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The Hidden Messages in “Blonde”: Marilyn Monroe’s Life as an Industry Slave

Most reviews of Blonde describe the movie as a long, difficult, and miserable experience. Deemed unnecessarily cruel and dehumanizing by many, the hate towards the Blonde culminated in two Razzie awards nominations: Worst Picture and Worst Director.

Interestingly enough, Blonde might also win an Oscar. Indeed, Ana de Armas (who plays the role of Marilyn) was nominated for Best Actress. This leads us to a profound existential question: Can an actress be exceptionally good in a movie that is exceptionally bad?

Well, for many, good acting equals lots of crying. If that’s the case, then throw the Oscar right at Ana de Armas because she cries in nearly every scene of the movie. It is honestly overwhelming.

Not only is this excessive crying exhausting to watch but it genuinely gets one concerned about the toll of this role on the actress herself. It is at this point that one realizes that there’s also something “off” about Blonde: It is not a biographical movie, it is torture porn. It is not about Marilyn Monroe’s life, it is about watching Ana de Armas suffer through trauma, turning the movie’s viewers into some kind of sadistic voyeurs.

While the offputting disposition of this movie caused it to accumulate terrible reviews, it does accurately reflect Hollywood’s bizarre, perverted, and obsessive relationship with Marilyn Monroe.

Because Monroe has a special status to the Hollywood elite: She is the ultimate industry slave prototype, the precursor of the modern industry slave. And Blonde was all about Ana de Armas becoming yet another celebrity undergoing “Marilyn Monroe programming”.

Prototype of the Modern Industry Slave

Left: Monroe sings “Happy Birthday” to JFK wearing the iconic “diamond dress”. Right: Kim Kardashian wears this very dress at the MET Gala (with blonde hair).

If you’ve read previous articles on this site (especially my series of articles The Hidden life of Marilyn Monroe), you are probably aware of the dark truth about Marilyn Monroe: She was a Monarch mind control slave that was completely controlled by the Hollywood elite from a young age.

Marilyn Monroe was an orphan, and during her infancy the Illuminati/CIA programmed her to be a Monarch slave. Before becoming an actress, while she was still a stripper, she spent time with the founder of the Church of Satan Anton LaVey. Victims of LaVey have pointed him out as a mind-control programmer. (…)

Marilyn was allowed to have no personal life, outside of the dictates of her programmers and her masters. The programmers and users bore down so hard on controlling Marilyn that they repeatedly came close to driving her insane.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

Monroe’s entire life was tightly controlled by her handlers and one way to keep MK slaves under control is to make them endure terrible traumas (i.e. forced abortions). Furthermore, according to occult researchers, Monroe was a Presidential Model – a sex slave programmed to “service” powerful people, including JFK himself. Considering the fact that, in the MK system, diamonds are used to identify Presidential Models, the diamond dress seen above takes on a much darker meaning.

While Netflix advertised Blonde as a “fictionalized” take on Monroe’s life, it does depict some of these hidden facts about her life. However, instead of being informative or eye-opening, the movie turns Marilyn’s suffering into a disturbing form of “entertainment”.

In short, this is all about cementing Marilyn’s legacy as an industry slave prototype. Monroe was not merely an MK slave, she was THE MK slave. And the lives of countless modern celebrities follow Monroe’s script (i.e. Britney Spears). In fact, nearly all modern “sex kitten” celebrities have to “channel” Marilyn at one point or another in their career. It has become a bizarre Hollywood initiatory ritual.

And Ana de Armas went all in.

Ana de Armas as Marilyn

In Blonde, Ana de Armas looks like Marilyn Monroe. But she mostly looks like Ana de Armas (disguised as Marilyn).

Considering the fact that Ana de Armas was nominated for an Oscar for this role, one would think that she was indistinguishable from the original Marilyn. But that is not the case. She was very distinguishable. While the hair, makeup, and wardrobe are rather spot-on, de Armas’ Cuban accent is simply too obvious to ignore.

The net result: There is no suspension of disbelief. It rather feels as if we’re watching Ana de Armas – in disguise – reliving Monroe’s life as a Hollywood MK slave.

For instance, in Blonde, Marilyn gets her first role after an “audition” with a Hollywood executive named Mr. Z.

Marilyn is bent over and raped by Mr. Z as she appears to be dissociating (a defense mechanism of MK slaves).

The character of Mr. Z appears to be a reference to the actual 20th Century Fox film producer Darryl F. Zanuck. Although there are no official records of him raping Monroe, he was known for exchanging sexual favors for roles (he even called actresses “studio hookers”).

When Monroe gets pregnant with the son of Charlie Chaplin, she’s encouraged to get an abortion. On her way to the hospital, she changes her mind. However, everyone ignores her. In other words, she was forced to get this abortion.

In a particularly upsetting scene, we see Monroe undergoing an abortion as she repeats to the doctors “my mind’s my own to change”. However, everything about that scene confirms that her mind was definitely not her own. Furthermore, the massive spotlight makes it look as if she’s filming a movie scene, hinting at the fact that this traumatic event is part of her “role” as Monroe.
During the abortion, Monroe finds herself inside her childhood home (she’s dissociating). The burning home represents her core persona being destroyed by the trauma.

In Blonde, even Monroe’s iconic flying skirt moment is tainted with pure misery.

Sad, ominous music plays in the background as we see Ana de Armas cosplay Monroe’s moment in slow motion.
Throughout the film, scenes of Marilyn’s adoring fans have a nightmarish quality to them. These men look angry, menacing, and nearly possessed.

After the skirt stunt, Monroe gets beaten by her husband Joe DiMaggio for “showing her crotch to everybody”. There is no joy in this movie, only suffering.

The Baby And the Roses

After divorcing DiMaggio, Monroe marries playwright Arthur Miller and gets pregnant. There’s some interesting symbolism surrounding this pregnancy and it involves red roses.

As Marilyn is cutting roses in her garden, she talks to her unborn baby. It replies that it’s the same baby that was aborted previously.

People in mass media complained about that scene, calling it “anti-abortion”. Yup, amid all of the awfulness on display in that movie, these people find a way to get offended by a mother talking to her unborn child. By doing so, they’re completely missing the true meaning of these scenes.

Of course, the worse happens to Monroe. She falls down, hits her stomach, and kills the baby.

After falling down, Marilyn’s rose-patterned dress gets bloody.
After losing her baby, Marilyn is in a room that’s completely wallpapered with roses. Also, her mirrors are broken – a classic symbol representing the fragmenting of an MK slave’s persona after trauma.

The omnipresence of red roses in these scenes gives the death of this baby a ritualistic dimension. The subtle message: It was less an accident than it was a blood sacrifice.

After the loss of the baby, Monroe is so traumatized and dissociative that she doesn’t recognize her husband, as illustrated by the creepy blur effect on his face.

To keep the highly depressed and unstable Monroe productive, she’s drugged by her handlers on movie sets.

As Monroe breaks down, she is injected with a cocktail of drugs, namely Benzedrine and Codeine. Meanwhile, her make-up artist Allan Whitey” Snider tells her that he’ll “conjure Marilyn within the hour”. That means that he’ll trigger her alter-persona.

Then, things manage to get worst.

JFK’s Sex Slave

While it is usually said that JFK had an “affair” with Monroe, Blonde clearly depicts a different situation: Marilyn was his Beta Kitten slave.

Secret service agents forcibly carry Marilyn to JFK’s room as she asks if she’s “meat to be delivered”. Pretty much.

When she enters JFK’s room, the viewers are treated to one of the movie’s most controversial scenes: A long, drawn-out, close-up shot of Marilyn performing fellatio on JFK. While this is happening, we hear Marilyn’s dissociative thoughts.

“Who brought me here … to this place? Was it Marilyn? But why does Marilyn do these things? What does Marilyn want? Or is it a movie scene?”

For a brief moment, we see Marilyn “servicing” JFK on the big screen of a movie theatre.

This is one of these scenes that are actually about Ana de Armas and not Marilyn Monroe. It is de Armas who performed this near-pornographic scene (disguised as Monroe) for the masses to see. She’s a descendant of the Marilyn Beta Kitten prototype.

After the fellatio, JFK hits Marilyn in the screen goes blank.

When Marilyn wakes up, she’s bloody and completely out of it, strongly hinting at the fact that she was violently raped. Evidently, this was not simply an “affair”. Marilyn was a slave in an elite sex trafficking ring.

Then, Marilyn gets pregnant with JFK.

Law enforcement agents snatch her from her house and force her to get yet another abortion. You don’t want to know what the occult elite does with these aborted fetuses.
Faced with more trauma, Marilyn dissociates yet again.

Then, things manage to get worse.

The Death House

Blonde recreated Marilyn’s infamous death photo … inside the actual room she died in.

In past articles, I highlighted how mass media loves recreating Marilyn’s death photo (i.e. Madonna). There’s something about this broken celebrity laying dead next to bottles of pills that excites the Hollywood elite.

In Blonde, Ana de Armas not only recreates this picture, but she also relives Marilyn’s last days inside the actual house where she died. This situation has “bad mojo” written all over it and that’s exactly what happened. In an interview, the movie’s director Andrew Dominik said:

‘We were chasing her ghost around. We started filming the movie on the anniversary of the day that she died which was not planned, I only realised it the day before.

‘When we were shooting on that first day it was the apartment that she had lived in with her mother. The room she dies in the film is the room she died in. Her dust is everywhere in Los Angeles. It definitely took on elements of being like a séance. ‘She transported me to a different time and place. Ana has definitely channeled her.’
– Daily Mail, Ana de Armas felt the spirit of Marilyn Monroe ‘close to us’ when filming Blonde in her old house

Notice that the director said that de Armas “channeled” Marilyn. That’s the word they always use when a celebrity follows Marilyn’s programming.

As Marilyn walks around her room in a dazed, dissociative state, unidentified “agents” lurk in the shadows.

On numerous occasions during the movie, we hear telephones ringing. At one point, when she answers, we hear strange sounds. Other than reminding us that Marilyn was under constant surveillance, MK slaves can be triggered remotely through phones using specific sounds. None of this is spelled out in the movie, but it’s there.

Finally, after watching her suffer for nearly three hours, Marilyn swallows a bunch of pills and dies.

In this scene, we see a juxtaposition of Monroe’s dead body with a recreation of a picture from her “In bed with Marilyn” photoshoot.

While Norma Jane is dead, the Marilyn Monroe alter persona lives on.

In Conclusion

Although Blonde is said to be a “fictionalized” version of Marilyn’s story, it is possibly the most accurate depiction of her actual life ever seen on film. Through subtle and not-so-subtle scenes, Blonde hints at the forces that controlled Monroe’s entire life and the traumas she was subjected to as an industry slave.

With that being said, the movie cannot be described as informative or eye-opening. It is rather exploitative. It is not about exposing the dark side of the industry, it is more about watching Ana de Armas – disguised as Marilyn – reliving the traumas and humiliations of Marilyn.  Indeed, in the span of three hours, we see Ana de Armas get raped, drugged, beaten, humiliated, and everything in between.

The movie puts on the suffering on screen but explains none of it. It doesn’t want to wake us up, it wants us to feel some of that sadistic satisfaction these people feel when they subject stars to outright torture. In a strange way, Ana de Armas was subjected to actual trauma. And, for this sacrifice, she got rewarded by the all-important Academy with an Oscar nomination.

Symbolic Pics of the Month (02/23)

If you somewhat follow popular culture, you probably noticed that celebrities have been completely draped in red at recent media events. It was simply too obvious to ignore, to the point that it makes one wonder if it was all coordinated. When one understands the ritualist leanings of the occult elite, one answer immediately emerges: Of course it was.

Doja Cat arrived at Paris Fashion week covered with 30,000 Swarovski crystals and red body paint. She attended Schiaparelli’s Couture Spring-Summer 2023 show. Titled “Inferno Couture”, the show is inspired by Dante’s “Inferno” and the nine circles of hell. In other words, this is low-key satanic stuff while also showcasing Doja Cat’s status as an industry slave.
There was nothing low-key about Sam Smith’s satanic performance at the Grammys (which was all explained in this article). 

Speaking of Sam Smith, he was clearly “chosen” to get increased media attention this year. He also seems knee-deep in the “humiliation phase” of his career. I AM SO SORRY ABOUT THE FOLLOWING PICTURE.

Around the same time as the Grammys, Smith was featured in Perfect magazine in a thoroughly humiliating picture where he looks like a pork roast. And some kind of sex slave. 
Whatever was left of Smith’s dignity was obliterated at the Brit Awards where he walked around wearing this thing. However, the main “message” of this outfit lies in its color.

Taking place one week after the Grammys, the Brit Awards continued its ritualistic narrative.

During his Brit Awards performance, Smith wore the same exact horned hat as in the Grammys. However, instead of being red, his entire outfit was black. As explained in previous articles, in ritualistic color codes, black represents the “end result” of the “sacrifice” represented by the color red. In other words, Sam Smith was at the center of a ritual that spanned several events.

Other than Paris Fashion Week and the Grammys, the other main media event of the past weeks was the Superbowl. And, yup, the highly-anticipated Halftime show was all about the color red.

Rihanna was fully draped in red during the Halftime show. Considering that the big “takeaway” from this performance was that Rihanna was pregnant, her wearing red (the color of sacrifice) was rather odd. To confirm the fact that she’s still an industry slave, Rihanna made the Illuminati hand sign at the end of her performance (using her red gloves). If you do not recall this moment, it’s because cameras cut away from her when she did it.

Speaking of the Superbowl, Damar Hamlin (the player who collapsed during a game and caused numerous conspiracy theories) wore a highly symbolic jacket for the event.

Hamlin’s jacket features a Christ-like figure (with a truly messed up face) crucified and bleeding with all kinds of bizarre details surrounding it. Considering the fact that Hamlin himself was “resurrected” (or whatever), this is all rather bizarre. Everything about him is bizarre.

Two days after the Superbowl, on Valentine’s Day, Madonna’s daughter Lourdes Leon wore this thing during a fashion show in NYC.

Lourdes Leon wore a bright red dress with horns coming out of the breasts … and a horned hat. It was just a big, red, satanic outfit. What else do you expect from the daughter of the Grand Priestess of the music industry?

As usual, the one-eye sign was all over the place in the last month, constantly reminding use that sick freaks are controlling what we see in mass media and who gets to be a celebrity.

Hunter Shafer (the transgender actor who stars in the highly disturbing Euphoria) is the “remarkable face” of Mugler’s new fragrance. And that “remarkable face” is half-hidden because the one-eye sign is more important the the face.
Grammy nominee GloRilla was recently featured in NY Mag. In this pic, she covers an eye with one hand while covering her mouth with the other. By doing so, she tells you what being an industry slave is all about: Blinded and silenced.

Hugo Boss recently launched an ad campaign that was all about celebrities doing the one-eye sign.

Macaulay Culkin hides one eye using a childhood picture. That’s what he needs to do to get paid nowadays.
Of course, Boss also had to pander to the gender-blurring agenda by featuring a transgender model hiding an eye using a childhood picture of when he was a boy.

Speaking of the gender-blurring agenda, here’s John Cena.

The ex-Wrestler was spotted wearing a short skirt, high heels, and tights while filming a new movie. They REALLY want to feminize men and they want the world to witness it.
The World Health Organization created an art exhibition featuring African artists. Because, instead of focusing on, like, health, they much prefer dealing with their actual mission: Propaganda. The main picture promoting this thing is just a bunch of one-eye signs. The message: We’re coming for Africa.

Art exhibitions organized by elite organizations reveal how deeply sick and disturbed these people truly are. Here are paintings that were on display inside the European Parliament in Brussels.

The exhibition featured paintings by Lena Birgitta Cronqvist Tunström. Her works often include children in bizarre and sometimes highly disturbing situations.
This painting depicts people being violently dismembered. The male even has his penis cut off. How is this in the European Parliament?
A small person is forcibly stuffed inside a jar. These paintings symbolically depict the abuse and control of people … inside the headquarters of the European Union … which is shaped like the Tower of Babel, by the way.

Speaking of creepy yet symbolic art in public places, a new statue was put on display atop a New York courthouse.

Standing atop the courthouse is a golden, eight-foot-tall female statue with braids spiraling like horns. It did not take long before some observers called the sculpture satanic. The artist who created it says it is meant to represent the urgency of regulating abortion.
Beyond the fact that this thing looks like a demon, its entire context is highly symbolic. The top of this courthouse is adorned with ten great lawgivers throughout the ages such as Moises and Confucius. The fact that this imaginary being (meant to represent a specific political agenda) stands next to them shows the growing un-neutrality of the justice system.
Balenciaga recently announced a partnership with the National Children’s Alliance. This is clearly a desperate PR move after the Balenciaga child porn controversy. I have a much better suggestion for Balenciaga: Stay the hell away from children altogether. 

Special thanks to everyone who sent in pics.

The Saddest Moment in TV History (VC Video)

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Nowadays, COVID variants come with an all-out marketing campaign. The goal is to keep COVID relevant to the masses and to keep a spark of fear going in their minds. In order to make this variant scarier, they’ve called it “Kraken”. It’s ridiculous. But not as ridiculous as Jimmy Fallon singing and dancing while claiming that this “latest variant might be the best”.

This kind of media needs to be studied. It is proof that the line between “entertainment” and all-out propaganda has been blurred beyond recognition. And those who fall for it need to wake the hell up.

The WEF Wants to Monitor Your Brainwaves to “Raise Productivity” and to “Fight Crime” (VC Video)

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I do not understand why this presentation at the 2023 Davos Meeting did not receive widespread media coverage. The technology it promotes has the potential to reduce humans to literal mental slaves – and I’m 0% exaggerating here.

Using “wearable technology”, the WEF would like to see employers and governments monitor brainwave activity to “raise productivity” and to “fight crime”. And there’s already talk of using brain implants that could further decode “complex thoughts”.

The examples shown during that presentation are nothing less than chilling and, the fact that the WEF says that this is something we “need to embrace as a society” is nothing less than insane.

Every time the WEF presents one of its insane plans, it addresses “concerns” by stating that it should be regulated … knowing very well that doesn’t mean anything.

The only option is to ban this now.

 

The 2023 Grammys, Host of the Sam Smith Satanic Ritual

Grammy trophies are said to be the “music industry’s highest honor” and the Grammy Awards are said to be “music’s biggest night”. With that being said, the 2023 Grammys centered around an outright Satanic ritual. What does this say about the music industry as a whole?

If it sounds like I’m engaging in “satanic panic” (as the media loves to say), rest assured that I am not panicking at all. That is simply the most factual and objective way of describing what happened during the 2023 Grammy Awards.

As explained in previous articles, modern award ceremonies are highly choreographed affairs where a limited number of actors are used to carry out a specific narrative. This year, the “star” of the show was definitely Sam Smith. Throughout the show, Sam Smith carried out a ritualistic drama that encompasses the occult elite’s favorite obsessions: The gender-blurring agenda mixed with outright satanism. Then, other actors such as Beyonce, Jay-Z, Harry Styles, and Lizzo played their part in the overarching narrative. Here’s a look at the 2023 Grammys.

The Sam Smith Ritual Drama

Promotion for Sam Smith’s tour features a blatant one-eye sign. The message: He’s controlled by the occult elite.

The ritual drama surrounding Sam Smith was timed rather precisely. About ten days prior, the release of his video I’m Not Here to Make Friends caused controversy due to its highly sexual content featuring transgender dancers. Then a slew of mass media articles defended Smith, calling his critics homophobic, transphobic, and even fatphobic (because he took on weight).

With this perfectly timed media attention, the stage was set for Smith’s Grammy ritual which started before the show even started.

Before the show, Smith looked as if he was the “master of ceremonies”, complete with a scepter and a top hat. Everyone was aggressively dressed in ritualistic red.

In my article about the 2009 MTV Awards, I explained that red was the color of sacrifice in occult rituals and this color code was used all over the music industry. Nothing has changed. In fact, it is only more blatant. Smith’s overwhelmingly red attire indicated that he was a “chosen one” to partake in one of the occult elite’s mega-rituals.

At the ceremony, Smith and Kim Petras quickly won an award for the song Unholy.

Kim Petras wears a red wedding gown, complete with a veil. Ritualistically married to the industry.

While accepting the award, Petras announced being the first transgender woman to win a Grammy. This had to happen. The gender-blurring agenda needs to move forward in mass media.

Strange fact: Petras also mentioned a friend named Sophie who died two years ago. She’s referring to Sophie Xeon, a transgender artist who died in strange circumstances (slipped and fell from a balcony) two years ago. Considering the occult context and the red garments (symbolic of blood sacrifice in occult circles), this mention of a dead friend was bizarre. Remember when Kanye said that people close to celebrities die as a sacrifice to allow them to reach a higher level in the industry? It might not be the case in this particular situation, but the overall “energy” remains.

Later, the Sam Smith / Kim Petras ritual was taken to another level.

Later, Madonna came on stage (with her brand new and slightly horrifying face) to present Sam Smith and Kim Petras’ performance.

As stated in previous articles, Madonna is the Grand Priestess of the music industry. The fact that she presented Sam Smith’s Unholy performance was an indication that some occult elite garbage was about to go down. And it did.

The performance began with Sam Smith and his transgender minions forming a “magic circle” on stage.
Then, Smith makes a 666 hand sign. 

As a fire burns in the background (it’s hell), Smith puts on a top hat with devil horns. This is officially a tribute to Satan on national television.

Meanwhile, Kim Petras is inside a cage during the entire performance while singing about “wanting a Balenciaga daddy”.

Despite being celebrated as the first transgender woman to win a Grammy, the cage is a strong reminder of Petras’ actual status in the industry: A slave used to push a narrative.

Sam Smith is not in a better situation.

At the end of the performance, Smith is “consumed” by his circle of minions. The message: Selling your soul ends in self-destruction.
Immediately after this satanic performance (I mean IMMEDIATELY after), we’re told that the show was brought to you by Pfizer. The timing of this thing was rather mind-blowing.

As you can see, Sam Smith, Kim Petras, and the song Unholy were the stars of the show. There were other stars, and they’ve all played their parts in pushing agendas.

The Fans

None of these “fans” gave a crap about music.

One particularly cringy segment of the Grammys was “The Fans”, where some regular people debated on who should win the award for best album of the year. While one would expect these people to say things like “this artist has a great voice” or “I loved the chord progression on this song”, none of their arguments were about the music. It was all about how many “agenda boxes” these artists checked.

For instance, the fan who advocated for Bad Bunny said:

“He dresses up in drag, he kisses his backup dancers of any gender and dismantles machismo. As a queer latino woman, this is so important to me because he’s starting conversations and normalizing inclusivity”.

As she’s talking, we see pictures of Bad Bunny wearing dresses, as if it was the most glorious thing that happened in the history of music.

Then, another woman says that Harry Styles also does this.

Styles definitely continued his trend of wearing feminine clothing (which appears to be custom-made to humiliate him) at the Grammys.

Then, Lizzo’s fan talked about “body image” (Lizzo is fat) and Brandi Carlile’s fan talked about her being LGBTQ+. In short, this segment perfectly reflected the sad state of today’s music industry. It is not about talent or innovation, it is about what agenda boxes they check.

The Royal Couple

The two other major actors at the Grammys were Beyonce and Jay-Z. And, as expected, they were treated as the industry’s royal couple. Every single time Beyonce was mentioned, people lost their minds and came close to losing consciousness. They simply could not believe they were in the presence of this goddess.

Shortly prior to the Grammys, Beyonce gave a private performance in Dubai where she was given the full “goddess” treatment, complete with sun rays around her head.
Appropriately enough, at the 2023 Grammys, Beyonce broke the record for the most Grammy wins of all time. It had to happen.

After basking in Beyonce’s infinite glory, the Grammys ended in a symbolic matter with the song GOD DID which prominently features Jay-Z.

The song begins with DJ Khaled saying that nobody believed in them, but God did. Considering the satanic ritual we’ve just witnessed, the concept of this song is a nice change of pace. While the verses of Rick Ross and Lil Wayne somewhat followed that concept, things change drastically in Jay-Z’s verse which closes up the entire show.

Jay-Z and his acolytes sit on a large table that’s overflowing with food and bottles which represents them being blessed. It is also reminiscent of the Last Supper, with Jay-Z sitting in the middle.

The lyrics of Jay-Z’s verse perfectly fit the general theme of the Grammys. Indeed, throughout his verse, Jay-Z does not say “God did”, he says “Hov did”. And that’s highly symbolic.

Hov is Jay-Z’s nickname, which is short for Jayhova. And Jayhova is a reference to Jehovah which is the proper name of God in the Old Testament. In other words, Jay-Z is saying that he is God himself – a core concept of Luciferian beliefs.

Therefore, in his verse, God did not accomplish anything, he did. Because he’s a god. During his lengthy verse, Jay-Z says:

These ain’t songs, these is hymns ’cause I’m HimIt’s the Psalm 151, this the New TestamentThe Book of HovJesus turned water to wine, for Hov, it just took a stove

In these lines, Jay-Z says “I’m Him”, which is a word used to describe God. He talks about creating Psalm 151 (there are actually 150 Psalms in the Bible) and writing the Book of Hov. Finally, he raps about transforming water to crack using a stove, the same way Jesus turned water to wine.

In short, in a song that’s supposed to be about praising God, Jay-Z completely flips its meaning to give it a deeply Luciferian meaning where he becomes God through his own means. It was an appropriate ending to this Satanic celebration called the Grammys.

In Conclusion

Throughout the years, I’ve constantly highlighted two of the occult elite’s favorite agendas: Gender-blurring and normalizing satanism. But lots of people do not see (or think I’m imagining things). Well, on “music’s biggest night”, we’ve witnessed a bunch of men dressed as women wearing devil horns and carrying out an all-out satanic ritual as fire burns all around. How can they make this more blatant?

None of this is new, nor a fluke, or a coincidence. Year after year, the themes and the symbols are stubbornly recurrent and are becoming increasingly obvious for all to see. There’s always been a satanic element in the music industry but things are clearly being taken to another level.

Of course, none of this is organic. The events of the Grammys were all scripted to create a specific narrative. The song Unholy HAD to feature a transgender singer. The song HAD to win a Grammy and the performance HAD to be a satanic ritual. That performance HAD to create some controversy which HAD to be dismissed by mass media as the ramblings of crazy people.

In short, the 2023 Grammys perfectly reflected the sad state of the music industry as it is being eaten away by the occult elite’s incurable disease.

 

The Occult Meaning of “Guillermo del Toro’s Pinocchio”

Warning: Ginormous spoilers ahead!

Guillermo del Toro is a movie director known for combining fairy tales with elements of horror, in a distinctive visual style that tends towards the grotesque. He is also known for crafting stories that take place in oppressive contexts where fascism, fatherhood, and Christianity are recurrent themes. His latest movie – Guillermo del Toro’s Pinocchio – perfectly encapsulates all of these characteristics. In fact, the movie is so quintessentially Guillermo del Toro that his name is embedded right in the movie’s title.

Guillermo del Toro’s version of Pinocchio is rather dark, creepy, and off-putting. While those who are familiar with the director’s style probably expected it, I’m convinced that quite a few parents thought that this would be a children’s movie. I mean, it can easily be found in the “kids” section of Netflix.

The movie’s thumbnail, as seen on Netflix. It definitely looks like a children’s movie … until one realizes that Pinocchio’s nose is rather … phallic.

While everything about this movie – from the source material to the stop motion visual style – screams out “children’s movie”, del Torro himself said that it was not made for children.

“It’s not necessarily made for children, but children can watch it.”

Sure, children can watch it, but don’t expect them to see the cute, rounded Pinocchio of the classic Disney movie. Nope, del Torro’s version of Pinocchio is an off-putting, jittery, and unstable pile of twigs whose limbs keep bending in all kinds of unnatural ways. Also, he dies several times during the movie. Furthermore, the story spends lots of time dwelling on dark concepts such as war and mortality while taking place in a universe that’s populated with lots of creepy creatures. In short, this movie can easily turn into nightmare fuel for children.

But beyond the overall creepiness of this movie, Guillermo del Toro’s Pinocchio communicates a profound occult message. And that was to be expected from del Toro.

In my 2010 article about del Toro’s Pan’s Labyrinth, I looked into the intense occult symbolism of the movie. I won’t explain the entire thing here however, in this case, a picture is worth a thousand words.

This screenshot sums up Pan’s Labyrinth: The horned god Pan “initiates” a young girl named Ophelia. And it’s all very creepy.

Pan’s Labyrinth shares several similarities with Guillermo del Toro’s Pinocchio: It takes place in a fascist regime (Franco’s Spain), the main character is a child and there’s a horned monster acting as a guide throughout. More importantly, the movies share a similar “moral of the story”.

A Very Different Pinocchio

Carlo Collodi’s Le Avventure di Pinocchio published in 1883.

In my article about Disney’s Pinocchio, I explained that the original story was written by an Italian Freemason named Carlo Collodi. In an essay called Pinocchio, mio Fratello (Pinocchio, my Brother) Italian Freemason Giovanni Malevolti writes:

“There are two ways to read “The Adventures of Pinocchio”. The first is what I would call “profane” where the reader, most probably a child, learns about the mishaps of the wooden puppet. The second is a reading from a Masonic point of view, where heavy symbolism will complete, without replacing, the simple and lineary narration of events”.
– Giovanni Malevolti, Pinocchio, mio Fratello (free translation)

When one reads Collodi’s story from a Masonic point of view, the story of Pinocchio is about esoteric initiation. After rejecting the pitfalls and temptations of the material world, Pinocchio becomes a “real boy” – a spiritually illuminated being. Indeed, the protagonist ascends to a form of godhood through self-improvement in a narrative that’s in line with Freemasonry’s Gnostic philosophy. In fact, the name Pinocchio is believed to be constructed from the words pino (pine tree) and occhio (eye) – a reference to the pineal gland (which contains the word pine). In occult teachings, spiritual illumination is said to be achieved through the activation of the pineal gland.

Despite some differences, Disney’s 1940 movie adaptation of this story kept all of the esoteric elements intact. Considering the fact that Walt Disney was rumored to be a Freemason, some argue that he perfectly understood the story’s occult meaning and, for this reason, he purposely selected this tale for Disney’s second animated ever.

With all of that being said, Guillermo del Toro’s Pinocchio does not follow Collodi’s narrative at all. It is not about improving one’s flaws anymore, it is about the rest world accepting the. Thus, if Collodi’s Pinocchio can be described as “gnostic”, del Toro’s version can be described as “crypto-satanic”.

Here’s a look at the movie.

Tragedy-Stricken

Guillermo del Toro’s Pinocchio takes place in Mussolini’s Italy prior to World War II. Despite this ominous context, old man Geppetto is living his best life with his son Carlo.

Carlo and his father spend lots of time at their local church where Geppetto was commissioned to build a large crucifix. And, yup, that priest has creepy features – that’s part of del Toro’s narrative.

Then, tragedy strikes.

The village is bombed by planes from an unnamed country and the church burns down … with Carlo still in it.

The movie makes it clear that the last thing seen by Carlo was the crucifix. The message: Jesus did not save him.

There are joints on Jesus’ shoulders – not unlike a marionette. Pinocchio will be likened to Jesus on numerous occasions throughout the movie.

Carlo’s death leads Geppetto to spiral into complete despair. Until he creates a replacement. An unholy replacement.

Unholy Creation

Geppetto spends years crying and drinking next to his son’s tombstone. Clearly, his Christian faith did not help him go through this ordeal.

But one day, Geppetto gets angry and cuts down the pine tree that grew from a pinecone he planted when Carlo died.

Geppetto feverishly chops and bangs at pieces of wood in order to recreate Carlo … until he passes out drunk. 

Then, supernatural beings get involved in the creation of Pinocchio. Sebastian J. Cricket (del Toro’s version of Jimeney Cricket) says:

“In my many wondering on this Earth, I’ve learned that there are old spirits living in the mountains, in the forests, who rarely involve themselves in the human world. But sometimes they do.”

The spirits are depicted as eyeballs flying around the Earth. This reference to the occult elite’s favorite symbol (the all-seeing eye) is a hint telling us that this story fits their current agenda.

Then, the Wood Sprite materializes to give life to Pinocchio.

This is not the Blue Fairy from Disney’s Pinocchio. First, she’s wearing a mask, leading us to ask: What is hidden behind it? Second, she doesn’t have eyes – just light emitting from the eye sockets. However, there are eyeballs all over the spirit’s wings.

In short, this thing is rather creepy. With that being said, the makers of the movie chose the perfect actress to voice the Wood Sprite. Can you guess who?

Tilda Swinson. She creeps me out.

When Geppetto wakes up, he makes first contact with Pinocchio. And it is not wholesome.

Pinocchio pops out of nowhere, all unstable, with his limbs bending in upsetting ways. Also, there’s a hole where the heart should be.

In short, one can characterize the creation process of Pinocchio as “unholy”. And the church-going people of the village immediately realized it.

When Geppetto brings Pinocchio to the church, people call the puppet the “work of the devil”.

The church people also call Pinocchio “demon”, “witchcraft” and “mallochio” (evil eye). Then, the priest berates Geppetto.

“This is a House of God! You drunken fool! You carving this thing while our blessed Christ hangs unfinished all these years? Take that unholy thing away. Take it away now!”

When one understands the occult subtext of the movie, those calling Pinocchio “the work of the devil” are pretty much correct. However, considering the fact that Pinocchio and Geppetto are the protagonists of the movie, the church people are portrayed as ignorant and close-minded rubes who, according to Geppetto, “do not understand what they don’t know”.

The priest, the Podesta (an officer of Mussolini’s regime), and his son all give the same salute. The message: They are part of the same system and they are the real puppets.

In the social context of the movie, where the Catholic church and Mussolini’s regime form an oppressive entity, Pinocchio becomes a rebel who questions and disobeys the prevailing dogma.

While Pinocchio also questions Jesus himself, the movie draws several parallels between them both.

In this scene, Pinocchio compares himself to Jesus by observing that “he’s made of wood too”. Furthermore, the scene purposely showcases the nails on Pinocchio’s back … not unlike the nails on Jesus.

As the movie progresses, we see more subtle yet obvious links between Pinocchio and Jesus.

At one point, Pinocchio is “crucified” by Count Volpe.

And, like Jesus, Pinocchio resurrects. Several times. And it’s definitely not God doing the resurrecting.

Resurrected

Throughout the movie, various forces attempt to exploit Pinocchio’s unique characteristics for their own benefit. Like in the original story, Count Volpe recruits Pinocchio to join the circus. While, at first, Volpe spoils Pinocchio, he quickly becomes abusive. Also, he uses him for pro-Mussolini propaganda. Then, Podesta, who realizes that Pinocchio cannot die, recruits him to become a soldier.

In both cases (and others), Pinocchio disobeys orders and ends up dead. Then, he goes through a strange process that brings him back to life.

Each time Pinocchio dies, he’s transported by creepy, half-skeleton rabbits who sing an ominous song about death.
Then, Pinocchio goes through a door that symbolically depicts the infinite cycle between life and death.

Inside, Pinocchio meets Death – the sister of the Wood Sprite.

Death wears a mask similar to the Wood Sprite’s (what hides behind it?). It also has gigantic horns inside which are numerous eyeballs. There’s definitely a Baphomet/Satan vibe happening here.

Guess who voices Death?

Tilda Swinton. She really creeps me out.

Death explains to Pinocchio that he was not supposed to be alive and, since he can never truly die, he’ll never be a “real boy”. However, in order to save his father, Pinocchio agrees to become a mortal. Then, he drowns.

While Pinocchio was supposed to be dead for good, the Wood Spirit resurrects him again. They really like that unholy creation.

The movie ends the same way it began: With a grim focus on death and tombstones.

Pinocchio outlives his father and the cricket.

Then, the children who watched that movie go to bed with these images in their minds.

The (Twisted) Moral of the Story

Unlike the original story (and the Disney movie), Pinocchio never becomes a “real boy”. He never learns from his mistakes and he never improves himself. In fact, he even embraces his flaws to get out of difficult situations.

In the original story, Pinocchio is trapped inside a whale to eventually emerge transformed. This bit refers to the biblical tale of Jonah and the Whale which symbolically represents spiritual rebirth.

Jonah emerges from the whale with the Word of God.

In del Toro’s version, Pinocchio escapes the whale by purposely lying, which causes his nose to grow to the point of becoming a giant pole. This difference from the original story is highly symbolic. Instead of emerging spiritually transformed, Pinocchio effectively sins to get out of the sea monster.

In the end, Pinocchio does not change, it is those around him who do. In a final epiphany, Geppetto says to Pinocchio:

“I was trying to make you someone you were not. So don’t be Carlo or anyone else. Be exactly who you are. I love you exactly as you are.”

This is a heartwarming moment … until we realize that Geppetto is actually talking to an unholy, artificial creation with a hole instead of a heart.

In Conclusion

In many ways, del Toro’s retelling of the classic tale of Pinocchio is in line with the current narrative in popular culture. Instead of valuing self-improvement (whether it be mental, physical, or spiritual), we are told to embrace flaws and deviance. Instead of pushing toward what is good and natural, we are told to accept the wrong and the unnatural. And, sometimes, the outright evil.

In del Toro’s movie, Pinocchio represents an artificial, unholy force that exists in society. And those who reject it are the evil ones – until they change. But Pinocchio doesn’t change. And, when he dies, a horned Baphomet creature brings him right back. Why strive for perfection through effort, discipline, and sacrifice when you can just wallow in your general foulness?

In short, while the original Pinocchio was about transcending the pitfalls of the material world, Guillermo del Toro’s version is all about embracing them … which happens to be the very basis of satanism.

Introducing the Vigilant Citizen YouTube and Odysee Channels!

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Throughout the years, numerous video channels inspired by The Vigilant Citizen popped up on YouTube. However, there was never an official VC channel. Until now.

Indeed, it is my pleasure to announce the launch of the official Vigilant Citizen YouTube channel! Also, this channel will be automatically synched on Odysee – a less censored alternative to YouTube.

Since 2009, people have been requesting me to make videos. While I fully agreed with them that video was probably the best format to reach new people, I had no idea how to do this.

So, in the last months, I spent some time learning video editing and everything associated with it. And I still kind of suck at it. Nevertheless, I already have lots of projects lined up for the channel ranging from short, humorous YouTube-y videos to longer, documentary-style productions.

Considering the contents of this site, I half-expect YouTube to censor, demonetize, or outright ban the channel. For this reason, I followed the advice of several readers and also set up an Odysee channel which will automatically back up everything.

The first video on the channel is short and simple as I’m still very new to this. I hope you enjoy it nevertheless and make sure to LIKE THE SUBSCRIBE BUTTON AND SMASH THE COMMENTS BELL! Or whatever these YouTubers say.

Update: The video was removed from YouTube (took like 2 days). It is still available on Odysee:

Symbolic Pics of the Month 01/23

Madonna was recently featured in Vanity Fair. And, as the Grand Priestess of the music industry, was celebrated by basically mocking Christianity.

On the cover of Vanity Fair’s Icon issue, Madonna is depicted as the Virgin Mary. This is nothing new, Madonna has been doing this for decades (her name is a literal reference to the Virgin Mary). However, this photoshoot takes symbolism further. In Christian imagery, the Virgin Mary is sometimes portrayed as sorrowful and in tears, with seven swords piercing her heart. These swords represent the Seven Sorrows of Mary – sad events that marked her life (i.e. the Crucifixion of Jesus). With all of that being said, is this image of the Grand Priestess of the industry cosplaying the Virgin Mary blasphemous? Check out this next pic before you decide.
This picture recreates The Last Supper, with Madonna playing the role of Jesus. She’s surrounded by 11 “disciples” (why not 12?) and they’re all women. Well, the second one from the left appears to have a hairy chest, so they probably slipped a transgender disciple in there (even Biblical stories have to comply with the gender-blurring agenda). If you look closely, Madonna is actually standing on the table and she made a mess underneath her. In short, this is all about desecration.
In this picture, Madonna holds hands with some dude wearing a dress. The message: Madonna’s true “religion” is the occult elite’s madness.

As usual, the one-eye sign was all over the world last month, constantly reminding us that the occult elite controls all facets of mass media and the celebrities it creates. Here is a small fraction of the one-eye signs that popped up in the past weeks.

Cho Gue-sung plays for the South Korean national soccer team. Then, he went viral on social media because of his good looks. It did not take long before Vogue made him hide one eye using a soccer ball. The message: We recognized his star potential and we recruited him.

In 2009, I’ve published an article about a Paramore music video that was blatantly about Monarch programming. In that article, I’ve pointed out that Hailey Williams does the one-eye sign constantly. Thirteen years later, Williams released a new album … and it 100% revolves around the one-eye sign.

The cover of Hayley Williams’ album Petals for Armor emphasizes one of her eyes in a very clever and creative way (sarcasm). But wait, maybe the cover has nothing to do with the one-eye sign. Maybe it’s just “art” that I’m too dumb to get. Let’s look at another pic from the album.
A big, fat, unmistakable one-eye sign. 
Fortnite is played by millions of children around the world. Promo material of the video game’s latest season heavily revolves around the one-eye sign. The message: The occult elite is definitely not ignoring video games in its quest for total media control.

Time and time again, this site has proven that luxury brands are 100% on board with the occult elite’s symbolism and sick agendas (see Balenciaga). And Gucci keeps releasing highly symbolic (and highly questionable material).

Everything about this pic from Gucci’s “Cosmogenie” campaign is Masonic: The Masonic checkerboard pattern floor, the 90 degrees position of the model’s feet, the white gloves, the arch, and the two pillars. In short, Gucci is paying homage to its occult elite owners.
Gucci’s HA HA HA campaign featured Harry Styles looking like some pedo weirdo who stands around while wearing a t-shirt with a teddy bear on it. And, for no reason at all, there’s a baby crib mattress in the background. Why?
Why is there so much emphasis on that toddler mattress? Why do they insist on being creepy with kiddie stuff?

Speaking of which, Dust magazine is constantly weird and creepy with children.

The cover of this issue of Dust features the gloved hands of an adult forcing open the eyes of a child. There’s nothing “cute” about this thing – it points directly to abuse.
This is another Dust cover from a few years ago. It features industry witch Marina Abramovic creepily covering the eyes of a shirtless child. They’re telling you what the occult elite is doing to children.

For some reason, people in and around Hollywood cannot stay away from “art” depicting children in strange, bizarre settings.

Jamie Lee Curtis posted on Instagram some pictures of her house. Nearly all of the comments went in the same direction: WHAT THE HELL IS THAT PICTURE ON THE WALL?
The picture depicts a naked child awkwardly crammed inside a tub (or something). After some backlash, Curtis deleted the post and claimed that the “artist” who did this was the child’s mother. Whatever. The real question is: Who in their right mind even thinks of purchasing such a thing to hang in an office space?
There’s a new lounge in Dubai and it’s very cool and trendy. The name: Illuminati. The logo: The occult elite’s favorite symbols.
Located at V Habtoor Hotel, Illuminati is touted as “UAE’s first luxury experiential lounge”. I guess the “experience” revolves around a bunch of douchebags taking selfies in a setting that regurgitates the rituals and symbols of the occult elite. 
The city of Boston recently unveiled a sculpture dedicated to Martin Luther King. Its name: “Embrace Boston”. Despite its name, nobody embraced this thing. Some claim that it looks like a penis while others say it looks like a turd. No matter on which side of this debate you side with, this thing actually “embraces” an important aspect of the elite’s agenda. Last year, I posted the 1963 list of Communist Goals which describes how to destroy a nation from within. Here are two of these goals: 22. Continue discrediting American culture by degrading all forms of artistic expression. An American Communist cell was told to “eliminate all good sculpture from parks and buildings, substitute shapeless, awkward and meaningless forms.”
23. Control art critics and directors of art museums. “Our plan is to promote ugliness, repulsive, meaningless art.” This is what the sculpture is truly about.
This is a screenshot of a Google search. We are living in an age of universal deceit where basic truths are repressed and outright lies are propagated.
Barcelona’s New Year 2023 celebration featured some fireworks and illuminated. At one point, the head of Baphomet hovered over the city for a couple of minutes as flames rose from underneath. Who doesn’t want to start a new year with some hellish satanic symbolism?
One thing we’ve learned in the past years is that mass media has a sweet spot for Satanism. Here’s yet another “news” article that celebrates young people becoming Satanists while portraying their “religions” as a fun activity for smart people with absolutely nothing dark about it. This is all about normalizing the occult elite’s true religion which is 100% dark and 100% evil.

Special thanks to everyone who sent in pics!

There’s Something Terribly Wrong With Gorsad Kyiv and it’s Worse than Balenciaga

Warning: This article contains disturbing pictures.

Gorsad Kyiv is a photography collective consisting of three artists: Viktor Vasiliev, Maria Romaniuk, and Ulik Romaniuk. Based in Kyiv, Ukraine, the group has collaborated with many galleries, magazines, musicians, and brands such as I-D Vice, Dazed & Confused, Skim milk, Hood by Air, Ariel Pink, and others.

In 2022, Gorsad Kyiv was named in PhotoVogue’s list of “100 Next Great Fashion Image Makers”.

PhotoVogue Festival unites the biggest names in the fashion industry, along with numerous publishers from CondeNast – the megacorporation that owns hundreds of publications around the world. Here, PhotoVogue features a picture by Gorsad which features a sad and frightened girl.

