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The Cringy Symbolism in Jojo Siwa’s “Karma”

Jojo Siwa is a classic case of a child star who grew up in the spotlight while manipulated by exploitative adults. At every step of the way, she had to put on a big smile while participating in toxic, cringy projects whose awfulness has yet to be fully exposed. In fact, I wouldn’t be surprised if a full-length documentary named “The Dark Side of Jojo” gets released in the next few years. Because, seriously, her whole career has been drenched with weirdness and behind-the-scenes rumors since its very start.

Siwa’s career began at age 12 as a participant in the reality show Dance Moms. And, looking back, that thing was ridiculous.

The show Dance Moms is summed up in one picture: Abby Lee Miller (accused of being toxic and abusive) angrily points at young Jojo Siwa while wearing an outfit she probably shouldn’t be wearing.

While the show was popular with little girls and their mothers, Dance Moms also seemed to cater to another demographic: Vile, disgusting pedophiles.

Several episodes featured controversial costume choices made by Miller. Due to heavy criticism, the season 2 episode “Topless Showgirls”, which aired on March 6, 2012, has been removed from rotation. The episode features the young dancers performing a burlesque-style routine and wearing sequined, flesh-toned bra tops and tights in an effort to make them appear nude.
– Wikipedia, Dance Moms

Yes, you’ve read correctly. An episode of this show (which featured 12-year-old girls) revolved around the theme of topless showgirls. Several other episodes were as upsetting.

In another episode, Jojo performed a dance routine inspired by Carrie. In this 1976 horror movie, a high school prom queen is drenched in pig blood. Then, she massacres her entire school using her supernatural, witch-like powers. Jojo claimed she had never watched that movie, but this wasn’t about her. It was about her insane, occult-minded industry handlers.

A few years later, Jojo Siwa became a star in her own right. After signing with Nickelodeon, her popularity was converted into a highly marketable brand that released pop songs, a full-length movie, and various products— including some very unfortunate products.

In June 2019, the FDA issued a warning about dangerous levels of asbestos in a JoJo Siwa-branded cosmetics kit, prompting Claire’s to recall the product.
In January 2021, the board game Jojo’s Juice, marketed for children aged 6 and above, was withdrawn from sales by game makers Nickelodeon and Spin Master after a controversy over the game’s content, which included questions about nudity. Who wrote these questions?

Despite her toxic brand (literally), Jojo Siwa remained extremely popular with young people and their mothers.

Then, her handlers decided to take her brand in an entirely new direction: Extreme LGBT propaganda (apparently, the full acronym is now 2SLGTBQIA+, but I won’t be clogging with texts with this abomination).

Siwa flooded her fans with rainbow flags everything, combined with the one-eye sign. The message: She’s now being used to push an agenda.

Siwa came out on social media in January 2021 as part of the LGBT community. When a fan asked what her label was, Siwa stated that she does not label her sexuality, as she “doesn’t really know this answer.”

If she’s not even sure of who she’s attracted to, why is her sexual orientation being aggressively publicized to children? The sad answer is that, once again, her brand was being used by exploitative handlers who turned her into an agent of indoctrination.

Siwa turned her trademark colorful image into a way of telling children that she has sex with women. 

Some might ask: What is wrong with Jojo Siwa being gay? Well, personally, I could not possibly care less about Jojo Siwa’s sexual orientation. However, it was not about her being happy in her personal life. It was a purposeful rebranding effort carried out in the most cynical way possible.

In other words, none of this is sincere. It is all calculated from above and is highly performative. For instance, Jojo claimed that she wanted to trailblaze a new genre of music called “gay pop,” which managed to anger … gay people.

Pop music has been super gay for decades, Jojo.

According to Jojo, Karma is the first song to grace the brand new “gay pop” genre. This historic moment was made even greater when she unveiled her new, edgy, super bad-ass LGBT alter-ego.

Nono Siwa!

With a terrible song and an even more terrible alter-ego, everything was in place for the worst video of 2024.

Very Bad Karma

Karma was teased on social media with a post that included a rather symbolic picture.

Jojo (or whoever handles her social media) posted a one-eye sign pic using light. So clever. The message: Whatever she was announcing was industry garbage.

Then Karma came out, and, wow, it’s painful to watch. To feel less alone in the process of writing this, I’ll be featuring some of the most upvoted YouTube comments. Like those two ones:

Alright, I’ve delayed this moment long enough. On to the video.

Karma begins with a shot of a tropical island. Above is a full moon we’ll see throughout the video.

In occult circles, magical rituals are most potent during a full moon. And, as we’ll soon see, there’s an occult element in the video. Yes, this occult element was filmed like a Nickelodeon sitcom, but it is still there. It is about ritualistic transformation—the age-old “good girl gone bad” narrative as seen in countless other videos described on this site.

Jojo is on a boat, and her face is very close to another girl’s face. Most of the video consists of awkward, PG-13 lesbian shots like this one.

Then, Jojo gets freaky with another girl who’s about 4 feet away from the first one. Riveting drama is unfolding, people.

Music videos groom children.
Then, we witness a brilliant piece of interpretative dance which symbolizes Jojo being conflicted between two girls. Awe-inspiring stuff.

As you can see, everyone on this boat is dressed in white. In occult circles, the color white represents the purity and the innocence of the initiate prior to the ritual. Jojo is about to undergo the classic transformative process seen in countless other videos. The song’s lyrics also allude to the “bad girl” we are about to witness.

I was a bad girl, I did some bad things
I swear I did it all for fun and it meant nothing

Then, Jojo throws herself off the boat. Nobody seems to care.
Jojo sings underwater for a while. Although this is all extremely corny, it is also extremely symbolic.

After throwing herself off the boat (symbolic death), Jojo is underwater—a womb-like environment—before rebirth. Then, the new Jojo emerges.

Jojo emerges from the water dressed in black. She’s now the bad girl.

Jojo dances frenetically after crawling to the island because she’s a bad girl now.

For a reason nobody understands, Jojo aggressively thrusts her pelvic area on one of her love interests. It’s an upsetting scene.

While the viewers still wonder what’s happening, Jojo re-emerges on the boat as if she were resurrected Jesus.

The full moon behind her head looks like a halo. Jojo Siwa is an enlightened being now! Let’s see what she does next. I’m sure it’ll be awe-inspiring.
Jojo brings the red-headed girl towards her while pushing away the other. To the ground. 

Yup, that other girl was just a hoe, so Jojo disposed of her. A great conclusion to a great, timeless story.

I don’t want to get involved in this lesbian love triangle, but if I understood correctly, the red-headed girl got cheated on. Then she got aggressively humped on by an angry, black-clad Jojo Siwa while stranded on a deserted island. I have some advice for this girl, which applies to the world: Stay away from this toxic industry product!

In Conclusion

Jojo Siwa managed the impossible: She united America in absolutely hating Karma. However, in all seriousness, I actually feel bad for Jojo Siwa. Her entire career was spent under the control of exploitative people (starting with her own mother). Then, at one point, she was “handed over” to industry degenerates who decided to weaponize her popularity with children to indoctrinate them. She is not the mastermind behind any of this; she is bound by ironclad contracts, and she is doing as she’s told.

Jojo is definitely not the first child star to get the “good girl gone bad” treatment. However, in this particular case, it was done in such a cynical and calculated manner that its true intentions are transparent. There are no sincere sentiments and no artistry – only sick people trying to groom children using the idol they used to watch on TV. However, as seen in the YouTube comments posted above, they’re not falling for it. And her career might flop as aggressively as she humped on this girl because of this. With that being said, the lyrics of her song might take on another meaning:

Karma’s a bitch, I should’ve known better
If I had a wish, I would’ve never effed around

Symbolic Pics of the Month 04/24

Syndey Sweeney rose to stardom by starring in Euphoria – a series laced with all kinds of toxic messages aimed at its teenage viewers. Also, it spends a lot of time depicting high schoolers in extreme sexual situations. Appropriately enough, Sydney Sweeney gets naked in the very first minutes of the series.

Since then, Sweeney has become a massive star, landing roles in movies while being featured in magazine photoshoots. Of course, that also means she must comply with the elite’s symbolic agenda. This photoshoot in WhoWhatWear magazine could not be more obvious. Seriously, it’s all there.

Sydney uses a glass thing to make a very clear one-eye sign. This picture signals that everything else in the shoot is about her being a puppet of the occult elite—literally.
A giant hand controls Sweeney like a puppet. This is one of the many pictures in the photoshoot alluding to Monarch mind control.

Coincidentally enough, here’s the cover of Fritz Springmeier’s seminal book about Monarch Programming.

A hand controls a puppet. The images are so similar that it’s almost as if the cover inspired Sweeney’s photo.

The goal of Monarch Mind Control is to create programmable alter personas. With that being said, let’s look at the next picture in Sydney Sweeney photoshoot.

Sydney Sweeney is flanked by mask-like copies of her face. This is a classic way of representing alter personas in mind control.
Here, Sweeney has an eyeball in her mouth. In the movie Neon Demon (one of the most blatant movies about the satanic mindset in the entertainment industry), actresses who eat an eyeball are symbolically chosen by the elite. This reference is appropriate as Sweeney is currently an elite’ “it girl”. On the brighter side, the top comments on Instagram are all about calling out this crap for what it is.

Selena Gomez recently posted pics of her collaboration with photographer Petra Collins on Instagram. They’re all about mind control.

Selena sits in a bath with a face on her shoulder. It represents an alter persona.
Selena leans on a woman (presumably Petra Collins) who wears a horrifying mask made of mangled hands. Those who program MK slaves are called handlers. HAND-lers. 
Selena looks sad while wearing a wristband that says “RISK.” Also, the taped-on cotton pad implies that she was injected with something. This is all about her being an MK slave.

Aaron Taylor-Johnson is a British actor who has starred in popular movies such as Kick-Ass, Avengers: Age of Ultron, Tenet, and Bullet Train. In a recent photoshoot with Rolling Stones magazine, he did everything he had to do to remain in the entertainment industry’s good graces.

Here, he makes a blatant one-eye sign with a face that says: “I know, this is pathetic.”
Here, he mimics devil horns with a face that says, “I know, I sold my soul to be in Hollywood.”
Here, he wears the obligatory women’s clothing with a face that says: “This is humiliating.” 

Speaking of humiliation, John Cena is a wrestler who made a transition to the entertainment industry for fame and fortune. But there’s a price for it.

The “funny highlight” of the Oscars was when John Cena walked on stage naked. It was hilarious because he was naked. That’s the caliber of comedy at the Oscars, a ceremony that also gave awards to a movie that depicted a child in a woman’s body having sex with lots of old men. Of course, the Cena bit was unfunny and awkward. It was the elite’s way of telling us that Cena is in the “humiliation” stage of his career. His appearing naked in front of his peers was the perfect way of highlighting this fact.
On the poster of his most recent movie, John Cena is dressed like a sexualized schoolgirl. Humiliation and emasculation – that’s what’s on the agenda for Cena.

As usual, the one-eye sign has been all over the place in the past weeks and it was performed by the biggest stars in the industry. The message: They’re doing as they’re told. Here’s a couple of examples.

Unless you live under a rock, you probably know that Beyonce released a country album. And, of course, all of the media coverage was about her race. Because everything needs to be about race and division. In actuality, the elite is desperate to contaminate the country genre with its agendas and symbols and they’re using Beyonce as a trojan horse. To confirm her status as an industry pawn, Beyonce made a blatant one-eye sign in Essence magazine prior to the release of her album.
This is the cover art of Cardi B’s single Like What (Freestyle). It’s just a big, fat one-eye sign. That’s it. That’s all she’s about.

On March 8th, it was International Women’s Day. Guess who Lady Gaga celebrated it with?

A guy in a dress. Yes, she celebrated Women’s Day with Dylan Mulvaney, a guy who is famous for no reason except for singlehandedly destroying the Bud Light brand with a disastrous ad campaign. Lady Gaga is so sold out to the elite’s agenda that she’s willing to insult her fellow women for it.

On March 24, it was Palm Sunday, a holy day in Christianity. This is a mass media headline.

Apparently, the movie Late Night With the Devil generated exactly $666,666 at the box office on Palm Sunday. I’m pretty sure that’s a lie – “they” just wanted this headline to exist for blasphemous reasons. The movie is about a TV show unleashing evil in America’s living rooms. That’s an appropriate way of describing mass media.

On March 31st, it was Easter, the most solemn holiday in Christianity. It is celebrated by tens of millions of Americans from all origins. March 31st was also Transgender Day of Visibility, a fake, made-up day of indoctrination that is celebrated by about 68 weirdos. Guess who Biden’s administration decided to celebrate?

In an incredible twist of irony, Biden (well, the propagandist who handles his social media accounts) wrote that transgender people are “made in the image of God.” Wow. The entire goal of trans people is to turn into the exact opposite of how God made them using drastic surgeries, aggressive hormone treatments, invasive puberty blockers, and numerous other unnatural procedures. 

As stated in previous articles, the elite has been insanely trying to promote cannibalism. Also, as stated in previous articles, a significant number of scientific publications have become tools of propaganda. That said, here are some recent headlines from the “scientific” publication New Scientist.

In a couple of months, New Scientist published THREE full articles promoting cannibalism – even stating that it “solves the food crisis” and that it is “environmentally friendly.” Yup, the same scientific publications that try to convince us that men can get pregnant are also trying to persuade us to EAT OTHER HUMAN BEINGS. In other words, these publications are now corrupt, compromised, and only suitable for the garbage.

Special thanks to everyone who sent in pics!

The Blatant Luciferian Symbolism in Justin Timberlake’s “No Angels”

When Justin Timberlake was part of *NSYNC, he was America’s frizzy-haired darling. His fans (mostly teenage girls) thought he had the voice of an angel and the dance moves of … like … an angel who dances really good.

During that time, America had another darling: Britney Spears. And, believe it or not, the two darlings became a couple! It was the ultimate early-2000s fairy tale, and it was almost as if their managers had engineered this whole thing for maximum publicity.

Justin Timberlake and Britney Spears were both members of the Mickey Mouse Club, a child star factory that groomed numerous celebrities for the entertainment industry.

When the two darlings broke up, Justin stopped being perceived as an angel. Indeed, with the release of Cry Me a River (which was said to be about Britney), people started to get a weird, creepy vibe from him. And, when he infamously exposed Janet Jackson’s breast during the 2004 SuperBowl Half-Time show, he got a hefty dose of finger-pointing (although the whole thing was clearly staged).

Despite these setbacks, JT’s solo career took off in a major way. I mean, JT brought sexy back. And that was not a small feat because we were all wondering where sexy had gone this whole time. He was even dubbed the Prince of Pop, a title that placed him in the same royal realm as Michael Jackson, the King of Pop.

In short, JT followed the typical path of a child star groomed for success – complete with mediatized relationships and the required humiliating events.

But all of this was a long time ago. When most of these things happened, the President of the United States was George W. Bush. Since then, we’ve had ALL KINDS of Presidents, and the world has changed drastically.

So, in 2024, is 43-year-old Justin Timberlake still relevant? Most will answer immediately with a resounding “NOPE.” However, JT still has fans, and he still releases music that requires media attention and promotion. Sadly, in order to stay in the good graces of the industry, the once darling JT needs to pay a price. A satanic price. Hence, No Angels.

No Respect

As the song’s title not-so-subtly implies, there is nothing angelic about No Angeles. Its core meaning is satanic, and the video’s filming location turns this piece of “entertainment” into an actual ritual that feeds on real sacred energy.

JT pulls up in front of a mysterious building characterized by arabesque architecture. There seems to be a wild party inside.

This is not just a random, cool-looking location. It is the Angeles Abbey Memorial Park, a mausoleum in front of a cemetery. There are actual dead bodies all around this place, and, as we’ll soon see, it’s about to be thoroughly desecrated.

Inside, there’s a wild party, complete with people drinking, making out, and everything … inside an actual mausoleum.
JT symbolically stands between two pillars (very Masonic) and looks down at the party. He points at a person as if saying “JT wants YOU!”

On his way to this chosen person, JT stops at a bar. The reason? The people behind the video wanted us to see that they’ve gone through the trouble of building a bar inside this sacred place.

Right above JT’s head are two skulls and black ornaments, which hint at them desecrating the resting place of actual dead people. Also, it looks satanic, which is always a plus – especially considering what will happen in the video.

Meanwhile, another Justin Timberlake is roaming around the party.

The JT alter ego wears sunglasses. We’ll soon see why.

Dancing With the Devil

So JT finally finds the person he’s magnetically attracted to.

Among all the hot models dancing at that party, JT is attracted to this person with a strange androgynous look. Something’s off.

JT and the woman (I think) start dancing, but things get rough: She suddenly scratches his face. Then, everyone is all like:

Everyone at the party is actually a soulless demon. Considering that it literally took place inside a mausoleum, this is not that surprising.

Usually, when people at a party stare at you like this, you do like the *NSYNC and go “BYE BYE BYE.” But instead, JT is like, “Let me see how that situation develops.” Well, it develops in the worst way possible.

JT’s date turns into Lucifer aka the fallen angel. I hate it when that happens.
The angel starts spilling blood / black goo all over the place.

When the devil starts throwing up blood at a party, it usually means that it’s time to leave. But instead, JT is like, “Wait, let me see how that goes.” Well, it doesn’t go well.

JT stands right under the devil spewing blood. Then he’s unhappy about the fact the devil’s blood is all over his face and his auntie’s pearl is neckeless. JT doesn’t seem to understand the gravity of the situation.

JT is not the only one that’s splattered in blood. Everyone is. Then, everyone starts dancing again because being drenched in blood is cool and sexy.

Two people drenched blood kiss passionately, thus ingesting the devil’s blood in the process. Yes, we’re still watching Justin Timberlake video.

Once again, we are exposed to the occult elite’s obsession with blood. Whether it is consuming blood or being drenched in it, this sick concept keeps popping up in mass media, and it is constantly depicted as a cool thing.

In case there are people still watching the video, there’s a big twist at the end. And it somehow manages to make things worse.

The Big Twist

At one point, the director yells “Cut” and we realize that this is a video shoot. I’m so relieved.

Good news: None of this was real. It was just a video shoot, and these demons were actors.

Then, JT thanks everyone for helping him “bring his vision to life”. His highly satanic vision to life.

Then, he goes outside and opens the trunk of his car.

A bloody Justin Timberlake is inside the trunk, surrounded by disgusting tentacles.

But hold on, that doesn’t make sense. If Justin Timberlake is in the trunk, it means that … uh oooh.

JT sits next to the girl who played the devil. Seeing that she doesn’t have eyeballs, she wasn’t playing a role; she’s actually a demon.
JT doesn’t have eyeballs, either. He’s the sunglasses-wearing alter ego we saw earlier.

The video ends on this unsettling note—yet another pop music video that’s blatantly satanic and has nothing else to offer. No wonder Justin Timberlake keeps flopping, he’s become yet another soulless zombie churning out garbage videos to please his rulers.

In Conclusion

On one hand, No Angels is yet another satanic video spewed on the public the same way Lucifer spewed blood on JT’s face. On the other hand, No Angels is actually a revealing video that exposes the true nature of the music industry.

You see, those who churn up this satanic “entertainment” like to say that it’s just fiction, it’s just entertainment, and those who look too much into it are crazy religious fanatics. However, in No Angels, the woman who played the role of Satan was not an actress – it was a demon. And, when Justin thanked everyone for “bringing his vision to life,” it was his satanic alter ego doing the talking. They acted as if it was an act, but it was not an act.

This is an accurate depiction of the entertainment industry as a whole. Those behind this satanic stuff act as if it’s an act, but it is not. They actually believe in this stuff, and these videos are not “entertainment”, they’re outright rituals carried out for the masses. The fact that this video was shot in an actual sacred place proves that none of this is fiction.

In short, the core message of this video is that these people are not faking it. Because, in the higher-ups of the entertainment industry, there are no angels.

There’s Something Terribly Wrong With “Poor Things”

Warning: Behemotic spoilers ahead!

The least one can say is that mass media loved Poor Things. Nearly every news article gushed over it while award ceremonies threw all their trophies at it, including numerous Oscars.

Yes, they really want us to watch and love the movie. More importantly, they want us to “soak up” its messages and underlying philosophy. Of course, there is a reason for this: Poor Things conveys, in an admittingly creative way, the twisted worldview the elite wants us to adopt. And that includes the sexualization of children.

On a surface level, Poor Things bears all the makings of a great film. The wardrobe, the set designs, and the performances are all top-notch. However, on a deeper level, something is “off” about this movie. It provokes in many a gut feeling that they’re watching something … wrong.

In a way, the movie wants us to feel that way. The music is strident, atonal, and dissonant, creating an unsettling atmosphere. Some scenes seem custom-made to be challenging to watch and difficult to stomach.

Bella (who literally has the brain of a child) plays with the penis of a dead man to then repeatedly stab him in the eyes using a scalpel. This is just … wrong.

While the movie was based on Alasdair Gray’s 1992 novel of the same name, most of the book’s political commentary and literary nuances were evacuated to mainly focus on a single thing: Emma Stone acting like a child and having sex with older men.

In many ways, Emma Stone’s performance is reminiscent of Ana de Armas in Blonde. As explained in my article about this brutal movie, numerous scenes appeared to be specifically written to place Ana de Armas in situations where she is naked and sexually degraded. While the movie was about Marilyn Monroe, it was also about Ana de Armas herself taking part in degrading, near-pornographic scenes as some kind of Hollywood “rite of passage.” And, despite the fact that viewers panned Blonde, de Armas was rewarded with an Oscar nomination for Best Actress.

As we’ll soon see, Emma Stone underwent a similar process in Poor Things. She’s often completely naked and involved in near-pornographic scenes (often degrading) involving numerous men. She was also rewarded by winning the Oscar for Best Actress in 2024.

Ironically, the movie is said to be “feminist.” Although it was written by a man, directed by a man, and based on a book written by a man. But that doesn’t matter because, through symbolism, the core message goes way beyond feminism. It is about distorting everything that is pure, good, and natural and embracing the exact opposite. Here’s a look at Poor Things.

Ungodly Creation

Poor Things starts off with its funniest gag, which is entirely unintentional.

The movie begins with a stern warning about “tobacco depictions.”

Oh no! Not tobacco depictions! Considering the horrifying scenes we are about to witness, some guy smoking an old-timey pipe is the least of our concerns. This “warning” aptly reflects mass media always finding ways to be concerned about the wrong things while completely ignoring the blatant evil that’s staring right at us.

Right after this warning about *gasp* tobacco depictions, we see a woman committing suicide. I’m not joking.

This woman throws herself off a bridge and dies. At least there were no “tobacco depictions” in the scene.

The woman was pregnant, and her body was recovered by a strange man everyone calls God.

Godwin, aka God, is scarred and deformed due to experiments his father carried out on him. He’s also a eunuch, making him asexual.

The character being referred to as God underlies the fact that he’s the “creator” of Bella (and other things). He also likes to carry out experiments on humans, not unlike Josef Mengele.

Although everybody calls him God, a subtle dialog at the beginning of the movie hints at what’s actually happening here. While discussing with his student Max, Godwin asks:

– Are you a religious man?

– I believe in God.

– Me or the deity?

Then a woman crosses their path and, after looking at God’s deformed face, she says:

“The very Devil’s work”.

Godwin is not God. He plays God and, as such, is actually in opposition to the real God. As we’ll see, his entire body of work is about corrupting the natural order of things and creating abominations for “science.”

Around Godwin’s compound are numerous hybrid creatures that really shouldn’t exist.

But Godwin’s most important experiment is Bella Baxter.

Remember the pregnant lady who committed suicide? Godwin placed the tiny brain of her unborn baby inside her head and reanimated her.
The result of the experiment is Bella, a literal baby inside a woman’s body.

A Pedophilia Loophole?

At the movie’s beginning, Bella can barely talk or walk, and at one point, she pees herself. She has the mental age of a toddler. But that doesn’t prevent men from lusting over her.

Even though Bella was spinning around like a child, Max says that she’s a “very pretty retard”. The same can be said about the rest of Hollywood, amirite guys?! OK, I’ll stop.

Right then, the movie stubbornly focuses on Bella’s sexuality, including scenes of her masturbating.

In one scene, Bella looks extra childish and innocent as she blows bubbles in her bedroom.
Then, a man called Duncan comes in, sits next to her, and touches her private parts.

Alright. Let’s stop for a second and ask ourselves: Is this pedophilia? Did the movie find a loophole to depict child sexuality in a mainstream movie by having a grown woman act it out? Yes, Bella has a woman’s body but is mentally a baby. Isn’t pedophilia morally reprehensible because children are innocent and cannot process these thoughts?

Before we can answer these important questions, Duncan takes Bella on an “adventure” in Lisbon, where we see them having sex in all kinds of positions.

In Lisbon, Emma Stone plays the role of a child having sex. You can rationalize all you want, but that’s what’s happening. And she won an Oscar.
The sex scenes are intercut with Bella exploring Lisbon while looking like a child. She walks clumsily and awkwardly, heavily indicating that her brain is far from being adult.

In these scenes, Bella is a bit more coherent. She has the mental age of maybe an 8-year-old, and she calls sex “furious jumping.” While media critics found this term “endearing,” it mainly indicates that a child is having sex with 56-year-old actor Mark Ruffalo.

Bella sends postcards to her creator, God, on which she describes (in a childish matter) what she’s been up to. Yes, she’s fellating a train.

While Duncan was having fun at first, things soured quickly. Bella’s immature mind and promiscuous disposition led her to be intimate with another man. This caused Duncan to become bitter, jealous, and controlling. Meanwhile, Bella doesn’t even understand what is happening but she does know that she’s losing attraction to him.

Bella doesn’t understand why Duncan is crying. She observes the world through the same cold scientific eyes of her creator, Godwin, devoid of emotions and morality.
At home, Godwin and Max (who was supposed to marry Bella) are also sad and broken.

In a way, Bella cuckolds all the men who develop feelings for her and want to tie her down. At this point, we realize that a feminist narrative is emerging, and Bella’s development can be interpreted as the coming of age of a modern woman. More precisely, the elite’s vision of what a modern woman should be.

A Whore and a Socialist

To better control Bella, Duncan takes her on a cruise where her movements are confined to a boat. However, he cannot control her thoughts. As Bella’s mind matures, she is often seen reading a book—an image representing her desire to know the world. She also likes to engage in philosophical discussions with people she meets. Duncan doesn’t like that.

Bella tells Duncan to move because he’s blocking her sun. As the movie evolves, Duncan ends up representing the “patriarchy” that blocks women from educating their minds.

Bella’s new friends also show her a side of the world she’s never seen before.

While stopped in Alexandria, Bella is shown the plight of poor people.

The “poor people scene” above is rather odd. It’s basically how a Hollywood person disconnected from reality would imagine “poor people.” In this tableau shot viewed from way above, helpless people are lying down in a slum while a person stacks a bunch of dead babies atop each other. This movie does not like children.

Witnessing this misery (from above) makes Bella sad, and she now wants to change the world. As we’ll soon see, the answer to her quest will be … socialism. Of course, we’re watching a Hollywood movie.

Meanwhile, Bella and Duncan are penniless in Paris. However, Bella quickly finds employment: Prostitute in a brothel. Indeed, the madam of the brothel had the perfect argument to convince Bella to work for her:

“If you need money, it’s the shortest route to do it.”

Considering that the concepts of loyalty and morality do not concern Bella, this logical argument makes perfect sense to her. Duncan disagrees.

Duncan tells Bella that being a whore is the “worst thing women can do.”

On the other hand, the brothel’s madam says that Bella is “a woman plotting her course to freedom.”

In the feminist context of the movie, Bella becoming a prostitute is treated as an empowering move that’s in opposition to Duncan’s patriarchal control. It is also a way for Bella to discover herself and the world.

The brothel is physically connected to the church next to it. Is the movie trying to tell us something about Christianity?

The brothel’s madam also convinces Bella that the degrading things she must do for her clients are part of the “experience.”

“We must work. We must make money. But more than that, we must experience everything. Not just the good, but degradation, horror, and sadness. This makes us whole, Bella. It makes us people of substance, not flighty, untouched children. When we know the world, the world is ours. Now, go and f*ck someone.”

This quote sums up the movie’s core message, and there is much to unpack.

First, what’s wrong with “untouched children”? They’re supposed to be untouched. This movie DOES NOT like children.

Second, this quote reflects the dualistic worldview of the occult elite, where it is believed that the bad, the evil, and the horrific are of equal value as the pure, the good, and the godly. It is by uniting the two that a person becomes “illuminated.”

Finally, the madame probably doesn’t even believe in what she’s saying. She wants Bella to do degrading things so she can profit from her – the same way the elite wants us to believe in their indoctrination so they can profit from us.

The movie makes sure we see Bella being degraded in every way possible. Also, simultaneously, the viewers are watching actress Emma Stone being degraded as well. The movie’s insistence on depicting sex scenes involving the actress takes on a ritualistic dimension where she’s being initiated through humiliation.

One of her clients is an older, rather gross butcher who smells awful. After the encounter, Bella says that the sex was “brutal in a strangely not unpleasant way.”
Bella (and Emma Stone) gets humped on by this guy while the audience is treated with full frontal nudity. Apparently, that’s what you need to do to win an Oscar nowadays.
In another scene, a father has sex with Bella in front of his children for “education.” While doing it, Bella gives sex advice to the boys who sit there and watch. More sexualization of children.
Also, Bella discovers that she’s bisexual. Of course.

Bella’s girlfriend is a socialist. She tells Bella that a socialist is “someone who wants to change the world for the better.” To which Bella instantly replies:

“Then I am that too.”

The movie’s unabashed promotion of a specific political current is odd but unsurprising. Poor Things is not mere entertainment; it is creative indoctrination. In case you didn’t notice, the elite has been hard at work trying to create a socialist world government. They want us to associate the word socialist with “changing the world for the better.” If the movie had promoted any other political current, the movie would have been shunned.

So, Bella reflects what the elite want women to be. However, her actions cause Duncan to lose his mind completely.

Duncan ends up in the looney bin.

While Bella is the creation of a man dubbed God, Duncan sees in her the exact opposite:

“He has sent a demon at a large into the world. The devil wrapped in an alluring body that cannot be satieted and a mind that picks people apart stitch by stitch like a bloodied and burned rag doll shat out of an elephant’s arse.”

While the “demon” is at large, her creator is dying.

God is Dead

When Bella learns that God is dying of cancer, she leaves Paris and travels back to London. The fact that God dies in the movie is symbolic as, in the elite’s philosophy, men are gods.

In London, Bella reconnects with Max, with whom she was engaged before she left.

Bella asks Max if “the whoring thing challenges the desire for ownership that men have.”

Again, her being a prostitute is framed as some feminist power move that goes against the desire of men to own women. Max says he’s okay with it because it’s “her body.”

Although they get married in a church, the black-and-white pattern inside of it indicates that this is actually about the occult elite’s dualistic “religion.”

After God’s death, Bella takes over as the mad scientist. In the final scene, everything ends perfectly according to the elite’s vision for humanity.

Bella lives with her socialist lesbian lover.
Bella placed the brain of a goat into the head of her mother’s controlling husband. This man is technically Bella’s father. But not anymore. He’s a goat now.
The movie ends with a shot of Bella reading. She is now an accomplished socialist bisexual lady. Every man who tried to control her is either dead or completely broken. Or a goat.

The end.

In Conclusion

There’s a reason why mass media tastemakers celebrate Poor Things: It reflects the culture and mindset the elite is looking to force on the masses. It is representative of a society that is steadily straying away from everything pure and natural to embrace the sick, the twisted, and, yes, the ungodly. From God’s distorted face to the hybrid animal monstrosities running around to Bella awkwardly walking with an infant’s brain – everything we see is in complete opposition to the natural order of things.

But that distortion is not merely esthetic. The movie also obsesses over twisted concepts such as the sexualization of children and female “empowerment” through sexual degradation. In this movie, a child discovering the world does not play around in nature; it plays with a dead man’s penis while stabbing him in the eyes. Of course, not all movies need to portray happy, pretty things. But Poor Things’ core message is that these disturbing things are good and desirable in an enlightened society.

At least the movie got something right: It warned us about “tobacco depictions.”

Poppy’s “V.A.N”: One of the Most Blatant MKULTRA Videos Ever Made

In 2017, I published an article about Poppy – a YouTuber who went viral due to her bizarre short videos which appeared to conceal hidden messages. The title of the article: “That Poppy”: The YouTube Star Under Illuminati Mind Control. While, at first glance, that title seemed a bit much, it was the only accurate way of summing up the messages and symbolism peppered throughout her videos. Because, when one pieces together the narrative of these seemingly absurd and nonsensical videos, one comes to an inevitable conclusion: Poppy is an MK slave.

Whether Poppy is an actual slave or she’s only playing a role is up for debate. However, beyond the imagery, there’s something “off” about some of these videos as they hint at actual abuse suffered by Poppy. Indeed, in some videos, Poppy appears to be bruised or completely traumatized while, in others, she’s being subjected to mild forms of torture.

In one video, Poppy reads the Bible for 49 minutes straight, without a single pause. Everything about this is wrong and creepy.

In my original article, I explained:

There is nothing “religious” about Poppy’s Bible reading. As she struggles to read through the Bible’s uncommon words, names and phrasings in her robotic voice, the process becomes an exercise in absurdity. As the minutes pass by and as Poppy gets tired of reading, one feels a bizarre element of voyeurism going on, as if one is watching a mild snuff film where reading the Bible for a long period of time is the torture of choice.

Following the publication of my first article about Poppy, more bizarre videos were uploaded to her channel. The last one was posted in 2022 and it is quite symbolic.

Titled “Capture”, the video depicts a creepy masked man (presumably Poppy’s “handler” Titanic Sinclair) capturing Poppy using her own hair. Pure mind control symbolism.

Despite the rather obvious symbolism found in Poppy’s videos (to “vigilant citizens” at the very least), some interpreted them differently. However, with the 2024 release of the video V.A.N, there is simply no more room for interpretation. The video is basically “Monarch Mind Control 101”, complete with all of the meanings and symbols discussed on this site for years.

Here’s a look at the video.

Violence Against Nature

V.A.N stands for “Violence Against Nature” and that’s exactly what we witness throughout the video. It is all about corrupting the natural state of humans for nefarious purposes. As we’ll soon see, the song also contains a spiritual component where “violence against nature” is also violence against God’s creation.

The video begins with an enigmatic apple that sits in a lab-like setting. In Genesis, Lucifer offers Eve the proverbial apple which leads to the Original Sin.
The apple starts to magically levitate while dripping with blood.

What is this floating thing and what does it represent? Well, we get a big hint about one second later.

In a quick shot, we see a syringe extracting blood from Poppy.

Does the apple represent adrenochrome? You know, that substance the occult elite is said to crave and that is said to be harvested from the blood of young captives of the system?

One thing is for sure, Poppy is a captive of a sick system.

Poppy is locked inside a glass enclosure with some dirt to simulate “nature”.
Poppy is under the control of MK handlers – the lead singer of the band Bad Omens plays one.

The song was made in collaboration with the metal band Bad Omens and the MK facility is branded everywhere with a stylized version of their logo. In other words, the band plays the role of the sadistic handlers. They even own the MK lab. Considering the horrific mental, physical, and sexual abuse MK handlers subject to their slaves, this is a rather strange role to play.

One of the handlers is Poppy herself, but with black hair. MK handlers are often MK slaves themselves and this video really wants to be an accurate tribute to MKULTRA.

Patient: V.A.N

In the video, Poppy is identified as Patient: V.A.N – a slave who is being programmed to engage in ungodly activities.

The song’s lyrics convey the sense that Poppy is an artificial creation that is in total opposition to life, nature, and everything good. The several references to God also point to the satanic nature of this program.

I am in your algorithm learning all your mannerismsI’m already level with GodA million words a second, and I know your imperfectionsBaby, I’m the only future you’ve gotSpeak in diatonics, motivation diabolicI’m religion better locked in a boxPicture-perfect image, more powerful every minuteBaby, I am everything that you’re not

At the beginning of the video, blood is extracted from Poppy. Later, something is injected inside of her. Then, something symbolic happens.

After being injected, Poppy’s eyes turn black – a classic way of representing the loss of one’s soul and demonic possession.
Throughout the video, a dissociative Poppy is subject to all kinds of procedures and injections that gradually corrupt her natural self.

To make sure we understand that this is about Monarch programming and nothing else, several symbols that were discussed on this site ad nauseam were inserted in the video.

A butterfly (representing Monarch programming) hides one of Poppy’s eyes, effectively creating a One-Eye sign (representing slavery to the occult elite). This symbolic image sums up the message of the entire video.
MONARCH. PROGRAMMING.
A white rabbit hides one of Poppy’s eyes. Again, very symbolic.

As explained in numerous previous articles, the symbol of the white rabbit is extremely important in MK programming. In Alice in Wonderland (which is used as a programming script in Monarch mind control), Alice follows a white rabbit through the looking glass to enter Wonderland. While being programmed, MK slaves are told to “follow the white rabbit” to Wonderland which, in their case, is total dissociation. When this is accomplished, handlers can engage in the ultimate goal of Monarch programming: The splitting of the slave’s personalities.

Appropriately enough, this process is visually depicted in the video.

The Fracture

In nearly every MK-themed movie and video I’ve described on this site, a specific scene inevitably happens: We see glass shattering. Then, the MK slave rebels and attempts to escape programming. And, through symbolism, we are told that this is all happening in the slave’s head. A prime example of this pattern can be found in David Bowie’s movie Labyrinth.

Of course, considering that V.A.N is Mind Control 101, it contains a textbook version of this pattern.

At one point, Poppy stares at Poppy … the black-haired handler. Their mirroring reflections indicate that they’re possibly alters of the same person.
Handler Poppy breaks the glass using a hammer, recreating the obligatory “fracture of the persona” scene depicted in all MK-related stories.
Then, a lifeless Poppy sings while surrounded by floating versions of her. This represents her core persona being fractured into multiple alters.

Once the glass shatters, Poppy escapes and all hell breaks loose in the lab.

As Poppy escapes, a swat team equipped with flashlights searches for her.

But Poppy is now, apparently, a super-charged killing machine and she massacres the armed men. At this point, we’re tempted to say “Poppy is a bad-ass who broke free from mind control”.

However, a shot that quickly flashes during these scenes negates all of this.

Following the scene of the swat team holding flashlights, we briefly see a handler holding a flashlight at Poppy’s eyes. The message: Poppy’s escape is happening in her head. She’s still completely controlled by her handlers.

The ending of the video might seem happy … but it’s not.

Poppy runs towards the light as she appears to be leaving the lab.

Considering this happening in her head, the “light” above might be the handler’s flashlight. In other words, she’s running right back to her usual programming. She’s stuck in a loop she cannot escape.

In Conclusion

Poppy has been creeping out millions of people for years with her bizarre videos and her increasingly robotic demeanor. Although there have been varying theories about her act, V.A.N simply leaves no room for interpretation. It is a confirmation that everything about Poppy points directly to Monarch mind control. Indeed, V.A.N is one of the most blatant videos about MKULTRA ever made and Poppy clearly plays the role of an MK slave. Not only that, she actually does a one-eye sign using a Monarch butterfly. I don’t think they can make this more blatant for us.

With that being said, is there a moral to V.A.N‘s story? Nope, there is none. It’s about hopelessness, loss of free will, and hating God’s creation. In short, it is about celebrating what the elite ultimately wants for us. Don’t let them inject you with whatever they injected Poppy with. Not only literally, but mentally and spiritually. Because they want all of us to turn into Patient: V.A.N.

Symbolic Pics of the Month 02/24

Barry Keoghan is an Irish actor mostly known for his roles in the Marvel movie Eternals and the Netflix series Top Boy. More recently, he starred in Saltburn, a movie that can only be described as a bloody orgy of elite debauchery. Appropriately enough, to promote this movie, Keoghan was featured in a W Magazine photoshoot that can be only described as a bloody orgy of elite debauchery – combined with a hefty dose of ritualistic humiliation. Welcome to Hollywood.

In this appetizing picture, Keoghan is eating what looks like a human heart. There’s blood smeared all over his hands and face, as if he were a baby eating cake. Of course, this is not a baby, this is a grown man being used to normalize the occult elite’s obsession with cannibalism and the consumption of human blood. I like to include Instagram comments on some of these pics to remind us that people seeing right through this garbage.
Here, Keoghan is just dressed in a red latex outfit that screams out “I’m an industry whore”. Other than catering to the elite’s gender-blurring agenda, the photoshoot contains some references to pop culture vampires such as Buffy (the mug). The elite loves vampires because they know that there’s nothing fictitious about old weirdos sucking blood for “vitality”.
This pic oozes “sexualized little girl” vibes, complete with underwear hanging from the bedpost. It’s just a sad and humiliating picture, custom-made to turn on the aforementioned weirdos.
Here, Keoghan is literally bathing in blood while wearing lipstick and women’s accessories. His face says: “This is the lowest point of my life”.

The fashion world is also completely obsessed with the elite debauchery seen above. At Paris Fashion Week, Robert Wun (who dressed notorious industry pawns such as Lady Gaga, Beyonce, Doja Cat, Lizzo, and Cardi B) made it all very obvious.

One of Wun’s “creations” is a bridal gown smeared in blood. Again with the human blood. They can’t get enough of it. Traditionally, white gowns are meant to represent the purity and the innocence of the bride. In this case, it’s been completely sullied after, presumably, a brutal murder. These people have sick minds.
This model looks like she got herpes from a cannibal. How is this “fashion”?
A male model walks in a red dress to which is attached a faceless red demon. To make things weirder, the demon is undressing the model as if it’s about to abuse him.
As if to confirm that this is all elite madness, here’s a dude wearing a dress adorned by a 666 one-eye sign. They cannot make it clearer for us.

Speaking of fashion industry sickness, Thom Browne’s recent fashion show had demonic tendencies as most models walked around with “horns” on their heads. Even worse: Children were involved in theatrics that emitted strong “child predator” vibes. A picture is not enough, a video is needed to understand the creepiness of it all.

 

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As usual, the one-eye sign all over the place in the past weeks. Here are a couple of examples from the dozens I came across.

Idris Elba is a big movie star and he was deemed the “sexiest man alive” by People magazine in 2018. So, of course, the elite had to use him. Some years ago, he was recruited by the United Nations and UNICEF to push various globalist agendas. More recently, he launched a clothing line with Calvin Klein and this is one of the pics used to promote it. The message: To get that fashion money, he must show submission first.
Several news outlets relayed the story of Maleesha Kharwa, a 16-year-old girl from a poor neighborhood in India who became a famous model. And most of these news outlets use this pic of her doing a blatant one-eye sign to show her “success”. The real story: She was recruited by industry creeps to become yet another sexualized minor.

Ever since Kanye West was forcibly hospitalized in 2016, he’s been … off. As explained in past articles, the “treatments” he received during his mysterious hospitalization were highly reminiscent of Monarch programming. And, sometimes, MK slaves end up turning into MK handlers.

The relationship between Kanye and his “wife” Bianca Censori reeks of a handler/slave dynamic. On numerous occasions, Censori has been objectified, humiliated, and dehumanized while Kanye is acting extra creepy in the background.

On her birthday, Censori was made to walk in Las Vegas with barely anything on. Also, she was barefoot on the dirty, disgusting floor of a casino – something that would satisfy the sadistic tendencies of an MK handler.
Censori’s family noticed that the model has profoundly changed since meeting Kanye. Also, they believe that he’s controlling her. He might be mind-controlling her.
At one point, Censori had short blond hair. As seen in previous articles, MK slaves are often identified with this exact hairstyle. Kanye himself had bleached hair right after his hospitalization, possibly to indicate that he was “reprogrammed”.
The cover of Kanye’s album Vultures 1 continues the handler/sex kitten relationship. Indeed, the focus of the “art” is Censori’s bare butt while Kanye looks like an absolute psychopath with his Jason mask.

The situation got even weirder when Kanye’s daughter North West got involved.

In a (now deleted) TikTok, 10-year-old North West raised eyebrows by drawing the rather explicit album cover. Furthermore, for some reason, she wrote that she was grateful for the song Carnival.

Here’s the chorus of Kanye’s song Carnival. Should a 10-year-old girl be “grateful” for that song?

Go, go, go, go
Head so good, she a honor roll
She’ll ride the d*ck like carnival
I done did the impossible

When the city of Sevilla unveiled its Easter poster, an immediate uproar followed. Noting that the depiction of Jesus looked “effeminate” and “homoerotic”, citizens launched a petition to have it withdrawn. While the artist claims that he doesn’t understand the controversy there are a couple of things he purposely ignores. First, Jesus after the resurrection was mostly likely bloody and wounded from the crown of thorns and, you know, the literal crucifixion. I guess the artist minimized these things because they weren’t sexy. Also, the whole loin cloth situation around his groin with the rope is very homoerotic. I mean, come on. In short, those who made and approved this are not Christians, they’re the opposite.
This is Wes Boreland of Limp Bizkit posing in front of a weird naked baby thing. I personally wouldn’t want to pose next to a naked baby thing but he decided that it was a great idea.

