glamorizing the death, bloodshed and oppression of the masses. It moralizes people about “religious tolerance” while systematically attacking and destroying all faiths that are not part of the belief system of the world elite – which incidentally includes a bastardized version of Kabbalah as practiced by Madonna, the Grand Priestess of the Illuminati music business.

 

Symbolic Pics of the Month (06/12)

In this edition of the Symbolic Pics of the Month: Robert Pattinson, Kristen Stewart, Rihanna and a whole lot of fashion world craziness.

 

Twilight heartthrob Robert Patterson in a Premiere magazine photoshoot that is replete with mind control symbolism. He is here shown as if he just got a lobotomy. An eye is drawn where his brain was “extracted”. Illuminati mind control leaving its mark?

 

Robert is here walking in dark hallway with a blank stare, a little like a MKed zombie.

 

Here, Robert has a gaping hole in his stomach, a little like in the movie Videodrome, where videotapes were inserted to “program” the guy.

 

Two Roberts = Two alter personas. We also see videotapes.

 

Hiding one eye with one hand and oddly holding a razor with another.

 

Kristen Stewart in another Twilight star featured in a MK-themed photoshoot this month. This ELLE magazine shoot is all about alter personas – with masculine and feminine attributes. The union of opposites is always an important theme in the occult elite’s symbolism.

 

Um, right.

 

Kristen Stewart appears in the new movie “Snow White & the Huntsman. Promotinal material for the movie prominently features the one-eye sign.
Another ad for the movie.

 

In this pic, Rihanna is walking around with a t-shirt that has the words “Control Minds”. The words are placed in order to form an inverted cross. Looks like she thoroughly adopted the symbolism of her handlers.

 

Speaking of Ri-Ri,  her  latest video “Where Have You Been” she gives a big shout-out to her Illuminati handlers with the forming a blinking eye with her dancers.

 

Speaking of the one-eye sign, here’s another way of doing it with Jared Leto in a Terry Richardson photoshoot. Him getting his eye poked out by someone is basically what the Illuminati does to artists.

 

Nelly Furtado’s video “Big Hoops” features her hiding one eye about a dozen times.

 

Look its Carrie Underwood! And she’s hiding one eye! How original!

 

Cheryl Cole showing who’s the boss of her  on the cover of her latest album.
Ambush is yet another clothing brand replete with Illuminati symbolism.

 

Urban Outfitters is also making sure that young people walk around wearing symbols of the occult elite.
The symbols also appear on random stuff like skateboards. Here we see the All-Seeing Eye and the Masonic compass and square.
Lovin’ it!

 

Bilderberg 2012: The Official Attendees List

Westfields Marriott in Virginia

The annual Bilderberg meeting, a very secretive and little publicized conference reuniting the world’s elite in the fields of politics, business and policy making, is underway in Virginia until June 3rd. While a few articles in major newspapers have appeared regarding the 2012 Bilderberg meeting, they provide little to no information about its agenda and they mostly describe how “conspiracy theorists” get all hyped up about the meetings.

Well, even if mass media likes to tag those who are interested in Bilderberg meetings as “conspiracy theorists”, the fact is that they do reunite the world’s most powerful people in a secretive, informal and off-the-record setting in order to discuss plans for the future. If you think nothing is brewing there, take a look at the official list of participants and the magnitude of the organizations they represent. Those are the people who take decisions regarding the world’s future, not “elected” officials.

Here’s the list of attendees taken from the Bilderberg’s official website.