One only needs to take a look at a few pics taken by Gorsad to realize one thing: There is something terribly wrong with them. Everything about their work refers directly to pedophilia, child abuse, and sex trafficking. Many children in these pictures appear deeply unwell as if they are actual victims of human trafficking that are constantly drugged and abused.

Instead of being alarmed by these pictures, “industry experts” actually celebrate Gorsad and reward them with lucrative contracts. And, since the Ukraine war, the collective is touted as “freedom fighters” by the media as it urges people to support them with donations. Are you crazy?

One of the ridiculous headlines praising Gorsad.

Why does the industry love Gorsad so much and why aren’t they being investigated by the police? Well, when one realizes that their works are also replete with the occult elite’s satanic symbolism, one realizes one important fact: They’re part of the same sick culture.

Here are the collective’s favorite themes.

Aggressively Sexualizing Children

This is one of these articles where I don’t feel comfortable posting pictures because they’re so vile. However, this insanity needs to be exposed for what it is or it will keep going due to general indifference. I did not dig these pictures from some obscure website – the following pictures are proudly exposed in trendy exhibitions, major fashion magazines, and all over social media accounts.

When fashion magazines describe Gorsad’s works, they like to use the words “youth, innocence, and sexuality”. That’s another way of saying “pedophilia”. Because that’s exactly what this is about.

A screenshot of an interview with Gorsad. They have to give vague answers because they cannot outright say that they’re catering to sick pedos.

A mere look at the following pictures is enough to realize that this is not about the natural “coming of age” of children, it is about their abuse, exploitation, and sexualization by sick adults.

Here are some pictures from Gorsad’s website and Instagram account.

In one of its exhibits, Gorsad proudly displays this picture of a young girl who looks deeply unwell while sitting in a suggestive position. This girl might be a victim of sex trafficking.
To promote an exhibition, Gorsad uses a highly symbolic picture: A balloon attached to a chain, representing the innocence of youth ruined by control and exploitation.
This picture could not be more obvious. This young girl is chained and bruised. This is all a reference to child sex trafficking.
Two young girls are chained next to something that looks like a cheese grater (which might refer to torture).
Inside the backpack is a dildo. Pedos love to mix kiddie stuff with adult things. They’re catering to this sick crowd.
This child is wearing a choker (used in BDSM) and the entire setup is deeply disturbing.
The innocence of youth mixed with adult things such as smoking.
How can this be considered “art” or “fashion”? It looks like a child trafficking catalog.
The same girl from above is bleeding from the nose. Are you kidding me?
This child is wearing a hat on which is written “BALLS” while suggestively poking a fruit. Next to the picture frame is an EROTICA book. I’m not kidding. They’re making it very clear that this is all pedophilia.
Beastiality.
In one of its many “stand with Ukraine” social media posts, Gorsad includes this pic of a girl who looks unwell with chains around her genitals. This is all about sex trafficking.
A girl bleeding from her genitals. A direct reference to rape.

Aggressively Abusing Children

Gorsad loves depicting the abuse, torment, humiliation, and torture of children. I’m honestly not sure how these pictures are allowed to exist without an in-depth police investigation.

A recurring theme in Gorsad’s works: Children choking in plastic bags. Gratuitous celebration of abuse.
Shirtless children choke on plastic bags. They really should not be taking part in any of this but I’m not even sure their parents are anywhere around them.
A child wrapped in plastic. This looks like a victim of human trafficking being “disposed of”.
This picture is not only disgusting but it also conveys the deeply sadistic nature of those behind it. Forcing people to stand in their own filth causes intense trauma (it is a major torture technique) and this guy has to go through the humiliation of posing for a picture. I’m inclined that no “special effects” were involved in this picture.
They took this girl to a cemetery and forced her to deal with death. They’re into killing the innocence of children and exposing them to trauma.
This child is “silenced” by an unseen adult. The arm is covered in latex, which is usually used in BDSM outfits. This is 100% about child abuse.
There are numerous Gorsad pictures of young boys in mussels. Once again this is about humiliation, control, and reducing them to animals.

Occult Elite Symbolism

Compared to those above, the following pictures are relatively tame. However, they contain the exact symbolism that has been described on this site for years. Through these symbols, the photographers are telling you that they are part of the elite’s sick, satanic culture that revels in abuse and desecration of youth and innocence. This is why they are being celebrated by mass media instead of being condemned.

As stated in numerous articles, the one-eye sign represents occult elite control. That sign is all over Gorsad pictures.
More one-eye sign.
A young girl has a butterfly hiding one eye. As seen in previous articles, this is 100% Monarch Programming symbolism.

Another recurring Gorsad theme is outright satanism, combined with the ridiculing of Christianity. One truly needs to worship outright evil to focus one’s “art” around the suffering of children. Appropriately enough, the entire entertainment industry is drenched in satanic symbolism.

They scribbled 666 on the forehead of this sad boy and took a picture of him. How is this “art” or “fashion”?
In occultism, holding the horns of a goat is highly symbolic. This is all about forcing children to embrace Satanism.
A staple of Satanism is ridiculing Christianity. Here, they are ridiculing Jesus and his crown of thorns.
The models bite the apple from the Garden of Eden while the proverbial serpent (which represents Lucifer) is wrapped around them. The message: They fully embrace evil.
This picture features an inverted pentagram which is used in satanism and black magic. This is what they’re about. Also, this is what the occult elite is about. And this is why they’re getting money, contracts, accolades and exposure.

In Conclusion

I easily could have posted three times more pictures in this article and I could have included some of Gorsad’s disturbing videos featuring children. But this is more than enough. While I’m sorry about exposing readers to these distressing pictures (they certainly distressed me), this imagery needs to be exposed and properly analyzed so we all clearly witness the sick and sadistic culture that prevails in the entertainment world.

Gorsad is not an exception, it is not “underground” and it is not even “counter-culture”. It is mainstream. They were praised by CondeNast, the mega-conglomerate that controls an astounding number of magazines around the world. In fact, those who are NOT part of this sick culture are the ones who are shunned by the industry.

As seen above, numerous pictures Gorsad pictures involve children who appear unwell, as if they recently underwent abuse or trauma. Several pictures directly refer to pedophilia, child abuse, and sex trafficking. There are clear references to trauma, torture, violence, and death combined with celebrations of satanism and black magic.

In short, Gorsad graphically puts on display all of the obsessions of the occult elite, in the sickest way possible. If you think any of this is still a “conspiracy theory”, you might as well be blind because these pictures could not be clearer.

2022 Review: When “Conspiracy Theories” Turned Into Obvious Realities

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As I look back at the year 2022 and the bizarre events that marked it, an expression immediately comes to mind: “Revelation of the Method”. Originating from ancient Rosicrucian texts, this obscure concept refers to the process of exposing the masses to dark realities (often in a veiled and underhanded manner) to elicit implied acceptance.

Once these formally hidden truths are revealed to the public and met with general apathy, indifference, or incredulity, they become normalized and embedded in society’s collective unconscious. Some occultists compare this process to the alchemical “Great Work” where the world is “transmuted” according to the will of the occult elite.

The alchemical principle of the Revelation of the Method has as its chief component, a clown-like, grinning mockery of the victim(s) as a show of power and macabre arrogance. When this is performed in a veiled manner accompanied by certain occult signs and symbolical words and elicits no meaningful response of opposition or resistance from the target(s), it is one of the most efficacious techniques of psychological warfare and mind-rape.
Michael Hoffman II, Secret Societies and Psychological Warfare

Since the advent of mass media, the Revelation of the Method has become increasingly apparent. While, in the past, the elite operated in complete secrecy, it now seeks to operate in plain sight.

In the beginning and middle stages of this operation, the “hoodwink” was a key to the accomplishment of objectives. Generally speaking, deception is far less necessary today. Quite the contrary, the cryptocracy has actually been determined to reveal many of its greatest secrets to us “profane ones” for some time now.
– Ibid.

Several events of 2022 fit perfectly the concept of Revelation of the Method. “Conspiracy theories” are turning into obvious truths right before our eyes. Dark secrets are being revealed yet most of the world still does not grasp what they mean. And that’s exactly what “they” want.

The Vigilant Citizen is about exposing what is truly happening. That way, instead of passively accepting their madness due to ignorance, we can actively reject it due to knowledge.

Here’s a look at some revealing events of 2022 and what they meant in the grand scheme of things.

Taylor Hawkins and Studio 666

On March 25th, the world was shocked by the unexpected death of Taylor Hawkins, the drummer of the Foo Fighters. While the circumstances surrounding his death were strange, the timing of this event was simply perplexing.

Exactly one month prior to Hawkins’ death, the Foo Fighters released a horror-comedy movie called Studio 666. The subject of the movie: Members of the Foo Fighters get killed as blood sacrifices to the Satanic music industry.

In the movie, Dave Grohl is possessed by a demon and sacrifices (with gruesome killings) every member of the band, including Taylor Hawkins.

This entire movie was highly symbolic, especially considering what would happen exactly one month after its release. Was this movie a horrific coincidence? Or were they revealing their method?

Drinking Blood

Megan Fox casually says that she drinks blood in rituals.

For years, I’ve been writing about the occult elite’s obsession with cannibalism and drinking blood. In occult circles, it is believed that extracting and consuming blood in specific circumstances can have powerful rejuvenating effects – and the potency is multiplied when the “donor” is young. There’s nothing new about those practices as they’ve existed for centuries (see my article on Elizabeth Bathory).

Despite these facts, mass media has been ridiculing this “conspiracy theory”. Then, Megan Fox straight up said that she drinks blood in rituals. During her interview with Glamour Unfiltered, she said:

“But yes, we do consume each other’s blood on occasion for ritual purposes only. It is used for a reason and it is controlled where it’s like, let’s shed a few drops of blood and each drink it.”

Combine Megan Fox’s highly publicized obsession with blood with the countless recent movies revolving around cannibalism, and you get a clear case of Revelation of the Method.

Anne Heche

Anne Heche flails around as she’s forcibly jammed into an ambulance. She’ll be declared dead shortly after.

Every time I think about the footage of Anne Heche attempting to break away from a stretcher that’s carried by a couple of firemen, I get deeply disturbed. And so many questions come to mind: Why did they cover her (as if she was already dead) while she was on the stretcher? Why wasn’t she properly secured on the stretcher? More importantly: Why was she trying to get away?

As usual, mass media was quick to conclude that Heche’s erratic behavior on that fateful day was due to drugs and/or alcohol, despite the fact that witnesses stated the contrary. A few months after my article where I explained that Heche was clearly running from someone(s) (and not just high out of her mind) the truth finally came out.

A few months after her death, the coroner concluded that Heche wasn’t under the influence of drugs or alcohol. 

So, if Heche was sober during that day, what actually happened? Why did she act this way? It appears that we’ve all witnessed the sacrifice of another celebrity in plain sight.

Statue Honoring a Pedo

In September, Indiana University unveiled a statue honoring Alfred Kinsey.

In my article about Alfred Kinsey, I explained how his “research” was funded by the Rockefeller Foundation and serves as a basis for sexual education in America to this day.

With that being said, here’s a table from his book Sexual Behavior of the Human Male.

Table 34. One of the most horrific tables in scientific history.

Table 34 documents the “sexual responses” of children from infants through teens as recorded by their adult male abusers. These pedophiles conducted sexual experiments on hundreds of children by bringing them to what the experimenters called “orgasm” (screaming, weeping, fighting the sexual “partner”) and timing these responses with a stopwatch.

In short, Table 34 records nothing less than the systematic abuse of over 300 children aged between 5 months to 14 years old. The data it contains is simply horrifying. How can an 11-month-old baby have 14 orgasms in 38 minutes unless it was the result of outright torture?

With all of that being said, the University of Indiana nevertheless unveiled a statue celebrating Alfred Kinsey. Why? Because the occult elite are pedophiles and they want their sick culture to be celebrated.

Symbolic Birthday Party

Doja Cat’s birthday party was Illuminati garbage.

In October, Doja Cat celebrated her birthday with an all-out parade of industry slaves. Clearly influenced by the movie Eyes Wide Shut (which is based on the occult elite’s sex magick rituals), the party was about industry slaves imitating their handlers, the same way toddlers imitate their parents.

More importantly, it was another case of Revelation of the Method, where the occult elite’s symbolism is displayed in plain sight.

Kanye’s Revelations

He just said it.

For years, I’ve been writing about celebrities having to sacrifice a loved one to attain a higher level in the industry. I’ve also written about handlers controlling celebrities in extreme ways. While these claims were regarded as “crazy conspiracy theories” by many, Kanye West just said in unequivocal terms:

“My mama was sacrificed”.

He also mentioned the father of Michael Jordan, the son of Bill Cosby, and the son of Dr. Dre – all dead in mysterious circumstances. According to him, these sacrifices are carried out to “control and traumatize”.

A week prior, Kanye exposed his “personal trainer” Harley Pasternak as an all-out MK handler. He even posted a threatening text message he received from Pasternak.

Pasternak threatened to drug and institutionalize Kanye for misbehaving.

Still a conspiracy theory?

Balenciaga

I hate this picture.

I’ve been writing about the elite celebrating their pedophilia for years and mainstream media tried hard to suppress this obvious fact. Indeed, my article about Pizzagate was attacked by publications such as The New York Times, even calling The Vigilant Citizen “fake news”.

This year, Balenciaga released an ad campaign that was so vile that everyone had to shut up and face the truth. Even The New York Times.

In a series of upsetting photographs, the geniuses at Balenciaga had children holding plush animals wearing BDSM gear, along with other highly symbolic objects around them (i.e. dog leashes). To make things worse, other pictures actually contained a court ruling regarding child pornography.

Yes, there was a backlash. That’s because there’s a growing number of vigilant citizens out there who forced mainstream media to address this issue. We must keep going.

The Revolutionary Act

Despite the fact that several “conspiracy theories” discussed on this site were essentially confirmed in 2022, The Vigilant Citizen was banned from Google search results and was completely demonetized.

The reports I got from Google were infuriating. For instance, one article was demonetized due to “unreliable and harmful claims”. The reason: I wrote that … men cannot be women.

The absurdity of the situation truly messed with my mind as I realized that the quote “In a time of universal deceit, telling the truth becomes a revolutionary act” is truer than ever.

As Google attempted to suffocate this site by banning it from its advertising monopoly, I had to find a way to secure the survival of the site. Deleting “problematic” content and self-censoring myself to please Google was, of course, out of the question. So, after some soul-searching, I came up with a possible solution that would allow the site to survive without any censorship: Reader subscriptions.

So, in June, I removed every single ad from this site and solely relied on reader subscriptions. There was some risk involved as an insufficient number of subscribers would result in the site going down. However, it was a do-or-die situation: Either this site remained an independent source of uncensored truth, or it just stops existing.

Fortunately, YOU came through. Vigilant Citizens across the world subscribed to the site, allowing the site to survive without a single ad on its pages. I can finally write “unreliable and harmful claims” such as “men cannot be women” without being threatened with financial ruin on a daily basis.

So I’d like to take this occasion to thank, from the bottom of my heart, every single VC subscriber for supporting this site and allowing it to survive.

The best way for me to thank you is by working even harder on new articles and delivering the hard-hitting content you’re looking for. And, with your support, that’s exactly what I’ll be doing in 2023. Not only will I keep publishing articles on a wide range of topics, but I’ll also launch a new project that has been requested for years: VC Videos. This new project is coming soon, it will be high quality and it will be unique. And it’s being made possible due to your incredible support this year.

In conclusion, this year confirmed lots of things that were discussed on this site since 2008. And I have a feeling that we’ll see more of this in 2023.

I will do my best to decipher everything 2023 throws at us and I will keep providing the vital information needed to navigate these strange times.

Until then, I wish you a merry Christmas, a happy new year, and I’ll see you in 2023!

Sincerely,

VC

Rituals and Adrenochrome: The Dark Meaning of “The Watcher”, a Netflix Series Based on a True Story

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Warning: Colossal spoilers ahead!

The Watcher is a Netflix series based on the true story of the Broadduses, a family that received a series of disturbing letters after purchasing a home in 2014.

The letters and the saga that ensued were documented in a 2018 New York Magazine article that detailed the creepy contents of the letters. After years of investigations and all kinds of twists and turns, the culprit was never found … Or is it all a cover-up?

The article that inspired the Netflix series.

While the Netflix series is considered to be a work of fiction, its premise closely follows what happened in real life.

The True Story

After purchasing a stately, six bedrooms house in the affluent town of Westfield, New Jersey, the Broaddus family started receiving bizarre and increasingly threatening letters from a stalker named The Watcher.

One of the actual envelopes that were sent to the family.

The first letter alluded to the long history of the house and the potential secrets it might hold. More disturbingly, the letter also mentions the three children of the family, calling them “young blood”. Here’s the first letter.

Dearest new neighbor at 657 Boulevard, allow me to welcome you to the neighborhood. How did you end up here? Did 657 Boulevard call to you with its force within?

657 Boulevard has been the subject of my family for decades now and as it approaches its 110th birthday, I have been put in charge of watching and waiting for its second coming. My grandfather watched the house in the 1920s and my father watched in the 1960s. It is now my time. Do you know the history of the house? Do you know what lies within the walls of 657 Boulevard? Why are you here? I will find out.

I see already that you have flooded 657 Boulevard with contractors so that you can destroy the house as it was supposed to be. Tsk, tsk, tsk … bad move. You don’t want to make 657 Boulevard unhappy.

You have children. I have seen them. So far I think there are three that I have counted.

Do you need to fill the house with the young blood I requested? Better for me. Was your old house too small for the growing family? Or was it greed to bring me your children? Once I know their names I will call to them and draw them too [sic] me.

Who am I? There are hundreds and hundreds of cars that drive by 657 Boulevard each day. Maybe I am in one. Look at all the windows you can see from 657 Boulevard. Maybe I am in one. Look out any of the many windows in 657 Boulevard at all the people who stroll by each day. Maybe I am one.

Welcome my friends, welcome. Let the party begin,

The Watcher

In short, this letter is a parent’s worst nightmare. Two weeks later, the family finds a second letter. And it is worse.

I am pleased to know your names now and the name of the young blood you have brought to me. You certainly say their names often.

657 Boulevard is anxious for you to move in. It has been years and years since the young blood ruled the hallways of the house. Have you found all of the secrets it holds yet? Will the young blood play in the basement? Or are they too afraid to go down there alone. I would [be] very afraid if I were them. It is far away from the rest of the house. If you were upstairs you would never hear them scream.

Will they sleep in the attic? Or will you all sleep on the second floor? Who has the bedrooms facing the street? I’ll know as soon as you move in. It will help me to know who is in which bedroom. Then I can plan better.

All of the windows and doors in 657 Boulevard allow me to watch you and track you as you move through the house. Who am I? I am the Watcher and have been in control of 657 Boulevard for the better part of two decades now. The Woods family turned it over to you. It was their time to move on and kindly sold it when I asked them to.

I pass by many times a day. 657 Boulevard is my job, my life, my obsession. And now you are too Braddus family. Welcome to the product of your greed! Greed is what brought the past three families to 657 Boulevard and now it has brought you to me.

Have a happy moving in day. You know I will be watching.

Judging by the contents of this letter, The Watcher lives close to the house and has intimate knowledge of it. Despite the fact that there can’t be that many suspects, police were never able to pinpoint the author. That’s especially baffling considering that the letters were delivered in lick-sealed, handwritten envelopes.

Some believe that this is all a cover-up and that the police are in on it. The Netflix series takes this premise and takes it to some very dark places.

The Series

The Brannocks – a fictionalized version of the real-life Broadus family.

Created by Ryan Murphy (American Horror Stories), The Watcher incorporates facts from the real story while introducing several disturbing elements … that might be true. For instance, in the series, The Watcher is suspected to be a member of a satanic cult that extracts adrenochrome from babies in occult rituals. This might sound like a reach. However, the real letters did repeatedly lust over the children’s blood.

Beyond the actual letters, the series explores various themes relating to modern society, turning this story about a family buying a house into a commentary on the pitfalls of modern life. Indeed, as the series progresses, the house ends up representing a toxic society controlled by a twisted elite while the Brannocks represent the typical American family that attempts to flourish inside of it. Here’s a deeper look at the themes of the series.

Unwelcomed

In the series, it is quickly established that the Brannocks are buying a house that’s too expensive for them. Wanting to offer their children a spacious house in a safe neighborhood, the Brannocks used all of their savings, stocks, and IRAs to finance the house.

Dean Brannock, the head of the family, really wants his family in that house.

To justify his decision, Dean says:

“This is America, right? Everybody buys a house they can’t afford”.

Right from the start, we are introduced to one powerful way society is controlled by the elite: Crippling debt.

The Brannocks quickly realize that they don’t “belong” in that house and the elite society it represents. Then, they receive a letter from The Watcher (the same real-life letter quoted above) that confirms this fact.

To make things worse, creepy neighbors keep telling the Brannocks that they’re watching them.

When they go to the police, the Brannocks realize that something is off.

The detective says that he knows about their financial situation.

The detective strongly encourages the Brannocks to install cameras around the house to feel more secure.

Conveniently enough, a dude named Dakota who runs a security company shows up at their house and sets everything up at a great price.

While the cameras are there for “security”, they also cause the Brannocks to be watched at all times. Like many other themes in this series, this can be applied to society in general.

There’s another important theme in the series that can be applied to society in general: The sexualization of minors.

Sexualizing the Girl

A major storyline in the series involves the sexualization of 16-year-old Ellie Brannock and her father’s reaction to it. While this narrative has nothing to do with the true story of The Watcher, it fits perfectly the wider meaning of this series: The corruption of American society.

Shortly after moving in, Ellie finds lipstick inside the house and immediately puts it on.

After putting the lipstick on, she says “Hey, sailor”.

The words “Hey, sailor” are not random flirtatious words. There’s some history behind these words.

“Hello, sailor” is a sexual proposition made to a sailor, presumably by a prostitute or promiscuous woman supposing the sailor to be male and sexually frustrated after a long time at sea.”
-En-Academic, “Hello, sailor”

In short, the house (which represents an elite-controlled society) “offered” Ellie the lipstick which represents her sexualization.

Then, things get rather uncomfortable. While Ellie puts on lipstick and imitates a prostitute, her parents are having sex in the other room. However, they are interrupted by Ellie calling them.

That’s a weird joke to tell your teenage daughter.

So they stop and go see her. Dean, whose presumably still hot and bothered by the interrupted sex, starts obsessing about his daughter’s lipstick.

The entire series is weirdly focused on youth.
While Dean doesn’t approve of his daughter wearing lipstick, Dakota, the 19-year-old security guy, loves it.

Then, the series dedicates lots of time playing around with the taboo of a minor getting involved with an adult.

Ellie tells Dakota that she’s “jailbait” … but in a flirtatious way.

In a later scene, Ellie lures Dakota into a pool and asks him to kiss her. Then Dakota asks:

–  How old are you?

– 16.

– See, I’m 19. I could get in trouble.

– Yeah, well, then, that just makes it more exciting doesn’t it?

– Yes.

Then they kiss. That’s the kind of dialog a pedo would come up with.

Meanwhile, Ellie’s father is increasingly obsessing over his daughter’s sexualization. And his wife finds it weird. She tells her friend:

“It’s Ellie. The way he talks to her. She’s a teenager now, and he just rides her. You know, if her shirt falls off her shoulder … it’s ridiculous, its weird.

And then he gets all defensive, saying things like “I don’t want my daughter to be sexualized”. And, I’m like, “you’re the one who’s sexualizing her. She’s just being a child”.

To sum up this storyline: The house (which represents the elite’s society) offers Ellie the “tool” for her sexualization. After getting involved with an adult, her father attempts to stop all of that. However, he gets accused of obsessing over her sexuality, leaving him feeling angry yet powerless.

In the end, this all falls into the elite’s wider plans of normalizing the sexualization of minors. Because they’re pedophiles who prey on children. And you don’t even know half of it.

They don’t only want to sexualize children. They want their blood.

Blood Sacrifice

In an attempt to gather more information about The Watcher, Dean Hannock meets up with Andrew Pierce, a previous owner of their house. He tells him that the house – and the entire neighborhood – holds dark disturbing secrets.

The previous owner of the house explains what the neighbors are into.

Pierce shows Dean Brannock a letter he received from The Watcher.

“Will you sacrifice your wife or son? The house prefers young blood. It may be old now, but it still lives. As do I. And I will make sure this house endures no matter the cost. Soon, you will need to choose, Mr. Pierce. You must present a blood offering.”

Apparently, to be accepted into that house, blood must be offered. Then, Pierce explains what happened when the neighbors babysat his son.

“He was over at Mitch and Mo’s. Said he was playing in their bedroom and he went down to the living room and there were all these old people, standing in a circle, in long red robes. And they’re chanting. And, in the middle of the circle, there’s this little baby on an altar. They had slit its throat. They were drinking its blood.”

The neighbors chant around a dead baby on an altar.

He explains to Dean:

– They are drinking the blood of children.

– I’m sorry. Why are they doing this again? To look younger?

– I looked it up. There are these cults, right, and there is something in the blood called adrenochrome that’s excreted from the body by fear and they f*cking feed off of it.

Pierce also explains that there are secret tunnels leading to the basement of the house.

One time, he found an adrenochrome-depraved neighbor in his basement sucking blood from his son.

Considering the fact that the house represents an elite-controlled society, the fact that there are tunnels in the basement is highly symbolic. It represents the secret network of blood-sucking pedophiles that operate right in society’s “basement”.

While Dean is uncovering these disturbing truths, he’s also kind of losing it. Especially because he cannot prove any of it conclusively and authorities refuse to investigate these claims. In other words, he’s turning into a stereotypical “conspiracy theorist”.

Breakdown

Dean, the once proud and successful head of the family, is now a broken man.

Worried about the sexualization of his daughter, his neighbors being adrenochrome Satanists, and The Watcher taunting him, Dean wants to know the truth. However, this obsession is costing him. He cannot focus on work, he cannot please his wife and he’s becoming highly irritable.

Dean spends a lot of time staring at a stereotypical “conspiracy” corkboard, complete with red strings.

Meanwhile, his family is turning against him.

To get back at her father, Ellie makes a TikTok accusing her father of being a racist.

Of course, everybody sees the video, and Dean’s reputation is destroyed.

Meanwhile, Nora is encouraged to get a divorce and sell the house.

In short, the Brannock family (who lives in a house that represents the elite’s society) is on the verge of imploding. Considering the fact that the elite is in an all-out war against the nuclear family, this makes sense.

In the end, the Brannocks eventually sell the house and move back to New York City. While the family stayed together, its issues are not solved. Dean remains obsessed with The Watcher and cannot get on with life without solving the case. He knows that there’s a deeper truth out there but he cannot prove it – a fact that drives him mad.

Despite the fact that they’re out of the house, they’ve been “infected” by its evil energy.

Nora is now … a watcher.

On a wider scale, once the masses get in contact with the elite’s society, they get infected by it. Even after realizing that it is highly toxic, they cannot help but be fascinated and wonder about the dark forces behind it all.

In Conclusion

While The Watcher appears to be a series about a haunted house, the themes tacked on to the story give it another dimension. In The Watcher, the house represents a society controlled by a sick occult elite. To represent this fact, a satanic cult that lusts for “young blood” has access to the house using tunnels.

The Brannocks moving into that house represent the American family attempting to flourish in the elite’s society. However, there are many pitfalls. The family is now financially vulnerable, it is constantly monitored through cameras, the daughter becomes sexualized and the wife thinks that she can do better. On top of it all, they realize that “respected members of the community” are actually Satanists who crave the blood of children.

In short, The Watcher is the occult elite laughing at you. Through symbolism, they’re telling you how they poison society and break down families. They tell you that you might be right for pointing this out but you’ll still be called crazy for doing so.

And, as you watch this Netflix series about people obsessing over the elite, you realize that they’re turning everyone into … watchers.

Symbolic Pics of the Month (December 2022)

The Pirelli Calendar is considered by some to be the “most prestigious calendar in the world”. While, for decades, it was all about glamour shots of A-list models, recent editions focused on pushing agenda and narratives. Like everything else in pop culture, the fun is gone. The 2023 Pirelli Calendar revolves around the concept of “magical realism” where each celebrity model plays the role of a muse. And it’s all very symbolic.

This pic is titled “The Photographer” and everything about it screams out witchcraft. Coincidently enough, “magical realism” is a great way of defining witchcraft. On the right, the black veil thing makes a one-eye sign. That’s because this calendar is now under the control of the occult elite.
According to the photographer, Bella Hadid plays the role of “The Sprite” – a mythological fairy. With that being said, this also looks like a horned, scantily-clad woman impersonating a crucified Jesus. Was this done on purpose? 

As explained in my article about her occult birthday party, Doja Cat is in the “humiliation phase” of her career. Her recent photoshoot with Dazed magazine continues that trend.

Everything about this picture makes her look bad on purpose and strips away from her dignity. Furthermore, the choker, the bleached shaved hair, the dualistic bracelets, and the see-through dress allude to Beta Kitten programming.
Here, Doja ingeniously uses her hands to make horns on her head. This is very innovative, I’ve never seen anyone do this before.
This is Nicki Minaj in the “Royalty” issue of i-D magazine. As you can see, she’s also doing devil horns with her hands. Such innovation. With that being said, who’s truly the “royalty” that is celebrated in that picture? 
In this pic, she does the one-eye sign, confirming that this “Royalty” issue should really be called “Slavery”.

Speaking of the one-eye sign, it was everywhere last month and it was ridiculously blatant. Here are some examples.

This is actress Michelle Yeoh on the cover of ELLE USA. Look closely at that picture. Yeoh does a one-eye sign using an all-seeing eye. Also, there are two extra eyes. She’s literally covered in eyes. The message: They own her.
This is Ryan Reynolds in a pic promoting the movie Spirited. As you can see, the mic is VERY CLEVERLY placed to hide one eye. 
Will Ferrell’s eye is also covered to make sure you understand that this is all about the one-eye sign. 
In short: To promote a Christmas movie on AppleTv, three movie stars did a one-eye sign. Those behind the movie are mean … spirited.
Madonna has one eye covered by her adopted son. The caption: “The Enlightenment”. Newsflash: Nobody’s “enlightened” in this pic. Especially not Madonna who is slowly turning into a Cabbage Patch Kid.
Travis Barker does a one-eye sign for GQ Magazine. Ever since he’s been involved with the Kardashians, he’s been in full occult elite mode.
Another pic from the same photoshoot. MK slavery vibes.
When he was owned by Disney, Joe Jonas was a gigantic star with children and teenagers. Now, to stay in the good graces of the industry, he has to show submission. So he has to do s one-eye sign … combined with an “I can’t believe I have to do this” look. But that’s not enough to satisfy his handlers.
In the same photoshoot, he wears lipstick and painted nails. Gotta cater to the gender-blurring agenda.

Speaking of the gender-blurring agenda, it keeps reaching new levels of insanity and absurdity. Please look at the following picture of a Miss America beauty pageant in Greater Derry and guess who’s the winner.

Yup, the winner is Brian, the overweight man caked in makeup. This picture perfectly reflects how today’s society is completely unhinged. Miss America is a beauty pageant. Brian is not a “miss” nor is he a “beauty”. So why did he win? Because he had to win. The competition was obviously rigged to push a political agenda. Brian won the scholarship and the prize money while these girls learned that the gender agenda is NOT on their side.
In France, major retailers are actually selling an Antifa board game. The game encourages players to block access to schools, attack “nationalist” people and organizations, and throw Molotov cocktails at cops. The two blatant one-eye signs at the top tell you that this is all approved by the elite which uses Antifa to destroy nations from within. The goal: A one-world government.
On Thanksgiving day, The Nation published a mind-boggling article about women being “thankful” for their abortions. Mass media is shifting from being “pro-choice” to all-out celebrating the killing of babies on Thanksgiving. 
The Washington Post reviewed a play about pedophile sex predators … and called it “brilliant”. According to critic Peter Marks: “The punishments inflicted on some pedophiles are so harsh and unrelenting as to be inhumane”. Wow. They’re really trying to paint the pedos as victims. They’re really trying to normalize pedophilia. And they’re even trying to make it part of popular culture.
This is a screenshot from the series The Santa Clauses on Disney+. As you can see, children are holding letters that spell out “We love you Satan”. It’s supposed to be a joke because “Satan” should actually be “Santa”. Hilarious. But, also, it is not a joke. It’s very literal. Children are literally holding the words “We love you Satan” during a Christmas show. What else do you need to know about Disney?

Special thanks to everyone who sent in pics.

There’s Something Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep

Balenciaga is a luxury fashion house that was founded in 1919 and, since its inception, it was tied with the elite. During the 1960s, the brand’s most enthusiastic clients were elite socialites such as Mona von Bismarck and Pauline de Rothschild (the wife of Baron Philippe de Rothschild).

In the 21st century, Balencia became a “must” in celebrity circles – especially with pawns of the elite. Its list of clients includes the likes of Madonna, Nicole Kidman, Jennifer Garner, Justin Bieber, and Kim Kardashian.

In short, Balenciaga is “by the elite, for the elite”. And, in case you haven’t realized yet, today’s elite is completely obsessed with the sexualization of children. They’re using schools, mass media, and everything in between to normalize their sickness and, slowly but surely, push the boundaries of what is socially acceptable.

Since Balenciaga is part of this mess, the brand could not help but to contribute to this culture that constantly seeks to sexualize children and, even sicker, to actually celebrate their abuse. Why would they even think of doing that? Short answer: A whole lot of them are pedophiles. Even worse, the occult elite engages in the systematic abuse of children for aims that are too evil to even fathom.

It is only by understanding these facts that the following pictures will make complete sense. Through symbolism, Balenciaga celebrates an entire culture – one that is deeply sick, cruel, and horrific.

Highly Symbolic Pictures

The pictures promoting Balenciaga’s “holiday” products are unsettling and, with a deeper analysis of the smaller details, it only gets worse.

balencia1 There's Something is Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
In this picture, a girl stands on a bed while holding a plush toy bag in bondage gear.

The bear is wearing a padlock across its neck, a fishnet top, a harness, and all kinds of straps. Needless to say, this gear is used in hardcore BDSM sex that revolves around pain, submission, and humiliation.

With that being said, why is a child holding this thing?

This stuffed animal represents a literal sex slave, as symbolized by the collar and padlock.

In a BDSM context, a collar is a device of any material worn by a person around the neck to indicate their submissive or slave status in a BDSM relationship.

Collars may be used in role-playing games involving erotic humiliation because they have connotations of control and pet-like status, especially when worn with a leash.
– Wikipedia, Collar (BDSM)

Notice that the definition above mentions “pet-like status, especially when worn with a leash”. Coincidentally enough, there’s an actual leash on the girl’s bed. And I don’t see a dog in sight.

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This girl doesn’t seem alright. At all.

This picture combines kiddie stuff with “adult” objects such as wine and champagne glasses. Also, there are candles inside beer cans. Why are these things inside the girl’s room?
Also, there’s a leash and a dog bowl. In BDSM, submissive slaves drink out of such bowls. Are they implying that the girl drinks out of that bowl? This interpretation would be a “stretch” if there weren’t two toys in full BDSM gear in the same picture.

In short, the entire vibe of the picture is unsettling and full of inuendoes. Somehow, the one below manages to be worse.

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Everything about this picture screams out “abuse”.

First, there’s caution tape on a chair. That kind of tape is usually used at crime scenes. Is this boy’s room a crime scene? Did abuse occur here?

Furthermore, the drawings on the walls would most likely cause child psychologists to be deeply concerned.

balenci44 There's Something is Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
In the background, there’s a drawing of an evil-looking horned figure.
balenci45 There's Something is Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
This entire wall is full of drawings that convey the fact that this child is sad and disturbed.

balenci46 There's Something is Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
Of course, there’s this cursed thing sitting next to kiddie toys. This juxtaposition perfectly reflects an obsession of the elite: Spoiling children’s innocence.

In the past, Balenciaga made it a point to associate these stuffed animals with full-on abuse.

In fashion shows, bruised-up models carried around these stuffed animals which were purposely dirtied-up to make things even creepier.

The photoshoot above was the work of Gabriele Galimberti, an Italian photographer who is loved by the elite. Because he pushes its agendas.

Gabriele recently retweeted an article that used one of his pictures. The title of the article: “Why restrict child porn but not guns?” They would love to restrict guns but not child porn.

Speaking of which.

Pedo Documents

Some Balenciaga pictures do not contain children. However, they contain details that go exactly in the same direction as the pictures above, even confirming our worst fears.

balenciaga6 There's Something is Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
One picture features a handbag casually placed on some documents.

If one zooms into the document at the bottom, one discovers that it is about child porn.

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The document is actually the Supreme Court ruling Ashcroft v. Free Speech Coalition.

This specific ruling was not chosen by mistake. It fits perfectly the insane child abuse theme of the Balenciaga campaign. Indeed, Ashcroft v. Free Speech Coalition reverses a significant portion of the Child Pornography Prevention Act of 1996.

A provision of the Child Pornography Prevention Act of 1996 (CPPA) (18 USCS 2252A(a)) prohibited the possession or distribution of “child pornography,” which was defined in another CPPA provision (18 USCS 2256(8)(B)) as including any visual depiction that “is, or appears to be, of a minor engaging in sexually explicit conduct.” Thus, 2256(8)(B) banned a range of sexually explicit images, sometimes called “virtual child pornography,” that appeared to depict minors but were produced by means other than using real children, as, for example, computer-generated images and images of adults who looked like minors.
– LexiNesis, Ashcroft v. Free Speech Coalition

The Supreme Court ruled that the ban on “virtual child pornography” violated free speech so it was reversed. In other words, it was a win for the pedos. And that’s why this specific document was in that Balenciaga photo. They want more judicial victories.

Celebrating Insane Artists

Here’s another Balenciaga pic. Nothing crazy, right?

The devil is in the details.

The book on top of the stack: Michael Borremans.

Once again, the presence of this book is not random. It perfectly fits the overarching theme. Michael Borremans’ most famous work is titled Fire From the Sun.

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A painting titled Five Figures, Three Limbs.

In the painting above, we see naked children that are covered in blood and three limbs on the floor. If you look closely, above the limbs, we see a translucent figure crouching above the limbs. Kim Noble, a survivor of trauma-based mind control who paints symbolic images, uses the same imagery to depict the concept of dissociation (used in mind control). In other words, these children are being traumatized and they’re dissociating.

Here’s a description of this series of paintings.

In the most evident terms, Fire From The Sun portrays children aged two or three in various stages of play with fire and what appear to be human limbs, even hair. The children are all light-skinned Sistine-style cherubs, sometimes covered in blood. The children do not appear to be distressed or disturbed (though some viewers at the gallery may be). The drama of the paintings is heightened by their visual connection to each other—and, more broadly, to older works by Borremans. The scene in each painting is composed against a similar beige backdrop. This is a set or a stage, devoid of context, withholding of answers, but suggestive of a director or someone watching.
– Elephant, Michaël Borremans: Fire from the Sun

As the description above stated, this scene takes place on a stage and is suggestive of a “director” watching. This is truly psychopathic. What if these paintings were based on something that happened in reality?

More references to dissociation.

In some of the paintings the children are in the process of disappearing: phantom bodies not quite removed from their gruesome acts. Importantly, Borremans chose to depict children too young to have clear memories. In some fictional future, they might be unreliable carriers of this formative origin story or trauma.
– Ibid.

The description above, from an art website, actually refers to the trauma of children – a core concept of Monarch programming.

Children play with limbs and eat them.

While the fire and (probable) cannibalism imply some sort of ritual, the works are most chilling as sketches of random violence, causal and instinctual. The depicted characters break with one typecast (angelic) while fitting another (demonic).
– Ibid.

Cannibalism is another obsession of the elite.

Some paintings are completely ritualistic.

Hooded figures holding burning limbs.

This looks like a satanic ritual.

Ritualistic robe + a miniature version of the figure = MK ULTRA alter persona.

I could post pictures all day but I believe you get the picture. Borremans’ work revolves around trauma, abuse, rituals, cannibalism, and a whole lot of naked children being watched by some freak. In other words, this is all about the sickness of the occult elite. And this is why his book was featured in the Balenciaga pic.

In Conclusion

Following the controversy around this madness, Balenciaga issued an apology. That was probably part of the plan from the get go. In past years, I documented other major companies releasing ridiculous, pedophilic pictures to then “apologize” (i.e. Zara’s suggestive photoshoot with a child model).

However, that apology is completely worthless. It doesn’t erase the fact that several adults knowingly worked on these pictures while several others approved them. They knew what they were doing. Even if Balenciaga removed all of these pictures, it’s too late. They’re already out there and they know it. The dog whistle was blown.

Balenciaga is a fashion brand “by the elite and for the elite”. They’ve shown their true ugly faces, disseminated their pedophilic culture to the world, and, after some (expected) backlash, they’ve erased everything. Then, mass media rehabilitated them, even going as far as calling those who spotted the insanity conspiracy theorists.

A headline by Highsnobiety.

This is not even close to a “conspiracy theory”, it’s truth staring in our faces. The messages in Balenciaga’s campaign are not random and they’re not a mistake: They are fully in line with the sick culture that’s been described on this site for years.

The silver lining in this horrific mess: People are waking up to this crap and calling it out.

Aaron Carter: The Suspicious Death of a Blatant Industry Slave

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The death of Aaron Carter at the young age of 34 took everyone by surprise. But it also didn’t. That’s because the last years of his life were characterized by drug use, rehab stints, meltdowns, erratic behavior, and significant problems with his entire family. So, when TMZ reported that Carter was found unresponsive in his bathtub, the word “overdose” was immediately thrown around – as is always the case in these bizarre celebrity deaths.

Although an autopsy was performed on Carter, the cause of death was deferred pending a toxicology report (which could take months). Meanwhile, Carter’s body was cremated so there won’t be any opportunity for a “second opinion”.

One thing is for sure: People close to him ruled out suicide as a cause of death. His manager Taylor Helgeson told Page Six:

“He didn’t seem okay physically … [but] mentally, he was the most excited I’ve seen him in months. He was very intelligent and he was very conscious of what people wanted to see from him”

About Carter possibly committing suicide, Helgeson said:

“We had so much stuff going on and, you know, Aaron was a really prideful guy in his own right, too. That’s not his style.”

So maybe he died of an accidental overdose. After all, Carter did admit to being addicted to “huffing” and authorities stated that pill bottles and compressed air cans were found at the death scene. With these facts in mind, most would say “case closed”. But things aren’t that simple.

While Carter could have died due to an accidental overdose, he also could have been killed. I’m saying this because Aaron Carter literally said that the industry wanted to kill him.

In the following video, which was posted about four years ago, Carter asks his fans to urgently fund him so he can escape to an “undisclosed location”. Here’s the video.

In the video, Carter states that he is a “silent breaker for his brother who is a rapist”. He’s referring to his brother Nick Carter (part of the boyband Backstreet Boys) whom he accused of abusing him his entire life. In the past, Aaron Carter also accused his sister Leslie of abusing him (she died of an overdose in 2012).

A tweet by Aaron carter.

In the video above, Aaron says that his family is now “after his life” and “setting him up”. He adds that Sony Records owes him millions of dollars and that they’re trying to kill him (Michael Jackson said the exact same things prior to his death). Then, he asks viewers to donate $100,000 so he can move to an undisclosed location where he is safe.

He adds that his realtor won’t sell his house because “they’re all involved in this” and that police are constantly sent to his house. At one point, the cops talked to him about a rope in his garage that could be used for hanging. Were they concerned about him? Or was it a threat?

No matter what the case may be, everything about Aaron Carter’s death reeks of occult elite shadiness.

Symbolic Death

Carter died on November 5th, 2022. Do you recall what happened exactly one year prior, on November 5th, 2021? Astroworld – the highly demonic concert where 10 people died as Travis Scott carried on performing. As explained in my article about Astroworld, the week following Samhein (Halloween) is, in occult circles, the most potent time for blood sacrifices. Every year, high-profile yet unexplained deaths occur during that time.

Other than the symbolic date, there’s the symbolic death scene. Aaron Carter was found in his bathtub. In 2012, Whitney Houston was found dead in her bathtub in equally mysterious circumstances. Like Carter, “drugs” were immediately mentioned to explain Houston’s death – who was becoming increasingly vocal against the industry. Almost exactly three years later, Whitney’s daughter Bobbi Kristina Houston was also found dead in a bathtub. It was a message.

Like Whitney Houston, Aaron Carter was an industry darling … until he wasn’t. And, like Houston, the industry turned on him and his life turned into a chaotic whirlwind of drugs and meltdowns combined with attempts at speaking out and breaking away from the industry. However, exactly like Houston, Carter was surrounded by shady industry people who kept him under control.

Only two days after Carter’s death, his label released his last album ironically titled Blacklisted.

The album cover features a blatant one-eye sign. The occult elite is clearly telling you that Carter was “blacklisted” and now he’s dead.

The release of this album was not approved by Carter’s management and was described as “obscenely disrespectful” and a “heartless money grab”.

The album cover confirms that his label did not care: Carter was nothing but a slave to them.

Industry Slave

This picture of a young Aaron Carter is rather symbolic. He’s being “hurt” by his brother and the industry as a whole.

The life and career of Aaron Carter could not be more typical of an industry slave. Surrounded by people who were already in the industry – including his mother with whom he had endless problems – Aaron began performing at age 7. He soon landed acting gigs with Nickelodeon and Disney – two factories of child stars who turn into industry slaves.

During the height of his career, Carter went out with high-profile child stars such as Lindsay Lohan and Hilary Duff. The elite likes to see its slaves go together.