The picture was taken in Danny Elfman’s studio. In the 1980s, he wrote and performed the song Little Girls. Here’s the chorus of that song.

I, I, I love little girls
They make me feel so good
I love little girls
They make me feel so bad
When they’re around
They make me feel like I’m the only guy in town
I love little girls
They make me feel so good

Although this song (and its very creepy video) is super pedo, Elfman claimed that he was singing about someone else. OK, right. Personally, I still wouldn’t sing these specific words. With that being said, here’s a recent headline of him.

I don’t know the specifics of that case but, judging by this guy’s face alone, I’m going to say “guilty on all charges”.

Here are other things that can be found in Elfman’s studio (taken from this YouTube video).

More “decorations” involving weird babies.
The studio also contains this creepy painting of a young girl crying.

The painting is by artist Mark Ryden whose style can only be described as Satanic/pedo/MKULTRA “art” (a look at his website will convince you). Seriously, he loves to paint naked young girls surrounded by satanic and MKULTRA symbolism. A full article could be dedicated to him alone.

In short, this studio and everyone in it are SUS as HELL.

Special thanks to everyone who sent in pics.

Super Bowl 2024 Was a Circus Involving a Clown Wearing an Inverted Cross

Considering that Patrick Mahomes was the MVP of this year’s Super Bowl, one would assume that he would have gotten the most love and attention after the game, right? Wrong.

The player who got the most love and attention – Travis Kelce – made the game’s highlights for … shoving and yelling at his elderly coach.

That doesn’t sound right.

But that’s what happened. Why? Two words: Taylor Swift. Yup, coach-shoving Travis Kelce is going out with Taylor Swift. This instantly made him a household name and a major celebrity around the world. And, after months of excessive media hype, Kelce and Swift made it to the Super Bowl. Consequently, a great number of viewers tuned in solely to see how that romance would play out during this mega-event.

And, boy did it play out perfectly: After a suspenseful game, Kelce’s Chiefs scored a touchdown with three seconds remaining in overtime, making them Super Bowl champions. Then, Taylor Swift appeared on the field and kissed Travis Kelce – the moment cameras from around the world were fiending for.

Super Bowl 2024 became the most-watched TV event of ALL TIME. That is not a small feat. And, as the picture suggests, this boost in ratings was mainly due to Taylor Swift.

One could say that one couldn’t have written a better scenario. However, some also said that this scenario was actually written … a long time ago. Here’s a look at what happened during Super Bowl 2024.

The Power Couple

In my last article titled 2024 Grammys: It Had To Be All About Taylor Swift. It Just Had To, I explained that, exactly one week before the Super Bowl, Taylor Swift completely dominated the Grammy Awards and even broke a record. It was the perfect way to set the stage for her Super Bowl moment where she would garner all of the attention.

During the Grammys, there was a controversial moment where Taylor Swift snubbed and ignored Celine Dion – one of the only artists who still massively outsell her.

That whole interaction was symbolic: Taylor is a “chosen one”. She’s, in a way, “above the law” and she doesn’t need to show respect to anyone.

Oddly enough, a similar scenario happened during the Super Bowl. In a bizarre moment rarely seen in sports, Travis Kelce shoved and yelled at his coach during the game.

Any sports fan would say that’s simply a no-no. The situation was so bizarre that former Eagles receiver A.J. Brown stated the obvious:

Kelce wasn’t even kicked out of the field.

Weird fact: Shortly after posting this tweet, it was claimed that A.J. Brown’s account was “hacked” – the go-to excuse for those who backtrack on their opinions. Maybe he got a message from above saying: “Mind your business A.J., this is bigger than you”.

In any other situation, the coach would have, at the very least, benched the player for the rest of the game. But that couldn’t happen that day. Like Swift, Kelce was “above the law”. He’s a “chosen one” and he didn’t need to show respect to anyone.

Kelce is not just a football player anymore, he’s a superstar.

Furthermore, Kelce simply could not be punished during the Super Bowl – he’s got a massive, elite-backed contract to honor.

A couple of months before the Super Bowl, Kelce signed a contract with Pfizer for a reported $20 million.

While Kelce is peddling vaccines and shoving coaches, Taylor Swift is overacting her butt off during games for the cameras. It annoys most people, yet most people still want to see it.

To make sure Taylor was there, government officials and two private jets were put to work. She just HAD to be there – it was an international priority. And she made it. And, somehow, they’ve made this highly-anticipated event Satanic.

The Inverted Cross

As stated above, Super Bowl 2024 was the most-watched telecast in history. And it was due to Taylor Swift. So, when the camera inevitably cut to her, this is what a record number of people saw.

Swift was chilling with Ice Spice who happened to wear a massive inverted cross around her neck.

The word across the industry is that Ice Spice is an industry plant. And she was definitely “planted” next to Taylor Swift that day. The goal: To have a big fat Satanic cross broadcast in living rooms across the world.

Ice Spice was wearing a custom inverted cross pendant by jeweler Alex Moss.

As usual, the disinformation site Snopes “fact-checked” the inverted cross. However, faced with irrefutable facts Snopes had to backtrack and confirm the inverted cross.

When Snopes attempts to “fact-check” something, it’s usually because there’s something there.

During the game, Ice Spice also made sure to throw up the devil horns sign when the camera was on her.

 

The inverted cross is the main symbol of Satanism and, as explained in countless articles, it is worn by occult elite pawns to show that they’ve sold their souls. The fact that Ice Spice wore it with Taylor Swift – during the biggest TV event of all time – blatantly tells us that this is all occult elite shenanigans.

As if that wasn’t enough, right above the inverted cross is a Balenciaga logo. You know, the brand that launched a full-on pedophilic ad campaign not too long ago? Why are people still wearing that brand? Are they trying to say that they support pedos?

Beyoncé

Other than Ice Spice and Taylor Swift, Beyoncé was another star who was at the Grammys and who continued the hype train to the Super Bowl.

At the Grammys, Beyoncé’s outfit signaled that she’s now a cowgirl … for like a couple of weeks.

While Usher performed at the Halftime show, Beyoncé stole his thunder by announcing a new album DURING the Super Bowl. Also, she starred in a surprise Verizon commercial. Of course, everything was symbolic.

The Verizon commercial features “Beyonc-AI”, a robot version of the singer. Throughout her career, Bey has been likened to the character of Maria from the movie Metropolis (one of the occult elite’s favorite movies).

Bey also released a visualizer for the song Texas Hold ‘Em which consists of a short video loop that manages to pack a lot of symbolism.

In Texas Hold ‘Em, a big decorative thingie hides one of her eyes, effectively creating a One-Eye sign. Also, notice her hands.
Bey’s hand positioning is a mirrored version of Baphomet.

As if that wasn’t enough weird Satanic crap for a football game, Kanye West arrived at the Super Bowl looking like this.

Kanye wore a black mask on which was glued a figurine of a crucified Jesus. As stated numerous times, Kanye’s version of Christianity is actually pseudo-satanic.

After all of this nonsense, the Chiefs won.

Just Like They Drew It Up

In my last article, I described the theory predicting that the Chiefs would win the Super Bowl which would prime Taylor Swift for a major political move.

Before the Super Bowl, Vivek Ramaswamy claimed that the Swift/Kelce couple was fake and that the Super Bowl would rigged.

Some believe that the ultimate goal of this scenario is for Taylor Swift to endorse Joe Biden in the upcoming elections.

Well, the Chiefs won. Then, the official account of Joe Biden posted this creepy tweet after the Super Bowl.

Joe Biden’s account posted a Dark Brandon meme with the caption “Just like we drew it up”.

Most people who came across this bizarre post double-checked to make sure it wasn’t from a parody account. Nope, it was from Joe Biden’s official account. And everything about it was weird.

At face value, the post ridiculizes the theories about the Super Bowl being rigged and Taylor Swift being a “psyop”. But, if these theories are indeed “ridiculous”, why would the leader of the free world even address them? Doesn’t he have, like, wars to deal with?

The sinister fact is that one can interpret this post at a very literal level where they’re just openly revealing what they’re doing. Some call it Revelation of the Method.

Even worse is the fact that the Dark Brandon meme originally emerged from places like 4Chan to portray Joe Biden as a creepy villain who does the bidding of an authoritarian Deep State. For some reason, the meme was co-opted by Biden’s PR team and it is now popping up in weird places.

They’re selling merch featuring Joe Biden with sinister glowing red eyes.

In short, the combination of Dark Brandon with the caption “Just like we drew it up” only confirms that those who believe in these theories are on to something. It’s as if they’re saying: “Yes, that’s what we’re doing and there’s nothing you can do about it”.

In Conclusion

Super Bowl 2024 was basically a circus. It started with a buffoon wearing big shoulder pads and tight pants comically shoving an old man. Meanwhile, a blonde songstress made funny faces next to a red-haired clown who wore a giant inverted cross. Then, another songstress attempted to sell her stale merchandise to the crowd by dressing up as a Satanic cowgirl.

During the intermission, the entertainers wore shiny suits and repeatedly yelled “Yeah!” for several minutes. The crowd was very pleased.

Later, a masked creep entered the stadium with Jesus Christ on his face. At his side, his zombie girlfriend walked silently with a blank stare on her face.

In the end, the hero and his princess won the big game and they kissed passionately. Then, the President of the World emerged from his sarcophagus with glowing red eyes and told the world that he planned the whole thing.

2024 Grammys: It Had To Be All About Taylor Swift. It Just Had To.

Before the cameras even started rolling, most of us knew that the 2024 Grammy Awards would be unhealthily centered around Taylor Swift. It just had to happen. There is currently a heavy-handed media campaign surrounding her and a growing number of people are noticing that a bizarre, artificially generated frenzy is taking place. And many are wondering what’s the end goal of it all. Is she being “propped up for something”?

It’s a vicious circle: The more Taylor gets media attention, the more people pay attention to the media.

This whole campaign started with Taylor’s super-mediatized relationship with NFL player Travis Kelce. This union between the worlds of entertainment and pro sports generated a media frenzy of absurd proportions.

Televised games of the Kansas City Chiefs constantly cut away to Taylor Swift reacting to whatever was happening on the field. It annoyed lots of people. Yet, lots of other people started watching these games specifically to see Taylor doing her Taylor faces.

The ridiculous media frenzy surrounding the couple – but mostly Taylor Swift – raised many eyebrows. It simply doesn’t seem normal or organic. It seems fake and custom-made by media experts to generate a specific type of media attention.

Then, the Chiefs made it to the Superbowl – one of the biggest sporting events in the world. It just had to happen. And, while Swift was set to perform in Japan shortly before the Super Bowl, the Embassy of Japan told the world that there was nothing to worry about. Queen Taylor will grace the world with her presence.

Government officials confirmed that we will all get the Taylor Swift reaction shots we all want during the Super Bowl. And imagine if the Chiefs win?! OMG!

This unprecedented (and some say unwarranted) media circus led some observers to believe that this whole Taylor Swift extravaganza is actually a psyop – psychological warfare operation meant to influence the masses. The ultimate goal: At the height of her popularity, and right before the elections, Taylor Swift would support Joe Biden.

Vivek Ramaswamy believes this is all fake and that even the Super Bowl is rigged to make sure the world gets its Taylor Swift moment.
As if to prove the conspiracies right, the elite-owned propaganda outlet The Guardian published an article about Taylor influencing votes, complete with a one-eye sign pic.

Meanwhile, a video from 2019 recently resurfaced that is said to be proof that Taylor Swift is a propaganda asset. Titled Information Warfare Defining and Analysing, this NATO conference centered around the theme of “Silent Battle”. One speaker at the conference stated:

“The idea is that social influence can help, can help encourage or promote behavior change, and the theory here is the sense that this sort of approach works as well with regards to misinformation.”

As explained in previous articles, “misinformation” is the elite’s Orwellian term to define anything that goes against their agenda.

A slide from the presentation shows a picture of Taylor Swift as an example of an “opinion leader” that can be “trained to spread desired messaging”.

The speaker stated:

“I include Taylor Swift in here because she’s, you know, she’s a fairly influential online person. I don’t know if you’ve heard of her. … This is a cropped image, but she’s standing next to, you know, a ‘Go vote’ sign. And, actually, celebrities, at least in the U.S., regularly will post pictures of themselves with an encouragement to people to go vote, and this has a measurable effect on voter turnout.”

The “Taylor Swift is a psyop” conspiracy gained so much traction that the actual Pentagon had to chime in. Indeed, Department of Defense Deputy Press Secretary Sabrina Singh told Forbes:

“Taylor Swift is not part of a DOD psychological operation. Period.”

Some would say: That’s exactly what a DOD psychological operation would say. This was followed by an onslaught of mainstream news sources denying the conspiracy and ridiculing whoever propagates it.

Then, the Grammys came about. And, if Taylor Swift was an actual psyop, the Grammys would have gone down exactly how it actually went down.

The 2024 Grammys

As usual, the 2024 Grammys centered around a very limited number of artists. And, as usual, the show contained its fair share of deranged industry agendas. Here are some examples.

During SZA’s performance, the singer stabs a man. Then, sword-wielding women massacre several men who then lie lifeless on stage as SZA sings “Uh, I just killed my ex (my ex)”.

This violent display is in perfect continuation of the man-killing agenda that has been observed on this site for years. The reason why these hateful and violent displays are allowed in mass media: fEmAniZm – the elite’s hateful and distorted version of feminism.

Later, Lizzo came out and presented a Grammy to SZA. And everyone clapped.

In case you forgot, Lizzo is being sued for several things that she is supposedly against, highlighting the extreme hypocrisy of these industry “entertainers”.

Only two days before the Grammy’s, a judge denied Lizzo’s attempts at dismissing the trial.

A Los Angeles County Superior Court judge cleared the way for a lawsuit by three former dancers against Lizzo to move forward after denying the singer’s request to dismiss the case. The Grammy-winning artist, known for her uplifting messages of self love and body positivity, is facing accusations of racial discrimination, sexual harassment, fat-shaming, and a number other offenses in a lawsuit filed last August.
– The Daily Beast, Sexual Harassment Lawsuit Against Lizzo Advances After Judge Denies Dismissal

Why was Lizzo at the Grammys? fEmAniZm?

Then there was Olivia Rodrigo’s performance of the song Vampire.

Rodrigo performed her hit single smeared in blood while more blood poured from the walls in the background.

This is a continuation of another elite agenda: The normalization of consuming and bathing in human blood. Rodrigo is doing her part to normalize this practice and making it “cool”.

While Miley Cyrus won an award for her mega-hit Flowers (which was the most streamed song of 2023), the show culminated with everyone bowing down to … yes … Taylor Swift.

The Taylor Swift Ritual

More than 14 years ago, I wrote about Taylor Swift being involved in a fake, scripted “ritual” at the 2009 VMAs.

It started with Kanye West jumping on stage and telling Swift that she didn’t deserve her first award ever.

This memorable event was all about humiliating her in front of her peers – an age-old component of initiation rituals. In my article titled The 2009 VMAs: The Occult Mega-Ritual, I wrote:

Taylor Swift wins the “Best Female Video” award and goes up on stage to give her thank yous. Kanye West pops out of nowhere, taking the mic from her hand, and informs her that Beyonce has “one of the best videos of all time“. This scene has caused much controversy and has earned Kanye the title of “Douchebag of the year” plus the honor of being called a “jackass” by the President of the United States.

I might shock some people by saying this… but this “unexpected” event was… STAGED! There I said it. Did you ever watch a crappy reality show and had the gut feeling that the whole thing was scripted? Well, I’ve got an overload of that feeling while watching this scene. None of the people involved (not even Beyonce making her “I can’t believe this is happening” face) are good actors. Furthermore, I’ve been following Kanye’s career since his beginnings and I’ve retained one important fact about him: The only thing Kanye West cares about, is Kanye West. So if he had to throw a hissy fit about something, it would have been about him not winning. Not Beyonce. Him.

This scene is, in fact, Taylor Swift’s initiation into what I call “The Circle of Chosen Artists”. The pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as Beyonce, the queen of the ceremony.  Almost all groups, fraternities and gangs carry out an initiation process to test the recruit’s character, strength, and worth. Swift’s ordeal was to have Kanye ruin her first award ever and to be told that she didn’t deserve this recognition. The rapper is known for bitching during award shows so he was the perfect candidate to make it all seem “unexpected”.

Later in that show, Swift was “accepted” by none else than Beyonce.

After Swift’s public humiliation, Beyonce, the queen of the ceremony, calls her up on stage to let her “have her moment”. She appears from backstage (as if awaiting her cue) in a red dress which is strikingly similar to Beyonce’s. (…)

Taylor Swift being called on stage represents the fact that she has now been accepted as an equal to Beyonce and has become one of the “chosen ones”. The matching dresses also convey this sense of belonging to a new group. She has “passed the test” – the ordeal of being humiliated – and she can now reap the rewards of being an insider.
– Ibid.

In other words, Taylor Swift has been involved in bizarre, symbolic, and ritualistic events for a long time.

At the 2024 Grammys, we’ve witnessed an oddly similar situation.

At the 2024 Grammys, Taylor Swift was coupled with Lana Del Rey. Their outfits had a dualistic black-and-white theme happening where Lana looked as if she just attended a funeral and Swift was in pure, virginal white.

At the very end of the Grammys, Celine Dion came out to present the most important award of the show: Album of the Year. This was a big deal because Celine has been battling with serious health issues and has been avoiding events for months.

Celine about to tell the world what it already knows.

By winning this award, Taylor would become the only artist to ever win Album of the Year four times, thus breaking a record and making history.

So she had to win. It had to happen.

And, of course, Celine Dion said the words everyone was fully expecting: “Taylor Swift”.

Everyone was expecting it … except, apparently, Taylor Swift. She seemed VERY surprised as she did that “I’m surprised this is happening” face she always does. This is all so fake.

Then, Swift walks toward the stage while dragging along with her a reluctant Lana Del Rey (who had just lost to her). It was weird.

On stage, Swift takes the award from Celine while completely ignoring her.

Swift’s “snub” of Celine immediately made headlines because it was deemed disrespectful. I watched it live and, honestly, it truly felt awkward and disrespectful. It was also very symbolic: It was about a diva of the past passing the torch to today’s diva.

During the acceptance speech, Celine and Lana flanked the new queen Taylor.

During her speech, Swift acknowledged Lana Del Rey as a “legacy artist and a legend” … while Celine Dion was standing there still being ignored. While Lana Del Rey is indeed a hugely popular artist, Celine Dion is the only person on stage who could be called a “legacy artist and legend”. Throughout her career, Del Rey sold 41 million albums. Celine? 250 million.

In short, the 2024 Grammys ended with the coronation of Taylor Swift and the humiliation of her rivals and predecessors. She had to win and she did. And everybody clapped.

In Conclusion

The media attention surrounding Taylor Swift has become a topic of conversation in countless households in America and around the world. If a PR company was to be hired with the mission of making Taylor Swift even more visible and influential outside of her “Swifties” fanbase, a relationship with Travis Kelce would have been the perfect plan.

And it happened. And it worked. Way too perfectly. And, as if carried by manifest destiny, Taylor’s team charged toward the Super Bowl with no resistance, setting the stage for a media event of epic proportions. While the Super Bowl itself is a mega-event in its own right, the most important “player” of the 2024 edition won’t even play on the field. It’ll be Taylor Swift. Will the game be rigged to give Taylor her media moment?

Coincidentally enough, exactly one week prior to the Super Bowl, the 2024 Grammys were also “rigged” to give Taylor her moment. She was given the Album of the Year award by Celine Dion, becoming the first artist to ever win this “prestigious” (not really) award four times.

So, is this all a “psyop”? Well, I wrote that Taylor Swift was a “chosen one” nearly 14 years ago. She is clearly being built up to reach a level of visibility that transcends her musical career. But is this all happening so she can eventually give her support to Joe Biden? I don’t believe this is the end game. Swift might be propped to become a political figure in her own right. You think I’m crazy? I might write about this in about 14 years.

The Top 6 Most Deranged Moments of the WEF’s 2024 Davos Meeting

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Unlike most mainstream media outlets, I won’t waste your time beating around the bush: The World Economic Forum (WEF) is a parasitic and illegitimate organization that is run by non-elected individuals who are attempting to reshape the world … in the worst way possible. It is rather difficult to overstate the nefarious aims of this organization which prides itself on “penetrating governments” like some kind of cancer while promoting insane slogans such as “You’ll own nothing and you’ll be happy” (my article The Top 10 Creepiest and Most Dystopian Things Pushed by the WEF provides a good overview of this organization’s long-term goals).

While ignoring these creeps would be beneficial to one’s mental health, it is simply impossible. That’s because the annual Davos Meetings always manage to summon people who can actually make the WEF’s dreams come true such as heads of state, CEOs of mega-corporations, and representatives of global NGOs such as the World Health Organization.

Also: A witch doctor who blows on people’s faces.

https://youtu.be/FuqTKoXx8Mg

As these guests sit on panels and preach their globalist gospel, two questions come to mind: Why do they all look so smug and in awe of their own intelligence? Their air of superiority says a lot about their mindset versus the masses. But, more importantly, why do their topics inevitably lead to less freedom, less quality of life, and more Orwellian control?

The answer is quite simple: Their ultimate goal is a dystopian world government where the masses are reduced to a sub-species that is only allowed a limited amount of freedom and resources while being subjected to constant monitoring and pharmaceutical interventions. In other words, they’re trying to turn us into cattle.

To bring about this nightmarish vision, the WEF uses incremental steps. Year after year, the organization constantly attempts to normalize new outlandish ideas. Then, it uses crises such as COVID-19 to make them a reality. Their secret motto: Never let a good crisis go to waste.

Davos 2024 brought forth, once again, a slew of creepy and radical ideas that all have a point in common: They lead directly to a dystopian New World Order. And no, I’m not being a “conspiracy theorist”, the words “New World Order” were literally uttered during Davos. Several times.

Here are the top 6 “lowlights” from Davos 2024. Why top 6? Because the WEF logo contains three 6s.

It’s all in your face.

#6 Deranged Tapestry

Before I even go into what was said at Davos, we need to look at some symbolism. The slogan of this site is “Symbols rule the world” and, once again, the true, unfiltered mindset of the WEF was better expressed through one single piece of “decoration” rather than thousands of words.

Here’s a screen capture of a Davos discussion that featured former UK Prime Minister Theresa May.

Why is there a depiction of the devil on the left wall?

Theresa May and her friends were discussing in a room decorated with the Walthamstow Tapestry, a large mural created in 2009 by cross-dressing contemporary artist Grayson Perry.

The Walthamstow Tapestry.
The artist: Grayson Perry. Seems like a well-adjusted individual.

There’s a whole lot of insanity happening in that tapestry but, to sum it up, it depicts a woman giving birth to a baby whose trail of blood leads directly … into the devil’s mouth.

Facing the devil are characters resembling the Three Wise Men. Also: Is that the Virgin Mary kneeling and offering baby Jesus to the devil? Our leaders are discussing the future of the world in rooms decorated with this crap.

The tapestry is filled with the names of actual corporations such as Nestlé, Vodaphone, Nike, Microsoft, and Glaxo Smith Kline. One can argue that the artwork comments on corporations and materialism affecting every aspect of our lives and leading us to an unholy existence.

However, because most of these companies are actually represented at the WEF, this tapestry takes on a very literal meaning. It’s not a social commentary anymore, it’s a blueprint. And they’re proud of it.

With that being said, let’s look at what was discussed at Davos.

#5 Disease X and the Pandemic Treaty

The Disease X panel at Davos. The alternative title of the session: “Scaring people into accepting the WHO’s Pandemic Treaty”.

When these WEF people look back at COVID years, their eyeballs turn into hearts. The drastic lockdowns, the mandatory masks, the orgy of vaccines … such fond memories. At Davos 2024, the WEF hosted a discussion about Disease X, a hypothetical illness that could lead to another global pandemic.

Among the panelists were Tedros Ghebreyesus (Director-General of the World Health Organization), Roy Jakobs (CEO of Phillips Healthcare), and Michel Demaré (Chair of the Board of AstraZeneca). In other words, the guests were people who would profit greatly from another pandemic.

The WEF knew what it was doing when it came up with Disease X. The panelists themselves admitted that it was “catchy” and they hoped it would garner social media attention. Well, it did. It annoyed and terrified people who are now convinced that the WEF is already planning another pandemic.

Former United States Assistant Secretary of the Treasury for Public Affairs Monica Crowley posted on X:

“Just in time for the election, a new contagion to allow them to implement a new WHO treaty, lock down again, restrict free speech and destroy more freedoms”.

In his opening statement, Tedros Ghebreyesus pointed out that the term Disease X was coined in 2018 and was meant to be a placeholder name for an unknown disease. He also added that COVID was the first Disease X.

Although Disease X is said to be unknown, the WHO weirdly stated that it could be 20 times deadlier than COVID. Where does this oddly specific figure come from?

The goal of this panel is quite simple: To normalize the idea that democratically elected governments should not have a say when a pandemic strikes. Instead, global entities of unelected globalists such as the WHO – along with private pharmaceutical companies – should call the shots and bypass governments.

To accomplish that, Ghebreyesus urged countries to sign the WHO’s Pandemic Treaty by its May 2024 deadline. Ghebreyesus said:

“This is a common global interest, and very narrow national interests should not come into the way.”

Re-read the quote above carefully. These exact words will be used over and over again to justify a global government. Any excuse will be good enough to use these words (i.e. climate change).

In the past months, critics have warned that the WHO’s legally binding treaty would cede national sovereignty to this global organization and that it amounts to nothing less than a power grab. A letter published by the advocacy group Advancing American Freedom (AAF) stated:

“The WHO’s proposal to consolidate power and erode the United States of America of its sovereignty through the WHO Pandemic Preparedness Treaty is untenable and raises serious and significant questions regarding America’s independence of action and ability to respond to global pandemics”.

In response to critics, Tedros stated:

“There are those who claim that the pandemic agreement and IHR will cede sovereignty to WHO and give the WHO Secretariat the power to impose lockdowns or vaccine mandates on countries. You know this is fake news, lies, and conspiracy theories.”

I don’t know, Tedros. Usually, when you people say “fake news” and “conspiracy theories”, it’s usually because you’re trying to dismiss inconvenient truths … like the fact that you’re trying to bring about a New World Order.

Speaking of which.

#4 New World Order

Those who say that a global elite is looking to create a New World Order are usually dismissed as “conspiracy theorists”. But what happens when the global elite casually discusses a literal New World Order for all to see? What then? When does the conspiracy theory become a confirmed fact?

One Davos 2024 discussion featured Jake Sullivan – Joe Biden’s National Security Advisor. He’s not just a random guy. He previously served as Director of Policy to President Barack Obama, National Security Advisor to then Vice President Biden, and Deputy Chief of Staff to Secretary Hillary Clinton at the U.S. Department of State. Sullivan also served as senior advisor to the U.S. federal government at the Iran nuclear negotiations and senior policy advisor to Clinton’s 2016 presidential campaign.

In other words, he worked with the most powerful globalists in the world. Here’s a part of their discussion about a New World Order.

https://youtu.be/MpSlCmRiDaE

In response to the moderator’s question asking if we’re entering a New World Order, Sullivan stated:

“The post-Cold War era has come to a close, we’re at the start of something new. We have the capacity to shape what that looks like and, at the heart of it, will be many of the core principals and the core institutions of the existing order – adapted for the challenges that we face to day.”

The WEF loves to tell us that we are the “start of something new”. Of course, that is all propaganda. If there weren’t media-generated “challenges” such as COVID and global warming, the WEF wouldn’t know how to promote its new era. The motto of the elite is “Order Out of Chaos”. They generate chaos to bring about a new order.

To the elite, a New World Order would be without nations or democratic elections. If you think I’m exaggerating, here’s a video of Klaus Schwab fantasizing about brain implants that render elections useless at Davos 207. You cannot make this up.

https://youtu.be/09HwDhfsudc

So what would a WEF-lead New World Order look like? Well, communist China is a laboratory for totalitarian globalist policies and its social credit system is currently being tested there. Unsurprisingly, several guests at Davos called for technology that would make such as thing possible on a global level.

#3 Digital Control

Do you remember vaccine passports during COVID? You know, that time when millions of people suddenly turned into second-class citizens and were banned from travel and public spaces because they refused to be injected with a pharmaceutical product? It was a sick, abhorrent mistake, right?

Not according to Davos. For them, COVID was a test run and they want to make this permanent. During the Davos session “Fixing Healthcare, Digitally”, the EU Commissioner for Health and Food Safety Stella Kyriakides praised the vaccine passports as an example of what should be done in the future.

https://youtu.be/KL-JGv_wXKg

Kyriakides casually pointed out that this whole project has been taken over by the WHO which is, once again, a globalist organization that operates outside of national governments. Is this normal?

As if to make sure we understand that Davos is about the elite talking down to the masses, the WEF brought out the literal Queen of the Netherlands to sing the praises of a digital ID. Why her specifically? No idea. Might as well bring out the Queen of Hearts from Alice in Wonderland while we’re at it.

But let’s listen to what Her Highness has to say about digital IDs.

https://youtu.be/bATuFQ2G88I

Queen Maxima said that a biometric digital ID should be necessary to obtain financial services, for school enrollment, “to know who got a vaccination or not” and for governmental subsidies.

It doesn’t take Nostradamus to realize that such a technology could easily turn society into a dystopia. With such a system in place, an unvaccinated person could easily be “de-banked” and denied government subsidies. In China, people who criticize the system see their social credit score penalized. Could that happen with a digital ID?

These hypothetical situations might seem paranoid … if WEF did not spend so much time whining about free speech.

#2 Censor the Critics

A recurrent theme of WEF discussions is, ironically, restricting free speech. Everything that goes against their agenda is deemed “disinformation” and it should be eradicated. At Davos 2024, the President of the European Commission Ursula von der Leyen stated that fighting “disinformation” is the TOP concern of the WEF.

https://youtu.be/Ce1spoRtjFE

Of course, disinformation is a code word for whatever fact or opinion that goes against their narrative. Later in the video, she praises the Digital Services Act which controls and monitors “hate speech” – a term that keeps getting wider to engulf, once again, anything that goes against their narrative.

In another stunning video, an editor of the Wall Street Journal literally stated that they used to “own the news” … until these pesky alternative sources came along.

https://youtu.be/Vw4ZciyzFtI

In the most ironic twist possible, what she said is pure fake news. Mainstream news sources are more opaque, dishonest, and agenda-driven than ever. Several outlets have turned into outright propaganda machines where “information” is only deemed good if it serves an agenda. Did you watch NBC News recently? I mean, seriously.

#1 Inventing Words

In this final piece of WEF insanity, a panelist wants “ecocide” to be considered a serious crime. OK. Sounds crazy. But what could be considered an “ecocide”? The woman mentions … fishing and farming. OK. This is REALLY crazy.

https://youtu.be/M2BdizOAzjs

Yes, you heard correctly. Jojo compared farming and fishing to genocide and she wants to see these people punished on a criminal level. As we’ve seen above, the WEF specializes in creating extremely slippery slopes. And this is yet another one.

Jojo wasn’t invited randomly. Her extreme views represent the WEF’s long-term goals. If you’ve been following the news in the past years, you’ve probably noticed that the elite has been waging an all-out war on farmers, especially in Europe. None of this is by accident. The WEF is using the “environment” to vilify fishing, farming, and agriculture while churning out policies to destroy their livelihoods.

This is followed by massive land grabs by megacorporations and globalist stooges such as Bill Gates. The ultimate goal: To have humans feed off bugs and highly processed, barely digestible “food products”.

They’ll be the ones eating delicious steaks. Not us.

In Conclusion

This year again, the WEF put on full display the long-term aims of the global elite. While they love to pepper their speeches with words such as “freedom”, “democracy” and “prosperity”, their policies lead to the exact opposite. In the examples above, we’ve seen talks about the WHO taking over pandemic response on a global level, the implementation of a global digital ID that would control all aspects of life, the censorship of dissenting views on the internet, brain implants that render elections useless, and, finally, making farming a serious crime that is comparable with genocide. Does that sound like “freedom, democracy, and prosperity” to you? Or complete insanity?

Look back at the satanic tapestry depicted above. This is the life they want for you.

Symbolic Pics of the Month 01/24

TMRW Magazine recently dedicated over a hundred pages to Khloe Kardashian, complete with an in-depth interview and a massive photoshoot. One might ask: Why her? What did she create? What did she accomplish? Well, we’ve been asking this question for like 20 years and the answer remains the same: Nothing. She’s a celebrity because the media said so. Therefore, she’s going to be used for occult elite crap.

On the cover of TMRW, Khloe has one breast exposed. And it is hidden by an apple. It’s all very symbolic, occult, and even satanic.
During their initiation, aspiring Freemasons expose one breast and one leg. As seen in previous articles, numerous outfits worn by celebrities refer to this practice as a nod to the occult elite. Khloe’s dress reveals one breast and one leg for this reason.
Khloe and a serpent bite an apple. This is a clear reference to Lucifer offering the proverbial apple to Eve in the Garden of Eden. In this pic, Khloe bites the apple with great enthusiasm, implying that she (and her coven of witches) are on Lucifer’s side. This pic explains why the apple seen above, combined with the Masonic references, is all a nod to the occult elite and its Luciferian beliefs.
In this pic, Khloe is symbolically blinded and silenced using accessories. Her eyes are replaced by the all-seeing eyes of the occult elite.
In another pic, Khloe performs a clear, unmistakable one-eye sign. The message: She’s a tool of the occult elite. Judging by the comments on Instagram, people are fully aware of that message. And they hate it. But these celebs keep doing it because they have to.

Meanwhile, Khloe’s half-sister Kylie Jenner was featured in a symbolic photoshoot with Interview magazine. When they’re not undergoing massive reconstructive surgeries, members of the Kardashian coven are hard at work propagating occult elite madness.

In the photoshoot, Kylie is assaulted by a giant disgusting bug. Forced contact with creatures that cause repulsion is a Monarch mind control technique to torture and traumatize MK slaves.
Here, Kylie is in a ditch, stuck inside a capsule-type contraption.
Kylie’s father Bruce Jenner was also stuck in a capsule in the highly symbolic 2013 Kardashian Christmas card shot by Dave LaChapelle. Next to him is a mannequin wearing his Olympic gold medals. Shortly after, Bruce Jenner became a woman.
In the same Christmas card, Kylie and Kendall Jenner pose in front of a literal Illuminati pyramid. At the bottom of the pyramid is the iconic Wheaties box that featured their father Bruce Jenner.
Back to the Interview magazine photoshoot, Kylie gets up close and personal with a snake. That family really likes snakes … because of what they represent.
To confirm that everything seen above is pure occult elite trash, Kylie makes an unmistakable one-eye sign.

Speaking of the one-eye sign, it appeared everywhere in the past weeks. Here are a few examples.

To promote new Adidas shoes named “Predator”, Real Madrid football player Jude Bellingham hides one eye with the shoe. Can someone please remind him how to wear shoes? He seems to have forgotten.
In the past years, Daniel Kaluuya starred in huge movies such as Black Panther. Therefore, he had to show submission to his elite rulers. The result: A clear one-eye sign on the cover of High Snobiety with a face that says: “Yeah, it’s my turn to do this BS because I still want to work in Hollywood.”
This is magician David Blaine’s IG profile pic. It’s a super-clear one-eye sign. The message? You know the message. But there’s more to this.
To promote his show Impossible, David Blaine makes a clear one-eye sign. Nearly all of the comments called out the Illuminati symbolism. Another comment referred to Blaine being close to Epstein. He’s not wrong.
Records show that David Blaine attended at least three dinners with Epstein. The one-eye sign means being part of that sick system.
To promote his new album Insano, 30-foot tall statues of Kid Cudi were placed in several locations cities including Paris and Los Angeles. The sinister statue, complete with glowing eyes looks demonic. Other artists such as Doja Cat used a similar promotional gimmick. It is the elite’s underhanded way of placing demonic idols in public view.
A Page Six headline about people hating these statues.

The headline above states that Kid Cudi “sold his soul”. Boy did he ever.

In the past years – despite not being gay – Kid Cudi appeared in public wearing dresses. Not just regular dresses, but super humiliating dresses. In this pic, Cudi actually looks like he just got abused by some industry execs.

Speaking of humiliating industry stooges.

Benny Blanco (a producer who is also Selena Gomez’s boyfriend) wore this old lady outfit at GQ’s Men of the Year party. Yes, MEN of the year. Is this another humiliation ritual? Yup.

Are you as excited as I am about Paris Haute Couture Fashion Week?? Well, that means that you’re not excited at all. Here are some pics anyway.

The “star” of the show was a creepy robot baby held by a model. Some observers noticed that it was oddly similar to another creepy robot baby used in a “fashion” context.
Frank Ocean walked around with a green robot baby at the 2021 MET Gala (aka the annual parade of industry slaves). Why do these people use babies as fashion accessories? Is it because they’re a bunch of pedos?

Maybe my comments would be out of line if guests at Paris Fashion Week didn’t look like LITERAL MOVIE VILLAINS.

Yeah, that’s the type of weirdo that would cheer for a robot baby.

Speaking of the pedo tendencies of the fashion world.

Do you remember when Balenciaga ran a campaign featuring children that contained all kinds of pedo imagery such as BDSM teddy bears (read my full article about it here)? Kim K doesn’t care because she’s now the brand’s ambassador. Pray for her children.

Cosmopolitan is a quarterly fashion and entertainment magazine for women. It contains celebrity news, fashion trends, and relationship advice. Also, Satanic abortions.

Cosmopolitan Magazine posted on social media a series of pics that do not only promote abortions … but Satanic abortions hosted by The Satanic Temple. The pic contains a one-eye sign because, when all is said and done, this is all about the occult elite’s obsession with child sacrifices.
The inverted cross on this pic symbolically tells us that these abortions are ritual sacrifices dedicated to Satan. Call me old-fashioned, but that’s a pretty insane concept to be promoted by a mainstream magazine.

Special thanks to everyone who sent in pics.

“J Christ”: Lil Nas X is Not Trolling, He’s a Pawn of Demonic Industry

The story of Lil Nas X exemplifies how the music industry shapes and molds celebrities according to the long-term goals of the occult elite. And these goals include turning young people into highly confused degenerates.

After releasing Old Town Road – a somewhat wholesome country rap song that was highly popular with young people – LNX got signed with Columbia Records in 2019. Almost immediately after, he came out as gay and he appeared on this magazine cover.

The one-eye sign means that he’s not an independent artist anymore, he’s an industry slave.

In the months that followed, everything about him changed: The lyrics, the imagery, the wardrobe, and the general messaging. From a quirky rapper with a penchant for the viral, LNX became a poster boy for explicit homoerotic imagery combined with overt satanic symbolism. In other words, the industry found a perfect vessel to push its agendas on the “urban” demographic.

I will spare you the countless symbolic videos, photoshoots, and performances LNX partook in throughout the years but there’s a specific video we need to rememorate (unfortunately): MONTERO.

In the 2021 video MONTERO, Lil Nas X gives Satan a lap dance. Because he’s Satan’s b*tch. Sorry, but that’s the only word that appropriately describes their relationship. There’s much more going on in that video as well.

At the same time, LNX also released Satan Nikes which are probably the most cursed shoes in human history.

The shoes feature the number 666, inverted crosses, and inverted pentagrams. Also, each shoe contains one drop of human blood – a reference to the elite’s obsession with blood sacrifices and consuming human blood. In this pic, LNX uses a shoe to make a one-eye sign so you perfectly understand that he’s a total industry slave.

A few years after this satanic mess, LNX is back with another mediocre song combined with a similar gimmick.

J Christ the Promo is Bad

Before the release of J Christ, LNX posted a series of pictures and videos on social media where he claimed that he’s now a Christian. Of course, it was a lie and yet another excuse to mock Christianity. And, judging by the comments on these posts, people hate whatever he was trying to do.

In a photo posted on Instagram, LNX mocks the crucifixion of Christ. One commenter notes that it’s weird that he needs to do this to stay relevant. Well, if he didn’t do this, the industry would throw him in the garbage because he’d be useless.

 

In another lame attempt at being funny, LNX (or whoever) posted an acceptance letter to a Christian college. Of course, it is fake as a Liberty University rep stated that he was never accepted there.

With these weak attempts at promoting a song, the table was set for a weak attempt at a hit single.

J Christ the Song is Bad

J Christ is very similar to LNX’s previous video MONTERO: It’s a computer-generated mess of symbolism and biblical imagery, complete with attempts at virality and gimmicks.

The video begins with a line of people dressed in white climbing stairs to heaven.

As gospel music plays in the background (yes, he’s also mocking gospel), we realize that all of these people are celebrities (look-a-likes).

Among the celebrities are Oprah, Kanye West, and Barack Obama. I don’t think any of these people are going to heaven. And that might be the “joke”.

Atop the stairs is the last person you want to see after dying: Lil Nas X.

In this scene, LNX is probably playing the role of St. Peter at the Pearly Gates, but with satanic inversions.

So, in the scene above, LNX is dressed as a woman (complete with makeup and fingernails) while wearing a choker that says SEXY. It doesn’t take an expert in theology to understand that this whole display is blasphemous. LNX’s “SEXY” choker refers to indulging in humanity’s animalistic instincts – a core concept of Satanism – while in heaven, as a spiritual being, with God. Also, Satanism is all about mocking and corrupting Christian symbols, so LNX is holding a rosary to the camera.

Then, LNX showcases a symbol on his hand. It looks like a sigil (a symbol created for black magic) which clearly includes an inverted cross (the main symbol of Satanism). This sigil is seen throughout the video.

Then, LNX slides down a stripper pole directly to hell.

LNX tries to be sensual next to human corpses being boiled in a cauldron.

Once again, a mainstream music video contains a reference to cannibalism – one of the insane obsessions of the occult elite. They’re desperately trying to make it cool and sexy (see Katy Perry’s Bon Appetit and Dua Lipa’s Sweetest Pie).

Wearing high heels and a “negligee”, LNX stands under a demonic head bearing the inverted cross symbol. The message: He’s still Satan’s b*tch.

Speaking of which, Satan makes yet another appearance in an LNX video.

Instead of grinding on Satan’s genitals like in MONTERO, LNX shoots some hoops with him. Wow, Satan is so much fun to be with! #relationshipgoals.
Satan wears LNX’s shoes, on which was added the satanic sigil. In case you were wondering, the Bible verse Luke 10:18 says: “And He said to them, ‘I saw Satan fall like lightning from heaven’.”

LNX is not only a baller, he’s a cheerleader.

Although there exist male cheerleader outfits, LNX and a bunch of other dudes prance around in skirts. Industry slaves have to cater to the elite’s gender-blurring agenda at all costs.

After chilling with the Devil for a while, LNX then decides that he’s Jesus.

Here, LNX is crucified … and upside down. Yup, we’re treated to another inverted cross while LNX mocks Jesus.
Above LNX’s head, etched right on the crucifix, is the satanic sigil seen throughout the video.

Meanwhile, LNX raps:

Back-back-back up out the gravesite
B*tch, I’m back like J Christ

I’m finna get the gays hyped
I’m finna take it yay-high

Yes, he used the word “b*tch” in the same line as the word “Christ”. That’s something Satan’s b*tch would do.

In another scene, LNX shaves a lamb while wearing a FABULOUS sheepskin vest.

Once again, this scene is highly symbolic. It is most likely a reference to Jesus being called the Lamb of God by John the Baptist:

“Behold the Lamb of God who takes away the sin of the world.”
– John 1:29

This scene might also refer to the saying “a wolf in sheep’s clothing”.

wolf in sheep’s clothing is an idiom from Jesus’s Sermon on the Mount as narrated in the Gospel of Matthew. It warns against individuals who play a duplicitous role. The gospel regards such individuals (particularly false teachers) as dangerous.

“Duplicitous” is indeed an appropriate word to describe this LNX video.

Then, the video gets even weirder.

A lady “worships” LNX as he’s attending the MET Gala.

As seen in previous articles, the MET Gala is an annual meeting of industry slaves who parade around while wearing ridiculous outfits, ranging from humiliating to outright satanic. Despite him being nobody’s favorite artist, LNX is invited to this sad display every single year. The video celebrates this fact as an “achievement”.

In an apparent quest to ridicule the entire Bible, LNX then turns into Noah.
This scene is reminiscent of Obama’s movie Leave the World Behind, another piece of elite-funded indoctrination disguised as “entertainment”.
As the entire world is flooded, LNX dances around with his buddies in front of a billboard with yet another message mocking Christians. On the right is a red neon cross. As seen in previous articles, neon crosses are often seen in music videos to represent the corruption of Christianity by the elite.

The video ends with the creation of a new (satanic) world.