Final List of Participants

Chairman

FRA Castries, Henri de Chairman and CEO, AXA Group
DEU Ackermann, Josef Chairman of the Management Board and the Group Executive Committee, Deutsche Bank AG
GBR Agius, Marcus Chairman, Barclays plc
USA Ajami, Fouad Senior Fellow, The Hoover Institution, Stanford University
USA Alexander, Keith B. Commander, US Cyber Command; Director, National Security Agency
INT Almunia, Joaquín Vice-President – Commissioner for Competition, European Commission
USA Altman, Roger C. Chairman, Evercore Partners
PRT Amado, Luís Chairman, Banco Internacional do Funchal (BANIF)
NOR Andresen, Johan H. Owner and CEO, FERD
FIN Apunen, Matti Director, Finnish Business and Policy Forum EVA
TUR Babacan, Ali Deputy Prime Minister for Economic and Financial Affairs
PRT Balsemão, Francisco Pinto President and CEO, Impresa; Former Prime Minister
FRA Baverez, Nicolas Partner, Gibson, Dunn & Crutcher LLP
FRA Béchu, Christophe Senator, and Chairman, General Council of Maine-et-Loire
BEL Belgium, H.R.H. Prince Philippe of
TUR Berberoğlu, Enis Editor-in-Chief, Hürriyet Newspaper
ITA Bernabè, Franco Chairman and CEO, Telecom Italia
GBR Boles, Nick Member of Parliament
SWE Bonnier, Jonas President and CEO, Bonnier AB
NOR Brandtzæg, Svein Richard President and CEO, Norsk Hydro ASA
AUT Bronner, Oscar Publisher, Der Standard Medienwelt
SWE Carlsson, Gunilla Minister for International Development Cooperation
CAN Carney, Mark J. Governor, Bank of Canada
ESP Cebrián, Juan Luis CEO, PRISA; Chairman, El País
AUT Cernko, Willibald CEO, UniCredit Bank Austria AG
FRA Chalendar, Pierre André de Chairman and CEO, Saint-Gobain
DNK Christiansen, Jeppe CEO, Maj Invest
RUS Chubais, Anatoly B. CEO, OJSC RUSNANO
CAN Clark, W. Edmund Group President and CEO, TD Bank Group
GBR Clarke, Kenneth Member of Parliament, Lord Chancellor and Secretary of Justice
USA Collins, Timothy C. CEO and Senior Managing Director, Ripplewood Holdings, LLC
ITA Conti, Fulvio CEO and General Manager, Enel S.p.A.
USA Daniels, Jr., Mitchell E. Governor of Indiana
USA DeMuth, Christopher Distinguished Fellow, Hudson Institute
USA Donilon, Thomas E. National Security Advisor, The White House
GBR Dudley, Robert Group Chief Executive, BP plc
ITA Elkann, John Chairman, Fiat S.p.A.
DEU Enders, Thomas CEO, Airbus
USA Evans, J. Michael Vice Chairman, Global Head of Growth Markets, Goldman Sachs & Co.
AUT Faymann, Werner Federal Chancellor
DNK Federspiel, Ulrik Executive Vice President, Haldor Topsøe A/S
USA Ferguson, Niall Laurence A. Tisch Professor of History, Harvard University
GBR Flint, Douglas J. Group Chairman, HSBC Holdings plc
CHN Fu, Ying Vice Minister of Foreign Affairs
IRL Gallagher, Paul Former Attorney General; Senior Counsel
USA Gephardt, Richard A. President and CEO, Gephardt Group
GRC Giannitsis, Anastasios Former Minister of Interior; Professor of Development and International Economics, University of Athens
USA Goolsbee, Austan D. Professor of Economics, University of Chicago Booth School of Business
USA Graham, Donald E. Chairman and CEO, The Washington Post Company
ITA Gruber, Lilli Journalist – Anchorwoman, La 7 TV
INT Gucht, Karel de Commissioner for Trade, European Commission
NLD Halberstadt, Victor Professor of Economics, Leiden University; Former Honorary Secretary  General of Bilderberg Meetings
USA Harris, Britt CIO, Teacher Retirement System of Texas
USA Hoffman, Reid Co-founder and Executive Chairman, LinkedIn
CHN Huang, Yiping Professor of Economics, China Center for Economic Research, Peking University
USA Huntsman, Jr., Jon M. Chairman, Huntsman Cancer Foundation
DEU Ischinger, Wolfgang Chairman, Munich Security Conference; Global Head Government Relations, Allianz SE
RUS Ivanov, Igor S. Associate member, Russian Academy of Science; President, Russian International Affairs Council
FRA Izraelewicz, Erik CEO, Le Monde
USA Jacobs, Kenneth M. Chairman and CEO, Lazard
USA Johnson, James A. Vice Chairman, Perseus, LLC
USA Jordan, Jr., Vernon E. Senior Managing Director, Lazard
USA Karp, Alexander CEO, Palantir Technologies
USA Karsner, Alexander Executive Chairman, Manifest Energy, Inc
FRA Karvar, Anousheh Inspector, Inter-ministerial Audit and Evaluation Office for Social, Health, Employment and Labor Policies
RUS Kasparov, Garry Chairman, United Civil Front (of Russia)
GBR Kerr, John Independent Member, House of Lords
USA Kerry, John Senator for Massachusetts
TUR Keyman, E. Fuat Director, Istanbul Policy Center and Professor of International Relations, Sabanci University
USA Kissinger, Henry A. Chairman, Kissinger Associates, Inc.
USA Kleinfeld, Klaus Chairman and CEO, Alcoa
TUR Koç, Mustafa Chairman, Koç Holding A.Ş.
DEU Koch, Roland CEO, Bilfinger Berger SE
INT Kodmani, Bassma Member of the Executive Bureau and Head of Foreign Affairs, Syrian National Council
USA Kravis, Henry R. Co-Chairman and Co-CEO, Kohlberg Kravis Roberts & Co.
USA Kravis, Marie-Josée Senior Fellow, Hudson Institute
INT Kroes, Neelie Vice President, European Commission; Commissioner for Digital Agenda
USA Krupp, Fred President, Environmental Defense Fund
INT Lamy, Pascal Director-General, World Trade Organization
ITA Letta, Enrico Deputy Leader, Democratic Party (PD)
ISR Levite, Ariel E. Nonresident Senior Associate, Carnegie Endowment for International Peace
USA Li, Cheng Director of Research and Senior Fellow, John L. Thornton China Center, Brookings Institution
USA Lipsky, John Distinguished Visiting Scholar, Johns Hopkins University
USA Liveris, Andrew N. President, Chairman and CEO, The Dow Chemical Company
DEU Löscher, Peter President and CEO, Siemens AG
USA Lynn, William J. Chairman and CEO, DRS Technologies, Inc.
GBR Mandelson, Peter Member, House of Lords; Chairman, Global Counsel
USA Mathews, Jessica T. President, Carnegie Endowment for International Peace
DEN Mchangama, Jacob Director of Legal Affairs, Center for Political Studies (CEPOS)
CAN McKenna, Frank Deputy Chair, TD Bank Group
USA Mehlman, Kenneth B. Partner, Kohlberg Kravis Roberts & Co.
GBR Micklethwait, John Editor-in-Chief, The Economist
FRA Montbrial, Thierry de President, French Institute for International Relations
PRT Moreira da Silva, Jorge First Vice-President, Partido Social Democrata (PSD)
USA Mundie, Craig J. Chief Research and Strategy Officer, Microsoft Corporation
DEU Nass, Matthias Chief International Correspondent, Die Zeit
NLD Netherlands, H.M. the Queen of the
ESP Nin Génova, Juan María Deputy Chairman and CEO, Caixabank
IRL Noonan, Michael Minister for Finance
USA Noonan, Peggy Author, Columnist, The Wall Street Journal
FIN Ollila, Jorma Chairman, Royal Dutch Shell, plc
USA Orszag, Peter R. Vice Chairman, Citigroup
GRC Papalexopoulos, Dimitri Managing Director, Titan Cement Co.
NLD Pechtold, Alexander Parliamentary Leader, Democrats ’66 (D66)
USA Perle, Richard N. Resident Fellow, American Enterprise Institute
NLD Polman, Paul CEO, Unilever PLC
CAN Prichard, J. Robert S. Chair, Torys LLP
ISR Rabinovich, Itamar Global Distinguished Professor, New York University
GBR Rachman, Gideon Chief Foreign Affairs Commentator, The Financial Times
USA Rattner, Steven Chairman, Willett Advisors LLC
CAN Redford, Alison M. Premier of Alberta
CAN Reisman, Heather M. CEO, Indigo Books & Music Inc.
DEU Reitzle, Wolfgang CEO & President, Linde AG
USA Rogoff, Kenneth S. Professor of Economics, Harvard University
USA Rose, Charlie Executive Editor and Anchor, Charlie Rose
USA Ross, Dennis B. Counselor, Washington Institute for Near East Policy
POL Rostowski, Jacek Minister of Finance
USA Rubin, Robert E. Co-Chair, Council on Foreign Relations; Former Secretary of the Treasury
NLD Rutte, Mark Prime Minister
ESP Sáenz de Santamaría Antón, Soraya Vice President and Minister for the Presidency
NLD Scheffer, Paul Professor of European Studies, Tilburg University
USA Schmidt, Eric E. Executive Chairman, Google Inc.
AUT Scholten, Rudolf Member of the Board of Executive Directors, Oesterreichische Kontrollbank AG
FRA Senard, Jean-Dominique CEO, Michelin Group
USA Shambaugh, David Director, China Policy Program, George Washington University
INT Sheeran, Josette Vice Chairman, World Economic Forum
FIN Siilasmaa, Risto Chairman of the Board of Directors, Nokia Corporation
USA Speyer, Jerry I. Chairman and Co-CEO, Tishman Speyer
CHE Supino, Pietro Chairman and Publisher, Tamedia AG
IRL Sutherland, Peter D. Chairman, Goldman Sachs International
USA Thiel, Peter A. President, Clarium Capital / Thiel Capital
TUR Timuray, Serpil CEO, Vodafone Turkey
DEU Trittin, Jürgen Parliamentary Leader, Alliance 90/The Greens
GRC Tsoukalis, Loukas President, Hellenic Foundation for European and Foreign Policy
FIN Urpilainen, Jutta Minister of Finance
CHE Vasella, Daniel L. Chairman, Novartis AG
INT Vimont, Pierre Executive Secretary General, European External Action Service
GBR Voser, Peter CEO, Royal Dutch Shell plc
SWE Wallenberg, Jacob Chairman, Investor AB
USA Warsh, Kevin Distinguished Visiting Fellow, The Hoover Institution, Stanford University
GBR Wolf, Martin H. Chief Economics Commentator, The Financial Times
USA Wolfensohn, James D. Chairman and CEO, Wolfensohn and Company
CAN Wright, Nigel S. Chief of Staff, Office of the Prime Minister
USA Yergin, Daniel Chairman, IHS Cambridge Energy Research Associates
INT Zoellick, Robert B. President, The World Bank Group
Rapporteurs
GBR Bredow, Vendeline von Business Correspondent, The Economist
GBR Wooldridge, Adrian D. Foreign Correspondent, The Economist