While his life as a teen heartthrob appeared to be a dream come true, it was later revealed to be a horrific nightmare. As seen above, Carter accused several people of raping him while he was still a child – including his own brother, sister, backup dancers, and an unnamed “older woman” in his family. Sadly, I have a feeling that there were more.

This horrific trauma is exactly the “groundwork” necessary to create a dissociative MK slave. Later in his life, he showed all of the “symptoms” of it. In 2022, things got incredibly blatant.

In March of 2022, Carter got a massive face tattoo of a butterfly – a symbol representing Monarch programming.

Carter said that he got the tattoo to “honor” his sister who died in 2012 – the same sister he accused of abusing him when he was a child. Therefore, this tattoo actually references the trauma that led him to become an industry Monarch slave.

About a month later, he went into classic MK-slave meltdown mode.

In April 2022, Carter shaved his head on IG Live.
Then, he posted a (heavily filtered) picture of him with … butterflies on his face.

This head-shaving incident is highly reminiscent of Britney Spears’ MK meltdown of 2007 where she infamously shaved her hair in front of cameras. Appropriately enough, Carter went on to compare himself to Spears.

His profile pic: A sad clown with a one-eye sign. Symbolic.

Two days before his death, Carter posted this final tweet.

His tweet appears to be in response to Kanye exposing his “personal trainer” as an MK handler who threatened of institutionalizing him and drugging him out of his mind.

Was Aaron Carter trying to connect with Ye because he was caught in a similar situation and was also trying to break free? Whatever the case may be, he was found dead two days later. In his bathtub. Two days later, an album called Blacklisted was released featuring a one-eye sign. What else do you need to know?

In Conclusion

Everything about Aaron Carter was typical of an industry slave. As a child, he tasted the spoils of superstardom while also suffering through the horrific abuse that comes with it. As the years went by, this exploitation inevitably took its toll. The trauma and abuse end up creating a broken adult who acts erratically, sporadically melts down, and is prone to heavy drug usage.

Like many other slaves, Aaron started having moments of clarity after age 30. He attempted to stop using drugs and sought to break away from the industry’s control. In 2022, he went viral for his butterfly face tattoo and head-shaving incident. While he was mercilessly mocked on social media, these events were actually calls for help from an industry slave.

Like so many other slaves, he was found dead at a very young age and drugs were immediately cited as the cause – without any proof. While he could have been huffing cans of compressed air while taking a bath, we probably shouldn’t forget words that Aaron said himself not too long ago:

“They’re trying to kill me off.”

Kanye Literally Confirmed That His Mother Was Sacrificed by the Hollywood Elite (video)

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One of the most controversial “theories” discussed on this site is that celebrities need to sacrifice a person close to them in order to reach a higher level in the entertainment industry. Throughout the years, I’ve cited numerous examples of bizarre deaths occurring right when a star becomes a superstar, whether it be a parent, a sibling, or a close friend.

One of them is Ye’s mother Donda West who lost her life in extremely mysterious circumstances in 2007, following a plastic surgery procedure in Los Angeles. Shortly after this traumatic loss, Ye’s career reached new vertiginous heights and his relationship with Kim Kardashian made him a household name across the world.

However, despite this success, it was clear that Ye was not at peace with the death of his mother. On numerous occasions, he expressed guilt and regret while accusing those involved in the surgery of negligence and even murder.

While these allusions to this mother’s sacrifice used to be rather veiled and vague, Ye is now telling it like it is. Here’s a video of him outright stating that his mother’s death was a sacrifice carried out by the elite to “monetize and traumatize”.

https://www.youtube.com/watch?v=GQhMatoCQaY

In the video, Ye blatantly says that his mother was sacrificed. He also mentions the father of Michael Jordan, the son of Bill Cosby, and the son of Dr. Dre – all dead in strange circumstances as well. Ye adds that, in Hollywood, “a lot of people come up missing”. That’s a fact.

Then, Ye mentions artists such as Meek Mill, Diddy, and Boosie Badazz who are reduced to silence because the elite can easily send them to jail due to crimes they’ve committed in the past. Contrary to them, Ye believes that his clean rap sheet allows him to say whatever he wants without being sent to jail.

I hope he’s right. But those who cannot be sent to jail are sometimes suicided … or accidented … or overdosed.

Still a Conspiracy Theory?

While, to the average person, the theory of celebrity sacrifices sounds completely insane, it makes perfect sense in the twisted world of the occult elite. Celebrities who hail from the profane masses need to pledge full allegiance to the occult elite in order to enjoy the fame and fortune provided by their system. And what better way to accomplish this than to sacrifice someone that is close to them? Like Ye said, this is done to “monetize and traumatize”.

In Ye’s case, his mother was the obvious choice for a sacrifice. To understand the importance of Donda West to Ye, one simply needs to watch Jeen-Yuhs on Netflix. This documentary, based on decades of raw footage of Ye filmed by his friend Coodie Simmons, perfectly encapsulates the immense role of Donda in the rapper’s life. Donda was not only a loving mother but also heavily involved in his career. Judging from the footage in Jeen-Yuhs, she was instrumental in keeping the boisterous Ye grounded in reality and focused on wholesome Christian values.

By sacrificing his mother, the Hollywood elite cut Ye’s all-important link to the “real world” while traumatizing him in the worst way possible. He was introduced in Hollywood’s sick and twisted bubble completely unattached, allowing his handlers to have full control over him.

As seen in my previous article, Ye is clearly attempting to break away from his handlers and he’s even calling them out by name. We need more Ye’s in the industry.

Did Kanye Expose Hollywood “Personal Trainer” Harley Pasternak as an MK Handler?

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The chaotic path of Ye (formerly known as Kanye West) in the entertainment industry is also a revealing one. The bizarre events and controversies surrounding the rapper, combined with his outspoken nature, have provided rare glimpses into the dark side of Hollywood. And, in his latest outburst, Ye exposed yet another important fact: A great number of celebrities are literally mind-controlled by powerful handlers. And he knows this because he’s one of them.

On November 3rd, Ye tweeted a forceful text message he received from his “personal trainer” Harley Pasternak. Judging by the contents of this message, Pasternak has much more power over Ye than telling him to do one more sit-up. He’s apparently in total control of his life. To quote one of Ye’s songs: No one man should have all that power.

Here’s the tweet.

In the text message, Pasternak threatens to institutionalize and medicate the crap out of Ye, even stating that he’ll be back in “Zombieland forever” (drug-and trauma-induced dissociation). Obviously, those are not the words of a regular personal trainer. Those are the words of a handler who exerts extreme power over a celebrity who happens to be insanely rich and influential.

The text message refers to Ye’s 2016 internment where he was handcuffed and forcibly hospitalized at Ronald Reagan UCLA Medical Center.

TMZ’s headline when Ye was forcibly hospitalized.

Guess where Ye was when this happened? At Harley Pasternak’s house. Guess who called authorities because Ye was “acting erratically”? Harley Pasternak.

The house that firefighters and police responded to is owned by Harley Pasternak, a celebrity trainer with clients that come to him. Pasternak was seen leaving his house Monday night, but would not comment on West.
– NBC Los Angeles, “Rapper Kanye West Hospitalized in LA After Canceling Saint Pablo Tour

Here’s a TMZ video of Pasternak leaving his house after Ye was taken away. He was not talkative.

The drugs and “treatments” administered to Ye during his internment were so severe that he reportedly suffered memory loss in the months that followed. As explained in previous articles, this “symptom” is a hallmark of MKULTRA-style programming using electroshock therapy.

Since this ordeal, Ye was never the same. And, in the text message above, Pasternak threatened to send Ye back to this chamber of horrors. How can a “personal trainer” exert such power on one individual? It’s only possible when the trainer is actually a handler.

Celebrity Handler

Throughout the years, Harley Pasternak worked with a long list of celebrities, many of which were discussed on this site for being industry slaves such as Lady Gaga, Megan Fox, Ariana Grande, Rihanna, Jennifer Hudson, and Gwen Stefani.

Another notable client of his was Brittany Murphy who died in mysterious circumstances. Another notable client of his was Mac Miller who also died in mysterious circumstances.

Shortly after Mac Miller’s death due to an “overdose”, Pasternak told mass media that the rapper was not depressed or suicidal. He’s very involved in these people’s lives.

Pasternak also worked with Ellen Page (who became a transgender man), Megan Fox (who drinks blood in rituals), Miley Cyrus (a child-star MK slave), Katy Perry (an industry slave who recently malfunctioned), and, of course, Kim Kardashian (the figurehead of Hollywood’s most prominent coven).

In short, Pasternak appears to be a link between Hollywood stars and the occult elite that seeks to control them. What better cover for such an operation than a “personal trainer”?

More Than a Trainer

From 2005 to 2007, Pasternak worked at Canada’s Department of National Defense, more precisely at the Defence and Civil Institute for Environmental Medicine (DCIEM).

The DCIEM studies the cognitive and psychological response of humans to drugs and other stimuli to create better soldiers. Some of the objectives of the DCIEM are:

  • Human systems integration
  • Human performance in stressful environments
  • Simulation and modeling of the human in complex military systems
  • Human issues in command and control
  • Team performance and collaborative behavior
  • Psychology of malicious intent
  • Social and cultural factors influencing behavior

In the following video, Pasternak explains how he studied the effects of powerful drugs on soldiers while he was working for the Canadian government.

Pasternak said:

“Working for the military, I wasn’t governed by the same laws that the typical person was, so I could look at the impact of certain drugs that are not everyday things.”

It is precisely in those covert military programs that operate outside of the law that MKULTRA-style experiments take place.

Coincidentally enough, it is this branch of the Canadian military that infamously issued grants to Dr. Ewan Cameron during the 1950s and 1960s to conduct research on … MKULTRA.

According to the Canadian government, approximately 80 patients at the Allan Memorial Institute underwent depatterning. The treatment involved putting patients into a prolonged period of sleep for several days through the administration of barbiturates (drugs that depress the central nervous system) and LSD. This was followed by massive doses of electroshock therapy over the course of several weeks, ultimately reducing patients to a childlike state.
– The McGill Tribune, Declassified: Mind Control at McGill

This sounds like the kind of “treatment” underwent by Ye when he was forcibly hospitalized. The ordeal left him with severe memory loss and changed him forever. Many other celebrities who are bizarrely “hospitalized” or sent to “rehab” undergo similar reprogramming.

In Conclusion

By posting a simple text message, Ye revealed an important fact about Hollywood: Several celebrities are attached to handlers who act as a liaison between them and the occult elite that owns Hollywood. These handlers are deeply embedded into the lives of these celebrities and exert great power over them. If need be, these handlers can “punish” these celebrities in the cruelest ways possible.

In past articles, we’ve seen examples of such individuals. For instance, after the bizarre death of Whitney Houston, the shady Hollywood handler Raffles Van Exel was identified as a powerful (and destructive) influence over her life (he actually admitted to removing evidence from her hotel room after she was found dead). 

Sam Lutfi, another “insider” who lurks around numerous celebrities, was deeply involved in the personal lives of Amanda Bynes and Britney Spears right when they descended into MK-fueled breakdowns. He was also said to be a controlling figure who did not hesitate to resort to threats when these celebrities disobeyed.

Harley Pasternak appears to be playing a similar role to many other celebrities. His threat of getting Ye institutionalized and “drugged out of his mind” is a clear indication that his role goes way beyond fitness. The fact that he even mentioned his children hints at the immense control he has over Ye’s personal life and the cruelty he is capable of.

I guess this is what happens when your “personal trainer” has a background in psychological warfare and the study of powerful drugs on soldiers. Because, in a way, these celebrities are nothing more than soldiers … on the battlefield of cultural warfare.

Symbolic Pics of the Month (November 2022)

Heidi Klum’s annual Halloween party gathered, as usual, major celebrities who paraded around in extravagant costumes. While this event always contains its fair share of weird and creepy costumes, guests this year apparently used the party to just come out about their satanic tendencies.

Julia Fox came dressed as, like, the devil or something. The fact that she used to go out with Kanye West (who is supposedly very Christian) is telling.
Transgender singer Kim Petras was dressed as something resembling Pan – the horned-headed and goat-footed diety. But also with blood around the mouth because they also like to celebrate cannibalism. 
Elon Musk arrived triumphantly at the party wearing a costume worth $7,500. Its name: “Devil’s Champion”.
The red leather armor features several Baphomet heads with inverted crosses.
Meanwhile, Lil Nas X celebrated Halloween with a costume that cost $7,50. Its name: “Devil’s B*tch”.

Speaking of witch (not a typo), Machine Gun Kelly and Megan Fox were at it again. After announcing to the world that they literally drink blood in rituals, they annoyed the entire world with their satanic costumes.

MGK is dressed as a priest while Fox plays the role of his submissive sex slave.
Fox’s Instagram post says “On Sundays, we take communion” next to a pic that sexualizes the Christian rite. This is all a mockery of Christianity which happens to be the core theme of Satanic black masses. 

Sadly, I am not done with terrible Halloween costumes. Billie Eilish and her boyfriend found a way to top everyone pictured above. You see, Billie Eilish is 20 years old and her boyfriend is 31. This 11-year age gap has caused some criticism, especially due to the fact that they’ve known each other for years. With that being said, this was their Halloween costume.

Billie was dressed as a baby and her boyfriend was an old pedophile. What is wrong with these people?

The next picture is not a Halloween costume. But it’s pretty close.

At Paris Fashion Week, Kylie Jenner wore a choker on which hung a realistic black heart. In symbolism, a black heart is usually associated with death, evil, and the lack of soul. Furthermore, there’s a keyhole inside the heart, implying that someone can access it – like a mind control handler, perhaps.
As seen in previous articles, American Horror Story is basically a playground for the occult elite’s sick tendencies. The poster promoting the series’ latest season reflects this fact perfectly: A satanic, submissive, sex slave dude that’s restrained and constantly in pain. They want all men to be that guy.

As usual, the one-eye sign was all over the place last month. Here are just a couple of examples.

French Montana does a blatant one-eye sign on the cover of L’Officiel Australia.

Some might say: “Bro, you don’t get it. This is not Illuminati, this is a gangster sign. You just don’t get it, bro!”  Alright, bro, let’s look at another picture.

Is this still gangster, bro? Does gently tickling your eye with your pinky finger a gangster sign as well? Because this looks like the least gangster pose in world history. Here’s what actually happened: Montana was told to do this. If he doesn’t do this, he doesn’t get media promotion. 
Anna Sorokin is a Russian-born German con artist and fraudster who posed as a wealthy heiress to access the upper echelons of the New York social and art scenes from 2013 to 2017. Despite going to jail for grand larceny and other crimes, mass media loves her. In fact, she’s got all kinds of lucrative projects in the works. The one-eye sign on this puff piece by The New York Times is all the proof you need.

This picture of Harry Hamelin posing with his DAUGHTER raised some eyebrows.

This weird picture of Hamelin smelling his daughter’s face (or something) while holding her tight is weird. Why do Hollywood weirdos keep taking these kinds of pics? (see the article There’s Something Terribly Wrong Happening With the Sons of Celebrities).

On October 20th Microsoft did it. In an attempt to pathetically cater to the LGBT3Q+%#()#*& agenda, it managed to turn it into a parody of itself.

Microsoft unleashed on the world this new pride flag. No, it is not a parody. This jumbled mess perfectly represents the “alphabet” agenda: A volatile “movement” with no core values that constantly morphs according to the interests of the global elite.

Remember that old man in Squid Game? He’s 78 years old. He still has to pay the price of fame

 Even Oh Yeongsu has to submit to the gender-blurring agenda by posing in women’s heels and gloves. Since my article about Squid Game, nearly every single actor in this series appeared in SPOTM for one reason or another.

In case you needed more proof that the gender-blurring agenda is pathetic and desperate, here’s what happened during a “family-friendly” show broadcast in the UK at 9 PM.

A transgender performer stripped naked and played the keyboard with his penis. On live TV. Children were watching. The eyes surrounding the performer hint to the fact that the occult elite sponsored this civilization-destroying madness.

The following mural was unveiled at a high school in Michigan. Parents immediately complained and claimed that it contained “anti-Christian and pro-LGBT” propaganda. They’re right.

Other than the characters carrying huge needles (vaccine propaganda), the mural contains a rainbow flag, a transgender flag, and the bisexual flag (LBTQ propaganda). Why are we obsessing over the sexuality of these minors? Furthermore, there’s also the face of the devil. In short, this is the equivalent of school murals celebrating the communist regime in the USSR. It’s just pure propaganda. How about we keep all of that garbage outside of schools?

As seen in previous articles, The Economist (which is owned by the elite) loves to make dire predictions about humanity using symbolism. And it is often correct.

In this bizarre image featured in The Economist, we see a smirking Liz Truss walking away (with a smirk on her face) as the parliament burns, a hospital gets destroyed and the power grid crumbles. Also, there’s a mangled body inside a cage. They love to depict the masses suffering. Also, there’s a full moon which is prime time for occult rituals. 

Since the publication of this image, Struss bizarrely quit as Prime Minister of England and was replaced by another unelected guy: A billionaire named Rishi Sunak.

Like his predecessor, Sunak is part of the World Economic Forum. He’s even featured on their website. That’s all you need to know about him.

Special thanks to everyone who sent in pics!

Doja Cat’s Creepy and Ritualistic Birthday Party

In the past few years, Doja Cat made some hit songs, was featured with some big-name artists and won some trophies at award shows. This media attention allowed her to stand out from the pack of unknown rappers and become one of the biggest stars in the music industry. However, this rise to success came at a cost.

As Doja Cat’s popularity grew, everything around her took a bizarre turn. The symbolism surrounding her work became darker while her social media posts had people worrying about her mental stability.

In short: Doja Cat appears to be following a similar path to Britney Spears – the ultimate industry slave.

In the early stages of her career, Doja Cat had a standard “female pop star” look.

In recent months, the imagery surrounding switched to abuse, mind control, and submission to the elite.

Doja Cat is often featured on this site’s Symbolic Pics of the Month because she often partakes in photoshoots that are replete with symbolism. In this V Magazine photoshoot, a “plasticky” Doja is chained and controlled by an octopus (a classic symbol representing the elite).

In the past weeks, Doja has been engaging in some strange behavior that is reminiscent of Britney Spears’ infamous 2007 head-shaving breakdown.

Doja Cat recently live-streamed herself shaving her hair and eyebrows.
One of the top comments in this Instagram post is about Doja possibly having a “Britney meltdown season”.
At the 2023 Balenciaga show, Doja had bleached shaved hair – a classic way of identifying MK slaves (see Kanye West when he was released from forced hospitalization). Also, her makeup was purposely made to look as if she had a black eye and a bruised lip – a reference to the abuse of industry slaves.
In a recent pic, Doja has butterfly wings (Monarch programming) and devil horns (satanic industry).

In short, Doja Cat is in full “industry-slave” mode. And this fact was on full display at her 27th birthday party which took place on October 21st.

Clearly inspired by the movie Eyes Wide Shut (which is all about the occult elite’s sex magick rituals), the birthday party was a star-studded event where nearly every guest was a certified industry slave. Case in point: Nearly all of them were featured on this site at some point or another.

Here’s a look at this symbolic affair.

Slave Parade

The movie Eyes Wide Shut is about occult rituals that gather rich and powerful people with sex slaves. Many guests at Doja Cat’s birthday party were dressed as slaves.

Before the party, several guests made their entrance as the paparazzi took pictures. It was a staged media event that was rather cringy and embarrassing for everyone involved.

Justin Bieber has been an industry slave for years and was often involved in weird, humiliating situations. He arrived at the party with a mask and a cape.
Bieber’s wife Hailey arrived at the party in lingerie – a proper uniform for an industry beta kitten.
Kendall Jenner arrived at the party wearing a black ritualistic veil.

Although Tyga hasn’t made a hit record in, like, forever, he’s often part of these weird Hollywood socialite events. Maybe it has to do with the fact that he was in a relationship with 16-year-old Kylie Jenner when he was in his mid-20s.

Tyga arrived at the event wearing a ritualistic mask and a cape.
Ty Dollar $ign wore a red cape and a creepy mask.
His girlfriend looked WIRED.
Industry slave Ariana Grande showcased her butterfly tattoo (Monarch programming).
Artists Normani, Justine Skye, and Coi Leray all went for the sex slave look. This is what these new female artists have to do to make it in the industry.
Doja Cat arrived at the party with an Eyes Wide Shut mask and a cape.

Then, the birthday cake came out of a vehicle and was paraded around for the cameras. The least one can say is that this cake was symbolic.

At the top of the cake, the symbol of the Freemasons: A square and compass. At the bottom, the classic symbol representing the Illuminati: An all-seeing eye inside a triangle.

While this event can be interpreted as a goofy Illuminati-themed birthday party, it turned into an actual ritual of submission/humiliation involving Doja Cat. Because, in actuality, none of this is a joke.

Submission ritual

After the party, gossip news sites promptly reported that Doja Cat “accidentally” exposed herself.

A headline from the Daily Mail about Doja exposing herself to cameras.
Of course, the articles were accompanied by a bunch of pics.

Was this “accident” actually staged? Probably. Is it a mere coincidence that actual Masonic candidates expose one breast during their initiation ritual? Probably not. I mean, the birthday cake literally had Masonic symbols on it.

A picture of a Masonic candidate with one breast exposed.

The next day, several pictures of Doja Cat posing half-naked at the party were “leaked” online. That was probably planned as well.

Several people posted pictures of a naked Doja Cat on social media.

The fact that Doja was the only person exposing herself at the party is telling. In this event themed around an elite orgy, she was the “main wh*re”. In a ritual of submission and humiliation, she had to expose herself to these guests and, through media, the world. Those are the kinds of sacrifices industry slaves have to make to remain in the good graces of their handlers.

If they don’t … they might become part of the “27 Club”.

There’s Something Terribly Wrong With Disney’s “Hocus Pocus 2”

Warning: Colossal spoilers ahead!

Once upon a time, on a brisk October evening, a family is looking for a movie to watch on Disney+. All of a sudden, Hocus Pocus 2 appears on the screen and fills everyone with joy! The children are intrigued by the colorful thumbnail image while the parents are nostalgic about the original Hocus Pocus.

So the family pops some corn, sits on the couch, and puts on this spooky (but children-friendly) movie – one that is sure to put everyone in the Halloween spirit.

Then, it happens: HARDCORE INDOCTRINATION.

Indeed, Hocus Pocus 2 was not made to simply entertain: It drills children on important social agendas. It mixes the concepts of feminism and sisterhood with satanism and witchcraft in an unholy stew that is served to unsuspecting children worldwide.

In many ways, Hocus Pocus 2 is the exact opposite of the original Hocus Pocus. In the 1993 movie, the witches are, without a doubt, the villains. Why? Because they worship the devil and eat children. That’s reason enough right? Then, they wreak havoc on modern-day Salem in their unique and silly way. While they’re entertaining, the witches still need to be banished forever because, like, they keep LURING AND EATING CHILDREN.

In Hocus Pocus 2, things are way more complicated. The witches still worship the devil and eat children … but they have valid reasons to do so. They’re not cursed, depraved hags anymore, they’re strong and empowered women who are misunderstood.

In short, Hocus Pocus 2 wants you to side with the witches. To do so, Hocus Pocus 2 starts with an origin story that makes the witches sympathetic to the viewers.

The Witches’ Origin Story

At the beginning of the original Hocus Pocus, the old, creepy witches kill a young girl by sucking away her life force. As the witches regain their youthful looks, they cackle away like harpies, clearly indicating to the viewers that these wretched characters are the villains.

In Hocus Pocus 2, it’s the complete opposite.

Hocus Pocus 2 begins in 1653 Salem with a young version of the Sanderson sisters.

At the beginning of Hocus Pocus 2, a young Winifred Sanderson celebrates her 16th birthday with her two sisters. However, the festivities are cut short when the reverend of the village knocks on their door and orders Winifred to marry some guy she doesn’t like.

When Winifred refuses, the reverend orders the sisters to be separated.

The reverend is depicted as an oppressive and ignorant figure. He represents Christianity to the viewers.

Right from the opening scenes, the viewers are made to side with the witches against the reverend and the Church in general. Everything that follows continues on the same “left-handed path”.

When the three sisters flee to the woods, they hear the creepy song the witches sing to lure children:

“Come little children, I take thee away into a land of enchantment”.

That’s the theme song of the occult elite.

Then, the Mother Witch appears.

In the original Hocus Pocus, the witches are ugly and grotesque. In Hocus Pocus 2, the first witch we see is a glamorous, empowered woman. Also, she has an All-Seeing Eye on her dress, indicating her allegiance with the occult elite.

After attempting to poison and eat the sisters, the Mother Witch realizes that the girls are actually potential witches. So she gives Winifred a birthday gift.

A spellbook bound by human skin and handed down by the Devil himself. Of course, there’s a single eye on the book.

As the three sisters browse through the wide array of powerful spells contained in that book, they realize that they can now exact revenge on the village that banished them. This is when they realize that Satan is cool.

Then, the Mother Witch tells the sisters:

“One day, Salem will belong to us.”

Throughout the movie, there are mentions of the witches “taking back” Salem. That’s because, in real life, Salem was the site of the infamous witch trials.

The Salem witch trials were a series of hearings and prosecutions of people accused of witchcraft in colonial Massachusetts between February 1692 and May 1693. More than 200 people were accused. Thirty people were found guilty, 19 of whom were executed by hanging (14 women and five men).

As we’ll see, this movie is actually about witches retaking Salem. And doing great PR for them.

At one point, the Mother Witch wonders why the world is “not too fond of witches”. Young Mary answers:

“Perhaps because thou eateth the children?”

The Mother Witch promptly responds:

“How else does one stay young and ridiculously beautiful?”

With this answer, the Mother Witch’s cannibalistic ways are reframed as something fabulous and empowering. What a great way of normalizing the occult elite’s real-life obsession with consuming children to remain youthful (see adrenochrome).

Then, the sisters go back to the village and use the Devil’s spellbook to burn the reverend’s house.

Winifred watches in glee as the house burns down and the reverend yells about it being “Satan’s work”.

To children whose entire lives are based on their parents not allowing them to do things, watching this scene is cathartic. Black magic gave these girls the power to get back at oppressive adults and the children watching this think that it’s cool.

The Heroes Are Also Witches

In the original Hocus Pocus, the hero is Max Dennison, a smart and courageous teenage boy who takes on the witches head-on.

The heroes of the original Hocus Pocus. Just regular kids who don’t want to be eaten.

In Hocus Pocus 2, things are VERY different.

The protagonists of Hocus Pocus 2 are Becca and Izzy, two teenage girls who are fascinated with witchcraft. The eyes on Izzy’s shirt (right) symbolically refer to the eye on the Mother Witch’s dress. They’re on her side.
In Hocus Pocus 2, the male protagonist is a bumbling fool named Mike. Not only is he depicted as a useless, cowardly idiot, but he also keeps offending Becca and Izzy.

Every time Mike says something, the camera immediately cuts to the girls rolling their eyes in disbelief at his idiocy. In 2022, male protagonists cannot be strong, heroic, or even smart. They must be jerks. Masculinity is bad. Witches are good.

Because Mike is a representative of toxic masculinity, Becca finds it OK to mess with him. So, during a class, she freaks him out by whispering a fake spell that ends with the word “seitan” … which sounds like “Satan”.

Mike’s girlfriend tells Becca that her spell ended with a word that sounded like “Satan”.

Throughout Hocus Pocus 2, we hear expressions such as “Holy Lucifer” and “By Lucifer’s hangnail”. The constant invocation of satanic entities in a children’s movie made by Disney is rather offputting. However, it is completely in line with the elite’s agenda of normalizing everything satanic.

The same exact pattern was found in Chilling Adventures of Sabrina. In this Netflix series about a teenage witch, we keep hearing expressions such as “Holy Satan”. Also, witchcraft is portrayed as a potent tool of female empowerment while nearly all males in the series are jerks who need to be punished.

In Hocus Pocus 2, the wannabe witches inadvertently bring back the Sanderson sisters on Halloween night by doing a ritual. Contrary to their 1993 appearance, the witches are greeted in 2022 like superstars.

Superstar Witches

In the first Hocus Pocus, the witches are not welcomed in Salem. Because, for one, THEY LURE AND EAT CHILDREN. That’s a pretty good reason.

In Hocus Pocus 2, things are different.

As soon as they are summoned by the teenage girls, the witches put on an entertaining performance.

The lyrics of their introductory song are quite telling.

“We were running wild and so reviled
Raising Cain until we got exiled
But times are changing and now we’re on the attack
Yeah, the spell is gonna hit’cha,
Because the witches are back”

In Hocus Pocus 2, there’s a running theme of “times changing”. While, in the first Hocus Pocus, the witches were evil, the narrative in 2022 has changed. Today, witches are good and the movie constantly defends them.

For instance, at one point, a character says that the witches are evil because, like, THEY LURE AND EAT CHILDREN. So another character immediately defends them:

“Only because they had to be. You know, they were ahead of their time and they were misunderstood. Then, the whole world was against them. But now, look, everybody loves them”.

Yup, times have changed. When the Sanderson sisters visit 2022 Salem, they realize that the town idolizes them.

The witches meet teenagers who are dressed like them because they “worship” them. So, they take a selfie. Wow, these witches are so cool and relevant.

Later, the witches find themselves in Salem’s Halloween festival. They discover that there’s a contest for the best Sanderson sisters look-a-likes.

Of course, there had to be a team of drag queens. Disney has got to push that gender-blurring agenda to these children.

After the contest, the Sanderson sisters perform a song that bewitches the crowd.

This shot of young people being mind-controlled by the witches’ song is an apt representation of mass media brainwashing children with its satanic agenda.

The song contains these lines:

“One way or another
We’re going to snatch you”

The recurring theme of abducting children is upsetting in itself. But it gets worse when we realize that the witches are not actually portrayed as evil. Is it a coincidence that the logo of Hocus Pocus 2 contains a symbol used to identify pedophiles?

The spiral in Hocus Pocus 2 is quite similar to the spiral used to identify “Little Boy Lovers” in FBI files.

The Sanderson sisters then use the mind-controlled kids to seek out the mayor of Salem because they want to kill him. The reason: He’s a descendant of the reverend. However, the mayor is the father of Becca and Izzy’s friend, so they must stop the witches … by becoming witches.

The Heroes Become a Coven of Witches

In the original Hocus Pocus, the heroes gained possession of the Devil’s spellbook and were tempted to use it against the witches. However, Binx the cat stops them and angrily yells out:

“Nothing good can come out of that book! You got it?”

And that was the end of that. The book was evil so they didn’t use it. The protagonists ultimately banish the witches with good old-fashioned wit and courage.

In Hocus Pocus 2, it’s the exact opposite. The Devil’s spellbook actually saves the day.

At the end of the movie, Becca and her friends read from the book of spells to get rid of the Sanderson sisters. They’re now a coven.

The girl on the left is the daughter of the mayor who is a descendant of the reverend. Therefore, she broke her family’s Puritan lineage and converted to the witches’ side.

Considering the fact that the Sanderson sisters are sympathetic figures in Hocus Pocus 2, they are banished from Salem in a very “compassionate” way. Instead of burning them to ashes because, like, THEY LURE AND EAT CHILDREN, the ending is all about Winifred reuniting with her sisters in a dignified matter.

At the movie’s climactic end, Winifred gets an emotional sendoff as she disappears in a magical whirlwind while “whimsical music” plays in the background.
Even the book sheds a tear for Winifred. Poor Satanic book 🙁

In short, the witches were never really the “bad guys”. They were misunderstood women who valued the importance of sisterhood.

The movie ends with the three teenage girls walking side by side, exactly like the Sanderson sisters.

Moral of the story: Evil won.

In Conclusion

Comparing the original Hocus Pocus with Hocus Pocus 2 is a revealing exercise. It exposes the complete reversal of morals and values communicated to children by mass media in the 21st century. Despite the fact that the witches are obsessed with luring and eating children to remain youthful, the movie portrays them as sympathetic, empowered women. The fact that they sold their soul to the Devil for witch powers was a big deal in the first movie. In the second, it is not an issue. At all.

The rest of the movie is all about teenage girls discovering the powers of witchcraft and the joys of forming a coven of witches. Of course, this implies that they’ll eventually have to submit to Satan and eat children to stay alive. But, hey, it’s 2022. We’re cool with that now.

So, the family that simply wanted to watch a fun Halloween movie ended up being subjected to a session of indoctrination that culminated with three teenage girls converting to Satanism.

The end.

Insane Headlines From Mass Media (October 2022)

I have a nasty habit that I am desperately trying to quit: I scroll through news headlines too many times a day. Sometimes I do it without even realizing it. And I have to stop it. Because this mindless activity often ends up souring my mood and raising my blood pressure.

That’s because, in the past years, what we call “the news” morphed into a mutant, deformed monster that’s barely recognizable. There is no more objective information, only articles telling you what to think about information. There are no more journalists, only word monkeys who were solely hired to churn out the “agenda du jour”. And the headlines they come up with are bad. And pathetic. And embarrassing.

Some are so mind-bogglingly awful that I feel they should be preserved and cherished forever. In fact, they should be shown to future generations as examples of the prevailing insanity in 21st-century mass media.

In short, I started collecting insane headlines and I’d like to share them with you. Because behind these insane words hide an even more insane agenda.

Let’s look at some insane headlines that were published by major outlets in the past weeks.

Global Warming Makes Children Fat

In the past few years, the climate agenda pushed by mass media has taken a bizarre turn. After elevating Greta Thunberg to the status of “climate Saint” (for no reason at all) and blaming every single instance of bad weather on climate change, mass media wants to go even further.

Now, the illustrious journalists at CBS Mornings are telling us that climate change is ATTACKING OUR CHILDREN.

Indeed, using a highly biased “study” (specifically created to serve an agenda), this news blurb states that children are fatter and less active because … of the climate.

Here’s a crazy idea: Children are fatter because most of them are glued to screens several hours a day and eat tons of sugar and processed foods.

But no. Facts are not important. Only agendas. So we must blame climate change for fat kids. Why take personal responsibility for your children when you can blame a vague agenda that can only be resolved with a global government?

Time Has a Seizure

Please read the headline above carefully. Notice weird words such as “eir” and “ey”? No, those are not typos. Those are gender-neutral pronouns that nobody in their right mind ever uses. But Time made it a point to liter its headline with these words.

That’s because the English language is transphobic and needs to be morphed into Orwellian Newspeak. If you’re confused about these words, here’s a simple (and totally not insane) guide to help you.

This is not insane.

So Time dedicated an article glorifying author and illustrator Maia Kobabe, even bending the English language to cater to this person’s wants and needs. Kobabe must be an amazing author and illustrator. Let’s look at some pages from the children’s book Gender Queer that was shamelessly promoted by this Time article.

Yup. The book depicts children’s sexuality.

If you’re tempted to say:

“VC you’ve gone too far! Why did you post this filth in your article? I did not want to see this!”

Please take note of this important fact: This book can be found in countless ELEMENTARY SCHOOLS across the country. And Time magazine is promoting it using crazy made-up words. This is the current state of education and mass media.

New Statesman: Abolish The Family

The “prestigious” British publication The New Statesman just came out and said it: Abolish the Family. The elite has been wanting total control of our children for a while and it is now blatantly using mass media to promote it.

The image accompanying this insane headline depicts a miserable family chained to a house. The woman apparently hates feeding her family and the kid is just sick of being with the people who created and gave birth to him.

The subtitle says “family is a terrible way to satisfy our desire for love and care”. Wow. Here’s another amazing argument.

In other words: Children should belong to the state.

The global elite does not like the nuclear family. It is the biggest obstacle in the elite’s quest for total control over individuals. A strong and loving family creates individuals who are happy, healthy, grounded, and more likely to create their own strong and loving family. The elite wants the exact opposite. It wants sad, debased, confused, and heavily medicated individuals that can easily be controlled and manipulated.

I often refer to the 1963 document “Current Communist Goals” (which lists 45 objectives to destroy a nation from within) because it is highly relevant today. Here is one of these objectives.

40. Discredit the family as an institution. Encourage promiscuity and easy divorce.

This is why this article exists. It is indoctrination.

Remember the fraudulent, elite-sponsored, Marxist organization that was ironically called Black Lives Matter? Here’s one of its tenets.

This was found on BLM’s official website. It was then scrubbed when numerous black people called out this insanity.

The anti-family agenda is real.

The CBC Compares the Fight of Iranian Women to Female Athletes Wanting More Money

The Canadian Broadcasting Corporation (CBC) used to be a respected news outlet. However, ever since the election of Justin Trudeau, it turned into a ridiculous, highly-biased propaganda outlet of the global elite. It is now a never-ending source of insane headlines.

For instance, last year, I wrote about the highly absurd CBC article that unironically called for the banning of words such as tribe, avocado, brainstorm, and blackmail because they were “hurtful”. It was ridiculous.

And, when it is not trying to control language, the CBC shamelessly uses suffering abroad to push agendas in Canada. In this masterpiece of mental gymnastics, the article above compares women being violently repressed to Canadian athletes who are not paid as many millions of dollars as their male counterparts. Yes, the article compares people being killed by their own government to athletes who are paid in accordance with the revenue they generate.

As is the case with many articles on the CBC website, the comments are scathing. People simply cannot believe that their tax dollars are funding this drivel.

This is the top comment found under the article.

Vox is Very Interested in Your Children’s Sexuality

I’ve mentioned many times on this site that the elite is hell-bent on stuffing children with hormone replacements and puberty blockers. And media sources such as Vox are doing their part in promoting this agenda. Despite the fact that its nothing less than child abuse.

As if to confirm this fact, the lead image of the Vox article is creepy and incredibly symbolic.

A toddler faces a triangle with an illuminated capstone.

What is this image supposed to represent? The Illuminati wanting to control your children? Because I don’t see any other rational explanation for this weird image in an article promoting the mutilation of children before they even reach puberty.

Here’s a message to the word monkeys at Vox: Leave the kids alone and mind your business. The family is not abolished yet.

YouTube Abuses Cringy Word “Latinx”

A recent post on YouTube’s official blog apparently had one objective: To annoy people possible by using the word “Latinx” way too many times.

This word, specifically created to cater to the gender-blurring agenda, is an abomination. And Hispanic people absolutely hate it.

A headline that is not insane.

Hispanic people do not use this word. Even worse, they are actually offended by it.

Here’s a fact about Spanish (and several other languages): It is gendered. So, by creating a non-gendered word, the propagandists behind this atrocity negated one of the fundamental characteristics of Hispanic culture. Also, it sounds stupid.

But YouTube found it important to use that word many many times in a blog post. That’s because the war against genders is WAY more important than not pissing off Hispanic people.

I hope you’ve enjoyed the first edition of Insane Headlines of the Month. Feel free to share your comments and suggestions about this new series as I’ll tweak and improve this new format in the coming months.

If you come across an insane headline, please send it over here.

Indiana University Unveiled a Statue Honoring Alfred Kinsey. His “Research” Included Child Abuse.

On September 7th, 2022, Indiana University unveiled a bronze sculpture memorializing Alfred Kinsey, a biologist, and sexologist whose works sparked a profound shift in American culture. Sitting on the Bloomington campus, the sculpture marks the 75th anniversary of The Kinsey Institute which is touted as “the world’s leading sexual research institute”.

During the dedication ceremony, Indiana University President Pamela Whitten stated:

“Around the nation and around the world, the Kinsey Institute is the trusted source for information on critical issues in human sexuality, relationships, gender and reproduction. And its reputation for excellent, relevant scholarship bolsters Indiana University’s reputation.”

Justin Garcia, executive director of the Kinsey Institute said:

“Dr. Kinsey left us with the extraordinary legacy of his endless scientific curiosity, his unwavering commitments to academic freedom and his passion for understanding humanity’s sexual diversity.”

Right.

That’s a weird way of describing a man whose “research” included counting the number of orgasms a 4-year-old boy could have in 24 hours. Apparently, the answer is 26. In case you wondered, this “data” was obtained by a pedophile who systematically abused over 300 children and communicated his findings to Kinsey.

Of course, none of these facts were mentioned when Kinsey’s sculpture was unveiled. In fact, mass media has been whitewashing Kinsey’s past and highly questionable methods for decades.

Kinsey on the cover of Time magazine, 1953.

In an age where figures of the past are scrutinized and “canceled” for all kinds of reasons, Kinsey gets a statue. Why is that?

The short answer: Kinsey was part of an elite-backed agenda that is still highly relevant today. Everything that is happening today regarding sex, genders, and the normalization of everything abnormal (including pedophilia) can be traced back to Kinsey’s seminal works. Here’s a look at this highly influential figure.

Funded by the Elite

During the 1940s, Kinsey obtained research funding from the Rockefeller Foundation. This fact alone is enough to understand the forces behind Kinsey’s work.

A quick refresher course about the Rockefellers: They’re nothing less than America’s royal family. John D. Rockefeller is still considered the wealthiest American of all time and the richest person in modern history.

In the past decades, this powerful elite dynasty used its enormous resources to create the Rockefeller Foundation which shaped American society in ways we cannot even fathom. The foundation created entire fields of study and threw billions of dollars at research that aligned with its agenda.

What agenda am I referring to? In his own memoirs, David D. Rockefeller wrote:

“Some believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that’s the charge, I stand guilty, and I am proud of it.”
-David Rockefeller, “Memoirs of David Rockefeller”

While it might not be obvious at first, Kinsey’s works on sexuality play an important role in the globalist agenda. Last year, I published an article titled The 1963 List “Current Communist Goals” is Becoming a Reality Right Before Our Eyes which lists the numerous ways America can be weakened from within. The ultimate goal: To integrate it into a global world order. Here are three of these objectives:

25. Break down cultural standards of morality by promoting pornography and obscenity in books, magazines, motion pictures, radio, and TV.

26. Present homosexuality, degeneracy and promiscuity as “normal, natural, healthy.”

40. Discredit the family as an institution. Encourage promiscuity and easy divorce.

Alfred Kinsey played a major role in making these objectives a reality.

Redefining Sexuality

Kinsey’s two books revolutionized how sexuality is taught and perceived in America and the world.

In 1948, Kinsey published Sexual Behavior in the Human Male and, a few years later, Sexual Behavior in the Human Female. The books quickly became best-sellers and made Kinsey a celebrity. More importantly, they sparked a great shift in American morals and values.

During the 1950s, Kinsey teamed up with Mary Calderone (medical director for Planned Parenthood) to create the sex education curriculum that is still taught in schools today.

Hugh Hefner, the founder of Playboy magazine considered himself “Kinsey’s pamphleteer”. In the inaugural issue of his magazine, Hefner wrote:

“If you are a man between 18 and 80, Playboy is for you… we believe… we are filling a publishing need only slightly less important than the one taken care of by the Kinsey report.”

Needless to say, Kinsey’s work was highly controversial.

“While a set of people hailed the American biologist for revolutionising sexual customs, breaking taboos about the discussion of sex and challenging centuries of beliefs about human appetites and capacities, another set of people considered Kinsey as a paedophile, adulterer, attention-seeker, pornographic “filmmaker” and an addict, whose sole objective in carrying out research on sexology was to normalise and legitimise his many illegal fetishes.”
– Jinit Jain, Death anniversary of Alfred Kinsey: ‘Father of sexual revolution’

John Bancroft, a former director of Kinsey’s Institute stated that he “rebelled against what he regarded as the destructively repressive sexual mores of his time.” Kinsey believed that there were only three kinds of sexual abnormalities: abstinence, celibacy, and delayed marriage.

Indeed, Kinsey wrote:

“All orgasms are “outlets” and equal between husband and wife, boy and dog, man and boy, girl, or baby. For there is no abnormality and no normality.”

By including “boy and dog” in the quote above, Kinsey included bestiality in what is “normal”. And, according to his “data”, 50% of men  (mainly farm boys) had engaged in sex with an animal. Kinsey wrote:

“There are histories of farm-bred males who have risen to positions of importance in the business, academic, or political world in some large urban centre, and who have lived for years in constant fear that their early histories will be discovered. The clinician who can reassure these individuals that such activities are biologically and psychologically part of the normal mammalian picture, and that such contacts occur in as high percentage of the farm population as we have already indicated, may contribute materially toward the resolution of these conflicts.”

Yes, Kinsey wrote that bestiality is “part of the normal mammalian picture”.

But it gets much worse. Kinsey went out of his way to portray children as “sexual beings”. Bancroft stated that Kinsey was “particularly interested in the observation of adults who had been sexually involved with children”. That’s an understatement.

Normalizing Pedophilia

Kinsey stated that his findings were “an important substantiation of the Freudian view of sexuality as a component that is present in the human animal from earliest infancy.”

To support his claims, Kinsey obtained “data” that was compiled in the infamous Table 34, which is one of the worst things that ever happened in the history of science.

Found in the book Sexual Behavior of the Human Male, Table 34 documents the “sexual responses” of children from infants through teens as recorded by their adult male abusers. These pedophiles conducted sexual experiments on hundreds of children by bringing them to what the experimenters called “orgasm” (screaming, weeping, fighting the sexual “partner”) and timing these responses with a stopwatch.

Table 34.

The book states:

“We have now reported observation on such specifically sexual activities as erection, pelvic thrusts, and several other characteristics of true orgasm in a list of 317 pre-adolescent boys ranging between infants of five months and adolescence in age.”

Table 34 records nothing less than the systematic abuse of over 300 children aged between 5 months to 14 years old. The data it contains is simply horrifying. How can an 11-month-old baby have 14 orgasms in 38 minutes unless it was the result of outright torture?