The last shot of the video: LNX’s “arch” adorned with the satanic sigile under the mocking of a biblical verse.

One thing is for sure, LNX  is not “in Christ”. He’s in Satan. Actually, Satan is in him. Like, physically.

J Christ the Reception Was Bad

When the video was released, it was nearly universally hated. I say “nearly” because one organization absolutely loved it.

The head of the Church of Satan took time from his busy schedule of sacrificing babies to praise LNX.

While the Church of Satan enjoyed the video, the rest of the world that doesn’t actively worship the devil hated it. Not only were a huge number of comments on social media and YouTube negative, but numerous artists knocked him for disrespecting the Christian faith.

Lecrae is one of the many artists who commented on LNX’s blasphemous video.

Following this criticism, LNX published an “apology” video on social media, saying that he “messed up bad”. Here’s the beginning of it.

“Hello, everybody. I wanted to not necessarily apologize, but I wanted to explain where my head is at and where it’s been for like the last week. First of all, when I did the artwork, I knew there would be some upset people or whatnot. Simply because, you know, religion is a very sensitive topic for a lot of people. But I didn’t mean to like mock. This wasn’t like a ‘f*ck you’ to you people, ‘f*ck you’ to the Christians. You know, it wasn’t that. It was literally me saying, ‘Oh I’m back, I’m back like Jesus.’ That was like the whole thing.”

I’m not the first person to dress up as Jesus. I’m not the first rapper. I’m not the first artist and I won’t be the last. And I know that given my history with, you know, the ‘Call Me By Your Name’ video, anything that I do related to religion can be seen as like mockery… [but] that just wasn’t the case with this.”

He said all that while looking like this.

Because everything relating to him is cheap and gimmicky, this “apology” might have been planned before the video even came out to squeeze a couple more headlines from the “controversy”.

In Conclusion

The song J Christ in itself is mediocre and highly derivative. It is nearly a carbon copy of Kendrick Lamar’s song HUMBLE. which came out 6 years ago. I point out this fact because we need to understand that LNX (and many other mainstream artists) do not make music, they make media “events” created to convey specific messages. The music is merely an afterthought and any mediocre, generic, AI-generated crap will do.

While most people believe that LNX is the anti-Christ, chances are that he’s not. If you’ve read previous articles on this site, you know that nearly everything about him is a repetition of what was done by other artists in the past. Here’s the sad fact about LNX: He was “chosen” by the industry because he was the perfect vessel to bring to rap a perfect combination of Satanism with the constant feminization of male celebrities. They saw in LNX a willingness to partake in whatever depravity they want to promote. So he gets the budget and the promotion that real artists could only dream of.

While it is easy to hate on LNX for disrespecting Christianity, we also need to understand that he’s just doing as he’s told. He’s just a pawn on the industry chessboard. And, if he’s out of the game, another pawn will just spawn out of nowhere and promote the same exact garbage. Because we’re in modern-day Sodom and Gomorrah.

Katt Williams Thoroughly Exposes the Satanic Entertainment Industry in Bombshell Interview

The least one can say is that Katt Williams started 2024 with a bang. In a lengthy interview with Shannon Sharpe, Williams explained why specific comedians get most Hollywood roles while others are ignored by the industry. And he words such as Satanic, rituals, and Illuminati.

It is not the first time that Katt got real about the industry. In a 2013 interview, Williams stated:

“We are against the Illuminati at our own detriment. When people are against the Illuminati, they get punched in the face all the time, the press hates them and nobody likes them.”

In the years that followed, Williams was involved in all kinds of strange, humiliating events and often received bad press. In fact, in a bizarre twist of fate, he was literally punched in the face by a teenager in a humiliating video that immediately went viral. Also, he got arrested and jailed several times for petty crimes while notorious rapists such as Diddy remain free. Would that happen to him if he was on the “right side” of the industry?

While Williams has been touring for decades while amassing a massive fanbase, he was never helped by industry moguls. He is the owner of his tours, he manages every aspect of them and he gets nearly zero mass media promotion. In his own words, he was never funded by “them” because that requires … a sacrifice. However, in his own words again, he got close enough to the industry to understand how it truly functions.

In short, Williams is clearly not afraid of being canceled (he’s already been canceled like 20 times) and, in this already legendary interview, he fired shots at the likes of Kevin Hart, Ricky Smiley, Ludacris, and Diddy for being industry sellouts or gatekeepers. On several occasions, he also quickly mentions some things that have massive implications. Here’s the interview.

If you don’t have three hours to spare, here are the most interesting parts of the interview.

Wear the Dress

When celebrities “expose” the industry, they’re usually vague and they never name names. But Katt Williams spent a couple of hours being very specific while naming a whole lot of names.

Right from the start, Williams attacked Ricky Smiley – a fellow comedian who co-starred with him in the movie Friday After Next. The first thing he mentioned about Smiley is that he dresses more often as a woman than he dresses as a man when performing.

Rickey Smiley as his recurring character Bernice Jenkins.

Throughout the interview, Williams highlights the fact that most of his fellow black comedians have worn a dress at one point or another in their careers. While this fact is not surprising for regular readers of this site, Williams’ observations caused many to take notice of this disturbing trend that has been going on for decades.

After Kat’s interview, several images showing black comedians in drag started circulating on social media.

With that being said, Katt Williams is far from the first to notice this trend. Over 20 years ago, Dave Chappelle went on Oprah and described how Hollywood tried to coerce him into wearing a dress. Here’s the video (notice Oprah’s face, she wasn’t comfortable with him discussing this).

With all of that being said, one can ask: What do they want these men to wear dresses? Well, it all comes down to an important agenda of the elite: The emasculation of society. In some ways, black comedians are cultural leaders and many look up to them as voices of their communities. Many of these comedians are exceptionally smart, strong, and charismatic. Therefore, the elite wants to put them in dresses, feminize them, and, ultimately, humiliate them.

Of course, black comedians are not the only targets of this agenda. As observed in countless previous articles, a ridiculous number of young male rappers have been parading around in dresses.

Rapper Young Thug looking like a Young Thot.

When Williams mentions that Rickey Smiley wears dresses, he’s not just being a “hater”. He’s pointing out that Smiley sold out to a pernicious agenda.

But he didn’t stop there. Williams then alluded to something much darker regarding Rickey Smiley. Katt says:

“I don’t know why he would lose a child and come on the air and start lying. That’s why people believe in rituals right there”.

While this last sentence went over most people’s heads, the implications are rather insane. Here’s a sad fact about Smiley:

On January 29, 2023, Smiley announced his 32-year old-son, Brandon Smiley, had died after being found unconscious in his Birmingham apartment. Brandon died after taking a combination of drugs, including fentanyl.

Shortly after his son’s death, Smiley reportedly went on the air and talked about Katt Williams stealing his role in a movie. Katt Williams wonders why Smiley was so concerned about a role after such a tragic event and even implies that his son died as a ritual sacrifice to stay in the good graces of the industry.

If you think he went hard on this one, he was only getting started.

God’s Side

At one point, Williams talks about how he’s been criticized in the past for talking about black celebrities such as R. Kelly. His retort is 100% on point.

“Race is not where the line is drawn. It’s God’s side and the other side. And we don’t care nothing about the other side. Period. All of these big d*ck deviants are all catching hell in 2024. It’s up for all of them. It don’t matter if you Diddy or whoever you is. All lies will be exposed, that’s all. And anyone who takes it the wrong way, know why they take it the wrong way. The truth is the light.”

Regarding why he got blackballed by the industry, Williams said:

“Because in 30 years, I’ve done nothing but collect information, knowledge and secrets. So if you and a man were in a corner doing something you wasn’t supposed to be doing, someone will come and tell me. I gather that, I value that, I’ll pay for that. I know so many things I shouldn’t know and they all know it.”

After Williams called Kevin Hart an industry plant, Shannon Sharpe asks if he’s worried about being blackballed again since he’s relentlessly attacking “powerful people”. Williams replied:

“These people are not powerful. Satan cannot create anything. That includes blessings for his people. You know what’s the number one job of somebody that sold their soul in Hollywood? It’s to act like it didn’t happen. They all do the same job”.

This is extremely true. I’ve stated numerous times that, throughout history, an important part of being a Satanist is to deny being a Satanist to regular people. The lie is part of the pact. William adds:

“It’s a cabal, it’s a consortium. They rock with who they rock with and they don’t with who they don’t. But I’m not scared of being the competition anymore. (…) Yeah, on paper, they’re a better team. They have all the assets and resources that we don’t. But let us get on the line and see if that factors in, I guarantee you it won’t.

Williams probably did not use the word “cabal” randomly. It comes from the word Kabbalah and directly refers to a secretive elite that’s obsessed with occult rituals.

Then Katt discussed him catching hell for exposing Harvey Weinstein before the whole #metoo thing.

“They cancelled me for talking about Harvey Weinstein before the thing came out. But he offered to suck my penis in front of all my people at my agency. What am I supposed to do?”

Katt then adds that, after turning down Weinstein’s disgusting offer, another black comedian got the role. What did this comedian have to do to get that role?

Katt then adds:

“And this is why, when I walk into a room, heads go down. Behind my back, I’m nothing. I’m just a regular old comedian that’s bitter and jealous. But, in my face, the king has walked in and they have to respect it. Only because I’ve not taken shortcuts, I’ve not been funded. They pay you to not talk about things they don’t want you to talk about. They tell you that themselves.”

Here, Katt explains that he might be less successful than other comedians. However, those in the industry know that he didn’t take shortcuts (selling his soul for fame) and he is not being fed by them. Because he is funded independently, Katt can speak his mind without fear of losing revenue. However, he is fully aware that his career involves him being very close to an extremely dark system.

“I know I’m going into the belly of the beast. How could I be naive? I know I’m going into Satan’s playground. But I’m trying to be so good so that you got to bring me in so close that I can see who’s doing what and what’s going on in there”.

Although he’s not totally “accepted” in the industry, he got close enough to know about the shady dealings that happen behind closed doors. And he decided to expose a lot of it.

Not Playing That Role

During the interview, Williams explains how he often refuses to act in movie scenes that are either bizarre or degrading. For instance, in the movie Friday After Next, his character Money Mike was supposed to get raped in a bathroom. He told the producers to remove that scene because he considered that rape is never funny, no matter who it happens to. Also, he didn’t want to go along with the elite’s sick agenda of humiliation and emasculation.

Then he explained how he turned down roles that eventually went to the likes of Kevin Hart – his arch-rival whom he has been accusing of doing homosexual things for success for years.

“For a five-year period, every single movie that Kevin Hart did was a movie that had been on my desk. All I had said was just “can we just take this Stepin Fetchit sh*t out and then I can do it?” Like, it don’t need to be overtly homosexual because I’m not homosexual. It doesn’t need that to be funny, right?”

Stepin Fetchit was a famous actor who often played the role of a lazy black slave. Katt therefore implies that these emasculating roles are a way of reducing these famous actors to mere industry slaves. Because of his reticence in acting out some scenes, the roles would eventually go to other actors who were happy to partake in the humiliation.

When asked if he’d do another Friday movie, Katt said that a lot of people involved in the previous ones are gone. Then he dropped this bomb:

“And, the Chris Tucker that we got now is Epstein Island Chris Tucker”.

It’s not a rumor. Chris Tucker was actually on Epstein Island.

Chris Tucker on Epstein’s flight records.
Chris Tucker with Chauntae Davies (who accused Epstein of raping her when she worked as his personal masseuse) and other assistants before boarding Epstein’s plane.

So Katt Williams is saying that Chris Tucker has changed. He’s not the funny, relatable comedian anymore, he’s an occult elite weirdo. And, if you’ve seen Tucker’s recent works, you know that something is now “off” about him.

Have you noticed that numerous celebrities suddenly become weird and “not themselves”, as if they saw something horrific at one point? Well, that’s what happened to Chris Tucker.

Another celebrity who suddenly changed is Ludacris. Katt told a surreal story about him.

“There was a crossroads where we were both invited to an Illuminati thing and it had to be one or the other of us. And decisions had to be made. So it was both of us, we were equal. One of us had to cut off all their hair and couldn’t do the sideburn thing and they said he was going to get $200 million, because they were going to pay him $20 million a movie to do 10 movies and that’s how the conversation happened. One of those persons turned out to be Ludacris and the other person turned out to be Katt Williams. Now, one person ended up with a light-skinned ugly faced wife that’s never done anything. It’s part of what they give you okay?”

Ludacris before and after the alleged Illuminati meeting that required a change in hairstyle.

Katt then pointed out that Ludacris appeared in numerous Fast & Furious movies, which, according to him, were part of his contract.

Katt later explained that the ultimate goal in any career is to be the boss, to make the decisions, and to be independent. He argues that he started his career that way, so there was no reason for him to ever stray away from that. He added:

“My goal was to get this far in Hollywood and still have a virgin asshole. And never had sucked a penis. That was my only goal. (…) Now I’ve had to turn down $50 million four times … just to protect my integrity and that virgin hole I was telling you about. Cuz P. Diddy be wanting the body and you got to tell him no. You got to tell him no. I did.”

Yup, Katt said that P. Diddy wanted his small body and he had to tell him no. Considering the persistent rumors surrounding him and recent accusations, it’s not impossible.

In Conclusion

In this intense interview, Katt Williams said a lot of seemingly controversial and outlandish things. Some are easily verifiable and some are not. However, everything he said is fully in line with everything that has been discussed on this site for years. Since the interview, media outlets have been hard at work “defending” the industry darlings Katt has exposed and some, as usual, attacked him directly.

What?

In the interview, Katt said that all the deviants will be exposed in 2024. I hope he’s there and I’m definitely there for it because this Satanic, pedo crap has gone unchecked long enough.

Be Like This Painting: My 2023 Holiday Message

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One of my favorite art subjects in history is assuredly The Temptation of Saint Anthony. For nearly a thousand years, this theme inspired countless works of art, each providing a unique interpretation of a story that is both timeless and universal. Although Saint Anthony is mostly known in Orthodox and Catholic churches, his story is relatable to every single human on earth. And it revolves around one theme: Resisting temptation.

Saint Anthony the Great (not to be confused with other Saint Anthonys such as Anthony of Padua) was born in the year 251. He lived most of his life in Egypt until the venerable age of 105 years.

Anthony is mostly known for enduring supernatural temptation during his sojourn in the Eastern Desert of Egypt. According to Athanasius, the devil fought Anthony by afflicting him with boredom, laziness, and the phantoms of women, which he overcame through the power of prayer. There are also tales of him being attacked by demons who appeared to him in the shape of wild beasts.

These accounts of beasts, dreams, visions, demons, and earthly temptations inspired some of the most bizarre, surreal, and imaginative paintings in art history. In every case, Saint Anthony resists temptation while remaining faithful and unphased.

Here are some examples.

Saint Anthony Beaten by the Devils (1430-32) by Stefano di Giovanni. Identified by his Tau cross, the saint is beaten by fallen angels (identified by wings and horns). Despite being savagely beaten with clubs, the saint directly looks at us, completely stoic, as if saying: “This is nothing”.
In Michaelangelo’s The Torment of Saint Anthony (1488), the saint is held aloft and is beaten by ten or so devils. Once again, his face says: “Whatever”.
The Temptation of Saint Anthony (1550) by Pieter Coecke van Aelst. In this chaotic painting, the saint faces a nude woman who tempts him with alcohol in a golden cup. Behind the nude woman is her procuress (old-world pimp) who is hoping to corrupt him. Meanwhile, Saint Anthony flashes the “stay away from me, harlot” hand sign.

While I could post dozens of other paintings, there’s a specific one that has always spoken to me on a profound level.

The Temptation of Saint Anthony (1525) by Hieronymus Bosch (or one of his followers).

While, in most paintings, Saint Anthony is surrounded by complete chaos and destruction, everything is more peaceful here. Demons are still tempting him with alcohol (left) and they’re still trying to attack and torment him. However, they’re reduced to small, nearly harmless goblins. Like in other paintings, we see creatures “invading” buildings in the background (representing demons wanting to destroy his legacy) but they aren’t causing any damage. In other words, Saint Anthony is winning … just by not giving in.

Be (More) Like Him

Nearly every spiritual current in history describes resisting temptation as the main trait that distinguishes a good person from a bad person, high spiritual value compared to animalistic mediocrity. It is a struggle that every single human must deal with and, ultimately, it is what ends up defining a person – on Earth and beyond.

While this struggle is as old as time, we are living in a time of “weaponized” temptation, scientifically crafted to make us weak, unhealthy, unstable, and demoralized.

Some are constantly tempted by garbage processed foods that are purposely addictive yet destructive to their health. Others cannot help but ogle girls on social media and porn sites, to the point that they’ve become debilitated. Others are obsessed with social media likes, comments, and online validation and cannot help but constantly check on them. Others spend enormous amounts of time winning video games while losing in life. Others need to consume opioids, cocaine, and other narcotics just to make life bearable.

All of these temptations have one thing in common: They were purposely engineered to activate the reward center of the brain and to release “feel good” hormones such as dopamine. Over and over again.

None of these things are natural and all of them trick our brains into thinking we are doing something good while it’s the exact opposite. Instead of achieving great objectives through hard work, sacrifice, and delayed gratification, society trains us to seek quick and easy dopamine hits that provide temporary pleasure … followed by a nasty down … followed by the urge to seek more dopamine.This nefarious cycle is turning us into weak individuals. And that’s what they want.

Faced with these manufactured temptations, we need to be like:

Don’t give in.

Resisting temptations coming from our own brains is at the core of human existence. After fasting in the desert for forty days and forty nights, Jesus was tempted by Satan with bread. While there is nothing simpler than bread, a starving Jesus had to use every ounce of willpower to resist it.

When Jesus resisted this earthly temptation, Satan took things to a spiritual level: He offered him all of the kingdoms of the world … if he only bowed down to him.

And that’s exactly what is happening to us, right now. We are being “tempted” to bow down to evil in every way possible. Two of the biggest musical hits of this year were Sam Smith’s Unholy and Doja Cat’s Paint the Town Red. These two extremely catchy songs were all about bowing down to evil. And both of these songs were aggressively drilled into young people’s minds through elite-owned platforms such as TikTok.

The state of pop culture in 2023.

The good news is that a growing number of people are recognizing this evil mess and are actively rejecting it.

With that being said, rejecting this satanic garbage is not enough. Evil does not always present itself with horns. Let’s ponder on the following questions:

Is society pushing us towards lust, adultery, and deviant sexuality? It is pushing us towards gluttony and overindulgence? Is it pushing us towards greed and materialism? Is it pushing us towards sloth, boredom, rancor, apathy, and passivity? Is it pushing us towards wrath, anger, rage, and hatred? Is it pushing us towards envy and the desire to bring down others? Is it pushing us towards pride aka the “anti-God state” (Pride Month)?

The answer to all of these questions is a resounding “yes”. Coincidentally enough, these happen to be the Seven Deadly Sins. While the concept of deadly sins originates from Christian teachings, they do apply to every human being on the planet. When we give in to them, we become weak-willed and corrupt individuals who are subject to manipulation. And this is what they want us to be.

Faced with these temptations, we need to be like:

Don’t give in.

The best way of fixing the world is to fix ourselves. This is the first step to becoming a true Vigilant Citizen. If we don’t give in to their numerous temptations, nearly all of their power vanishes. Not only that, we become stronger physically, mentally, emotionally and spiritually.

In 2024, we all need to be more like this painting. It’s time to take back control of our minds, bodies, and our souls. Then, we’ll be set to take back control of the world.

On this ambitious note, I’d like to thank everyone who visited and supported The Vigilant Citizen this year. I wish you a Merry Christmas, a Happy New Year and I’ll see you in 2024!

Sincerely,

VC

The Hidden Symbolism in “Leave the World Behind”, a Disturbing Movie Produced by the Obamas

Warning: Apocalyptic spoilers ahead!

Watching Leave the World Behind is a miserable experience. Like countless other viewers, it left me feeling anxious and slightly terrified. While I realize that thriller movies are supposed to cause anxiety, it is not the kind that provides a thrill and that ultimately makes one feel alive. Quite to the contrary, it only makes one feel dead inside. Because there is no fun or entertainment in this movie, just the gut feeling that “they” are trying to tell us something.

In many ways, Leave the World Behind reminded me of the movie Contagion which was about a pandemic spreading across the world. In my 2012 article about the movie, I wrote:

Most people watch movies to be entertained. Well, I for one can say that there was absolutely nothing entertaining about Contagion. In fact, the only difference between this movie and state-sponsored educational movies shown in schools is that you actually have to pay to be indoctrinated.

Eight years after that article, COVID happened the world followed the exact script laid out in Contagion.

Leave the World Behind is oddly similar to Contagion: It wants to expose the world to a script that could easily unfold in real life and … that’s about it. Because, otherwise, it barely qualifies as a movie. There is no real plot, no great character arc, and absolutely no resolution. Just an increasing feeling of dread as we watch highly unlikeable characters realize how powerless they are.

While we could just ignore this abrasive movie about total social collapse, there’s one fact about it that makes it worth our attention: It was produced by the former leaders of the free world, Barack and Michelle Obama.

And, judging by the messages that were interweaved into that movie, one can truly ask: What is wrong with them?

Directly Sponsored by the Elite

Leave the World Behind is the first movie executive produced by Barack and Michelle Obama through their Higher Grounds Productions company. The former President and First Lady of the United States did not merely fund the film from afar, they were personally involved in the making of it. In an interview with Vanity Fair, director Sam Esmail said:

“President Obama put Alam’s novel on his 2021 summer reading list, and would offer Esmail thoughts on the screenplay. The filmmaker essentially had access to one of the world’s most seasoned experts on managing a crisis. “In the original drafts of the script, I definitely pushed things a lot farther than they were in the film, and President Obama, having the experience he does have, was able to ground me a little bit on how things might unfold in reality,” Esmail says. “I am writing what I think is fiction, for the most part, I’m trying to keep it as true to life as possible, but I’m exaggerating and dramatizing. And to hear an ex-president say you’re off by a few details…I thought I was off by a lot! The fact that he said that scared the f*ck out of me.”

While this Vanity Fair article gushes about Obama’s input in the movie, a thorough look at the messages in it is a cause for concern.

I’ll just go ahead and say it: Those behind the movie do not seem to like America or the general public at all. Through symbolism, the movie tells us that the United States needs to pay for its sins. Also, its population is too dumb and brainwashed to do anything about it.

None of this should come as a surprise: The Obamas are tools of the occult elite. The dismantling of the United States from within and the demoralization of humanity as a whole is the main goal of the globalists they represent.

To put their insane vision on screen, the Obamas hired director Sam Esmail who has been specializing in elite-funded “entertainment”.

Before Leave the World Behind, Sam Esmail directed the series Homecoming. The blatant one-eye sign on these promo pics indicates that he works for the elite. The fact that he literally worked for the Obamas is yet another clue.

So what message are the Obamas trying to convey with Leave the World Behind? In the interview above, Esmail stated:

“It’s not really a message film, it’s more of a reflection on where we’re at as a society. But if there is a message, it’s a warning.”

Let’s look at this thing.

Leave the Fun Behind

Right from the start, viewers realize that they’re in for something toxic. A woman named Amanda Sandford (played by Julia Roberts) tells her husband that she’s sick of the world and that she wants to get away for a while. And, in one of the first shots of the movie, the viewers are hinted at the true nature of those behind it.

There are three sixes in this shot. From left to right: The white 6 on the mug, the big hand pointing to the number six on the clock, and, to the right, the number six on the other clock. The other digits on that last clock were conveniently hidden to make things more obvious.

If you think this is “reaching”, keep reading. You’ll soon understand that the movie encourages viewers to pay attention to details in the sets as they are often embedded with symbolic details.

After this salute to the satanic elite, Amanda looks outside the window and utters the elite’s motto.

She’s probably a fan of the elite’s depopulation agenda.

Cue the opening credits – a sequence of images that could be mistaken for the beginning of an anti-American propaganda movie.

Upside-down American flags represent the fall of the United States as a nation.
Upside down Statues of Liberty represent the fall of liberty and American values in general.
After the anti-American imagery seen above, we are reminded that this movie was produced by Barack and Michelle Obama. I don’t think they’re on our side, guys.
Then, a big one-seeing eye reminds us that this is an occult elite production.

The opening credits sum up the entire message of the movie: The elite wants to destroy America from within because it wants a world government. But, sadly, there’s still like two hours of movie left. And we’re going spend all of it listening to a very limited number of characters talk about how they don’t know what’s going on.

The movie is all about conveying a sense of isolation, combined with an acute case of cabin fever, as nearly all of it takes place inside a house where people are slowly losing it. The house is so important that it can be considered as a character in the movie.

Do you remember when the elite had everyone locked inside their homes and terrified by media during COVID? You better believe they want that to happen again. This movie brings us right back to this sick mindset.

Shortly after arriving at the house, the Sandfords discover that there’s something wrong happening in the country.

A CNN report about major power outages in the US.

Faced with an unfolding crisis, one would expect the man of the house and the head of the family to take charge of the situation. That’s not what happens.

Useless Man

This character perfectly sums himself up in five words.

The head of the family is named Clay. As you might know, clay is also an earthy material that can be molded to any shape while wet. Well, our man Clay has been molded by modern society to be weak, panicky, and utterly useless when faced with a crisis. At one point he says:

“I have no idea what I’m supposed to do right now. I can barely do anything without my cellphone and my GPS. I’m a useless man.”

During the first part of the movie, Clay wears a Bikini Kill t-shirt. Characters in the movie often wear symbolic garments.

Bikini Kill is a feminist punk rock band. It pioneered the riot grrrl movement which championed themes such as patriarchy, classism, anarchism, and female empowerment. The fact that Clay – a man – wears this t-shirt perfectly symbolizes that he’s been emasculated. He’s a product of years of social indoctrination that ultimately led him to identify with a feminist band.

While Clay is a product of media indoctrination, he also “specializes” in it: He is a professor of media studies at a city college. At one point, he describes a book that was written by one of his students which happens to describe the movie Leave the World Behind as a whole.

“Her second book is like an exploration of how media serves as both an escape and a reflection, which is a contradiction she manages to reconcile”.

While Leave the World Behind is supposed to be an “escape”, it is also a reflection of the elite’s worldview.

As the drama unfolds, Clay gradually starts the hate his weak nature.

At one point, a Spanish-speaking lady urges Clay to help her as she’s seen some scary things happen around her. Instead of being a good feminist and helping a fellow woman, Clay drives away while realizing that he’s just a big coward.

Lost Children

In this shot, the shirts of the kids say “Obey NASA”. Is this a subliminal message of some sort? And why NASA? As we’ll soon see, the movie contains lots of shots from space involving satellites and celestial bodies.

Rose is the 13-year-old daughter of the useless man and the angry woman. She is a product of a generation that was pacified with phones and tablets.

Rose is obsessed with the show Friends. That’s pretty much all she talks about during the entire movie.

One can assume that Rose spent COVID years at home, attending Zoom classes and staring at screens for the rest of her free time. Faced with the anxieties of the outside world, Rose (like countless other kids around the world) has learned to cope by escaping through screens and watching fictional characters live their lives … while she doesn’t.

When the internet connection goes down, she’s nothing less than devastated. At that point, her only goal in life is to watch the last episode of Friends titled “The Last One”. Considering the fact that Matthew Perry died in mysterious circumstances shortly before the release of the movie, the multiple references to Friends are quite eerie.

Archie is a typical 16-year-old boy who’s a jerk to his sister and is obsessed with girls.

Archie takes pics of Ruth wearing a bikini.

At one point we see Archie pleasuring himself while looking at the pics he took. One can assume that he was trying to find a replacement for porn – another form of screen addiction – he used to consume before the internet went down.

The Elite Connection

G.H. Scott is the owner of the house and he’s rich and connected. His daughter Ruth is kind of … ruthless.

The Scotts drop in on the Sandfords (who are renting their house) to seek refuge from the unfolding chaos. Even though they’ve arrived in an expensive car and are dressed extra classy, Amanda Sandford says:

“This doesn’t really seem like their house”.

At this moment there’s an element of racial tension introduced in the movie that only amplifies as it evolves.

Later, Ruth tells her father:

“I’m asking for you to remember that, if the world falls apart, trust should not be doled out easily to anyone, especially white people.”

Her father agrees with her … and the Obamas too. Because seeing the country divided is good for their agenda.

The Scotts sleep in the house’s basement – a space that contains several symbolic items. The most striking one is the frame above their bed which is prominently shown on several occasions throughout the movie.
The poster above the bed is titled United States of Attica (1971) by painter and activist Faith Ringgold. This red, black, and green poster depicts a map of the United States on which are noted indigenous, slave, and immigrant uprisings and other acts of violence that occurred within each state since the late 1700s.

This poster is highly symbolic for several reasons. First, it visually depicts an America that is divided while portraying it as an intrinsically evil nation that was built on violence and oppression. As we’ll soon see, an important aspect of Leave the World Behind is that America deserves what is happening to it.

Another important fact: Faith Ringgold was highly supported by the elite. David D. Rockefeller himself bought her painting Black Light Series #10 … until he realized that the words “DIE N*GGER” were embedded in her distorted version of the American flag. Instead, he purchased another painting of hers.

Here’s an excerpt of David D. Rockefeller’s memoirs which is highly relevant to the general context of this movie.

“Some believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that’s the charge, I stand guilty, and I am proud of it.”
-David Rockefeller, “Memoirs of David Rockefeller”

Make no mistake: The occult elite is not on the side of black people. At all. But they like to use influential black people who can serve their agenda. They especially love those who stoke hatred and division while promoting resentment against America. To make sure their views are amplified, they are generously funded by the elite and given maximum exposure. That is how one breaks down a country from within.

Appropriately enough, the Obamas represent exactly that. They were brought to power by powerful elite families and remain highly influential to this day. Their works are generously funded by the elite to perpetuate and exacerbate racial division within the United States. Why? Because, as we’ve seen above, the “secret cabal” is working against the best interests of the United States.

In the movie, G.H. Scott literally says that one of his clients goes to an “annual meeting with the rest of the evil cabal that secretly runs the world”. However, he adds that there’s no “conspiracy of shadowy people running the world”. That’s exactly what a conspiracy of shadowy people would want us to think.

Scott also added that he knew that a disaster was coming because the markets moved before the events – hinting that some people had a heads-up. The same thing happened before 9/11 and COVID. They’re telling you how they operate.

The Attack

On numerous occasions, we see shots from space such as this “Earth eclipse” as seen from the moon (including a dirty American flag). This shot gives the attack an otherworldly dimension.

The entire movie documents a “rogue attack” on the United States. At one point, G.H. Scott describes the three stages to topple any country’s government from within. It’s a script.

“The first stage is isolation. Disable their communication and transportation. Make the targets as deaf, dumb and paralyzed as possible, setting them up for the second stage”.

Without phones, TVs, and the internet, the characters in the movie are rendered completely lost, confused, and useless. While technology makes life easier, depending on it makes people extremely vulnerable.

Self-driving electric cars can easily be hacked and controlled remotely. In the movie, Teslas were used to block major roadways, causing the population to be completely isolated. My tip of the day: Keep your good old-fashioned gas car that cannot drive itself.

The second stage is synchronized chaos.

“Terrorize them with covert attacks and misinformation, overwhelming their defense capabilities, leaving their weapon systems vulnerable to extremists and their own military. Without a clear enemy or motive, people would start turning against each other”.

In the movie, a representative of “urban” America faces the stereotypical redneck under an American flag: A nation divided.
Drones drop leaflets across the country. Some are in Arabic while others are said to be in Russian or Korean. It is all disinformation, causing people to not even know who is attacking them. The potential truth: It’s all coming from the elite.
On several occasions, people are paralyzed by a loud noise.

The redneck prepper played by Kevin Bacon says:

“It’s not all that dissimilar to what happened in Cuba a while back. Microwave weapons, they call it, produces a kind of radiation that can be beamed out through sound. Some people lost their teeth there too.”

In 2018, I posted actual US government files about “remote mind control”. This stuff is real and they want us to know it.

An actual government file about the effects of psycho-electric weapons on the human body.
Archie – who represents the future men of America – becomes sick and loses his teeth due to the attacks. Like his father, he is rendered useless.

Scott then describes the third stage:

“If done successfully, the third stage would happen on its own. Coup d’etat. Civil war. Collapse”.

If this movie was made in the 1990s, Will Smith would have hopped on an F-18 fighter jet and he would have saved America. Then, people would have cheered under a giant American flag and the credits would have rolled to a Matchbox Twenty song. But this is 2023. Nobody is saving America. The elite wants to demoralize and pre-program the world. Even worse, the movie wants us to think that America had it coming.

America Deserved It

The most terrifying aspect of the movie is that it reveals the core philosophy of the Obamas and the entire system they represent. Through symbolism, the movie makes one message clear: America deserves it.

The Sanfords witness an oil tanker crashing on the beach. The name of the ship – White Lion – is highly symbolic.

The White Lion was an English privateer operating under a Dutch letter of marque which brought the first Africans to the English colony of Virginia in 1619, a year before the arrival of the Mayflower in New England. Though the African captives were sold as indentured servants, the event is regarded as the start of African slavery in the colonial history of the United States.

So the White Lion was the first ship that brought slaves to America. It happened in 1619 and marked the beginning of the country’s sinful history. There are other hints to this fateful year in the movie.

For several seconds, the camera focuses on a car radio while we hear talks about “the fallout of an ongoing cyberattack and catastrophic environmental disaster in the South impacting animal migration patterns”. The fact that the radio station is exactly 1619 might imply that these awful events are retribution for what happened in the past.

At one point, Amanda Sandford goes on a diatribe about how America is bad (instead of looking for her missing child).

“We f*ck every living thing on this planet over and think it’ll be fine because we use paper straws and order free range chicken. And the sick thing is, I think deep down we know we’re not fooling anyone. I think we know we’re living a lie. An agreed upon mass delusion to help us ignore and keep ignoring how awful we really are.”

Throughout the movie, deer stare creepily at people. These usually friendly creatures have turned aggressive against humans. Nature has turned against a society that has been destroying it.

In short, Amanda almost welcomes the disasters because she thinks humanity is awful. And that’s exactly what the elite wants us to think.

Throughout the movie, we are reminded that America engaged in the slave trade, destroyed the environment, and made multiple enemies across the world through wars. Therefore, it needs to die and become part of a world government. You know what’s funny? These bad things were all committed by the elites of the time. And now these things are used to justify the downfall of the United States.

The collapse of America can now easily become a reality because so many US citizens have been conditioned to hate their own country and welcome its downfall. Furthermore, they are easily manipulated because they have no core values or institutions. Even their family unit has broken down.

Breaking Down the Family

Faced with adversity, the characters of the movie do not exactly come together and rise to the challenge. Instead of, like, doing something heroic (that’s what usually happens in disaster movies) our protagonists just get impaired and wallow in their basest instincts. This is what they want for us.

Clay smokes weed with Ruth and engages in semi-flirty conversation.
In the cringest scene of 2023, Amanda and G.H. get drunk and dance to Next’s Too Close.
Then, the two literally get “too close”. Apparently, it only takes a couple of hours and some wine for them to be tempted by adultery and potentially destroy their family.

Meanwhile, Rose takes a bike and leaves the family altogether.

Rose parked her bike in front of a large luxurious house. The movie keeps telling us that only the very rich will survive the cataclysm.

Inside this house, Rose discovers a massive underground bunker that contains everything one needs to survive for months. Even better, she finds a huge DVD collection which includes … Friends.

The movie ends with Rose basking in the glow of a TV screen, escaping reality and living her life through mass media. This is what they want for us.

Then, the credits roll to the Friends theme song which, ironically, describes the relationship between Rose and mass media.

So no one told you life was going to be this way.
Your job’s a joke, you’re broke, your love life’s DOA.
It’s like you’re always stuck in second gear,
When it hasn’t been your day, your week, your month, or even your year.

But, I’ll be there for you, when the rain starts to pour.
I’ll be there for you, like I’ve been there before.
I’ll be there for you, cause you’re there for me too.

In Conclusion

Leave the World Behind was made with the input of some of the most powerful people in the world and it shows. It is not entertainment, it is indoctrination. It is predictive programming where a script is presented to the public so it can more easily be accepted when the time comes. On a deeper level, the movie is a way of releasing the elite of its “karmic duties” as they believe that they need to warn the public of their evil deeds before they happen. That way, instead of being victims, people are willing participants, thus freeing those behind it from karmic retribution. If this sounds crazy to you, well, I don’t blame you. These people are crazy and we’re living in crazy times.

Some might say that this is just a dumb movie and that we shouldn’t read too much into it. I hope they’re right. But Mark Zuckerberg appears to think otherwise.

No matter what the case may be, the movie is already accomplishing a major goal of the elite: To frighten and demoralize the masses. Thanks Obama!

Sinister Sites: Quinta da Regaleira, an Occult Palace Built for Masonic Rituals

The region of Sintra, Portugal has always been surrounded by a mystical aura. In Roman times, people of the region built a temple dedicated to Cinthia, the goddess of the moon. Ultimately, the entire region was baptized with a derivation of that name: Sintra.

“Since the beginning of recorded time, Sintra has been regarded as a land cloaked in mysticism. It permeates its steep hillsides and even its air. It’s common to be surrounded in nevoeiro (fog) one moment and the next, bathed in sunlight. You can feel a bigger, stranger power at work in those hills. Its legends have been passed orally through generations and have survived since the time of the Moors — and maybe even before then.”
– Atlas Lisboa, Sintra’s Myths, Legends, and Paranormal Activity

Pena Palace in Sintra.

Sintra and its surroundings have been the site of several bizarre stories, anecdotes, and legends.

In 1930, Aleister Crowley – the most famous occultist in modern history – faked his death near Sintra. Indeed, he let people to believe that he took his own life at Boca do Inferno (Mouth of Hell), a unique seaside cave on which waves crash in a particularly violent manner. Crowley’s fake suicide note stated:

“Can’t live without you. The other mouth of hell that will catch me won’t be as hot as yours.”

Another story involves rocks materializing from thin air.

On an October night in 1984, a call for help was made by the residents of Quinta da Penha Verde over the police radio. Apparently, the inhabitants of the farm were being assaulted by flying rocks. The GNR police and firefighters rushed to the scene, with light projectors. They found that rocks were appearing out of thin air and striking the 10 inhabitants and anything that stood in their path. The police shot rounds into the surrounding woods but to no avail.

One of the firefighters boldly stated to everyone in earshot that he did not believe in witchcraft and was convinced this was only an illusion. A stone the size of a fist promptly shot at him and, had he not stepped back, it would have slammed into his face. Upon closer inspection of the stones themselves, he noticed that they were actually warm to the touch.

The phenomenon seemed to center around the female groundskeeper of the house, Elvira da Conceição Teodoro, who was targeted relentlessly by the stones no matter where she hid. The police and firefighters noticed that when the rocks hit people they would not hurt them badly, but when they hit objects like doors and cars they left a deep dent. The stoning only stopped when the groundskeeper and her family left the farm, finding solace in Queluz.

The reporter that followed this story dug deeper and tracked down Ermilia for an interview. Though suffering from epilepsy, she swore on her life that the story was true, and what’s more, that she had been followed by these strange events all her life.

No one has ever been able to explain what happened that night.
– Ibid.

A portion of the movie The Ninth Gate (starring Johnny Depp) was filmed in a palace located in Sintra. Produced by Roman Polanski (Rosemary’s Baby), the movie is about a 17th-century book that contains a magical secret to summon the Devil. Interestingly enough, the interior of that palace was designed by Luigi Manini – the same architect who created Quinta da Regaleira – a veritable occult palace.

Quinta da Regaleira, an Occult Palace

The front of Quinta da Regaleira.

With its lush vegetation and beautiful architecture, Quinta da Regaleira causes its visitors to experience a piece of heaven. However, as they go down its dizzying “inverted towers” and walk through its dark tunnels, these same visitors end up experiencing a piece of hell.

The heaven-and-hell duality of Quinta da Regaleira is not an accident, it is by design. Every single detail on this estate is a physical representation of occult principles – from the number of stairs that lead below the ground to the colors used in “religious” paintings. While the decorations might look “pretty” to the casual visitor, they take on an incredibly deep meaning to those knowledgeable in alchemy, Rosicrucianism, Freemasonry, and the Knights Templar.

The man behind this occult temple is an eccentric millionaire named António Augusto Carvalho Monteiro who bought the estate at a public auction in 1892.

António Augusto Carvalho Monteiro turned Quinta da Regaleira into an occult palace.

Monteiro was a Brazilian-Portuguese businessman, collector, bibliophile, and entomologist. He was also a prominent Freemason and he gave himself the mission to create one of the most Masonic estates in history.

Amid the lush and otherworldly surroundings, the Fount of Abundance features a marble facade and is adorned with seashells and serpent-like creatures. It is topped by two obelisks which represent Joachim and Boaz – the two pillars of Freemasonry.
Visitors can find a collection of sculptures depicting gods such as Hermes – the mythological founder of Hermetism, the basis of Western occultism.

While the exterior of the palace has a heavenly quality to it, some figures subtly remind us that there are other forces at play as well.

The god Pan looks over with a rather malicious look on his face.

Pan was a prominent deity in Greece. Often depicted with horns and the lower body of a goat, Pan is a phallic deity whose animalistic features represent the carnal and procreative impulses of men.

A sculpture of Pan having sex with a goat from Villa of the Papyri in Herculaneum.
Visitors with a keen eye will discover that several goat heads overlook the premises.

Considering that this temple is full of symbolism relating to the Knight Templars, these goat heads are not merely there for decorative purposes. They are mostly likely a representation of the Goat of Mendes and Baphomet – the god of the Knights Templar.

An engraving from Léo Taxil’s “Mystères de la Franc-Maçonnerie” depicting Baphomet being lifted processionally during an initiation ritual.

Speaking of initiations, the most stunning feature of Quinta da Regaleira is its massive “initiation wells” where Masonic initiations took place in the most symbolic of settings.

Initiation Wells

 

This “initiation well” goes 95 feet underground.

While Quinta da Regaleira is said to feature two wells, none of them were used to collect water. Instead, they were massive infrastructures solely built for ritualistic purposes. The well pictured above contains nine platforms which are believed to be a reference to the nine circles of Hell in Dante’s Divine Comedy by Dante. Conversely, it can also refer to the nine skies which constitute Paradise, depending on the point of view of the visitor.

At the bottom of the well an 8-pointed star, also known as the Star of Ishtar.

The star of Ishtar is often always found in “magical” places such as Felicity, the Vatican, and the Los Angeles Central Library.

The two underground wells connect to an intricate system of caves and tunnels.

All of this was built to emulate ancient rituals where initiates were symbolically taken from darkness to light to symbolically experience death and rebirth.

The view from the bottom of the initiation well.
The second well – often referred to as the “imperfect well” – looks much rougher than the main one. According to past visitors, venturing down this thing is an odd and thoroughly creepy experience.

The system of tunnels also leads to various curious areas on the estate.

Leda’s Cave

One cave features a sculpture of Leda and the Swan underneath a hexagram.

Leda and the Swan is a story from Greek mythology where Zeus takes the form of a swan and seduces/rapes Leda, a Spartan queen. For centuries, this story inspired numerous works of art where the sexual encounter is often depicted as violent and forceful. While other interpretations of the story are rather tame, they are nevertheless infused with eroticism.

While this causes one to wonder why this specific sculpture was placed in this specific cave, the other feature of this place – a massive hanging hexagram – adds another layer of mystery.

A hanging hexagram inside Leda’s cave.

The hexagram immediately gives this cave a “magical” purpose. It is known in occult circles as the Hermetic seal of Salomon.

The Hermetic Seal of Salomon visually depicts the concept of “As above, So below”. It represents opposite energies mirroring each other to achieve perfect balance, which leads to magic.

Man’s three bodies are symbolized by an upright triangle; his threefold spiritual nature by an inverted triangle. These two triangles, when united in the form of a six-pointed star, were called by the Jews “the Star of David,” “the Signet of Solomon,” and are more commonly known today as “the Star of Zion.” These triangles symbolize the spiritual and material universes linked together in the constitution of the human creature, who partakes of both Nature and Divinity. Man’s animal nature partakes of the earth; his divine nature of the heavens; his human nature of the mediator.
– Manly P. Hall, The Secret Teachings of All Ages

In short, this cave features a hexagram, which represents the union of opposite forces. Leda’s sculpture also the union between male and female energies. This leads one to wonder: What was the purpose of this cave? Did ritualistic sexual encounters (sometimes known as “sex magick”) take place in this cave?

The Chapel

At first glance, this appears to be a typical Catholic chapel. However, like the rest of the estate, it is replete with occult secrets.

The chapel is made of three levels (underground, ground level, and above ground) which is meant to represent the three levels of the Axis Mundi  (the underworld, earth, and heaven). Atop the chapel is a tower-like sculpture that represents an “alchemical furnace”, also known as athanor.