-Source: Bilderberg Official Website

 

BBC Uses a 2003 Picture from Iraq to Incite War Against Syria

When it is time to justify the invasion of a country that is of no threat to Allied forces, mass media deception kicks into high gear to sway public opinion. Only a few years after the “Watch-out-Saddam-is-gonna-nuke-us-all-with-weapons-of-mass-destruction” fabrication, mass media is now being flooded with horrible stories from Syria to incite people in Western countries to think “I hope we go in there and clean up this mess”. However, as it is often the case in war propaganda, lies, fabrications and deceit are used to justify military action.

A recent example of this is the BBC using a horrifying picture from 2003 in Iraq to illustrate an alleged massacre that happened in Houla, Syria. When a “reputed” news source such as BBC gets caught using fake pictures to demonize a country, one can wonder what other fabricated BS appears in the news and goes unnoticed. Here’s an article on BBC’s “mistake”.

Oops, BBC: Iraq photo to illustrate Houla massacre?

With the shock of the Houla tragedy ringing across the world, the BBC has released a story with a harrowing picture of rows and rows of children’s bodies awaiting burial… But isn’t that post-Saddam Iraq?

­Photographer Marco di Lauro who took the shot grabbed by the BBC says he nearly “fell off his chair” after finding the picture on the network’s website with a caption reading: “Photo from Activist. This image – which cannot be independently verified – is believed to show bodies of children in Houla awaiting funeral.

The picture was actually taken on March 27, 2003; it depicts an Iraqi boy jumping over dozens of white body bags containing skeletons found in a desert south of Baghdad. The image, which is published on Marco di Lauro’s website, is part of his story Iraq, the Aftermath of Saddam.

Marco di Lauro takes photographs for Getty Images picture agency, his works have been published across Europe and the US. But the indication that the BBC picked his image from the internet, not from official stock worries him somewhat.

What I am really astonished by is that a news organization like the BBC doesn’t check the sources and it’s willing to publish any picture sent it by anyone: activist, citizen journalist or whatever. That’s all,” the photographer told The Daily Telegraph.