When asked how he obtained this “data”, Kinsey blatantly lied and claimed that it came from various sources. But that wasn’t true. All of this “data” was obtained by one (insane) pedophile.

“His most infamous research subject was the 1944 interview of a sexual omnivore, who had a history of having sexual encounters with men, women, boys, girls, animals and family members, and which took about 17 hours to be recorded.”
– Op. Cit. Jain

In 1995, John Bancroft, director of the Kinsey Institute stated:

“The material in the tables came from one man, an extraordinary man with incredible numbers of sexual experiences on which he kept very careful notes.”
– Washington Post, Kinsey Report, Fast And Loose?

You’ve read correctly. The director of the Kinsey Institute called the monster who abused over 300 children “an extraordinary man”.

Just think about it for a second. How can one “extraordinary” man have access to over 300 children (some literal babies) to experiment on? In what conditions did he make a 4-year-old child have 26 orgasms in 24 hours? Were these children kidnaped and forced into MKULTRA-style sexual experiments?

Pat Trueman, a former US Attorney for the US Justice Department’s Child Exploitation and Obscenity Unit stated:

“If these experiments took place, they involved acts to which no child could provide consent and for which no parent or guardian could provide consent on behalf of the child. Therefore we are talking about criminal behavior, the criminal sexual abuse of children.”

Throughout the years, the Kinsey Institute refused to reveal this “extraordinary” pedophile’s name. He’s cataloged at the Institute under a pseudonym and all investigations were cut short.

In short, Kinsey used this “data” to normalize child sexuality. But that’s not all. In Sexual Behavior in the Human Female, he even attempted to normalize incest by claiming that “children are sexual and potentially orgasmic from birth (womb to tomb), unharmed by incest, adult/child sex, and often benefit thereby.”

Yes, he said that children that are raped by their own family can “benefit” from it.

To prove his claims, Kinsey and his associates interviewed 4,441 female children who were abused. The conclusion: Only one of them experienced harm.

“There are, of course, instances of adults who have done physical damage to children with whom they have attempted sexual contacts, and we have the histories of a few males who had been responsible for such damage. But these cases are in the minority, and the public should learn to distinguish such serious contacts from other adult contacts which are not likely to do the child any appreciable harm if the child’s parents do not become disturbed…among the 4,441 females on whom we have data, we have only one clear-cut case of serious injury done to the child, and a very few instances of vaginal bleeding which, however, did not appear to do any appreciable damage.”

The least one can say is that Kinsey’s conclusions are questionable. That’s because his entire methods are questionable.

Flawed and Fraudulent Methods

In the years that followed the publication of his books, some facts emerged regarding Kinsey’s methods that completely discredited his findings. First, it was discovered that, among the 17,000 people that were interviewed for his research, prostitutes and prison inmates (mainly sex offenders) were grossly overrepresented.

It was also discovered that Kinsey interviewed a disproportionate number of homosexual men which completely distorted his studies. For instance, his book claimed that “37% of males and 13% of females had at least some overt homosexual experience to orgasm”. These numbers did not represent American society at all.

Kinsey claimed that humans are naturally bisexual but are forced into heterosexuality and monogamy due to social and religious pressures. Considering the fact that Kinsey was bisexual himself (and involved in an open marriage) one question begs to be asked: Did Kinsey distort facts to fit personal biases and a wider agenda?

One thing is for sure: His methods were completely unscientific.

“But was he a scientist – or a voyeur and latent paedophile? He observed and filmed men and women having sex in various combinations. He had sex with some of his subjects and with his researchers and so, too, did his wife, Mac. He exchanged lewd, locker-room limericks with his students and got his young researchers to discuss their wives’ masturbatory habits. Once, when he had set up a sado-masochistic session involving two men, the researchers had to step aside occasionally when Mac came in to change the blood-stained sheets. He interviewed young children about their ideas on sex and incorporated the research of a self-confessed paedophile into his own work.”
– Irish Times, Everything you ever wanted to know about Kinsey

As stated above, Kinsey’s “research” included filming his coworkers having sex in his attic. Why is this person still considered credible in any shape or form?

In Conclusion

Alfred Kinsey’s research was deeply flawed. It was motivated by an obvious agenda and tainted with his own perversions. As if that wasn’t enough, his books contained the “findings” of an anonymous pedophile who sexually tortured hundreds of children. These facts should be enough to completely discredit this man and throw all of his “research” in the garbage.

But that is not what is happening. His story was whitewashed in the 2004 Hollywood movie Kinsey. In 2019, Kinsey was one of the inaugural fifty American “pioneers, trailblazers, and heroes” inducted on the National LGBTQ Wall of Honor. And, in 2022, Indiana University unveiled a statue of him to honor his memory.

The only reason why Kinsey is celebrated (and not canceled) is because his works are aligned with the elite’s agenda. And that is why a pedophilia apologist was honored with a statue.

The Elite is Desperately Trying to Convince You to Eat Bugs. Here’s Why.

Most humans are naturally repulsed by insects. The mere sight of some types of bugs (i.e. cockroaches) generates in most people an instant feeling of disgust, while some succumb to outright panic and horror.

This near-universal trait in humans is believed to be instinctual. Our natural inclination to yell “NOPE” when a bug is anywhere near us could be our brains warning us that these things could bite, sting, infect or even poison us to death. Also, considering the fact that some insects feed on filth, decay, and excrement, the mere sight of them is enough for our brains to send an alarm signal telling us that something is wrong.

With all of that being said, the global elite (most notably the World Economic Forum) wants us to put cockroaches in our mouths, chew on their crunchy exterior, and swallow their viscous green interior. Indeed, the bug-eating agenda is seeping through mass media and even the educational system. The goal: To normalize and even glamorize the consumption of bugs.

Some might say that several cultures eat bugs. That is correct. However, many others consider bug eating a complete abomination. If I told my Lebanese grandmother that I wanted to eat cockroaches for dinner, she would grab her old-school wooden sandal and she would throw it right at my face.

So why are the powers that be laser-focused on the entire globe eating crickets, mealworms, and cockroaches? Here’s a look at the situation.

The World Economic Forum Hates You

To fully understand why the elite wants us to eat bugs, we must first wrap our heads around one important fact: They’re looking to redefine what it means to be a human on Earth. They believe that we have too many freedoms and that we consume too many resources.

At the forefront of this movement is the World Economic Forum (WEF). In my article titled The Top 10 Creepiest and Most Dystopian Things Pushed by the World Economic Forum (WEF), I listed the many ways the elite-owned organization is looking to shape the future of humanity.

A WEF propaganda video that proudly states: “You’ll own nothing. And you’ll be happy”.

The WEF is not merely trying to control governments and economies, it wants to redefine the meaning of life on Earth. Nothing less.

An article on the WEF’s actual website. They’re out of their minds.

In short, they see us as cattle. Other than restricting every aspect of our lives, they also want us to consume much fewer resources. This is where the bug-eating agenda comes in. Using buzzwords such as “sustainability”, the global elite is defining what is a “responsible” diet while increasingly shaming those who eat meat.

A tweet by the WEF’s official account promoting bug-eating using a graph showing resource consumption of livestock.
Another WEF article promoting bug eating as an inevitability.

Other than trying to appeal to the environmentally conscious using graphs and figures, the elite is in full indoctrination mode to promote bug eating.

Mass Indoctrination

Several years ago, this site identified the gender-blurring agenda and predicted that it would be gaining steam. The least one can say is that was an understatement. Using mass media, schools, and sold-out governments, the elite made the gender-blurring agenda a priority and managed to redefine what means to be a man and a woman.

Well, the bug-eating agenda is on a similar path. Celebrities are eating bugs on camera.”Journalists” are writing articles promoting bug-eating as an inevitability. Schools are making children eat bugs in class. Here are some examples.

First, here’s a creepy video of Nicole Kidman eating live insects which she calls “micro-livestock”.

Yup, a big movie star was enlisted to semi-seductively eat insects on camera to convince you to do the same. This is cringy propaganda 101. Fortunately, the YouTube comments give us hope. Here are the top ones.

One movie star is not enough. They need many. Here’s Lupita Nyong’o using her acting skills to GO CRAZY over eating ants.

https://youtu.be/peA3r9MPp8Q

Other than using celebrities, the elite likes to use the “news”. As you probably know, a great number of “news” articles are actually thinly veiled attempts at propaganda.

A headline from the BBC.

There are a few things to note about the headline above. First, the push for synthetic “meat” is part of the same exact agenda. Second, this article was written by an “environment correspondent” and is filed under “climate change” as a topic. This is the angle taken to coerce and shame the world into adopting a diet based on insects and synthetic foods.

An article by the elite-owned The Economist promoting exactly the same diet: Insects and lab-grown meat.

Of course, the elite knows very well that indoctrination is most effective on young people. It is during their formative years that humans adopt habits that will follow them for the rest of their lives. For this reason, the bug-eating agenda is infiltrating schools worldwide.

In the following video, children are temporarily allowed to remove masks … to eat crickets. They’re creating a compliant, WEF-friendly generation.

This poster is plastered in California public schools.

The poster above was specifically created to manipulate children into eating bugs. Using cheap psychological tactics, the poster uses arguments such as “everybody’s doing it”, “you can dip them in CHOCOLATE” and “it makes you cool”. Also, it argues that “meat carries disease” and “makes you sick”.

Apparently, insects cannot make you sick. That’s what the propaganda says. Let’s look at what the science says.

Why Insects?

The powers that be are laser-focused on humans consuming a specific set of insects namely mealworms, house crickets, cockroaches, and migratory locusts. Considering the wide range of potential foods that can be consumed by humans, why are they focusing on these few – and particularly disgusting – species? Is it truly because they are “sustainable” … or is there a more nefarious reason behind it all?

If one steers away from the obvious propaganda and looks into the scientific research conducted in the past decades, some worrying facts quickly surface. The main one: Insects are toxic.

A 2019 study titled A parasitological evaluation of edible insects and their role in the transmission of parasitic diseases to humans and animals states the following:

From 1 January 2018 came into force Regulation (EU) 2015/2238 of the European Parliament and of the Council of 25 November 2015, introducing the concept of “novel foods”, including insects and their parts. One of the most commonly used species of insects are: mealworms (Tenebrio molitor), house crickets (Acheta domesticus), cockroaches (Blattodea) and migratory locusts (Locusta migrans). In this context, the unfathomable issue is the role of edible insects in transmitting parasitic diseases that can cause significant losses in their breeding and may pose a threat to humans and animals. The aim of this study was to identify and evaluate the developmental forms of parasites colonizing edible insects in household farms and pet stores in Central Europe and to determine the potential risk of parasitic infections for humans and animals. The experimental material comprised samples of live insects (imagines) from 300 household farms and pet stores, including 75 mealworm farms, 75 house cricket farms, 75 Madagascar hissing cockroach farms and 75 migrating locust farms. Parasites were detected in 244 (81.33%) out of 300 (100%) examined insect farms. In 206 (68.67%) of the cases, the identified parasites were pathogenic for insects only; in 106 (35.33%) cases, parasites were potentially parasitic for animals; and in 91 (30.33%) cases, parasites were potentially pathogenic for humans. Edible insects are an underestimated reservoir of human and animal parasites.

In short, 30% of the farmed insects evaluated by the study contained parasites that are harmful to humans. The full study describes each parasite that was discovered and noted that they were particularly harmful to the gut and lungs.

Other studies focused on chitin – a natural structural component found in insects’ exoskeletons. The 2007 study Chitin induces accumulation in tissue of innate immune cells associated with allergy states:

Antigens associated with insects, crustacea, helminths and fungi make up a considerable proportion of the environmental antigens associated with allergies and asthma in humans. Nonetheless, the common elements that link these widely distributed entities remain unknown. A major culprit might be chitin. Chitin is the second most abundant polymer in nature, providing the osmotic stability and tensile strength to countless cell walls and rigid exoskeletons. Reese et al. have now found that mice treated with chitin develop an allergic response, characterized by a build-up of interleukin-4 expressing innate immune cells. Occupations associated with high environmental chitin levels, such as shellfish processors, are prone to high incidences of asthma, suggesting that this pathway may play a role in human allergic disease.

In other words, the study found that chitin causes an allergic reaction in humans. Maybe that’s our bodies way of telling us that we shouldn’t eat the exoskeleton of insects.

Another study about chitin concludes:

Chitin, a polysaccharide constituent of many allergens and parasites, initiates innate type 2 lung inflammation through incompletely defined pathways.

A study focusing on chitosan – a chemical compound made from chitin – discovered that its consumption leads to the depletion of vitamins in the human body, which leads to disastrous effects.

There were no histologic changes associated with the observed decreases in vitamin levels; however, the decreases were significant enough to suggest nutritional inadequacies. The long-term effects of vitamin A and vitamin E deficiencies are well-known, and it is unknown what deficiency-related effects would have been observed had these decreased levels been maintained for a longer period of time. When circulating levels of vitamin E, specifically α-tocopherol, are depleted, tissue damage can occur. Vitamin E depletion in humans has subsequently been correlated with anemia, disruption of normal growth, decreased responses to infection, and pregnancy concerns. Vitamin A is essential in numerous biological processes and pathways, including growth, vision development, immune function, and metabolism. Severe vitamin A deficiency (VAD) results in disruption of normal tissue function and is associated with childhood blindness, anemia, and depressed responses to infection; VAD during a severe infection may result in death. While the long-term effects of vitamin deficiency in rodents are not as well understood, the available literature on human deficiencies suggests that the decreases in vitamin A and E observed in this study may be detrimental over time.

As if that wasn’t enough, here’s a headline from LiveScience.

While insects might show good nutritional value on paper, they might be outright toxic to the human body. Studies found that they can harbor parasites, affect the immune system, trigger allergies, and deplete vitamins from the body. Despite these glaring issues, the elite is going full-steam ahead with this agenda.

Creating a Crisis?

As the masses are being pushed towards the consumption of insects and synthetic products, some odd events are happening around the world directly affecting the food supply.

In the Netherlands, the government engaged in a war with livestock farmers because of “pollution”. The goal: To reduce the number of pigs, cattle, and chickens by over 30%.

Dutch government proposals for tackling nitrogen emissions indicate a radical cut in livestock – they estimate 11,200 farms will have to close and another 17,600 farmers will have to significantly reduce their livestock.

Other proposals include a reduction in intensive farming and the conversion to sustainable “green farms”.

As such, the relocation or buyout of farmers is almost inevitable, but forced buyouts are a scenario many hope to avoid.

The cabinet has allocated €25bn to slicing nitrogen emissions within the farming industry by 2030, and the targets for specific areas and provinces have been laid out in a colour-coded map.
– Anna Holligan, Why Dutch farmers are protesting over emissions cuts

If the supply of meat goes down drastically, prices will go up drastically. This would open the way to insect farming coded as “sustainable green farms” in the article.

In the United States, an unusual number of food processing plants have burned down in the past months.

A compilation of headlines about food processing plants being destroyed.

This caused some people to wonder: “what on earth is going on?”.

A headline from the Women’s magazine Elvie.

Meanwhile, Bill Gates officially became America’s largest private farm owner with some 269,000 acres across dozens of states.

There’s a war against small, independent and self-reliant farmers.

There are lots of speculations surrounding Bill Gates’ farmland grab in America. Why is he buying so much farmland? A look at the official website of the Bill and Melinda Gates Foundation provides some clues.

The Bill and Melinda Gates Foundation offered a grant to “All Things Bugs” a company that specializes in the production of insect-based foods.

Whether these facts are all part of a cohesive plan or not, they all lead us towards an increased rarity of meat and an increased supply of insects and synthetic foods.

In Conclusion

In the past months, we’ve witnessed the emergence of the bug-eating agenda. Using mass media and the educational system, the world elite is in full indoctrination mode to convince the world that crickets, locusts, cockroaches, and mealworms need to become an important part of our diet. The buzzwords used are sustainability, global warming, and pollution.

This call for a drastic change in food production is part of a wider plan by the WEF to completely reframe the human experience on Earth. They want the masses to be content with less as a growing number of resources will be deemed a luxury.

Furthermore, the bug-eating agenda might have an even darker motive. As shown above, countless studies documented the adverse effects of insects on the human body. Farmed insects can contain parasites harmful to humans, weaken the immune system, trigger allergies, and even deplete vitamins from the body. What better way to create a generation that is even more dependent on big pharma and, of course, vaccines?

Beyond all of this, there’s a near-spiritual component to it all. Considering the fact that humans are naturally aversed to insects, why are they insisting on us ingesting them? Because, to them, bad is good.

Symbolic Pics of the Month 09/22

Harry Styles was featured on this site numerous times because he is one of the unfortunate faces of the gender-blurring agenda in pop culture. As a member of One Direction, Styles was adored by children and pre-teens. This popularity was used by the powers that be to expose young people to something very important: Men wearing women’s clothes. They REALLY want children to be exposed to this.

Styles was recently featured on the cover of Rolling Stones UK wearing yet another feminine outfit. Other details in this pic (including his butterfly tattoo) give off a Monarch sex kitten vibe. In an ironic twist, the cover calls Styles “the new king of pop”. That’s because the industry likes to give ridiculous titles to its biggest slaves.
This is what you have to do for the media to call you the “king of pop”.

Bad Bunny is basically the Latino version of Harry Styles (I’ll never, ever use the term “Latinx”). Like styles, he was “selected” to expose his fans to the men-in-dresses agenda. Because masculinity is bad.

On the cover of Bazaar, Bad Bunny wears something that looks like a wedding dress. That’s what happens when you’re “married” to the industry. The cover calls him an “icon” and it also says that he “gives us hope”. He actually accomplishes the exact opposite. He’s proof that the music industry (and the elite in general) is overrun by absolute psychopaths who are obsessed with seeing men in dresses.

Sadly, this agenda is not limited to pop stars.

NBA player Kyle Kuzma modeled this puffy skirt at a fashion show. Look at his face. He’s dead inside. This is the new price of fame.

Speaking of the price of fame, Kim Kardashian needs to pay it once in a while.

Kardashian was featured on the cover of Interview magazine and it’s all highly symbolic. First, this 41-year-old woman with four children has to appear bare ass on the cover of a magazine. In my recent article about the 2022 VMAs, I observed that there was an unhealthy focus on butts and they keep being used as a symbol of the artists sexually submitting to their elite rulers. That’s pretty much what’s happening here. The fact that she’s on the cover of the “American Dream” issue is yet another sad, ironic joke.
Choker = Industry slave. Blond hair and weird blond eyebrows = Marilyn Monroe Sex Kitten programming. Miserable look on her face = Her realizing that she can’t age with dignity.

Interestingly enough, another ex of Kanye West bleached her eyebrows and it looks equally weird and offputting. I’m not a fashion aficionado, but I would describe this trend as the “retarded alien” look. 

As seen in previous SPOTMs, everything about Julia Fox points to industry slavery. This cover ES magazine is all about pain, torture, and being covered in blood. They love human blood.

Jamie Campbell Bower starred in The Twilight Saga, Harry Potter, and Stranger Things. In other words: Young people love him. Partly for this reason, everything about him is highly satanic.

On the cover of Wonderland, Bower wears a horned satanic mask. Some might say: “Well that doesn’t mean he’s into actual satanism”. Let’s keep going.
This is merch sold by Bower: An inverted cross on a Holy Bible. It all revolves around blatantly satanic themes. This is what young girls who think he’s cute see when they look up his Instagram page.
This is what Doja Cat fans see on her Instagram: VC 101. She does devil horns with butterfly wings behind her. The meaning of this artistic masterpiece: She’s owned by the satanic Monarch system. Also, she’s been displaying some bizarre behavior that is reminiscent of other industry slaves such as Britney Spears.

As usual, the one-eye sign popped up everywhere in the past month. In fact, there are so many pictures that I can only post a small fraction of them. Nevertheless, here are some of the most painfully obvious ones performed by some of the world’s biggest stars.

Kourtney Kardashian recently promoted her fashion show using this pic. Look at it. It’s nothing else than a big, fat one-eye sign.  There’s nothing else going on with that pic. It’s a sign of allegiance and submission.

Viola Davis is the star of The Woman King. I did not watch this movie, but I already know that it perfectly fits the agenda of promoting hatred and division between races and sexes. That’s the only reason why it was made. However, the Hollywood hacks who were trying to gain social credit points by making this movie forgot one important detail: In real history, Dahomey’s warriors actually HELPED slavers. Oopsie.

To promote this movie, Viola Davis was featured on the cover of ELLE Brazil. There’s a (very clever) one-eye sign to let you know that she’s a tool of the elite.

But wait. Maybe this is not a one-eye sign. Maybe it’s just her wearing the most ridiculous hat in human history … which happens to hide one eye. Alright, let’s look at another pic from that photoshoot.

A very obvious one-eye sign. Very.
In another pic, Viola wears a symbolic dress where creepy hands go across her chest and on her privates. The hands represent the “handlers” who control her. Moral of the story: The Woman King is not about “empowerment”, it is about the exact opposite.
Cate Blanchet is a very respected actress. After decades in the industry, she amassed tons of awards and remains one of the highest-paid actresses in Hollywood. Despite all of this, she still needs to show submission to the elite by doing the one-eye sign on the cover of Vanity Fair.
Maye Musk is Elon Musk’s mother. She does the one-eye sign all the time.
All. The. Time.
This is the poster for the upcoming Chucky series. While this character was always evil, this poster is all about the occult elite’s specific brand of satanism. At the very top, we see the words “The Second Coming”, which is a mockery of Jesus. On Chucky’s throne, we see a couple of inverted pentagrams, the words “Holy Hell” above an inverted cross, and a couple of syringes. In short, this is yet another product that’s been formatted to fit the occult elite’s very specific set of symbols.

There’s a very annoying agenda happening around the world: The promotion of bug eating. As usual, the powers that be insidiously target children with their indoctrination.

This poster exists in California public schools. It tells children to eat bugs using manipulative reasons such as A) Everyone else is doing it B) It’s cool and, of course, C) You can dip cockroaches in chocolate. A full article is required to explain the reasons for this agenda and it is coming soon.
This is a teacher at a high school in Ontario Canada. As you can see, he’s walking around with ridiculously gigantic prosthetic breasts. When parents of students at that school understandably asked “what in God’s name is happening?”, the school board defended him and media articles popped up about “body shaming” and “transgender rights”.
This is what students have to look at: Giant nipples protruding from a bra-less, skin-tight shirt. If a real woman showed up to school looking like that, she’d probably be fired on the spot. However, “trans rights” extremism is turning society into a complete joke where common sense is continually questioned and challenged.
Are you kidding me?

Special thanks to everyone who sent in pics. Except for the last one. It pissed me off.

The Satanic World of the White House’s New Monkeypox Czar

The spread of monkeypox in the United States is not a good look for the Biden administration which is heading towards mid-term elections. So, on August 2nd, some moves were made. Robert Fenton, the former acting head of FEMA was named “monkeypox coordinator” and Demetre Daskalakis, director of the CDC’s Division of HIV prevention, became his deputy.

Anthony Fauci, Chief Medical Advisor to the President said:

“From Bob’s work at FEMA leading COVID-19 mass vaccination efforts and getting vaccines to underserved communities to Demetre’s extensive experience and leadership on health equity and STD and HIV prevention, this team will allow the Biden Administration to further accelerate and strengthen its monkeypox response.”

Between the two, Robert Fenton is, by far, the “biggest” name. Considering the fact that he was in charge of FEMA’s response to 9/11 and Hurricane Katrina, he can already be considered a historical figure in US history. However, it is Daskalakis who is garnering 99% of media attention. Why? Because, like everything else in politics, the move had an important PR dimension attached to it.

One of the many headlines celebrating Daskalakis.

The main focus of media: Daskalakis is gay. That is quite an accomplishment. To his credit, he’s been active in places where monkeypox is being spread.

Daskalakis operated an HIV and hepatitis screening clinic out of a small office inside a Manhattan S&M club called Paddles, where men could pay $40 to party without their coats or clothes, according to the Atlantic. He also dressed in drag to administer meningitis vaccines at sex clubs and bath houses during an outbreak in New York City, NBC News reported. In an interview with The Atlantic, he claims to have learned his bedside manner from “East Village drag queens.”
– Daily Caller, Meet Joe Biden’s Monkeypox Czar — A Gay Doctor In Drag Who Wants To ‘Dismantle Stigma’

In a 2021 interview with Advocate, Daskalakis outlined his “plan” to eradicate HIV:

“To end the epidemic, we must have a clear focus on the STI and hepatitis [epidemics] and we must address the systemic racism, sexism, homophobia, and transphobia that hamper our progress. I’m thrilled that we are going to approach addressing HIV like a new outbreak all over again so we can end it.”

By using politically-charged words like “systemic racism, sexism, homophobia, and transphobia” to address a health issue, we can already see that there’s a clear ideological dimension to Daskalakis’ nomination.

But there’s even more to this. When Daskalakis is literally covered in satanic imagery. What does that say about “public health” in the United States and the White House in general?

Daskalakis wears a pentagram harness on the cover of Plus magazine. The unholy combination of PR, occultism, and public health.
Daskalakis’ social media accounts are filled with pics of him showcasing his tattoos which include an inverted pentagram and another one mocking Christ.

These pics caused some people to wonder: Did the White House appoint an actual satanist to become one of the nation’s “public health officials”?

As usual, media sources spun the story. In an article by The Advocate titled Why Are Conservatives Tearing Their Hair Out Over This Gay Doctor? we can read:

Trolls have targeted his tattoos shown on his personal Instagram page. Of the many tattoos, Daskalakis has one with a pentacle.

That’s what made others on social media lose it. A gay doctor posting thirst traps and baring a pentacle tattoo? Many came to the conclusion that he’s a satanist.

“I am certainly not a satanist,” Daskalakis tells The Advocate.

And why do people think he is? “It’s because I wear high-fashion harnesses by Zana Bayne,” he cheekily replies.

The harness has been making a splash in the fashion world for more than a year now. Also, the pentagram (or really a pentacle, since it has a circle around it) has been around for thousands of years, even predating Christianity. The HIV prevention specialist has tattoos including other iconography, including a more Christian-oriented one. Maybe it’s all about balance?

To spin this story, this article engaged in shameless disinformation. First, the tattoo is not a simple pentacle, it is an inverted pentacle – the same one that is used on the official logo of the Church of Satan.

The sigil of Baphomet – the official symbol of the Church of Satan. Daskalakis has pretty much this exact thing on his chest.

Here’s what Manly P. Hall, an actual occultist (and not a disinformation journalist), has to say about inverted pentagrams:

“In symbolism, an inverted figure always signifies a perverted power. The average person does not even suspect the occult properties of emblematic pentacles (…).

The black magician cannot use the symbols of white magic without bringing down upon himself the forces of white magic, which would be fatal to his schemes. He must therefore distort the hierograms so that they typify the occult fact that he himself is distorting the principles for which the symbols stand. (…)

The pentagram is used extensively in black magic, but when so used its form always differs in one of three ways: The star may be broken at one point by not permitting the converging lines to touch; it may be inverted by having one point down and two up; or it may be distorted by having the points of varying lengths.

When used in black magic, the pentagram is called the “sign of the cloven hoof,” or the footprint of the Devil. The star with two points upward is also called the “Goat of Mendes,” because the inverted star is the same shape as a goat’s head. When the upright star turns and the upper point falls to the bottom, it signifies the fall of the Morning Star.”
– Manly P. Hall, The Secret Teachings of All Ages

The article also purposely ignores the HUNDREDS of highly satanic pictures that can be found on Daskalakis’ Instagram accounts.

Satangram

Shortly after he got the job, Daskalakis’ Instagram account went private. Nevertheless, some sources managed to take a few screenshots. And they’re rather telling.

His personal account contained occult and satanic images such as this inverted pentagram and crucifix which appears to be used for ritualistic purposes.
Here, Daskalakis mocks the Christ – a recurring theme in his pictures.
Internet sleuths also discovered that Daskalakis followed The Satanic Temple on Instagram.

These pictures prove that he’s not simply “interested” in satanism and that he’s not just trying to be “edgy”. He’s deeply committed to it. It defines him. And there’s more.

Some years ago, Daskalakis and his partner Michael MacNeal founded Monster Cycle in NYC. And, long story short, it’s a satanic gym. That’s the only way to put it. The Instagram account of the gym contains every single occult and satanic symbol that was ever mentioned on The Vigilant Citizen.

The location of the gym itself is highly symbolic.

The gym is inside a former Church. Satanic black masses are all about desecrating Christianity and turning a church into a satanic shrine is the ultimate way of accomplishing this.
The workouts are framed as “rituals” (see the caption) and they take place pseudo-occult symbols. 
“Our version of Black Friday”: Black magic rituals.
Daskalakis’ personal Instagram account was tagged on this pic that features inverted crosses drawn in blood. He’s tagged on numerous pictures posted on this IG account.
In a photo taken by Daskalakis, Macneal poses in front of a giant inverted pentagram, while wearing a creepy plague mask … while posing as Jesus crucified.
The church’s stained glass windows were replaced with “art” such as this thing depicting the devil in the place of Jesus at the last Supper. Daskalakis poses proudly in front of it.
Devil. The caption of the pic: “It’s almost time to sell ur soul”. Is this really a spinning class? 
Daskalakis with his husband in front of 666 background.
666 is everywhere on that Instagram account.
The “Devil’s Night Event” is promoted using a picture from the highly satanic show Chilling Adventures of Sabrina.
The gym celebrates Halloween with a “blood rave” – a party where everyone is covered in blood (fake, hopefully). So, yes, they’re completely down with the occult elite’s obsession with human blood. 
A happy customer of the blood rave.
Do you need more proof that Dskalakis is involved in satanism? I mean, seriously. Look at that pic, read the caption and read the hashtags. 

Dozens of other highly symbolic pictures could be added. So, no, Daskalakis being highly invested in satanism is not an invention by “crazy conservative trolls”. It is an undeniable fact.

In Conclusion

When Daskalakis was first nominated as “monkeypox czar”, mass media went into full PR mode. Completely ignoring ex-FEMA director Robert Fenton, media coverage focused on Daskalakis’ sexual orientation. However, when it was revealed that Daskalakis was deeply invested in everything satanic, mass media went into full denial, even shamelessly plunging into full-on disinformation.

As seen in this article, Daskalakis is not simply “interested” in satanism, he’s completely defined by it. Let’s imagine for a second that he was Christian and that he posted a similar amount of Christian-themed pictures on his Instagram account. What would be the general consensus? That he’s a devout Christian. Well, using the same logic, one can assume that he’s a devout satanist.

With that being said, I couldn’t care less about his personal beliefs. However, he is now a leading public health figure in the country. And, since COVID, we’ve discovered (much to our horror) that “health officials” can be given sweeping, never-seen, God-like powers.

Should this kind of power be given to someone who is so obsessed with Satanism and everything that comes with it? His own social media posts revolve around the concepts of evil, death, blood, occult rituals, human sacrifices, and outright hatred of Christianity. Is this the kind of mindset you want from someone who wants to put a needle in your arm?

That’s gonna be a ‘no’ from me dawg.

There’s Something Wrong With Disney’s “Little Demon” and its Executive Producer Dan Harmon

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Little Demon is an animated series produced by FX Networks – a subsidiary of Disney. It stars Danny DeVito, Lucy DeVito (Danny’s daughter), and Aubrey Plaza. Other celebrities featured on the show are Arnold Schwarzenegger, Mel Brooks, Will Jackson Harper, Pamela Adlon, Rhea Perlman, Shangela, Patrick Wilson, Dave Bautista, June Diane Raphael, Toks Olagundoye, Lamorne Morris, and Sam Richardson.

The executive producer is Dan Harmon, the creator of the hit series Community and Rick and Morty.

The cast and creators of Litte Demon at Comiccon.

In short, there’s a lot of money and star power behind Little Demon. Also, mainstream media outlets have been enthusiastically promoting the show in every way possible.

With that being said, here’s the title screen of the show.

Look at the background.

The background contains the real, actual logo of the Church of Satan, a real, actual organization that really exists.

The sigil of Baphomet – the official logo of the Church of Satan.

Why would the actual logo of an actual organization be used in a fictional show? Are Hollywood Satanists using mass media to proselytize their “religion”?

The show’s official synopsis provides us a clue:

Thirteen years after being impregnated by the Devil (Danny DeVito), a reluctant mother (Aubrey Plaza) and her Antichrist daughter (Lucy DeVito) attempt to live an ordinary life in Delaware, but are constantly thwarted by monstrous forces, including Satan, who yearns for custody of his daughter’s soul.

While the premise of the show might sound “creative” to some, it is not. It is extremely similar to series such as Chilling Adventures of Sabrina where the protagonist is a teenage girl who goes through relatable situations such as going to high school and chilling with friends. The twist: She’s “special” and “powerful” because of Satan and witchcraft. It is a well-established narrative that happens to be extremely manipulative by tapping into the desires of young people.

A simple look at the trailers of the show makes one fact about it immensely clear: It is all about the ongoing agenda of normalizing (and even glorifying) satanism and the general concept of evil to the masses.

I mean, just look at the trailer and tell me it doesn’t openly celebrate Satan.

https://www.youtube.com/watch?v=wZ0vvNZ0QM0&list=PLIDyzBpnfjqk7Q6_SKn5gzY_nHR4xXiG3&index=5

I did not watch the entire series, but a simple look at the various trailers available online is more than enough to confirm another fact: Little Demon is drenched in the occult elite’s agenda and symbolism.

Satan gives the main protagonist cool powers that allow her to fight back against bullies at school and such. The message: Satan is your friend. Another message: Witchcraft is female empowerment. Also, notice the eye in her hair. It tells you that this show was sponsored by the occult elite.
In fact, the one-eye sign is all over the place in Little Demon.
Satan assumes the form of a nice, non-threatening dad who looks out for his daughter.

In one trailer, we see Satan discovering that his offspring is a girl. He immediately responds: “The future is female!”. By using this feminist quote, Satan becomes cool, accepting, and inclusive.

The mom is a cool, bad-ass, tattooed witch with occult powers. Also, she copulated with Satan himself and bore his child. 
Little Demon portrays occult rituals and blood sacrifices as activities that are fun and exciting. Many other series targeting teenagers and young adults convey the same message.
The unholy trinity and an inverted cross. Just pure satanic symbolism being flashed on the screen. Is this still entertainment?

The blatant satanic imagery of the show hasn’t gone unnoticed. In a Facebook post, U.S. Congressman Mike Johnson described the show as “clearly evil”:

The shocking ending to the LSU opener was not the most disturbing part of the game last night. For me, that came during a commercial break in the second quarter when the television audience was presented with the trailer for a new FX cartoon “sitcom” entitled, “LITTLE DEMON.”

I couldn’t get to the remote fast enough to shield my 11-year-old from the preview, and I wonder how many other children were exposed to it—and how many millions more will tune in to the new series, owned and marketed by DISNEY.

The trailer included dark images of Hell, demons, and satanic imagery, and an explanation that the main character is… the Antichrist(!).

Disney provides this surreal description: “Thirteen years after being impregnated by Satan, a reluctant mother, Laura, and her Antichrist daughter, Chrissy, attempt to live an ordinary life in Delaware, but are constantly thwarted by monstrous forces, including Satan, who yearns for custody of his daughter’s soul.”

The actress who voices Laura said in an interview, “I love that we are normalizing paganism. Laura is a pagan. She’s a witch. She’s jacked.”

Another online review explains that Chrissy discovers she’s the Antichrist “in grisly fashion, quickly reducing a gaggle of school bullies into piles of red goo in what turns out to be the first of many spectacularly gory sequences. Chrissy doesn’t seem overly concerned by the whole triple-murder thing, shrugging it off with an easy-breezy attitude that sets the tone for the rest of ‘Little Demon.’”

“Most of the show’s best moments come when it leans into its hellish premise and plumbs the depths of its own depravity. It’s likely you’ve never seen a man punch a hole in his own face before or heard the words, ‘Let’s go boil some babies while their heads are still soft’ in quite that order and, after two decades of South Park, Family Guy, and other cartoon shock merchants, an animated series finding new ways to disgust is a genuine achievement.”

WHAT IN THE WORLD?!?

I could write volumes this morning, and unpack pages of Bible verses here, but instead I’m just going to state the obvious: Please be careful. Our job as parents is to guard the hearts and minds of our kids. This culture has become alarmingly dark and desensitized and this is not a game. Disney and FX have decided to embrace and market what is clearly evil. STAY FAR FROM IT.

“Be sober, be vigilant; because your adversary the devil prowls around like a roaring lion, seeking whom he may devour.” (1 Peter 5:8)

As described above, the show contains gore, nudity and jokes about killing babies. Sadly, the show’s executive producer Dan Harmon has been making jokes about abusing babies for a while.

Something’s Wrong with Dan Harmon

Seriously.

In 2009, Dan Harmon created a comedy short called Daryl – a parody of the series Dexter. And it was awful. The main reason: He rapes a baby. Twice.

In 2018, 4Chan users uncovered Daryl and exposed the world to its awfulness. Alarmed by the fact that people were on to him, Harmon promptly deleted his entire Twitter account.

What was the link between Daryl and his Twitter account? It is still unclear. My guess is that his account probably contained pedophile jokes. A few days prior, Hollywood director James Gunn had gotten into trouble for tweets about him wanting to abuse young boys.

But Harmon did not get into trouble. Mass media flew to his defense and the video was all but scrubbed from the net (if you’re prepared to be deeply disturbed, you can still watch it here)

Here’s a quick summation of what happens.

Dan Harmon plays the role of a psychologist. At one point, he sneaks into his patient’s house and says:

“Thank you for being such a good patient, for taking all of the sleeping pills I prescribed to you so that, later tonight, when I’m crawling in your window, I can count on you to sleep like a baby … while I do everything but sleep with yours”.

Harmon sneaks into the baby’s room, takes off his pants, and rapes the baby.

Then, Harmon’s character convinces another patient that the only way to cure his baby is to rape it.

Harmon takes off his pants (again) and rapes the baby in front of its father. The show ends with Harmon saying that he really enjoyed it. Stellar comedy.

I’m deeply sorry about the screenshot above. But we collectively need to face some cold hard facts. Look at this fat pedo raping a baby above. He’s currently producing a show about Satan and the Antichrist. It has a huge Disney budget, it is full of Hollywood stars, and it is praised by mainstream media. What else do you need to know about the entertainment industry and the entire elite system that supports it?

In Conclusion

Little Demon is perfectly in-line with the satanic agenda that has been permeating mass media for years. It is all about countering people’s natural aversion to the concepts of evil, satanism, and demonic possession by making them fun, relatable, and entertaining. Through mass media, Satan stops being “the adversary” that represents all that is sick, cruel, and perverted and becomes a dad who looks out for his daughter. Satanic possession stops being a soul-destroying ordeal to become a potent way to gain superpowers.

One must be blind not to see that the world is currently being swept by a massive wave of indoctrination. Mass media is making satanism the only “religion” to be allowed mainstream praise and exposure.

What about the fact that real actual satanist perform real actual black magic rituals, blood sacrifices, and child abuse? Well, they’re trying to normalize all of that too. Because those behind Little Demon are big, fat, disgusting demons.

The Toxic Agendas and the Blatant Occult Symbolism of the 2022 VMAs

Ever since I began analyzing the VMAs back in 2009, I highlighted the fact that MTV’s yearly ceremony is essentially a theatrical performance, complete with recurring actors and an overarching narrative. The goal is to promote specific artists and to showcase how they comply with the elite’s agenda by using blatant symbolism.

The 2022 VMAs was no exception. A limited number of actors took part in this play (notably Nicki Minaj, Jack Harlow, and BLACKPINK) as all kinds of globalist-elite-friendly agendas were being promoted to millions of young viewers. And, in 2022, that agenda is simply toxic.

Indeed, the sheer depravity and absurd hyper-sexualization that permeated this show had me thinking on a biblical level. It’s not about “sex sells anymore, it is about more than that. On some occasions, words like “Sodom and Gomorrah” popped into my head because there was a dark, spiritual aspect to this sad spectacle.

The VMAs were not merely about being “sexy”, it was about weird, twisted, unnatural, and exploitative sexualization that’s clearly motivated by malevolent forces. This sexualization is not about “free expression”, it is about the exact opposite. It is about control, submission, and even humiliation. Through symbolism, we understand that the “artists” that are celebrated during these awards are actually slaves of a powerful system that is using them as a weapon for mass indoctrination.

Think I’m exaggerating? Let’s just look at this cursed spectacle and you decide.

Pre-Show Madness

For some reason, the VMAs was hyper-focused on butts. To an absurd level. It’s almost as if the makers of the show believed that all of its viewers were toddlers stuck in the anal stage of development. And I’m not only talking about female butts.

The first performance of the pre-show featured Saucy Santana dressed like a woman and twerking all over the place.

Saucy Satana shakes his butt while wearing one of Beyonce’s outfits.
Also, there was this guy.

The name of the song: Booty. The chorus of the song:

Yeah, I know you like my booty, booty, booty, bootybooty, booty, booty, bootyBooty, booty, booty, booty, booty

Sodom and Gomorrah.

At the end of the pre-show, Dove Cameron performed the song Boyfriend.

Dove Cameron and her female dancers are dressed in masculine clothes.

Here’s the chorus of the song:

I could be a better boyfriend than himI could do the sh*t that he never didUp all night, I won’t quitThinking I’m gonna steal you from himI could be such a gentlemanPlus all my clothes would fit

The song is about Dove convincing a woman that she can be a better “boyfriend” to her than her own male boyfriend.

To sum up the Red Carpet show, the first performance featured a bunch of men twerking while dressed as women. The last performance featured a woman dressed as a man and singing about being a “better boyfriend”.

In short: A complete reversal of the sexes. I said above, this is not merely about being sexy, this is about twisting human nature and confusing young viewers.

All of that, and the actual VMA’s did not even begin yet.

The Blatant Symbolism of the VMAs

The entire VMAs were rife with obvious symbolism that strongly hinted at one thing: The occult elite controls everything.

Most awards were preceded by an animation depicting a “hand from above” bestowing a gift to those under. It represents the elite handing out an award to the compliant slaves it controls.

As you’ll soon see, nearly every artist at the VMAs performed under a pyramidal structure that gave the entire show a strange, dystopian vibe. The message: The elite owns these slaves. Even up-and-coming artists performed under pyramids.

Conan Grey, a male singer (who was dressed in women’s clothes) performs under a pyramid. The message: The elite is “incubating” this artist for the future.

The VMAs also managed to convey the fact that being under the elite’s pyramid comes at a cost.

Lil Nas X’s Humiliation

The first award that was given at the VMAs was followed by a strange scene that might be a classic case of “humiliation ritual”. When Jack Harlow and Lil Nas X won the “Best Collaboration” award, Lil Nas did not want to get up.

Then, Jack Harlow forced Lil Nas to stand up. The rapper was clearly embarrassed as he attempted to hide his privates using his purse.

Once on stage to accept the award, Lil Nas said:

“Wow, I’m up here like half-naked.”

Lil Nas X was still clearly embarrassed as he tried to hide from the viewers. This image basically says: Yes, he got an award, but at what cost?

This is what probably happened: Lil Nas was forced to wear this outfit and “they” knew very well that he had to go on stage while wearing it. In numerous previous articles, I stated that Lil Nas was a male Sex Kitten slave of the industry. This forced humiliation was part of the price to pay to be an industry slave.

BLACKPINK

As explained in past articles on this site, K-Pop is 100% part of the occult elite’s agenda. And BLACKPINK was been “chosen” to make it big across the world. The group’s performance at the VMA’s could not have been more obvious.

The performance began with fangs descending from a cloud, in front of a lit pyramidal structure: Satanic occult elite.

Then things get even more obvious.

BLACKPINK performs in front of a giant eye inside a triangle which happens to be the favorite symbol of the occult elite.

Yes, I’m talking about this symbol.

The all-seeing eye inside a triangle.

To confirm the fact that BLACKPINK was chosen by the elite, Lisa, a member of the group, went on to win the Best K-POP Video award for her song Lalisa.

Here’s the cover art of the album.

It’s basically a massive one-eye sign.
You comply with the elite, you get shiny things. But at what cost?

As you can see, the elite fully infiltrated K-Pop. And it is doing the same with Latin music.

Latin Music Infiltrated

The 2022 VMAs featured several Latin artists and all of them managed to display complete submission to the occult elite.

J Balvin and Ryan Castro performed the song Nivel Del Perreo next to weird CGI of a girl shaking her butt. Yup, there were lots of butts at the VMAs. More importantly, they performed in front of another version of the eye-in-triangle symbol.

Some might say:

“Triangles do not necessarily mean Illuminati bro.”

I know. But here’s an actual lyric that was rapped by Ryan Castro during this very performance.

“Yo te como el triangulito como Illuminati” (I eat your triangle like Illuminati)

While this line barely makes any sense, it was said in this specific context for a purpose. It confirmed that these triangles you are seeing throughout the show symbolize the elite.

Anitta’s performance confirms this fact.

Anitta’s performance began with her sitting in front of yet another eye inside a triangle.

At one point, Anitta says:

“Did you think I wasn’t gonna shake my ass tonight?”

As said above, the VMA’s were strongly focused on butts. As soon as Anitta talked about “shaking her ass”, this symbolic thing happened.

The “hidden hands” (seen earlier handing out awards) literally open the doors of the pyramid to Anitta.

The message of this scene: Shake your ass (be an industry slave) and the occult elite will “open the doors” of the industry.