An ancient engraving of an athanor.

Inside the chapel, visitors can find an intricate mixture of Catholic and occult imagery.

At the center of the floor is a Templar cross surrounded by pentagrams and sunwheels, giving the chapel a “magical” dimension.
The centerpiece of the chapel is a painting of Jesus Christ crowning the Virgin Mary. It conceals an esoteric meaning.

The colors worn by Mary each represent a stage of the alchemical Great Work (aka Magnum Opus). Her dark blue cloak represents Nigredo (blackening); Her white head cloth represents Albedo (whitening), her gold shroud represents Citrinitas (yellowing) and her red dress represents Rubedo (reddening). The painting as a whole represents Mary being “crowned” with spiritual transmutation after completing the alchemical Great Work.

On the ceiling is an All-Seeing eye inside a triangle surrounded by light rays. It represents the Masonic Great Architect of the Universe.

A staircase leads to the underground crypt where things get very blatantly occult.

Those who enter the crypt must go through a gate adorned with a pentagram,  hinting at the magical dimension of the place.
Inside the crypt is an altar and Masonic checkerboard pattern floor on which rituals take place.

The map of the estate shows that there’s a tunnel that runs from the crypt to the palace. God only knows what took place on those premises while Monteiro was alive.

In Conclusion

While an entire book could be written about Quinta da Regaleira, it can also be summed up in one word: Occult. The entire estate was custom-made by an eccentric millionaire who carried out his esoteric fantasies to their fullest extent, with no attempts at compromise or hiding the true purpose of the place.

Built in a region that was already known for its mystical aura, Quinta da Regaleira was meticulously planned to host occult rituals that turned into intense, jarring experiences where the candidates experience the dualities between light and dark, life and death, and good and evil.

In short, Quinta da Regaleira is physical proof that the term “occult elite” is not a vague, unproven urban legend. It is a concrete historical fact.

The October 7th Attacks on Israel Were Allowed to Happen. Here’s Why.

In the past weeks, I’ve received numerous messages from readers asking for my thoughts on the Israel-Palestine conflict. Usually, I try to stay away from political issues because they’re, more or less, a puppet show and this site is mainly about the puppeteers behind it. However, in the case of the current Israel-Palestine conflict, there’s been some major puppeteering happening behind the scenes and, sadly, lots of people do not see it.

As soon as the conflict began, millions immediately took sides and spammed their social media accounts with things like “I stand with Palestine” or “I stand with Israel”. While I understand why some might want to “stand” with their people, lots of other people need to sit down. And think. And wonder why they’ve been condoning atrocities because people on the other side “deserved it”. They didn’t. Most people who suffered and died were innocent civilians.

While it is human nature to want to pick a side (while vilifying the other), this issue is not black or white. Very far from it.

To properly analyze this conflict, one must take a deep breath, take a step back, and view the situation from above. Like the elite does. Furthermore, one must evacuate emotions and ask a very basic question: “Who is ultimately profiting from this?”

Once this is done, one might come to a debilitating conclusion: Both “sides” might actually be on the same side.

Here’s a fact that people need to recognize right away: The heads of Hamas are not “freedom fighters” and Israel is not merely “defending itself”. There are no “good guys” on either side, only people who are after specific goals.

If you believe this is a complete bullock, ask yourself: Did the origins of this conflict even make sense?

The War Pretext

On October 7th 2023, Hamas launched a series of coordinated attacks on Israeli territories neighbouring the Gaza Strip. That date was not random. It was nearly exactly 50 years after the beginning of the Yom Kippur War on October 6th, 1973. Furthermore, October 7th was a Sabbath day and the date of several Jewish holidays. In other words, that date was purposely chosen for its religious and symbolic meaning.

As we now know, that day was simply horrific.

In a single day, 859 Israeli civilians and at least 348 Israeli soldiers and policemen were killed in nearby towns, kibbutzim, military bases and at a music festival near Re’im. Around 250 Israeli civilians and soldiers were taken as hostages to the Gaza Strip, of which the number of kidnapped children is about 30.
– New York Times, What We Know About the Death Toll in Israel From the Hamas-Led Attacks

Those who viewed video footage of these atrocities have witnessed moments of pure evil and horror that can cause one to lose faith in humanity. And these atrocities were exactly what Israel needed to justify an all-out invasion of Gaza, along with a prolonged war in the area.

As insane as it might sound, these atrocities were allowed. They were the perfect war pretext.

There’s nothing new about this. Throughout history, nations looking to invade a territory have always faced an important problem: If they are perceived as the aggressor, public opinion will side against them.

And, throughout history, this problem was addressed using tried-and-true techniques that still work to this day: False-flags and pseudo-operations.

A false flag operation is an act committed with the intent of disguising the actual source of responsibility and pinning blame on another party.

Pseudo-operations are those in which forces of one power disguise themselves as enemy forces. For example, a state power may disguise teams of operatives as insurgents and, with the aid of defectors, infiltrate insurgent areas.

I’m not saying that these attacks were conducted by Israelis disguised as Palestinians. However, I am saying that Hamas did Israel’s bidding and was “allowed” one day of atrocities to horrify the entire world. And it worked. Minutes following the attacks, revolting videos flooded social media and some victims became the “face” of the horror.

Shani Louk, a 22-year-old German-Israeli tattoo artist and influencer was captured by Hamas while attending the Re’im music festival. A video of her body paraded in the streets of Gaza became one of the first viral videos of the conflict.

As cynical and horrific as this will sound, Shani Louk was the perfect victim to galvanize the Western world – especially young people. While Israel suffered from negative public opinion for decades, this viral “content” was exactly what was needed to launch an all-out war without being perceived as the aggressor.

With that being said, Israel did not want people to believe that these attacks were “allowed”. So a specific narrative was pushed: Israeli intelligence just “failed”. That simply doesn’t make sense.

It Was Allowed to Happen

Merely hours after the October 7th attacks, nearly all media outlets published variations of the same story: Israel had absolutely no idea that these attacks were about to happen. Here are some headlines from major news outlets around the world.

The “excuses” used by mass media simply do not make sense. Because, for one, we’re talking about Mossad – one of the most powerful intelligence agencies in the world. Its annual budget is nearly $3 billion, it employs over 7,000 people and it utilizes technology that most believe is still science fiction. In short, the reach and the power of Mossad simply cannot overestimated.

Throughout the years, Mossad conducted operations all around Asia, Africa, Europe, and America – with great success. Do you sincerely believe that Mossad (which is based in Israel) had no idea what was happening in its own backyard?

Some news organizations stated that Israel was “duped” by Hamas who imported weapons via boats and tunnels. Please. Here’s a headline dating about six months before the attacks.

On March 30th, 2023, Israel launched the spy satellite Ofek 13.

The press release of this satellite states:

“The Ofek 13 is the most advanced of its kind, with unique radar observation capabilities, and will enable intelligence collection in any weather and conditions of visibility, thus enhancing strategic intelligence”.

The surveillance capabilities of this satellite are so advanced that, if they were fully disclosed, the public would be shocked. But, somehow, despite having this thing floating around in space, Israel missed a bunch of men in Gaza planning an attack using pick-up trucks.

Here’s the sad truth: Israel saw these attacks coming from a mile away. Literally and figuratively. And they let them happen. Israel had been planning this massive invasion of Gaza for years but it needed a pretext. And Hamas offered it to them on a silver platter.

With that being said, one question begs to be asked: What was Hamas thinking?

Hamas Does Not Care About Gaza

One of the sons of Hamas leader Ismail Haniyeh lounges in a luxury hotel suite in Qatar. Haniyeh is worth more than $4 billion.

In 2014, I published an article titled ISIS : A CIA Creation to Justify War Abroad and Repression at Home. The article explained how groups such as ISIS group were used by the world elite to advance various agendas. There’s nothing new about this, the United States funded the Taliban decades ago.

Intelligence agencies such as the CIA and Mossad know very well that the heads of such groups can easily be swayed, corrupted, and transformed into useful idiots. Did Hamas follow the same path? Here are some facts about the organization.

The group’s three top leaders do not live in Gaza but in Qatar. Together, they are worth a staggering $11 billion. Yes, 11 BILLION. While people in Gaza live in abject poverty, Hamas leaders enjoy 5-star hotels, private jets, and high-profile social events.

Hamas leaders aboard a private jet.

Where do all of these funds come from? From various sources connected to the global elite.

According to a report from the Foundation for the Defense of Democracies, the state of Qatar provides Hamas between $120 million and $480 million per year. The report states:

“These funds benefit Hamas leaders directly through payroll and kickback schemes and indirectly through social services and government operations that help Hamas maintain political control over Gaza”
– New York Post, Hamas leaders worth staggering $11B revel in luxury — while Gaza’s people suffer

In 2022, Biden designated Qatar a “major non-NATO ally” of the United States. One of the most important US military bases in the Middle East is located in Qatar – the giant Al Udeid air base which is vital to Air Force operations in the Gulf. Considering the fact that the United States has been funding Israel for decades, isn’t there a contradiction here?

Other than Qatar, Hamas has been receiving funds directly from NATO. Indeed, the United Nations Relief and Works Agency provided the group with over $380 million since 2021. Most of these funds come directly from the United States as the Biden administration alone sent over $1 billion to the UNRW in the past two years.

In short, the same people who have been funding Israel have also been funding Hamas. How does that make sense? It only makes sense when one realizes that Hamas is yet another tool of the elite.

Just think about it. What was Hamas’ grand strategy on October 7th? They killed a bunch of people and they captured some hostages. Then what? What would such an attack objectively achieve?

Hamas leaders, sitting in Qatar, were fully aware that the attacks would provoke Israel (one of the most powerful militaries in the world) to aggressively invade Gaza. Also, they’ve shifted some of the public opinion in Israel’s favor. There was absolutely nothing to gain from these attacks and everything to lose. But they went ahead with it anyway and they’ve caused great suffering in Gaza.

The Grand Scheme

Following the October 7th attacks, Israel’s Prime Minister Benjamin Netanyahu warned of a “long and difficult” war by “air, land and sea”. Needless to say, “long and difficult” wars take months to plan and prepare. While the stated goal is to neutralize Hamas and guarantee Israel’s security, there is much more at stake here. Furthermore, the ultimate outcome, with all of its ramifications, has already been predicted and calculated.

Is Israel motivated by Zionism and ethnic cleansing? Biblical prophesies? Or more pragmatic geo-political and economic reasons? Let’s say that the various actors behind the scenes all have their reasons. One thing is for sure, this conflict is Israel’s opportunity to take control of the coveted Gaza Strip and, most likely, to replace Hamas with a puppet regime.

The benefits for Israel to fully take control of the Gaza Strip are immense.

The Gaza Strip is strategically located on the Mediterranean Sea.

While the living conditions in Gaza are currently extremely difficult, this piece of territory has immense potential. Here’s a headline that sums up most of it.

A headline from the Welcome to the United Nations Conference on Trade and Development.

The article states:

Geologists and resources economists have confirmed that the occupied Palestinian territory (oPt) lies above sizeable reservoirs of oil and natural gas wealth, in Area C of the West Bank and the Mediterranean coast off the Gaza Strip, according to a recent UNCTAD study.

New discoveries of natural gas in the Levant Basin are in the range of 122 trillion cubic foot while recoverable oil is estimated at 1.7 billion barrels, according to the study, entitled “The Economic Cost of Occupation for the Palestinian People: The Unrealized Oil and Natural Gas Potential.”

A map of the Levant Basin. Notice where most gas and oil fields are located (around Gaza).

Palestinians are currently not allowed to exploit the natural resources in their territories. Meanwhile, Israel cannot exploit these resources without causing major problems in the area. There have been talks of win-win situations where both Israel and Palestinians could profit from these resources but they’ve been leading nowhere. The current conflict is the perfect opportunity for Israel to just take it all.

This is just one of the many reasons why an all-out invasion of Gaza has been in the plans for years. And this reason equals trillions of cubic feet of oil and natural gas.

There are several other reasons for invading Gaza and displacing its population. But none of them need to be divulged to the public. All it needs to know is that Israel is responding to Hamas’ attacks.

In Conclusion

I fully realize that analyzing this conflict and all of its complexities in a single article is nearly impossible. However, some basic questions need to be asked because their answers explain everything else: Why did the October 7th attacks happen in the first place? Who ultimately benefited from them? What are the repercussions on the rest of the world?

As seen above, Hamas had absolutely no strategic reason to perpetrate these attacks. Furthermore, Israel had absolutely no reason to not see these attacks coming. The sad reality is that the heads of both parties are in cahoots. They are funded and supported by the same entities. What is happening now is a mascarade while a major geo-political shift is about to happen. As usual, those who suffer are innocent civilians. Not those behind the scenes.

On a wider scale, this conflict has been extremely divisive in the Western world. And the elite loves division and social unrest. Not only that, people have no trouble condoning outright evil because it’s being perpetrated by their side. And that’s music to the ears of the satanic elite.

In short, this conflict is complex but it is also simple. The elite wins and regular people lose. While being filled with hatred. As usual.

Symbolic Pics of the Month 11/23

Around this time of year, magazines love to put out “Men of the Year” or “Women of the Year” editions. However, they’ve also decided that the words “men” and “women” do not mean anything anymore. With that being said, here are some magazines being completely absurd in the name of the all-important gender-blurring agenda.

Glamour magazine awarded a Woman of the Year award to a man. Why? Because that’s the agenda right now. Furthermore, Geena Rocero has been invited to speak at the United Nations and the World Economic Forum. That means that he was “chosen” by the elite to push an agenda, not unlike Greta Thunberg.
Maxim Magazine Australia ranked this man #92 in the “Top 100 Hottest Women in Australia”. Really? REALLY? If he was an actual woman, he wouldn’t even be in the top 10 million hottest women in Australia. But, nowadays, agendas prime over basic facts of life.
Eden Loweth and Tom Barratt were “British Emerging Talent Menswear” nominees at the Fashion Awards. Menswear. Look at how they’re dressed. Anyways, let’s look at one of their “menswear” creations.
A dude with hairy legs stands in a miniskirt with one eye hidden. He’s the elite’s perfect man.

Guess who is GQ’s “Man of the Year”?

Kim Kardashian. Right. Sure. Why? Who cares. They just needed to make sure it wasn’t an actual man because that’s so 20th century.
To celebrate this prestigious award, Kim K did an entire photoshoot cosplaying as a man. If you read the comments on IG, people are fully aware of the absurdity of the situation. Some noted that her stepfather Bruce Jenner was once named Woman of the Year. This whole family is about agendas.

Sadly, this family is starting to involve its own children in the madness.

North West (the daughter of Kim Kardashian and Kanye West) is being pushed into the spotlight. Of course, she has to perform the ritualistic one-eye sign to show submission to the occult elite. Also, the “crown” on her head is made of finger bones which alludes to her ruler’s penchant for clothing articles made of human body parts.

Speaking of the one-eye sign, it was (as usual) all over the place this last month. Here are some examples.

When Fantasia won American Idol in 2004, she quickly became a superstar. However, since then, she kind of fell off. Now, she’s attempting a comeback. And, to be in the good graces of the industry, she’s making the saddest one-eye sign in history. Her face is telling you that she knows what this is about but that she has to do it.
Lionel Messi is one of the biggest stars in the world. You better believe they’ll have him do the one-eye sign in a recent IG post by Ballon d’Or.
Yeat is a rapper who is quickly becoming a superstar, especially since he was featured on Drake’s song IDGAF. His path to media attention has been greatly facilitated by his willingness to bow down to the elite. This is him doing a very clever one-eye sign using a creepy mask on the cover of 032c magazine.

But wait, maybe this is just a random pic and they didn’t intend to do a one-eye sign. OK. Let’s look at other Yeat pics.

This is his artist pic on Spotify. It’s all about him making a big, fat one-eye sign to his 27.1 million monthly listeners.

In case you still have doubts, here’s another pic of him.

Very obvious one-eye sign = Very obvious industry plant.

Speaking of industry plants, Doja Cat has become a SPOTM staple because everything she does is in accordance with the occult elite obsessions.

In a photoshoot appropriately captioned Tampon Girl, Doja poses in a bathroom with blood dripping on her. This pic is highly reminiscent of a series of paintings that are highly regarded by occult elite pedos.
Those are two paintings by painter Biljana Djurdjevic. She loves to depict children in underwear who appear to be abused. As seen in my Pizzagate article, Tony Podesta and his pedo friends hang these paintings inside their homes. It appears that Doja Cat is paying homage to this madness. From her position to the shape and color of the tiles, the resemblance simply cannot be a coincidence. Her pic was directly inspired by these paintings.
In another pic, Doja is completely smeared in blood, an allusion to more occult elite sickness. She couldn’t be more of an industry slave.
That IG post also included a series of ugly/annoying/embarrassing pics that everybody really hates. But she has to post them because she’s in that humiliation phase of her career.
Trippie Redd is in the same satanic/retarded vibe as Doja Cat (see my article on his video Topanga). He recently posted this pic of a BDSM-type mask with a crucifix on it. Mocking Christianity is a must in the industry.

In my article about Beyonce’s Renaissance, I explained how the entire tour was about her turning into an industry slave. The symbolism on the promotional posters of the Renaissance movie points in the same exact direction.

Here, Beyonce is gradually turning into a shiny robot thing which symbolizes her turning into an industry slave.
This costume alludes to sexual submission – a theme that is extremely prevalent throughout her show.
This headline states that “climate change” is a threat to … gay people? How is that remotely possible? This looks like an AI-generated parody of mainstream news. But no. It is actually mainstream “news”.

Special thanks to everyone who sent in pics.

The Lawsuit Against Diddy for Rape and Sex Trafficking Was Settled in One Day. What Does This Say About the Music Industry?

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On November 16th, R&B singer Cassie filed a lawsuit against Sean “Diddy” Combs for rape and sex trafficking. The court documents are rather graphic as they describe Diddy turning Cassie into a drug-addicted sex slave who got brutally beaten on several occasions. If remotely true, these allegations could have sent Diddy to prison for a long time.

But that didn’t happen. Diddy settled the lawsuit in a single day, saving him from going to trial and seeing the disturbing details of his abuse revealed to the general public.

So, once again, Diddy will not face the consequences of his actions – a pattern that has been happening for decades. Three years ago, I published an article about Diddy where I looked at the ridiculous number of artists who ran away from the music industry and turned religious after a stint with Bad Boy Records. The article also included accounts of people close to Diddy who witnessed strange things such as him forcing male artists to perform sexual acts on him. An ex-bodyguard even stated that he saw “devil sh*t”.

In short, there is no smoke without fire and there have been persistent rumors involving Diddy for decades. However, everyone involved seems to believe that he is “untouchable”. Is the industry protecting him?

One thing is for sure, Cassie’s lawsuit was rather damning. But now it’s gone. Here’s a look at it.

Graphic Lawsuit

The first page of the lawsuit warns of graphic details.

The court documents start by mentioning that Cassie met Diddy when she was 19 years old and he was 37. He signed her to Bad Boy Records in 2005 and, in the decade that followed, he ended up completely controlling her personal and professional life.

Diddy and Cassie in 2007.

The lawsuit states that numerous people were direct witnesses of Diddy’s abuse but no one dared to speak up. Not only did they fear repercussions, but they somehow knew that he was “untouchable”.

After a couple of years, the relationship turned into a slave/handler-type situation where Diddy kept Cassie in a drug-induced haze while controlling all aspects of her life. He even played bizarre mind games involving her grandfather. The lawsuit states:

59. Mr. Combs also became deeply involved in Ms. Ventura’s personal life, with his personal staff attending to Ms. Ventura’s day-to-day travel and other needs, including medical care. On multiple occasions, Mr. Combs had Ms. Ventura’s personal medical records sent directly to his email address. For instance, when Ms. Ventura began experiencing memory loss—potentially due to excessive drug use and/or head injuries caused by Mr. Combs’s beatings, as described below—her MRI results were provided directly to Mr. Combs. Mr. Combs also repeatedly arranged for his staff to drive Ms. Ventura to certain doctors’ appointments.

60. In this way, Mr. Combs exerted ownership over Ms. Ventura. As another example of the ways in which he manipulated Ms. Ventura and ensured obedience, early on in their relationship, he asked Ms. Ventura what she called her grandfather. When Mr. Ventura said that she referred to her grandfather as “Pop Pop,” Mr. Combs perversely insisted that Ms. Ventura refer to him with that nickname.

Later, the document explains that Diddy often beat Cassie brutally, causing bruises and black eyes. He would then force her to stay in a hotel room for days until she healed up.

66. In January 2009, after Mr. Combs learned that Ms. Ventura spoke to another music manager at a party in Los Angeles, he became enraged. She had hoped speaking to this manager would allow her to further grow her career, and that Mr. Combs would be happy for her, but instead he became extremely angry and pulled her out of the club where the party was taking place.

67. In the car leaving the club, Mr. Combs beat Ms. Ventura, pushing her into a corner of the vehicle and stomping on her face. Mr. Combs’s security staff, Roger Bonds, tried to stop the beating, but was unable to deescalate the situation. When the car arrived at Mr. Combs’ residence, Ms. Ventura attempted to run away, but Mr. Combs followed her and proceeded to again kick her in the face. Ms. Ventura was bleeding profusely, and was ushered into Mr. Combs’ home, where she began to throw up from the violent assault.

68. Upon recognizing the damage he had done and the physical evidence of his abuse, Mr. Combs panicked, and forced his staff to bring Ms. Ventura to a hotel suite at The London Hotel in Los Angeles, where she was required to stay for a week.

69. During this stay, as her injuries from the beating healed, Ms. Ventura began to fully realize that Mr. Combs’s tremendously loyal network not only knew about and witnessed his assault, but also that these witnesses were not willing to do anything meaningful to stop Mr. Combs’s behavior. She recognized that she was powerless, and that reporting Mr. Combs to the authorities would not alter Mr. Combs’s status or influence but would merely give Mr. Combs another excuse to hurt her.

In the section titled “Mr. Combs Forces Ms. Ventura Into Sex Trafficking”, the lawsuit explains how Diddy forced Cassie to have sex with male escorts … while they were wearing mascarade masks (aka Illuminati, Eyes Wide Shut-type masks). This entire section sounds rather insane but, when one knows about Diddy’s tendencies, it’s completely believable.

76. Within a few months of beginning a romantic relationship with forty-year-old Mr. Combs, the twenty-two-year-old Ms. Ventura felt beholden to his whims and demands.

77. While in New York City, Mr. Combs told the Ms. Ventura that he wanted to engage in a fantasy of his called “voyeurism.” Mr. Combs said that it would “turn him on” if he saw Ms. Ventura “with another dick.”

78. The first time, Mr. Combs hired a man and brought the man to his home in Los Angeles. The man, Mr. Combs, and Ms. Ventura wore masquerade masks, and ingested drugs. Mr. Combs directed Ms. Ventura to perform sexual acts with this man while Mr. Combs watched them. He masturbated while he directed Ms. Ventura and the man to do specific sexual acts.

79. The entire encounter lasted multiple days.

80. Mr. Combs began to call the arrangement a “Freak Off,” or “FO.” He would repeatedly tell Ms. Ventura at random moments that he wanted an FO, and Ms. Ventura was eventually expected to facilitate the location and the hiring of male sex workers.

81. At certain points during Ms. Ventura and Mr. Combs’s relationship, he would insist on an FO weekly. Mr. Combs would repeatedly tell Ms. Ventura that this practice was “our thing” and “our secret.”

The lawsuit also states that Cassie was heavily drugged to facilitate dissociation. Diddy truly acted as an MK handler.

87. Mr. Combs always supplied Ms. Ventura (and the sex worker) with copious amounts of drugs before and during the FOs. Ms. Ventura was given ecstasy, cocaine, GHB, ketamine, marijuana, and alcohol in excessive amounts during FOs, which allowed her to disassociate during these horrific encounters. It became common place to get IV fluids in the days after an FO to recover from the excessive substances pushed upon her.

Another story describes how Cassie had turned into a sex slave who was coerced by Diddy (and his team) to perform sex acts on demand.

101. Around August 2015, for example, in the middle of surprise birthday dinner for Ms. Ventura’s 29th birthday, Mr. Combs insisted that Ms. Ventura leave the party and go to a hotel for an FO. When she expressed that she did not want to go, Mr. Combs had Ms. Ventura cornered by his security staff in order to force her to leave with him.

102. After this FO, Mr. Combs and Ms. Ventura went back to the hotel room that Ms. Ventura was staying in, where some of Ms. Ventura’s friends were already hanging out. Mr. Combs was severely intoxicated, and at one point during the night, picked up one of Ms. Ventura’s friends like a child and dangled the friend over the balcony of the 17th floor hotel suite. Ms. Ventura and her friends were scared by Mr. Combs’s erratic behavior, but Ms. Ventura was heavily sedated because of the drugs she took to participate in the FO, and therefore was unable to respond to Mr. Combs’s terrifying behavior.

103. The FOs became work for Ms. Ventura, and despite her protestations, Mr. Combs insisted on these intricately staged and forced sexual encounters between Ms. Ventura and various male sex workers.

The lawsuit also states that Diddy blew up Kid Kudi’s car when he discovered that Cassie started seeing him, proving that he could commit violent acts in total impunity.

Every time Cassie attempted to leave Diddy, a network of powerful and connected people got to work to track her down and intimidate her.

120. In or around March 2016, during an FO at the InterContinental Hotel in Century City, Los Angeles, Mr. Combs became extremely intoxicated and punched Ms. Ventura in the face, giving her a black eye.

121. After he fell asleep, Ms. Ventura tried to leave the hotel room, but as she exited, Mr. Combs awoke and began screaming at Ms. Ventura. He followed her into the hallway of the hotel while yelling at her. He grabbed at her, and then took glass vases in the hallway and threw them at her, causing glass to crash around them as she ran to the elevator to escape.

122. She managed to get into the elevator, and when she got to the lobby, quickly took a cab to her apartment. Upon realizing that her running away would cause Mr. Combs to be even angrier with her, and completely stuck in his vicious cycle of abuse, Ms. Ventura returned to the hotel with the intention of apologizing for running away from her abuser. When she returned, hotel security staff urged her to get back into a cab and go to her apartment, suggesting that they had seen the security footage showing Mr. Combs beating Ms. Ventura and throwing glass at her in the hotel hallway.

123. Upon information and belief, Mr. Combs paid the InterContinental Century City $50,000 for the hallway security footage from that evening.

124. After this, Ms. Ventura left her home in Comstock and went to hide away at a friend’s home in Florida. James Cruz, President of Bad Boy Management, tracked Ms. Ventura down and told her that her single would not be released if she did not answer Mr. Combs’s phone calls.

125. A woman who worked at Sony Music reached out to her with a similar ultimatum
concerning her record.

126. Incredibly, Mr. Combs even convinced one of his attorneys to call Ms. Ventura at this time. This lawyer told Ms. Ventura that “it’s in your best interest to call [Mr. Combs] back.”

127. Each time Ms. Ventura tried to run away, Mr. Combs and his powerful network would force her back to him.

Finally, the lawsuit stated that Diddy raped Cassie when she tried to end things with him for good.

131. In September 2018, she joined Mr. Combs for a dinner at an Italian restaurant in Malibu, California for what she believed would be a discussion about concluding their relationship for good.

132. After dinner, Mr. Combs and Ms. Ventura returned to Ms. Ventura’s home, which was paid for by Mr. Combs.

133. Mr. Combs forced himself into her apartment and tried to kiss Ms. Ventura. She told him to stop and attempted to push him away.

134. Mr. Combs then forcibly pulled off Ms. Ventura’s clothing and unbuckled his belt. He proceeded to rape Ms. Ventura while she repeatedly said “no” and tried to push him away.

While some lawsuits are frivolous and desperate attempts at blackmailing a person with means, Cassie’s allegations ring true as they’re consistent with persistent rumors that have been surrounding Diddy for decades. Numerous people who knew him personally went on record stating that he was prone to heavy drug use, sexual debauchery (often involving men), and violence. In this case, Diddy “recruited” Cassie while she was a teenager and turned her into a drug-addled sex slave while controlling every aspect of her life for over a decade.

Quick Settlement

Despite the severity of these allegations, Diddy was able to settle the lawsuit in 24 hours. This move was rather unexpected as Cassie had reportedly refused a “generous” settlement prior to the lawsuit.

Ms Ventura’s lawyer – also speaking before the settlement – said Mr Combs had offered her a payment of “eight figures to silence her and prevent the filing of this lawsuit”.

“She rejected his efforts and decided to give a voice to all woman who suffer in silence,” the lawyer, Doug Wigdor, said.
– BBC, Sean ‘Diddy’ Combs: Singer Cassie settles lawsuit accusing rap mogul of rape and abuse

So what happened? Was Cassie forced to take the settlement? Was she threatened? One thing is for sure: Diddy appears to be in the good graces of the industry’s higher-ups because, once again, he gets off scot-free.

If he wasn’t in good graces, that trial would have happened. All kinds of stories and evidence would have surfaced and his whole image and career would have been destroyed forever. Not to mention that he would have been sent to jail for a long time. But all of that has been nixed. Maybe some people in the industry did not want to see their sick tendencies being revealed to the public … so they made sure that this lawsuit disappeared forever.

Sabrina Carpenter Desecrates an Actual Church in Her Highly Toxic Video “Feather”

Sabrina Carpenter is one of the many ex-Disney child stars turned pop singers. After starring in Disney’s Girl Meets World and Adventures in Babysitting, Carpenter “graduated” to pop singer status where her image changed and everything about her became about the elite’s agendas. In this way, she’s been following the same career path as Miley Cyrus and Selena Gomez where she went from a “wholesome” actress to an all-out tool of indoctrination to her young fans.

In 2019, I looked at her video In My Bed which was clearly about Monarch programming. It was so blatant that it could be referred to as “Mind Control 101” … and it was released by Disney’s Hollywood Records.

In this scene from In My Bed, Carpenter is in a straitjacket and her eyes are “hypnotized” as her handlers analyze and reprogram her. The entire video is replete with MK symbolism.

Since then, Carpenter has been set up for success. She signed with Universal Music Publishing Group and joined Taylor Swift’s massive Eras Tour as an opener.

Mass media has been hard a work building up Sabrina Carpenter as a major celebrity. It’s all artificial.

With these pieces in place, the timing was perfect to release a profoundly toxic (and borderline satanic) music video for her fans to absorb. And, while at it, her team decided to desecrate a whole church in the process.

They Really Hate Churches

In past Vigilant Citizen articles, I’ve highlighted numerous times how actual churches are desecrated in the filming of music videos. By doing so, the people involved are, in a way, conducting satanic black masses which are all about corrupting actual Christian rituals. Not only that, they make the millions of unsuspecting viewers witness it all.

Feather is no exception. The video begins with various shots inside an actual church (The Annunciation of the Blessed Virgin Mary Church in Brooklyn).

In this shot, we see that they’ve added a neon cross.

Neon crosses have become an important symbol in occult-elite-sponsored videos. They can be found in videos such as Kesha’s Praying, The Weeknd’s Starboy, and Iggy Azalea’s Savior.

A screenshot from Iggy Azalea’s Savior featuring a bunch of neon crosses. The message of the video is highly satanic.

What do these neon crosses symbolize? Well, neon lights are usually associated with urban sleaze and decadence: Shady businesses, gambling, strip clubs, and so forth. Interesting fact: The neon capital of the world, Las Vegas, is dubbed “sin city”. In short, neon crosses are basically about ridiculing the actual cross and Christianity in general.

If neon crosses are a little too subtle for most people to get, Feather gets rather heavy-handed with its disrespect.

On the altar are several caskets including this one that says “RIP B*tch”.

Does this curse word belong on a church altar? Would they dare do such a thing in the sacred temple of any other religion?

Later in the video, Carpenter dances around in a revealing outfit. She’s celebrating the death of several men – including one she murdered. That’s all very blasphemous and all-out insane.

When the video came out, Bishop Robert Brennan was “appalled” by what took place in the church. He was also displeased with the local parish who allowed this to happen and removed him from his position. And all of this made the news.

In a statement, the Bishop stated:

“[Brennan] is appalled at what was filmed at Annunciation of the Blessed Virgin Mary Church in Brooklyn. The parish did not follow diocesan policy regarding the filming on Church property, which includes a review of the scenes and script.”

The Annunciation of the Blessed Virgin Mary, located in Williamsburg, Brooklyn

Following the announcement, Brennan and Monsignor Joseph Grimaldi conducted a Mass of Reparation, during which the bishop blessed the altar with holy water. In a statement following the Mass, the diocese said:

“Through the offering of this Mass, Bishop Brennan has restored the sanctity of this church and repaired the harm.”

That is all well and good but did the Mass restore the sanctity of the millions of people who watched the video? Because this video is very foul. And for several reasons.

Celebrating Psychopathy

The reason why Sabrina Carpenter is dancing around coffins is because these guys acted somewhat inappropriately. So they HAD TO DIE. That is the reasoning behind this video.

That guy and a couple of his buddies cat called Sabrina. THEY DESERVE TO DIE.
Shortly after, a truck runs over the guys. Meanwhile, Sabrina is very unfazed (and rather pleased) by the violent death of three people. Kind of psychopathic if you ask me.

In another scene, Sabrina is in a gym with a bunch of dudes while wearing an attention-grabbing outfit.

One guy touches her arm. HE DESERVES TO DIE. And everyone else too while we’re at it.
Shortly after, the guys start fighting over her (because she’s just that irresistible). As this violence occurs, Sabrina takes … selfies. How self-absorbed can you be?
After the carnage, there’s blood everywhere. As Sabrina tiptoes around the numerous dead bodies, she’s all like “Well that’s what you get for being slightly inappropriate”.

In another scene, Sabrina straight-up murders a guy.

A guy takes a picture of Sabrina’s butt while inside an elevator. HE DEFINITELY DESERVES TO DIE.
In response to this transgression, Sabrina sticks the guy’s tie out of the elevator as the doors close. Meanwhile, he’s pleading for his life.
The guy dies brutally as his blood pours out. This is pop music now.
Meanwhile, Sabrina is all like “buh-bye” while she sings “I feel so much lighter like a feather with you off my mind”. Psycho.

The guy was a loser for taking the pic but did the punishment fit the crime? Of course not. However, men being murdered in music videos has become a recurring theme (as seen in numerous VC articles in the past). They want to portray the death of men because it symbolically represents an important agenda: The destruction of masculinity. The transgressions that preceded each death in Feather are merely an excuse to depict these bloody deaths and to cause people to say “Well, he deserved it”.

The video ends with Sabrina dancing sexily on a church altar around four coffins.

The entertainment industry is sick.

In Conclusion

Sabrina Carpenter is a pop star who was built from scratch by the elite to do as she’s told. And, as she’s purposely placed under the spotlight, she’s being used to perpetuate the same toxic agendas pushed by her industry slave “colleagues”.

There is absolutely nothing new, original or distinctive about Feather. It could have been performed by any other interchangeable pop star because it is not art, it is indoctrination. Indeed, in a few short minutes, the video manages to put on screen several obsessions of the elite: The desecration of Christianity, the celebration of the elite’s culture of death, and the destruction of masculinity. And, throughout the video, Sabrina Carpenter displays heavy symptoms of narcissism, self-abortion, and even psychopathy while her fans scream “Yaaass Queen!”. Because all of this is deemed cool.

But none of this is cool. It’s insane. Kind of like dancing around coffins that say “RIP B*tch” inside a church.

The VC E-Book 2024 Edition is Out – Download it Today!

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The VC E-Book 2024 Edition is out and available for instant download. This year’s edition is ridiculously massive, it’s not even funny. It contains 251 articles spread over nearly 4,000 pages and is illustrated with thousands of large images.

Two pages from the e-book. There are about 3998 other pages like this.

This edition contains all of the best articles in the site’s history and numerous articles that were never included in a VC e-book. Also, this edition was reformated with larger text on smaller pages to be easier to read on mobile devices.

Own all of the knowledge contained on this site without having to rely on a website and an internet connection. Download the e-book instantly by clicking on the banner below.

This e-book is also available as a free download to all Monthly and Yearly subscribers. If you’re already a subscriber, you can download your new edition on your profile page.

If you’re not a subscriber, you can sign up here to get instant access to your free e-book.

Contents of the E-book

Volume 1 – VIGILANT REPORTS

How Mass Media Shapes and Molds Society
The Hidden Hand That Shaped History
Origins and Techniques of Monarch Mind Control
The One-Eye Sign: Its Origins and Occult Meaning
Who is Baphomet?
Aleister Crowley: His Story, His Elite Ties and His Legacy
The Order of the Illuminati: Its Origins, Its Methods and Its Influence on World Events
The Mysterious Connection Between Sirius and Human History
“The Secret Teachings of All Ages”: The Ultimate Reference in Occult Symbolism
The 1963 List “Current Communist Goals” is Becoming a Reality Right Before Our Eyes
Princess Diana’s Death and Memorial: The Occult Meaning
Top 10 Most Sinister PSYOPS Mission Patches
Kim Noble: The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas
The Occult Symbolism of the 2012 Olympics Opening and Closing Ceremonies
The Hidden Life of Marilyn Monroe, the Original Hollywood Mind Control Slave (Part-I)
The Hidden Life of Marilyn Monroe, the Original Hollywood Mind Control Slave (Part-II)
The Hidden Life of the Kennedys : The Elite Dynasty That Got Decimated (Pt. I)
The Hidden Life of the Kennedys : The Elite Dynasty That Got Decimated (Pt. II)
The Hidden Life of the Kennedys : The Elite Dynasty That Got Decimated (Pt. III)
The Economist 2015 Cover is Filled With Cryptic Symbols and Dire Predictions
Three Foods From Ancient Times With Miraculous Benefits
The Opening Ceremony of the World’s Largest Tunnel Was a Bizarre Occult Ritual
The Economist’s “The World in 2017” Makes Grim Predictions Using Cryptic Tarot Cards
“Pizzagate”: How 4Chan Uncovered the Sick World of Washington’s Occult Elite
Sweet Jesus: The Disturbing Marketing of a Trendy Ice Cream Franchise
Inside UNICEF’s Bizarre 2018 Masquerade Ball
The Meaning of the Cryptic Messages on The Economist’s “The World in 2019” Cover
Inside the Rothschild-Inspired “Illuminati Ball” New Year’s Eve
The Exploitation of “Drag Kid” Desmond Is Amazing
The Elite Machine Behind Greta Thunberg
The “Son of Sam” Case: A Rare Window into the Inner-Workings of the Occult Elite
The Occult Symbolism of That Creepy Meta Commercial
The Story of Elizabeth Bathory: Proof That the Occult Elite Has Been Sick For Centuries
There’s Something Terribly Wrong Happening With the Sons of Celebrities
A Ritual to Baal? The Occult Symbolism in the Opening Ceremony of the 2022 Commonwealth Games
Indiana University Unveiled a Statue Honoring Alfred Kinsey. His “Research” Included Child Abuse.
There’s Something Terribly Wrong With Balenciaga and the Rabbit Hole Goes Deep
There’s Something Terribly Wrong With Gorsad Kyiv and it’s Worse than Balenciaga
Why is Miriam Cahn’s Art Depicting Child Abuse Exposed in Museums? And Why is Macron Defending Her?