Someone is using someone else’s picture for propaganda on purpose,” he added.

A BBC spokesman says the picture, illustrating Sunday night’s story “Syria Massacre in Houla Condemned as Outrage Grows,” was taken down “immediately” when the source was identified.

We were aware of this image being widely circulated on the internet in the early hours of this morning following the most recent atrocities in Syria. We used it with a clear disclaimer saying it could not be independently verified,” he added.

These words about information “which cannot be independently verified” have become a trademark of media coverage of the 14-month conflict in Syria. Before UN special envoy Kofi Annan brought his peace plan to the troubled Arab country, the Syrian government had remained reluctant to open borders to most international journalists.

But even now the bulk of information comes from people calling themselves opposition activists – via amateur videos uploaded to YouTube or eyewitness reports.

But sometimes it looks that the mantra “cannot be independently verified” serves as a disclaimer to publish information which wouldn’t stand a chance of ever being verified.

– Source: RT

New Bill Legalizes Government Propaganda and Disinformation on American Citizens

The next defense authorization bill to be proposed by the American congress contains a not-so-publicized amendment that would legalize the use of propaganda on American citizens. The bill would indeed nullify an existing law that (supposedly) protects U.S. audiences from misinformation campaigns conducted by its own government. In other words, Americans could now be subjected to the hardcore, massively manipulative and disinformation-filled propaganda that is usually reserved for foreign countries such as Iraq. Yes, the American public is the new “enemy” to brainwash and the internet will be an important battlefield.

Readers of this site might ask: “Since when Americans were NOT subjected to propaganda?”. That is a true assessment.  Most of the articles on this site effectively describe how mass media products are filled with propaganda and disinformation that is communicated to the American public. The new bill would however legalize the process, making it official and out in the open. While propaganda in the United States was always somewhat covert and disguised as something else, the new bill apparently seeks to form an actual Orwellian Ministry of Truth, where propaganda is just part of daily business. If you believe that mass media is full of BS now…there’s apparently a lot more of it coming our way soon.

Here’s an article on the “propaganda” bill.

Congressmen Seek To Lift Propaganda Ban

Propaganda that was supposed to target foreigners could now be aimed at Americans, reversing a longstanding policy. “Disconcerting and dangerous,” says Shank.

An amendment that would legalize the use of propaganda on American audiences is being inserted into the latest defense authorization bill, BuzzFeed has learned.

The amendment would “strike the current ban on domestic dissemination” of propaganda material produced by the State Department and the independent Broadcasting Board of Governors, according to the summary of the law at the House Rules Committee’s official website.

The tweak to the bill would essentially neutralize two previous acts—the Smith-Mundt Act of 1948 and Foreign Relations Authorization Act in 1987—that had been passed to protect U.S. audiences from our own government’s misinformation campaigns.

The bi-partisan amendment is sponsored by Rep. Mac Thornberry from Texas and Rep. Adam Smith from Washington State.

In a little noticed press release earlier in the week — buried beneath the other high-profile issues in the $642 billion defense bill, including indefinite detention and a prohibition on gay marriage at military installations — Thornberry warned that in the Internet age, the current law “ties the hands of America’s diplomatic officials, military, and others by inhibiting our ability to effectively communicate in a credible way.”

The bill’s supporters say the informational material used overseas to influence foreign audiences is too good to not use at home, and that new techniques are needed to help fight Al-Qaeda, a borderless enemy whose own propaganda reaches Americans online.

Critics of the bill say there are ways to keep America safe without turning the massive information operations apparatus within the federal government against American citizens.

“Clearly there are ways to modernize for the information age without wiping out the distinction between domestic and foreign audiences,” says Michael Shank, Vice President at the Institute for Economics and Peace in Washington D.C. “That Reps Adam Smith and Mac Thornberry want to roll back protections put in place by previously-serving Senators – who, in their wisdom, ensured limits to taxpayer–funded propaganda promulgated by the US government – is disconcerting and dangerous.”

“I just don’t want to see something this significant – whatever the pros and cons – go through without anyone noticing,”
“ says one source on the Hill, who is disturbed by the law. According to this source, the law would allow “U.S. propaganda intended to influence foreign audiences to be used on the domestic population.”

The new law would give sweeping powers to the government to push television, radio, newspaper, and social media onto the U.S. public. “It removes the protection for Americans,” says a Pentagon official who is concerned about the law. “It removes oversight from the people who want to put out this information. There are no checks and balances. No one knows if the information is accurate, partially accurate, or entirely false.”

According to this official, “senior public affairs” officers within the Department of Defense want to “get rid” of Smith-Mundt and other restrictions because it prevents information activities designed to prop up unpopular policies—like the wars in Iraq and Afghanistan.

Critics of the bill point out that there was rigorous debate when Smith Mundt passed, and the fact that this is so “under the radar,” as the Pentagon official puts it, is troubling.

The Pentagon spends some $4 billion a year to sway public opinion already, and it was recently revealed by USA Today the DoD spent $202 million on information operations in Iraq and Afghanistan last year.

In an apparent retaliation to the USA Today investigation, the two reporters working on the story appear to have been targeted by Pentagon contractors, who created fake Facebook pages and Twitter accounts in an attempt to discredit them.

(In fact, a second amendment to the authorization bill — in reaction to the USA Today report — seeks cuts to the Pentagon’s propaganda budget overseas, while this amendment will make it easier for the propaganda to spread at home.)

The evaporation of Smith-Mundt and other provisions to safeguard U.S. citizens against government propaganda campaigns is part of a larger trend within the diplomatic and military establishment.