As explained in a recent article, the Brazilian singer Anitta has been hard at work doing the occult elite’s bidding.

Left: Anitta makes a blatant one-eye sign in a picture that was used in a New York Times article promoting her. Right: The cover of her album Version of Me revolves around the concept of MKULTRA alter-personas.

To confirm that she’s a “chosen one” Anitta won the award of “Best Latin Video”.

Throughout the show, Anitta wore a red dress that strategically exposed her left breast.

As explained in my very first article about the VMAs, red is the color of sacrifice and initiation. Furthermore, initiation rituals in Freemasonry require their candidates to walk around with their left breast exposed.

A Masonic initiate with his left breast exposed.

Bad Bunny is another Latin artist who was awarded at the VMAs. As seen in previous articles on this site, everything he does is in full compliance with the elite’s agenda.

Bad Bunny constantly wears dresses in photoshoots because he has to push the all-important gender-blurring and demasculinization agenda.

Bad Bunny won the Artist of the Year award, which is pretty big. However, he had to do something first.

During his performance, Bad Bunny kissed one of his male dancers.

Bad Bunny is not gay. He has a girlfriend and everything. During an interview with the LA Times, he stated:

“At the end of the day, I don’t know if in 20 years I will like a man. One never knows in life. But at the moment I am heterosexual and I like women.”

So why did he kiss a man? Because he had to. It’s about using sexuality for submission, compliance, and humiliation. He had to comply with the agenda and expose young viewers to this stuff.

Sure, he won a trophy. But at what cost?

Nicki Minaj Extravagenza

Nicki Minaj was all over the place. She was a host, she won the Video Vanguard Award and she performed for like 13 minutes. And, once again, the thing was rife with symbolism regarding her status as an industry slave.

Minaj’s entire performance revolved around the concept of her being a Barbie doll aka an MK slave.

In Monarch mind control, MK slaves are submitted to trauma such as electroshock therapy to cause dissociation which facilitates the creation of new programmable alter-persona. This is exactly what happens to Nicki during her performance.

Her set begins with her rapping in a rather natural, normal way, with some introspective lyrics. She’s her natural self. Then, she starts spazzing out.

Lights flash and Nicki flails around as if she was being electroshocked.
Lightning bolts further conveyed the concept of Nicki being electroshocked.

After the shocks, her voice and demeanor change. Her alter-persona is now on stage.

While performing the song Monster, Nicki tortures a woman for no particular reason. MK slaves are sometimes used to torture and kill other slaves.
Like other artists at the VMAs, Nicki performed at the bottom of a pyramid. Also, notice the Masonic checkerboard pattern floor.
A clock containing the symbolism of the Blue Lodge Freemasonry. See any similarities with the screenshot above?

After the performance, fans of Nicki Minaj (called Barbs) paid tribute to her. It was ridiculous. One woman said:

“Queen! You taught me to always put myself first and be completely unapologetic about it.”

Huh, qUeEn … that just doesn’t sound right. Isn’t ALWAYS putting yourself first the literal definition of being selfish? It’s also the main tenet of the Church of Satan … but that’s none of my business.

Then, a guy says (while nearly crying):

“You’ve always been my inspiration for strength and confidence. You’re literally the reason that I’m alive”.

Really? Nicki Minaj is the reason you’re alive? How? What exactly did she do? Was it when she supported her brother who was sentenced 25 to life for child rape? Or when she supported Drake, the child groomer? Or when she supported her husband who was arrested for failing to register as a sex offender? Or the fact that she named one of her alter-egos after child rapist Roman Polanski?

Then, another Barb says:

“Her music is everything. We owe her everything. She is everything, OK?”

Wow.

After being described by her fans as the sweetest person on Earth, Nicki begins her acceptance speech by yelling at her assistant in the crowd because he didn’t give her her phone. Seriously, you can’t make this up.

The VMAs contained a bunch of other strange, hypocritical moments.

Winning … and Whining

At one point, Bebe Rexha comes out to present the “Video for Good” award. She says:

“The nominees for Video for Good push us to be better, to be ourselves, and to be nicer to each other.”

Then, Lizzo wins and she comes up looking like this.

Lizzo is supposedly “pushing us to be better”. Here’s the first word of her acceptance speech.

“B***********tch!”

So inspirational. She really is making us better.

Then, she ranted about “laws that are oppressing us”. Of course, she wasn’t talking about actual laws that are oppressing us but about abortions (because the elite is obsessed with killing babies). Then, Lizzo addressed comedian Aries Spears who dared to make jokes about her.

Indeed, Spears said that he couldn’t get past the fact that Lizzo “looks like the sh*t emoji” and that she was “built like a plate of mashed potatoes”. Lizzo said:

“And now for the b*tches that had something to say about me in the press. (…) B*tch I’m winning ho!”.

Instead of ignoring the jokes and, maybe, saying something meaningful, she just used this platform to yell obscenities on the mic. It’s exactly like the Nicki Minaj situation described above.

Here’s a little message for Lizzo: You’re only winning because they want you to. When they’re done using you to push agendas, you’ll be 💩 to them.

Then, the hypocrisy mixed with virtue signaling continued.

Later in the show, Billy Eichner came out and he was very angry.

Billy was there to promote the movies Bros. He said:

Bros is making history as the first gay romcom ever made by a major studio and the first where every role is played by an openly LGBTQ actor”.

Hold on, Billy. If EVERY role is played by LGBTQ actors, isn’t that the exact opposite of being “inclusive”?

Then, Billy actually guilts people into watching the movie.

“I need all of you in theaters because we need to show all the homophobes like Clarence Thomas and all the homophobes on the Supreme Court that we want gay love stories”.

Wow. I didn’t realize that the “homophobes of the Supreme Court” banned gay love stories. Then, he went on calling people in the audience “sinners” in a playful way. Sodom and Gomorrah.

Eminem and Snoop in the Metaverse

A few months ago, I analyzed Mark Zuckerberg’s pathetic attempt at making the Metaverse cool to young people with a creepy and disturbing ad. Well, they’re at it again. This time, they’ve recruited Eminem and Snoop Dogg to promote this dystopian virtual reality world that’s controlled by tech giants.

The performance begins with Snoop smoking a gigantic joint and Eminem saying that it’s getting him high.
Then, the marijuana smoke transports them to the Metaverse.

Yes, they’re equating being in the Metaverse with being high. That’s how low they’re willing to go to sell the Metaverse to young people.

Fake, Metaverse versions of Snoop and Eminem perform in “trippy” places such as this place populated with horned beings.

Snoop and Eminem probably got paid a lot of money to promote the Metaverse. I hope it was worth it because it was definitely a low point in their careers.

In Conclusion

The 2022 VMA show was a non-stop barrage of toxic messages and occult symbolism that were directly sponsored by the global elite. This sad spectacle was blatant proof of how popular culture is now used to not only indoctrinate the masses but to actually confuse and demoralize them.

For years, I’ve been highlighting the gender-blurring agenda that’s permeating societies across the world. The VMAs is a perfect reflection of the absurdity of this agenda. Every single year, the VMAs push this agenda a little further, knowing very well that those who dare mention anything about it get shut down as “transphobic”. Now, it has come to the point that most men at the VMAs are overtly feminine.

What will it take for people to realize that none of this is organic? That it is all part of a sick agenda? Maybe if all of the artists performed under a literal Illuminati pyramid? Maybe that would make things obvious. Hold on, that’s exactly what happened.

Nobody in mass media dared addressing any of this. Because they were too focused on the butts.

The 2022 VMAs, summed up in one picture.

The Traumatic Life and Suspicious Death of Anne Heche

On August 5th, Anne Heche sped through a residential area, crashed her car into a Los Angeles home, and was taken to a hospital after a bizarre “rescue” that she actually attempted to escape. Six days later, the 53-year-old actress was pronounced “brain dead” and the coroner quickly ruled the death as “accidental” due to “inhalation of smoke and thermal injuries”.

Since then, strange facts and puzzling videos have surfaced online pointing to the fact that there’s more to the story than what was reported in mass media. Clearly, Heche was distraught about something. However, as is often the case in these strange Hollywood deaths, police investigation was cut short and the media focused its coverage on her consuming drugs and alcohol.

What actually happened on that fateful day?

In order to get a clearer picture of these chaotic moments, we first need to look at Heche’s life and projects. Because, maybe, she knew too much.

Traumatic Childhood

Young Anne Heche in a family picture.

Anne Heche’s early years were nothing less than traumatic. In multiple interviews, Heche stated that her father repeatedly raped her from the time she was an infant until she was 12 years old.

When Heche was 13, her father died from HIV/AIDS at 45 years old. In interviews, Heche stated that her father contracted the disease after having sex with multiple homosexual partners. When she was asked why a homosexual man would abuse a young girl, she replied:

“I don’t think he was just a gay man. I think he was sexually deviant. My belief was that my father was gay and he had to cover that up. I think he was sexually abusive. The more he couldn’t be who he was, the more that came out of him in [the] ways that it did.”

Three months after her father’s death, her 18-year-old brother Nathan died in a car crash. While the official determination was that he fell asleep at the wheel and struck a tree, Heche believes that it was a suicide.

In a 2001 interview with Barbara Walters, Heche stated that the abuse she underwent during childhood caused her to believe that she was two different people. She said:

“I had a fantasy world that I escaped to. I called my other personality Celestia. I believed I was from that world. I believed I was from another planet. I think I was insane.”
– ABC News, Anne Heche Interview

Here, Heche described dissociation and alter-personas, two core concepts of Monarch mind control – a practice that is rampant in Hollywood.

By the time she was 25, Heche said her personality had begun to “fragment”, shattering into moments of madness. Celestia, her other personality whom she believed was a reincarnation of God, spoke a different language and had special powers.

“You name it, I could do it. I could see into the future. I could heal people. I don’t know where it came from. I was, in my mind, learning it from God.”
– Ibid.

MK slaves are sometimes programmed for ESP (extra-sensory perception). The fact that Heche described all of the core aspects of mind control indicates that she might have undergone some type of programming. It is also possible that she had faint, distorted memories of it (i.e. she “learned it from God”).

Heche’s first public relationship was with actor Steve Martin – who was 24 years her senior. Then, she engaged in a highly publicized relationship with Ellen Degeneres.

Heche and Degeneres.

In August 2000, on the day following her breakup with Ellen, Heche had one of those MKULTRA-style breakdowns, complete with bizarre, erratic behavior.

Following her separation from DeGeneres in August 2000, Heche drove from Los Angeles to Cantua Creek in a Toyota SUV. She was wearing only a bra and shorts at the time, parked the car, and walked 1+12 miles (2.4 km), before reaching a ranch house. The homeowner, Araceli Campiz, who had seen Heche in a movie, recognized her and let her in. After drinking a significant amount of water, Heche “took off her Nikes and said she needed to take a shower.” Campiz assumed that Heche was not under the influence of alcohol or drugs, but Heche later revealed that she had taken ecstasy. After taking a shower, Heche entered the living room, asked for a pair of slippers, and suggested that they should watch a movie. After half an hour, Campiz contacted the Fresno County sheriff’s department.
– Wikipedia, Anne Heche

In her 20/20 interview said about this bizarre night:

“I was told to go to a place where I would meet a spaceship. I was told in order to get on the spaceship that I would have to take a hit of Ecstasy. Fresno was the culmination of a journey and a world that I thought I needed to escape to in order to find love.”

In 2001, Heche released a book about her mental issues.

The cover of the book features an unmistakable one-eye sign. Was it a coded way of saying that her “issues” were actually a result of industry programming?
Heche had a large butterfly tattoo. Monarch programming.

After these troubled years, Heche apparently found some mental health and stability. She eventually married actor James Tupper with whom she had a child. In the following years, she took part in some interesting projects.

“Conspiracy” Movies

In 2008, Heche starred in Toxic Skies – a movie that gained renewed interest following COVID-19.

The poster of Toxic Skies.

In the movie, Heche plays the role of a doctor who works for the Global Health Organization (a reference to the World Health Organization) during the outbreak of a pandemic. As the government puts all of Seattle under quarantine (even using the military to prevent people from leaving the city), she discovers the root cause of the illness: Chemtrails. Indeed, the epidemic was caused by a secret government program that spread immune weakness through toxins in jet fuel. Then, she discovers the sinister reason behind this man-made epidemic: Forcing mass vaccinations.

At the time of her death, Heche was working on a movie about child sex trafficking: Girl in Room 13.

A still from Girl in Room 13.

The movie is about an opioid-addicted girl who is held captive in a motel room by her former drug dealer as he tries to force her into sex trafficking. To do so, the dealer attempts to break her down by using drugs, alcohol and by starving her.

Despite Heche’s death, the Lifetime movie is set to premiere on September 13th.

The fact that Heche died in mysterious circumstances while working on a movie about sex trafficking raised some eyebrows. The situation is reminiscent of the bizarre death of Avicii who died shortly after releasing a music video denouncing child sex trafficking.

People on social media shared comments about Heche’s last movie being about Epstein’s ring.

These social media posts were promptly hidden and “fact-checked” by social media moderation.

A “fact-check” article by Reuters. The article states that, although the movie is said to be based on actual events, it is not about Epstein.

Every time mass media engages in these bouts of censorship and “fact-checking”, there’s something off. While the movie itself might not be about Epstein, there’s a clear media effort to control the narrative surrounding Anne Heche’s death. However, the bizarre circumstances surrounding her fatal accident are rather difficult to ignore.

A Bizarre Fateful Day

Simply put, the events of August 5th are bizarre. While the official story states that Heche was drugged out of her mind (cocaine and fentanyl were reportedly found in her bloodstream), facts seem to tell a different story.

Prior to her fatal car ride, Heche was seen at a beauty salon where she bought a bright-red colored wig.

The owner of the salon posted this pic on social media with Heche smiling next to the wig she bought.

The owner told Heche that the red wig hadn’t been cut, styled, or even washed yet, but she reportedly did not care.

In an interview with the LA Times, the salon owner stated that Heche acted like a “sweet little girl” when she stopped by at around 10:30 am. He added that she was “very pleasant” and that she “wasn’t speaking in cursive” – his way of saying that she did not appear to be under the influence of drugs or alcohol.

So why was Heche buying a wig in the first place? Was she trying to change her appearance and travel incognito? Because, in the events that followed, Heche was clearly spooked by something.

Shortly after buying the wig, Heche crashes her car into a garage. In one video, we hear a man forcefully ordering Heche to get out of the car. Instead of complying, Heche backs away and peels off.

Why was this man yelling at Heche? Was he angry at her for driving recklessly or was he “after her”? Clearly, Heche did not trust him.

Prior to the second crash, a ring video captured Heche’s car bolting down a residential street at a dangerous speed before crashing.

Then, her car crashed into a home at such a high speed that it went through its entire length and sparked a massive fire.

Heche’s car after the second crash.

So, minutes prior, Heche was at a salon where a witness claimed that she did not appear inebriated. Then, she drives in the most dangerous and reckless way imaginable. What happened? Was her car hacked and remote-controlled (a known tactic to hide assassinations as accidents)?

No matter what’s the case, the events that follow only add to the suspicious nature of the situation. Just watch this video of Heche being “rescued” by firefighters.

https://www.youtube.com/watch?v=uX1xFRMXrks

Heche pulled away the white sheets that covered her and desperately attempted to get off the stretcher. The firefighters then forced her into the ambulance.

Heche attempts to get off the stretcher.

Why was Heche trying to get away? It is almost as if she knew that, if she went into that ambulance, she would never leave the hospital alive. Furthermore, why wasn’t Heche fully immobilized with neck protection, cervical collar, oxygen therapy, and other treatments usual given in such cases? She was jammed into the ambulance while she was literally flailing around. Was this a rescue … or a kidnapping?

The comments section of this YouTube video is full of people highlighting the strange details of this “rescue”. Here are some examples.

Early news reports stated that Heche was responsive after the accident. Furthermore, it was originally reported that she would “pull through” and survive the accident.

A headline from the NY Post about Heche surviving the accident.

Despite these early reports, Heche was declared “brain dead” on August 12th. Hours after her death, and despite the strangeness that surrounded the accident, the LAPD announced that it would not investigate Heche’s death any further.

The death was ruled “accidental” due to “inhalation of smoke and thermal injuries”. Case closed, apparently.

In Conclusion

Saying that Anne Heche lived a troubled life is probably an understatement. Right from early childhood, she was subjected to the worst abuse imaginable: Repeated rape by her own father. This horrific situation caused her to dissociate from reality and her personality to split – a response mechanism to intense trauma that is exploited in Monarch programming.

One can say that Heche’s traumatic childhood “prepared” her for the dark side of the entertainment industry as she could be controlled by industry handlers.

After a highly mediatized relationship with Ellen Degeneres, Heche had bouts of erratic behavior that were similar to the breakdowns of other industry slaves such as Britney Spears. When these types of celebrities manage to (somewhat) pry away from the industry, they often become pariahs. They know too much and they tend to become loose cannons.

So, they often die in mysterious circumstances. Is this what happened to Anne Heche? Were they “after her”? Was she a victim of the “star whackers” as described by Randy Quaid?

One thing is for sure, the last time she was seen in public, she was definitely trying to run away from something.

Symbolic Pics of the Month 08/22

Vogue photoshoots are featured in nearly every edition of SPOTM because this “iconic” magazine has been owned and operated by the occult elite for decades. Most countries and regions have their own edition of Vogue – an efficient way of diffusing the elite’s agenda in local markets. With that being said, Vogue probably reached a new low in July when the magazine mixed war and fashion in a bizarre photoshoot that raised more than a few eyebrows.

Titled “Portraits of Bravery”, the photoshoot features Ukrainian first lady Olena Zelenska posing for the camera wearing various fashion brands … with war in the background. Immediately after its release, critics stated that the photoshoot glamorized war. That’s not far-fetched at all. The pictures literally mix war with the glamour of fashion and celebrity.
Zelenskyy and Zelenska pose for Vogue as if they were the hottest celebrity couple. I mean, he’s an ex-actor and she’s an ex-screenwriter so they know all about showbusiness.
The mere idea of posing for fashion pictures as people are suffering shows how the elite is completely disconnected from reality.

Speaking of disconnected from reality, Bella Hadid is yet another celebrity that released an NFThingy that no one cares about. The video selling it is replete with Monarch programming symbolism (exactly like Madonna’s NFT which was featured on a recent SPOTM).

The video is all about Bella being covered with Monarch butterflies. The name: Cy-Bella. Because she’s a cyborg – a symbolic way of portraying an MK slave. Because cyborgs are programmed.
Bella turns into a giant Monarch butterfly with “wires” coming out of her. I don’t think they can get more blatant with this MKULTRA stuff and most people still do not see it.

Speaking of industry slaves, Lil Nas X has turned into a male version of a Beta Kitten.

In my article about Marilyn Monroe, I explained how she was the prototype of the Sex Kitten slave. Since then, I posted countless pictures of female celebrities who had to “channel” Monroe because they’re modeled after that same prototype. In this weird gender-blurring world, Lil Nas X is undergoing the same treatment as female slaves. God knows what kind of industry creeps this guy has to deal with.
Brad Pitt and Ewan McGregor are two aging actors who desperately want to remain in the good graces of the entertainment industry. So, in the past weeks, both of them wore skirts. That’s the kind of humiliating stuff they have to do to remain relevant. It’s a sign of submission. Bonus absurdity: McGregor’s pic was in GQ’s “Heroes” special.

A few months ago, I devoted an entire article to a disturbing photoshoot sexualizing 16-year-old Cruz Beckham. Now his brother Romeo is being subjected to similar crap.

Romeo posed wearing women’s boots and painted nails for a photoshoot. “Bend it like Beckham” now means bending to the gender-blurring agenda.

Another industry slave that’s been discussed at length on this site is Lil Uzi Vert (pronounced Lil Lucifer). Nearly everything he ever did contains satanic symbolism and it keeps getting worse.

In this pic posted on Instagram, Lil Uzi Vert basically channels Baphomet – the androgynous horned “god” of the occult elite.
If you need further proof that he’s all about complying with the elite’s agenda, media recently announced (with great enthusiasm) that Lil Uzi Vert’s pronouns are now they/them. How long will HE keep up with this complete BS move that’s all about publicity?

Speaking of complete BS, Demi Lovato recently went back on her “brave” and “courageous” decision of going by they/them. In past SPOTMs, I highlighted how Demi was completed confused about this whole non-binary thing – as if it wasn’t her idea in the first place. Of course, she didn’t, she’s an industry slave who keeps going into “rehab” (code for programming). And the symbolism surrounding her new album keeps proving it.

The promotion of her latest album HOLY FVCK is all about satanic/occult elite symbolism. In a new promotional pic, light forms a blatant one-eye sign, indicating that she’s owned and has no control over her life or career.
Hollywood is so obsessed with pronouns that it even made a movie named They/Them starring Kevin Bacon. Taking place in an LGBT conversion camp, the movie is pure woke garbage. Its Rotten Tomatoes rating is 29% because people have woken up to this agenda and are actively rejecting it. As if the name itself wasn’t enough to keep you far away from this movie, the poster features a convenient one-eye sign to make sure you understand this is pure elite indoctrination.

As seen in previous editions of SPOTM, Beyonce is back with a new album and, as usual, mass media is gushing over her. News outlets particularly loved the fact that she removed the word “spaz” from one of her songs after some people decided that the word was offensive. Nothing makes media happier than the Orwellian blacklisting of words.

In the many articles spazzing out over Beyonce, this is the picture we usually see.

Beyonce makes a blatant one-eye sign while wearing an outfit that’s highly reminiscent of Baphomet’s head. The message: She’s still an industry slave. The title of her single Break My Soul says it all.
Over 13 years ago (yes 13), I shocked many by explaining how this goat-head outfit was a tribute to Baphomet. Nothing has changed.
This is Korean actress Han So-Hee. As you can see, she’s doing a blatant one-eye sign. This pic in itself is rather uninteresting but it is necessary to understand these next pics.

So-Hee recently posted drawings on Instagram that caused her fans to worry about her well-being. Because they’re rather disturbing.

This bizarre drawing depicts a dog-like person that’s held by some kind of red leash around the stomach. Bizarrely enough, So-Hee is currently recovering from an injury while filming an upcoming drama. Did she actually undergo some type of trauma-based programming?
In another disturbing drawing, there’s a silhouette with red eyes and a blotch of red on the torso. Underneath, Albert Camus’s quote “And never have I felt so deeply at one and the same time so detached from myself and so present in the world”. That’s a rather poignant way of describing the dissociation of MK slaves. The art style of her drawings is reminiscent of Kim Noble’s body of work (an MK slave who described her abuse through horrific yet revealing paintings).

North West (the 9-year-old daughter of Kanye West and Kim Kardashian) is also worrying people with disturbing drawings.

North West keeps drawing demonic people with dark eyes and reptilian tongues.
In a previous SPOTM, I posted another drawing by North West with similar features. What’s with the scarred head? I guess that’s the result of having to live in the Kardashian coven.

Speaking of witch (not a typo), here’s Florence + the Machine.

Florence sits next to a skull-adorned tombstone and drinks a cup of … blood. And there’s some blood dripping down the side of her mouth to make sure you understand that this is not wine or something. They’re blatantly telling you that they’re blood-sipping cannibals.

Cannibalism is so everywhere that the New York Times posted an article titled “A Taste for Cannibalism?” with a subtitle that says “we’ve never looked so delicious — to one another.” As if that wasn’t disturbing enough, here are some images featured in the article.

Eyeballs, a severed hand, and a cup of blood. This is the kind of “art” the occult elite puts on display in their mansions.
This witchcraft-y image alludes to the fact that cannibalism is often part of dark occult rituals. In case you didn’t know, the New York Times is an elite-owned propaganda outlet and this article is part of a wider agenda of normalizing and even glamorizing cannibalism – a sickness of the elite.

Speaking of sick people.

 

In this Facebook post, an organization was looking for children to perform at a youth drag show. The ad said: “get ready to strut your stuff”. Here’s a crazy thought: Whoever thought of recruiting children to have them perform in a highly-sexualized drag show is a pedophile and needs to be arrested.

Special thanks to everyone who sent in pics!

A Ritual to Baal? The Occult Symbolism in the Opening Ceremony of the 2022 Commonwealth Games

One of the things this site has proven throughout the years is that the occult elite loves opening ceremonies. Indeed, these long-winded and highly symbolic affairs have become nothing less than mega-rituals that celebrate the devious plans and dark beliefs of the elite.

The plans are “devious” because they brazenly go against the well-being of the masses. They revolve around using fear, control, and relentless propaganda to coerce people into accepting a global culture that leads the way toward a global government.

The beliefs are “dark” because they involve the evilest and most depraved practices known to man. They’re about dark rituals, blood sacrifices, and, most disgustingly, preying on the innocence of children. In short, they’re all about satanism – in the truest sense of the word.

Amazingly enough, all of this madness is incorporated into ceremonies that are watched by millions. And most viewers do not even realize it.

In 2012, I published an article about the opening and closing ceremonies of the London Olympics which contained a mind-boggling amount of symbolism. And things got very dark.

The opening ceremony featured a giant, nightmarish Lord Voldemort looming over hundreds of children laying in hospital beds.
The closing ceremony was a blatant occult elite ritual that included people laying before an Illuminati pyramid. The entire thing was symbolism overload.

In 2016, the opening ceremony of the Gotthard Base Tunnel in Switzerland (the world’s largest tunnel) was another mind-boggling affair that was needlessly dark and ritualistic.

The entire ceremony revolved around a goat man who was praised and revered by dirty and confused people who represent the masses (read my full article about this thing here).

Nearly exactly 10 years after the 2012 London Olympics, the opening ceremony of the Commonwealth games took place in Birmingham, England. And, again, it was a highly ritualistic affair that was contaminated with the obsessions of the occult elite. Here’s a look at what happened.

Uncommon Wealth

The opening ceremony of the Commonwealth games began rather … normally. Some vintage cars owned by local residents were driven into the stadium to form the shape of the Union Jack – a tribute to Birmingham’s role in automotive history. This portion of the show culminated with Prince Charles driving his own Aston Martin into the stadium.

Cars, royalty, and local history: The kind of stuff one expects from an opening ceremony.

Then, things got dark.

The celebrations stopped to a grinding halt as the light turned red and dancers placed fingers on their heads: They were announcing the coming of the horned beast.

Then, it arrived.

A massive, fuming bull with red eyes is carried into the stadium by women pulling chains.

What does this thing represent? First, Birmingham has a long history with bulls. The city is home to the Bull Ring market where, since the Middle Ages, bulls were once held before slaughter.

However, Birmingham 2022 provides more interpretation to this bull scene:

Faced with this explanation, a few questions immediately come to mind. First: What do the working conditions of people in the 19th century have to do with a sporting event?

The second question would be: In this context, what does the bull actually represent? The industrial revolution? The oppression of men (even though their working conditions were not better)? That’s not quite clear.

However, as one watches the entire ceremony, it becomes clear that this bull scene represents much more than a worker strike.

When the women drop the chains, the bull gets angry and starts trampling around as everyone cowers in fear.
Then, a woman holding a shard of light (a recurring symbol throughout the ceremony) “tames” the bull.

Then, for several awkward minutes, people gather around the bull to literally worship it. There are no other words to describe what is happening.

The woman who stopped to bull is now “riding” it while holding a shard of light above her head. People around the bull do the same.

This is an appropriate time to note that Lucifer means “light bearer”. And these people are literally “bearing light” to honor the bull. This is all pure Luciferian symbolism.

Then they prostrate themselves to the bull.

This is highly symbolic and proof that the bull represents more than a worker strike (or whatever). The definition of “to prostrate” is:

stretched out with face on the ground in adoration or submission.

Here’s another image of people prostrating themselves to a bull-like figure. His name: Baal.

Baal is offered a child sacrifice as people prostrate themselves.

People have been fearing, revering, and carrying sacrifices to this bull for thousands of years. It is still happening today.

Baal

A vintage engraving of Baal.

Several ancient civilizations in the Middle East worshipped a deity named Baal (which means “master” or “lord”). Often represented as a bull, Baal was said to be the son of the chief god El. And, the least one can say is that the Baal worship was … involved.

Baal worship was rooted in sensuality and involved ritualistic prostitution in the temples. At times, appeasing Baal required human sacrifice, usually the firstborn of the one making the sacrifice. The priests of Baal appealed to their god in rites of wild abandon which included loud, ecstatic cries and self-inflicted injury.
– Julian Kennedy, Baal Worship

When monotheistic religions spread across the Mediterranean, Baal became nothing less than the face of evil. For instance, Numbers 25:1-3  in the Old Testament states:

While Israel was staying in Shittim, the men began to indulge in sexual immorality with Moabite women, who invited them to the sacrifices to their gods. The people ate and bowed down before these gods. So Israel joined in worshiping the Baal of Peor. And the Lord’s anger burned against them.

In the New Testament, Jesus calls Satan Beelzebub (Baʿal Zebub), forever associating Baal with Satan and the “prince of demons”.

The story of Baal worship is long, complex, and related to other figures such as Moloch. With that being said, one thing about Baal is clear: He is identified as an enemy of God in the holy books of Judaism, Christianity, and Islam.

And it is exactly for this reason that the occult elite still reveres Baal to this day. He represents the ancient gods of the past who were appeased using child sacrifices and sacred prostitution. Things the elite still practice today.

In Conclusion

The opening ceremony of the Commonwealth Games was panned by some critics for being too “woke”. They stated that the presence of an LGBT flag was completely out of place in a sporting event while the ceremony’s obsessive promotion of multiculturalism reeked of globalist propaganda.

Indeed, the opening ceremony heavily promoted globalist dogma which revolves around negating local culture and history to promote a homogenous global culture.

But there’s a deeper, spiritual dimension to these political aims. A core belief of the occult elite is about them becoming gods. It is the ultimate goal of all occult secret societies. Therefore, the Baal figure in this ceremony represents also the elite itself which (in its mind) ascended to godhood.

Women pulled the bull into the stadium using chains the same way people have been carrying the elite through submission and slavery. The bull trampled around the stadium causing fear and panic the same way the elite deliberately causes chaos and confusion to advance its plans. People prostrated themselves to the bull the same way the masses submit to the elite in fear of being trampled by it.

And now this bull, a representative of Baal and the elite that identifies with him, is permanently on display in Birmingham.

This is how symbols rule the world.

 

The Disturbing (and Deeply Irritating) Globalist Agendas in the James Bond Movie “No Time to Die”

Warning: Monumental spoilers ahead!

No Time to Die was one of the first movies to be released in theaters after COVID lockdowns. And, if moviegoers expected a fun escape from reality from this blockbuster movie, well, that’s not what they got. Instead, viewers got a sad, troubled, and depressed James Bond moping around for about three hours. In fact, a more appropriate title for the movie should have been A LOT of Time to Die. Because it takes about three hours for James Bond to finally give up and die. Because, yes, Bond actually dies in the movie. In a weird, cowardly way to boot.

So when the movie was (finally) over, my face was scrunched up in utter confusion. I can’t say that I’m a James Bond aficionado, but that movie did not feel like James Bond at all. Isn’t he all about guns, girls, and gadgets? With my face still scrunched up, I looked up some movie reviews to make sure I wasn’t crazy. This was the top review on Amazon.

One of the many lengthy reviews that expressed utter hatred towards that movie.

So what happened to James Bond? One word: Agendas. The cool, suave, confident, patriotic, and womanizing hero of the past does not fit today’s social climate. Sean Connery’s version of James Bond was a 20th-century version of propaganda. It was about promoting the MI6 and Great Britain as a whole through popular culture using a charismatic protagonist. And it worked.

However, we are in the 21st century. Globalism turned national pride into national shame and strong masculinity into toxic masculinity. The James Bond of the past is now “problematic” and modern James Bond has to comply with today’s cultural orthodoxy.

The result is No Time to Die – a bastard product of this joyless cultural climate. Nearly everything about this movie is infused with an agenda, from Bond’s entire “vibe” to the actual story which is based around viruses, DNA-enabled poisons, and the constant fear of being contaminated by something. In short, depressing, un-entertaining stuff.

Furthermore, watching this movie in 2022 is particularly mind-boggling. While the development of this movie reportedly began in 2017, its subject matter appears to be directly inspired by COVID and monkeypox epidemics. It’s almost as if they knew those things would happen.

Is No Time to Die another example of predictive programming? Here’s a look at the movie.

Symbolic Intro

Right from the opening credits, the viewers are treated with some dark, demoralizing stuff. As Billie Eilish sings the most depressing James Bond theme ever made, the visuals allude to the awfulness we are about to witness.

Britannia, the national personification of Britain, stands on guard.

Guess what happens to Britannia?

It literally falls, engulfed in sand. The globalist elite wants nations to fall in order to create a world government. James Bond’s gun is also sinking. The patheticness begins.

Then, we see symbolic representations of the main plot of the movie: A DNA-targeting virus that infects and kills people.

Guns shaped like DNA strands represent the weaponization of DNA technology.
Some creepy masked figures represent the masses. The strange vegetation growing in their bodies represents the virus spreading in their bloodstream. The head of one of these figures explodes, meaning that their DNA was targetted.

Right at this point, we’ve got enough information to know that this movie is going to be a downer. However, on the first watch, none of these symbols really make sense. Most viewers are still pumped about watching a new James Bond flick filled with adventure and cool gadgets.

So, in which exotic location will the movie transport us to? A lab in London that makes weaponized smallpox. Fun.

Secret Virus Lab

No Time to Die was made a few years before the monkeypox epidemic of 2022 which caused the WHO to declare a health emergency. Strangely enough, the movie is all about a weaponized monkeypox-like virus escaping a secret MI6 lab.

Scientists discuss the “weaponized smallpox” they’ve created.

One scientist says:

“You know the SLS weaponized smallpox I was using this morning? Have you seen it?”

Then another scientist discovers they’ve placed a “smallpox” sticker on his lunch. It was a funny practical joke about smallpox.

Mad at the joke, the scientist with the smallpox lunch says:

“One day, I will put Ebola in your tea. And then I will watch as your faces sweat blood … and I will be laughing.”

Watching this scene in 2022 is unsettling. It’s almost as if they were trying to plant these ideas in our minds.

Then a group of bad guys break into the lab and steal the weaponized virus. Its name: Heracles.

Heracles is the name of a divine hero from Greek mythology. While he is known to be the “protector of mankind”, he died in a symbolic way: Contact with poisoned blood. In the movie, Heracles kills people by poisoning their blood.

Using a laptop, scientists can program the virus to target specific DNAs.

At one point, the head of the MI6 explains how it works:

“They’re nanobots: Microscopic bio-robots that can enter your system by the slightest contact to your skin, programmed with DNA to target specific individuals. Heracles was designed to be the most efficient weapon in our arsenal. Passing through people harmlessly before reaching its intended target.”

However, since it was leaked from the lab and modified by rogue scientists, the virus can now target families, genetic traits, and entire ethnicities. Their conclusion:

“You infect enough people … and the people become the weapon.”

Later in the movie, some DNA-targeted people get infected with the virus. Their symptoms are strikingly similar to monkeypox.
The bad guys want to use Heracles to kill millions of people.

Weaponized viruses, DNA-targeting, and massive depopulation: Those are the ultimate fantasies of the occult elite. Appropriately enough, No Time to Die is littered with symbolic references to the occult elite.

Occult Elite

The name of the main villain in the movie is Lyutsifer Safin. His first name is a Russian transliteration of Lucifer. This specific name was chosen to make sure you understand that this is all about the occult elite.

Lyutsifer walks around with a broken mask which happens to create a subtle one-eye sign.

As you might know, the one-eye sign is the favorite symbol of the occult elite. In No Time to Die, the symbol is everywhere.

In one of the first scenes of the movie, a young Madeleine Swann is “watched over” by a creepy one-eye sign.
Ernst Stavro Blofeld, the main villain of the James Bond franchise, has turned into a disfigured one-eye sign.
Blofeld “attends” elite gatherings through a camera inside an eyeball.
Another bad guy has one bionic eye. It blows up when Bond kills him.
There’s also some dialogue about losing one eye.

All of these references to one eye are not coincidental. Throughout history, those in power plastered the world with their symbols. Right now, the occult elite rules entertainment so the one-eye sign is everywhere.

In fact, the entire narrative of No Time to Die is tainted with obsessions of the occult elite. One of them: The destruction of heroic men.

The Fall of James Bond

James Bond used to be a free, unattached, and adventurous spy who traveled to exotic locations and hooked up with alluring yet dangerous “Bond girls”. And, no matter what happened to him, he prevailed – unfazed and looking sharp.

Daniel Craig’s Bond is the exact opposite of what you just read. If old-school James Bond was unfazed, new James Bond is continually fazed. On a couple of occasions, he’s even disrespected and humiliated.

While in Jamaica, Bond is told by a new agent named Nomi that she’s 007 now. I guess James Bond is just a double zero now.

So the legendary 007 is not even 007 in his own movie. Then, we see him sitting in the passenger seat as Nomi drives him around. It’s all very symbolic. It’s all about subtle emasculation.

While in Cuba, Bond meets a CIA agent named Paloma who has all of the makings of a “Bond girl”. However, when Bond comes on to her, she rejects him with a slightly disgusted look, as if saying “Ew, don’t touch me you old perv”. Why was this cringe-inducing scene kept in this three-hour movie? Because it’s part of the “destroy James Bond” narrative.

Then, Bond discovers that he has a daughter with Madeleine Swann. She’s the daughter of Mr. White, a villain who is part of Spectre. As seen in my 2016 article about the movie Spectre, this organization represents the occult elite.

In other words, Bond finds himself in a relationship with the bad guys and the occult elite in general. He’s not free nor independent, he’s owned and attached to Spectre. Since Bond historically represents Great Britain, his relationship with Swann represents Britain being “married” to the globalist elite (that is why we see Britannia falling during the opening credits).

Then, Bond brings his entire family through a series of dangerous situations, and he’s miserable throughout the whole thing.

Bond is also miserable on a physical level.

Q injects Bond with “Smart Blood”.

James Bond gadgets used to be fun and cool. Now they’re injections that allow the MI6 to track his location while monitoring his vitals. That’s the opposite of fun and cool. And Bond hates it.

During his final mission, Bond discovers that he’s been infected with Heracles. Lyutsifer tells him that, if he gets close to Madeleine or his daughter, they will die. So Bond gets really depressed. Again.

This is James Bond’s face when he kills Lyutsifer, the final villain.

Just look at his face. Pure misery. After nearly three hours of watching this thing, I had the same exact face. And it’s not even over. Things manage to get worse.

With Bond’s approval, the MI6 launched missiles to destroy Lyutsifer’s island which was used to create the virus. However, instead of fleeing the island before the missiles explode, Bond just gives up and stays on the island. Then he dies, killed by missiles shot by his own country.

Some might say: “That’s so emotional! He couldn’t bare living without his family so he preferred to die. I’m in tears. 🙁 ”

Hold on just a second. First, he didn’t even know he had a daughter like two hours ago. And he spoke about 7 words to her throughout the movie. Maybe dying for her is not the most rational option right now.

Second, if he truly loved her, wouldn’t it be preferable for him to stay alive anyways? I mean, he could have communicated with his family using Facetime or something. Wouldn’t that situation be preferable to his daughter growing up knowing that her dad basically committed suicide?

Finally, it’s JAMES BOND. He has access to the latest technology available on Earth. If he remained alive for a bit, maybe a cure for Heracles could have been discovered. Then he could have lived happily ever after with his family.

But no. He had to die. Because the strong, fearless, and intelligent hero of the past does not belong in the 21st century. Modern heroes are depressed, injected with “smart blood”, infected with lab-created viruses, and killed by their own country. And that’s exactly what they want for you.

In Conclusion

You might have noticed that No Time to Die irritated me a bit. And I believe this was done on purpose. Globalist-controlled media takes pleasure in corrupting popular franchises by injecting them with its toxic agenda. They know that people hate this, but they do it anyways. If they created new franchises containing their agenda, nobody would watch them. So they ride on the popularity of existing franchises while “infecting” them with their poison, the same way Heracles infected James Bond.

From beginning to end, No Time to Die was bleak and joyless. Because they want our lives to be bleak and joyless. The narrative revolves around viruses, DNA-targeting, medical lab leaks, and other topics that are not fun and even anxiety-inducing.

This is not entertainment, this is social conditioning. Not even James freaking Bond can escape the elite’s weird weaponized viruses. What message does that send to us regular people?

In short, if someone asks you:

“Hey, wanna watch No Time to Die“.

Tell them:

“Sorry, No Time to Watch“.

Because life is too short for this crap.

Grimes and Bella Poarch Star in “Dolls” – A Video That Pushes Insidious Agendas to Kids

When one thinks about musical greatness, one inevitably thinks about Grimes and Bella Poarch. They’re definitely up there with the greats. DJ Khaled likes to scream “WE THE BEST MUSIC” in his songs, but he’s wrong. THEY the best music. Every song they ever made is nothing less than a timeless masterpiece that will be enjoyed for generations to come.

Alright, I reached my sarcasm quota for the day. The truth is: They’re both industry slaves. And everything about them points directly in that direction.

Bella Poarch is a massive star amongst children and teenagers. Her celebrity status is due to Tik Tok, the Chinese social media app that is profoundly affecting the behavior of an entire generation of kids while gathering a staggering amount of data about them. Apparently, Tik Tok’s algorithm really loves Bella Poarch as she’s one of the most watched personalities on the planet.

Grimes is also a big celebrity – mostly because she had a child with billionaire Elon Musk. Since then, she used her privileged position within the world elite to embed herself all over mass media and social media.

Although Grimes and Bella Poarch became stars through different paths, the end result is the same: They’ve turned into industry slaves who are used to promote the elite’s sick agenda.

In the past years, both Grimes and Bella Poarch were depicted as androids surrounded by all kinds of symbols relating to Monarch programming. Furthermore, the one-eye sign is just their way of telling you “I am owned by the elite”.

What happens when you put these two self-proclaimed robots together in a video? An MKULTRA/transhumanist festival that is appropriately called Dolls.

The cover art of the single depicts an android Bella Poarch whose head was cut off … and possibly held from above by the hair. Also, the wink makes an oh-so-clever one-eye sign.

Robots are programmed to accomplish specific tasks. And this is what these two robots do. Their mission: To expose young people to the elite’s mind-rotting agenda.

To put things in context, Dolls continues where Bella Poarch’s video Build a B*tch video left off (read my article about it here). Yup, her first video was literally titled Build a B*tch and it featured Bella being put together in some sort of sex doll factory. Then the dolls went haywire and wreaked havoc on us all. It was awful. Of course, the entire thing was littered with intense MK symbolism. The entire concept of Bella being built in a factory is a direct reference to Monarch mind control where victims are programmed to become sex slaves (Beta programming) or assassins (Delta programming). We see examples of both in the video.

With that being said, the video was a massive hit with young people as it currently sits at over 400 million views on YouTube. Dolls is the sequel and everything was done to attract young eyes to its agenda. Here’s a look at the video.

Dulls (not a typo)

Dolls begins with Bella holding her dying friend and screaming.

Bella is being tracked and monitored on multiple screens.
She is being monitored by a shady figure who wears a ritualistic robe. He represents the occult elite.

Then, the hooded figure presses a button and we see the title screen.

The word Dolls gets cut apart. Considering the fact that the cutting happens right when the hooded figure (aka the MK handler) presses a button, the image can represent the fracturing of an MK slave’s persona. It also represents Bella being literally torn apart.
Bella loses an arm due to the explosion caused by the hooded figure.
Then, for no specific reason, some creepy, rabbit-like thing rushes Bella.

In MK programming, the symbol of the rabbit is all-important. Like the white rabbit who leads Alice through the looking glass to Wonderland, the MK handler leads the MK slave to dissociation. In other words, this rabbit is there because this video is all about mind control.

So Bella manages to push that thing off her and she starts liberating her fellow dolls (MK slaves).

This is how the elite perceives celebrities used to push agendas.
Then, the robots walk awkwardly around the city looking for revenge.

The blond girl with the stockings is Chloe Cherry. She’s a pornographic actress who appeared in over 200 films. More recently, she starred in Euphoria, a teen drama that insidiously grooms its young viewers by exposing them to hardcore sexuality involving minors. Now, Chloe Cherry appears in a video that is aimed at the Tik Tok generation.

With all of that being said, Poarch is still missing an arm.

Luckily, she sees a bionic arm for sale. What are the odds?

So Bella puts on the arm and she becomes super powerful. She punches stuff and even shoots electric blasts. This is how the elite sells transhumanism (one of its most important agendas) to the youth. By making it cool and selling it as an “upgrade” to the human body.

Transhumanism is a philosophy that promotes the merging of humans with robots and it has been gaining steam over the past years. All across mass media, from blockbuster films to music videos, the addition of robotic parts to the human body is being normalized and even glamorized.

One of the many news articles promoting transhumanism. This is from The Guardian, a propaganda outlet of the global elite.

Equipped with her transhumanist arm, Bella leads her army of robots to the headquarters of the company that made them.

There, they are met with men dressed in white. They’re very hostile.

So, on one side, we’ve got the girls. On the other, we’ve got the men. Evil, generic, faceless, white men. They’re the enemy. Through this scene, another important agenda is communicated to children: Division and hatred between men and women. Throughout the years, I’ve analyzed countless music videos portraying the torture and murder of men as a good, empowering thing. That’s because masculinity is not a trait that is desired in the elite’s New World Order.