Volume 2 : MOVIES AND TV

The Occult Roots of The Wizard of Oz
The Esoteric Interpretation of Pinocchio
“The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice
The Esoteric Interpretation of “Pan’s Labyrinth”
The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture
How the Animated Series G.I. Joe Predicted Today’s Illuminati Agenda
Josie and the Pussycats: Blueprint of the Mind Control Music Industry
The Occult Interpretation of the Movie “Black Swan” and Its Message on Show Business
“Sucker Punch”: How to Make Monarch Mind Control Sexy
“Labyrinth” Starring David Bowie: A Blueprint to Mind Control
“Contagion”: How Disaster Movies “Educate” the Masses
“They Live”, the Weird Movie With a Powerful Message
The Hidden Symbolic Meaning of the Movie “2012”
The Movie “Videodrome” and The Horror of Mass Media
The Esoteric Symbolism of the Viral Video “I, Pet Goat II”
“The Cabin in the Woods”: A Movie Celebrating the Elite’s Ritual Sacrifices
“Prometheus”: A Movie About Alien Nephilim and Esoteric Enlightenment
“Hide and Seek”: The Most Blatant Movie About Monarch Mind Control Ever?
The Hidden Messages in “Eyes Wide Shut”
The Hidden Messages in “Eyes Wide Shut” (pt. II)
The Hidden Messages in “Eyes Wide Shut” (pt. III)
“Now You See Me”: A Movie About the Illuminati Entertainment Industry?
The Esoteric Interpretation of the Movie “9”: Heralding the Age of Horus
The Hidden Meaning of the Movie “Coraline”
The Esoteric Meaning of the Movie “Prisoners”
The Deeper Meaning of “True Detective” – Season One
“Noah”: A Biblical Tale Rewritten to Push an Agenda
“Return to Oz” : A Creepy Disney Movie That is Clearly About Mind Control
“Lucy” : A Movie About Luciferian Philosophy
“Kingsman: The Secret Service” or How to Sell the Occult Elite to the Youth
“Starry Eyes” : A Movie About the Occult Hollywood Elite – and How it Truly Works
“CHAPPiE” and the New Transhumanist Religion
“American Ultra”: Another Attempt at Making MKULTRA Cool
“Spectre” is About James Bond Being a Tool of the Occult Elite
The Sinister Meaning of “Don’t Hug Me I’m Scared”
The Hidden Symbolism of “Stranger Things”
“The Neon Demon” Reveals The True Face of the Occult Elite
The Disturbing Meaning of KrainaGrzybowTV (Mushroomland) : The Creepiest Channel on YouTube
“Rosemary’s Baby”, Roman Polanski’s Ode to the Anti-Christ
The Sick, Twisted Messages in “Chilling Adventures of Sabrina”
The Deeper Meaning of “Black Mirror: Bandersnatch”
Eurovision 2019 Finale and the Occult Meaning of Madonna’s Controversial Performance
Miley Cyrus in “Black Mirror” as a Mind-Controlled Pop Star: It’s Not Fiction
The Sinister Messages of “K-12” by Melanie Martinez
This Review of “Ford v Ferrari” Reflects the Absurdity of Movie Critics Today
“Together At Home” Was An Infomercial for the Global Elite and its Agenda
The 2020 VMAs: A Dystopian Abomination
Netflix’s “Cuties”: Here’s Exactly What Mass Media is Praising
Paris Hilton’s Documentary Reveals That She Was Subjected to MKULTRA-Style Abuse
How the Series “Utopia” Eerily Predicted 2020
The Meaning of Netflix’s “Brand New Cherry Flavor”: A Celebration of Occult Hollywood
The Hidden Messages in “Forrest Gump” About America and Its Destiny
The Hidden Symbols and Messages in “Squid Game”
The Insanely Dark Story Behind “Poltergeist” and its Young Star Heather O’Rourke
How the 1993 Movie “Demolition Man” Perfectly Predicted (and Ridiculed) Today’s Society
There’s Something Terribly Wrong With “Euphoria”
The Disturbing (and Deeply Irritating) Globalist Agendas in the James Bond Movie “No Time to Die”
There’s Something Terribly Wrong With Disney’s “Hocus Pocus 2”
Rituals and Adrenochrome: The Dark Meaning of “The Watcher”, a Netflix Series Based on a True Story
The Occult Meaning of “Guillermo del Toro’s Pinocchio”
The Hidden Messages in “Blonde”: Marilyn Monroe’s Life as an Industry Slave
The Conspiracy Theories in “They Cloned Tyrone” and its Link With Jamie Foxx’s Mysterious Hospitalization
The Hidden Messages in “The Idol” About the Music Industry The Absolute Hypocrisy of the Movie “Barbie”

Volume 3 – MUSIC BUSINESS

Occult and Prophetic Messages in Rihanna’s Umbrella
Beyonce to Sasha Fierce: Symbolic Occult Rebirth
Lady Gaga, The Illuminati Puppet
Jay-Z’s “Run This Town” and the Occult Connections
Beyonce’s “Sweet Dreams” Video is About Occult Mind Control
The 2009 VMAs: The Occult Mega-Ritual
Lady Gaga’s Bad Romance – The Occult Meaning
The Esoteric Interpretation of The Black Eyed Peas’ “Meet Me Halfway”
Paramore’s “Brick by Boring Brick”: A Song about Mind Control
Kerli’s Creepy Video About Mind Control
The Hidden Meaning of Lady Gaga’s “Telephone”
Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music
Lady Gaga’s “Alejandro”: The Occult Meaning
Kanye West’s “Power”: The Occult Meaning of its Symbols
Mind Control Symbolism in Russian Pop: Vintage’s “Mikkie”
Illuminati Symbolism in former Disney girl Belinda’s “Egoista”
Lady Gaga’s “Born This Way” – The Illuminati Manifesto
Britney Spears, Mind Control and “Hold it Against Me”
Lady Gaga’s “Judas” and the Age of Horus
The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry
Brown Eyed Girls’ Video “Sixth Sense” or How the Elite Controls Opposition
The Esoteric Meaning of Florence + the Machine’s “Shake it Out” and “No Light No Light”
From Mind Control to Superstardom: The Meaning of Lady Gaga’s “Marry the Night”
Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry
Whitney Houston and the 2012 Grammy Awards Mega-Ritual
Katy Perry’s “Wide Awake” : A Video About Monarch Mind Control
Fjögur Píanó, a Viral Video About Monarch Mind Control?
B.O.B. and Nicki Minaj’s “Out of My Mind” or How to Make Mind Control Entertaining
The Illuminati Symbolism of Ke$ha’s “Die Young” and How it Ridicules the Indoctrinated Masses
“Scream and Shout”: A Video About Britney Spears Being Under Mind Control
Emeli Sandé’s “Clown”: A Song About Selling Out to the Music Industry?
Super Bowl 2013 Recap: The Illuminati Agenda Continues
Lil Wayne’s “Love Me”: A Video Glamorizing Kitten Programming
Azealia Banks’ “Yung Rapunxel”: New Artist, Same Illuminati Symbolism
MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall
A-JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K-Pop
Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming
The 2014 Grammy Awards: Still Pushing the Illuminati Agenda
Katy Perry’s “Dark Horse”: One Big, Children-Friendly Tribute to the Illuminati
The Occult Meaning of Lady Gaga’s Video “G.U.Y.”
Miley Cyrus Releases a New Video While Under “Doctor’s Care” … And it’s About Mind Control
Lindsey Stirling’s “Shatter Me” : A Video About Monarch Programming
Lady Gaga’s Leaked Video “Do What U Want” featuring R. Kelly Glorifies Entertainment Industry Abuse
Robin Thicke’s Video “Get Her Back” or How Pop Culture Keeps Promoting a Culture of Death
Miley Cyrus’ “Trippy” Video that Was Filmed While She Was ‘Hospitalized’ Is Actually About MKULTRA
The 2014 VMAs: All About Hypersexualization
Was the Death of K-POP Stars EunB and RiSe Foreshadowed in Their Last Video?
The 2014 American Music Awards Were Littered With Illuminati Symbolism
The Twisted Message Behind Viktoria Modesta’s “Prototype”
The Hidden Meaning of Taylor Swift’s Video “Style”
Perfume’s “Pick Me Up” Brings Illuminati Mind Control Symbolism to Japan
The Disturbing Message Behind Sia’s Videos “Chandelier”, “Elastic Heart” and “Big Girls Cry”
Brooke Candy’s “A Study in Duality” is Actually a Study in Monarch Mind Control
Muse’s “The Handler” : A Song about a Mind Control Slave Singing to His Handler
Rihanna’s “Better Have My Money” Promotes the Elite’s Obsession With Torture
Justin Bieber’s “Where Are U Now” is Full of Quickly Flashing Illuminati Imagery
The 2015 MTV Video Music Awards : Dance, Puppets, Dance
The Meaning of The Weeknd’s “The Hills” and “Can’t Feel My Face”
“Self Control” by Laura Branigan: A Creepy 80’s Video About Mind Control
The Deeper Story of Kendrick Lamar’s Album “To Pimp a Butterfly”
The Occult Universe of David Bowie and the Meaning of “Blackstar”
Miley Cyrus’ “BB Talk” Celebrates Child Abuse and is Seriously Messed Up
The Occult Meaning of Rihanna’s “ANTIdiaRY” Videos
“Torture” : A Creepy Video About the Jacksons Being Subjected to Mind Control
Does Ladies’ Code “Galaxy” Celebrate the Death of Two of the Group’s Members?
The Occult Meaning of Beyoncé’s “Lemonade”
Pink’s “Just Like Fire”: Another Blatant Video About Monarch Mind Control
Beyoncé’s Performance at the 2016 VMAs Was a Twisted Occult Ritual
Panic! At the Disco’s “LA Devotee” Clearly Celebrates Hollywood’s Satanic System
The Occult Meaning of The Weeknd’s “Starboy”
“That Poppy” : The YouTube Star Under Illuminati Mind Control
The Occult Meaning of the The Weeknd’s “Party Monster”
The Grammy Awards 2017 Were About Protesting the King and Worshipping the Queen
Katy Perry’s “Chained to the Rhythm” Sells an Elite-Friendly “Revolution”
The Dark Occult Meaning of Nicki Minaj’s “No Frauds”
Katy Perry’s “Bon Appétit” is a Nod to Occult Elite Rituals
Kesha’s “Praying” is a Sad Reminder That She is Still Owned by the Industry
“Butterfly Effect” or How Travis Scott Got Recruited by the Industry
Selena Gomez’s “Fetish” is Symptomatic of a Sick Popular Culture
The Sinister Meaning of Taylor Swift’s “Look What You Made Me Do”
Lil Uzi Vert’s “XO Tour Llif3” is Straight Up Satanic
“Peek-a-boo” by Red Velvet: Why Do Men Keep Getting Killed in Music Videos?
Justin Timberlake’s “Supplies”: The Great Illuminati Reversal
The Occult Meaning of Iggy Azalea’s “Savior” : A Wedding With the Dark Side
“Framed”: Eminem Becomes a Mind-Controlled Serial Killer
Ariana Grande’s “No Tears Left to Cry”: Blatant Monarch Mind Control Symbolism
The Disturbing Hidden Meaning of Christina Aguilera’s “Fall in Line”
The Meaning of XXXTentaction’s Prophetic Posthumous Video “SAD!”
The Blatant Occult Symbolism of “Up” by Young Thug and Lil Uzi Vert
“God is Woman” by Ariana Grande: The Esoteric Meaning
The Disturbing Meaning of Poppy’s “Time is Up”
Taylor Swift, Queen of the 2018 American Music Awards
Trippie Redd’s “Topanga”: A Satanic Ritual Disguised as a Music Video
The Disturbing Meaning of Billie Eilish’s “bury a friend”
The Occult Meaning of “Crown” by TXT, the New K-POP Supergroup
The Meaning of Paul McCartney’s “Who Cares”: It’s About MK ULTRA
The Meaning of Madonna’s “Madame X” Persona and the Video “Medellín”
The Meaning of YG’s Video “In The Dark”: Is it About Blood Sacrifice?
The Twisted Meaning of Miley Cyrus’ “Mother’s Daughter”
Sabrina Carpenter’s “In My Bed”: A Video about the Mind Control of a Young Girl … Made by Disney
The 2019 VMAs: It’s Not About Music, It’s About Pushing Narratives
The Dark Meaning of “all the good girls go to hell” by Billie Eilish
The Disturbing Hidden Meaning of “Lola” by Iggy Azalea
The 2019 American Music Awards: It Was Hell. Literally.
Why is Justin Bieber Tagging Babies “Yummy” on Instagram? The Answer is Sickening.
This French Music Video Exposes the Occult Music Industry
“Illuminati” by Lil Pump: Yeah, This Is What the Music Industry Has Sunken To
The True Disturbing Meaning of “WAP” by Cardi B
Busta Rhymes’ Album “ELE2”: It’s Messages About the New World Order and the Five-Percent Nation
The Hidden Meaning of “Chemtrails Over the Country Club” by Lana Del Rey
The Occult Meaning of The Weeknd’s Super Bowl Performance
Eurovision Song “El Diablo” Sparks Protests for its Satanic Message
The Hidden Meaning of Bella Poarch’s “Build a B*tch”: From TikTok Star to Industry Slave
The Occult Meaning of Lil Nas X’s “MONTERO” and the Symbolism of His “Satan Shoes”
The Occult Meaning of Shenseea’s “Run Run”: Sacrifice for Fame
The Occult Meaning of Kanye West’s “Donda”
“Demon High” by Lil Uzi Vert: Marketing Satanism to Teenagers
Something Extremely Dark Happened at Travis Scott’s Deadly “Astroworld” Festival
The Dark Occult Message of The Weeknd’s Video “Sacrifice”
The Powerful Symbolism in “Sweetest Pie” by Megan Thee Stallion and Dua Lipa
Taylor Hawkins’ Death and Its Disturbing Links With His Band’s Movie “Studio 666”
Charli XCX and Her Story About Selling Her Soul for Fame
Grimes and Bella Poarch Star in “Dolls” – A Video That Pushes Insidious Agendas to Kids
The Toxic Agendas and the Blatant Occult Symbolism of the 2022 VMAs
The 2023 Grammys, Host of the Sam Smith Satanic Ritual
The Meaning of Melanie Martinez’s Bizarre New Alter-Persona
The Intense Symbolism in Beyoncé’s Renaissance World Tour
“Swine”: Demi Lovato’s Pro-Abortion Video That is Equally Dumb and Evil
The Occult Meaning of Doja Cat’s “Paint the Town Red”
Doja Cat’s “Demons”: Can We Just Agree That the Music Industry is Outright Demonic?
“A Certain Sacrifice”: Madonna’s First Movie That Ends With a Satanic Ritual Sacrifice

Volume 4 – SINISTER SITES

Sinister Sites – St. John The Divine Cathedral
Sinister Sites: The Georgia Guidestones
The Occult Symbolism Found on the Bank of America Murals
The Occult Symbolism of the Los Angeles Central Library
Sinister Sites: IRS Headquarters, Maryland
Sinister Sites – The EU Parliament
Sinister Sites – Rockefeller Center
Sinister Sites – Nur-Sultan, Kazakhstan
Sinister Sites – Temple Square, Utah
Sinister Sites – Israel Supreme Court
Sinister Sites – Illuminati Pyramid in Blagnac, France
Sinister Sites – The Denver International Airport
What’s Up With Room 322 at Hotel ZaZa?
Sinister Sites: The Sansevero Chapel
Something is Terribly Wrong With Hotel Lucia
The Most Expensive Hotel Room in the World Was Made For Elite Psychopaths
The Occult Symbolism of the Vatican’s 2020 Nativity Scene
Sinister Sites: Felicity, the Creepy Desertic Town at the “Center of the World”

The Incredibly Eerie Circumstances Surrounding Matthew Perry’s Death

Most of us knew Matthew Perry from Friends – a sitcom that remains highly popular to this day. As the show played in a constant loop around the world since the 1990s, Perry and his co-stars have been enjoying a form of permanent youth where they never seemed to age on our screens. Maybe for this reason, the news of Perry’s death at the age of 54 was particularly upsetting.

However, as one learns about the bizarre circumstances surrounding his demise, things only get more upsetting. From the purported cause of death to its symbolic timing, not to mention the incredibly eerie Instagram posts that preceded it all – everything is highly suspect and “unnatural”. It’s almost as if everything was planned in advance.

When such events happen, I usually wait a few days before writing about them, hoping that new information will answer some questions and dispel some dark theories. However, over a week after Perry’s death, no questions were answered and things just got weirder. And, despite the entire “what the hell just happened” aspect of this death, mass media’s coverage remained extremely vague while stubbornly focusing on two words: Drug addiction.

In other words, Perry’s death follows the same pattern as other celebrity deaths that were described in past articles. Here’s a look at the circumstances surrounding his death.

What Really Happened?

On October 28th, after spending most of the day playing pickleball, Mathew Perry was found dead in a hot tub at his home in Los Angeles. Authorities quickly determined that no illegal drugs were found on the premises and that no foul play was suspected. Most news reports stated that he died from “apparent drowning”.

Over a week after the discovery of Perry’s body, the actual cause of death remains a mystery.

Matthew Perry’s death investigation continues to raise more questions than answers six days after his death, according to a former medical examiner.

The Los Angeles County Medical Examiner-Coroner on Sunday told Fox News Digital, “An autopsy was completed today, and toxicology results are pending.”

Following reports that a toxicology screening revealed fentanyl and meth were not found in his system at the time of his death, Dr. Michael Baden, former chief medical examiner of New York City, forensic pathologist and Fox News contributor wondered why a cause of death had not yet been released.

“If Matthew Perry had died of a heart attack, that would be immediately apparent, and they would have said so,” Baden exclusively told Fox News Digital.

In his new interview with Fox News Digital, Baden said, “The two important substances to refer to is the Vicodin, which is an opioid narcotic, and alcohol, which are the two things that he, according to his biography, got into the most trouble about,” Baden said. “We have to see what happens with the further release of the toxicology, because after six days now, they know if there was any natural cause of death. If he had a heart attack, that being the most common cause of death, or heart disease.”

He added, “If that were the cause of death – and people can have heart attacks while swimming or in hot tubs – they would have known right away. And, that would be something they would have released because that would be kind to the family without delving into the drugs that he had previously had trouble with.”
– Fox News, Matthew Perry toxicology reports provide insight into how star may have died: former medical examiner

Like other similar cases, the actual cause of death might take weeks to be revealed and, even then, it might remain extremely vague. And, while mass media has been talking about drugs and hinting at a possible suicide, people close to him say that he was sober and not suicidal. I mean, who plays pickleball before committing suicide?

Perry was pictured on a lunch date with a Venuzuelian model named Athenna Crosby one day before his death.

In an Instagram post, Athenna Crosby wrote:

“I want to emphasize that Matthew was in extremely good spirits and talked to me enthusiastically about the things he had coming up in his life. He was so happy and vibrant.”

That doesn’t sound like someone who was about to commit suicide. She also added that he was “100% sober”. Perry himself stated that he has been sober since 2021.

So, if Perry did not die of natural causes, nor of an overdose, and did not commit suicide, what could have happened? Could he be yet another ritual sacrifice of the occult elite – right during the most “sacrificial” time of the year?

If that sounds crazy to you, I agree. It is completely crazy. But we live in a crazy world and everything about this death points directly towards this craziness. Here are some eerie facts about this sad event.

Eerie Facts

First eerie fact: Perry is yet another celebrity who was found dead in a bathtub. Whitney Houston (who died in mysterious circumstances) was found in a bathtub. Her daughter Bobbi (who died in VERY mysterious circumstances) was also found in a bathtub.

Almost exactly one year ago, another celebrity was found dead in a bathtub: Aaron Carter. Once again, his death was highly suspicious, and, like Perry, the media solely focused on his addictions while completely ignoring other bizarre facts (his own mother believes he was murdered).

Another similarity between the deaths of Perry and Carter: They both occurred around Samhain (the occult holiday that takes place on Halloween) which happens to be the most “sacrificial” time of the year. For centuries, ancient cultures have been practicing human sacrifices during this spiritually potent period.

Here’s an excerpt from my article about Aaron Carter. It 100% applies today.

Carter died on November 5th, 2022. Do you recall what happened exactly one year prior, on November 5th, 2021? Astroworld – the highly demonic concert where 10 people died as Travis Scott carried on performing. As explained in my article about Astroworld, the week of Samhain (Halloween) is, in occult circles, the most potent time for blood sacrifices. Every year, high-profile yet unexplained deaths occur during that time.

Perry died around Samhain. Even worse, he died exactly during a full moon which is said to multiply the magical potency of a sacrifice. While these facts might sound like coincidences, they’ve all been alluded to in Perry’s final Instagram posts. You can’t make this up.

Final Instagram Posts

After months of inactivity on Instagram, Perry (or whoever handles his account) posted a series of cryptic pictures that appear to be predicting the time and place of his death.

On October 17th, Perry posted a TV screen playing the film The Batman with the caption “No need to worry, I’ve got the streets tonight”.

Several of his last posts bizarrely refer to Batman (or Mattman). Some believe that Perry was sending out “bat signals” (which indicate that someone is in distress). One thing is for sure, Perry was clearly fascinated by Batman.

The final words of his memoirs refer to Batman. His final public words also refer to Batman.
Two days later, Perry posted another “bat signal”.
Two days later, Perry posted this very bizarre picture that said “Batman plays pickleball”. As stated above, Perry died shortly after playing pickleball. His first caption was “WTF”. Later he posted a comment saying “Rest easy. I’m on a tall building”. One of the most liked comments mentions that the words “Rest easy” ended up being premonitory.
The next day, Perry posted a video of three cranberries with the caption “This is what I’ve had to eat today. I’m Mattman.”

People were quick to point out that the post above might be a reference to Dolores O’Riordan, the lead singer of the Cranberries. In 2018, she was found dead in a bathtub in bizarre circumstances. You truly can’t make this up.

On the same day, Perry posted a Halloween pumpkin emitting a “bat signal” with the caption “Do you know what I mean?”.
Again, on October 22nd, Perry posted this picture of the moon with the caption: “Do you understand what I’m trying to tell you? I’m Mattman”.

Evidently, Perry (or whoever handled his account) was trying to say something with these three cryptic pictures posted the same day. Maybe the message was: Around Halloween and during the full moon, in a matter similar to the lead singer of The Cranberries.

And maybe Perry didn’t post any of this. Maybe his handlers posted these pictures as part of a mega-ritual meant to shock and upset the entire world at this highly potent time of the year.

The next day Perry posted a final pic – one that takes the strangeness to another level.

In his very last post, Perry sits in the jacuzzi in which he’ll die a few days later with the caption “Oh, so warm water swirling around you makes you feel good? I’m Mattman.” Also, the picture was purposely framed to capture the moon.

Five days after this last pic, Perry was found dead in this very tub. And it was right during the full moon.

How many coincidences need to happen before they stop being coincidences?

In Conclusion

The least one can say is that there’s something off about Matthew Perry’s death. And, when one knows a bit about the modus operandi of the occult elite, things get very suspicious.

First, it appears that “dead in a bathtub” is becoming a calling card of the occult elite. Second, if one wanted to carry a ritual sacrifice, the timing of Matthew Perry’s death could not have been more perfect. The elite loves to carry out “mega-rituals” (highly mediatized sacrifices that cause shock and sorrow on a global scale) around this time of year because it is when the veil between the material and the spirit worlds is the thinnest.

While these facts might seem easy to dismiss, all of them were alluded to in Perry’s final Instagram posts. The bat signals indicated that he was in distress. The Halloween pumpkin referred to Samhain and the time of his death. Pictures of the moon referred to the upcoming full moon, the exact moment he would die. The cranberries alluded to celebrities dying in tubs. Finally, in the very last post, he’s sitting in the tub in which he’ll be found dead.

Some believe that these clues were left by Perry as he was planning his suicide. But maybe other people were planning his “suicide” … the same people who have been “suiciding” celebrities for decades.

Symbolic Pics of the Month 10/23

Billie Eilish was recently featured in an Allure magazine photoshoot and, as is often the case with her, everything about that shoot screams Monarch mind control. While each picture might seem innocuous in itself, combining them together makes things rather obvious … for those who understand the symbolism.

In this pic, Billie is “caught” in a spider web, the same way Monarch slaves are caught in the system. And, apparently, Billie finds this very boring. The center of the web focuses on a single eye, effectively making a one-eye sign confirming that this is all occult elite madness.
One reason it’s called Monarch programming is that slaves are said to transform “from caterpillars to butterflies”. For this reason, slaves of the industry are often represented with butterfly wings.
MK slaves are subjected to trauma-inducing torture such as forced contact with (or forced consumption of) spiders and tarantulas. That’s a recurring theme in Billie Eilish’s imagery.
This pic is a great way of representing multiple personas – the ultimate goal of Monarch Programming.

Post Malone was recently featured in an Esquire magazine photoshoot that catered to another agenda that’s extremely important to the elite: The feminization of male pop stars.

Post Malone is yet another male celebrity who had to pose for a magazine in feminine clothing.

Some might say “That’s a Scottish kilt, bro and it’s super manly.” Well, first, it is not a kilt (they’re not cut to show off legs). If want to get technical, it’s a kilt-inspired skirt. Second, let’s just look at another pic from that photoshoot.

Post is wearing a pencil-skirt type thing. Still manly? No, still agenda.

Post Malone is definitely not the only artist subjected to this mess. Three years ago, I published an article about Lil Pump’s song Illuminati which was all about being initiated in the industry. In the article, I wrote:

Lil Pump is wearing a feline-print jacket which is used by the aforementioned Illuminati to identify Beta Kitten slaves. In other words, Lil Pump might get “lil pumped” by some old disgusting Illuminati dude later.

How is Lil Pump doing now? Let’s look at a recent pic of him.

In a recent post, Lil Pump looks very feminine. Also, he looks like he just got “lil pumped” by an old disgusting Illuminati dude. Remember when rappers weren’t so sad and pathetic?

Speaking of sad and pathetic, here’s are recent pic of Doja Cat.

In a recent Instagram post, Doja Cat is wearing devil horns with a shirt that says “& on the 7th day God made me a gatekeeper”. On the 7th day, God rested and didn’t have time for your satanic crap, Doja.
In another pic, Doja is painting a demonic figure (or maybe an auto-portrait) that also contains a one-eye sign. The message: She’s a complete industry slave and there’s no more substance to her except demonic garbage. 

Meanwhile, Drake released a new album and the cover is a creepy goat. Apparently, it was drawn by Adonis – the son he ignored until he was called out by Pusha T. Here’s a screenshot of Drake’s video 8 a.m. in Charlotte.

In the video, Adonis holds a drawing featuring a one-eyed satanic goat which looks oddly similar to Doja Cat’s “painting” above. None of these “artworks” are genuine – it is all contrived, industry-generated madness.

As usual, the one-eye sign was all over the place in the last month and was performed by some of the biggest stars on earth in music, movies, and even sports. The message: The occult elite wants to control anyone that’s somewhat influential.

In the past years, I’ve written a couple of articles on Poppy – a famous YouTuber whose entire act revolves around trauma-based mind control. She was recently featured on the cover of Alternative Press and, of course, she’s doing a one-eye sign to confirm her status as an industry slave.
Vini Jr. is a soccer star who plays for Real Madrid and the Brazilian National team. He recently posted a picture of himself doing the one-eye sign and, judging by the comments on Instagram, fans understood what it truly meant.
While one can dismiss his one-eye sign as unrelated randomness, he’s been doing it for a while. Here’s a pic of him from 2020. They know what they are doing.

Last year, I published an article about Anne Heche’s last hours and the incredibly suspicious circumstances surrounding her death. TMZ recently released a picture of her tombstone and it’s a very sad sight.

On Heche’s tombstone is a picture of her making a one-eye sign. Above her name is a Monarch butterfly. The occult elite controlled her life, caused her death and now it is mocking her right on her tombstone. 
This is Dan Harmon (the creator of Rick and Morty) on the cover of Hollywood Reporter. In case you didn’t know, he’s a creep (see this very disturbing “comedy” video where he rapes a baby). As if that wasn’t enough, the co-creator of Rick and Morty Justin Roiland was recently accused of “sexual assault, grooming, and providing alcohol to minors”. The eye on Dan Harmon’s forehead indicates that he’s “stamped” by the elite (maybe that is why he’s not rotting in jail). The cover says “Dan Harmon needs to talk”. I say: Dan Harmon needs to shut up. 

Every passing month, examples of the gender-blurring agenda (and all of its absurdities) keep surfacing and things keep getting worse. Here are a couple of examples.

The upcoming Miss Universe contest will feature two men: Miss Netherland and Miss Portugal. The fact that these men wear sashes with the word “Miss” on them is a perfect representation of our society’s complete delusion.
This is the podium of the Chicago Cyclocross Cup – a women’s cycling race. The gold and silver medals were won by two transgender cyclists. The bronze was won by a poor lady who would have gotten gold if it wasn’t for these frauds who are too cowardly to compete with men of similar physiques.
This headline is basically a cluster of insulting, blasphemous words that mix gay sexuality with Christianity. It’s an agenda they really want to push and I dare them to do something similar with any other religion.
The promotional campaign surrounding the video game Diablo IV keeps getting more absurd, satanic, and ritualistic. Indeed, Blizzard Entertainment launched a campaign urging fans to donate blood with the goal of collecting a total of 666 quarts of blood. The main prize of the sweepstakes is a “custom liquid-cooled PC infused with real human blood”. This is similar to Lil Nas X’s Nike shoes which contained real human blood. The occult elite’s satanic obsessions are infiltrating all aspects of society.
Ex-pornstar Mia Khalifa recently launched a fashion company named Sheytan which literally means Satan in Arabic. In this pic, Mia attempts the “possessed” look while the word “Sheytan” in Arabic letters hangs over her g-string. This girl is lost. 
On September 23rd, the Telegraph published an article stating that the elite’s favorite witch Marina Abramovic was asked by Ukrainian President Zelensky to become ambassador for Ukraine. Shortly after, the article was deleted (the archive can still be found here). Why was the article deleted? Too real?

Special thanks to everyone who sent in pics.

 

“A Certain Sacrifice”: Madonna’s First Movie That Ends With a Satanic Ritual Sacrifice

The least one can say is that watching A Certain Sacrifice in its entirety requires “a certain sacrifice” from the viewer. Although the movie’s duration is under an hour, watching this thing is a painful and dizzying ordeal that seems to last an eternity. Shot on Super 8, the movie’s camerawork is often shaky and out of focus while the sound is just terrible. In short, it is a typical example of guerilla filmmaking from the 1980s.

Despite being an all-around bad movie, A Certain Sacrifice has one thing going for it: It features an actress who would become, only a few years later, one of the biggest stars on the planet: Madonna. For this reason (and this reason alone), A Certain Sacrifice sold a good number of copies when it was released in 1985. Since then, it developed a cult status among Madonna fans and became a highly collectible item (it can be watched on YouTube).

A cover of the elusive tape.

The cover above says “the film she tried to ban”. That’s because Madonna tried to prevent the movie from being distributed by offering $5000 to buy its rights. That did not work.

According to some biographies, Madonna absolutely hated the movie and the way it turned out. But there are other reasons that might explain her not wanting the world to see it: It is a rather raw reflection of the bizarre and twisted mindset of the “art world” and the entertainment industry she would later fully embrace. Furthermore, some even speculate that A Certain Sacrifice is actually a snuff film that contains an actual sacrifice.

One thing is for sure, this movie is the perfect “initiation” to the artist who would become, some years later, the Grand Priestess of the Music Industry. Here’s a look at this thing.

Sex Slave

The movie begins by introducing the two (very unlikable) protagonists.

Madonna’s character is named Bruna and is described as a “very bad girl”. The male protagonist (played by Jeremy Pattnosh, a co-writer of the movie) is from the suburbs and is said to not be “suited for his original environment, his Christian faith”.

He is known on the streets as Dashiell – a name that might be inspired by Dashiell Hammett, an author who was blacklisted by the House Un-American Activities Committee in 1953 for his Marxist views. This link is reinforced by the fact that the main “bad guys” of the movie are business-minded conservative men who are portrayed as racist and corrupt.

So Dashiell leaves the suburb and goes to New York City where he meets Bruna in the weirdest way possible.

Bruna is in Washington Square Park just dancing suggestively under a water fountain … like normal people do. Funny fact: There’s a bunch of people watching her in the background and they’re clearly not extras – just random NY people who are wondering what is happening.

As she’s dancing, Dashiell shows up and points a gun at her. Then he aggressively slams her onto the ground and kisses her. As we’ll soon see, Bruna has some clear Beta Sex Kitten tendencies as she constantly seems “in heat” while also constantly getting abused.

After dancing annoyingly for some long minutes (as confused NY people watch in the background), the two kiss and “fall in love”.

This new power couple faces a major problem: Bruna has to announce to her “family of lovers” that she’s breaking up with them.

Bruna’s “family of lovers” consists of a man, a woman, and a transgender woman.

Clearly, Bruna is not in a typical relationship. She describes it as them being “slaves to each other”.

Bruna is dressed in bright red – the color of sacrifice – as she stands before her “family”.

When Bruna tells the family to stop being jealous, the three grab her and throw her on the ground. The scene that ensues can only be described as a “choreographed rape”.

Bruna’s “lovers” forcibly undress her while a knife is pointed at her face and a giant bug dangles over her head.

It appears that a great portion of the movie is dedicated to subjecting Bruna (and Madonna) to a series of scary or downright trauma-inducing situations.

In the following scene, Dashiell sings like a psychopath about a “screaming demon lover” while Bruna looks worried and scared. I don’t know why this scene exists other than subjecting Madonna to some insanity.

Things will soon get even worse for Bruna.

The Sacrifice

Dashiell meets Raymond Hall, the man who will eventually become the ritual sacrifice. Notice that he is wearing red.

Raymond Hall is from upstate New York and he tells Dashiell that he’s appalled by the crime in the city. Other than ranting about black people, Hall says that he’s the owner of a hardware store and that he fought in Korea and Vietnam. Then he asks Dashiell where he could get laid. Dashiell’s answer: “Get lost”.

But Raymond Hall did not “get lost”. In a later scene, he’s sitting at the same diner as Dashiell and Bruna. Then things get ugly.

Hall follows Bruna into the diner’s bathroom and rapes her.

Yes, it’s the third time that Bruna has been abused in this short movie. Strange fact: Director Stephen Lewicki took the actor who played Hall aside and instructed him to rip Madonna’s blouse off during the scene. Madonna was unaware of this fact and, in the scene, she seems genuinely shocked. After that scene, Bruna cries and agonizes in the diner as a breast sticks out of her ripped shirt. Knowing what happened previously, that scene becomes even more upsetting.

After this awfulness, Dashiell exacts revenge on Hall: He kidnaps him and takes him to a theatre where he’ll be the “star” of a satanic ritual sacrifice.

Hall is tied up and gagged while Dashiell sings “Raymond Hall must die today”. A chorus of female singers point and laugh at him in a witch-like fashion.
At one point, the actor playing Hall seems genuinely distraught. He also gets roughed up a couple of times as he clearly mouths “Aw, come on” to the people on stage.

This is where things get very bizarre: There are rumors of this scene being an actual sacrifice. According to this Reddit thread, Satanic Ritual abuse survivor Fiona Barnett, claimed that A Certain Sacrifice is actually a snuff film. Some internet sleuths even looked up the actor playing Hall (his real name is Charles Kurtz) and could not find any information about him, leading them to believe that he might have actually died in the making of this movie.

While those rumors are difficult to prove (especially due to the poor video quality), there is definitely some dark energy emanating from this scene.

After sacrificing Hall, Dashiell fills a large “chalice” with his blood and smears it across his face.
He also drenches other people with blood.

Then, as Bruna lies in bed, Dashiell shows up with his cup of blood.

Dashiell “blesses” Bruna with the blood. Then he covers her body with it and they start kissing … with blood on their faces.

At the end of the movie, the narrator says that Bruna and Dashiell live happily ever after. He also adds:

“It’s all mixed up. Bad is good, black is white, love is hate”.

He’s got that right.

In Conclusion

While A Certain Sacrifice is an objectively awful movie, it is quite interesting from a “historical” perspective. In less than an hour, the movie manages to put on screen several obsessions of modern pop culture such as satanic rituals, blood sacrifices, sexual slavery, and very bad music. In other words, it is a rather accurate reflection of the mindset of the entertainment world – a system in which Madonna became an important figure. Indeed, after the filming of this movie, Madonna would be known for combining shocking sexuality (for the time) and pseudo-satanic imagery – all of which were depicted in A Certain Sacrifice.

But there was clearly something about that movie that Madonna did not want people to see. Throughout the film, Madonna’s character is basically a Sex Kitten slave who is assaulted and humiliated on several occasions. One might say that it was purposely written to have Maddonna live out these things. Then, the movie ends with a satanic “blessing”, using the blood of a ritual sacrifice.

In a way, Madonna was the actual “sacrifice” of the movie (she was dressed in red on a few occasions). Furthermore, A Certain Sacrifice can even be seen as her “initiation” into the entertainment world and its twisted ways.

Today, Madonna is the Grand Priestess of the music industry. And this level of prestige certainly requires … a certain sacrifice.

This is What Human Trafficking Looks Like (VC Video)

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Watching the bodycam footage of this stripper being arrested in Ohio is a strange and harrowing experience. While, at first, it is difficult to take this woman seriously due to her being severely intoxicated (she has trouble forming coherent sentences), the raw truth nevertheless comes to the surface. As her past trauma and experiences become evident, this video stops being funny or entertaining. It is a window into the dark world of human trafficking. And its countless victims.

 

The Absolute Hypocrisy of the Movie “Barbie”

Warning: Brobdingnagian spoilers ahead!

When Barbie came out, it was a cultural phenomenon. Mothers, daughters, sisters, and girlfriends wore pink clothes and gleefully showed up at their local movie theatre to watch their Barbie doll finally come to life.

Then, there was me, a guy. I was wearing a black shirt. The movie clearly wasn’t intended for me but I needed to be there for several reasons. So I sat there and watched how 2023 Hollywood would interpret Barbie and the messages it would convey to the millions of little girls who would be exposed to it.

To say the least, it wasn’t what one would expect. The movie is not about Barbie and Ken having a fun adventure, it is about the patriarchy and a power struggle between the sexes.

While the movie is basically about “girl power”, its portrayal of Barbieland actually highlights how flawed (and even unhinged) modern feminism can be if carried out to its logical conclusion. There are elements of satire that are rather witty and interesting.

However, most of the audience will be children. And they will not get these second-degree jokes. They will absorb the entire thing at face value and that’s where things get rather disturbing. Because, at face value, there’s a strong anti-masculinity theme happening throughout the movie.

For instance, just take a look at the movie poster at the top of this article. Ken is sitting in the backseat of the car. That’s because, in the movie, Barbie doesn’t allow him to sit in the passenger seat (forget about even thinking of driving that car).

This picture is quite symbolic of what would unfold throughout the rest of Barbie.

Oppressive Barbieland

The movie begins with little girls destroying their baby dolls because Barbie taught them that they didn’t need to play mother anymore. The whole concept of motherhood is often ridiculed in the movie.

The narrator says:

“Thanks to Barbie, all problems of feminism and equal rights have been solved.”

As the movie presents us Barbieland, we quickly realize that there are absolutely no equal rights in this place. Quite to the contrary, Barbieland is actually an oppressive regime where Kens are second-class citizens who are openly banned from all positions of power.

The seat of power of this regime is the Pink House, where there is no man in sight. The American flag was replaced with some weird abomination because the movie actually depicts the United States as a very bad place where women literally can’t. They just can’t.
The Supreme Court is 100% women … because men are banned from it. That’s the exact opposite of “equal rights”.

Later in the movie, Barbie says:

“Women hold all major positions of power and control all of the money. Basically, everything that men do in your world, women do in ours.”

With that being said, let’s take a look at the actual Supreme Court of the United States.

Five men and four women.

So is Barbieland’s oppressive regime the result of the Barbie’s flawed interpretation of the real world? Is the movie actually saying that they’re dumb dolls who got carried away? Or is the movie actually normalizing a society where masculinity is shunned?

Speaking of men, in Barbieland, they are badly mistreated. On several occasions, they are blatantly told to shut up. Also, they are severely emasculated – physically and mentally.

In Barbieland, men cannot partake in sports. They are confined to the sidelines as cheerleaders … very effeminate cheerleaders.

While Barbieland is an openly sexist place, it is presented as a good place. We even hear Lizzo singing the praises of Barbieland at the beginning of the movie. Yes, this Lizzo.

Hypocrisy.

While the men in Barbieland are second-class citizens, one of them is fully accepted by the Barbies: The one who pretends to be a woman.

Transgender Barbie

Doctor Barbie is played by a transgender actor.

Among the many hypocrisies in the movie, there’s the fact that a biological male is considered to be an actual woman throughout the movie. Apparently, a man only needs to wear a dress to stop being oppressed in Barbieland. The transgender Barbie is played by Hari Nef, an industry plant who also played in the degenerate series The Idol. Now, he’s in a children’s movie and takes part in all kinds of weird scenarios.

For instance, at one point, Barbie tells Ken that he cannot come to her house because it is “girl’s night”. Then, the camera zooms in on the house.

Hari Nef is standing there, chilling with the girls. The movie says one thing with “girl’s night” and immediately shows a man.

Harif Nef doesn’t only stand there in the movie. On several occasions, he gets up close and personal with the Kens, which raises all kinds of questions.

Hari Nef – dressed like a maid – is cozying up with a Ken.
Even the “main Ken” (played by Ryan Gossling) flirts with the Barbie dude by removing his glasses and telling him he’s beautiful.

Were these scenes necessary in a movie aimed at children? Or was it a Hollywood requirement of promoting the gender-blurring agenda?

Pathetic Ken

Barbie rejects a kiss from Ken. Spoiler: They will definitely not live happily ever after.

Before the movie came out, the world knew Barbie and Ken as a happy, always smiling couple. Sure, Barbie got most of the attention, but Ken was cool with that. He was just happy looking good while driving their pink cars.

Barbie and Ken toys as sold in stores. Notice how he’s not in the trunk.

However, in the movie, there is no happy couple. At all. Ken is a clingy, jealous, possessive, and insecure idiot who only lives to impress Barbie. In exchange, Barbie talks to Ken as if he was a mentally challenged child. The movie cannot depict a single happy relationship because that would go against its narrative. In Barbie, men and women do not love or complete each other – they are in a perpetual fight for power.

When Barbie drives to the Real World, she discovers that Ken is hidden in the back of the car. And she really did not want him there.

When Ken asks if he can sit in the front, Barbie bluntly answers “No”. ** Cue audience laughter **

But this answer is symbolic. First, it breaks the iconic image of Ken and Barbie driving around together as a happy couple. Furthermore, oppressive regimes such as the Taliban actually force women to sit in the backseat. This doesn’t happen in America but the makers of Barbie apparently think that the Taliban are on to something.

Ken sings about “blonde fragility” while being kissed by two dudes.

The words “blond fragility” are not random. They’re a rather obvious reference to the controversial book White Fragility.

In Barbie, the villains are men in general. Not just one man or a group of men. Just men.

Fighting the Patriarchy

When we first heard about the Barbie movie, most of us probably imagined a fun adventure involving Barbie and Ken. But that’s not what happened at all. The main plot of the movie is literally about fighting the patriarchy. That heavily charged word is constantly used during the movie, to the point that it loses its meaning. The official definition of patriarchy is:

“Social organization marked by the supremacy of the father in the clan or family, the legal dependence of wives and children, and the reckoning of descent and inheritance in the male line.”
– Merriam-Webster

Is America an actual patriarchy? That is very highly debatable. That term probably cannot even apply in a society that is as wide and diverse as the United States.

When Barbie and Ken arrive in the Real World (Los Angeles to be exact), they discover an all-out patriarchy with absolutely no nuance. Ken feels immediately at home while Barbie says that men are looking at her “with an undertone of violence”.

Every single man in Los Angeles aggressively catcalls Barbie, including these stereotypical fratboys. Is there are single normal guy in the Real World? NO.

The movie presents the Real World as a place where it is impossible to be a woman. At one point, America Ferrera gives a long speech where she actually says that it is “literally impossible to be a woman”.

At one point, America says:

“You have to find a way to reject men’s advances without damaging their egos. Because if you say yes to them, you’re a tramp. But if you say no, you’re a prude.”

Did they really need to include this weird bit in a movie intended for children?

Later, the movie has a “reckoning moment” when a schoolgirl shames Barbie for her “shameful” past.

Barbie leaves in tears after a 14-year-old girl roasts her entire existence.

The girl accuses Barbie of “sexualized capitalism” and of “killing the planet with the glorification of rampant consumerism”. She also calls her a fascist.

Mass media critics praised this monologue where the buzzwords “capitalism”, “consumerism” and “killing the planet” were used to let us know that Barbie is woke now.

But, about 3 minutes later, this happens.

Barbie enters a brand new vehicle which is a clear paid product placement. Then, for a few minutes, the movie turns into a full-on ad for the Chevy Blazer – the ultimate SUV for fighting the patriarchy.

In other words, the movie glorifies “rampant consumerism” while also complaining about it.

Meanwhile, Ken learns about the patriarchy and he’s very happy about it.

Ken talks with a corporate business guy about men’s stuff.

Here’s the dialogue between the two. Ken says:

– I’ll take a high level, high paying job with influence, please.

– You’ll need at least an MBA and a lot of our people have Phd’s.

– Isn’t being a man enough?

– Actually, right now, it’s kind of the opposite.

– You guys are clearly not doing patriarchy very well.

– No, we’re doing it well. We just hide it better now.

Note: No two men have ever discussed “doing patriarchy”. Ever. However, Ken is a dumb doll. And Barbie hurt his feelings so he imported his version of patriarchy to Barbieland.

When she comes back to Barbieland, Barbie discovers that men are actually **gasp** playing volleyball. The horror.
To reverse Ken’s patriarchy, Barbies get abducted into a truck where they are “de-programmed” (or re-programmed) by America Ferrera who talks about how it’s impossible to be a woman.

The final stage of the Barbies’ plan to regain power is just … mean.

The plan involves giving Kens the love and attention they crave by listening to them sing a song.
Then they crush their spirit by chatting with another guy and leaving them.

The Barbies say:

“Give them their dream come true. And, at the peak of their happiness, when they think you actually care about this song … you take it all away.”

Does this scene teach little girls to be hypocrites, mean-spirited, and manipulative to obtain what they want?

In the end, the plan works and the Barbie system of oppression is restored. Yay. At one point, a Ken says:

– Madam President. Please may the Kens have one Supreme Court justice?

– I can’t do that.

Yes, the “happy ending” of the movie involves Madam President telling men that they still cannot have a single judge on the Supreme Court.

At the end of the movie, Barbie ascends to a form of godhood.

Barbie meets her “creator” and becomes a real woman.

What about Ken? He cried a lot and stayed in Barbieland.

Cue the credits with the song Barbie World by Nicki Minaj featuring Ice Spice. One line from the song:

That pussy so cold, we just chillin’ out.

In Conclusion

Barbie is a feminist movie that also critiques feminism. Barbieland is the result of plastic dolls taking modern-day feminism to its logical conclusion. And it is quite absurd. On the other hand, it actually works. And that’s what most children will take out from the movie. In a way, Barbieland reflects the type of society the elite is trying to impose on the world. They want feeble, insecure, and emasculated men. They want us to believe that there is absolutely no difference between a real woman and a transgender woman. They want a system where it is socially acceptable to exclude people due to their identity. They want a society where a strong, loving nuclear family is non-existent – only a collection of deeply confused individuals.

Barbie doesn’t really know what she wants or who she is while Ken is in a state of complete agony because he doesn’t feel heard or loved. While some will interpret Barbie as a critique of today’s society, most of its young viewers will simply absorb the “values” of Barbieland. Therein lies the underhanded and hypocritical messaging found in Barbie.

Symbolic Pics of the Month 09/23

Hunter Schafer is a trans model, actor, and LQBT activist who is mostly known for playing the role of Jules in the teen series Euphoria (read my full article about this toxic show here). As you probably noticed, the entertainment industry is doing everything in its power to embed trans celebrities in popular culture. Therefore, Schafer regularly gets featured in magazines such as the last issue of AnOther. Of course, everything about it is highly symbolic.

The cover of the magazine features a blatant one-eye sign, indicating that everything else inside of it will be elite-sponsored propaganda. And, boy, is it ever.
To make sure you understand that the one-eye sign above wasn’t random, an “out-of-it”-looking Schafer poses for another one.
In this pic, Schafer basically looks dead, with mushrooms growing out of the corpse. It’s all about the elite’s culture of death.

This same issue of AnOther also contained an entire photoshoot with Marina Abramovic – the elite’s favorite witch who is known for catering spirit-cooking dinners with the world’s most powerful people. The Royal Academy of Arts in London is currently hosting a retrospective of her work (which features insanity such as a model lying under a skeleton). As usual, mass media is showering her with praise and the following photoshoot is part of the promo push. Of course, everything about it is highly symbolic.

In this picture, Abramovic poses symbolically while wearing red (the color of occult sacrifice). She stands in front of a red inverted pentagram which occultly represents black magic and satanism. I don’t think they can make this clearer for us.
This is yet another picture of Abramovic around actual human remains. Witches use human skulls to conduct occult rituals.
Marina holds the horn/tusk of an animal. In occult symbolism, holding horns means drawing power from dark forces. She loves doing that.
A picture from 2014 with the same basic message.

While Abramovic turned the art world into pure satanism, various “artists” are doing the same thing to the music business.

Life-sized mannequins of Doja Cat were placed in NYC and Chicago subway stations. Naked and drenched in blood, these figures are meant to promote her album Scarlet. Interesting fact: The word scarlet is associated with immorality and sin – particularly prostitution and adultery in the Bible. Appropriately enough, these figures are a direct reference to the elite’s sick blood rituals.

At the 2023 MTV Music Video Awards, industry pawn Lil Nas X made sure to promote the same agenda.

Lil Nas X wore a white dress at the VMAs (gender-blurring agenda) while holding a Bible (Christianity-mocking agenda). In other words, he’s an agenda-pushing pawn.
Lil Yachty is yet another rapper participating in the feminization of rap by constantly wearing dresses.
The focus of this pic is on his pretty colorful nails. Gender-blurring.

Meanwhile, Sam Smith follows the same agenda while taking things to a whole other level of sickness.