In December, the Pentagon used software to monitor the Twitter debate over Bradley Manning’s pre-trial hearing; another program being developed by the Pentagon would design software to create “sock puppets” on social media outlets; and, last year, General William Caldwell, deployed an information operations team under his command that had been trained in psychological operations to influence visiting American politicians to Kabul.

A U.S. Army whistleblower, Lieutenant Col. Daniel Davis, noted recently in his scathing 84-page unclassified report on Afghanistan that there remains a strong desire within the defense establishment “to enable Public Affairs officers to influence American public opinion when they deem it necessary to “protect a key friendly center of gravity, to wit US national will,” he wrote, quoting a well-regarded general.

The defense bill passed the House Friday afternoon.

CORRECTION: The amendment under consideration would not apply to the Department of Defense, though the it is attached to a defense authorization bill.

– Source: Buzzfeed

 

Does Sugar in Processed Foods Make You Dumber? New Study Says Yes.

In the series of articles entitled Dumbing Down Society, I described the many negative effects of High Fructose Corn Syrup (HFCS) on general health. This high-powered sweetener is found in a great number of sugary processed foods such as jams, soft drinks and pre-packaged baked goods. It is also found in other products that are no so sugary such as  soups, breads, pasta sauces, cereals, frozen entrees, meat products, salad dressings and condiments. Research links HFCS to increasing rates of obesity and diabetes in North America, especially among children. Fructose converts to fat more than any other sugar. And being a liquid, it passes much more quickly into the blood stream.

A recent study now claims that HFCS not only makes you fat, it also makes you dumb(er). According to a team from University of California, the sweetener actually disrupts basic brain functions. Fortunately, these negative effects can be reduced with the consumption Omega-3s, a fatty acid that was discussed in the article Dumbing-Down Society Part 3: How to Reverse its Effects. Here’s an article about the study on HFCS.

Does sugar make you stupid? Study suggests it sabotages learning and memory

  • Fructose is commonly added to processed foods such as soft drinks
  • It was found to hamper memory and slow brain activity

Too much sugar could be making you stupid, according to researchers.

The suggestion follows tests in the laboratory comparing high-fructose corn syrup, which is six times sweeter than cane sugar and a common ingredient in processed foods, with omega-3 fatty acids, known to aid memory and learning.

In an experiment on rats, one group had a sugary diet for six weeks and another was fed healthily.

At the start of the study, published in the Journal of Physiology, the  University of California team tested how well the rats navigated a maze – placing landmarks to help them learn the way.

Six weeks later, the researchers tested the rats’ ability to recall the route.

Study co-author Professor Fernando Gomez-Pinilla said the rats fed just a sugary diet were slower and their brains had declined.

He said: ‘Eating a high-fructose diet over the long term alters your brain’s ability to learn and remember information.

However, the good news is that eating nuts and fish such as salmon can counteract this disruption.

‘Our findings illustrate that what you eat affects how you think,’ said Prof Gomez-Pinilla. ‘Adding omega-3 fatty acids to your meals can help minimise the damage.’

While earlier research has revealed how fructose harms the body through its role in diabetes, obesity and fatty liver, this study is the first to uncover how the sweetener influences the brain.

The researchers were studying the impact of high-fructose corn syrup on rats, who have similar brain chemistry to humans.
The inexpensive liquid is six times sweeter than cane sugar and is commonly added to processed foods such as soft drinks.

‘We’re not talking about naturally occurring fructose in fruits, which also contain important antioxidants,’ said Prof Gomez-Pinilla.

‘We’re concerned about high-fructose corn syrup that is added to manufactured food products as a sweetener and preservative.’

Prof Gomez-Pinilla and co-author Rahul Agrawal found the brain’s of the rats that each consumed a fructose solution as drinking water for six weeks had changed.

Prof Gomez-Pinilla said: ‘Their brain cells had trouble signaling each other, disrupting the rats’ ability to think clearly and recall the route they’d learned six weeks earlier.’

A closer look at the rats’ brain tissue suggested that insulin had lost much of its power to influence the brain cells.

The authors suspect that eating too much fructose could block insulin’s ability to regulate how cells use and store sugar for the energy required for processing thoughts and emotions.

However, their study also suggests that eating foods rich in omega-3 regularly could protect the brain from the effects of fructose.

Prof Gomez-Pinilla said: ‘It’s like saving money in the bank. You want to build a reserve for your brain to tap when it requires extra fuel to fight off future diseases.’
– Source: Daily Mail

 

The Hidden Symbolic Meaning of the Movie “2012”

The disaster movie “2012” is about the near-total destruction of planet Earth in accordance with predictions made by Ancient Mayans, thousands of years ago. While most of the movie is centered around spectacular explosions and impressive special effects, “2012” also communicates messages and symbolism about the elite’s plans for a New World and the coming of the Age of Aquarius.

Warning: Major spoilers ahead

Released in 2009, Roland Emmerich’s film 2012 plays on the fears and panic engendered by the “OMG-the-Mayans-said-we’re-gonna-die-in-2012” scare. The movie’s apocalyptic scenario depicts in vivid detail people’s worst fears regarding 2012: The destruction of everything and the killing of everyone … well, almost everyone. While a good portion of the two-and-a-half hour movie is dedicated to CGI destruction, 2012 contains many Biblical, mythological and historical references that gives the story a deeper underlying meaning. Furthermore, a specific message can be understood by the way the crisis has been handled in the movie. It basically says: “If something happens, the rich and powerful will live and the rest of you suckers will die”.