Meanwhile, the hooded figure watches the chaos unfold below.

The hooded figure (who represents the elite) looks down on his empire. He owns everything. He is also the MK handler of Bella Poarch. In other words, the elite is revealing itself to children in this music video.

At the bottom right of the screenshot above, we can see a billboard promoting an amusement park titled “No Man’s Land”. It’s a small detail but it represents the radical ideology that rules the industry. It hates men, it hates masculinity and it wants to suppress it.

Who is behind it all? A man. Part of the elite. Because he knows that if men decided to unite and kick his ass, he’d be done. That’s how rulers were brought down throughout history and that’s his biggest fear.

So Bella goes up to the office of the hooded man using her incredible bionic arm.

Mannequins are the elite’s favorite symbol to represent MK slaves. Bella is basically one of them.

However, just as Bella was about to get the guy, he presses a button.

Then Grimes comes out of a box and stops Bella.

Grimes is basically an MK slave programmed to protect her handler. And she does so by fighting Bella for a while. However, during the fight, the robots end up in the secret monitoring room.

When Grimes sees what is happening outside (women being hurt by men), she stops fighting Bella.

The two slaves stand there as Bella appears to say: “Look at what is happening. We shouldn’t be fighting each other, we should be uniting against the patriarchy and fighting men. Also, check out my butt”.

The video ends by listing the “celebrities” that appeared in the video. I didn’t recognize any of them but I found out they’re YouTubers, streamers, influencers, porn stars, and other people with no discernable talent. Remember when people in music videos had something to do with music? That’s not important anymore. It is all about reaching the brains of children by any means necessary.

In Conclusion

Not too long ago, parents used to complain about young musicians being too rebellious. Nowadays, we are seeing the exact opposite. Pop stars are constantly depicted as literal robots with no minds of their own and no free will. They’re fully controlled by powerful individuals and they’re completely powerless against them. Now consider the fact that young people live their formative years looking up to these “artists”. What kind of generation is being molded by this culture averse to freedom and independence?

Some might say that Bella is actually fighting against the system in the video. She’s really not. While “fighting” against the man, she actually promotes its agendas such as transhumanism, mind control, and war between sexes. She was programmed to do so. And now she is used to program our children.

NYC Released a “Nuclear Preparedness PSA” and it’s … Unsettling.

Public service announcements instructing people what to do in case of a nuclear attack are nothing new in the United States. The 1951 Civil Defense film Duck and Cover (featuring Bert the Turtle) is an iconic piece of media history that will forever define the Cold War era.

Bert the Turtle is about to “duck and cover” after spotting an immediate threat.

Although the subject matter of Duck and Cover was mind-bogglingly bleak (the total destruction of society following a nuclear blast), the video manages to be somewhat cheerful, optimistic, and entertaining. Through the use of catchy jingles and cute cartoon characters, Duck and Cover does a good job of informing the young and old without filling them with utter dread.

Fast forward to 2022: UTTER DREAD. Indeed, NYC Emergency Management released a Nuclear Preparedness PSA that’s the exact opposite of Duck and Cover. It is creepy, off-putting, and needlessly Orwellian. Here’s the video.

Everything about this video disturbs me to my core.

First and foremost: Why now? The last atomic bomb was dropped over 75 years ago. Why are they putting these thoughts in people’s heads now? Are they trying to tell us that they’ve received credible nuclear threats targetting NYC specifically? If not, then why would they even spend time and resources creating this?

Duck and Cover was released during the Cold War, a few years after the United States dropped two atomic bombs on Japan. In other words, the video’s existence was justified.

We’re in 2022 and this video literally popped out of nowhere. And its message is perfectly in-line with the ultimate goal of the global elite:

Comply or Die

As stated above, everything about this video is unsettling. It basically goes out of its way to creep out its viewers, through all kinds of bizarre methods.

The video takes place in a fake, 3D modeled (or something) NYC street.
Using a bad green screen effect, the narrator is placed on top of that background in the most unnatural way possible.

The end result of this visual setup is just unsettling. One can already feel the fakeness of it all. Then the lady starts talking and things get worse. She says:

“So there’s been a nuclear attack. Don’t ask me how or why, just know that the big one has hit”.

These first two sentences set the bizarre “don’t question anything” tone of the video.

Indeed, after saying “So there’s been a nuclear attack” (as if she was casually telling a story about that time she returned a vest at TJ Maxx), she tells us to not ask “how” or “why”. That’s a weird way of beginning a video. Right from the start, the viewers are reduced to the state of cattle that needs to do as directed without asking questions.

Then she adds “Just know that the big one has hit”. Why does she say THE big one as if it was an inevitable fact of life?

In short, this lady only said about 9 words, and I’m already deeply irritated. And that might be the intended goal.

Then, with a creepy smile, the lady tells us to get inside and fast.

Seriously, why is she smiling? It’s not making me feel better, it’s creeping me out. It’s like they know that they’re messing with people’s heads and they’re thoroughly enjoying it.

Then, the lady moves inside. And, by inside, I mean she appears in front of another fake green screen background. I’m starting to feel as if I’m watching Sesame Street or something.

Why isn’t she casting a shadow? My brain is not computing what it is seeing.

Once you’re inside, what do you do? Well, you do what the elite always wants you to do: Follow media. Yes, step #3 is literally “FOLLOW MEDIA”. It’s not “stay informed”. Or any phrasing that vaguely respects people’s intelligence. It’s “follow media”. Words matter.

She adds:

“And don’t go outside until officials say it’s safe”.

Since COVID, media and authorities have gotten disturbingly comfortable at issuing blanket, orwellian orders that apply to entire populations. Indeed, 2020 was all about “sheltering at home”, “following media” and “waiting until it was safe to go outside”. Apparently, they really miss those days and they’re fantasizing about going back to them using scary nuclear scenarios.

I understand that nobody should be wandering outside after a nuclear blast, but this video’s insistence on hiding and following media is rather offputting. Why is this kind of extreme messaging being promoted now?

Finally, the lady ends this fabulous piece of WTF with a brilliant conclusion:

“yOu’Ve GoT tHiS!”

I feel so much better. After being told that I need to hide until elite-owned media tells me what to do, the lady uses a cool, urban expression to relate to me on a street slang level. Such a relief.

In Conclusion

Some might say: “This video you’re mocking could one day save your life, jerk!”. I honestly think there’s more to this video than simply communicating information. Everything about it reeks of Orwellian propaganda, unquestioned compliance, and all-out fear-mongering. All this video truly accomplished is planting crazy thoughts in my head such as: What if a fake nuclear attack was used to reduce an entire population into complete submission?

And this video is not a random internet oddity, it is part of a widespread campaign in New York.

This ominous sign in Menlo Park Mall, New Jersey had been up since April.

In short, this video might just be an excuse to blatantly tell people to shut up, “follow media” and, more importantly, stay scared.

The Georgia Guidestones Completely Demolished Following Explosion

Dubbed “America’s Stonehenge”, the Georgia Guidestones formed a mysterious landmark in Elberton, Ga. Made of four massive slabs of granite, the Guidestones contained ten “commandments” for a new “age of reason”. My 2010 article Sinister Sites: The Georgia Guidestones explained in great detail the meaning of these commandments and the occult clues left behind by its anonymous authors.

The ten guides were engraved in eight different languages and alluded to several topics dear to the world elite such as a world court, a world language, and the guiding of human reproduction. However, it was the very first guide that made the Guidestones so controversial:

Maintain humanity under 500,000,000 in perpetual balance with nature.

In order to obtain a population of less than 500 million, humanity needs to be reduced by about 93%. For this reason, the Guidestones were believed to be concrete proof of the elite’s fixation with massive depopulation.

Throughout the years, the landmark attracted lots of attention from those who revered it and those who hated it alike. Indeed, the monument was the site of strange rituals and gatherings of pagan and occult groups – often on dates with astronomical significance. It was also the target of acts of vandalism as satanic symbols and messages against the NWO (New World Order) were spraypainted on the structure on numerous occasions.

With that being said, the Guidestones are now history.

To the Ground

On July 6th, at around 4 am, an explosive device was detonated by “unknown individuals”. Here’s CCTV footage of the detonation.

The blast reduced one of the slabs to rubble and severely damaged the capstone. After the detonation, a car was filmed leaving the scene. The Georgia Bureau of Investigation said in a statement that it is investigating the explosion together with the Elbert County Sheriff’s Office.

The Guidestones after the blast.

A few hours later, the structure was completely demolished due to “safety reasons”. Here’s a video of the Guidestones being torn to the ground.

The remains of the Guidestones.

The Legacy

When I first wrote about the Guidestones over 12 years ago, I never thought I would ever witness this massive structure being completely demolished. While the real Stonehenge is still standing after 5000 years, America’s Stonehenge barely lasted 40 years.

Some might say that the complete demolition of the Guidestones will only add to its mystery as the identity of the man who ordered it will be forgotten forever.

In 2013, Wyatt Martin, the man who helped broker the arrangement for the monument said:

“I made an oath to that man, and I can’t break that. No one will ever know”.

With that being said, as stated in my original article about the Guidestones, there never a was a “mystery” about the authors. It was always hidden in plain sight.

The explanatory tablet of the Guidestones.

The pseudonym of this mysterious man was R.C. Christian. This is a rather blatant reference to Christian Rosenkreuz, the legendary founder of the Rosicrucian Order, also known as the Order of the Rose Cross (R.C.) – a secret society that greatly influenced world events for centuries.

Everything about this monument pointed directly to the occult elite and the secret societies that fuel its philosophy. Although the monument is gone, the ideals behind it are  not. They’ve existed for centuries. However, in the 21st century, things have changed. While the masses used to be completely oblivious about these things, the information age caused a mass awakening. Now, the plans of the occult elite are met with increasing resistance and pushback.

Therefore, those behind the Guidestones might actually be relieved to see the monument disappear. In an age of misleading and confusing propaganda, the Guidestones were too clear, too concise, and too damning. The elite’s true intentions were literally etched in stone, for all to witness.

They don’t want that anymore. Nowadays, they’re looking to hide their true intentions behind several layers of drivel, hogwash, and nonsense in order to push the masses back to the dark, where they belong. While the monument is gone, sources like The Vigilant Citizen will keep documenting its core message. Through these ten guides, one can understand the true agenda behind most world events.

In the end, in a strangely ironic twist, the Guidestones themselves fulfilled their tenth and final commandment:

Be not a cancer on the earth – Leave room for nature – Leave room for nature.

 

Symbolic Pics of the Month 07/22

Brad Pitt was recently featured in a GQ photoshoot and … wow … it’s a SPOTM 101 crash course. Everything is there. And then some. It is proof that even long-established, extremely wealthy, and universally adored celebrities must go also through the humiliating “industry slave” treatment to remain in good standings with the occult elite. It’s a sad sight to see.

On the cover of GQ, Pitt lies in some water with a creepy blank stare. He looks like a corpse. That picture immediately upset a whole lot of people.
An example of the many headlines about that creepy picture.

In some ways, that picture of a dead Brad Pitt is appropriate. Because the entire photoshoot is about subjecting him to occult elite madness as he looks dead inside.

This picture is all about Brad Pitt submitting to the occult elite. First, the fire creates a blatant one-eye sign. Second, there’s heavy makeup on his eye. This is done in accordance with the all-important gender-blurring agenda which requires to the feminization of men in media.
Of course, Pitt wears a dress. All part of the forced humiliation of male celebrities who seek to remain in the proverbial spotlight.
His face basically says: “I’m a 58-year-old man and I enjoy dignity. With that being said, WHAT THE HELL AM I WEARING?”.
This pic is all about emphasizing one of his eyes. The message: He’s doing as he’s told to keep his career going.
Yet another one-eye sign in this photoshoot. I left out other pics because I think we’ve all had enough of sad Brad Pitt, in what might be the lowest point of his career.

Speaking of the one-eye sign, it was, as usual, all over the place last month. Here are a few examples.

Since acquiring Star Wars, Disney has been bleeding this franchise dry. The promotional posters of this new Star Wars thing are all about the one-eye sign. That’s Disney telling you that they’re completely sold to the elite’s agenda. And that you should cancel Disney+ now.

Speaking of streaming services catering to the elite’s agenda …

Another month, another Netflix series that’s promoted using blatant one-eye signs. The upcoming series The Sandman will most likely be highly symbolic. I mean, one of the main characters is Lucifer himself.
The Netflix series Squid Game was a celebration of the occult elite and its sick mindset. Netflix recently promoted the 2nd season of the series with, of course, one eye.

Demi Lovato is often featured in SPOTM because she’s a complete slave of the elite’s agenda. I’m sorry, I meant “they’re” a complete slave. Hold on. Sorry. She recently updated her pronouns again so we can now say “she” again without getting sued. What a relief. With that being said, her last album was called Dancing With the Devil, which aptly sums up her entire career. Now she’s back with a new album. And everything about its imagery is satanic.

Satanic symbolism is based on the mockery and corruption of Christian symbolism. Here, Lovato lies on a (dirty) mattress shaped like a cross while wearing a BDSM outfit. That’s all about mocking crucified Jesus. The title of this mess is “HOLY FVCK”, which mixes Christianity and sexuality. There’s a drop of blood next to HOLY FVCK because there’s a blood sacrifice element going on here, which is also represented by her red outfit.

Speaking of witch (not a typo), Madonna was at Britney Spears’ wedding. That encounter was symbolic, and that doesn’t bode well for Britney.

The 2003 ritualistic kiss between Britney (who was wearing a virginal white dress) and Madonna was her “initiation” in the industry. Shortly after, Britney descended into all-out MKULTRA hell. At her recent wedding, the Grand Priestess of the industry Madonna was summoned again and she kissed Britney again as she was wearing a ritualistic red dress. In short: Britney is not free.
Speaking of bizarre celebrity weddings, here are Kourtney Kardashian and Travis Barker (aka nobody’s favorite couple) getting married. They’re going out of their way to look like vampires. Because that’s what they literally are. That Virgin Mary on Kourtney’s dress is most likely a form of mockery.

The two above are good friends with the two below. And they share common interests.

Megan Fox licks Machine Gun Kelly’s fake blood-filled syringe earring at the Tribeca premiere of the movie Taurus. They’re blatantly telling you that they’re obsessed with consuming human blood.

In case you haven’t heard, Beyonce is back. This means that mass media will, once again, do everything in its power to portray her as some kind of goddess we must all worship.

On the cover of British Vogue, Beyonce sits on a horse. And everything is red. The imagery of this cover reminds me of two elements found in the Book of Revelation. First, the overwhelming red recalls the Red Horseman of the Apocalypse who is said to bring war. Second, the general layout of this picture is highly reminiscent of classic depictions of the Whore of Babylon.
An 11th-century depiction of the Whore of Babylon by Stephanus Garcia.

Speaking of biblical things, pride has always been considered the worst sin of all. Proverbs 11:2 says “When pride comes, then comes disgrace”. Well, mass media just spend an entire month celebrating “pride” and … it was disgraceful. Because exposing children to overt sexuality is wrong. This is what groomers do. Throughout the month, people on Vigilant Links (VC’s sister site) posted several videos of children being exposed to some truly sick stuff. In the following video, a drag queen talks about having lube as children stand like 8 feet away.

Boy Scouts were part of the Seattle Pride parade as they marched holding LGBT pride flags alongside US flags. What do boy scouts have to do with a parade about sexuality? This is particularly upsetting as the Boy Scouts sought bankruptcy protection in February 2020 in an effort to halt hundreds of individual lawsuits from men who say they were sexually abused as children involved in Scouting.
This is Christina Aguilera at a “family-friendly” Pride concert in LA. Was that necessary Christina?
On a related note, this statue was recently unveiled in Oxford. The name: “Woman of our times”. Our times is out of its mind.
During Pride Month, the CDC issued directives regarding monkeypox. It irritated me for several reasons. First, since COVID, these “health” organizations have gotten way too comfortable in the dystopian micro-managing of our sexual lives. Second, facts state that merely all cases of monkeypox affect gay men. So why don’t these directives depict gay men? Don’t they want to reach out and help those affected by the disease? Why is “representation” of LGBT absolutely necessary in children’s movies (i.e. Disney’s Lightyear) but completely omitted on medical directives that specifically target them? Answer: None of this makes practical sense, it is all propaganda.
In a recent media event, Joe Biden mistakingly showed a list of instructions he was given. Most media sources made sure to ignore this picture because it really makes him look like a Manchurian candidate who’s being controlled by unseen handlers. And that’s exactly what he is.

Special thanks to everyone who sent in pics!

Important Announcement Regarding the Future of The Vigilant Citizen

First, no, The Vigilant Citizen is not shutting down. Quite to the contrary, the site is starting a new life and is taking steps to safeguard its future.

The first big step: No more ads on the site. No more banners, pop-ups, “recommended articles”, or the tracking cookies they inevitably came with. They’re all gone.

Throughout the years, I’ve received countless messages from readers about these ads and their questionable contents. Sadly, I had no power over what was displayed. Even sadder, I depended on them to cover the costs of running this site.

But I hated these ads as much as you did. And I especially hated dealing with the big tech companies that monopolize the ad industry. It felt as if I was in a toxic relationship with a control freak who threatened to ruin my life every time I said something they didn’t like. In such, nearly every article I posted got flagged for “policy violations” and got demonetized.

Every single day, I got warnings asking me to edit or completely delete articles to comply with policies. To make things worse, the window of what is considered “acceptable speech” keeps getting narrower. Nowadays, if I dare post something like “men cannot get pregnant”, I promptly get a policy violation notice about the article containing “unreliable and harmful claims” … even though “men cannot get pregnant” is probably the most reliable claim in human history.

Stating facts that go against the current narrative has become a cardinal sin. And those who go against it get censored in every way possible. Sites like The Vigilant Citizen, which simply present facts and stay away from any kind of hate speech, cannot get outright censored. So, in an underhanded matter, compliance with their agenda is forced by threatening to cut funding through advertising.

I never really complied so the Google employee (or whatever) that was dedicated to scrutinizing my site and flagging it for policy violations became … unhinged.

An example of the absurd warnings I received on a daily basis.

In the screenshot above, Google dug up an article I wrote in 2009 and demonetized it because it was “dangerous or derogatory”. The article was about RANDOM BUILDINGS IN KAZAKHSTAN. Apparently, pointing out that a building is shaped like a pyramid is “derogatory” to that building. Sorry random building, hope I didn’t hurt your feelings.

In short, I got sick and tired of dealing with this crap. So the site underwent a massive change.

A New VC Era

Throwing out all of these ads was extremely liberating as I can, once again, write exactly what I want, the way I want – without any outside interference.

To exemplify this new philosophy, the legendary Pizzagate article (which caused a massive stir in 2016) is back on the site. Not only that, it is the “Classic VC Article of the Month”.

But this new philosophy leads to a massive problem: There’s no more revenue to fund the costs of running this site. To address this problem, I took inspiration from some online publications and switched to a 100% reader-funded model. This means that the site now fully relies on reader subscriptions to cover costs.

Like other publications, visitors can read a few free articles per month. Afterward, a soft paywall offers options to keep reading.

I realize that paywalls are annoying, but I believe this model is the future of alternative media. It strikes a good balance between allowing new readers to freely access the site while also encouraging enough subscriptions to keep the site running ad-free.

Switching to this model is a huge risk. If there aren’t enough subscriptions, the site might go under. But I strongly feel that The Vigilant Citizen is at a crossroads right now. Either the site fully lives up to its name and brings the raw, unfiltered truth it’s been known for since 2009, or there’s no reason for it to keep going.

Of course, I want to keep going. This site is easily the most important thing I ever did. And, judging by the countless messages I’ve received throughout the years, it also positively affected the lives of thousands of people.

So, if you believe in this site’s mission, please consider becoming a member by clicking on the button below!

Subscribe to the Vigilant Citizen!

If you’re already a VC member, you simply need to log in to keep enjoying your subscription.

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Thank you for your continued support and stay vigilant!

There’s Something Terribly Wrong Happening With the Sons of Celebrities

I do not particularly enjoy discussing the children of celebrities. These kids did not choose to live under the spotlight and they deserve to enjoy normal childhoods. However, some celebrity parents do everything in their power to thrust their children under that proverbial spotlight. They are paraded around at social events, publicized all over social media, and some are even used as props for PR stunts and general virtue signaling.

While that behavior is already exploitive in its own right, another level of strangeness has been emerging in Hollywood in the past years: Little boys walking around in dresses. And some are as young as TWO years old. And many of them wear outfits that are weirdly revealing and sexualized. It has become something of a “trend” among the Hollywood elite, a fashionable thing to do. Of course, mass media outlets inevitably shower these parents with praise because they allow their children to “express themselves”.

But what if it was the exact opposite? What if some of these boys were groomed and forced to dress and act as girls for some kind of insane reason? Wouldn’t that qualify as a particularly insidious form of child abuse? Here are some examples of this trend.

Megan Fox (who recently revealed that she took part in actual blood rituals with MGK) had been dressing her son Noah as a girl since he was two years old. TWO.

Seriously, how can a two-year-old boy take the profound, life-altering decision to switch genders? He can barely form a coherent sentence. Can he fathom the physical and psychological implications of such a decision? Of course not. He’s too occupied sticking his finger in power outlets.

Noah wears a shirt that says “Strong girls”.
The “coming-out” of Zaya Wade at age 12 was followed by a massive media tour and fashion deals. Even Michelle Obama chimed in and showered everyone involved with praise.
Charlize Theron’s adopted son Jackson has been wearing dresses since he was about 5 years old.
Madonna’s 16-year-old adopted son David Banda is being pushed into the spotlight. And that spotlight craves boys in dresses. Here, he’s wearing a cheerleader’s outfit, complete with devil horns and a choker.

While these cases are all concerning in their own right, one of them is particularly concerning: Kai Schreiber.

Liev Schreiber and Naomi Watt’s Son

For years, pictures of Liev Schreiber with his son Kai have been raising some eyebrows. But when one pieces these various elements, the raised eyebrows turn into outright concern.

In 2017, Liev Shreiber brought his then 8-year-old son Kai to Comic-Con dressed as Harley Quinn.

It is no secret that Harley Quinn is a highly sexualized character. Despite this, Liev brought his son Comic-Con (which is packed with dudes who fantasize about these types of characters) dressed as Harley Quinn, complete with makeup and ripped stockings. Why.

Here, Kai is dressed as a bloody bride/princess/whatever. His brother is dressed as a beheaded person. Nobody appears to be having fun.
No comment.

While this is all bizarre, one can react to these pictures with a heartfelt “whatever”. But, sadly, it gets worse.

Schreiber’s current Twitter profile features a picture of his children wearing makeup and kissing on the lips. His bio talks about his “shockingly attractive children”.

Schreiber did not use the word “beautiful” to describe his children. He used the word “attractive”. MacMillan Dictionary defines “attractive” as:

With that being said, here’s another picture of Liev with Kai.

Who kisses their son that way?

In 2017, Shreiber was on the Ellen show. And he talked about his children (as usual). And it was weird (as usual).

At about 3:45 of this video, Shreiber says:

– My sons and I have this thing that we do where we bathe and then we do the “willy dance”.

– So it’s what it sounds like?

– It is. There are other words for it but that’s pretty much the best one.

– Is it a way to dry off?

– It is a way to dry off because you chafe down there if you don’t get dry.

Then, a flustered Ellen drinks some tequila, and everyone laughs. This story is probably not made-up.

Shreiber posted this picture on Instagram where he’s bathing with his son.
In 2021, Naomi Watts posted this picture of Kai wearing a string tank top and earrings to celebrate his 13th birthday. Why.

What kind of person would actually enjoy this type of picture? It is almost as if they want to attract the wrong type of attention to this teenager.

Shreiber and Kai at the Stranger Things season 4 premiere.

What the hell is going on with the hand placement in the above picture? Why isn’t anybody in mass media commenting on any of this? Here’s an example of what is being said in mass media (which is slowly descending into all-out delusion).

An honest picture caption would be:

“Shreiber’s son Kai is inexplicably being paraded around at a premier he has absolutely nothing to do with while wearing a short pink dress and taking weird pictures with his father”.

A couple of weeks later, other bizarre pics of Kai popped up in mass media.

Kai rides a bicycle while wearing a dress and high heels. Why.

In Conclusion

If these pictures made you sick to your stomach, I’m sorry. However, that unpleasant gut feeling you’re experiencing is your body telling you that you’re witnessing something that is deeply wrong and unnatural. And this is all happening on purpose.

For years, I’ve been documenting the gender-blurring agenda which is based on the assertion that genders are social constructs. That same agenda claims that toddlers can make the life-altering decision of switching genders while promoting the usage of extreme drugs such as hormone-blockers. That same agenda is also creeping into elementary school curricula because “they” know that indoctrination must happen at a young age to permanently affect the psyche.

Hollywood is yet another arm of that agenda. While its industry is based on make-believe, real actual children are being dragged into this mess. When one combines this agenda with Hollywood’s notorious obsession with preying on children, we get little boys who walk around in dresses as mass media showers everyone with praise.

Why can’t these parents wait until these children are adults before making such drastic decisions? How many of these children actually requested to live that way? How many of them were groomed and forced to live that way? If the answer to this last question is greater than one then we should call this “trend” what it actually is: Child abuse.

The Presidential Advisor Who Introduced Epstein to Clinton Found Dead By Hanging With Gunshot Wound to Chest

As you probably know, Jeffrey Epstein was a billionaire child trafficker whose 2019 arrest, incarceration, and highly anticipated trial threatened to expose the elite’s sick tendencies. The flight logs of his infamous Lolita Express (the private jet used to transport guests and victims to Epstein’s private island) is a who’s who of the global elite: Politicians, celebrities, scientists, financiers, members of royal families, etc. Dozens of prominent people embarked on the Lolita Express and possibly engaged in unspeakable acts with the young victims that were trafficked by Epstein throughout the years. Bill Clinton boarded that plane over 20 times.

But that long-awaited trial never took place. Epstein was found dead in his cell in mysterious circumstances. And, since then, several individuals who were close to Epstein also died in mysterious circumstances. For instance, in 2020, Hollywood producer Steve Bing (who was close with Jeffrey Epstein and Bill Clinton) died after falling off the 27th floor of his apartment building. While the official cause of death is “suicide”, some claim that he was killed “Russian-mafia style” because he knew too much (read my article about him here).

Last February, Jean-Luc Brunel – the fashion agent who procured over 1,000 girls for Epstein – was found dead hanging in his jail cell. Again, the official cause of death was deemed suicide. Again, observers believe that he might have been killed because he knew too much.

And that list of bizarre deaths keeps growing. On May 7th, Bill Clinton’s former presidential advisor Mark Middleton was found dead in the most bizarre of circumstances.

Extension Cord

Mark Middleton 0n the website of his HVAC company.

Mark Middleton was a former presidential advisor to Bill Clinton and the financial director of his presidential campaign. He is said to have introduced Clinton to Jeffrey Epstein as he personally invited the billionaire at least seven times to the White House. Middleton also boarded Epstein’s jet multiple times.

Despite Middleton’s great influence on the President, his career at the White House ended on a sour note.

“Middleton left the White House in February 1995 and was accused of setting himself up as an international deal-maker, exactly the kind of person that would appeal to Epstein.

In 1996 an investigation by the White House found that Middleton had abused his access to impress business clients and he was barred from the executive mansion without senior approval.”
Daily Mail, Family of Bill Clinton advisor who admitted Jeffrey Epstein into White House seven times has blocked release of files detailing the death scene

On May 7th, 2022, Middleton died suddenly at age 59. He was found hanging from a tree with a cheap Dollar Store-type extension cord around his neck and a gunshot wound to his chest. According to authorities, Middleton trespassed on Heifer Ranch (which was located about 30 miles from his house) and used a table to construct makeshift gallows.

Perry County Sheriff Scott Montgomery told Daily Mail:

“I don’t know the man, and I don’t why he picked our county or picked that location to commit suicide. To our knowledge, he had never been there before, and we have no record of him being there before.

He died from a self-inflicted shotgun wound to the chest. He found a tree and he pulled a table over there, and he got on that table, and he took an extension cord and put it around a limb, put it around his neck and he shot himself in the chest with a shotgun.

It was very evident that the shotgun worked because there was not a lot of blood or anything on the scene. You can tell the shotgun blast was on his chest, you can tell that because there is a hole in the chest and pellets came out the back of his back. It was definitely self-inflicted in our opinion.”

According to the sheriff, Middleton was “depressed”.

Despite lots of unanswered questions, the death was quickly determined to be a suicide. Furthermore, the sheriff stopped speaking with the press due to the fact that the Middleton family filed a lawsuit preventing the release of information regarding this case. The lawsuit states that the family has “a privacy interest in preventing any ‘photographs, videos, sketches (or) other illustrative content’ from the death scene being released”, claiming that this material would lead to “outlandish, hurtful, unsupported and offensive articles’ being published online”.

This lawsuit did not prevent people close to Middleton from voicing concerns. A business associate of Middleton is now calling for an independent investigation as he cannot believe that the man committed suicide. In an interview with RadarOnline, the associated stated:

“Everyone that I know here, that has worked with Mark, knows it is physically impossible for Mark to have killed himself.”

The associate also stated that Middleton dealt with companies close to the Clintons.

Middleton was actively engaged in financial investments with the same Little Rock characters who allegedly worked with John Glasgow, the chief financial officer of CDI Contractors Inc., the lead firm that constructed the Clinton library.

Glasgow vanished without a trace in 2008 after reporting financial irregularities with the Clinton library construction costs and his skeletal remains were found at Petit Jean State Park in 2015. His cause of death is undetermined.”
– Ibid.

While this story is already incredibly suspicious, it gets worse. A woman linked to Middleton was found dead in a river with a similar extension cord.

Ashley Haynes

Haynes was a mother of two from the Little Rock suburb of Maumelle. She vanished on January 12th, after leaving a note on her kitchen  counter stating “on the water, love you all.”

After a massive search, her corpse was discovered four days later by a family friend … submerged in 10 feet of water. The police report stated:

“Mrs. Haynes had a bag strapped to her leg with a green extension cord. Inside the bag was a large concrete block that measured 16x16x4.”

Once again, people close to Haynes cannot believe this woman committed suicide in such a matter.

A source close to Haynes, who worked for a charitable group to feed and clothe the homeless, tells Radar the 110-pound former model turned yoga teacher, would have never taken her own life – let alone paddleboard down the river lugging a 58-pound concrete suicide block!

“It didn’t make any sense, she would never kill herself,” the Haynes source said. “When I heard she went missing I knew instantly it was foul play. I don’t believe she killed herself. How could she water paddle down the river with a concrete block!”
– Ibid.

Months prior, Haynes was seen in Mark Middleton’s office to discuss an urgent matter.

“I saw her in Mark’s office!” the business associate tells RadarOnline.com. “I was leaving and he (Middleton) was telling me that he had a very important financial meeting – and that’s the woman who came in!”

“I don’t know if there is anything connection there or not, but I know that it was shocking to me to hear she drowns while paddling in the Arkansas River,” the source said. “Then Mark mysteriously dies a few months later?”
– Ibid.

Just like Middleton, Haynes was said to be “depressed” and her death was determined to be “suicide” by investigators, even though neither of them left a suicide note.

In Conclusion

Weeks before the death of Jeffrey Epstein, I wrote that he might end up “suicided” because his trial could potentially expose some of the dark secrets of the global elite. Since then, several prominent people linked to Epstein and Clinton appear to have been “suicided” as well. When one analyzes the circumstances surrounding each death, a pattern emerges: No suicide note, no in-depth investigation, and little to no media coverage.

The death of Mark Middleton fits right into this pattern. The man who introduced Epstein to Clinton was found hanging with a gunshot wound to his chest … and it was quickly deemed a suicide. Furthermore, any kind of investigation relating to the case has been cut short.

Despite this fact, there’s one all-important detail that strongly hints at a non-suicide: The usage of a Dollar-store extension cord. Why would anyone who is adamant about committing suicide by hanging use a cheaply made, plastic extension cord instead of actual rope? Furthermore, why would a 100-pound woman use the same type of extension cord to attach her leg to a 58-pound concrete block? It simply does not add up.

If these two individuals were actually “suicided”, the extension cord becomes a code left by the perpetrators. First, this bizarre prop links both deaths in a rather unequivocal matter. Furthermore, the power cord itself might symbolize the reason why they were “suicided”. Maybe it’s because they were both too close to … power.

The Top 10 Creepiest and Most Dystopian Things Pushed by the World Economic Forum (WEF)

When one talks about the “global elite”, one usually refers to a small group of wealthy and powerful individuals who operate beyond national borders. Through various organizations, these non-elected individuals gather in semi-secrecy to decide policies they want to see applied on a global level.

The World Economic Forum (WEF) is smack dab in the middle of it all. Indeed, through its annual Davos meetings, the WEF attempts to legitimize and normalize its influence on the world’s democratic nations by having a panel of world leaders attending and speaking at the event.

A simple look at the list of attendees at these meetings reveals the organization’s incredible reach and influence. The biggest names in media, politics, business, science, technology, and finance are represented at the WEF.

Page 34 (out of 58) of the list of attendees at the 2022 Davos meeting. Big names, big companies, big influence.

According to mass media, the Davos meetings gather people to discuss issues such as “inequality, climate change, and international cooperation”. This simplistic description appears to be custom-made to cause the average citizen to yawn in boredom. But topics at the WEF go much further than “inequality”.

Throughout the years, people at the WEF have said some highly disturbing things, none of which garnered proper media attention. In fact, when one pieces together the topics championed by the WEF, an overarching theme emerges: The total control of humanity using media, science, and technology while reshaping democracies to form a global government.

If this sounds like a far-fetched conspiracy theory, keep reading. Here are the 10 most dystopian things that are being pushed by the WEF right now. This list sorted is in no particular order. Because they’re all equally crazy.

#10 Penetrating Governments

The least one can say is that Klaus Schwab, the founder and the head of the WEF is not a fan of democracy. In fact, he perceives it as an obstacle to a fully globalized world.

In the 2010 WEF report titled “Global Redesign”, Schwab postulates that a globalized world is best managed by a “self-selected coalition of multinational corporations, governments (including through the UN system), and select civil society organizations (CSOs)”. This is the exact opposite of a democracy.

He argued that governments are no longer “the overwhelmingly dominant actors on the world stage” and that “the time has come for a new stakeholder paradigm of international governance”. For this reason, the Transnational Institute (TNI) described the WEF as “a silent global coup d’état” to capture governance.

In 2017, at Harvard’s John F. Kennedy School of Government, Schwab blatantly admitted what is continually dismissed as a “conspiracy theory” by mass media: The WEF is “penetrating” governments around the world.

Schwab said:

“I have to say, when I mention now names, like Mrs. (Angela) Merkel and even Vladimir Putin, and so on, they all have been Young Global Leaders of the World Economic Forum. But what we are very proud of now is the young generation, like Prime Minister [Justin] Trudeau, the President of Argentina and so on.

We penetrate the cabinets. So yesterday I was at a reception for Prime Minister Trudeau and I know that half of his cabinet, or even more than half of his cabinet, are actually Young Global Leaders of the World Economic Forum. (…) It’s true in Argentina and it’s true in France, with the President – a Young Global Leader.”

In this outstanding talk, Schwab blatantly stated that Angela Merkel of Germany, Vladimir Putin of Russia, Justin Trudeau of Canada, and Emmanuel Macron of France were “groomed” by the WEF. He even adds that at least half of Canada’s cabinet consists of representatives sold to the WEF’s agenda. This is not a conspiracy theory. This is the absolute truth, confirmed by the head of the WEF himself.

#9 Controlling Minds Using Sound Waves

In 2018, one of the topics of discussion at the WEF was “Mind Control Using Sound Waves” (read my full article about it here). I did not alter this title for sensationalism, those are exactly the words used by the WEF.

This is the title of an actual article published on the WEF’s official website. It was deleted for obscure reasons, but it is still viewable in web archives.

In the article, the technology is touted as a possible treatment for Parkinson’s and Alzheimer’s disease. However, the article also states that “it can cure you, it can get you addicted, and it can kill you”. It can also be used to completely control a person’s mind, remotely. The article states:

“I can see the day coming where a scientist will be able to control what a person sees in their mind’s eye, by sending the right waves to the right place in their brain. My guess is that most objections will be similar to those we hear today about subliminal messages in advertisements, only much more vehement.

This technology is not without its risks of misuse. It could be a revolutionary healthcare technology for the sick, or a perfect controlling tool with which the ruthless control the weak. This time though, the control would be literal.”

The conclusion of the article: Nobody can stop scientists from developing this technology. To prevent misuse, it should be regulated by organizations such as … the WEF. That’s convenient because some companies developing this technology are part of the WEF. Do you see where this is going?

#8 Pills That Contain Microchips

Once again, this title sounds like a far-fetched conspiracy theory cleverly worded for sensationalism. It is not. Here’s a video from the WEF’s 2018 meeting where Albert Bourla, the CEO of Pfizer, talks about pills that contain microchips.

Bourla says:

“FDA approved the first ‘electronic pill’, if I can call it like that. It is basically a biological chip that is in the tablet and, once you take the tablet, and it disolves into your stomach, it sends a signal that you took the tablet. So imagine the applications of that, the compliance. The insurance companies would know that the medicines that patients should take, they do take them. It is fascinating what happens in this field.”

Is this field truly fascinating? Or utterly dystopian? As Bourla himself said: Imagine the compliance. This kind of technology could easily open the door to all kinds of nefarious applications. Since then, COVID put Pfizer in a position of power never seen before for a pharmaceutical company.

Like Pfizer, the WEF is also using COVID to further its agenda.

#7 Praising Massive Lockdowns

In 2020 and 2021, cities around the world were subjected to massive and drastic lockdowns, causing job losses, suicides, drug overdoses, isolation, mental health issues, domestic abuse, bankruptcies, and homelessness. During this horrific period, children could not attend school for months and were essentially barred from interacting with other children. A slew of small and medium businesses was destroyed while large corporations strived.

Despite all of this, the WEF could not hide its love of drastic, life-destroying lockdowns. In fact, it released a video surrealistically called “Lockdowns are quietly improving cities around the world”. Here’s this piece of complete insanity.

The video states “Lockdowns significantly reduced human activity … leading to Earth’s quietest period in decades,” while showing dystopian images of empty cities and planes stuck on the ground.

Completely ignoring the immense human suffering caused by these lockdowns, the WEF considered it was all worth it because “carbon emissions were down 7% in 2020”.

When this thing was first posted, it garnered intense backlash. So the WEF deleted the video above and posted this tweet.

As you can see, despite deleting the video, the WEF kept praising lockdowns. That’s because the WEF would love to see “covidian” life become permanent.

#6 “Take a Peek at the Future”

Judging by comments on YouTube and social media, people absolutely hate videos created by the WEF. But they keep coming. Because they don’t care what you think. They just want to plant their seed of insanity into your mind. In a video titled “How our lives could soon look” (read my full article about it here), the WEF invites viewers to “take a peek at the future”. And it is BLEAK. It is all about making COVID life permanent.

The video is filled with masked people, purell dispensers, and QR codes. This is the future they want. Then, there’s this nugget of insanity.

No. Go away.

The video proudly says:

“NASA has invented a system that can ID you from your heartbeat using a laser.”

As if that wasn’t enough, the video shows children stuck at home and being schooled through screens. The video ends by showing people wearing masks outside, like crazy people.

NONE. Go away.

#5 Pushing For a Great Reset

As stated above, the WEF perceives the pandemic as an “opportunity”. It is not only an opportunity to reshape our personal existence but to restructure the entire world structure according to its principles. The WEF calls it “the Great Reset”. To promote this Reset (that absolutely nobody wants) the WEF released a propaganda video (it really fits the definition of “propaganda”). Here it is in all of its insanity.

When I posted an article about this video in 2021, the comments were not yet turned off. And I took a screenshot of the top ones.

This short video manages to contain an incredible amount of subversive messages. It even ridiculizes “conspiracy theories” while, astoundingly, confirming these theories.

A screenshot from the video. Are you serious?

The video also announced the “death of capitalism”.

Another surreal screenshot from the video.

While capitalism is based on a self-regulating system of offer and demand, the Great Reset looks to redefine the way businesses are evaluated through new parameters. The main one: Compliance with the elite’s social and political agendas.

Towards the end, the narrator utters this enigmatic sentence:

“And that’s all about getting the right people in the right place at the right time”.

While the video doesn’t quite explain what this sentence actually means in real-life situations, its implications are rather chilling. Instead of allowing successful individuals and businesses to grow organically, the elite’s system would interfere to “get the right people at the right place at the right time”, in accordance with its agenda. In other words, the system would be rigged and compliance with a wider agenda would be mandatory in a new economy.

The video ends with a call to viewers to get involved. However, of course, you’re not actually invited to the WEF. In fact, they’re actually looking to “recalibrate” your freedom of speech.

#4 “Recalibrating” freedom of speech

An easy way to identify world leaders who are groomed by the WEF is through their incessant railing against free speech. They absolutely hate it and they’re constantly calling for the internet to be censored and highly regulated. At the 2022 Davos meeting, Australian “eSafety commissioner” Julie Inman Grant stated that we need a “recalibration of free speech”.

Grant said:

“We are finding ourselves in a place where we have increasing polarization everywhere and everything feels binary when it doesn’t need to be. So I think we’re going to have to think about a recalibration of a whole range of human rights that are playing out online. You know, from freedom of speech to the freedom to be free from online violence.”

Here, Grant essentially calls for censorship. She even believes that freedom of speech as a human right should be “recalibrated” using “online violence” as an excuse. There is no such thing as “online violence”. They love to equate speech with violence. It is an extremely manipulative way of justifying China-style censorship.

Free speech is, in fact, binary. Either it exists or it doesn’t. And they clearly don’t want it to exist.

#3 Tracking Your Clothes

The WEF wants to control your clothes. And they’ve made a video about it. Did I mention that people absolutely hate WEF videos? Here’s another one that got people’s blood boiling.

https://youtu.be/h8SWY6_b67A

Using the environment as an excuse (as usual), the WEF announced the coming of clothing laced with “digital passports” that can be traced at all times. Backed by Microsoft (of course), these garments will apparently flood the market by 2025.

They really want RFID chips and QR codes everywhere.

According to the WEF, these chips will allow fashion brands to resell their clothes. I have no idea how that would work. The video makes sure NOT to mention that this technology would be a great way of tracking those who ditched their smartphones.

But ditching your smartphone might become … impossible.

#2 “Smartphones will be in your body by 2030”

At the 2022 Davos meeting, Nokia CEO Pekka Lundmark claimed that, by 2030, “smartphones will be implanted directly into the body.” This would coincide with the coming of 6G technology, which is expected to be launched by the end of the decade.

For years, this site has been documenting the elite’s incessant push for transhumanism, which is the merging of humans with machines. They’re looking to accelerate this transition by making things people cannot live without (such as smartphones) available in transhumanist form.

Are you noticing their creepy eagerness to insert things inside our bodies?

#1 “You’ll Own Nothing. And You’ll Be Happy.”

This is probably the most dystopian moment in WEF history. In 2016, Ida Auken, a Member of Parliament in Denmark said:

“Welcome to 2030. I own nothing, have no privacy, and life has never been better”.

The WEF loved that quote so much that it tweeted about it.

The WEF also created a video (that everybody absolutely hated) titled “8 Predictions for the World in 2030”. Here’s a screenshot.

The WEF loves to phrase its “predictions” in a non-conditional form, as if they’re an inevitability. But look at this smiling guy. He’s clearly happy. Thank you WEF!

An article on the WEF’s website explains:

“I don’t own anything. I don’t own a car. I don’t own a house. I don’t own any appliances or any clothes,” writes Danish MP Ida Auken. Shopping is a distant memory in the city of 2030, whose inhabitants have cracked clean energy and borrow what they need on demand. It sounds utopian, until she mentions that her every move is tracked and outside the city live swathes of discontents, the ultimate vision of a society split in two.

In this dystopian future, there are no products you can own. Only “services” that are rented and delivered using drones. This system would make all humans completely dependent on WEF-controlled corporations for every single basic need. There would be absolutely no autonomy, no freedom, and no privacy. And you’ll be happy.

Honorable Mention: Individual carbon footprint tracker

At the 2022 Davos meeting, Alibaba Group president J. Michael Evans announced the development of an “individual carbon tracker”.

Once again, the WEF uses the environment to promote the micro-management of human behavior. Evans says that the tracker can monitor “where they’re traveling, how they’re traveling, what are they’re eating and what are they consuming on the platform”.

Notice that he used the pronoun “they” and not “we” because there is no way in hell he’s going to use that thing. Me neither.

In Conclusion

Upon reviewing this list, two common themes become obvious. The first theme is “penetration”. The WEF wants to penetrate governments using “Global Leaders” (aka Manchurian candidates). It also wants to penetrate our bodies through pills, microchips, and vaccines. It also wants to penetrate our minds using soundwaves, censorship, and propaganda.

The other theme is “control”. They want to control what we think, where we go, what we say, what we eat, and what we wear.

Do you know who agrees with the WEF? China. Censorship is widespread, a social credit system controls people’s behaviors and COVID is still used as an excuse for massive lockdowns and total population control. Not to mention the literal concentration camps. Despite all of this, Chinese officials are constantly present at WEF meetings. Why? Because China is basically a laboratory for the WEF’s policies.