BRO. Seriously. Can Sam Smith look any more pedo on this? The tight shirt with a boy BITING AN APPLE? The TELETUBBIES boots? The shorts that should be charged for sexual assault? They are being very open about their pedo ways.

Speaking of normalizing pedos, Warner Music “made history” by signing the first “virtual pop star”. If you think this is weird, it actually gets worse.

She looks like a 12-year-old girl and she’s constantly sexualized in her music videos. It is very creepy to watch.
Appropriately enough, this creepy thing signed a deal with Balenciaga. Yes, this Balenciaga.

As usual, the one-eye sign was all over the place last month. Here are a few examples.

Miley Cyrus recently posted one of the most obvious one-eye signs one can think of. Considering the fact that she is one of the most obvious industry slaves one can think of, it makes perfect sense. There’s a silver lining here: The comments on this post are incredibly encouraging.
Kristen McMenamy is a model who reached near-iconic status in the 1990s. Despite being 58 years old, she’s still modeling and is often featured in magazine photoshoots. However, there’s a price for this. Her Instagram account is full of one-eye signs and weird pics referring to Monarch programming. In this picture, the Monarch butterfly on her privates not-so-subtly alludes to Beta Kitten programming.
This Vanity Fair cover featuring Bad Bunny is extremely Masonic. First, it says “It’s good to be Bad (Bunny).” That’s kind of the elite’s motto. Second, Bunny stands on a Masonic checkerboard floor while wearing a checkerboard pattern jacket. Also, notice the angle of his feet.
Left: A Masonic feet placement guide from Duncan’s Ritual And Monitor Of Freemasonry. Left: George Washington with his feet at a 90-degree angle. This is how they pose in official pictures.
Another pic from the same photoshoot. Again, on a Masonic floor. Again, Masonic foot placement. The message: He is owned by the occult elite.
Disneyland visitors are noticing more and more creepy weirdos wearing dresses while interacting with children. Call me crazy, but I get strong “sex predator” vibes from these pics. Boycott this insanity.
Speaking of preying on children, mass media is gradually ramping up its insane obsession with masking children. Through authoritarian propaganda disguised as “news articles”, corrupt media outlets are slowly but surely planting these ideas in people’s minds. Don’t give them an inch or they’ll take everything they can.

Special thanks to everyone who sent it pics.

The Conspiracy Theories in “They Cloned Tyrone” and its Link With Jamie Foxx’s Mysterious Hospitalization

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Warning: Astronomical spoilers ahead!

As soon as They Cloned Tyrone was released on Netflix, the movie was praised as a modern classic. Mixing 1970s Blaxploitation with elements of comedy, horror, and science fiction, the movie was lauded by critics for its gender-bending style and the performance of its lead actors: John Boyega, Teyonah Parris, and Jamie Foxx.

The movie begins as a typical gangster movie, with gritty scenes involving drug dealers, pimps, and their proverbial hoes. However, things get very conspirational very quickly when the protagonists make a strange discovery: People in their neighborhood are mind-controlled through drugs laced in food, drinks, and beauty products. Even worse: Key members of the community are actually clones that were created in an underground lab owned by a powerful elite organization.

This is where things get really weird. A couple of months prior to the release of They Cloned Tyrone, Jamie Foxx was hospitalized for mysterious reasons that remain mysterious to this day.

They Cloned Jamie?

After his extended hospitalization, which sparked numerous rumors (including it being the result of a COVID-19 vaccine), Jamie Foxx went to rehab.

A headline about Jamie Foxx going to a “rehab facility” (which is often a codeword for reprogramming) after his mysterious hospitalization.

A few months later, Jamie resurfaced on social media and the verdict was in: Jamie Foxx was cloned. According to some, Jamie Foxx looks and sounds different.

A TikTok video about Jamie Foxx being cloned.

Several celebrities got angry at the rumors and directly addressed them.

“I went through something that I thought I would never ever go through,” Foxx said. “I know a lot of people were waiting or wanting to hear updates. But, to be honest with you, I just didn’t want you to see me like that, man… I didn’t want you to see me with tubes running out of me. And trying to figure out if I was going to make it through.”

Of course, some people interpret Ice T being extra angry about the clone rumors as a typical case of doth protest too much”. It’s like, why do you care so much?

The rumors were so insistent that Foxx himself addressed them on Twitter.

Notice the subtle one-eye sign in the profile pic.

The first reply under this tweet:

For some reason, these rumors are particularly prevalent in the black/hip-hop community. Indeed, several celebrities who went to prison or various health facilities are said to have returned “different”. And many believe they are clones. For instance, when rapper Gucci Mane came out of jail minus his face tattoo, clone rumors abounded.

Of course, these clone rumors are hard to believe. However, one has to admit that there’s a great number of influential people who get “institutionalized” in one way or another and who come out completely transformed and barely recognizable. Is it a result of cloning? Mind control? Difficult to say. However, all of these rumors (and other conspiracy theories) are directly addressed in They Cloned Tyrone.

But what exactly is the message behind this movie? Let’s look at it.

They Cloned Tyrone

The three protagonists of the movie: Yo-Yo (a prostitute), Slick Charles (a pimp) and Fontaine (a drug dealer).

They Cloned Tyrone exists in a fictional time: People appear to use 70s-era technology while the underground laboratories are highly futuristic.  The movie also exists in a fictional place: A neighborhood called The Glen.

The license plates on cars remind us that the movie exists in a bizarre, dissociative place.

With its vague references to time and place, the movie causes the viewer to constantly wonder when this is happening and where. In other words, we feel like clones when they are first released into society.

The first scene of They Cloned Tyrone sets the conspirational tone for the rest of the movie: A random guy talks about how he recently saw Michael Jackson and Tupac Shakur. As you might know, the deaths of these two massive stars are at the heart of never-dying conspiracy theories.

Old Man Knows All

Every day, Fountaine buys beer at his local liquor store and gives some to an old man who keeps saying cryptic nonsense. However, we soon discover that he’s actually in the know.

The old man tells Fountaine “It’s in the water”. The meaning: The water supply is tainted with chemicals that affect the mind.
Later, Fountaine seems a zombie-like man wandering the streets being abducted by a black truck.

When this happens, the old man says:

“Off to see the wizard again”.

We soon discover what the old man meant by this cryptic comment: The zombie was a clone and he was taken back to the underground lab for reprogramming. Interesting fact: The Wizard of Oz is a known MKULTRA programming script.

Later, the old man tells Fountaine:

“In the land of the blind …”

While he doesn’t finish his thought, we all know how that ancient proverb goes:

“In the land of the blind, the one-eyed man is king”.

This saying sums up the movie and, in actuality, the entire contents of The Vigilant Citizen: The occult elite (whose favorite symbol is the All-Seeing Eye) controls a mass of individuals who are blinded to what is truly happening.

Appropriately enough, the logo of the mind-controlling organization is a stylized eye.

After being forewarned by the old man, the movie’s protagonists discover how deep the conspiracy goes.

“We’re Everywhere”

Fountaine discovers his own dead body in an underground lab.

When Fountaine realizes that he might be a clone, he starts investigating with his two friends. He soon discovers elevators placed in strategic places in the neighborhood such as the trap house (where drugs are distributed to the community) and the local church (which was compromised by the organization). These elevators lead to massive underground facilities where drugs are manufactured and all-out mind control is carried out on subjects.

The trio discovers an underground lab that manufactures a potent drug. All people in the lab are white people with afros (we’ll soon understand why).

This drug causes people to become docile, easy to control, and oblivious to their plight. To reach the most people possible, that drug is laced into stereotypical products associated with black communities: Fried chicken, perm cream, and grape drinks.

The drug-laced products are heavily promoted through TV ads and billboards.
As they eat fried chicken, the trio starts laughing uncontrollably instead of focusing on pressing issues.

The organization also conducts mind control experiments on unwitting individuals.

Stuck in underground labs, mind-controlled slaves are forced to watch brainwashing material. This particular scene is reminiscent of the infamous “ultra-violence” scene in Clockwork Orange.
Before being released to society, clones are “briefed” on their prior life.

To reach people across the community, the organization is involved in strategic places such as the local church.

Compromised Church

The local church bears a symbolic name.

Scripture refers to Zion as the “City of Holiness” and a “city of refuge” where the Lord protects his people from the evils in the world. Ironically, that church has become a mind control site for the organization.

The pastor gives an impassioned sermon … but his words have a double meaning.

While the pastor appears to be talking about God, he’s actually talking about the elite organization controlling the world.

“His eyes are everywhere! Keeping watch over the wicked and the good, but also the wicked. And do you know what he wants the most out of each and everyone one of you? Obedience!”

Then, the organist plays a church version of Juvenile’s song Back That Azz Up as people get all worked up – a great way of highlighting the moral corruption of that church.

People at the church are high on drug-laced grape drinks.
We later discover that the preacher is a clone programmed by the elite.

There’s another strategic place where the organization can control the minds of people: The all-important club.

Mind Control Music

Through a music label called Ruckus, the organization creates music designed to elicit specific emotions.

The protagonists discover that the local club is a “distribution center” for this tainted music.

As the club DJ talks to the crowd, we realize, once again, that his words have a double meaning.

“I got that new Ruckus, straight out of the lab. That’s it, let the music take control, baby”.

In rap lingo, “the lab” usually refers to the music studio. However, in this case, it literally refers to a laboratory.

That’s basically what I’ve been saying on The Vigilant Citizen for years.

The music eventually takes control of people’s minds who turn against the protagonists. Yup, pop music can be used to weaponize people. But that’s only the tip of a very disturbing iceberg.

The Master Plan

A propaganda billboard in the underground facility: Science and DNA technology to achieve “unity”.

After uncovering all kinds of weirdness, people in the neighborhood come to this conclusion:

“So you’re trying to tell me there’s a bunch of Bill Nye the Science Guy-looking motherf*ckers underneath me right now? Experimenting on black folk, cloning n*ggas that look like you so they can control our minds?”

But what’s the end goal of all this? A member of the organization explains:

“America was an experiment. A half-baked idea cooked up by aristocratic ideologues living in mansions built by slaves. And when they checked out, they left us with the bill. A country constantly at war with itself. No common ground, no dialogue, no peace. If we’re all on the same page, then we’re not ripping each other’s heads off, and all of this has a chance to work. And that’s what we strive for. Keeping the United States united.”

However, at the end of the movie, we discover that there are even bigger plans to achieve “unity”.

The organization is looking to create a single human race (a blend of all races) – a plan that’ll require a few generations to achieve.

The man in charge says:

“You see, the powers that be, the invisible people above me who pull the strings, weren’t getting the results they wanted. Years of experimentation. Billions of dollars spent, yet no true peace in America. Hair products, songs on the radio, fried chicken, clones maintaining the charade. Short-sighted waste of ressources.

It’s not enough to thank think the same, we have to be the same”.

There you have it, the elite’s plans hidden in plain sight. Yet, it is “science fiction”.

In Conclusion

At first glance, They Cloned Tyrone appears to be revealing many of the shady things that have been discussed on this site and others for years. The movie blatantly depicts mind control experiments, chemicals laced in consumer products, compromised community leaders and, of course, music with nefarious intents.

Furthermore, the movie’s conclusion addresses one of the elite’s main goals: The creation of a single, homogenized race to facilitate the coming of a new world order. While the DNA/cloning aspect of the plot is up for debate, a similar agenda is being carried out right now: Movements of mass migration are purposely taking place across the world which, in time, will blur races and nationalities.

With that being said, They Cloned Tyrone is a Netflix movie – a platform known for propaganda and definitely not truth-telling. While the movie appears to be “aware”, it ultimately accomplishes the exact opposite: It fictionalizes elements of truth in a sea of fiction. It is part of the elite’s agenda called “Revelation of the Method” where its plans are revealed to the public (and passively accepted). It also causes people to associate these nuggets of truth with science fiction rather than real life.

The movie also deforms reality by framing the conspiracy as a black versus white thing (instead of elite versus the masses) which contributes to one of the elite’s favorite agendas: Racial division.

In short, They Cloned Tyrone presents a strange, off-kilter version of reality. Kind of like this new “cloned” version of Jamie Foxx.

Doja Cat’s “Demons”: Can We Just Agree That the Music Industry is Outright Demonic?

I know. I published a whole article about Doja Cat just a few weeks ago. What else can I possibly have to say about her? Well, a lot.

The music industry is currently using Doja Cat to pump out some of the most satanic videos in rap history and it’s simply too blatant to ignore. Indeed, her video Demons sums up perfectly everything I’ve been writing about for years as it is basically about the music industry revealing its true, dark, and demonic side for all to see.

And people are definitely feeling that dark energy. Those are the top comments on YouTube.

With that being said, I’ve also been receiving messages that say something like:

  “She’s trolling you bro! She’s making these videos so you can write about them and you’re giving her free publicity”.

Listen, bro. Over 12 years ago, I was receiving similar messages about Lady Gaga trolling me personally. And my answer is the same: It doesn’t make sense. Are you telling me that Doja’s record label shelled out a massive budget to hire a big music producer, an expensive video director, a top-of-the-line stylist, and a bunch of Hollwood-caliber special effects people simply to troll one website? And all of these people concentrated their efforts and expertise to mildly annoy one dude in Canada? That is not how this works, bro.

Here’s the truth: This video would exist whether this website exists or not. It is part of an agenda that was determined decades ago. I am not the target of this video, the rest of the world is.

Sure, when one looks at Doja’s Instagram account, one might think she is trolling.

She did not join the Illuminati. She’s an industry slave that is used by the Illuminati.

Doja Cat is not a “master troll”. She’s the one being trolled. She allowed herself to be turned into a literal demon in her music videos so she could be under the spotlight for a while. Until that spotlight burns her.

Let’s look at her video appropriately titled Demons.

Demons

Demons was directed by Christian Breslauer who also worked with other industry pawns such as Lil Nas X (ew), Lizzo (big ew), and many, many others. Most of his videos perfectly cater to one industry agenda or another.

Demons is heavily inspired by the movie Poltergeist. As seen in my article titled The Insanely Dark Story Behind “Poltergeist” and its Young Star Heather O’Rourke, this movie is messed up in more ways than one. Its entire premise is about “TV people” preying on children and abducting them. Even worse, the story of the movie’s young star Heather O’Rourke, and her tragic death at age 12 is simply too horrific to fathom. Long story short: She reportedly died after being raped by Hollywood creeps.

In other words, the movie Poltergeist managed to embody everything that is evil, wrong, and depraved in the movie industry. And that’s the inspiration for Doja’s video Demons.

The video takes place inside a house reminiscent of the one in Poltergeist.
Inside the home, we see TV static. Other than this being a direct reference to Poltergeist, we understand that the demonic activity we are about to witness is coming through screens. This is about mass media.

In Poltergeist, a little girl gets abducted by demonic entities who communicate with her through TV screens. She calls them “TV people”. I don’t see a better way of symbolizing the entertainment industry preying on children.

A shot of an innocent child sleeping. This is who they are preying on. 

Yup, these people love to get children involved in their dark, depraved projects.

The camera then focuses on a highly symbolic painting.
The Nightmare by Henry Fuseli (1781).

The Nightmare is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and ape-like incubus crouched on her chest. The painting’s dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success.
– Wikipedia

An incubus is a male demonic spirit that is said to haunt women when they sleep and engage in intercourse with them. The painting invokes the concept of sleep paralysis while the woman is interpreted by some as experiencing sexual pleasure.

In the context of the music video, does Doja play the role of the sleeping woman? Nope, she’s that creepy crouching demon.

Devil’s hand sign + snake bracelet = Pawn of the devil.
Demon Doja haunts Christina Ricci as she appears to be in sleep paralysis.

As you can see, Doja Cat is a “hip-hopified” demon, complete with all kinds of bling. They really want to make their satanic obsession seem cool and trendy.

Then Doja takes a bath. Of course, the scene is highly symbolic.

There’s a massive all-seeing eye on the back of her head. The message: She’s an industry slave.
A demonic hand grabs Doja right on the eye and she immediately becomes possessed. The message: The demonic industry turned Doja into a possessed slave.

As you can see, Doja is bathing in black goo – a mysterious substance that is involved in numerous conspiracy theories.

The Black Goo is a mysterious and evil entity that causes victims to become sick, drives them mad or corrupts them into performing every manner of criminal activities – often it is said to emit the smell of sulphur and moves of its own accord – the entity is said to actively take interest in the corruption of those around itself and is linked to a demonic conspiracy.

The state of rap music in 2023.

Christina Ricci then grabs a camera and tries to film what is going on in the attic (not unlike the movie Poltergeist). She finds this.

Doja’s in the dark surrounded by goats. Because she’s possessed Satan.

In a scene that is reminiscent of The Shining, Doja is typing up lyrics on a typewriter. And these lyrics are pure industry slave material.

I’m a puppet, I’m a sheep, I’m a cash cow
I’m the fastest-growing b*tch on all your apps now

You are tired of me ’cause I’m on your ass now
You are mad at me ’cause I am all they slap now

Yup, she’s calling herself a puppet, a sheep, and a cash cow. Some might say that she’s being ironic, but, deep inside, she knows that’s 100% the truth. She’s also bragging about being the “faster-growing b*tch on all your apps now”. Well, in the era of algorithms, industry plants are artificially promoted in apps. Virality is controlled. That’s the “reward” of selling your soul. TikTok and Instagram like you. Is it worth it?

Doja proudly wears a shirt that says Cash Cow. It is the kind of shirt a very disrespectful pimp would put on one of his hoes.

This is wrong yet appropriate for a couple of reasons. First, she refers to herself as a cow which is kind of reminiscent of Demi Lovato comparing herself to swine in a recent video. Why do these industry slaves keep comparing themselves to farm animals?

Second, the definition of a “cash cow” is a successful product or venture that is “milked” by the business owners. It is something that you exploit until it stops being profitable. She should just say that she’s a puppet while she’s at it. Oh wait, she already did.

All that’s missing from this verse is the required modern female rapper lyric about her being a sex slave. Oh wait, there it is.

I done took the whole d*ck and blew my back out
I just swallowed all his kids and spit the class out

Stay away from children you creep.

The video ends with the family fleeing away as Doja and her demons take over the house as she yells:

How my demons look
Now that my pockets full?
How my demons look
Now that you b*tches shook?

That’s rap in 2023. I wish it was 1993.

In Conclusion

The movie Poltergeist perfectly symbolizes the movie industry preying on children. And the video Demons perfectly symbolizes the music industry preying on children. Through screens, the demonic forces of the industry are invited right into our homes and into the minds of impressionable children.

Demons is not Doja Cat expressing herself as an artist. It is Doja Cat being used to push an agenda that will keep going, no matter who’s the chosen “artist” of the moment. When people will get sick of her, the industry will simply choose another puppet, sheep, and cash cow. And people will be like “OMG she’s so original!”.

 

This Agenda Given College Students in Canada Exemplifies How Education Has Turned into Indoctrination

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In the French-speaking province of Quebec, colleges are called Cegeps. And, at the Cegep du Vieux Montreal, students were given an agenda that is full of … agendas. Indeed, the cover of this thing manages to encompass nearly every single globalist agenda in existence these days. Not only that, but the agenda also contains a “manifesto” that basically calls for the burning down of all police stations.

But before I go further, let me take a step back and explain what I mean by “globalist agenda”.

As explained in previous articles on this site, the ultimate goal of the global elite is to create a one-world government that some refer to as the New World Order (NWO). In order to achieve this goal, the elite is engaged in the massive process of deconstructing nations from within to make them compliant with the requirements of this world government. This is an insidious, multi-faceted plan that uses sold-out government officials to pass nation-destroying laws, mass media to push the propaganda in “entertainment” and, of course, education to indoctrinate people while they’re young.

There is nothing new about any of this. A couple of years ago I published a document titled “Current Communist Goals” which lists 45 goals pursued by Marxist forces to overthrow America by infiltrating and corrupting its key institutions. That document dates from 1958 but it is more relevant than ever today. While the USSR failed at destroying America, globalists are succeeding at using the same tactics. Here are some points that are particularly interesting in the context of this article.

17. Get control of the schools. Use them as transmission belts for socialism and current Communist propaganda. Soften the curriculum. Get control of teachers’ associations. Put the party line in textbooks.

18. Gain control of all student newspapers.

19. Use student riots to foment public protests against programs or organizations which are under Communist attack.

26. Present homosexuality, degeneracy and promiscuity as “normal, natural, healthy.”

38. Transfer some of the powers of arrest from the police to social agencies. Treat all behavioral problems as psychiatric disorders which no one but psychiatrists can understand [or treat].

40. Discredit the family as an institution. Encourage promiscuity and easy divorce.

42. Create the impression that violence and insurrection are legitimate aspects of the American tradition; that students and special-interest groups should rise up and use [“]united force[“] to solve economic, political or social problems.

With these goals in mind, here’s the cover of this college agenda.

 

The first communist goal quoted above talks about taking control of schools and their associations. The agenda above was created by the student association of the Cegep du Vieux Montreal. Clearly it was infiltrated by radicals and the actual school allowed the association to turn the agenda into the very definition of propaganda. Let’s take a closer look at this thing.

The Weaponization of LGBTQ

This sticker depicts two “non-binary” people kissing while draped in the LGBTQ flag.

26. Present homosexuality, degeneracy and promiscuity as “normal, natural, healthy.”

The LGBTQ movement has been hijacked and weaponized by the global elite to attack and deconstruct important foundations of a healthy society such as the traditional nuclear family. On a deeper level, it used to debase and confuse people by blurring the concept of genders which is the very foundation of human existence. This leads us to this next sticker.

The trans flag with the slogan “Protect Trans Youth”.

Propagandists are great at manipulating words to make their agendas seem virtuous. By “protect trans youth”, they actually mean subjecting minors to extreme and dangerous sex change surgical procedures, not to mention equally dangerous hormone blockers. Indeed, outright child abuse is being openly promoted, all in the name of the gender-burring agenda. And, for some reason, these flags are on a college agenda.

Toxic Feminism

A uterus giving us the finger … a representation of the elite’s toxic version of “feminism”.

40. Discredit the family as an institution. Encourage promiscuity and easy divorce.

In Canada, abortion is legal and it is not even close to being in danger. So why is a pro-abortion slogan put on a college agenda? Because obsessing over abortions is basically a way of life. It is an integral part of a new wave of toxic feminism where abortion is not seen as an unfortunate, last-resort procedure. Instead, it is an empowering ritual that is actually glorified and celebrated.

This next sticker goes in the same general direction.

“Femicides, not one more”.

Not too long ago, the word homicide was used to describe the murder of any human being. However, in recent years, the word “femicide” has been adopted by media outlets when a man murdered a woman. This switch in vocabulary is not random. As usual, it is part of an agenda. Every time an article headline mentions a “femicide”, it turns a sad crime into a call to blame and repress masculinity in general. The ultimate proof of this fact: The word is prominently featured on the cover of this politically-charged college agenda.

Down With Capitalism

“Capital destroys the Earth”.

17. Get control of the schools. Use them as transmission belts for socialism and current Communist propaganda.

19. Use student riots to foment public protests against programs or organizations that are under Communist attack.

Globalists are in the process of brainwashing youth to make them believe that Marxism will cure all of their problems. Coincidentally enough, the World Economic Forum (the most elite organization on Earth) is calling for the death of capitalism through the “Great Reset”.

A screenshot of one of the WEF’s propaganda videos.

To convince young people that they must embrace the elite’s oppressive system, they use the environment. More specifically, they use outright fear of the environment. The message: If we don’t all become Marxists, we will all burn and die.

The sticker “Capital destroys the Earth” reflects this exact agenda. And students are forced to look at it all year.

This next sticker goes in the same direction.

This sticker depicts masked, Antifa-looking protestors with the words “The people united will never be defeated”.

These words are not random. They are a translation of “el pueblo unido jamás será vencido” – the slogan of the Chilian Marxist group that led to the election of Salvador Allende – a Marxist President.

In other words, a day planner distributed to students of a Canadian college promotes all-out communism … while profiting from the quality of life provided by capitalism, of course.

ACAB

This sticker depicts a burning police car with the letters ACAB (All Cops Are Bastards)”. Interesting fact: Some students who have this agenda are studying to become cops.
The agenda also contains a text that talks about the “police’s role in the capitalist system”. It even calls for the burning down of police stations. This is inside an agenda distributed to college students.

38. Transfer some of the powers of arrest from the police to social agencies.

42. Create the impression that violence and insurrection are legitimate aspects of the American tradition; that students and special-interest groups should rise up and use [“]united force[“] to solve economic, political or social problems.

An integral part of the elite’s agenda is to destroy trust and respect toward law enforcement while greatly reducing its reach. The whole “defund the police” movement is all about catering to this agenda. Several major cities around the world elected far-left mayors who have put in action such as plan. The result: Cities are turning lawless wastelands where crime is rampant, drug-addicted zombies roam around and people get attacked and robbed with no repercussion. If you think I’m exaggerating, just watch this video filmed in Philadelphia.

Believe it or not, that’s exactly what the elite want. The goal is simple yet diabolic: To destroy the country from within, allowing the adoption of a New World Order. In their messed-up world, drug-addicted zombies are their friends while clear-minded, freedom-loving citizens are enemies that need to be monitored and oppressed.

This next sticker follows the same philosophy.

A closed fist reminiscent of the Black Lives Matter logo.

The Black Lives Matter movement was funded by George Soros’ Open Society Foundation. Its manifesto blatantly mentioned Marxism and the destruction of the nuclear family. A few years later, the leader of the movement was found to be a fraud and a hypocrite who used BLM money to purchase multiple houses.

Despite all of these facts, this agenda is still promoting this movement that actually does not care about Black people at all. Why? Because it fits multiple globalist agendas. BLM is actually about promoting racial division and police hatred, two important tools to destroy countries from within.

In Conclusion

Higher education used to be about learning facts and encouraging critical thinking. In recent years, it has turned into the exact opposite. Objective facts are being replaced with made-up doctrines. Critical thinking is being replaced with the unquestioned adoption of specific views. Of course, these views are perfectly aligned with the goals of the global elite.

The cover of this college agenda perfectly exemplifies the sad state of today’s educational system. When I was a college student, the agenda had literal flowers on it. And quotes from ancient philosophers. If they wished, students could put on whatever stickers they wanted to reflect their personal views.

However, today, there are no personal views. One view is allowed and the others are shunned.

Colleges and universities have turned into indoctrination camps. And, while they’re trying to come across as revolutionaries, those who push these views are actually complying with the wishes of the world’s richest and most powerful.

They are tools. They are sheep. And they want all students to become one of them.

Symbolic Pics of the Month 08/23

I recently watched Barbie at a movie theatre and, honestly, the experience stunned me. And not in a good way. Witnessing the audience applaud the weird, toxic, and borderline hateful messages found throughout the movie left me somewhat queasy and worried for the next generation.

A whole lot of things are said and done throughout that movie so, in order to properly analyze it, I’ll have to rewatch it, pause it and take some notes. A full article about this movie is definitely in the plans.

Meanwhile, symbolic pics surrounding Barbie appeared across mass media and they confirm one important fact about the movie: It is elite-sponsored propaganda.

Of course, elite-owned papers such as the New York Times gushed over the movie. In this article headline, Barbie director Greta Gerwig hides one eye with a Barbie eye, effectively doing a one-eye sign. The message: The movie is elite-sponsored propaganda.
One of the most popular characters in the movie is Weird Barbie. As you can see, that character was a perfect opportunity to incorporate a blatant one-eye sign right on the face of a Barbie. The message: This is elite-sponsored propaganda.

Like all modern elite-sponsored propaganda, the movie has to pander to the gender-blurring agenda.

One of the Barbies is trans actor Hari Nef. If this name is somewhat familiar it’s because he also played in The Idol – a degenerate series about sex slavery in the music industry. In Barbie, Hari actually gets hit on by one of the Kens.

Hari Nef is a typical industry plant that is artificially being raised to celebrity.

Hari Nef was featured on the cover of Porter magazine. As you can see, his hair is strategically placed to form a one-eye sign. The message: Industry plant. Just another facet of the gender-blurring agenda.

Speaking of industry plants, Doja Cat is at it again. After releasing the intensely satanic video Paint the Town Red, Doja posted a bunch of symbolic crap on Instagram.

While her pictures appear to be random attempts at trolling her audience, they’re actually highly symbolic. In this series of pictures, there are butterflies – a reference to Monarch programming. Her nose is bleeding, a reference to the abuse and drug use associated with mind control. If you think I’m “stretching” with this interpretation, the next picture in the same series goes exactly in the same direction.
This mirrored image makes it seem as if Doja has two heads. Coincidentally enough, this is a classic way of depicting the dual personalities of MK slaves.
Every once in a while, Doja is required to post highly unflattering pictures. This is part of the humiliation ritual that some “chosen” artists have to go through.

Travis Scott’s Instagram account is even more disturbing. After laying low for a couple of years due to the catastrophic Astroworld festival (a dark ritual that culminated in the deaths of several people), Travis Scott is back with a new album. And the promotion surrounding it is … upsetting.

Travis Scott’s Instagram post promoting the release of his new album inexplicably contains pictures of sad-looking, shirtless children. In this particular picture, the child is covered with drawings, including a circle around one eye (one-eye sign). Why did he post this pic? 
The same post contains another unexplained picture of a shirtless child. The most liked comment under the post is “are those the kids you sacrificed”? I don’t know about that, but those pics definitely look like child trafficking headshots.

As usual, the one-eye sign was all over the place in these past weeks and was performed by some of the biggest celebrities on Earth. The message: They are owned and controlled.

Millie Bobby Brown was discovered by the general public in the Netflix series Stranger Things when she was 11 years old. When I published my article about the first season, I predicted that she would be weirdly sexualized and that she would become an industry slave. Sadly, both predictions came true. In a photoshoot with WWD magazine, Millie performs the most blatant one-eye sign you’ve ever seen.

The WWD article promoted Brown’s new fragrance. Here’s the promo pic.

Unmistakable one-eye sign.
This is the cover of Olivia Rodrigo’s single Bad Idea Right?. As you can see, lipstick strategically hides one of her eyes. I think that this cover was a bad idea … right?
Cara Delevingne is an industry slave. To make sure we are aware of that, they’ve got her doing a blatant one-eye sign on the cover of ELLE magazine. But wait, maybe she just doesn’t understand how sleeves work. Let’s look at another pic from the same photoshoot.
Another oh-so-clever one-eye sign. The message: She’s an industry slave and they want you to know it.

Britney Spears is in the news again because she’s splitting from her husband of one year Sam Asghari. Considering the fact that nearly all of her partners are actually MK handlers, that is not surprising. Throughout this “marriage”, Britney’s Instagram account was a mess of MK-ULTRA madness.

In a recent Instagram video, Britney pole dances while wearing a feline-print bikini. This is all Beta Kitten programming stuff. A couple of years ago, actress Rose McGowan stated that Britney was being trafficked and these bizarre Instagram posts sure do look like trafficking “ads”.
Alongside her trafficking videos, Britney’s Instagram account is filled with blatant MK imagery. In this creepy post, broken porcelain dolls are strung together – a classic way of representing the fractured persona of MK slaves. The Lord’s Prayer added as a caption only adds to the creepiness of it all.

Halsey is another blatant representative of the MK system. Everything about her is drenched in Monarch mind control imagery.

In this social media post, Halsey is nearly naked with butterfly wings (Monarch mind control – Beta Programming). Her caption talks about her turning into a butterfly (“Can’t leave the chrysalis while I’m still gooey. See you when my wings come in”.) This is Monarch vocabulary describing re-programming.

Mylène Farmer is a French artist who has been extremely popular for decades. Despite her status as an industry veteran, she needs to promote industry satanism to keep going.

In her latest show, Mylène performed in front of two massive inverted crosses while wearing ritualistic red. Yup, she’s yet another artist who turned a concert into an all-out satanic ritual.
At one point, she’s under the spell of a dark hooded figure and levitates. A great way of conveying the fact that she’s controlled by dark forces. 

No SPOTM is complete without a reminder that the gender-blurring agenda keeps reaching new levels of absurdity.

This is a lingerie ad in Berlin. It says “For every woman. We mean every.” Underneath is a picture of a BEARDED DUDE WITH HAIRY LEGS. If their relentless propaganda succeeds in making us believe that this dude is a woman, it can make us believe anything. And that’s the ultimate goal.

Special thanks to everyone who sent in pics.

The Occult Meaning of Doja Cat’s “Paint the Town Red”

If you’ve been following this site, you’re probably aware of the fact that Doja Cat is one of the industry’s current “it girls”. Like the many others who preceded her (and the many others who will follow her), Doja Cat is currently profiting from an artificial, inorganic surge of media attention. This translates to magazine photoshoots, invitations to high-profile events such as the MET Gala, and lucrative contracts with companies such as Victoria’s Secret.

However, like the other “it girls”, Doja Cat’s success comes at a steep price: She must fully comply with the industry’s sick, satanic agenda while allowing herself to be reduced to the state of industry slave. Here are some examples taken from the last few months.

This is Doja Cat at the 2023 Balenciaga show. Yes, the same Balenciaga that released a disgusting pedophilic ad campaign. At the show, Doja had shaved and bleached hair which is a classic way of identifying MK slaves. Also, her makeup was purposely made to look as if she had a black eye and a bruised lip – a reference to the abuse of industry slaves.

Her 27th birthday party was a highly symbolic affair that was inspired by Eyes Wide Shut – a movie about elite sex rituals.

Her birthday cake featured Masonic symbols such as the Square & Compass and the All-Seeing Eye inside a triangle.

That party was a gathering of industry slaves (i.e. Justin Bieber, Kendall Jenner, Ariana Grande, and many more), all united to celebrate the “it” slave of the moment.

Several pictures of Doja half-naked were “leaked” (most likely planned). It was all about submission (read my full article about that party here).

Everything surrounding Doja keeps getting darker and more blatantly satanic.

On the cover of a previous single, Doja is naked and covered in blood. The inverted triangle over her body looks like a cup filled with blood. The caption says “Let’s begin” with a drop of blood.
Doja Cat arrived at Paris Fashion Week covered in red and attended a show titled Inferno Couture which was inspired by Dante’s Inferno and the Nine Circles of Hell. In other words, this is low-key satanic stuff while also showcasing Doja Cat’s status as an industry slave.

One way of identifying a current industry “it girls” is by the fact that they’re often draped in red. Appropriately enough, Doja’s latest single is titled Paint the Town Red. Even more appropriately enough, the song is all about sacrificing one’s soul to be in the good graces of the industry.

Let’s look at this symbolic video.

Paint the Town Red

As seen above, Doja Cat is slowly but surely introducing her fans to outright satanism. Appropriately enough, in her video Paint the Town Red, she literally takes her viewers to hell. The video is so blatant that even mainstream media have to acknowledge its diabolical nature.

A headline from Rolling Stone.

However, even faced with the most blatantly satanic video, mainstream media finds to rationalize the imagery by explaining that she’s being a “rebel” or something. Newsflash: This video is the exact opposite of rebellion. It is about enslavement.

Paint the Town Red begins with Doja naked and drenched in blood (like on the cover seen above).

Doja places her hand over one eye, effectively performing a one-eye sign.

But Doja takes that sign to a whole other level.

Doja rips the eyeball out of her skull and places it on a table. The entire video will revolve around that eyeball.

Right from the start, we’re in full occult elite territory. The scene uses the same imagery as the movie The Neon Demon which is about the dark side of the fashion world.

The removal of the eye triggers a series of diabolic events.

Doja rides a devil-like figure while eyeballs hang in the background.

Meanwhile, the song’s lyrics explain how Doja is willing to sacrifice herself for fame.

Yeah, b*tch, I said what I said
I’d rather be famous instead
I let all that get to my head
I don’t care, I paint the town red

The expression “paint the town red” means “to go on a reckless debauch, to be wildly extravagant”. However, in the context of the song, it is also a reference to Doja being constantly draped in red – the color of initiation and sacrifice. The next scene confirms this fact rather clearly.

Doja stands with the Grim Reaper (the personification of death) while she is fully draped in red (the color of sacrifice).

Doja standing with the Grim Reaper is a reference to blood sacrifice. It is also a reference to the metaphoric death of the occult initiate leading to rebirth.

At one point, Doja drenched in blood appears on the Grime Reaper’s scythe while she raps “You can’t take that b*tch nowhere”.

The blood-drenched Doja refers to the blood sacrifice and the death of her old persona.

After flying in the sky with the devil and chilling on Earth with the Grim Reaper, Doja goes further down. Way down.

Doja finds herself in a stylized version of hell as she gets very close to the devil.

The lyrics of the post-chorus confirm that we are not imagining things.

Mm, she the devil
She a bad lil’ b*tch, she a rebel

She put her foot to the pedal
It’ll take a whole lot for me to settle

Other than calling herself “the devil”, she also calls herself a “rebel”, a word that always irks me when it comes to satanic crap. There’s nothing “rebellious” about doing this stuff – it is literally the prevailing dogma. Even worse, it is the only dogma that is currently acceptable in mass media. In other words, she is just following orders and that’s the exact opposite of being “rebellious”.

In the following line, she talks about how she puts her “foot to the pedal” which is a reference to her prioritizing her career and success above anything else. In short, the song constantly links Satanism with success. That’s the entire point of the song.

For some reason, one of the devil’s horns is cut off. At one point, Doja hands the devil the broken horn but drops it before he can grab it.
Hanging next to the couple from hell is what looks like an embryo with a little demonic baby inside of it. Who is that supposed to be?
In another scene, Doja walks around with a cart holding raw meat.

Once again, this is a reference to blood sacrifice and even cannibalism. The occult elite consumes raw blood for its magical potency.

After all of this satanic madness, Doja cuts off the embryo.

Was that an abortion? I don’t know anymore. I just want it to stop.

Then, we’re back at the first scene with Doja drenched in blood.

She grabs her eyeball and pops it back in her head.

This entire video was a literal one-eye sign. After she removed her eye (which symbolizes her submission to dark forces), we witness the satanic ritual sacrifice that is required for Doja (and other artists) to be successful.

In Conclusion

One doesn’t need to be an expert in symbolism to understand that Paint the Town Red is satanic. However, even when faced with such blatant symbolism, the media will rationalize it by saying that she’s “poking fun at her haters” and that she’s “trolling”. None of this is happening. All of this was planned – even the backlash against her.

Here’s the harsh truth: To be successful in today’s industry, you do not need to please your fans. You need to please the industry. If you’re a chosen one, the industry will generate the artificial media attention one requires to be famous. We call these people industry plants.

To Doja Cat, all of this is worth it because she’s “putting her foot to the pedal”. However, there’s one thing she overlooked: The ride she’s on has no brake pedals. The only way to stop is by crashing. Ask Britney and the countless other “it girls” that preceded her.

Young Thug’s Lawyer Wants Video Evidence of a Goat Sacrifice Ritual to Be Suppressed From Trial

In early 2022, Young Thug and several members of YSL Records were arrested and charged with conspiracy to violate the Racketeer Influenced and Corrupt Organizations (RICO) Act. YSL member Shannon Stillwell (aka SB), was also arrested around the same time on alleged murder charges.

But that arrest was rather bizarre and it was all caught on video (most likely body cams). When police raided Stillwell’s home, he was reportedly in the midst of an all-out goat sacrifice ritual.

Young Thug’s lawyer wants video evidence of this arrest to be suppressed because it would “prejudice the jury against Mr. Williams” (Young Thug).

Shannon Stillwell.

Here’s the motion filed by Young Thug’s lawyer.

As you can see, the lawyer strategically phrased what was caught on video as a “religious ceremony which involved the supposed sacrifice of goats”.

That’s some typical lawyer talk. It was an occult blood ritual. Whether you call it voodoo, witchcraft, Brujeria or all-out satanism, it’s an occult ritual involving blood sacrifice. That’s what they do.

It’s not like Young Thug and his industry friends were hiding it. As seen in countless articles, their videos and photoshoots keep referencing their rituals.

In this promotional picture, Young Thug licks a $1200 shoe. More importantly, the snake on the shoe (a reference to Lucifer in The Book of Genesis), the ritualistic red, and the inverted cross combine to make this shot wholly satanic.

In 2018, I published an article about Young Thug’s video Up featuring Lil Uzi Vert (pronounced Lil Lucifer). Here’s a screenshot from it.

This girl wears a pentagram on her face and horns on her head, not to mention a ritualistic red dress. In occult symbolism, holding horns means drawing occult power from demonic forces.

There’s a lot of weirdness and irregularities surrounding this trial as it pokes at some of the shadiness happening in the music industry. They want this video footage of ritual sacrifice to be suppressed because it would hurt Young Thug’s brand and influence negatively the jurors. More importantly, people would see for themselves the dark, depraved, and satanic side of the music industry. And they really do not want that – they want to be able to keep calling us “conspiracy theorists”.

This 2023 Berlin Fashion Show Was All About Mocking Christianity in the Trashiest Way Possible

Warning: This article contains pictures that are not safe for work.

Namilia is a fashion brand based in Berlin, Germany. Described as “rebellious” and “unapologetic”, Namilia attracted some attention with its “dickinis” and “vulva sleeves”, two pieces of garments that look as stupid as they sound. Through provocative creations, the founders of the brand Nan Li and Emilia Pfohl say they use fashion to “proclaim their beliefs”.

“For us, clothing is not just an aesthetic tool but a visual platform to proclaim our beliefs, conflicts and dreams.”

As we’ll soon see, their “beliefs” apparently revolve around mocking Christianity – which happens to be a staple of Satanism. However, like all Satanists, they will never admit that they are Satanists to the general public. Instead, they explain all of their work with buzzwords such as “feminism”. However, as we’ll see, Namilia’s brand of feminism is actually degrading, highly toxic, and bent on erasing masculinity.

In short, everything about Namilia is in perfect accordance with the agendas of the occult elite. They want us to be faithless, dehumanized, self-hating whores. Probably for this reason, the brand has been experiencing a meteoric rise to success since its inception in 2015. In only a few years, Namilia is featured in major fashion shows, is praised by major outlets such as Vogue magazine and is worn by high-profile celebrities such as Rihanna and Cardi B.

“Influencers” wearing Namilia at the Barbie premier. Most people in the comments found that they did not belong there. But Namilia and Barbie are all part of the same globalist agenda so, in actuality, they do belong there.

While past Namilia creations were certainly provocative, the Spring 2024 fashion show took things to another level by mocking Christianity in the trashiest way possible.

In Loving Memory of My Sugar Daddy

On the third night of Berlin Fashion Week, the Namilia fashion show created a buzz with its new collection titled In Loving Memory of My Sugar Daddy.

The name refers to young women exchanging a sexual relationship with old men for money … until they die. Because, most likely, they were so old. It’s not technically prostitution but it’s in the same realm. That’s the type of “feminism” championed by Namilia.

But that’s not even the real issue. This whole sexual context is mixed with references to Christianity. Is Jesus the “sugar daddy”?

Let’s just look at this mess.

The top says “You can’t enter heaven unless Jesus enters you”. There’s most likely a sick, blasphemous sexual innuendo in there.
This is the back of the outfit above. There’s a crucifix on her butt crack. Sexual innuendo confirmed.
Do they truly love Jesus? Or are they mocking him with the revealing bottom half of the outfit?
The top says “Jesus cums first”. Not “comes first” – the other spelling which refers to ejaculation. That’s the type of filth we’re dealing with here.
The shirt says VIP. Underneath is written “Very Important P*ssy”. Now that’s classy.
Speaking of classy, here’s this outfit. On the top are printed two crucifixes used to hide nipples. There are also the letters “VIP” which, as seen above, do not stand for “Very Important Person”. Finally, demonic nails and a g-string complete this wonderful outfit that can be worn at work or at the gym.
The combination of Christian imagery with highly sexualized bondage accessories is a recurring theme in this fashion show. It’s also Satanic.
Crucifix with BDSM-style spikes. It’s all about blasphemy.

While Namilia is said to be “feminist”, the words printed on their garments are not exactly uplifting. In fact, they are degrading and reek of self-loathing.

Her shirt says “Boner Garage”. That’s rather forward. Why not just put the word “slut” on a top while we’re at it?
They’ve put “slut” on a top.
“Schwein” means “pig” in German. What is it with “feminists” comparing themselves to pigs? This is reminiscent of Demi Lovato’s recent song Swine, where she also compares herself to … swine.
The model looks embarrassed walking around in this outfit. I mean, she’s wearing a deformed crucifix with the words “Cunting Season” on her privates.
There’s a bunch of crucifixes on the top while the bottom says “Trash”.

If you’re like me, the word “degenerate” is probably reverberating in your mind right now. Also, you’ve probably had enough of this. However, I must point out another aspect of this show that is 100% on par with the elite’s twisted agenda: Every single male model in the show was dressed in women’s clothes. In slutty women’s clothes.

Bro, what are you doing with your life?
If there’s one thing the elite hates more than Christianity it’s masculinity.