In the article entitled ‘Contagion’ or How Disaster Movies “Educate” the Masses, we discussed how disaster movies are an important indoctrination tool that present and sell specific “political responses” to major crises. In 2012, the political response to the mega-cataclysm that is threatening Earth is rather unsettling: The world elite learns about 2012 a few years in advance, secretly plans its own rescue mission (while keeping the masses in the dark) and leaves the world to die while creating a new world that is only populated by the elite. A few “regular” people do manage to infiltrate the elite’s ships. Apparently their survival, along with the world’s rich and powerful, constitutes a happy ending.

When I first finished watching the movie, I wasn’t exactly feeling happy having just paid a few bucks to basically watch a flick that predicts my death and the death of everyone I know while the elite embarks on giant ships to start a new world by themselves. It’s a little insulting.

Does the movie accurately predict what will happen on December 23rd, 2012? Probably (hopefully) not, but I do believe that the movie uses the 2012 scare tactic to communicate specific messages to the masses about the elite’s plans for a New World Order and the coming of the Age of Aquarius. Let’s look at the movie’s most symbolic scenes.

The Preparations

The movie takes place in 2009 and begins with a cosmic event that triggers the cataclysm: A planetary alignment.

The alignment of astronomical bodies causes a series of events that lead to the destruction of Earth. On an esoteric level, the alignment of astral bodies is representative of the dawning of a new era – what some may call the Age of Aquarius.

On Earth, a few scientists discover that massive solar flares are causing the planet’s core temperature to rise. Adrian Helmsley, an American geologist, realizes that the end of the world is rapidly approaching. He rushes to Washington D.C. to inform the highest level of power that action must be taken, but it turns out that the world’s ruling elite is not only well-aware of the coming disaster, but have been secretly working on a rescue plan for years. The elite are taking steps to preserve the lives of those that are deemed “worthy” and collecting the Earth’s most important artifacts to bring to the new world.

In this scene, the Mona Lisa at the Louvre is fake. The real painting will be brought into “post-apocalypse” world.

The only people that know about the 2012 rescue plan are the world’s most powerful people. Tickets were also sold to private individuals. The price? 1 billion Euros … per person. In other words, there is no way that a regular person would survive. And that’s all part of the plan.

Meanwhile, as usual, the masses are portrayed as a herd of idiots, prone to panic and violence.

As it is the case in most disaster movies, the masses are portrayed as a “bewildered herd” that cannot act civilized. While the elite is planning its secret escape from the 2012 cataclysm, the masses are shown rioting during a G8 Meeting. Seeing how people are portrayed to act in times of crisis, one might be inclined to think: Maybe the elite is doing the right thing by hiding the truth from the masses …

This massive conspiracy against the public is not an airtight secret. Some prominent figures discover the ugly truth and attempt to warn the public, but they are rapidly silenced.

When the director of the Louvre discovered the elite’s plans, he called a press conference to disclose the truth to the entire world. He then dies in a “mysterious” car accident, right before he makes his announcement.

There are interesting facts about the above car “accident” that killed the French museum director. First, it is clearly stated in the movie that the accident occurs in the Pont d’Alma tunnel … the same tunnel where Princess Diana lost her life in an odd car accident. In my article Princess Diana’s Death and Memorial: The Occult Meaning, I’ve explained the symbolic meaning of the Pont d’Alma tunnel and how the death of Lady Di had all of the markings of a ritual sacrifice. The death of the Museum director at the exact same spot might be the movie’s way of saying that his death was a ritual sacrifice by the elite. The movie might also be indirectly saying: “If the death of the Museum Director inside the Pont D’Alma tunnel was a murder disguised as an accident, what do you think happened to Lady Di?”.

It is later discovered that the museum director is not the only whistle-blower that has “mysteriously” lost his life. Many other people who had the public’s well-being in mind also died in strange circumstances during the elite’s secret preparations.

A conspiracy theorist dedicated an entire wall to news clippings of people who got killed by the elite.

All of the elite’s decision-making is done in secret and secluded meetings and involving only the world’s most powerful people.

Meanwhile, the public is restless, to the point that the London Olympics are suspended. Is the movie predicting events to come?

While all of this is happening, the Chinese government has been put in charge of building the gigantic boats named  “Arks” that would allow the elite to survive 2012.

Farewell Atlantis

The hero of the movie is Jackson Curtis, a regular divorced father, that discovers the truth and attempts to embark on one of the Arks in order to survive 2012.

Jackson Curtis and his kids are told by the US Army that they must leave the national park. They are not told why because the public is not allowed to know about the upcoming 2012 disaster.

Jackson Curtis is a not-too-successful writer of a book entitled Farewell Atlantis, which is very symbolic in the movie’s context. Atlantis is the name of a fabled continent that got submerged by a massive flood several millennia ago. Legend holds that the highly advanced civilization that flourished on that continent disappeared, but some survivors of Atlantis managed to sail to places like Egypt, America, and Asia, where they became great teachers to the natives. Atlantis is of a great importance in the occult elite’s Mysteries as it is believed that the continent actually existed and was the origin of the world’s occult knowledge. Atlanteans who sailed to far-away lands in order escape the Great Flood are considered the teachers of esoteric knowledge to the Ancient Egyptians, Mayans and possibly even the Celts. Mystery schools often state that the Biblical story of the Great Flood is, in fact, the story of the disappearance of Atlantis. They also claim that many other ancient cultures have similar stories within their folklore.

Today’s secret societies perceive and refer to America as the “New Atlantis”, a country that was founded on the principles of Freemasonry and Rosicrucianism, the supposed descendants of Atlantean Mysteries.