With all of that being said, how can we counteract the WEF’s insanity? How can we vote them out if they were never voted in? A first step would be to elect – at all levels of government – representatives that want nothing to do with the WEF. If our elected officials treated the WEF as the rogue, illegitimate organization that it is, its influence would be greatly reduced.

Second, we can boycott every company that is part of the WEF. I realize this is easier said than done because many of these companies are virtual monopolies. However, if we stop giving them our money, they’ll stop using our money to poison our lives.

Then, they’ll own nothing. And we’ll all be happy.

Symbolic Pics of the Month 05/22

Madonna hasn’t released a hit song in years but she’s become a master at annoying and slightly horrifying the world with random crap. This time, she entered the NFT fad by releasing three short CGI videos. Titled Mother of Creation, the graphic videos depict a Madonna giving birth to various things. As with every single thing associated with Madonna, Mother of Creation is pure occult-elite madness.

The first video is titled Mother of Nature. It features Madonna laying in a cold laboratory setting as a tree slowly emerges from her. Everything about this video implies that Madonna is actually in a high-tech mind control facility.
In Mother of Evolution, Madonna gives birth to Monarch butterflies in a post-apocalyptic scene. Madonna says it represents “giving birth no matter what is happening in the world”. Whatever. Those who recognize the symbolism know that this represents the occult elite “giving birth” to Monarch slaves.
The third video, titled Mother of Technology, features robotic centipedes slowly crawling out of Madonna’s vajayjay. Gross. The name Madonna refers to the Virgin Mary – who gave birth to Jesus. Apparently, our “Madonna” gives birth to anything but.

This year’s MET Gala was less over-the-top symbolic than seen in previous years. Nevertheless, it remained true to its core purpose: To parade around pawns of the elite. And nobody personifies this better than Kim Kardashian.

Kim Kardashian bleached her hair and wore the actual dress worn by Marilyn Monroe when she sang “Happy Birthday” to JFK – an iconic moment in American history … and in MK history. Read my article about Monroe for more information about the symbolism of that dress.
In a strange video, Kim received a lock of Monroe’s actual hair (supposedly). Upon receiving it, Kardashian said, “I’m going to do crazy voodoo sh*t and channel her”. As seen in previous articles, representatives of the Beta Kitten industry need to “channel” Marilyn Monroe, – the ultimate archetype of the Beta slave celebrity.

Speaking of witch (not a typo), Kim was recently featured in an episode of Vogue’s Objects of Affection. One of these objects is this drawing made by her 8-year-old daughter North.

Kim called it “goth”. That’s not it. Everything about this drawing reeks of MK imagery: The forehead with a gaping wound, the soulless eyes, the emphasis on one eye, the hypnotic/dissociative spiral background, and more. That is not a normal drawing for an 8-year-old.
Speaking of mind control, this is Billie Eilish on the cover of V magazine. As you can see, there’s a butterfly on her mouth. The message: Silenced by the Monarch system. These butterflies are not random.

As usual, the one-eye sign was all over the place this past month. And, as usual, it was performed by some of the world’s biggest stars. Also, regional stars. Gotta cover the entire map with this crap.

South Korean rapper Zico makes a one-eye sign with a butterfly on his hand. The message: Blinded by the Monarch system. These butterflies are not random.
As seen in my previous articles about K-Pop, South Korea is completely submerged in occult elite symbolism. This is singer Woosung doing a one-eye sign on the poster promoting his tour.
South Korean actor Lee Min-ho does a one-eye sign on the cover of Dazed magazine. Yup, that’s what you gotta do if you want to sell these Fendi purses and whatnot.
Zendaya is the star of Euphoria – a teen drama that is wrong on many levels (read my article about it here). Appropriately enough, Zendaya does the one-eye sign while promoting some type of product.
Kylie Jenner is also promoting some type of garbage by putting stuff over one eye. Look, she’s using pomegranate to hide an eye. It’s like, wow. Pure genius.
Actress Victoria Justice became popular due to her roles in Disney and Nickelodeon shows. Now she’s promoting the Netflix movie A Perfect Pairing by doing a one-eye sign using … a wine glass. I mean, wow. Such creativity. I’m in awe.
The promotional posters of Dr. Strange feature the main characters with one eye strategically hidden. Considering the fact that this movie is an occult extravaganza, this is appropriate.
A recent cover by the elite-owned The Economist features Benjamin Franklin doing the one-eye sign. They love to retroactively make prominent figures from the past perform their sign of submission. Some might say: “That’s the Ben Franklin from the $100 bill and he’s unhappy about inflation”. Yes. But it is also Ben Franklin doing the one-eye sign on the cover of a major magazine that is known for its cryptic symbolism.

Maye Musk is the mother of Elon Musk and she’s been a model for over 50 years. And boy does she love doing the one-eye sign.

A small compilation of the one-eye signs made by Maye Musk in various magazines over the past months.

In previous SPOTMs, I highlighted the elite’s insane agenda of depicting pregnant men. The madness continued this month.

On Mother’s Day, Calvin Klein posted this picture of a pregnant trans man. The reason: Gender-blurring agenda.
Netflix recently released a Japanese drama titled He’s Expecting. It’s about men being pregnant. This is exactly why Netflix is hemorrhaging subscribers.
This is the album cover of Daddy Yankee’s new album. It’s a goat head, which happens to be one of the main symbols representing satanism. Some might say that the goat represents the acronym “Greatest of All Time”. That’s what they want you to think.
The sigil of the Church of Satan consists of the Goat of Mendes inside an inverted pentagram. If an artist hopes to be deemed the “G.O.A.T.” of the industry, that artist must first submit to THAT goat.
The elite loves superyachts. It is the ultimate status symbol. What better place to display an occult elite symbol? This yacht concept named Zion (a biblical name referring to Jerusalem and Israel) features a giant all-seeing eye. And a helicopter pad.

Sorry about the following pic. It’s not gore, it’s a gory meat platter. Because these people are insane.

In 2011, Neil Patrick Harris had this disturbing meat platter served on Halloween. It was made to look like the rotting corpse of Amy Winehouse. That was only a few months after her death. Not only is this thing deeply disturbing, but it is also yet another hint at the occult elite’s obsession with cannibalism.

Special thanks to everyone who sent in pics.

The Occult History of the U.S. Military’s PSYOPS and its Highly Symbolic Recruitment Video

The goal of PSYOP is, essentially, to mess with people’s minds. Appropriately enough, a recent recruitment video by the 4th PSYOP Group accomplished just that. Posted on the official social media accounts associated with the U.S. Military, the video titled Ghosts in the Machine gained some viral traction as viewers were impressed with the video’s production quality … while being baffled by its overarching message and symbolism.

What does it all mean? To better understand this video, let’s look at the fascinating yet secretive world of PSYOPS.

PSYOPS

PSYOPS stands for “psychological operations”. It can be defined as:

“Planned psychological activities using methods of communications and other means directed to approved audiences in order to influence perceptions, attitudes, and behavior, affecting the achievement of political and military objectives”.

When books describe PSYOPS, they often refer to WWI-era strategies such as dropping leaflets from a plane to demoralize the enemy. That era is long gone. PSYOPS moved way beyond these primitive methods to adopt highly sophisticated techniques utilizing the latest technologies and the immense power of mass media.

But that is not all. There was always a “magical”, supernatural element to PSYOPS.

In my 2011 article “Top 10 Most Sinister PSYOP mission patches“, I highlighted the omnipresent “magical” element found in several PSYOP mission patches.

These allusions to magic are not merely figurative. PSYOPS extensively researched occult and supernatural phenomenons such as ESP (extra-sensory perception) and remote viewing.

This symbiotic relationship between PSYOPS and the occult is fully personified by an important yet controversial figure: Michael Aquino.

Michael Aquino and MindWars

Lieutenant Colonel Michael A. Aquino.

Michael Aquino joined the U.S. Army in 1968 where he became an officer specializing in psychological warfare and, later, a Lieutenant colonel in military intelligence.

As Aquino climbed the ranks of the U.S. military, he also climbed the ranks of another organization: The Church of Satan.

“Michael Aquino began corresponding with Anton LaVey while a psychological operative for the U.S. Army, stationed in the jungles of Vietnam. Aquino returned to the States and was soon made a high-ranking priest and editor of the church’s Cloven Hoof newsletter. His distinctive appearance — he sported a prominent widow’s peak and darkly accented eyebrows — was further enhanced by a small 666 tattooed on his scalp.”
– Washington Post, A Devil of a Time

Aquino doing satanic things.

As years passed, the relationship between Aquino and LaVey deteriorated. The main reason: LaVey believed that Satan was a symbolic force while Aquino believed in the literal existence of Satan. In 1975, Aquino founded the Temple of Set – an occult order that revolved around an Egyptian deity on whom the Hebraic Satan was supposedly based.

Aquino’s occult activities did not interfere with his military career. In fact, he described politics and propaganda as forms of “lesser black magic”.

Aquino divided black magic into two forms: lesser black magic and greater black magic. He stated that lesser black magic entails “impelling” things that exist in the “objective universe” into doing a desired act by using “obscure physical or behavioral laws” and into this category he placed stage magic, psychodramas, politics, and propaganda.
– Jesper Aagaard, “The Seeds of Satan: Conceptions of Magic in Contemporary Satanism”

In 1980, as a “PSYOP Research & Analysis Team Leader”, Aquino c0-authored MindWar – an internal U.S. Army paper about the future of psychological operations. While this document was only intended for the eyes of government policymakers, it accidentally became public. And it caused quite a stir.

“Is the government involved in invasion of the mind beyond the blundering, haphazard legacy of the infamous MKULTRA experiments? Even more unsettling, do such efforts extend beyond conventional scientific research to dark and arcane arts whose very existence is the stuff of legend?”
MindWar book description

The least one can say is that MindWar was visionary. It accurately predicted the 4th generation of warfare which focuses on bypassing armies in order to “attack population, culture, and institutions”. And the best way to accomplish this was, of course, through mass media.

“In its strategic context, MindWar must reach out to friends, enemies and neutrals alike across the globe – neither through primitive “battlefield” leaflets and loudspeakers of PSYOP nor through the weak, imprecise, and narrow effort of psychotronics – but through the media possessed by the United States which have the capabilities to reach virtually all people on the face of the Earth.

These media are, of course, the electronic media – television and radio. State of the art developments in satellite communication, video recording techniques, and laser and optical transmission of broadcasts make possible a penetration of the minds of the world such as would have been inconceivable just a few years ago.”
– Michael A. Aquino and Paul E. Valley, “MindWar”

The ultimate goal of MindWar is to make people willingly do what they’re supposed to do, while not realizing they’ve been pushed towards that decision at every step of the way.

“For the mind to believe in its own decisions, it must feel that it made those decisions without coercion. Coercive measures used by the operative, consequently, must not be detectable by ordinary means. There is no need to resort to mind-weakening drugs such as those explored by the CIA; in fact the exposure of a single such method would do unacceptable damage to MindWar’s reputation for truth.”
– Ibid.

Towards the end of this short document, Aquino goes way beyond mass media. He states that PSYOPS must make full use of phenomenons such as electromagnetic fields and Extremely Low-Frequency Waves (ELFs) to make people more suggestible to MindWar.

“There are some purely natural conditions under which minds may become more or less receptive to ideas, and MindWar should take full advantage of such phenomena as atmospheric activity, air ionization and extremely low frequency waves.”

ELF waves up to 100Hz are naturally occurring, but they can be produced artificially (such as for the Navy’s Project Sanguine for submarine communication). ELF-waves are not normally noticed by the unaided senses, yet their resonant effect upon the human body has been connected to both physiological disorders and emotional distortion. Infrasound vibration (up to 20 Hz) can subliminally influence brain activity to align itself to delta, theta, alpha or beta wave patterns, inclining an audience toward everything from alterness to passivity. Infrasound could be used tactically, as ELF-waves endure for great distances; and it could be used in conjunction with media broadcasts as well.”
– Ibid.

You’ve read correctly: Aquino stated that ELFs can be used in conjunction with media broadcasts.

My article 2018 “Government Files About Remote Mind Control” reviews leaked official documents about altering brain waves.

With all of that being said, let’s take another look at this PSYOP recruitment video.

Ghosts in the Machine

The recruitment video by the 4th PSYOP Group revolves around the saying “All the world’s a stage” – a quote from William Shakepesear which compares the world to a play and people to actors. However, in the context of PYSOP, this quote takes on a deeper meaning: Many of the events we see around the world are staged and choreographed by unseen puppet masters.

Appropriately enough, the video begins with the words:

“Have you ever wondered who’s pulling the strings?”

A puppet-master pulling the strings.

This creepy figure appears throughout the video without revealing himself. However, his silhouette looks familiar.

Left: Creepy figure. Right: Aquino.

The video subtly hints at the various “battlefields” of PYSOP using clever shots.

“Warfare is evolving and all the world’s a stage”. In the background, we see images of people filming propaganda and a person playing the piano. Because the music industry is involved in psychological warfare.
The video features multiple scenes of people scrolling their phones because Facebook, Twitter, YouTube, Google, Reddit, and others are MindWar battlefields.
An old-timey cartoon shows a bumbling clown being revealed as a ghost (aka a spook).

The message of this highly symbolic image: Your ridiculous entertainers are actually agents of propaganda.

A clown-like entertainer (similar to one seen in the cartoon) gets ready to perform as the words “we come in many forms” are displayed.
A shot of an empty movie theatre indicates that the entertainment industry is fully involved in psychological warfare against citizens.
Throughout the video, we see images of protests and political movements. 

The message of these scenes: These events did not happen organically, they were the result of psychological warfare. As Aquino wrote:

“For the mind to believe in its own decisions, it must feel that it made those decisions without coercion.”

In Conclusion

Ghosts in the Machine is a cleverly made recruitment video that appears to target a specific audience: “Conspiracy-minded” people … who want to take part in the conspiracy. Through various symbolic scenes, the video explains how the 4th PSYOP Group uses psychological warfare to defend American interests in foreign conflicts – especially those involving China and Russia. With that being said, a vital question begs to be asked: Is psychological warfare used against American citizens and allied countries?

At the time of PSYOP’s inception, laws were created to prevent the military from conducting psychological warfare on U.S. citizens. However, Aquino himself observed that the 2003 Iraq invasion was preceded by an “extreme MindWar on American people”.

While it is possible that the 4th PSYOP Group is focused on foreign adversaries, psychological warfare is currently being used by all kinds of state and non-state actors. In the 21st century, globalist forces control mass media and political parties. As such, this powerful elite group has been conducting an unprecedented MindWar effort to “attack population, culture, and institutions”. It is happening right before our eyes.

All the world’s a stage.

Charli XCX and Her Story About Selling Her Soul for Fame

For years, Charli XCX had been working relentlessly to move up in the music industry. Since 2013, the English singer and songwriter released five albums to critical acclaim while winning industry trophies. However, despite her relative success, Charlie XCX still could not be called a “major pop star”. Indeed, the proverbial spotlight did not shine on Charli as intensely as others pop stars.

So what was missing? Looks? Talent? Hard work? No. She had to sell her soul to the devil. And not figuratively. And that’s exactly what she did.

In a rather blatant Instagram post, Charli writes “tip for new artists: sell your soul for money and fame”. Along with this caption are symbolic pictures, including this satanic g-string. 
In another post, Charli writes “baby’s blood” with an emoji representing a martini glass – implying that this blood is being ingested. This is a reference to the occult elite’s favorite obsession: Consuming human blood and flesh.
Shortly before Halloween, Charli posted a pic depicting a satanic blood ritual. Because that’s what they actually do around this time of year.

In occult circles, the initiation of a candidate involves a symbolic death and rebirth. This is exactly what Charli’s album Crash is about.

The album art of Crash depicts Charli being “killed” in a car crash. The subtle one-eye sign created by her strategically placed hair indicates that this is all occult symbolism.
In a post celebrating her success, Charli posts a picture of her laying in a casket.

Upon the release of Crash, a slew of music videos was released. Two of them stand out from the lot and they happen to be highly symbolic. Here’s a look at them.

Good Ones

The lyrics of the single Good Ones are about Charli wanting to end a healthy relationship because she craves evilness. These lines sum up the song:

I want the bad ones ’cause they’re all I know
I always let the good ones go

While the song appears to be about Charli being attracted to bad boys, the video indicates that the “relationship” Charli refers to is actually … spiritual.

The entire video takes place at a funeral with people mourning and stuff. Then Charli emerges with her witch coven or something.

While everybody’s wearing black, Charli and her girls also wear red – the color occultly associated with initiation and blood sacrifice. They’re holding burning Bibles, an image that sums up the satanic subtext of this video.
Throughout the video, Charli appears to be extremely turned on by the dead body. This bizarre mix of death and sexuality is in line with the elite’s sick culture of death.
Behind the casket is an interesting figure. If this was a “regular” church, one would probably see a crucifix. However, if you look closely, that’s not Jesus at all. The figure appears to represent the Roman soldier who speared Jesus while he was crucified … to make sure he was dead.
A fresco by Fra Angelico showing the lance piercing the side of Jesus on the cross.

Satanic black masses are all about the reversal and perversion of Christian rituals and symbols. Enshrining the guy who pierced Jesus instead of Jesus himself is a good example.

Lurking in the background is a weird-looking priest. His eyepatch turns his face into a one-eye sign, again hinting at this being occult elite garbage.
In this rather grim scene, Charli and her girls get overtly excited by the burial hole. Culture of death.
At one point, Charli is seen laying on her own tombstone. The burial date is March 2022 which was the release date of her album.

In short, Good Ones is all celebration of death at a satanic black mass. If you believe I’m going a little far with this interpretation ritual, you should maybe check the alternative video.

In the “Drag Performance Video”, a bunch of drag queens (who are wearing symbolic red) dance inside a desecrated church. Behind them is an inverted cross – the ultimate symbol representing satanism. I don’t think this can be clearer.

Good Ones is about Charli’s symbolic death and pending rebirth as a pawn of the music industry. The video Beg For You appears to continue in this ritualistic narrative.

Beg For You

The lyrics of Beg For You are about longing for someone who is kind of a jerk. Of course, the video is about a ritualistic initiation that includes drinking blood. Because, after letting the “good one go” (God), Charli “begs for” the jerk (Satan).

The song features Rina Sawayama, an up-and-coming artist who has been enjoying unfaltering praise from mass media.

One-eye signs = She is down with pushing the elite’s agenda.

Both Charli XCX and Rina Sawayama are ready to take their careers to another level. But first, they have to partake in weird, ritualistic crap. The Beg For You video is all about that.

The video begins with Charli, Rina, and the coven of witches following some sort of spiritual leader.
Also, there’s this thing.

The coven is led to a place where something unholy is about to happen.

A horned skull surrounded by a circle of sticks = Satanic ritual.
Once arrived, Charli and Rina take place in a ritualistic matter.
Charli is given a sharp object which she squeezes until she bleeds. That blood drips into a pool of water.
Then, the “spiritual guide” (or whatever) scoops up some of that blood water … and DRINKS IT.

I hope you’ve been noticing that the elite has been increasingly open about its obsession with drinking human blood.

After the ritual, the coven gets into a trance-like state and dances around the pool of bloody water.

The initiation ritual is complete and another crappy video is released to the world.

In Conclusion

After years of hard work in the music industry with albums leaning towards innovation and experimentation, Charli XCX wanted to go mainstream. So she made mainstream music. More importantly, she complied with the industry’s requirements of selling her soul and pushing a sick agenda. The result is Crash – an album surrounded by over-the-top Illuminati madness.

Some might argue that Charli’s act is so blatant that it is actually satirical, a second-degree comment on the state of the industry. That might be a way of seeing things. However, the end result is the same: Through her works, Charli propagates in popular culture the same messages, the same symbolism, and the same satanic “energy” as others.

With that being said, did the soul-selling work out for Charli? At first glance, yes. She’s enjoying that sweet mass media attention.

Crash is Charli’s best-selling album to date.

But was it worth it? I’ll let Charli’s own Instagram post answer that question.

The caption of this post is “tip for new artist: it only gets worse”. The high heels and the chain refer to the sexual slavery of industry pawns.

I guess not.

Megan Fox Openly Admits That She Drinks Blood For “Ritual Purposes”

Ever since Megan Fox and Machine Gun Kelly (MGK) became a thing, things became weird. But that specific kind of weirdness is actually the norm in Hollywood – Megan Fox and MGK are simply more transparent about it than most.

This bizarre relationship between two industry pawns was first publicized in MGK’s video Bloody Valentine. Little did we know, the song’s title was to be taken literally. Since then, the couple has been hinting at its obsession with each other’s blood.

In this Instagram post from 2021, MGK creepily wrote “I wear your blood around my neck”. He added emojis representing a knife and a drop of blood.

In a post celebrating the couple’s engagement, Megan Fox just came out and said it.

In a post that contains several allusions to the dark side of the industry, Fox concludes with “…and then we drank each other’s blood”. This last sentence was to be taken literally.
Then MGK posted a video of the engagement ring.

This ring contains a highly symbolic feature. MGK explained:

“The bands are actually thorns. So if she tries to take it off, it hurts…”

This ring perfectly represents Fox’s status as an industry slave. If she tries to break free, she will be hurt.

In a recent interview, Fox exposed how deep she was in Hollywood insanity.

Revealing Interview

In a recent interview with Glamour Unfiltered, Fox was asked the question:

“Is it true you drank each other’s blood after he proposed?”

Her response:

“I guess ‘drank each other’s blood’ might mislead people, or like people are imagining us with goblets, and we’re like Game of Thrones, drinking each other’s blood. It’s just a few drops. But yes, we do consume each other’s blood on occasion for ritual purposes only. It is used for a reason and it is controlled where it’s like, let’s shed a few drops of blood and each drink it.”

Still a conspiracy theory?

For years, articles on this site have been highlighting the elite’s obsession with cannibalism and drinking blood as part of occult rituals. Many dismissed these claims as crazy conspiracy theories. It’s real. And now they’re trying to normalize it.

Fox went on to describe MGK’s advanced state of insanity.

“He’s much more haphazard and hectic and chaotic, where he’s willing to just like cut his chest open with broken glass and be like, ‘Take my soul! Let me bleed on you!”

– That happens?

– It doesn’t not happen, let me tell you. Maybe not exactly like that, but a version of that has happened – and many times.

Later in the interview, Fox talks about consuming ayahuasca with MGK in the jungle. She explains that the shamans told MGK:

“We need to give you three doses because you have such a dark, sad spirit standing behind you”.

Fox then explains that nobody was surprised by this spiritual diagnostic.

“It’s like an actual demonic spirit was hovering over him. To no one’s surprise … anyone that knows him. When I tell that story, nobody’s like, “Oh, my God!”. Everybody’s like “Mmmhmm, and then what?” ‘Cause we all know that.”

With song titles such as Born With Horns, this all makes sense.

Megan Fox and MGK are often seen with Travis Barker and Kourtney Kardashian. That’s because they share common interests.

Travis and Kourtney

Travis Barker, Kourtney Kardashian, Megan Fox, and MGK at the MTV Awards. Creepy energy.

In the aforementioned Glamour interview, Fox is asked:

“What do you do on your double dates with Kourtney Kardashian and Travis Barker?”

Fox’s answer was rather vague and evasive. That’s because the truth would probably upset Glamour magazine readers. But here are some clues. I’ll let you put together the pieces of this very easy puzzle.

In this Instagram post, Travis Barker captioned a picture with two emojis: A male vampire and a female vampire. This caption is to be taken literally.
In the comments, Kourtney wrote: “I want to suck your blood”. Travis replied: “My favorite”, with a drop of blood emoji. These comments are to be taken literally.
A few weeks prior, Barker posted this picture of a vial containing his blood. Kourtney reposted this picture and added a black heart emoji. No further explanation was offered for this interaction.

In short, Barker and Kardashian are afflicted with the same sickness as Megan Fox and MGK. And Armie Hammer. And Elizabeth Bathory. And many others.

Normalization

In the Glamour interview, Megan Fox’s blood ritual revelations were preceded and followed by a whole lot of Hollywood virtual signaling. Indeed, Fox began by talking about how she was a “feminist icon who fought the patriarchy” and so forth. This generic blabbering set the table for her casually talking about literally DRINKING BLOOD as if it was not COMPLETELY INSANE.

The interview went on to discuss Fox’s son Noah who has been wearing dresses since he was two years old. TWO.

Fox with her son Noah who is wearing a Frozen dress.

Fox went on to explain that she bought books written by “transgender children” to talk about this stuff to her son.

Megan Fox with her three sons. Noah wears a shirt that says “Strong girls”. 

Hollywood witchery and sons wearing dresses go hand in hand. Ask Madonna.

In Conclusion

Megan Fox literally said that she partakes in blood rituals with her boyfriend who happens to be demonically possessed. What else do you want to know about the entertainment industry? These people are completely sick. And that’s only the tip of the iceberg. In these circles, the blood of children is deemed more potent. But I guess that’s another crazy conspiracy theory.

There’s Something Terribly Wrong With “Euphoria”

The least one can say is that the teen drama Euphoria is a major hit. It is HBO’s second most-watched show of all time, behind only Game of Thrones, with over 6 million viewers per week. Videos and memes of the show are highly viral, especially on TikTok, the favorite social media of children and teenagers. The show’s stars are now major celebrities and are avidly followed by droves of young fans.

With all of that being said, here’s a question: How many adults actually sat down and watched this thing? Because I did. And it did not leave me feeling ‘euphoric’ at all. Actually, it left me with the gut feeling that I’ve witnessed something deeply toxic. And why are there so many penises in that show marketed to minors?

Euphoria is not merely another edgy drama that tackles teen issues such as drugs and sexuality. It goes way beyond that. The only word that properly describes what’s going on in Euphoria is “grooming”.

The goal of child groomers is to “establish a connection with children in order to lower their inhibitions and desensitize them to sexuality”. In a twisted and insidious way, Euphoria accomplishes just that. Appropriately enough, Drake – who was accused of grooming teenage girls including 14-year-old Millie Bobby Brown – is an executive producer of the show.

Drake at the premiere of Euphoria.

Some might respond: “You don’t get it because you’re out of touch with youth culture”. No, that’s not it. Euphoria is not “youth” and it is not “culture”. It is old social conditioning. The fact that the characters of the show are constantly on their phones doesn’t mean that the show reflects young people. It actually reflects what “they” want young people to become.

The depraved scenes involving minors we see in Euphoria were written by a 37-year-old man named Sam Levinson – the son of famed Hollywood director Barry Levinson. Based on the Israeli miniseries of the same name, the US version of Euphoria manages to take things to another level.

I realize that I’m sounding a bit overdramatic. However, several observers are equally puzzled and disturbed by the fact that Euphoria is being marketed to teenagers. In January 2022, D.A.R.E. (Drug Abuse Resistance Education program) released a statement about Euphoria stating:

“Rather than further each parent’s desire to keep their children safe from the potentially horrific consequences of drug abuse and other high-risk behavior, HBO’s television drama, ‘Euphoria,’ chooses to misguidedly glorify and erroneously depict high school student drug use, addiction, anonymous sex, violence, and other destructive behaviors as common and widespread in today’s world.

It is unfortunate that HBO, social media, television program reviewers, and paid advertising have chosen to refer to the show as ‘groundbreaking,’ rather than recognizing the potential negative consequences on school age children who today face unparalleled risks and mental health challenges.”

The key word in this statement is “destructive”.

In order to expose its young viewers to highly explicit scenes, Euphoria exploits a loophole: It is rated 18+ and most of the actors who play highschoolers are over 18. Therefore, the show can feature scenes of sexuality, violence, and drug abuse with no restrictions. On the other hand, the series is clearly marketed to teens and pre-teens and there is absolutely nothing stopping them from watching it.

The days of young people watching shows on the family TV set are gone. Most of them are now watching streaming content on their portable devices in complete privacy. Meanwhile, insidious shows such as Euphoria whisper messages in their headphones while these kids’ parents are completely clueless.

But don’t take my word for it. After watching the first season (I’m not ready to subject myself to another 10 hours of this), I’ve condensed the stories of the three main characters of the show. You be the judge.

Rue: The Pills Agenda

Rue is the main protagonist of the show and its all-knowing narrator. The character is played by Zendaya, an actress who is immensely popular with children, mainly due to her recurring role in Spiderman movies. Not unlike Miley Cyrus, Zendaya’s breakthrough role was on a Disney Channel sitcom.

Zendaya on Disney’s Shake it Up.

The young people who love Zendaya and tune in to Euphoria are in for a shock.

In the first minutes of Euphoria, we see Rue snorting crushed pills at a party.

Rue is hopelessly addicted to drugs, especially benzos and opioids. Although she clearly struggles with her addiction, the series manages to present her drug experiences in an insidiously attractive light.

When Rue is high, she’s always all cozy and happy. There’s also cool music in the background and pleasing visual effects. In short, everything is there to make the young viewers want to try whatever she’s doing. 

At the beginning of the series, Rue states that she suffers from anxiety, OCD, and bipolar disorder. Later, she is so depressed that she cannot even walk to the bathroom and ends up in the hospital. The show makes one thing clear: Only drugs can bring relief to Rue. Otherwise, existing is a nearly unbearable task.

At one point, Rue talks about the first time she was given liquid valium at the hospital:

“This is it. This is the feeling I was searching for my entire life, for as long as I can remember. Because suddenly, the world went quiet and I felt safe in my own head”.

Later, Rue sings the praises of opiates.

Rue says: “Nothing in the world comes close to opiates. A good ES 7.5 Vicodin. F*ck. But honestly, the best thing I ever had is Fentanyl. And there’s not a thing on planet Earth that compares to Fentanyl”.

The scene ends like that. There’s no “but opiates will kill you”. Because they will. According to the CDC, opiates overdoses killed 75,673 people between April 2020-April 2021. That’s 75 THOUSAND people in 12 months. The main cause of these deaths: Fentanyl.

Despite these catastrophic figures, the main character of Euphoria is literally selling Fentanyl to young viewers, even going as far as saying that “nothing in the world” compares to it. Yes, the series does show that there’s a bad side to addiction. However, Rue is so miserable when she’s sober that one almost wants her to get high again so she stops being so depressed.

Towards the end of the season, Rue talks with a man who is trying to help her break her addiction. While he tries his best, she makes one thing clear: Drugs are the only reasons she hasn’t killed herself yet.

In short, Rue is not merely a teenager experimenting with pot and such. She craves synthetic opioids created by pharmaceutical companies which have been profiting from this horrific crisis for years. And Euphoria, in the most insidious ways imaginable, actually entices its young viewers to want to try them.

Jules: The Gender Blurring Agenda

Jules is played by transgender model and LGBTQ rights activist Hunter Schafer. In 2017, Teen Vogue listed Schafer on its “21 Under 21” list and was granted an interview with Hillary Clinton. Schafer has modeled for Prada, Dior, Miu Miu, Calvin Klein, Rick Owens, Helmut Lang, Tommy Hilfiger, Thierry Mugler, Coach, Maison Margiela, Vera Wang, Marc Jacobs, Versus Versace, Emilio Pucci, Ann Demeulemeester, and Erdem. In other words, the industry loves Schafer. 

At the 2021 MET Gala (a parade of industry pawns), Schafer went for the “demon from the future” look.

In Euphoria, Jules is a 16 years-old transgender girl who just moved into town. As Rue states, Jules is “kind of a sl*tty”. In the first minutes of the series, we see Jules chatting on a dating app with a man named “Dominant Daddy”. The hookup scene is extremely difficult to watch.

Jules ends up in a motel room with an older man who is obsessed with jamming his thumb down the throats of underage trans girls.

Then, we clearly see the man’s erect member right before he violently penetrates Jules in a scene that is literally unwatchable. It’s even unlistenable as there’s gagging and such. I cannot imagine a 13-year-old girl witnessing this highly graphic scene depicting statutory rape between an old man and a minor.

But Jules was not forced to do any of this. And, after this highly degrading scene, Jules just rides a bicycle to a nearby party, as if nothing happened. Because, in Euphoria, this is normal. It is all about sexualizing minors and normalizing pedos.

Later in the series, as we see Jules being rammed by this old guy again, Rue explains:

“When things got really uncomfortable, Jules would just imagine that she wasn’t really herself and this wasn’t really her life. She was just a character in a book or a movie or a show. That none of it was real, and, if it was, how did it matter? It’s not like her body really belonged to her in the first place”.

In other words, Jules dissociates from reality. It’s almost as if the makers of Euphoria are giving tips to their young viewers on how to deal with degrading, sadistic encounters with full-grown men.

The makers of Euphoria also use Jules to normalize transitioning genders during childhood using extreme medical procedures.

Numerous times during the series, Jules is seen injecting products such as Delestrogen (female hormones).
Jules also has a Supperlin implant – a  hormone blocker. Jules says: “The chip stops my voice from dropping and my balls from getting bigger”.

Like Rue, Jules relies heavily on products created by big pharmaceutical companies to tolerate being alive. And, like Rue, the potentially disastrous side-effects of these products are never addressed.

In fact, Euphoria goes out of its way to promote these products. At one point, Jules explains the process of transitioning by comparing it to a character leveling up in a video game:

– It started with clothes, and then it was makeup and eventually hormones. I just kind of kept leveling up.
– So what level are you at now?
– I don’t know. But I definitely haven’t reached my full power.

Several health practitioners have stated that giving children hormones and hormone blockers is a form of child abuse. But not in Euphoria. These things (which did not even exist a few years ago) are a way of “leveling up”.

Kat: The Sexualization of Minors Agenda

At the beginning of the series, Kat is a nerdy 16-year-old girl. She’s also a virgin. And, in the world of Euphoria, that’s an unacceptable situation that needs to be addressed as soon as possible.

Nearly everyone around Kat tells her to “catch a D”. It is repeated several times, by several characters. Repetition is key to child grooming.

Soon enough, Kat “catches a D” at a party. And everybody is so proud of her.

In Euphoria, the word “sl*t” is a compliment.

Sadly for Kat, her first experience was filmed and it was posted on the internet. And everyone knows about it. While Kat was distressed at first, she noticed that the video had lots of views and positive comments. Kat feels so validated that she decides to take things further.

Then, Euphoria presents to its young viewers a step-by-step guide to becoming a cam girl.

Kat signs up for an adult site to get paid.
Then this old dude starts camming with 16-year-old Kat.

This old dude asks Kat to insult him. And when she does, he whips out his micropenis and starts rubbing it feverishly. We see everything. None of it is censored.

But that doesn’t matter. Kat appears to enjoy insulting the guy. More importantly, she’s making money. In fact, the show explains exactly how Kat can get paid anonymously by pedos by using cryptocurrency.

Kat receives money on her phone. What teenager wouldn’t like that?
After becoming a cam girl, Kat goes to school with a cool new look and she feels great about herself. Yup, being an underage internet prostitute is awesome.

The show keeps encouraging minors to take lewd pictures and videos of themselves. In one particularly upsetting scene, Rue and Jules explain how to take a good “d*ck pic”. That segment contains dozens upon dozens of pictures of actual penises. Because grooming.

In another bizarre diatribe, Rue explains why young people HAVE to send naked pictures of themselves:

“I’m sorry. I know your generation relied on flowers and father’s permission. But it’s 2019 and, unless you’re Amish, nudes are the currency of love, so stop shaming us.”

Kids, taking pictures using the latest iPhone and sending them through the 5G network is a great idea. There’s no way this stuff can get intercepted and stored on databases that are viewable by sickos (/sarcasm).

After Kat’s transformation, she hooks up with several random dudes and copulates with them on the spot.

At a Halloween party, Kat dresses as a satanic nurse (inspired by Thana from the highly disturbing movie MS 45). Then, she gets laid in that costume and it’s all highly graphic.

By continually displaying explicit scenes, Euphoria basically subjects its young viewers to Beta Kitten programming on a mass scale. From my article about Monarch programming:

BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses, and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denotes Kitten programming.
Monarch Programming

Her name is Kat. She wears a kitten mask and a feline-print top. Beta Kitten programming.

I could go on for days about Euphoria. Nearly every scene has some sort of angle with a toxic message. But we’ve all seen more than enough.

In Conclusion

I did not dig up some weird, obscure series to complain about. This is what kids are watching now. It’s on HBO. It’s backed by Drake. It’s viral on TikTok. The stars of the show are major celebrities. Teen magazines are calling them “iCoNic”.

But Euphoria is not entertainment. It is social conditioning. It captures the attention of young people with relatable high-school drama and shocks them with scenes of extreme depravity. After a while, the shock fades away and the viewers become desensitized. This is what grooming is all about. Euphoria is not youth culture. It is what the elite wants youth to become: A generation of sad and confused people, hopelessly addicted to big pharma drugs and constantly engaging in degrading acts … all under the watchful eyes of the sick pedos who want their sickness to become accepted.

Want to really feel “euphoric”? Turn this garbage off and go outside.

Symbolic Pics of the Month 04/22

Ever since he released his satanic single and his satanic shoes, Lil Nas X has been a fixture at awards shows. And, with every appearance, he proves that he’s really an Industry Baby (that’s actually the name of one of his singles). The 2022 Grammys were no exception.

Before the show, Nas X walked around with an outfit adorned with numerous butterflies, reminding us all that he’s part of the industry’s Monarch system. He’s not wearing butterflies because he thinks they’re pretty. His entire act is replete with butterfly symbolism. And one-eye signs.
The backdrop of his Grammy performance consisted of a giant Lil Nas X head with one side melted down to the skull. It was a great way of displaying the one-eye sign to the 43 people who still watch the Grammys.

Speaking of the one-eye sign, it was still everywhere last month. I simply cannot believe that most people still do not see it.

In this poster promoting the new Netflix series The Pentaverate, we’ve got a mega-combo: A one-eye sign, an all-seeing eye inside a triangle, and a masonic square and compass.
The Pentaverate is a comedy about a secret society that has been controlling the world for centuries. They love to hide the truth in plain sight.
In 2021, Time named Anya Taylor-Joy one of the 100 most influential people in the world. On this cover of Vogue British, she is dubbed “Hollywood royalty”. The one-eye sign using an ironic crown proves that she’s actually Hollywood slavery. 
Jennifer Lopez recently announced that she was engaged to Ben Affleck … again. She showed off her rare green diamond ring by making a big, fat one-eye sign. In other words, this union was sanctified by the industry.

Brazilian pop star Anitta was recently featured (promoted) in a New York Times article titled “Can a Brazilian Pop Star Crack the U.S. Market? Anitta Thinks So“. This is the main picture used in this article.

Yup, an unmistakable one-eye sign. That’s what’s required to get that sweet mass media attention.
Anitta’s new album is titled Versions of Me and the cover art features numerous versions of Anitta. This is pure Monarch mind control symbolism, where each “version” represents an alter-persona.
If you think that Versions of Me being about Monarch programming is a stretch, check out the official tweets promoting the album. There are butterflies everywhere. The monarch is a type of butterfly. These symbols are not random.

Julia Fox is an actress and model but she is mostly known for briefly going out with Kanye West after his breakup with Kim Kardashian. And she’s clearly into occult elite madness.

Julia Fox wore a highly symbolic outfit at the Oscars. A big black hand grabs Julia Fox’s neck, making it a literal choker. This is a great way of representing the occult elite controlling her, Also, her clutch is made of real human hair. They love things made from actual human parts.

Speaking of witch (not a typo), Julia Fox’s handbag is reminiscent of a bag created by designer Arnold Putra.

Arnold Putra models a bag made from the spine of an actual human child. Brazilian Federal Police have recently revealed that Putra had also ordered a human hand, along with three packets of human placenta which most likely originated from human trafficking. 
In this pic we see Putra (the one doing devil horns) with – YUP – Kanye West and Julia Fox in Paris. Putra is from an extremely wealthy family and his fiancée Ariel Brasali is the daughter of property mogul Budi Brasali. In order words, this is all about elite madness.
Speaking of purses, Kylie Jenner was recently seen walking around with a horned, demon purse made of glass. As you can see, this “bag” is basically useless. All it actually does is signal who she truly works for.
In a recent Instagram post, country singer Jimmie Allen celebrated his Grammy nomination for Best New Artist. Check out his pendant.
A masonic square and compass. I guess his nomination for Best New Artist starts making sense. Sadly for him and his Masonic lodge, Olivia Rodrigo won because she’s a way bigger industry pawn.

Here are my nominees for Dumbest Tweet of 2022 … so far.

Michelle E. Morse is the Chief Medical Officer of the New York City Department of Health and Mental Hygiene. Despite her prestigious title, Morse managed to craft this insane word salad. The tweet starts with the horrific term “birthing people” because these people are on a sick crusade to remove all words referring to womanhood from the public space. However, when she talks about Blacks and Puerto Ricans, she uses the word “mothers”. But then she goes back to “birthing people” when referring to “non-Hispanic White” people. Reminder: She’s in charge of “Health and Mental Hygiene”. There’s nothing healthy or mentally hygienic about this tweet.

While this last tweet was absurd, Demi Lovato remains a strong candidate for Dumbest Tweet of 2022.

Let’s reread Demi Lovato’s tweet slowly. “You can call me they, but I’m still daddy’s girl…”. Now, let’s rewind a bit. A few months ago, Demi Lovato announced to the world that she was gender-neutral and that her pronoun was “they”. That means that she’s, apparently, genderless.  However, in the same tweet that refers to her genderless pronoun, she also claims that she’s “daddy’s girl”. GIRL. “Girl” is a gender. In other words, Demi doesn’t even understand the fake, artificial gender garbage she is pushing on young people.

Despite it being fake and artificial, mass media is using every trick in its bag to push the gender-blurring agenda.

NBC News was recently caught retouching pictures of trans swimmer Lia Thomas to soften up his face and make him look more feminine. Mass media is pathetic.
This is a recent headline from the BBC. The article promotes a company that uses new “near-field communication” (used in smartphones for contactless payments) in its implants. 
Another pic from the article shows the chip lighting up when it is in close contact with a payment machine. Mark of the beast.

Special thanks to everyone who sent in pics!

The Story of Elizabeth Bathory: Proof That the Occult Elite Has Been Sick For Centuries

Warning: This article contains elements that might be disturbing to some readers.

Elizabeth Bathory was a Hungarian noblewoman born in the 16th century. She was beautiful, highly educated and she spoke several languages. She lived in lavish castles. Her family lineage was illustrious and owned land in the Kingdom of Hungary. She was the niece of Stephen Bathory, the king of Poland, the grand duke of Lithuania, and the prince of Transylvania. She did good deeds for local peasants who admired her. In short, she had everything going for her.

Then, rumors began circulating that she was a vampiric witch who abducted girls and tortured them in her castle. Later, these rumors were proven true … and then some. In fact, Bathory’s cruelty and depravity were so shocking that they inspired legends that we still hear about today.

Known as the “Blood Countess” or “Countess Dracula”, Bathory holds the Guinness record for “most prolific female murderer in the Western world”. She is alleged to have killed over 600 virgins in order to drink their blood and bathe in it, ostensibly to preserve her youth.

A deeper look at Elizabeth Bathory’s life provides a rare glimpse into the true mindset of the occult elite – one that remained the same to this day. While these grim yet revealing stories are usually erased from history or dismissed as “hoaxes” by the powers that be, substantial documentation about Bathory’s life, crimes, and trial remained intact. Despite this fact, we’ve seen efforts to whitewash Bathory’s story, dismiss many of her actions as exaggerations and even portray her as some sort of “strong independent woman”.

While she was most likely strong and independent, she was a mass murderer of young women. Bathory was also obsessed with satanism, witchcraft, and draining blood from common people.

She did not come up with any of this herself, those practices were rampant amongst nobles and aristocrats of the day. Nothing has changed. Here’s a look at Bathory’s life.

Elite Family

The Bathory family crest. Evil.

Bathory was born in Transylvania in 1560. She was the product of inbreeding between Baron George Bathory and Baroness Anna Bathory. Her family included kings, cardinals, knights, and judges. It also included cruel, violent, and deranged psychopaths.

During her childhood, Bathory witnessed numerous acts of cruelty committed by her family.

“At her family’s estate in Ecsel, she was rumored to have witnessed her family’s officers dole out every form of cruelty in the name of justice. At the age of ten, Elizabeth watched them sew a gypsy, accused of larceny, into the belly of a dying horse; his head was exposed, and he was left to die. She was also said to be epileptic, and that, possibly from inbreeding, rendered her prone to fits of rage”.
– The Toast, “Yes, We Can Now Talk About Elizabeth Báthory”

From a young age, Bathory was surrounded by people with dark interests.

“Bathory’s aunt Klara, a distinguished lady at the court, was reputed to be a lesbian and witch. An uncle was an alchemist and devil-worshiper, and her brother was a reprobate around whom no woman or female child was considered safe. To make matters worse, her nurse from childhood, Ilona Jooone was steeped in the practice of black magic that reportedly required the sacrifice of children for their bones and blood.”
– Ibid.

At the age of 15, Bathory was married to Count Ferenc Nadasdy who became a powerful general. The arranged marriage turned out to be a good match as both of them had heavy sadistic tendencies.

“During the summer, they doused servants in honey and watched as bees swarmed. Torture supposedly became a common interest for the couple, and they sought out instruction from occultists and Satanists.”
– Ibid.

Not unlike today’s elite, Elizabeth knew how to hide her family’s dark side with good deeds.

“As well as being capable of managing and defending their vast territories, Elizabeth was very generous to the poor and needy. She gave lots of money to charity and often intervened on behalf of impoverished or disadvantaged women and children…in order to keep the family reputation up and to hide their satanic traditions. However, even though she acted nice, her true colors showed when she was alone.”
– Ibid.