In Conclusion

While the fashion brand Namilia is said to be “rebellious”, there is actually nothing rebellious about it. Quite the contrary, the fashion show seen above follows in the strictest ways possible the oppressive dogma of the occult elite it is forcefully imposing on the world. It is the global culture they want us all to embrace and, magazines such as Vogue are used to hail these creations as works of art.

However, as stated by the creators of the brand themselves, fashion is merely another tool for propaganda. Through clothing, they are celebrating their true religion: Satanism. Furthermore, they’re on a mission to dehumanize women, feminize men and glorify all that is sick, twisted, degrading, and unnatural.

On a wider scale, it is about creating a generation that hates itself and that has absolutely no self-respect or self-esteem. By printing words such as “slut” and “schwein” (pig) on its shirts, Namilia is not being cool or edgy, it is simply reflecting how the elite perceives the masses. Not only that, they want people to actually believe that’s what they are.

With that being said, there’s another word found on Namilia clothing that actually perfectly defines it: Trash.

There is Something Terribly Wrong With Media’s Reaction to “Sound of Freedom”

Sound of Freedom is a movie based on the true story of Tim Ballard, a government agent who quits his job in order to rescue children from sex traffickers in Colombia. Directed by Alejandro Monteverde, Sound of Freedom is not your typical Hollywood movie. It was released by Utah-based Angel Studios, a company specializing in “faith-based” productions.

The movie was actually completed over five years ago, in 2018, and was slated to be distributed with 20th Century Fox. However, when the studio was bought by the Walt Disney Company, Sound of Freedom was shelved indefinitely. Apparently, Disney was much more preoccupied with making movies that groomed kids with sexual propaganda rather than releasing a movie exposing pedophile networks.

Luckily for the filmmakers, they were able to buy the distribution rights back from Disney and, through equity funding, they’ve managed to get the film released on July 4th, 2023.

Almost immediately, the movie was met with a bizarre barrage of bad reviews where the buzz words “QAnon conspiracies” appear in nearly every article, as if all of these “journalists” (propagandists) received the same memo.

The movie itself does not mention QAnon or anything even remotely related to it. It merely puts on film the story of Tim Ballard and Operation Underground Railroad, the organization he created to fight child sex trafficking. However, mass media pundits made it a point to associate make this word association. Also, they decided that this movie was “controversial”.

Why is that? Well, for starters, the media really does not like some people associated with the movie, starting with its star, Jim Caviezel.

“Controversial” Endorsements

Jim Caveziel with Mel Gibson during the filming of Passion of Christ (2004).

Prior to Sound of Freedom, Jim Caveziel was mostly known for playing the role of Jesus Christ in Mel Gibson’s Passion of Christ. The least one can say is that this role took a toll on Caveziel. During filming, he was accidentally whipped, got his shoulder dislocated, and suffered pneumonia and hypothermia.

Oh, he was also hit by lightning. Indeed, while filming the Sermon on the Mount scene, Caveziel was struck by lightning which led to two heart surgeries, including open-heart surgery.

In Sound of Freedom, Caveziel’s character also has “Christ-like” qualities, especially when he tearfully looks at the camera and says “God’s children are not for sale”.

While the movie itself stays away from the “conspiracy theories” the elite wants to suppress by any means necessary, Jim Caveziel just goes all in at every chance he gets.

In the following interview, Caveziel directly refers to the satanic elite and the harvesting of adrenochrome.


Another major endorser of Sound of Freedom is Mel Gibson. That is rather appropriate because one of the most memorable lines he ever uttered was:

“They can take our lives, but they’ll never take our freedom!”

When he screamed those words as Sir William Wallace in the 1995 movie Braveheart, Mel Gibson was one of the biggest movie stars in the world. However, even at the peak of success, Gibson found a way to anger people with massive truth bombs.

In a July 1995 interview with Playboy, Gibson said President Bill Clinton was a “low-level opportunist” and someone was “telling him what to do”. He also stated that Oxford University’s Rhodes Scholarship was established “for young men and women who want to strive for a “new world order” and was a “campaign for Marxism”.

During a 1998 interview, Gibson alluded to the dark, satanic side of Hollywood.

A few years later, after some of his drunken tirades (notably about Jews starting wars) were leaked in the press, Gibson was shunned and blacklisted from Hollywood. While he stayed away from Hollywood productions for years, Gibson resurfaced to openly endorse Sound of Freedom, which is not a Hollywood movie.

So what’s the fuss all about? Here’s a look at the actual movie.

Sound of Freedom

Jim Caveziel as Tim Ballard in Sound of Freedom.

While Sound of Freedom is said to be “faith-based”, there is no religious preaching or political messaging throughout the movie. It simply wants to make one important point: Child sex trafficking is bad. And, somehow, mass media deemed this movie to be “controversial”.

To drive that point across, the movie doesn’t shy away from depicting scenes that are barely watchable. For instance, in one gut-wrenching scene, an old drunken tourist stumbles into a room where a terrified little girl is forced to wait for him. And, no, nobody flies in to save the day. The drunken pedo shuts the blinds as the viewers realize that nothing will stop the unspeakable things will happen in that cursed room.

These scenes shamelessly tug at the heartstrings and are nearly impossible to watch. However, they do happen in real life. Every day. Thousands of times a day. Not only that, child sex trafficking is a booming industry that keeps raking in record amounts of profits. As stated in the movie, drugs can only be sold a single time. However, a child can be sold several times a night.

By forcing the viewers to face these harsh realities, the movie sets itself apart from nearly all Hollywood productions that would never tackle such topics. The main reason: Hollywood is rampant with the worst pedophiles one can imagine.

Some critics complained that the movie was too straightforward. They did not like the fact that there was no surprise twist and that the hero remained an unwavering, incorruptible hero who just wants to see pedos go down. I guess they would have been pleased if the hero revealed himself to be a pedo all along or something like that.

But these professional “critics” should have realized that they were not watching a Marvel movie where random, unpredictable events just happen to fill airtime. Sound of Freedom is about telling a true story and exposing a horrific reality.

For instance, the movie begins with real and chilling footage of children being snatched from the streets and taken away by abductors working for these networks. These children end up in the child sex networks that are depicted in the movie.

They also end up in elite pedo rings that indulge in the most horrific practices known to men. For this reason, corrupt, elite-owned media outlets went on a bizarre propaganda campaign to disparage Sound of Freedom. As you’ll soon see, they were willing to go extremely low.

Media’s Unhinged Response

In Sound of Freedom, a man heroically infiltrates child sex trafficking networks and saves children from being raped by pedophiles. Media’s response: This movie is bad. What in God’s name is happening here?

Here’s the thing: In Sound of Freedom, pedos are the bad guys. They are not misunderstood, oppressed victims who need to be coddled – they are sadistic monsters who prey on the divine nature of innocent children. And they need to be stopped.

This goes against the narrative that has been prevalent in mass media in the past years. The goal: To pave the way to a society where “MAPs” (minor-attracted persons) are treated like other sexual “minorities”.

For this reason, nearly every elite-owned media outlet in the world published insane articles that attacked Sound of Freedom. Here’s a headline from the “reputed” Washington Post.

A Washington Post headline that links Sound of Freedom with the QAnon boogeyman.

The second paragraph of this article says.

“Many critics have linked Sound of Freedom to the pro-Trump QAnon conspiracy cult. They’ve also been startled by its mainstream success. But the truth is that the conspiratorial right and the Hollywood default aren’t that different — which is why, perhaps, our polity has had such difficulty rejecting QAnon, Trump and fascism.”

As you can see, this article throws every single buzzword at the readers such as “pro-Trump QAnon conspiracy cult”, “conspirational right” and even “fascism”. Yes, he used the word “fascism” to critique a movie about child sex trafficking.

One can wonder: Why does this “reviewer” hate this movie so much? If this movie was about cocaine trafficking in Colombia, would he be that offended?

Well, the answer is completely sickening. The author of this Washington Post article is Noah Berlatsky – a communications director for Prostasia, a “pro-pedophilia” advocacy group.

Noah Berlatsky on the Prostasia website.

According to their website, Prostasia supports the “Minor Attracted Persons” (MAPs) Club, a notorious group that tries to normalize pedophilia.

Earlier this year, Reduxx reported that a general manager of Prostasia – Prescott Bayern – was active on a pedophile messaging board dedicated to homosexual men who dubbed themselves “boy lovers” – pedophile men sexually attracted to underaged boys.

“Despite claiming to be motivated by a desire to eradicate child sexual abuse, the organization’s efforts have dedicated themselves to crusades against child pornography bans, letter-writing campaigns to state representatives demanding child-like sex dolls be kept legal, and funding research into ‘fantasy sexual outlets‘ for pedophiles,”Reduxx founder Anna Slatz explains. “Prostasia has also condemned anti-pedophile sentiment as harmful ‘Nazi-like’ rhetoric and called for its mass censorship across social media.”
– Evie, “Sound Of Freedom” Critic For Bloomberg Is A Pedophile Sympathizer

In short, Berlatsky is a pedo extremist. In case you’re still not convinced, here’s a tweet he posted in 2017.

Berlatsky’s article about Sound of Freedom wasn’t a “movie review”, it was a hit piece coming directly from a pedophile advocacy group. And major outlets such as the Washington Post openly took the side of the child abusers.

Sadly the Washington Post was not the exception. Nearly every single elite-owned media outlet followed suit. The narrative: “Sound of Freedom = QAnon”.

A headline from The Guardian uses the same buzzwords as the Washington Post article which was written by a pedo. They’re all funded by the same system.

Of course, Canada’s government-funded CBC network had to participate in the insanity. After years of celebrating drag queens in schools and all forms of child grooming, the CBC attacked Sound of Freedom using the same buzzwords. In a recent interview on CBC Radio, pop culture “columnist” (propagandist) Radheyan Simonpillai said:

“We can’t say that the movie itself is made by QAnon types. But certainly, their political goals make it something that QAnon conspiracy theorists would rally behind. Just like racists rallied behind Trump without him having to say anything overtly racist.

You would have only heard about this movie if you are a regular among church groups, or you regularly watch Fox News, or if you follow right-wing personalities. Or if you are a QAnon conspiracy theorist or part of the so-called Freedom movements.

But make no mistake. The movie’s success has a lot to do with it being a dog whistle for xenophobic, pro-Trump, pro-Life types.”

Yes, this “columnist” said that this movie about child trafficking in Colombia is a “dog whistle for xenophobic, pro-Trump, pro-Life types”. In other words, this person is paid by Canadian taxpayers to spew pro-pedophile propaganda.

I could post many more examples of such headlines from around the world and they all prove two important points: 1) These outlets take their talking point from the same globalist elite source 2) They’re on a mission to normalize pedophilia and they’re willing to attack anything that goes against their agenda.

In Conclusion

Is Sound of Freedom the best movie I ever watched? Not really. Objectively, it’s a well-made movie that touches on an important topic, and it was quite refreshing to watch. Any reasonable “reviewer” could have said the same and left it at that. But that’s not what happened at all. Instead of objectively reviewing the movie, “reviewers” screeched like demons when faced with a crucifix.

Sound of Freedom clearly touched a nerve and, by doing so, it managed to reveal how far the elite (and its media system) is willing to go to defend pedophilia.

Through unhinged and desperate “reviews” (which are outright attempts at propaganda, complete with scary buzzwords), mass media outlets from around the world attempted to scare people from watching the movie for fear of being called “pro-Trump conspiracy cultists”. Bloomberg and the Washington Post went as far as hiring a pro-pedo advocate to attack the movie. As a society, we truly need to reflect on the implications of such a move by major media outlets.

As usual, these propagandists used their favorite tactic: the “far-rightization” of the topic to scare people away. However, this issue is not about Left versus Right. It is about Good versus Evil. The most important line of the movie is “God’s children are not for sale”. If, somehow, you are offended by that line … then you can go to hell.

Literally.

 

The Hidden Messages in “The Idol” About the Music Industry

Warning: Colossal spoilers ahead!

Despite the fact that the series received a barrage of terrible reviews, I sat down a watched all five episodes of The Idol. My first impression: The show should have been called Lily-Rose Depp’s Butt in Various Outfits While The Weeknd Gets Increasingly Sweaty and Coked Up.

Not only is this title catchier, it properly reflects what we see for most of the series. There’s indeed a ridiculous amount of close-up shots of Lily-Rose Depp’s barely covered butt during the series, to the point that it becomes just absurd. The analytical part of me wondered: Is there a comment about the music industry in these shots or is it just director Sam Levinson just being the perv that he is?

It’s most likely both. The Idol is about industry slavery as seen by people who actually exploit industry slaves.

Interesting fact: The Idol was originally directed by Amy Seimetz who had already completed about 80% of filming. Judging by various reports, the original version had a much different tone and perspective. However, she was fired and replaced with Sam Levinson who rewrote and refilmed the entire thing. The result: Lily-Rose Depp’s Butt in Various Outfits While TheWeeknd Gets Increasingly Sweaty and Coked Up.

Those who hired Sam Levinson knew exactly what they were getting. The director is mostly known for creating Euphoria, a teen drama that’s just, like, terrible, for so many reasons. In my article about Euphoria, I wondered why a 37-year-old man would dream up and put on film so many extreme sex scenes involving minors. Some commentators answered that Levinson had no ill motives and that he was simply reflecting youth culture.

However, with the release of The Idol, many finally realized that there was something off with this guy.

An article about the bizarre thing that happened during the filming of The Idol.

With Sam Levinson’s version of The Idol, we got a raw reflection of the music industry – as expressed by actual industry insiders. Other than global star The Weeknd, the show features K-Pop star Jennie, super-producer Mike Dean, and several others. However, in the end, The Idol is all about Lily-Rose Depp.

Lily-Rose Depp is The Idol

Lily-Rose Depp with fashion industry legend Karl Langfeld.

Lily-Rose Depp is the daughter of American sex symbol Johnny Depp and French sex symbol Vanessa Paradis. Right from an early age, she was groomed to become a sex symbol herself and her parents made sure that she was put in contact with all the right people. While she appeared in a few movies and fashion shows, The Idol was her big break.

At an important point during the series, Lily-Rose Depp’s character tells The Weeknd’s character:

“It’s not about you. It’s about me.”

Not only does this line represents a turning point in the power dynamic between the characters, but it also sums up The Idol as a whole. While The Weeknd is the big wig (literally) behind the show, the series is actually about making Lily-Rose Depp a star.

In many ways, The Idol is reminiscent of Blonde, a movie about Marilyn Monroe’s life and, more precisely, her traumas. As explained in my article about Blonde, the movie is actually about witnessing the lead actress Ana de Armas being subjected to extreme, humiliating, and highly sexual situations. Both Blonde and The Idol were qualified as “torture porn” by angry reviewers while also praising the main actress. In a way, these difficult and borderline degrading lead roles serve as an industry initiation for these actresses.

Like Blonde, The Idol is also a brutally honest reflection of the entertainment industry. The main message: It is full of sex slaves.

Let’s look at this thing.

The Idol

Everything you need to know about The Idol is summed up in the very first shot of the series.

Lily-Rose’s character – named Jocelyn – stares at a camera while a device hides one of her eyes. Yes, there’s a one-eye sign right at the start of the series. The message: This is all about the occult elite and its twisted industry.

We eventually learn that Jocelyn was a child star who had an abusive and controlling mother. The death of her mother caused Jocelyn to have a complete mental breakdown which lead to the cancelation of her tour because she was “out of her mind, babbling up in the roof and talking to things in outer f*cking space”.

In short, that’s a classic MK ULTRA breakdown as experienced by actual industry slaves such as Britney Spears.

So, in the first scene, Jocelyn partakes in a photoshoot which devolves into a debate about her showing her breasts.

During the shoot, Jocelyn wears a red robe. As we’ll soon see, this character often wears red outfits – the color of sacrifice and initiation in occult elite circles.

In this photoshoot, Jocelyn wears a bizarre but important item: A hospital wristband. Jocelyn’s manager Nikki explains why this thing is part of the photoshoot:

“Mental illness is sexy.”

Nikki argues that a girl like her would never have sex with a regular Joe from Idaho unless she had very serious mental problems. Then, Nikki instructs Jocelyn to show more nails, “like a kitty cat”.

Like a sex kitten.

After the photoshoot, Jocelyn rehearses the choreography of her new single titled World Class Sinner. Of course, everything about her act is pseudo-satanic. It is a music industry requirement.

The choreography contains a reference to Britney Spears’ Slave 4 U – the theme song of industry slaves.
Of course, the choreography of the song called World Class Sinner finds a way to mock Christianity. It’s an industry requirement.
Everybody liked that performance, including Talia the transgender journalist who works for Vanity Fair.

Throughout the series, Talia is a somewhat intimidating figure who has the power to make or break careers. In short, Talia represents “the media” who can spin stories and create narratives.

Conveniently enough, a media crisis surfaces while Talia is around. Jocelyn’s team panics and they immediately discuss ways of spinning the story to their advantage.

A picture of Jocelyn with sperm on her face has gone viral.

Her manager says:

“How 14-year-old girls are going to buy tickets for this when she’s frosted like a Pop Tart?”

What’s interesting about this line is that, with stars such as The Weeknd and K-Pop star Jennie, the show itself targets young girls. And these viewers are exposed to this rather gross storyline, complete with close-up shots of the picture.

In the context of the story, the picture going viral is a humiliating and traumatizing ordeal that further cements Jocelyn’s status as a Beta Kitten slave. In fact, her managers fear that it’ll lead to her suffering another breakdown.

On a wider scale, the viewers of The Idol saw a picture of Lily-Rose Depp with her face covered in (possibly fake) semen. Was that part of her industry initiation? The fact that her father Johnny Depp enthusiastically supported her performance in this show is rather weird. And, as we’ll see, his daughter we’ll be subjected to a whole lot of under things.

The Handler

Tedros performing some hypnotic, mind-control stuff on Jocelyn.

After a difficult day, Jocelyn goes to a club owned by a rat-tailed guy named Tedros (played by The Weeknd). This place has a clear satanic vibe.

This disciple of Tedros walks around with an inverted cross around his neck. They’re a satanic cult.

While animating the crowd, Tedros says:

“This is a church for all you sinners!”

As Madonna’s Like a Prayer plays in the club (a satanic song), Jocelyn is immediately attracted to Tedros. She cannot resist his sleazy pimp energy.

The next day, Jocelyn invites Tedros to her house. Her assistant doesn’t like that at all. She says:

– I hate his vibe.
– Why?
– He’s so rapey.
– Yeah, I kind of like that about him.

Yes, Jocelyn is messed up. She’s been controlled and abused her entire life and, apparently, she craves more.

When Tedros arrives, Jocelyn descends the stairs dressed in red. They go to Jocelyn’s home studio where Tedros teaches her to “sing like she knows how to f*ck”.

Tedros covers Jocelyn in bright red – the color of sacrifice and initiation. Then, he chokes her while rubbing her privates.

Then Tedros tells Jocelyn:

“Now you know how to sing”.

End of the first episode. And everything about it was 100% Beta Kitten stuff.

In the next episode, we have to sit through countless minutes of Tedros fondling Jocelyn in every way possible while saying things such as:

“I want to grab you by the ass while I suffocate you with my c*ck and I want you to choke on it.”

Bonus fact: While he’s saying this, there’s a 17-year-old girl watching them (more on her later).

These sex scenes are not hot. They’re gross and you want them to end. However, they do cement Tedros as a creepy MK handler. And we soon discover that he’s been grooming a bunch of slaves to be “artists” for a while.

A Bunch of Slaves

Tedros has a knack for finding musical talent. Then he turns them into Beta Kitten slaves.

Izaak’s entire act is about making ladies (and men) horny. He’s often dressed in animal prints (used in the occult elite to identify Beta Kitten slaves) and his hair is bleached (also used to identify slaves). In many ways, Izaak is reminiscent of Lil Nas X – a major industry slave.

Another artist in Tedros’ stable is named Chloe. As soon as she appears in the show, she gets completely naked. Then we learn that she’s actually 17 years old (the actress is in her 20s).

For absolutely no reason, Chloe wears a devil hat at one point. Just satanic things.

If you know a little something about Monarch mind control, you know that electroshocks are used by handlers to cause trauma and dissociation. Tedros does exactly that to his slaves.

Tedros shocks his disciples while telling them MK handler things such as “You wanna be a star, you gotta push through the pain” and “You’re not human, you’re a f*cking star”.
When Jocelyn tells Tedros that her mother used to beat her with a hairbrush, he tells her to go get it. Then, he beats her with it.

He tells her:

“This is really gonna hurt. But if you push through the pain, it’ll be beautiful”.

Typical MK handler stuff.

While recording a song, Tedros blindfolds Jocelyn (with symbolic red fabric) and fondles her … in front of a bunch of people. Producer Mike Dean laughs at her. It’s degrading and humiliating. It’s Beta Kitten stuff.

Another clue that this show is about mind control is that they literally say the words “mind control”. At one point Jocelyn’s assistant tells Izaak:

– He’s doing mind control on her or something.
– Mind control?
– Yeah, he’s like using her in front of other people like she’s not even a human being.
– Well, she’s not a human being. She’s a star. And stars belong to the world.

Meanwhile, Jocelyn’s management team is losing it.

Finklestein is “sh*tting more blood than a kid at Epstein Island”. This edgy joke is also yet another reference to the occult elite’s pedophilic network of MK slaves.

In order to convince her management team to take them on tour, Jocelyn schedules a meeting where she and the other slaves would put on a memorable performance. It was all about sexual slavery.

One artist straight-up offers sexual favors to Finklestein.
All of the artists (including 17-year-old Chloe) are basically in their underwear. Also, most performances are glorified lap dances.

The performances culminate with Jocelyn performing a song that is mostly her panting and breathing heavily. Here’s a sample of the lyrics she sings:

Lock me up and throw away the key
He knows how to get the best out of me
I’m no force for the world to see
Trade my whole life just to be
Top of the world, but I’m still not free
This is a secret that I keep
Until it’s gone, I can never find peace
Waste my whole life just to be

Could this be more about industry slavery?

Jocelyn’s performance ends with her kneeling in front of Finklestein as if she was about to pleasure him. The fact that he refers to himself as a “parent figure” while she’s in this position is rather weird.

Needless to say, the managers were happy and impressed. Because, in The Idol, good music is directly linked to sex.

The series ends by implying that Jocelyn was actually using Tedros to good music from her. Nevertheless, they end up together but Jocelyn is now the dominant one. Thus ends one of the stupidest love stories of all time. But that really wasn’t the point of this series.

In Conclusion

The Idol is an annoying and cringy show that I will never watch again. On the other hand, it is one of the most brutally honest depictions of the music industry seen on TV, as expressed by people who know about it firsthand. Throughout the series, success in the industry is equated with unquestioned obedience to handlers, combined with sadistic torture and extreme sexual acts.

However, none of this is actually denounced. In fact, Tedros, the MK handler in the series, ends up being depicted as a genius who knew how to bring out the best in his artists … by electroshocking them and so forth.

In short, The Idol normalizes the sad, sick, and twisted nature of the music industry that reduces artists to sex slaves who are used to please the higher-ups of the industry. At the center of it all is Lily-Rose Depp who, throughout these five episodes, is treated as a sex object for all to see. And the industry will most likely reward her for that.

“Swine”: Demi Lovato’s Pro-Abortion Video That is Equally Dumb and Evil

On the first anniversary of the overturning of Roe vs Wade, Demi Lovato released a surprise music video titled Swine. And, after watching that video a couple of times, I have to admit: It worked. I am now pro-abortion. Because I think that the people involved in that video should have been aborted.

Bad jokes aside, watching this video and listening to its lyrics is a sad and unsettling experience. It’s one of these things I believe will be studied in the future as an example of “cultural weapons” used to destroy a civilization from within. It is actually quite astonishing.

My opinion about this video doesn’t even originate from my personal stance on abortion. Should abortions be outright banned? I honestly don’t know. I believe it is a complex issue that should be debated rationally. In the context of the United States, allowing each State to decide using its democratic processes is probably the best way to go. And that’s exactly what the overturning of Roe vs Wade accomplished.

With that being said, I am 100% adamant on a couple of points: Every single abortion is a sad and unfortunate event. Also, absolutely no abortion is “empowering” nor is it a cause for celebration. And don’t get me started on late-term abortions where born-alive babies are literally left to die.

Clearly, Demi Lovato doesn’t agree with any of this.

I created ‘SWINE’ to amplify the voices of those who advocate for choice and bodily autonomy. I want this song to empower not only the birthing people of this country, but everyone who stands up for equality, to embrace their agency and fight for a world where every person’s right to make decisions about their own body is honored.
— Demi Lovato (@ddlovato) via Twitter

Yes, you’ve read correctly. Lovato used the words “birthing people” to refer to women. She literally used a term that is used to erase women from the public space in a post about “equality” and “empowerment”. The hypocrisy on display in these sentences is astonishing. However, coming from Lovato, none of this is surprising.

Confused Industry Slave

The cover of Demi Lovato’s last album where she lies on a dirty mattress shaped like a cross while wearing a BDSM outfit. 100% Satanic.

As explained in numerous previous articles, Demi Lovato is one of the most obvious slaves in the music industry. Throughout the years, she displayed numerous symptoms of MK programming (breakdowns, “rehab”) while her “art” has been reduced to cringy agenda-pushing.

For instance, in 2021, Lovato announced to the world that she was “gender-neutral” and her pronouns were “they/them”. Media outlets were ecstatic. Her outright lying about her supposed lack of gender was indeed very brave.

Lovato also used her social media accounts to post insanities such as “gender reveal parties are transphobic“. To prove her point, she quoted none other than trans author ALOK who infamously claimed that “little girls can be kinky”.

After struggling with her own pronouns and supposed gender neutrality, Lovato just gave up and announced to the world that she was a woman again.

Apparently, you can switch your whole gender according to your energy level.

In short, Lovato is used to push agendas that she cannot even understand because, to her credit, they barely make sense.

Then, she released Swine.

Swine

The title of the song itself is telling. According to Demi, the humanity of “birthing people” is defined by local abortion laws. The delusion doesn’t stop here as Demi compares herself to a witch about to be burned at the stake … because she is pro-abortion. Yes, that’s exactly what is happening right now.

Demi wears a sacrificial red outfit as she is being trialed as a witch.
In front of her are old, white, cisgender, conservative, religious males that want to ruin her life. Also, there’s a black man in there because black people who do not abide by the agenda are EVEN WORST.
These evil men are holding a “Witches’ Verdict” and are about to execute Demi.

While facing these judges, Lovato sings these inspiring words:

God forbid, I wanna suck whatever the f*ck I wanna
God forbid, I wanna f*ck whoever the f*ck I want

And if he cums, I guess I gotta be a mother

I honestly don’t know where to start. So I guess I’ll start with the first word of the verse: God. This word is followed by a bunch of other words that shouldn’t be in the same sentence as God. However, this fits perfectly with the blasphemous theme of this entire thing.

If we take the time to analyze these words, Lovato argues that God, religious people, and the entire government do not want her to suck random dudes. Because if these dudes ejaculate, she will automatically and begrudgingly become a mother.

Yup, that’s exactly how sex works. There is definitely no such thing as birth control or, like, not having dudes ejaculating inside of her. Nope. Sex = Automatic mother. Don’t question Demi Lovato on those things – she used to transcend the very concept of gender after all.

The first verse continues:

F*ck what I think, I don’t know a thing
The government knows my body

So Demi DOESN’T want the government to make decisions regarding her body. Cool. I wonder what was her stance regarding COVID vaccines.

Wow.
Lovato actively promoted the censorship of information against COVID vaccines.

Anyways, let’s continue reading this historic verse.

No, it’s okay, it’s better this way, I’m only a carbon copy
Even if I’m dying, they’ll still try to stop me

In the last line, Lovato insinuates that some places will let “birthing people” die instead of performing an abortion. That is simply untrue. This is pure, unadulterated misinformation. Isn’t she against misinformation? Maybe she’s only against it when it harms Pfizer.

As she sings these illuminating words, Lovato is supported by a crowd of mentally challenged people.

This female version of Dwight Schrute rolls her eyes at us because not killing babies is SO LAME.
This dude is giving us the shampoo commercial twirl while also being angry about abortions. But why is he even there? Dude, YOU CAN’T GET PREGNANT.

At this point in the video, Lovato blesses us with a second verse that is also full of knowledge and wisdom.

Picture your faith, imagine your God and even your Holy Bible
Is suddenly bannеd, do you understand?
Now doesn’t that sound entitlеd?
It’s your book, but it’s my survival

Again, Lovato rails about “your God” (not hers) and “your Holy Bible”. In a spectacular leap of logic, she compares the restricting of abortions to the banning of an entire religion. Is abortion a religion now?

The last line says “it’s my survival”. How? The only ones “not surviving” are unborn babies.

There is more to this legendary verse.

We gotta grow ’em, we gotta raise ’em, we gotta feed and bathe ’em
And if you won’t, they call you a witch to burn at the stake in Salem
Thought by now they’d change, but we’re still waiting

Demi Lovato reduces motherhood to a series of annoying chores to be performed on unwanted runts. And, apparently, the only thing that is preventing her from experiencing the awfulness of motherhood is unlimited abortions. The toxic mind state that comes with this line of thinking is quite unsettling.

The verse ends with a common expression which, in the satanic context of this song, takes on a more literal meaning.

Give these motherf*ckers hell

Then comes the chorus.

My life, my voice
My rights, my choice
It’s mine, or I’m just swine
My blood, my loins
My lungs, my noise
It’s mine, or I’m just swine

It’s funny. People said the same things about forced vaccinations. And choosing to not get vaccinated is TRULY a personal choice because it does not involve killing a baby. But she wanted to silence these people.

Anyways, Demi then mocks Jesus.

Demi plays the role of Jesus in a re-enactment of the Last Supper, complete with her mentally challenged disciples.
Bro, stop with sassiness. I realize that you’re wearing a weave but you still CANNOT GET PREGNANT.

Of course, Demi Lovato is not Jesus. She actually embodies the exact opposite.

Demi Lovato walks with her angry friends while holding a lantern.

In the scene above, Lovato is a light bearer. Appropriately enough, the word Lucifer is literally translated to “light bearer” in Latin. Coincidence? I don’t think so.

Demi sings angrily in front of hellish fire. She really wants to give us hell.

Of course, the video ends in the dumbest way possible.

Lovato walks TOWARD the fire.

What is she doing? Why? I thought she didn’t want to get burned at the stake. Is she sacrificing herself for abortions? None of this makes any logical sense. On the other hand, this scene actually sums up perfectly how this entire agenda ultimately leads to self-destruction. So bravo, Demi, bravo.

In Conclusion

Swine is nothing less (and nothing more) than social indoctrination. It is purposely written in the irrational tone of a hysterical child to influence the minds of suggestible teenagers and immature adults. While Swine is said to defend the rights of “birthing people”, the video actually puts way more focus on satanic imagery. Because, in their twisted minds, abortions are a type of child sacrifice. And I’m not making this up. The Satanic Temple actually promoted “ritual abortions” a few years ago.

When you truly think about it, who is actually treated like swine? “Birthing people”? Or the babies that get slaughtered in a cold and sterile environment?

Symbolic Pics of the Month 06/23

Ah, yes, the month of June. Such a beautiful month. The weather is nice, summer is coming, kids are finishing school. What’s not to like? Well, in the past years, the powers that be turned this beautiful month into one of the most annoying months of the year. Because now, June is Pride Month.

Apparently, a Pride Day wasn’t enough. A Pride Week neither. It had to be a whole month. Also, the “celebrations” cannot be tasteful and respectful. They have to be invasive, abrasive, and, for some reason, often targeted at children.

Beyond the rainbow, there’s one question that most people completely overlook: Why is it called PRIDE Month? Why is the word PRIDE the emphasis here? Because words matter.

Pride is considered the original and worst of the seven deadly sins on almost every list, the most demonic. It is also thought to be the source of the other capital sins. Pride is the opposite of humility.

Pride has been labeled the father of all sins and has been deemed the devil’s most essential trait. C.S. Lewis writes in Mere Christianity that pride is the “anti-God” state, the position in which the ego and the self are directly opposed to God: “Unchastity, anger, greed, drunkenness and all that, are mere fleabites in comparison: it was through Pride that the devil became the devil: Pride leads to every other vice: it is the complete anti-God state of mind.” Pride is understood to sever the spirit from God, as well as His life-and-grace-giving Presence.
– Seven Deadly Sins, Wikipedia

Considering these facts, the following t-shirt design makes perfect sense.

Of course, the Biden administration had to pander to the agenda by hosting a “celebration” at the White House. Boy was it symbolic.

During Pride celebrations, the Pride flag was placed front and center, flanked by two American flags. Not only is this a clear violation of the US flag code, but this display also sends out a powerful message: The globalist empire has overthrown the American nation. 
As if that wasn’t enough disrespect, trans “influencer” Rose Montoya went barechested right on the White House lawn. Is this Sodom and Gomorrah?

The same globalist forces that control the White House also control media outlets.

For its Pride issue, Glamour UK featured a “pregnant man” on its cover. As we’ve seen in previous SPOTM, they REALLY want us to be exposed to “pregnant men”. It’s perfectly in line with the gender-blurring agenda.
The title of the article is ‘I’m a pregnant trans man and I do exist. No matter what anyone says, I am literally living proof’. Wow. So much BS. Of course, there is no such thing as pregnant men. This is a woman who underwent extreme and ungodly procedures to look like a man. But she’s still a woman. In other words, this article is garbage.

The powers that be know very well that indoctrination is most effective when it starts at an early age. And our poor children are being bombarded with the most absurd and repugnant attempts at propaganda ever seen.

This is a coloring page given to public school students in the UK. Remember when we used to color cute horsies or cool race cars? Now children have to color the hairy armpits of Zoe, the non-binary pervert.

Of course, the one-eye sign was all over the place this last month. And, as usual, it was performed by big stars who are willing to do whatever it takes to stay big.

Vogue just went all out with symbolism and propaganda. On one side, you’ve got your “gender-neutral” and “pronouns” ridiculousness. On the other side, you’ve got Bella Ramsey doing a one-eye sign while wearing an ironic crown (she’s a slave) on the other.
Bryan Cranston doesn’t want his career to end. So he has to do a one-eye sign in GQ magazine.
In another pic, Cranston does another one-eye sign. Gotta make sure you understand that this sign is not random.
English singer Jorja Smith wants to keep her career going. So she does a one-eye sign on the cover of i-D magazine.

If you think you can avoid this symbolism by avoiding mass media, well I guess you’ll need to avoid going outside now.

A VC reader from Italy sent in this Swarovski billboard in Milan. It features a model hiding one eye using a butterfly. Can’t get more occult elite than that.
Disney and Pixar are currently struggling because everything they do is drenched with an agenda everybody hates. The main character of the upcoming Pixar movie Elio is basically a walking, talking one-eye sign. Judging by the trailer, the movie will also contain some annoying woke messages. In short, this movie will be garbage.
This is an ad promoting Kesha’s new tour. As you can see, she looks rather unhappy while doing a clear one-eye sign. Also, the name “Gag Order” is rather telling. Apparently, it refers to her not being able to talk about her case against producer Dr. Luke who reportedly abused her. Also, this name might have a sexual underlying meaning, if you know what I mean. In other words, she’s still an industry slave.
Mabel Cadena is a Mexican actress who is mostly known for her role in Black Panther: Wakanda Forever. She was recently featured on the cover of Vogue Mexico. And she’s doing the one-eye sign with a snake. She also does the one-eye sign a couple of more times in the photoshoot to make sure you understand that this is all about showcasing her industry slave status.
Jennifer Coolidge really wants to keep her career going. So she does an oh-so-clever one-eye sign using a veil. So creative.
In this pic from the same photoshoot, Coolidge has horns on her head because, like, Satanism.

Speaking of Satanism, it is slowly but surely becoming the only “religion” allowed in mass media.

This is rapper Lil Uzi Vert on the cover of 032c magazine. As explained in previous articles about him, this rapper (whose name is pronounced Lil Lucifer) is basically an industry plant used to bring outright satanism to rap and black culture in general. On this cover, there’s an inverted cross on his forehead. Also, there’s blood around his mouth which implies some sort of blood ritual. In other words: He’s garbage.

Speaking of blood rituals, here’s another industry plant.

This is the cover of Doja Cat’s latest single. As you can see, she’s naked and covered in blood. The inverted triangle over her body looks like a cup filled with blood. As a caption to her IG post, Doja (or whoever handles her account) wrote “Let’s begin” with a drop of blood. I don’t think this can be more blatant.

The world of gaming can’t escape blatant satanism either.

This is an ad for Diablo IV in NYC. The game will be released on 6/6/23 (2 x 3 = 6). The ad says “Welcome to hell New York” with a demonic creature named Lilith looking over the city. Weirdly enough, the skies of NYC turned hellish red due to smog from Canadian forest fires.

Satanism is also infiltrating schools in the most insidious ways possible.

At exactly 6 pm on the 6th day of the 6th month (666), both branches of the Saline County Library system received copies of a Satanic picture book. The book is titled The Satanic Temple Presents: Goodnight Baphomet. In short: This book is garbage.

At first sight, the following pic might not seem very symbolic. But it is.

This is a recent pic of Bill Gates meeting with Xi Jinping, the head of the Chinese Communist Party. During the meeting, they’ve called each other “old friends”. As explained in previous articles, China is basically an NWO laboratory where insane, extreme measures such as a social credit system, “re-education camps” for dissidents, and all kinds of oppressive systems are being tested and implemented. Let’s not forget China’s insane COVID lockdowns. Meanwhile, Bill Gates has been pushing vaccines for decades while turning big tech into an Orwellian nightmare. In short, these two are garbage.

Special thanks to everyone who sent in pics.

The Intense Symbolism in Beyoncé’s Renaissance World Tour

In case you didn’t know, Beyoncé is a big, massive, gigantic star. So, when the time came for her to embark on a new world tour, you better believe that the money was spent to create a big, massive, gigantic show. And considering the fact that we’re talking about Beyoncé, you better believe that the entire thing was replete with big, massive, gigantic symbolism.

I’m pretty sure that long-time readers of this site are not surprised at all. After all, my first article about Bey was over fourteen years ago and, since then, she constantly put out material that’s highly symbolic. There’s a reason for that.

Beyoncé enjoys a special status in the music industry: She’s the “Queen Bey”. She was given a royalty status that’s constantly reflected in everything she does.

While her entire persona is surrounded by a goddess-like aura, her status also means that she’s the ultimate prototype to carry all of the occult elite’s messages and symbolism. In many ways, she is the figurehead of the global pop music industry.

Ironically enough, when one decodes the symbolism surrounding her, Beyoncé is portrayed as the exact opposite of royalty: She’s a robotic slave who does as she’s told by those who programmed her.

If this last sentence makes absolutely no sense to you, keep reading. Because the imagery in her Renaissance World Tour could not be clearer. Divided into six acts, the show is driven by an overarching narrative about Beyoncé’s “rebirth” as an android which culminates in an unsettling bit about mind control.

Let’s look into it.

Renaissance

Before the show even begins, the crowd is treated to LGBT Pride flags because, well, it’s just obligatory. And, throughout the show, the audience will be seeing male dancers dressed as women inserted here and there because that is now obligatory as well. There are even trans/drag dancers during the song Run The World (Girls), which is rather contradictory.

As stated above, Beyoncé was built to promote agendas. And the rest of the show explains how she was built. In a symbolic way, of course.

Right from the start, the show begins with some interesting symbolism.

The show begins with a picture of Beyoncé that is gradually revealed one square at a time. For a few minutes, the fans are made to look at a subtle yet very present one-eye sign.

At this point, we already know that this will be elite-approved “entertainment”.

The full picture reveals a Beyoncé that is not wearing a lot of clothes.

As you can see, there’s a lot of skin and flesh in the picture above. This is “human” Beyoncé. And, during the first part of the show, human Bey performs some of her slower and gospel-inspired R&B songs.

However, at the first intermission, a metamorphosis occurs.

During the first intermission, we see human Beyoncé turn into a shiny robotic thing.

This is where human Beyoncé turns into an artificial creation. As seen in previous articles, the elite loves to portray its industry slaves as androids who’ve been programmed through Monarch mind control. If you think I’m going too far, keep reading. Because the words “MIND CONTROL” will literally appear on that screen later during the show.

Two robotic Beyoncés lay opposite each other – a way of representing the split personality of MK slaves.
On several occasions during the show, we see this strange image: A winged Beyoncé riding a missile. The war agenda is here. In fact, there’s an entire segment of the show that revolves around war.

Then, we’re taken somewhere … else.

The legs of the Beyoncé-bot are spread and there’s a tunnel right there.

Yup, the viewers of the show are taken into Beyoncé’s vagina. And, apparently, it goes very deep.

At the end of the tunnel, Beyoncé-bot appears (inside herself?) and mimics horns on her head. Gotta show us who programmed her.

Then Beyoncé re-appears to the crowd in a brand new outfit.

Beyoncé stands under a sun/star while wearing a shiny android outfit.

This is a direct reference to the character of Maria in the 1929 movie Metropolis.

The android in Metropolis stands under an inverted pentagram.

As explained in previous articles on this site, the movie Metropolis is extremely important to the occult elite – especially in the entertainment business. Throughout the years, numerous female artists have referenced Maria in their acts, including Beyoncé herself on several occasions.

Beyoncé, like 13 years ago.

There is a reason why this character from an obscure German movie keeps popping up in popular culture: Her story is highly relevant today.

In Metropolis, Maria is a charismatic leader who is loved and trusted by the working class. However, a scientist from the elite kidnaps her and creates an android that takes her likeness. The robot is then sent to the workers where she is used to corrupt their morals and push them to work against their own interests. The movie culminates with robot Maria performing an erotic dance where she embodies Babylon, the Great Harlot of the Apocalypse.

In short, Maria is the perfect figure to represent the role of pop stars in today’s popular culture.

Throughout the show, there are multiple video segments showing Beyoncé submerged in water (like an unborn baby) while attached to all kinds of tubes and devices. She is being created and programmed by her handlers.
This sums up the entire show.

There’s a lot of symbolism happening in the image above. Beyoncé’s entire body is made of circuits which confirms that there’s no more human Beyoncé left. More importantly, she has one eye hidden by an electrical thingy – a perfect way of representing her status as an industry slave. At the center of the screen, a rendered version of Beyoncé’s face is surrounded by the phases of the moon – a way of indicating that there was some witchcraft involved in the creation of this robot. Exactly like in Metropolis.

This image is also quite eloquent. Beyoncé is literally shackled while she holds a mic in the other hand. What better way of representing a slave of the entertainment industry?

Like Maria from Metropolis, Beyoncé-bot has some messages to communicate to her audience.

Towards the end of the show, the viewers are subjected to a spinning hypnotic pattern as creepy sounds play in the background.

Then, a message of the utmost irony is displayed to the viewers.

The screen displays the quote “Whoever controls the media controls the mind” which is attributed to Jim Morrison.

The presence of this quote in this show is quite ironic. Beyoncé is a product that is literally owned by “whoever controls the media”. Every aspect of her career is handled by the biggest names in said media. In other words, those who control the media are telling the viewers that they’re controlling their minds.

Then, things get even more blatant.

In an unsettling segment, the words “MIND CONTROL” are displayed to the audience. Bonus: At the center of the word “CONTROL”, there’s a figure on all fours implying sexual submission (Beta kitten programming).

After telling us that media controls the mind, Beyoncé re-emerges as … a media personality.

During the song America Has a Problem, Beyoncé plays the role of a robotic newscaster who happens to wear Baphomet-like horns.

Like Maria in Metropolis, Beyoncé is used by the elite to communicate specific messages to the masses.

Then, the show ends in the most Beyoncé way possible.

Beyoncé is lifted up in the air and hovers over the crowd as if she was some sort of divine figure.

In Conclusion

The music industry loves to portray Beyoncé as the queen of the music industry and no expense was spared to make the Renaissance World Tour an event … fit for a queen. However, when one analyzes the narrative behind the show, one thing becomes clear: Beyoncé is portrayed as the exact opposite of royalty. The show tells the story of a human singer who transforms into a robot slave through a combination of science and occultism – not unlike Monarch programming.

As the show progresses, things get increasingly blatant. In one image, she is literally shackled while holding a mic. Can they make this clearer that this is all about mind control? I guess they can. Because they literally flashed the words “MIND CONTROL” later in the show.

In short, the Renaissance World Tour told the story of Beyoncé’s transformation from a soulful R&B singer to a tool of the elite that was reduced to slavery. And people cheered throughout the entire thing.

Sinister Sites: Felicity, the Creepy Desertic Town at the “Center of the World”

Located near the California-Arizona state line and the Mexican border, the town of Felicity was built on 8,000 acres of desertic land, in a place some would define as “in the middle of nowhere”. However, to other people, this exact location is extremely significant. In fact, Felicity was officially designated “the center of the world” by both California’s Imperial County and France’s Institut Geographique National.