Francis Bacon’s 1605 book “New Atlantis” describes an ideal society where science and reason would rule, according to the principles of Freemasonry and Rosicrucianism. The book is said to be the blueprint of the founding of America. Bacon is known for writing “Knowledge is Power”, a famous phrase that has deep resonance in Rosicrucianism and that is prominently featured in the US Library of Congress.

While Sir Francis Bacon’s New Atlantis appeared to be foreshadowing the founding of America, Jackson Curtis’ novel Farewell Atlantis appears to be foreshadowing its destruction. The same way Atlantis was completely submerged by water, America, the home base today’s occult elite, will suffer a similar fate. The lucky few that will embark in a modern version of Noah’s Ark will be given the task to found a New World – and the movie subtly states which institutions will carry on and which will disappear.

The Disaster

As the film progresses, the Earth begins to heat up and fissures start to appear in Los Angeles. Although it is obvious that a major disaster is about to happen, mass media (which is in collusion with the elite, in the movie and in real life) downplays everything in order to keep the population calm and oblivious to the fact that the world is ending. The only non-elite guy that appears to know what’s going on is a nut-job conspiracy theorist living in the woods (apparently, according to Hollywood movies, truth seekers cannot be level-headed, rational people).

Charlie Frost is a near batcrap crazy conspiracy theorist that hosts a radio show and that runs a not-so-great-looking website. He actually knows the truth and he is right about everything, yet, in the end, he is still depicted as a complete nutjob. Knowing the truth is not “cool” in Hollywood movies.

Charlie Frost describes everything that is about to happen to Jackson Curtis and even provides him a map to the Arks.

The map to the Arks are conveniently placed in Charlie Frost’s “conspiracy files”, right next to his documents on Marilyn Monroe. A little wink to the ultimate mind-controlled Presidential slave?

As the world is crumbling apart, members of the elite receive an important and top-secret message on their mobile phones.

When things get serious, members of the elite are notified that it is time to embark on the Arks and to leave the rest of the world to die.

When hell breaks loose on  Earth, several important monuments are shown being destroyed. These scenes are not only spectacular to watch but they also represent the fall of important institutions as the world enters the Age of Aquarius. In one scene, the famous Brazilian monument “Christ the Redeemer” is shown falling down in a matter similar to the way statues of Saddam Hussein fell after the Gulf War.

Does this symbolize the fall of Christianity in the wake of a new era?

In another scene, St. Peter’s Basilica in the Vatican, the “epicenter” of the Catholic faith, is shown crashing down on faithfuls and killing thousands of people who assembled to pray.

In this symbolic scene, a crack appears on Michelangelo’s iconic painting in the Sistine Chapel, right between the fingers of God and Adam – which can represent the break of the connection between humanity and the divine. Is the elite’s New World devoid of the touch of God?

Other religions are also shown being destroyed during the movie. According to an article in The Guardian, 2012 was supposed to contain a scene depicting the destruction of the Kabaa, the holiest site of the Muslim faith. However, the scene was axed for fear of backlash from Islamic groups. The elite’s new world is therefore not only devoid of Christianity but of all major religions – one of the goals of the New World Order.

2012 does not only show the destruction of religious monuments but also of political landmarks. These scenes symbolize the fall of regular nation states before the formation of a single world government.

The White House, a symbol of US power, is shown being hit by one of its own warships and taken away by a gigantic wave. In the elite’s new world, it is not about National powers and military might: It is about a single world government and a single military.
The American President addressing the Nation for the last time. The “leader of the free world” symbolically stays in Washington D.C. to die with regular people. In other words, the (supposedly) democratically elected representative of the people has no place in the elite’s new world government.

The Noah’s Ark of the Elite

Several of these gigantic Arks were secretly built in China.

While most of the world’s population is getting killed by floods and earthquakes, the “chosen ones” are taken to China to embark in gigantic Arks.

In this clear allusion to the Biblical story of Noah’s Ark, animals are shown carried to the ships by helicopter.

Entry to those Arks is far from fair and is reserved for those that are “one of them”. For example, the Indian scientist that discovered the coming of the 2012 cataclysm is left to die, while greedy Russian billionaires are granted access.

Of course, as a member of the world’s occult elite, the Queen of England and her dogs are granted access to the ships. Because her hat-wearing skills will be very useful to humanity in the future.

Seeing how many people were left to die, the scientist Adrian Helmsley makes an unavoidable speech about how us humans must stick together and whatnot. However, we don’t see him giving up his place for anyone and everyone still dies … except for the elite. So, despite the moralizing monologues about caring for each other, the elite’s plan carries on right on schedule and only those that were chosen to survive do.

After the disaster, humanity enters a new era and resets its calendar to year 0001. The previous calendar was based on the birth of Jesus Christ – which is esoterically associated with the Age of Pisces. The resetting of the calendar signifies that Christ’s era is over. It is the beginning of the Age of Aquarius.

At the end of the movie, the entire world is completely submerged by water, except for the African Continent. The Arks set sail to the cradle of Civilization to start anew in a place symbolically called “Cape Hope”. Is this a happy ending? Depends if you’re in the elite or part of the 99% of the rest of the world that died.

The Age of Aquarius

Esoteric schools teach that a “Great Solar Year” is the period of time during which the sun cycles through all of the zodiacal constellations, lasting about 25,000 years. Every 2,000 years (more or less) the sun enters a new zodiacal constellation and humanity, somewhat unconsciously, adopts symbolism that relates to that zodiacal sign. For nearly the past 2,000 years the sun was in the constellation of Pisces (represented by Two Fishes), meaning that we are in the Piscean Age. Oddly enough, Christianity has always been represented by the symbol of a fish (i.e. the Jesus Fish). Every 2,000 years, the sun migrates to the previous sign of the zodiac, which means that the world is set to enter to Age of Aquarius.