To please Elizabeth, her husband reportedly built a torture chamber to her exact specifications. And, while he was away waging war against the Turks, Elizabeth kept busy with dark activities.

“Aunt Klara began popping over to school her niece in her preferred methods of entertainment: flagellation, lesbian orgies, and various forms of sadomasochism. Klara was abetted by a loyal retainer named Thorko who introduced the beautiful Erzsébet (Elizabeth) to the occult, piquing her interest in mixology. Erzsébet grew adept of concocting sundry drugs, brews, and potions; and in her husband’s absence her various houseguests included self-proclaimed sorcerers and seers, warlocks, witches, and alchemists.”
– Leslie Carol, Royal Pains

Monster

As years went by, Elizabeth’s taste for blood became monstrous. Peasant girls from nearby towns regularly went missing, never to be seen again. Some were handed over by trusting parents who were eager to gain favor with the countess.

Once in Bathory’s castle, the girls were locked up and subjected to the worse torture imaginable.

“Everyone in Hungary, regardless of rank or proximity, lived in terror of the powerful Bàthorys. Still only an adolescent herself when she began torturing peasant girls, Erzésbet took advantage of a serving wench’s merest misstep, using it as an excuse to punish her. She often devised tasks that were nearly impossible to accomplish, just so she could torture someone. But rebukes and slaps were for sissies. If a girl was suspected of theft, she was commanded to strip naked and was then tortured by the application of red-hot coins pressed against her bare skin. Sometimes the countess opted to go organic; The girls were whipped with stinging nettles after being beat with some other device. And even if a servant girl hadn’t misbehaved she might still end up as the day’s entertainment. Mutilation was frequently on the menu. Girls were placed into cages fitted with internal spikes that impaled them everywhere as the cage tightened, resulting in agonizing and bloody death. Pincers and tongs, heated until they glowed, were used to tear off bits of flesh. Scalding irons branded their tender skin. Erzsébet even perfected a technique of tearing a girl’s head apart by tugging the sides of her mouth until they ripped and her neck snapped in two.

The countess was said to have achieved sexual exstasy during these torture session, squealing in girlish delight at the sights and sounds of her victim’s agony. She enjoyed whipping them from the front, just so she could see the pain and terror on their faces. Sometimes, for kicks and giggles Erzsébet would slather a girl with honey and tie her to a tree, leaving her to the mercy of insects and other wildlife with a sweet tooth.”
– Ibid.

Inspired by the Iron Maiden (above), Bathory built a similar device named the Iron Virgin.

When her husband died, Elisabeth took things to another level.

“Although the count participated in his wife’s cruelties, he may have also restrained her impulses; when he died in the early 1600s, she became much worse. With the help of her former nurse, Ilona Joo, and local witch Dorotta Szentes, Bathory began abducting peasant girls to torture and kill. She often bit chunks of flesh from her victims, and one unfortunate girl was even forced to cook and eat her own flesh. Bathory reportedly believed that human blood would keep her looking young and healthy.”
– History, Hungarian countesses’ torturous escapades are exposed

From a young age, Bathory was obsessed with her looks. She reportedly spent hours staring at the mirror while mumbling strange incantations. After her husband’s death, Bathory became a single mother of eight in her forties. And she was willing to do anything to preserve her youthful looks. Anything.

“Erzsébet now convinced herself that torture and mutilation had an additional, and healthful, benefit. One day, a hapless servant accidentally pulled the countess’s hair while she was drawing a section of her tresses through a mesh hairnet studded with pearls. The girl received such a resounding slap that her nose bled, splashing on Erzsébet’s hand (or face, depending on the source of the anecdote). After regarding herself in a mirror, Erzsébet was convinced that her skin looked much more youthful where the virgin girl’s blood had spattered her.

A self-proclaimed local sorceress who called herself Darvulia (real name Anna), and was known as “the witch of the forest,” had by then become one of Erzsébet’s cohorts. Darvulia suggested to the countess that bathing in the blood of virgins would be as beneficial as a fountain of youth. So Erzsébet lured as many peasant girls as she could to Castle Csejthe, as well as to her other properties, including a town house in Vienna, to ensure that her new beauty regimen, as well as her preferred form of entertainment, remained uninterrupted. According to historian Margaret Nicholas, Darvulia and her confederate procuresses (aging widows who were well paid for their services) roamed the region after dark in search of fresh victims.

At the castles the girls were systematically slaughtered, their blood collected in vars and buckets for the courtesan’s ritual bath, taken at the mystical hour of four a.m. If a victim was particularly beautiful, Ezsébet was reputed to have imbibed her blood.”
– Op cit., Carol

In a recent photoshoot, Kylie Jenner is naked and covered in blood. Today’s occult elite is no different than Elizabeth Bathory.

Downfall

Although rumors about the horrors happening at the castle were rampant, the peasantry remained silent. However, when Elizabeth began recruiting girls from minor noble families, her downfall began.

“Elizabeth became brazen and careless towards the end of her killing career. While staying in Vienna, she ordered a renowned choir singer from the Church of Holy Mary, Ilona Harczy, to perform privately for her at her apartments in the city on Augustinian Street. The girl was never seen again and witnesses claimed Elizabeth killed her when she could not sing for her either out of fright or shyness.”
– Peter Vronsky, The True Story of Elizabeth Báthory “The Blood Countess”

After lots of political negotiations involving the entire Hungarian elite, the King of Hungary finally ordered Bathory’s arrest. Her castle was raided during the Christmas holidays of 1610. Accounts of the raid are nothing less than horrifying.

“When they reached the castle on a blustery, winter night, they found the front door slightly ajar. They were greeted not by a servant, but by a corpse splayed on the cold, stone floor. Pale from bloodletting and partially clothed from torture, the young woman in the entryway was just the first body they found in the Castle Cachtice; others were half-dead, awaiting their fate in the dungeon. Elizabeth, along with her accomplices and servants, were allegedly found upstairs, in the throes of holiday orgy. She watched as all around her were arrested, but she was spared such an indignity.
– Op. Cit. The Toast

Batory by Hungarian artist István Csók – circa 1893.

During Bathory’s trial, testimonies from witnesses, accomplices, and survivors horrified the judges.

“Testimony revealed that the kidnapped girls had been chained to walls in the dungeons and fattened up, because the Countess believed this increased the blood in their bodies was critical to her moonlit sorcery. They were also forced into deviant sexual activities with her. If they reacted with displeasure, they received torture and possibly death. Yet, even those who did well eventually bored her and they, too, were dispatched. Sometimes, depending on the countesss whim, her favorite girls got the worst treatment. One had been forced to strip a piece of flesh off her own arm. A few were shoved into small cages full of spikes.”
– Op. Cit., Vronsky

Inside her castle, authorities found a ledger containing the names of over 600 victims. As the search went on, bodies were discovered everywhere on the premises, from shallow graves to hidden chambers inside the castle.

Despite the overwhelming proof against Bathory, she was relatively spared. While her accomplices were tortured and promptly executed by the authorities, Bathory did not attend the trial and was not executed.

“Pressure was on to keep her fortune in the family, so in the end Erzsbet Bthory was imprisoned for life, with no formal sentencing, locked in a small set of rooms in her own castle at Cahtice. She was confined to her rooms, with the entrances and windows walled up, save for tiny slits for food and air.”
– Ibid.

After four years of confinement in her castle, died at the age of 54.

In Conclusion

The story of Elizabeth Bathory was nearly erased from history. It easily could have morphed into a fictionalized legend, like many other stories involving the occult elite. Her trial was held in secret in a remote Slovakian town in 1611 and her powerful family immediately sealed its records. There were no newspapers to report on it. None of the ruling families wanted grim details against their relatives released to public scrutiny. Elizabeth was not even allowed to appear at the trial. Instead of public execution, she was walled in alive inside one of her remote castles.

In many ways, Bathory’s life and downfall are highly reminiscent of a modern equivalent: Jeffrey Epstein. Like Epstein, Bathory had connections with some of the world’s most powerful people. And, like Epstein, Bathory lured young girls with promises of wealth and prestige. However, like Epstein, Bathory became too brazen and her depravity fueled rumors across the land. Her incessant kidnappings became a source of concern for the elite as its dark secrets were threatened to be revealed. So, like Epstein, Bathory was incarcerated until death, with no opportunity for her to say another word to anyone else. Finally, like Epstein, all of her accomplices were silenced in one way or another.

About 500 years after Bathory’s death, today’s occult elite remains obsessed with the same horrific practices. Numerous articles on The Vigilant Citizen have documented the elite’s taste for the depraved, the abhorrent, and the outright evil. Today’s mass media is filled with abuse, satanism, cannibalism, blood rituals, and every debased practice one can think of. This is all by design.

The elite’s insanity used to be hidden. Now it is being normalized.

Taylor Hawkins’ Death and Its Disturbing Links With His Band’s Movie “Studio 666”

On March 25th, the music world was shocked by the unexpected death of Taylor Hawkins, the drummer of the Foo Fighters. The 50-year-old musician was found unresponsive in his hotel room in Bogota, Colombia, where his band was scheduled to perform in the evening.

The circumstances surrounding Hawkins’ death remain vague. However, forensic investigators quickly concluded that the rocker suffered a “cardiovascular collapse after ingesting a cocktail of drugs composed of heroin mixed with antidepressants and benzodiazepines (aka benzos)”. Medics also detected dilated cardiomyopathy, a medical condition in which the heart muscle becomes weakened and enlarged. Reports indicate that his heart weighed double that of most men his age.

In the hours prior to his death, Hawkins complained of chest pains and reportedly asked for help. A statement from the District Health Secretary of the town of Chapinero explains what happened next:

“The city’s Emergency Regulation Centre received an alert about a patient with chest pain in a hotel located in the north of the city.

An ambulance was sent to attend to this case. However, when the health department teams arrived, they found a mobile response unit from the company EMI at the scene.

The health professional that was dealing with the emergency indicated attempts to revive the patient had been carried out but there had been no response and the patient was pronounced dead.”

In other words, a city ambulance was sent to Hawkins’ hotel. However, a unit from the private health company EMI arrived first at the scene and pronounced him dead.

When news of Hawkins’ death was known to the public, the hashtag #PrayForDave quickly trended on social media. On April 5th, 1994, Grohl experienced the death of another bandmate: Kurt Cobain.

Left: Dave Grohl with Taylor Hawkins. Right: Grohl with Kurt Cobain.

In 1994, Kurt Cobain was one of the biggest stars in the world and his unexpected death shocked an entire generation. As years went by, theories emerged that Cobain’s death was actually a murder disguised as a suicide. The theory was most famously explained in the 1998 bestseller Who Killed Kurt Cobain?

Now, in the midst of a massive media campaign celebrating the band’s 10th album and the release of a new movie, Hawkins dies unexpectedly. Some suspicious minds believe that Hawkins’ death might be a murder disguised as an overdose. Was the private health company that arrived first on the scene paid off to quickly pronounce Hawkins dead? Were the city’s first responders blocked from doing their jobs of reviving Hawkins? One can only speculate.

But why would Taylor Hawkins be killed? Some might respond that it was one of the many blood sacrifices carried out by the occult elite. Of course, this might sound completely crazy to some. However, when one looks at the context leading up to this sad event, things take a disturbing turn.

For instance, exactly one month prior to Hawkins’ death, the Foo Fighters released a horror-comedy movie called Studio 666. The subject of the movie? Members of the Foo Fighters get killed as blood sacrifices for the demonic music industry.

Watching this movie now is a surreal experience. Not only does it blatantly expose the occult mindset of the music industry, it also depicts the gruesome murder of Taylor Hawkins by a demon-possessed Dave Grohl. Here’s a look at the movie.

Studio 666

The poster of Studio 666.

The premise of the movie is quite simple: Dave Grohl wants to do something different for the Foo Fighters’ tenth album. So the band’s manager Jeremy Shill (interesting last name) sends them to a mansion in Encino, California to record their album. However, the band members are unaware of the mansion’s grisly history: In the 1990s, members of a band named Dream Widow were murdered there.

When the band moves inside the mansion, Dave Grohl discovers a basement filled with satanic objects and becomes possessed by a demon. Soon after, Grohl’s writer’s block is replaced with intense musical inspiration.

Dave Grohl explains the concept of his new epic song to his band members. To illustrate his point, he uses yarn and nails to create a symbol. In his words, this symbol is the “only thing that’ll get the song out of his head”.

If you know a bit about occult symbolism, you instantly recognized this symbol: A unicursal hexagram. Although that symbol is quite ancient, it was popularized by the most famous occultist of the 20th century, Aleister Crowley (read my article about him here).

The cover of Crowley’s book Magick features a unicursal hexagram.

Crowley was a prominent member of two secret societies which have been extremely influential to the occult elite: The Golden Dawn and the Ordo Templi Orientis (O.T.O.). The influence of these organizations on the entertainment industry cannot be understated. As explained in previous articles on this site, these organizations are the forces behind the occult mega-rituals that randomly punctuate world events. In my article about the Son of Sam, I cite several sources explaining that these murders were actually blood sacrifices carried out by cult members following Crowleyan teachings, under the influence of the Golden Dawn and the O.T.O.

In short, the presence of this symbol in Studio 666 is not random. It is extremely deliberate and points to real occult concepts to which countless members of the elite feverishly adhere.

As a companion piece to Studio 666, Dave Grohl released a death metal album as the fiction band Dream Widow. The album cover features a prominent unicursal hexagram. The album was released on … March 25th. The day Hawkins died.

As Dave Grohl becomes increasingly demonic, he starts killing his bandmembers in the most gruesome ways possible.

After murdering his bandmember Chris Shiflett, Grohl eats him. The occult elite is truly obsessed with cannibalism.

While the rest of the band still doesn’t understand what’s going on, a neighbor of the mansion sends them a secret message.

“The sacrifice feeds the book”.

We soon understand that these murders are literal blood sacrifices. The remaining band members then discover “the book”.

Grohl is possessed by a “living book made from human flesh”. These books actually do exist.

The neighbor explains that the book was rumored to hold the secret incantations of Aleister Crowley and it requires blood to keep the occult power going.

Meanwhile, Grohl is set on finishing a song titled Lacrimus de Ebrius (translated to Tears of God in the movie – a very satanic title). So he pushes Taylor Hawkins to outdo himself while recording the drum track.

Possessed Grohl orders Hawkins to play the drums.
Once Hawkins is done recording, Grohl decapitates him using a cymbal. In the light of what happened to Hawkins one month after the release of this movie, this scene takes a disturbing meaning.

Afterward, the remaining band members attempt to save Grohl by performing an exorcism. The ritual appears to work and Grohl reverts to his normal self. However, the band’s manager Jeremy Shill and the real estate developer ambush the remaining members (while wearing black robes) and reveal that they planned the whole thing.

Nate Mendel gets stabbed in the eye. As a result, he does the one-eye sign for a solid minute or two until he gets killed. The entire movie is a salute to the occult elite.

With all of the Foo Fighters gone except Dave Grohl, Shill starts talking. And the things he says are just …  facts.

… and the entire music industry.

The manager adds:

“You know, rock and roll hasn’t been relevant for a long time. It needs an infusion. The devil will make rock and roll relevant again. The devil will make it dangerous”.

This speech didn’t really need to be in the movie. It was a blatant message from the occult elite to the masses.

After this passionate speech, Shill realizes that Grohl is still possessed. He says:

“You’re not Dave Grohl! It’s time for your solo career!”

The movie ends with a possessed Grohl about to perform for thousands of adoring fans. The moral of the story: Those who last in the industry sold their souls.

In Conclusion

In 2014, Taylor Hawkins formed a group called Birds of Satan. In 2022, he starred in a movie called Studio 666 where he gets killed as a blood sacrifice. One month after the release of that movie, Hawkins dies in bizarre circumstances. On the day of his death, Dave Grohl’s concept album Dream Widow is released, and it’s all about occult rituals and blood sacrifices.

Was Hawkins’ death planned from the get-go? Difficult to say. However, as explained in my article about Poltergeist, movies with strong demonic themes are often “cursed” and are followed by the bizarre deaths of people who participated in them.

The forces and the symbols displayed in Studio 666 are not fictional, they are real. Furthermore, they are connected to real rituals and real sacrifices that have been happening for centuries, often around important dates such as the vernal equinox. And maybe that’s exactly what happened on March 25th.

The Powerful Symbolism in “Sweetest Pie” by Megan Thee Stallion and Dua Lipa

The last time I’ve written about Megan Thee Stallion, it was in an article about the video WAP. In case you didn’t know, WAP stands for “wet ass p*ssy”. Now, Stallion unleashed unto the world Sweetest Pie – a song with a title that is also centered around female genitalia. Decidedly, Stallion is a fountain of creative song ideas.

While the lyrics of WAP and Sweetest Pie both focus on all-around thothery, their respective videos take things to a whole other level. And, in Sweetest Pie, the symbolism is rather powerful. Indeed, through age-old symbolism, the video taps into deep-seethed archetypes relating to sexuality and dark spirituality while creating a sense of discomfort in the viewers by exploiting their natural aversion to specific images. Yup, those are big words to describe a video that contains a wall made of butts.

In Sweetest Pie, Megan Thee Stallion and Dua Lipa play the role of cannibalistic witches who lure men into their den to eat them. The video is heavily inspired by Hansel and Gretel, an ancient fairy tale that is still highly relevant today.

Hansel and Gretel

A classic depiction of Hansel and Gretel being lured into the witch’s gingerbread house.

In order to understand the full meaning of Sweetest Pie, one must first be familiar with Hansel and Gretel. Legends and fairy tales often contain elements that appear to be pure fantasy to the average person. However, to those who are steeped in occultism, these stories become much more factual.

Here’s a quick summation of this German fairy tale which first emerged in the Middle ages:

Hansel and Gretel are the children of a poor woodcutter. As famine settles over the land, the woodcutter’s second wife convinces him to abandon the children in the woods to avoid starvation. After realizing that their evil stepmother really hates them, Hansel and Gretel wander around the woods to ultimately discover a large cottage made of gingerbread, cookies, cakes, and candy.

As the hungry children eat the rooftop of the house, an old woman emerges and lures them inside with promises of soft beds and delicious foods. They enter without realizing that their hostess is actually a cannibalistic witch who built the house to attract children in order to eat them. The witch locks Hansel into a cage and feeds him regularly to fatten him up. Meanwhile, Gretel is forced to become the witch’s slave.

One day, Gretel realizes that the witch is heating up her oven and is planning to eat her. Using a clever ruse, Gretel shoves the witch into the hot oven, bolts the door shut and leaves “the ungodly witch to be burned in ashes”. The children then escape and go back home to their father. As an added bonus, they realize that their evil stepmother is dead and they live happily ever after.

We can take away a few things from this story. First, it deals with three of the occult elite’s favorite obsessions: Witchcraft, cannibalism, and preying on children. Since forever, those who practice the “dark arts” (aka black magic) are convinced that consuming human flesh and blood provides some sort of life force and/or occult power. And children are believed to be full of whatever they’re after.

So this story about a witch catching children to eat them is not just pure fantasy. It is based on historical accounts of truly evil people who have done atrocious things in the past.

In Sweetest Pie, Megan Thee Stallion and Dua Lipa play the role of the witch. Of course. What else do you expect from entertainers who are pawns of the occult elite?

Sweetest Pie

Sweetest Pie is a retelling of Hansel and Gretel but with a toxic twist. Spoiler: The witches win.

The video begins with two dudes wandering the woods looking for something. Probably WAP.
Hansel and Hansel II find a mysterious house with Megan Thee Stallion and Dua Lipa waiting for them.

That’s not a gingerbread house, that’s a vagina house and it was built to lure thirsty men. However, there’s a catch. The entrance has “teeth” (which are actually made of human legs). This image is a reference to the ancient and archetypal (which means “embedded in the collective unconscious”) symbol known as “vagina dentata”.

Found in the folk tales of various cultures, the dentata represent the dangers of copulation with the wrong women which can lead to emasculation and castration.

The occult elite loves this symbol because it perfectly represents their brand of toxic feminism. For instance, Miley Cyrus’ video Mother’s Daughter (which happens to contain a bunch of toxic messages) is centered around that symbol as well.

Miley Cyrus with dentata in Mother’s Daughter.

In my article about Mother’s Daughter, I explain:

Beyond the folk tales, the dentata aptly represents an important aspect of today’s mass media agenda: The weaponization of feminity. It is about using “feminism” (a distorted version of it) for social engineering. It is about turning the female body (with all of its warm, receptive and nurturing qualities) against its own nature. It is about radicalizing sexes and breeding hatred between males and females.

Despite all of this, Hansel and Hansel II enter the house.

Inside, the boys stuff their faces with cake.

In the screenshot above, notice the “tables”. They are actually women in sexy outfits with plastic wrapped around their heads. Kids: Don’t do this. It’s is a great way to suffocate to death. The “tables” puts on full display the hypocrisy of the pseudo-feminist message of the video. These two women are dehumanized, subjected to torture, and turned into human furniture. This conveys the fact that the two witches do not care about the equality or even the dignity of women. They only care about using their powers to control, dominate and pursue their evil deeds. Such as eating humans.

The two dudes are thrown in boiling water.

Once again, mass media is celebrating cannibalism. The elite keeps exposing young people to this concept because they want to normalize it. More importantly, they want people to stop believing that it is an abhorrent practice that goes against our very nature.

If you can get past the wall made of butts (I hope they don’t pass gas), notice that the bubbling cauldron is at the center of a maze motif.

The presence of this maze strongly hints at a specific idea: The consumption of human flesh is not merely about nourishment, it is part of an occult ritual.

“Labyrinths and mazes were favored places of initiation among many ancient cults. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.”
– Manly P. Hall, The Secret Teachings of All Ages

The maze in Sweetest Pie appears to be modeled on classic depictions of the labyrinth of Crete.

Meanwhile, as the dudes are boiling, Megan is dancing around with demons.

The horned demons with white eyes indicate that there’s a satanic ritual happening here.

After this occult madness, things get worse. The viewers are treated with several unsettling images that are custom-made to generate feelings of discomfort.

In a scene that lasts less than a second, one of the dudes is naked and powerless as a spiral of fingers points at him. They really hate men and they want to torment them.
Dua Lipa removes a slice of pie from her face. Things are getting less sexy and more disturbing by the second.

Faced with this nonsense, the men in the video rebel and rise up against the witches.

A bunch of dudes tie up the witches and burn them at the stake.

There’s a lot to unpack in the scene above. First, all of the structures in this scene are unmistakably phallic. This might be a symbolic representation of the “patriarchy” where men oppress women, especially poor Megan Stallion and Dua Lipa.

Second, why are men and women living in separate worlds? Believe it or not, men and women live in the same world. We share the same hardships and, in actuality, we complete each other. But these nice thoughts do not mesh well with the elite’s toxic agenda of hatred and division.

Finally, all of the men in that scene are wearing wifebeater shirts. Are they subtly suggesting that all men beat their wives? Way to generalize about 4 billion people. Whatever the case may be, this scene oozes hatred towards men.

In this unsettling scene, Megan’s eyes convey pure hatred.

So does this video end like in Hansel and Gretel? Do the ungodly witches get burned to ashes? Nope.

The ungodly witches use their powers to burn the entire phallic world to ashes. Men are dropping from the sky and are buried in the ground. That’ll show them. How dare they refuse to be eaten?

So, after luring men, tormenting them, and attempting to eat them, the witches burn down their entire world. In other words, there’s nothing sweet about that pie. It’s a very evil pie. To make sure you understand that point, the video ends with a weird yet highly symbolic scene.

Megan levitates while facing a snake.

Once again, there’s a lot to unpack here. First, Megan and the snake are at the center of a maze which implies that the scene has a ritualistic dimension. Second, Megan is levitating. Throughout history, levitation has been associated with occult rituals and demonic possession. Third, Megan is under the spell of a giant snake. In the Book of Genesis, the devil takes the shape of a snake and convinces Eve to take a bite from the proverbial apple. Here, Megan doesn’t appear to be mad at the snake. In fact, she appears to be having a good time … a very good time.

When the scene is viewed from another angle, things become clear: The snake is pleasuring Megan … with its pointy, venomous tongue.

Yup, the video ends with a reptile representing the devil tonguing Megan in a ritualistic setting. The target audience of this video: 13-year-old girls.

In Conclusion

Sweetest Pie is part of a brainwashing program that has been identified on this site years ago. The goal: To create a new form of “feminism” based on a toxic combo of hatred and witchcraft. The goal is not equality, it is submission to the elite and to Satan himself (see the last scene of the video). Furthermore, the video trains young people in believing that partaking in the elite’s sick obsessions (such as cannibalism) is pretty darn cool. I mean, even Dua Lipa is doing it.

However, this program is fueled by great hypocrisy. As we’ve seen in the human tables scene, some women in the video are treated as subhuman slaves. These people do not care about the average woman. They are the same people who are currently attempting to erase the word “woman” from our vocabulary to replace it with dehumanizing terms such as “bodies with vaginas”.

Their version of “empowerment” is a trap and leads to the complete opposite: Enslavement. In other words, following their doctrine won’t turn you into a powerful witch. It will turn you into a human table suffocating in plastic.

Symbolic Pics of the Month 03/22

Rapper E.So was recently featured in Vogue Tawan. If you thought that this part of the world was immune to occult elite symbolism, think again. Media conglomerates such as Vogue make sure this is global.

On the cover, E.So has one hidden by a strategically placed balloon. Also, his weird hand made from wicker (or something) hints at dehumanization.
This picture is all about mind control. E.So’s head enters a portal (representing dissociation) as he is surrounded by chains (representing MK slavery).
Everything about this picture hints at a dissociated mind and the chains confirm that this is all about mind control.
Here, E.So is cracking and disintegrating which represents the fragmenting of the mind of an MK slave.

As usual, the one-eye sign was all over the place this last month. In fact, I can only post a fraction of the pictures I come across every month. Despite this fact, only a small minority of people realize that their favorite celebrities are actively showing their allegiance/submission to a psychopathic elite.

Dua Lipa and Megan Thee Stallion recently released a video and its extremely symbolic (article about it soon). This is the pic seen on Spotify to promote the song: Dua Lipa makes a one-eye sign while wearing a horned hat. Meanwhile, Megan throws a subtle yet obvious devil’s hand sign. They’re really trying to make satanism cool and sexy.
This is the promotional poster for The Weeknd and Doja Cat tour. The image is all about the occult elite controlling the world with its one-eye system.
There’s a new Marvel series on Disney +. This oh-so-clever one-eye sign on this poster indicates that the elite has approved it.
The Netflix series Squid Game was all about the occult elite. Appropriately enough, nearly every actor who starred in this series took part in highly symbolic photoshoots (see past SPOTM articles). This is Jung Ho Yeon in i-D Magazine doing a blatant one-eye sign. Also, she is holding an eyeball to make sure you understand this is all about elite symbolism.
i-D magazine says that the “Out of body” issue is “all about the new and the now”. Evidently, “new” artists who want to be famous “now” must absolutely show submission. This is Rosalia. She’s an Illuminati pawn.
This same issue of i-D featured this controversial picture of 16-year-old Cruz Beckham, the son of “royal celebrity couple” David and Victoria Beckham. There is so much going on in that picture that I’ve dedicated an entire article to it. This picture can be summed up in three words: Exploitation, sexualization, and humiliation.

Speaking of celebrity children, Madonna’s adopted son Banda (who is 16-years-old) is also going through a pattern similar to Cruz Beckham.

In a series of bizarre pictures, Banda poses in a cheerleader’s outfit with horns on his head. Also, he is wearing a collar reminiscent of BDSM. In other words, this is all about exploitation, sexualization, and humiliation.
Bad Bunny is one of the biggest stars in Latin America. Therefore, he is used by the elite to push various agendas. For this reason, he’s been featured on this site numerous times. In this picture, he wears a skirt and high-heels to cater to the elite’s obsession with gender-blurring, combined with the de-masculinisation of male artists.
Harper’s Bazaar is contributing to the gender-blurring agenda by featuring fashion designer Harris Reed on the cover wearing a dress. The cover says that harris is “the face of fluid fashion”. If the fashion world is crap, is “fluid fashion” diarrhea?

I don’t usually post videos in SPOTM because this is not Symbolic Videos of the Month. A single picture is not enough to capture the intensity of the interaction between Lady Gaga and Helen Mirren at the Saga Awards. And. no, this is not “I love you” in sign language, Mirren’s thumb is clearly not extended. Those are devil’s horns.

Fresh is yet another “comedy” centering around cannibalism. The elite is really trying to normalize its sick obsessions by making them part of popular culture. In this pic, we can see that human meat is traded at $30,000/lb. Also, notice the satanic goat heads on the label.
Reebok teamed up with Maison Margiela to create these shoes. Yup, they look like hooves. For this reason, they were dubbed “devil’ shoes”. Apparently, two major fashion companies combining manpower and resources can only come up with this type of satanic garbage.

As seen in previous articles, Britney Spears’ Instagram account is replete with not-so-subtle references to Monarch programming – most likely because she’s a full-blown MK slave. In a strange Instagram post (which was deleted a few hours later), Britney described her life while she was under the conservatorship of her father.

At one point, Britney mentions “8 gallons of blood weekly”. I’m not sure if she had to give 8 gallons of blood or if she had to ingest it. Either way, this sounds like pure MKULTRA madness.
Britney’s post included three apparently unrelated images. However, some people noted that if one takes the first letter of each picture (Cathedral, Israel, and Australia), one obtains CIA. Appropriately enough, the CIA developed Project MKULTRA after WWII.

Grimes recently announced in a Vanity Fair interview that she had a “secret” second child with Elon Musk by surrogacy. In the context of this announcement, the pictures that accompanied the article were rather bizarre.

In this offputting picture, Grimes has alien (or demonic) eyes and is showing a hand sign similar to the “As Above, So Below” sign found in classic depictions of Baphomet.
Speaking of Grimes, one of her cryptic Instagram posts from 2019, has been garnering increased attention. At first glance, it looks like a rock with random emojis. However, when one looks closer, the symbols on that rock have been oddly prophetic. For instance, on the 6th line, we can see a DNA strand, something that looks like a germ (coronavirus), and three syringes. Those symbols basically sum up the last two years. The next line contains several weapons. Some people in the comments believe that it is yet another prophetic reference to the war in Ukraine. Did Grimes obtain classified info about things to come from her elite, billionaire ex Elon Musk?

The following image is a portion of the cover of The Economist’s “The World in 2019” edition (released in late 2018). In my article about it, I explained the meaning of its symbolism and the events it appears to be predicting. Today, this cover is more relevant than ever.

Under Putin’s face, we can see the Four Horsemen of the Apocalypse marching over Europe. According to most interpretations, the horsemen represent war, death, famine, and pestilence (infectious disease). One of the horsemen wears a facemask – an ominous prediction of the “pestilence” that is COVID-19. Now, there is war in Europe caused by Putin, who is placed right over the horsemen. Next to his head, the words “Putin’s pipelines” are written in reverse. In 2022, Russia’s oil pipelines have become a major issue in Europe. The Economist knows things.

Special thanks to everyone who sent in pics!

“Illuminati Mad”: The Dark Meaning of Kanye West’s Video “EAZY”

Kanye West did it again. He got a lot of people confused and riled up. In a creepy video centered around the theme of death, Kanye kidnaps and buries Pete Davidson. Also, there’s a church burning. What is the meaning of all this? Is Kanye West mentally unstable? Or is he a genius who’s ahead of his time?

Some answers can be found in jeen-yuhs – a Netflix documentary about Kanye’s life and career which spans over 20 years. Mainly consisting of raw footage filmed by Coodie, a friend of Kanye who has been following him since the beginning of his career, jeen-yuhs provides a rare window into Kanye’s day-to-day reality. After watching all three episodes, one fact becomes obvious: Kanye’s mother was extremely important to him and her untimely death traumatized him.

Donda’s unexpected death in 2007 after undergoing plastic surgery marked a turning point in Kanye’s life. The documentary makes it obvious that Donda helped keep Kanye grounded and focused on Christian values. After her death, Kanye got tangled tightly in the occult elite’s sick industry, even ending up in the Kardashian’s bubbling cauldron.

For years, rumors have circulated about Donda being the blood sacrifice required by the elite for Kanye to reach the higher-ups of the music industry. In a 2015 interview with Q Magazine, Kanye was asked what he sacrificed for success. His answer: “My mom”. He added:

“If I had never moved to L.A. she’d be alive. I don’t want to go far into it because it will bring me to tears.”

In 2016, Kanye was handcuffed and forcibly hospitalized in “involuntary psychiatric commitment”. After months of recovery, characterized by memory loss and heavy medication, Kanye claimed that he had emerged from the “sunken place”. In short, everything about this episode reeked of Monarch programming, an offshoot of MKULTRA.

In short, Kanye has seen the dark side of the music industry. While he might be trying to break out of it, he is also deeply tainted by it.

Top: A screenshot from jeen-yuhs where Kanye hugs his mother on the front porch of their house. Bottom: A screenshot from the Donda listening party (2021) where industry creeps such as Marilyn Manson walk around a replica of Kanye’s childhood home.

The two pictures above the sad evolution of Kanye’s life. His mother’s love, warmth, and goodness were replaced by the industry’s hate, coldness, and evil.

Kanye’s video EAZY reflects this darkness.

EAZY

The cover art of EAZY: A skinned monkey on a blood-red background.

This upsetting picture was taken by fashion photographer Nick Knight in 1997. This is what he had to say about the picture:

These corpses of skinned animals had nothing of life left in them, not even the most tiny speck or hint of their former beauty, majesty and purpose. However, they were not inhabited by death in the way they had been by life. Once the life had gone, they were just bags of barely held together of flesh, bone and sinew. Nothing left, except their smell; they stank. They reeked. Every time, for years afterwards when I looked at the 10 by 8 transparencies, the stench came straight back to me as pungent as if each image was saturated with it. That, I concluded was death.

This is all rather messed up and disgusting. However, the picture perfectly fits with the main theme of the EAZY video: Death.

The video begins with a church burning. 

Considering the fact that Kanye has been outspoken about Christianity in the past years (he’s been literally conducting Sunday services), what does the burning church represent? Some lines in his verse express the fact that the sentiments in this song are rather un-Christian.

God Ye, wanna let God in?
But tonight, I guess I’ll let my pride win

The Game emerges from a casket and raps while sitting on it. Death is the central theme in the video.

Then, Kanye appears. Or maybe his alter-persona.

Kanye’s face is covered as he holds a severed head: MK symbolism referring to the suppression of the core persona and the activation of an alter persona.

In the past months, Kanye has been seen walking around in public with creepy masks and strange “punishment haircuts”. All of this strangeness points to mind control.

This creepy version of Kanye is really mad at Pete Davidson – the new boyfriend of Kim Kardashian.

Kanye kidnaps Pete Davidson and buries him up to his head.

Before going further, we need to look into the weird Pete Davidson drama.

Pete Davidson Drama

Pete Davidson at the 2021 MET Gala – the event where occult elite pawns parade around in symbolic and often humiliating outfits. He is wearing women’s clothes to please his elite masters.

Pete Davidson is a strange presence in the entertainment industry. Throughout the years, he dated several famous women and most of them share the same profile: They’re all deep in the industry, often since a young age.

For instance, Davidson dated Cazzie David, the daughter of Larry David – the creator of the hit shows Seinfeld and Curb Your Enthusiasm. Then, he famously dated Ariana Grande who is an ex-Disney child star turned industry pawn. Then, he dated Margaret Qualley, the daughter of famed actress Andie MacDowell. Then he went out with a very young Kaia Gerber – the daughter of supermodel Cindy Crawford. In short, Davidson is an “industry insider” who navigates from one high-profile relationship to another.

Kim Kardashian’s relationship with Davidson became public shortly after the deadly Astroworld fiasco. That disastrous event starred Travis Scott (the boyfriend of Kylie Jenner) and ended up being a PR nightmare for the Kardashian clan. Rumors quickly emerged that the Kim Kardashian/Pete Davidson relationship was “fake” and a diversion from Astroworld. Kanye also believes so.

Kim’s relationship with Pete Davidson appears to be custom-made to drive Kanye crazy. In a January 2022 interview, Ye revealed that he was stopped from entering Kardashian’s home to visit his kids by security because Davidson was in the house.

In EAZY, Kanye raps:

Noncustodial dad, I bought the house next door
What you think the point of really bein’ rich for?

Usually, a “noncustodial parent” does not have legal physical custody over their child resulting from a court order. While this information was never officially released to the public, Kanye strongly implies that he’s been cut off from his children. However, he truly bought the house next door to the Kardashians. Because that’s the point of being rich.

So, in EAZY, Davidson is buried up to his head. Kanye then sprinkles some rose seeds on Pete and waters him thoroughly.

Kanye comes back to Davidson (who is presumed dead) and picks the flowers.
The flowers are then loaded on a truck.

That scene actually happened in real life a few weeks prior to the release of the video.

On Valentine’s day, Kanye sent a truck full of roses to Kim.

Upon watching the video, the roses take on a creepy meaning: The roses actually grew from Pete Davidson’s rotting corpse. So romantic.

Illuminati Mad

While Davidson is being abused in the video, Kanye raps:

And my new b*tch bad
I know Illuminati mad

Kanye believes that the Illuminati (aka the occult elite) is “mad” at him and is trying to destroy him. Is it because he accused Kris Jenner of pimping her daughters and the Kardashians of trying to destroy him? Is it because he’s been outspoken about Christianity and conservative values? In a recent Instagram post (which was later deleted), Kanye explains the conspiracy against him which involves Pete Davidson (whom Kanye derogatorily calls “Skete”).

In EAZY, after his line about “Illuminati mad”, Kanye raps:

This that Numinati, b*tch

People wearing “Numinati” jackets in EAZY.

What is Numinati? The name appears to combine the words “new” and “Illuminati”. Is it some sort of anti-Illuminati collective of artists? Is it simply a clothing brand? Not quite sure yet. However, The Game (who raps the first verse on EAZY) posted this on Instagram:

The Game writes “This is the way #Numinati”… while hiding one eye. There’s nothing “nu” about any of this. That one-eye sign OLDminati.

The EAZY video ends with text saying “Everyone lived happily ever after”.

… except for Skete. There’s an all-seeing eye at the top of this frame. It is a way of telling us that this bizarre drama is filled with occult elite madness?

The video ends with another frame saying “JK He’s fine”. This did not prevent a slew of celebrities from being angry about the vaguely threatening message of this video. Yup, Kanye did it again, he got a bunch of people riled up. Mostly himself.

In Conclusion

Throughout the years, I’ve published numerous articles about Kanye because he’s a clear example of a male artist tangled in the dark side of the music industry. From his mother’s wholesome values to the demonic influence of the occult elite, there’s a duality in Kanye – an internal struggle – that is constantly prevalent in everything he does. Part of his work appears to be rebelling against the elite while another part is completely in line with it.

Indeed, while Kanye inherited his mother’s Christian faith, his dealings with the occult elite birthed in him a twisted and mutated version of Christianity that was expressed in the album Donda.

EAZY is a continuation of this theme. While he talks about making the “Illuminati mad”, EAZY is nevertheless drenched in the dark energy of the occult elite.

While Kanye believes that he’s not an industry puppet, I can still see strings attached to him. Cut them off Kanye!

 

This Picture of Cruz Beckham Sums Up Everything That is Wrong in the Entertainment Industry

David Beckham used to be one of the most popular athletes in the world. Victoria Beckham (aka Posh Spice) used to be one of the most popular performers in the world. When these two became a couple, they immediately ascended to the status of celebrity royalty couple in the UK and across the world.

After a failed attempt at becoming a soccer player like his daddy, Cruz Beckham, who just turned 17, is launching a singing career. And, before anyone even heard him sing a single note, his parents already put their industry connections to work.

However, in this day and age, entering the industry is not only about talent, looks, or connections. It is about complete and utter submission to a sick agenda. For some, it is also about humiliation and bending to the will of high-placed child abusers who are looking to normalize their sickness through popular culture.

In one single picture, Cruz Beckham accomplished all of this. His mommy was so proud that she posted it on Instagram.

 

In this screenshot, we can one of the most liked comments. A growing number of vigilant citizens can now decode this elite madness.

This picture of a teenage boy (who was 16 at the time) with his pants down was not well received at all.

An example of the many articles about people not liking this picture.

When this picture came out, my inbox was flooded with people telling me that it was a prime candidate for the Symbolic Pics of the Month series. Of course, they’re right. This picture is basically SPOTM 101. However, there is so much going on in this pic (and the entire photoshoot) that I had to dedicate an entire article to it. Not because Cruz really matters, but because it is a perfect “template” that sums up the sacrifices required to enter the industry.

So here’s a complete breakdown of this picture. To fully understand the minding behind it, we must first look at the person behind it.

Shot by Steven Klein

Steven Klein is one of the elite’s favorite fashion photographers. His works were featured on this site countless times because they consistently contain all of the symbolism and the obsessions of the occult elite. For instance, Klein directed Lady Gaga’s video Alejandro, which I analyzed over 12 years ago.

Lady Gaga does a one-eye sign while wearing a “Luciferian” robe adorned with an inverted cross in Alejandro.

Alejandro prominently featured some of the main themes in Klein’s works: Homoeroticism, satanism, and a whole lot of one-eye signs (which basically means fsubmission to the occult elite).

This photoshoot with Kate Moss focuses on the occult elite’s favorite themes: Duality and overt satanic imagery.

Like many other industry insiders, Klein’s Instagram account is filled with bizarre posts which appear to be hinting at some of the sick past times of the occult elite.

The caption says: “My Date for Later Tonight..”. This might be a joke. Also, this might not be a joke.
Klein also shares the elite’s obsession with pigs, especially pig heads (see my article about cannibal Armie Hammer). Is it because pigs are genetically close to humans?
That’s Madonna wearing a pig mask with a guy holding a fake baby. What does this mean? They’re pedos and cannibals.
Among countless pics of pure degeneration on Klein’s Instagram account, there are also several pics of Klein’s son. The mix of these pics is bizarre and offputting. In this pic, the combination of the one-eye sign with the sad look on the child’s face is rather disturbing.

Throughout the years, Klein worked with the biggest stars in the world and his photoshoots never fail to contain symbolism that is too obvious to ignore. His (in)famous photoshoot with Justin Bieber has lots in common with the Cruz Beckham photos.

In this photoshoot for Interview magazine, Bieber is depicted as a masked “boy toy” ripe for abuse in elite circles.
In other pics of the same photoshoot, Bieber looks like he just cried. Of course, the one-eye sign is very present, hinting to the fact that he’s a victim of the systematic abuse of the industry.

When one understands the mindset behind Klein’s works (and the occult elite in general), the meaning behind Cruz Beckham’s photoshoot becomes clearer … and more disturbing.

Cruz Beckham

The Beckhams clearly want to see Cruz follow in the footsteps of Justin Bieber (who is apparently his “idol”). To do so, they’ve hired Poo Bear – one of Bieber’s songwriters.

A marketing machine is now in motion and that included a photoshoot by Steven Klein for i-D magazine. But there was more to this photoshoot than mere publicity. It was about his initiation into an industry bent on child abuse, exploitation, and submission.

The awfulness of the entertainment industry summed up in one picture.

As said above, this picture is SPOTM 101.

First, at the time of taking this picture, Cruz was 16 years old. And Steven Klein, who is known for homoerotic pictures and videos, found it appropriate to have Cruz posing with his pants literally pulled down. This is a not-so-subtle allusion to the sexual exploitation of minors in the industry.

Then, there’s the butterfly tattoo. Many noted that it was illegal for minors to get tattoos in the UK. That is true, but there is more to it. In the entertainment industry, butterflies (especially Monarch butterflies) are references to Monarch programming – an offshoot of MKULTRA. As explained in my article about it, Monarch mind control turns people into mental slaves using a process of intense trauma (which includes sexual abuse) and dissociation (which enables programming). With that context in mind, the words “out of body” at the bottom of the picture become a creepy reference to dissociation. Indeed, under intense trauma, the minds of MK slaves dissociate from the body that is suffering as a defense mechanism.

Then, there’s the pink hair. The choice of color is not random. It is perfectly in line with the elite’s agenda of feminizing men – especially those in the music industry. In fact, I wouldn’t be surprised at all if Cruz wears a dress in the near future. Furthermore, celebrities who recently underwent MK programming often emerge with shaved heads and colored hair.

Of course, this entire mess of a picture is crowned with a massive one-eye sign which clearly indicates that this is all about the occult elite’s agenda – and nothing else.

This other pic from the photoshoot also features a one-eye sign while also conveying the feeling that something is not right with that photoshoot.
In this pic, Cruz is holding his junk while showing off his abs. In short, this photoshoot blatantly sexualizes a minor.

In Conclusion

I don’t normally dedicate an entire article to a single picture but this one deserved an in-depth explanation. Cruz Beckham is an heir of celebrity royalty, the son of King David and Queen Victoria. These two monarchs have ascended to the top of the celebrity ladder decades ago, and they’ve remained at the top with constant media exposure.

Now, Cruz is the next generation of the Beckham lineage. And, like many other children of celebrities, he’s being pushed into the spotlight. However, that spotlight comes at a cost. There needs to be an initiation and there needs to be a sacrifice. Indeed, that fabled spotlight is controlled by all kinds of creeps and abusers. Those who are looking to bask in that spotlight must first bend to the will of the elite.

I guess Cruz will give a new meaning to the words “Bend it like Beckham”.