By showing the fall of Christian symbols and the emerging of a new world after a massive flood, the movie 2012 appears to be announcing the coming of the Aquarian Age.

The astrological sign of Aquarius consists of  a cup-bearer pouring water. In Greek mythology, the cup-bearer is said to be the cause of the Great Flood that probably caused the disappearance of Atlantis.

Since the symbol of the sign of Aquarius is a man pouring water and is methodologically associated with the legendary Great Flood, it is rather appropriate to depict the coming of the Aquarian Age with a flood that submerges New Atlantis, aka America.

In Conclusion

While 2012 is often described as a big orgy of explosions and special effects, the movie nevertheless contains plenty of messages and symbolic moments. Its references to historical, Biblical, mythological and esoteric concepts give the movie a deeper meaning, one that fits with the worldview of today’s occult elite. While the world will probably not crash and burn on December 23rd, 2012, the movie uses the scare relating to the Mayan Calendar to communicate its plans for the future: The fall of religions, dissolution of Nations and the glorification of a select elite on the backs of the clueless masses. Everything that happens in the movie is remarkably on-par with “ten commandments” found on the Georgia Guidestones (see the article Sinister Sites – The Georgia Guidestones). Here are some of them: “Maintain humanity under 500,000,000 in perpetual balance with nature”, “Unite humanity with a living new language” and so forth. The way things go down is also reminiscent of the symbolic stories told on the prophetic murals found at the Denver International Airport and the murals at the Bank of America. Both of these pieces depict a period of great tribulation, destruction, and oppression that is followed by the founding of a new world based on the elite’s principles.

On a more esoteric level, the movie equates America with Atlantis, an advanced civilization that was destroyed by a great flood. The survivors of ancient Atlantis, who are said to be the originators of the occult lore of secret societies, went on to perpetuate their knowledge across the world.

And while solar flares are said to be the cause of the 2012 disaster, major floods are the actual cause of the Earth’s destruction. Through this symbolism, the movie appears to announce the end of the Age of Pisces and the coming of the Age of Aquarius.

There is therefore much more to 2012 than originally meets the eye. Unfortunately, as it is often the case in mass media, the messages being communicated are neither enlightening nor inspiring. Quite the contrary, the movie basically tells the story of a gigantic conspiracy against the public, complete with cover-ups and murders. In the end, the elite saves its own ass and leaves billions of people to die. To top it off, this conspiracy is presented as the only viable solution to such a crisis. Is the public being prepared for a major crisis that will be resolved with the heralding of a New World Order? As the movie’s promotional poster clearly states: “We Were Warned”.

 

London is Turning Into a Highly Militarized Police State in Preparation for Olympic Games

Military exercises on Thames River in London in preparation for the Olympics.

The upcoming summer Olympics are turning London into a highly militarized zone. All kinds of weaponry are currently being tested and deployed in the city such as land-to-air missiles, fighter jets, amphibious assault ships and machine guns. These highly controversial measures are not welcomed by many Londoners as they create an unnecessary climate of fear and oppression in the city.

The weapons being tested do not only have a military purpose. New crowd control weapons will be deployed during the Olympics such as high powered “sonic gun”. Here’s an article on this new weapon.

Olympics-Britain to deploy “sonic gun” at Olympics

* UK military to have non-lethal sonic weapon at Olympics

* High-powered loudspeaker used against pirates and protesters

* Britain prepares for biggest peacetime security operation

Britain’s military will be armed with a sonic device that can be used as a high-volume loudspeaker or a non-lethal weapon to disperse crowds at this summer’s Olympic Games in London, the defence ministry said on Friday.

The equipment, which can project a piercing sound over hundreds of metres causing physical pain, has been used during protests at the G20 summit in Pittsburgh in 2009 and against pirates operating off the Somali coast.

The Ministry of Defence said it expected to use it primarily in loudspeaker mode to communicate with boats it wants to stop on the River Thames.

Defence chiefs have already caused controversy by announcing plans to put surface-to-air missiles on the top of residential buildings near the Olympics site in east London.

Fighter jets roared over the capital and helicopters were seen hovering over the Houses of Parliament this month during a nine-day military exercise to prepare for Britain’s biggest peacetime security operation.

The LRAD (Long Range Acoustic Device), made by U.S. company LRAD Corporation, can be mounted on the side of a ship or on the top of a vehicle. Some versions are roughly the same size and shape as a dustbin lid.

It can generate noises up to around 150 decibels, similar to a gunshot, and has a maximum range of 3 km or 1.8 miles.

The device can also emit a warning alarm that sounds like a police siren and “potentially prevents the use of harmful or deadly force”, LRAD says on its website.

Police and military planners say they are preparing for a range of security threats at the Olympics including protesters trying to disrupt events and attacks using hijacked airliners.

Around 13,500 soldiers will help the police during the Games, which run from July 27 to Aug. 12.

– Source: Reuters

The police state tactics surrounding the Olympics are not simply limited to the deployment of high-powered weapons. Many people considered “suspicious” or “undesirable” by UK authorities are being denied access from the country or have been banned from the games – some simply because they’ve objected the construction of Olympic facilities near their homes. These kinds of tactics are typical of police states where civilians are being punished for “thought crimes”. Here’s a report on these pre-Olympic bans.

The least we can say is that these 2012 London Olympics will be very interesting – and not because of the sporting events.