How can one even determine the center of a spherical globe, might you ask? Well, we can’t. Like everything else relating to Felicity, one must look beyond the literal and understand the occult symbolism behind it all. For instance, the official “center of the world” is located inside a 21-foot-tall pyramid.

The official “center of the world” is located right under the apex of the granite pyramid.

But that is only the beginning. When one takes the time to explore this odd place and dig into its bizarre history, one important fact becomes obvious: It is a creation of the occult elite.

Felicity

The weirdness begins.

As you can see above, the town of Felicity has a population of 2: The town’s founder Jacques-André Istel and his wife Felicia. While this sign looks like a goofy tourist attraction, none of this is a joke: The town was officially recognized by California’s Board of Supervisors in 1986, with all of the paperwork that comes with it.

That’s the thing about Felicity: Everything about it seems to scream out a “kitschy tourist trap” yet everything behind it says “dead serious occult activity hotspot”. And, as we’ll soon see, this place is full of symbolism that is unmistakably Masonic.

In order to fully understand the origins of this place, we must first look at the background of its founder.

Elite Ties

The founders and only inhabitants of Felicity.

Felicity was founded by Jacques-André Istel, a man with an interesting background and an even more interesting family.

A French-American, Istel has a varied background, working on Wall Street and serving as a marine in the Korean War before becoming well-known for being a famous parachutist. He co-founded Parachutes, Inc, the country’s first parachuting school, and is often credited with bringing parachuting to the American mainstream.
– CultureTrip, Everything You Need to Know About Felicity

When one looks at Istel’s immediate family, a word immediately comes to mind: Elite.

Istel’s father André was a diplomat and investment banker who represented Charles de Gaulle at Bretton Woods – the historic  Monetary and Financial Conference of the United Nations1944.

André Istel.

The fact that Istel represented France at Bretton Woods – which happens to be one of the more important and influential conferences in modern history – tells volumes about his influence. Indeed, Bretton Woods ended up thoroughly restructuring the international monetary system while also creating the International Monetary Fund (IMF) – an organization that remains highly prominent to this day.

The founder of Felicity doesn’t only have a highly connected father: His brother Yves-André Istel is truly in the global elite.

Yves-André Istel with Christine Lagarde who is the Managing Director of the IMF (which was created in Bretton Woods).

A look a Yves-André Istel’s resume is rather telling. He is currently a Senior Advisor to the Rothschild Global Financial Advisory. Prior to this, he was Vice Chairman of Rothschild Inc. In case you didn’t know, the Rothschilds represent the single most powerful elite bloodline of the past centuries.

Furthermore, Yves-André Istel is a member of the Council of Foreign Relations (CFR), an extremely influential think tank that was founded by some of the most powerful people in the world, including David Rockefeller.

In short, the founder of the town of Felicity is directly connected to the global elite. This explains where he got the funds to build such structures and it also explains why it is all based on occult elite symbolism.

Let’s look at the town itself.

General Layout

Felicity viewed from above.

Viewed from above, Felicity has a symmetrical layout where a pyramid directly faces a chapel which was built on a mound. Between these two buildings are numerous slabs of granite arranged to form a specific geometric shape.

On the slabs of granite are messages and historical facts etched in multiple languages. This place is reminiscent of the Georgia Guidestones – another structure built by people part of secret societies.

In many ways, the overall layout of Felicity is remarkably similar to other highly powerful places around the world such as Paris, Washington DC, and the Vatican.

The Vatican viewed from above.

At the Vatican, an obelisk (a powerful structure of ancient Egyptian magic) faces directly St. Peter’s Basilika (a place of Christian worship). The layout also contains an eight-pointed star – also known as the star of Ishtar.

In Felicity, a pyramid (a powerful structure of ancient Egyptian magic) faces directly a chapel (a place of Christian worship). The layout also contains an eight-pointed star.

The similarities between these layouts are not a coincidence. They are based on Masonic concepts that can be found in power centers (across the world.

Important fact: Felicity is located at latitude 32.7N, which is awfully close to the 33rd parallel. In Freemasonry, the number 33 is extremely important. Masonic orders are made of 32 degrees plus a “hidden” 33rd degree reserved to the most “supreme” individuals.

There’s a reason why they’ve decided to place the “center of the world” at the 33rd latitude. It’s all about symbolism.

The fact that the center of the world is located inside a Masonic pyramid explains who truly owns the world.

The Masonic symbolism doesn’t stop there. At all.

The Sundial

At the center of the 8-pointed star is a sundial that simply yet powerfully conveys an important message about this place and those behind it.

The gnomon of the sundial is a 3-d replica of the arm of God from Michelangelo’s Creation of Adam.
The Creation of Adam is also etched on one of the town’s many granite slabs.

This particular work of art is believed to contain hidden messages. Here’s the esoteric interpretation of it: God is inside a “vessel” that greatly resembles the human brain. His arm goes through the pineal gland – also known as the “third eye” – to reach Adam and give him the “divine spark”.

In esoteric schools, it is taught that spiritual illumination is achieved through the activation of the pineal gland, which allows one to become a god on Earth. In other words, this painting has a hidden Gnostic meaning that basically says: God is within you.

With all of that being said, let’s look at the Felicity sundial from another angle.

The hand points at the pyramid.

The fact that the hand of God points away from the church and directly at the pyramid is highly symbolic. In occult schools such as Freemasonry, religions are perceived as primitive organizations meant to regulate primitive people. To occult initiates, spiritual illumination can be only achieved through the activation of the pineal gland which is the ultimate goal of esoteric knowledge.

There is no better to represent this concept than having God himself literally pointing at a pyramid – a classic symbol of mystery schools.

With that being said, why would there even be a chapel in there? Is it only there to be subtly mocked? Well, some people who visited the place discovered some rather creepy details about this chapel.

The Chapel on the Hill

Felicity’s chapel sits on 150,000 of dirt.

In an interview with Roadside America, Jacques-André Istel stated:

“I’m not particularly religious, but if you’re going to build a House of God, it’s got to be on the highest spot.”

That’s pretty much exactly what a Freemason would say. Initiates say that Masonry is not a religion but it teaches the existence of a “Supreme Being”. Who is this “Supreme Being”? The truth is only revealed at about the 32nd degree.

So why did he build a chapel?

The inside of the chapel is quite simple and elegant.

Notice the two chairs on each side of the altar. People who visited the chapel noticed something bizarre about them.

The leathery part of this chair is heavily stained with what appear to be drops of blood.
On the other chair, someone attempted to wipe out the blood. Also, there’s some extra blood right in the middle of the seat … as if someone sat on it while bleeding from the anus.

What in God’s name happened in that chapel? The weirdness doesn’t even end there.

Behind the chapel is a graveyard with three tombstones.

Considering the fact that Felicity has a population of two, who are the three people who died there? Ritual sacrifices?

Blatant Masonic Symbolism

Other than that creepy chapel, Felicity contains other “attractions” that seem completely random … except for those who have eyes to see.

Close to the chapel is what people call a chessboard. Considering the fact that there are no chess pieces, this is not a chessboard.
Behind the chessboard is a “staircase to nowhere” which was originally on the Eiffel Tower.

The fact that this staircase was originally on the Eiffel Tower is rather significant. First, it subtly proves that the founder of the town has connections in high places. Second, the creator of the Eiffel Tower, Gustave Eiffel, was a Freemason.

Keeping the two items seen above in mind, let’s look at some classic Masonic art.

A typical Masonic patch.

As you can see, the two main symbols of this patch are the Masonic checkerboard floor and a staircase to nowhere (actually, this staircase leads to the exact opposite of nowhere, it leads to spiritual illumination through the ascension of Masonic degrees). The juxtaposition of these two important Masonic symbols in Felicity is definitely not a coincidence.

As if that wasn’t enough, there’s also a maze.

The Maze of Honor

Can you see three sixes in there? Just saying.

Completed in 2018, the 160,000-square-foot Maze of Honor consists of three interlocking circles. The official website of Felicity states:

The Maze isn’t a literal maze – you will not lose your way – but its shape certainly invites visitors to participate in the ancient practice of labyrinth walking.

Yes, labyrinth walking is ancient. What they’ve omitted to say is that it was an important part of occult initiations.

“Labyrinths and mazes were favored places of initiation among many ancient cults. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.”
– Manly P. Hall, The Secret Teachings of All Ages

The labyrinth of Crete. The “Maze of Honor” is based on a similar circular shape.

In Conclusion

From the elite ties of the town’s founder to the Masonic symbolism peppered throughout the site while not forgetting the bloodstained chapel, Felicity definitely qualifies as a sinister site. Located near the 33rd latitude, the town was named the “center of the world” by serious organizations which is telling of the power and influence behind this place.

While Felicity appears to be a gimmicky tourist trap designed to sell guided tours and gift shop souvenirs, its symbolism tells a whole other story. It is about who truly controls the world and what they truly believe in.

Symbolic Pics of the Month 05/23

The gender-blurring agenda was identified on this site over five years ago. While, at first, this agenda flew under the radar of most people, it ballooned into a global, unavoidable, and all-encompassing phenomenon with massive, real-world effects. This month again, we’ve seen numerous examples of this agenda being pushed on the public – often backed by some of the most powerful organizations in the world.

This agenda is not about “inclusion”, it is about deconstructing basic truths. For instance, here’s the definition of the word “bride”:

A woman just married or about to be married.

With this definition in mind (note that it includes the word “woman”), here’s the cover of Brides Today, a popular magazine in India.

The cover features Alok Vaid-Menon wearing a woman’s bride dress, complete with a beard, hairy chest, and a suggestive hand gesture. He had to be on the cover of a magazine that is specifically made for women. This is what this agenda is truly about.  But that’s not even the worst part: Alok is not some random dude. He is infamous for writing that “little girls can be kinky”.
Alok projecting his pedo obsessions on little girls.

Despite describing literal children as sexual beings, Brides Today felt the need to honor Alok with a second cover.

Global elite agendas can be easily identified by the fact that they are forced on the entire world. India is definitely not spared from this insanity.

As seen in previous articles, nearly every single major brand is showing compliance with the gender-blurring agenda. Every single time, there is backlash and calls to boycott – but that doesn’t matter. In the global elite’s new economic system, compliance is more important than profits.

Adidas recently used a male model (with a bulging crotch) to promote its women’s swimwear line. This ad caused controversy and calls to boycott but, as stated above, it doesn’t matter. The agenda is bigger than a temporary loss of profits.
In a very similar move, Anthropologie used a man to model a variety of dresses. Of course, comments on Instagram were closed because nearly all comments would have expressed disgust. 

For some reason, this agenda also needs to become an integral part of professional sports. For its annual “Pride Night”, the LA Dodgers invited The Sisters of Perpetual Indulgence – a group of “drag and trans nuns” who openly mock Christianity. After some public outcry, the Dodgers uninvited the group. However, shortly after, they were re-invited. The Dodgers probably received a call from powerful people.

On Easter Day, The Sisters of Perpetual Indulgence organize “hunky Jesus” contests which are highly blasphemous to Christians. Ironically, on its day of “inclusion”, the Dodgers invite a group that actively mocks and exclude Christians. 

The gender-blurring agenda is so powerful that it is even corrupting “science” publications.

Scientific American, which once boasted eminent contributors such as Albert Einstein and Nikola Tesla, has officially stopped being “scientific”. In a recent article, the publication claimed that “human sex is not binary”. By doing so, Scientific America replaced scientific facts with the claims of a radical ideology.

As usual, the one-eye sign was all over the place this last month. Not only that, it was performed by some of the most famous and influential people in the world while being disturbed by the largest media conglomerates in the world.

This is the album cover of Kylie Minogue’s new album. It’s basically a big, fat, unapologetic one-eye sign. Also, her fingers are strategically placed to make a triple-6 sign. Furthermore, she uses a diamond to hide one eye which happens to represent high-level Beta Kitten slaves in the elite’s MK system. In short, this cover screams out “industry slave”.

Dolly Parton is 77 years old and she’s been in the music industry for over 56 years. Despite her industry veteran status, she must still show complete compliance.

This is a pic promoting Dolly Parton’s new album titled Rockstar. In 2023, she cannot be a “star” without submitting to the elite. To represent this fact, a star is strategically placed on her face to create a one-eye sign.
To make sure you understand that this is not just a random eyepatch, there’s a second pic of her with one eye hidden. This time it’s a butterfly that happens to represent Monarch mind control.
Mrs. Davis is a series created by a company named White Rabbit Productions (symbolic name). It is about a nun, artificial intelligence, and secret societies. The blatant one-eye sign on this promo image lets you know that the elite approves of its message.
This is a poster promoting the Renaissance World Tour. Beyonce has one eye hidden by a “computery”-type thing, indicating that she’s some type of android … controlled by the elite.
This is Demi Lovato on the cover of Numero. She’s using a crystal ball to hide one eye. That’s because she’s an industry slave and they want you to know it.
Model Bomi Youn makes a blatant one-eye sign on the cover of Vogue South Korea.
Same magazine. Same issue. Same sign.
Same magazine, same issue, same sign. The message: The occult elite is all over South Korea.

In my article about Miriam Cahn, I explained how the occult elite’s sick values and philosophy are on full display in high-level public places. That’s because symbols rule the world. Here are some pictures that are currently exposed inside the European Parliament in Brussels.

The European Parliament is exposing a series of photographs by Swedish artist Elisabeth Ohlson. This picture depicts Jesus surrounded by apostles dressed as sadomasochistic slaves.
Another picture by Ohlson: A naked “Jesus” in a crucifixion pose while a naked man hangs on to him. Meanwhile, the “artist” is mocking the Eucharist and the Last Supper by pouring wine in a cup. Reminder: This is inside the European Parliament, where the political elite makes big decisions.

The mocking of Christianity and the promotion of Satanism is not only found in official buildings, it is all over mass media.

This is Doja Cat performing at YouTube’s Brandcast event. She was wearing devil horns while images of her fractured face (representing the fractured personas of an MK slave) are displayed in the background. This is in perfect continuation of Doja Cat’s path as an industry slave.
This is Kanye West’s wife Bianca Censori modeling a new fashion by Mowalola Ogunlesi who was hand-picked by Kanye to lead the Yeezy GAP team. As you probably noticed there’s a cross on Censori’s butt. That’s the type of outfit Satanists would be happy to wear during Black Masses. 
Ukrainian President Volodymyr Zelenskiy gave this icon to Pope Francis. As you can see, Baby Jesus is completely blacked out. It is said to represent the “loss of Ukrainian children”. Of course, that is complete BS. This painting represents the erasing of Christ and the fact that it was given to the Pope is highly symbolic. 

Special thanks to everyone who sent in pics.

Why is Miriam Cahn’s Art Depicting Child Abuse Exposed in Museums? And Why is Macron Defending Her?

Warning: This article contains disturbing paintings. 

I had to preface this article with a warning because it will contain horrific paintings depicting various forms of abuse. And many of these paintings clearly include children. These paintings are not on display in some obscure, underground location, they’re on display at the Palais de Tokyo, a “prestigious” contemporary art center in Paris.

One of these paintings (titled Fuck Abstraction!) is so vile that it caused outrage in France. Six major associations – led by the Association de Juristes Pour L’Enfance (Lawyers for Childhood) – sought the removal of this painting on the grounds that French law forbids the exhibition of pornographic representations of minors. The courts ruled against the associations.

Then, an elderly man threw some paint at this painting to protest against it. Following this event, Emmanuel Macron himself took to Twitter to defend this painting.

Macron’s tweet says “Attacking a work of art is attacking our values”.

Here’s the painting that Macron absolutely had to defend.

Fuck Abstraction! depicts a child with bound hands forced to give fellatio to an adult man.

As you can see, this sickening painting graphically depicts a child being raped. This is the painting that the President of France – and many other officials – vehemently defended.

It’s bizarre: The only time these people say “free speech” is to defend pedophilic movies such as Cuties, school library books containing pornographic material, or “art” that literally depicts a pedophile raping a child. In other words, while these people are for the censoring of anything that goes against their agendas, they turn into champions of free speech when people push back against their insane obsession with normalizing pedophilia.

Those who defend Fuck Abstraction! came up with an excuse to appear noble: The painting is said to depict war crimes committed by Russia in Ukraine.

This sounds like utter BS to me. There’s absolutely nothing about this painting that refers to Russia, Ukraine, war, or anything related. Paintings do not require a tweet to explain their meaning. The meaning is conveyed by what exists within the painting. And what millions of people are seeing is a sick and deeply disturbed “artist” who took the time to paint child rape in the most graphic way possible.

Furthermore, the “iT’s aBouT uKraIne” excuse doesn’t explain another important fact: Miriam Cahn painted hundreds of horrific paintings, way before the Ukraine war.

Here’s the dark truth about this situation: Paintings by Miriam Cahn depict the occult elite’s obsession with control, torture and the systematic abuse of children. Her style of painting is eerily similar to artists such as Kim Noble (a victim of Monarch mind control) which also depict horrific abuse in a distinctive style that’s childish yet deeply disturbing.

Here’s a look at Miriam Cahn’s body of work.

Miriam Cahn

This person has some sick, sick thoughts.

Miriam Cahn is a Swiss painter who is described as a “feminist who likes to fight.” Her paintings are said to incorporate “feminism, child-endangering themes, and female rituals featuring violent and shocking representations of sexual organs”. Yes, the official description of her work includes the word “child endangerment”. Despite this fact, Cahn’s paintings have been praised for decades and exposed all over the world.

Going through Cahn’s body of work is like entering the mind of a sick and sadistic person who takes pleasure in watching people suffer. It is difficult to pinpoint the exact message behind each of these paintings. However, there are some clear recurrent themes. And they’re horrific.

An adult holds what a baby that appears lifeless. There’s red (implying blood) around the hand and the waist of the figure. What the hell happened?
This painting depicts a person holding a (possibly dead) baby in the air. And, for some reason, the person’s thumb appears to be right on the baby’s genitals.
This disturbing painting depicts a person being violently raped. Macron thinks that this mess is “our values”.
A naked adult holds a child who appears afraid.
A man shoves his arm up inside a woman … up to his elbow. This is yet another painting depicting abuse/torture. The demonic faces on the characters imply that they’re out of it / possessed / dissociated.
This drawing appears to depict gang rape. If a regular person drew this, they’d immediately be ordered to see a psychiatrist.
Yet another “painting” depicting the sexual abuse of a much smaller person (possibly a minor).
Two adults have sex right next to a naked child who is holding his/her genitals. Are they pedos grooming a child?
A naked man drags by force a child holding a teddy bear-type thing. Cahn (and the elite in general) are obsessed with “loss of children’s innocence” theme.
Two naked adults force a child (who appears scared) to march with them. The adult on the left appears to be playing with his genitals. The figure on the right is holding a baby who appears lifeless.
Cahn made numerous paintings depicting people with their hands in the air – as if they were captive, restrained, and tortured.
Cahn paintings are reminiscent of those by Biljana Djurdjevic which often depict children that are bound as if they were about to be abused. As seen in my Pizzagate article, occult elite psychos (i.e. John Podesta) collect these paintings and hang them in their homes.
I could post many, many other disturbing Miriam Cahn paintings that depict abuse or dead bodies. A trip through her gallery is the stuff of nightmares.

In Conclusion

At this point, some of you might be thinking “What the hell is wrong with VC for making me look at these paintings?”. Well, I’m sorry about that and I sincerely hope that none of us will ever have to look at these things ever again. However, those are not obscure paintings made by a lonely deranged individual. They were made by Miriam Cahn, one of the most renowned painters in the world today. Her works were exposed in the Palais de Tokyo – one of Europe’s most important museums. Furthermore, when one of her paintings was vandalized, Emmanuel Macron himself flew to its rescue and defended it – even saying that it was “part of our culture”. As a reminder, the painting he defended depicted a small child being raped.

When Macron said that this painting was “part of our culture”, he did not mean OUR culture. He meant the occult elite’s sick, sadistic culture that celebrates the systematic abuse of children. It is the culture of those who take part in elite pedo rings and subject slaves to trauma-based mind control. Not only did the elite create an entire art “movement” focused on its insanities, but it is also attempting to normalize it to the masses by putting them on display in “reputable” places.

This painting by LenaTunström depicts people being violently dismembered. The male figure even has his penis cut off. This painting was on display inside the European Parliament.

Throughout history, works of art put on display in museums have reflected the values and the soul of the culture that generated them. What do the paintings seen above say about our culture?

But this is not OUR culture, it is THEIR culture. And, through the power of propaganda, they are attempting to make this OUR culture. To silence those who oppose them, the elite engages in its new favorite tactic: The “far-rightization” of those who question them. Indeed, in the past weeks, countless news articles from France and around the world associated those who opposed paintings depicting child rape with the “far right”.

However, when the powers that be silence the people, the people speak through other means.

“Fuck Abstraction!” spray painted by an elderly man in May 2023.

The 2023 MET Gala: A Ridiculous Parade of Industry Slaves

Covering the MET Gala has become something of a yearly tradition on The Vigilant Citizen. That’s because, every year, this event manages to confirm numerous topics that are often discussed on this site.

Indeed, this yearly parade of industry pawns wearing ridiculous outfits perfectly showcases the twisted mindset of the elite and its complete disconnection from reality. Organized by one of the biggest media conglomerates in the world (CondeNast), this event also confirms an important fact: To be a star, you need to show submission to the elite and push its agendas. For this reason, numerous celebrities show up at the gala wearing outfits that are either embarrassing, humiliating, or that confirm their status as industry slaves. Just look at the number of men walking around in dresses at the event. It’s basically a ritual of submission.

Furthermore, there are always bizarre events surrounding the gala which hint at something twisted happening behind the scenes. For instance, this year, a mysterious celebrity was carried out of the hotel wrapped in plastic, as if it was a dead body.

We still don’t know who was this person. Some commentators claim that this was an actual dead body and a ritual sacrifice that took place before the event.

Here’s a look at the world’s most expensive puppet show.

Karl Lagerfeld

Karl Lagerfeld does the one-eye sign in 1987.

Every MET Gala has a theme and this year was all about celebrating Karl Lagerfeld. While this German designer is definitely an icon in the fashion world, his outspoken nature caused him to become a controversial figure.

He was labeled “fatphobic” because he called those who complained about models being too thin  “fat mummies sitting with their bags of crisps in front of the television.” He was labeled “Islamophobic” because he opposed Merkel’s policy of accepting millions of Muslim refugees. He was labeled “homophobic” because he believed that a couple of men raising a child was bizarre. He dismissed the #MeToo movement by saying: “If you don’t want your pants pulled about, don’t become a model.” He also called models “stupid, toxic, and sordid creatures.”

Why would someone with such “problematic” views be celebrated in this elite-sponsored event? Well, that’s because they’re hypocrites and they secretly agree with him. The narratives pushed by mass media are meant for the masses, not the elite. They know that “body positivity” is just a way of encouraging people to be fat and out-of-shape. They also know that mass immigration is part of a globalist plan to weaken nations. They also know that #MeToo was a virtue-signaling circus that purposely ignored pedophiles. And you better believe that they do not respect models. In fact, many of them are Beta Kitten slaves that are exploited in elite circles.

Karl Lagerfeld said things that the elite actually believes behind closed doors. While others get censored or “canceled” for saying such things, Lagerfeld was simply “too big to fail”. He was too close to the top. Despite saying things that went against mass media narratives, Lagerfeld was revered by the elite and its pawns until his death in 2019.

Not only that, he’s still being celebrated in 2023 … by “stupid, toxic, and sordid creatures.”

The 2023 MET Gala

People take pictures of a cockroach that’s roaming around the red carpet at the MET Gala. Such a symbolic way of describing this event.

Other than this fabulous cockroach, what else was there to see at the MET Gala? Fully grown people looking ridiculous. Granted, some of them looked pretty good and classy. But others? Especially industry slaves? Just take a look.

Lil Nas X has been an industry slave for years. And, as seen in previous articles, everything about his act points to him being a male Beta Kitten slave. His “outfit” at the 2023 Met Gala screams out: “I get rammed by industry pervs”.
Like Lil Nas X, Doja Cat hasn’t had a hit record in years. So why is she always in the limelight? Because she’s playing her role as a Beta Kitten slave. And, to celebrate this fact, she attended the Gala as a literal kitten, complete with a prosthetic face.
Speaking of kittens, someone showed up at the Gala dressed as Karl Lagerfeld’s famous cat Choupette. Can you guess who that was?
It was Jared Leto – a regular at MET Galas. Underneath the cat costume, Leto was in full make-up and dressed like a witch.

Jared Leto wasn’t the only male celebrity that pandered to the gender-blurring agenda. Far from it.

Rihanna and ASAP Rocky are regulars at the MET Gala. This year, ASAP wore a skirt. Some might say that this is actually a kilt worn by men. Right. But I don’t believe many Scottish men had their kilt drag behind them as if it was a gown.

Is there something more glamorous and feminine than a long dress that drags behind the woman wearing it? Well, at the MET Gala, a bunch of dudes ruined this look for everyone.

Bad Bunny has been pandering to the gender-blurring agenda for years. That’s what he needs to do to remain in the good graces of the elite. At the MET Gala, he walked around with a long flowery thing dragging behind him.
Actor Jeremy Pope also wore a dress that dragged behind him.
Burna Boy is a Nigerian singer. What is he doing there? I don’t know. One thing is for sure, he had to have this feminine thing dragging behind him. He’s Burna Girl now.
Harvey Guillen really arrived at the MET Gala thinking that he was the belle of the ball.
Fashion designer Raul Lopez wore a dress and heels. Of course he did.
Male model Alton Mason wore this bridal dress thing. In weddings, the veil historically represents the purity of the bride before the honeymoon. I wonder what happened to him at the after-party.
Kim Petras is a transgender singer who is mostly known for being featured in Sam Smith’s song Unholy. As seen in my article about the 2023 Grammy Awards, this song is just blatantly satanic. That is why Kim Petras is getting media attention: Agenda pushing.
Jordan Roth is a producer who oversees five Broadway theaters. However, at the MET Gala, he was just another creepy dude in a dress.
NBA player Russell Westbrook looks like he wore his auntie’s church clothes at the gala. They love to see male athletes in women’s clothes.

They also love to see women athletes in men’s clothes.

Brittney Griner is mostly known for being jailed in Russia for drug possession. Upon release, she became a hero and she quickly used her platform to promote the inclusion of biological males in women’s sports. And that is why Pam Grier is at the MET Gala: Agenda pushing.
Kristen Stewart showed up looking like a 15-year-old boy with a mullet. Gender-blurring agenda.
Dwyane Wade and Gabrielle Union came out looking like villains in a low-budget children’s movie. But why are they even there? Wade hasn’t played in the NBA in years. I mean, I don’t see Charles Barkley walking around the red carpet wearing a cape.

This is why the Wades are at the MET:

At age 12, Wade’s son changed his name to Zaya and identified as a girl. That’s the only reason why they’re at the MET Gala. Gender-blurring agenda.
Janelle Monae came out wearing this goofy outfit. Some of these celebrities have to just be embarrassed.

Monae’s looked changed drastically at the after-party.

Monae was in sex slave mode at the after-party.

Yup, the gala was followed by an after-party. And, like every year, there was a weird, Eye Wide Shut, sex party vibe to this thing.

Kendall Jenner went to the after-party wearing a sheer dress and a thong. She’s was in sex slave mode.
Rita Ora: Sex slave mode.
Rihanna showed up at the after-party showcasing her baby bump. That baby already performed at the Superbowl and attended a MET Gala.
Dr Dre throws up the devil horns at the after-party.
Lizzo is always at elite-funded events. She arrived at the after-party in the worst Marilyn Monroe costume ever. I think.
Lizzo then performed in front of an Egyptian portal similar to those found in Masonic lodges. This is all occult elite stuff.

In Conclusion

MET Galas are vain and ridiculous events that are completely disconnected from reality. As such, covering them might seem like a waste of time. However, when one grasps the amount of wealth and power behind this thing, one understands that it is a reflection of the forces that literally control the world.

While the guests parading around the gala are wealthy and influential in their own right, they are controlled by people that are even more wealthy and influential than them. These celebrities exist to serve their interests. And, when they stop being useful, they’re out of the limelight and a new pawn takes their place.

And that is why Lil Nas X walked around butt naked at the MET Gala.

Symbolic Pics of the Month 04/23

After turning the 2023 Grammy Awards into a blatant satanic ritual, Sam Smith embarked on his tour titled Gloria. Shocking news: It is also a satanic ritual.

During the show, Smith came out looking like this.

There’s a lot going on in this very unfortunate picture. First, Smith is complying with the gender-blurring agenda. As we’ll see, this crazy agenda is in complete overdrive this year. Second, Smith’s bloated figure is constantly being put on display. He’s a personification of gluttony which happens to be one of the seven deadly sins in Christianity. Finally, his costume is a clear mockery of the Virgin Mary.

A classic depiction of the Virgin Mary, complete with her crown and open hand gesture.

In short, Sam Smith appeared to his fans as a cross-dressing, highly sexualized version of the Virgin Mary. Satanic black masses are based on the mocking, sexualizing, and corruption of Christian symbols and that’s exactly what Sam Smith is doing in his show. If you think I’m exaggerating, check out what happens next in the show.

Smith is literally dressed as the devil, complete with a horned hat and a trident as hellish fire burns around him.

As he’s bowing down to his satanic masters, Smith is also made to humiliate himself by participating in bizarre photoshoots.

Today’s media embraces the ugly. It embraces gender confusion. It embraces the lack of dignity. Sam Smith transformed his entire act to fit this agenda.

Speaking of gender confusion, mass media has been on a complete rampage in the past weeks. The elite is using every single tool at its disposal to expose the world to the gender-blurring agenda. Here are some examples of what happened in the past weeks.

Hershey celebrated International Women’s Day with … a man … dressed as a woman. Our society is in an advanced state of delusion.
On the same International Women’s Day, Jill Biden gave a “Women of Courage” award to Alba Rueda – a transgender politician from Argentina. He’s Argentina’s Special Envoy for Sexual Orientation and Gender Identity, meaning he is responsible for medically transitioning children. Yup, our governments definitely have their priorities straight.
Bud Light recently used trans “influencer” Dylan Mulvaney in an ad campaign. To make things extra ridiculous, the can says “Cheers to 365 days of womanhood”. Here’s a fact: This dude lived exactly ZERO days of womanhood.

As you might know, this Bud Light ad campaign sparked a major boycott movement which caused a major drop in sales. While I fully support boycotting this garbage, I’m pretty sure those behind this ad campaign fully expected the backlash. This is not about sales, this is about bowing down to the elite’s doctrine. And, one after the other, major corporations bow down to the agenda in highly unpopular ad campaigns.

Days after the disastrous Bud Light campaign, Dylan Mulaney partnered with Nike to promote … WOMEN’S SPORTS BRAS. I cannot make this up. I’m pretty sure there are women athletes out there who could have modeled these bras.
Build-A-Bear is now selling drag queen bears inspired by RuPaul. Why? Because it’s kind of an “initiation ritual” for corporations.
Jack Daniels recently launched an ad campaign about “Drag Queen Summer Glamp”. I don’t know what that is but at least they’re not involving children. The same cannot be said about this next thing.
In Canada, there’s an actual “Junior Drag Summer Camp” for children ages 7-11. And it is funded by several governmental entities. Who in their right mind would send their children to this thing? Also, who in their right mind would even want to organize such a thing? Pedos looking to groom children?
The CBC (funded by the Canadian government) recently dedicated an entire show to drag queens talking to children. I watched about 24 seconds of it and the extreme awkwardness of it all made me want to poke my eyes out.

I think we’ve seen more than enough pictures of men dressed as women. I could have posted many more because mass media is clearly engaged in an all-out propaganda campaign. While I identified the gender-blurring agenda years ago, I did not expect it to become so extreme in such a short amount of time. And here’s the result of this elite-run brainwashing campaign.

In schools around America, children are made to march around while holding the LGBTQ flag as the parents clapped. Stop clapping this BS. They do the exact same thing in dictatorships. Here’s a crazy, revolutionary idea: Leave the kids alone.

As usual, the one-eye sign was all over the place during the last month. Here’s a very small fraction of them.

The Netflix series Wednesday made Jenna Ortega quite popular with children and teenagers. Of course, she had to do a one-eye sign on SNL to show that she was owned by the elite.
Actress Minka Kelly released her memoirs. The cover of the book is basically a big, unmistakable one-eye sign.
Deva Cassell is Monica Bellucci’s daughter and she’s trying to make it in the industry. No matter who her mother is, she must first show submission. For this reason, she does a big, fat one-eye sign on the cover of Wonderland.

In the past couple of years, the Rio de Janeiro Carnival was criticized for its demonic imagery. This year was no exception.

One of the floats was titled “The Devil’s Castle”. It featured a giant devil moving around as people clapped. Stop clapping this BS.

The entire carnival had a bizarre, satanic narrative.

The girl on the right was on the Garden of Eden float. She played the role of the first woman on Earth “evil Eve” who is “free, hot, strong, gay and crazy”. The guy on the left played the role of a miserable Jesus who’s hanging in the air for some reason. Weird fact: This guy fell ill and was rushed to the hospital. Another weird fact: Immediately after the carnival, there were massive floods in Brazil and many Brazilians said that God was punishing the country for its blasphemous carnival.

An art exhibition in a Paris museum Palais de Tokyo recently featured paintings by Miriam Cahn. There’s something terribly wrong with this “artist”.

Nearly all of her paintings depict some sort of physical or sexual abuse – often involving children.

While I could post dozens of her deeply deranged paintings, I’ll only post one more.

This painting clearly depicts a child with bound hands forced to give fellatio to an adult.

The occult elite loves this specific type of “art”. It is highly reminiscent of paintings by Kim Noble (a survivor of Monarch programming) and the pedo art collection of the Podestas.

Shocked by the painting above, some people filed a petition to get it removed from the museum. Mass media framed it as “far-right extremists” pushing for censorship. In the end, a court ruled that the painting could stay. This is the world we live in: Truth is censored because it’s dangerous. Meanwhile, clear depictions of child rape are protected as “free speech”.

Special thanks to everyone who sent in pics.

 

Blac Chyna Says She’s a Born-Again Christian. Her Mother Says She’s “In the Illuminati”. Who’s Right?

It is rather easy to hate on Blac Chyna. That’s because, for years, she embodied everything that’s annoying and ridiculous in Hollywood. Indeed, Blac Chyna is the archetype of the celebrity that’s a celebrity for no apparent reason.

After gaining some notoriety as a popular stripper in Miami, Chyna became a household name when she went out with Rob Kardashian, which lead many to wonder if she was trying to leech off the family’s wealth and popularity. These suspicions were solidified when she filed a $100 million lawsuit against the family for defamation. She lost the case.

Meanwhile, Chyna’s physical appearance kept getting weirder as her face, breasts, and buttocks were artificially inflated using various forms of fillers and injections.

Then, like many other celebrities who are lacking discernable talent, she started posting pornographic material on OnlyFans.

Chyna quickly became a top earner on OnlyFans with porn content that included foot fetish.

In short, it was very easy to dismiss Chyna as a vapid, untalented, Hollywood harlot.

However, in the past year, Chyna basically reversed everything mentioned above. She shut down her OnlyFans account, reversed her surgeries, removed a “demonic” tattoo of Baphomet, got baptized, and became a born-again Christian.

Are we witnessing the miraculous transformation of Blac Chyna? Or is it all (as some claim) an attempt at rebranding herself and tapping into the lucrative Christian market?

Here’s a look at Blac Chyna’s transformation and the hate she’s been receiving from many, including her own mother.

From Blac Chyna to Angela White

In 2022, Chyna got baptized on the day of her 34th birthday. In March 2023, she posted a video of the baptism on Instagram with the caption:

I got baptized on 5-11-22 ….. I was watching the video again and wanted to show you this because if you look closely at my mouth you can hear the spirits leaving my body. God is Good.

Blac Chyna getting baptized.

In the months that followed, Chyna made some big changes in several key aspects of her life. First, she dropped the name Blac Chyna to go with her actual name: Angela White. Appropriately enough, her real name happens to sound much more “angelic”.

Through numerous Instagram videos, White documented her process of removing her facial fillers, silicone injections, and other implants she had on her body.

White gets her facial fillers removed.

In late March 2023, made a rather symbolic move: She removed the Baphomet tattoo she had on her hip.

Chyna’s Baphomet tattoo.

In an IG video, White says that the tattoo “had to come off” as she couldn’t have no “Mark of the Beast” on her. She added that she did not want anything negative or demonic on her body anymore. In her second post about the tattoo, White wrote:

Thank you God, for saving me. 🙏🏽 Removing this Baphomet tattoo.
I’m sending all this energy back to the owner.

FULL NAME : Baphomet

ALIAS: Satan ,The Devil, Mahomet, Bafumarias, Samael, Lilith, Goat of Mendes, Sabbatic Goat, Goat of Lust, Azazel Goat

ORIGIN: Demonology

OCCUPATION :Goat-headed demon spirit,POWERS SKILLS, Black magic, Spiritual physiology, Vast dark powers, Immortality,Umbrakinesis, Possession, Reality-warping, Telekinesis, Corruption, Telepathy, Mind control, Necromancy, Intelligence on evil

GOALS: Create and spread chaos,Abuse and torment his victims, CRIMES, Malefic, Conspiracy, Spiritual corruption,
Brainwashing

TYPE OF VILLAIN:
Symbolic Corrupter

Around the same time, White also shut down her OnlyFans account which reportedly generated over $240 million a year. If that figure is even remotely accurate, White is stepping away from a whole lot of money. In an interview with Revolt, White stated:

“I don’t do OnlyFans anymore — I don’t do it anymore at all. I’m just changing everything about me. It’s a dead end. All that stuff is a dead end, and I know that I’m worth way more than that.”

White also explained that she wanted to “set an example” to her 10-year-old son Cairo and her 6-year-old daughter Dream who are getting old enough to understand what she’s doing for a living.

On Easter Sunday, White posted a photoshoot on Instagram. But it wasn’t OnlyFans material.

The caption says: “Watch, stand fast in faith. be brave, be strong”. 1 Corinthians 16:13
Caption: And he said to them, “Do not be alarmed. You seek Jesus of Nazareth, who was crucified. He has risen; He is not here. See the place where they laid Him.” Mark 16:6
This pic of her looking devout while still showcasing her butt is kind of odd. Old habits die hard, I guess.

Backlash

White’s drastic change was not met with universal praise. Some commentators say that she’s faking it, that she’s being “extra”, that she’s doing it for “clout” and that she’s actually rebranding herself to appeal to a new market. Of course, media sources also jumped on the occasion to portray White’s transformation in a negative light. Here are some headlines.

The most intense reaction to White’s transformation comes from her own mother – ex-model Tokyo Toni. In February, Toni stated that her daughter was “in the Illuminati” and that she was “marked for death”.

 

View this post on Instagram

 

A post shared by The Shade Room (@theshaderoom)

Toni said:

“When the Illuminati come for Angela, ‘cuz they gon’ come, there’s nothing I can do. I don’t ever want to go around my daughter again, not alone. Not without two pistols, and a pitbull.”

In another post, Toni said:

“Illuminati have got Blac Chyna (…). I’m saying this right now. Chyna… You are done out here. They gon’ get you, they gon’ get you next. Don’t say I didn’t tell you to prepare for it, I really am. They gon’ tear her down, they gon’ put her on drugs. She don’t speak up for herself, she sit in that house like a f*cking hermit. I’m just done with it.

I swear to God she would sacrifice me for more. What is she doing at the Grammys? What? You ain’t did shit, can’t complete nothing.”

Following White’s Easter photoshoot, Tokio said:

“I am God’s child, not Chyna. Chyna is a PR stunt. C’mon b***h, we know better. I don’t give a f**k if she don’t ever talk to me in life, chile. I raised her, had her, taught her, she know everything! This b***h is faking. In Jesus’ name, stop her. Right now! Put her on her back. I’m not playing with you, Lord. Take her name out of the last book of Life. If she playing with you, Lord! In Jesus’ name! We not gonna do that.”

Those are some rather harsh words. And I didn’t even mention that time she called her own daughter a “slut bucket”. In response to her mother’s attacks, Chyna said in an interview:

“That’s just the devil, that’s just the enemy and guess what I’m not going for it. I’m a really intelligent person. If you look at her video she always says ‘Chyna, my daughter Chyna’. She never says my daughter Angela. So guess what those gifts that she’s trying to send this way, they’re not directed towards me. My name is Angela. My name is not Chyna. So direct that somewhere else.”

In Conclusion

Is Angela truly changed or is she “faking it”? In all honesty, I have absolutely no idea what truly lies in her heart. And it is definitely not my job to judge if one is a proper Christian or not. However, seeing her take the exact opposite I usually describe on this site has been refreshing and I welcome more of this in mass media. No matter what her true intentions are, the actions she has taken in the past months are objectively healthy and positive so I don’t see why anyone should be mad at any of this.

I used to strongly dislike Blac Chyna and everything she stood for. I didn’t know much about her and I wanted it to stay that way. There was this dark energy surrounding her that just urged me to look away. Maybe it was because she gyrated around the Kardashian witch coven for years. Maybe it was because her own mother appears to be rather toxic.

In any case, the new, fresh-faced Angela White doesn’t seem to have this dark energy surrounding her anymore. Maybe she’s truly changed and maybe she truly turned her back on the industry. And that is why her mother is saying that the Illuminati “marked her for death”.

Then again, maybe Angela White is fooling us. One thing is for sure: She won’t be fooling God.

The Meaning of Melanie Martinez’s Bizarre New Alter-Persona

Melanie Martinez is one of those artists that is constantly praised for her creativity and inventiveness. That said, when one analyzes her works, we end up finding the same exact messages and symbols found throughout the music industry. As such, despite being “different”, Martinez ultimately fits the industry’s many agendas. That’s the price to pay for a lucrative contract with Atlantic Records.

In my 2019 article The Sinister Messages of “K-12” by Melanie Martinez, I described the disturbing themes surrounding her act: The sexualization of children, Monarch mind control, satanism disguised as feminism, and, of course, the omnipresence of the one-eye sign.

One-eye sign = Owned by the industry.

While Martinez has been enjoying massive support from her fans and the industry, she’s also been facing controversy. In 2017, a female friend accused Martinez of rape during a sleepover. While she was never formally accused, the stink surrounding this story keeps following her.

Also, there’s Martinez’s creepy alter persona named Cry Baby.

Suggestively sucking on a pacifier while in her underwear: The Cry Baby probably pleases pedos.

Throughout her career, Martinez has been accused of sexualizing babies and children through weird photoshoots and music videos. In fact, the comments on several of her earlier YouTube videos are turned off because people kept pointing out how they disturbingly mixed kiddie stuff with overt sexuality.

In short, Melanie Martinez would probably benefit from a fresh start. And to reinvent herself. And that’s exactly what happened. Like, big time. She’s been reinvented so hard that she’s not even human anymore.

Melanie Martinez’s new alter-persona for the album Portals.

Sadly for Martinez, this new creation did not help her remain clear of controversy. As soon as she released some pictures of her new albums, she was immediately accused of copying Björk.

Left: The cover of Melanie Martinez’s album Portals. Right: The cover of Björk’s album Fossora.

So what is Martinez’s new persona supposed to be? My first instinct was to call this four-eyed, slightly horrifying creature “Fungus Demon”. However, on closer look, it’s actually a four-eyed, slightly horrifying nymph.

Nymph, in Greek mythology, any of a large class of inferior female divinities. The nymphs were usually associated with fertile, growing things, such as trees, or with water.
– Britannica, “Nymph”

The Portals album revolves around the concept of Melanie Martinez dying and being reborn as a nymph – a female spiritual being associated with nature. Or a disgusting Fungus Demon. Whatever term you prefer.

However, the symbolism surrounding the album alludes to a darker concept behind Martinez’s transformation: Monarch mind control.

Portals … to Monarch Programming

An important theme of Portals is the infinite cycle between life and death. The first track of the album, appropriately called DEATH, begins with these words:

Death is life is death is life is death is life is –

The last track of the album, titled WOMB, describes the process of (re)birth. It ends with the words:

Life is death is life is death is life is –

By describing life and death as an infinite cycle, we are reminded of the ancient concept of reincarnation.

Reincarnation is the religious or philosophical belief that the soul or spirit, after biological death, begins a new life in a new body that may be human, animal or spiritual depending on the moral quality of the previous life’s actions.

With that being said, when one considers the visual cues surrounding this project, this cycle becomes a metaphor for the death and birth of new alter-personas as a result of Monarch programming.

In Monarch Programming symbolism, butterfly wings represent a “programmed” MK slave.

Prior to the release of Portals, Martinez cleared her Instagram account and posted pictures and videos documenting the “birth” of her new alter-persona. The symbolism is rather blatant.

The first picture posted on Martinez’s accounts confirms the death of Cry Baby – the old alter-persona.
A butterfly on a tombstone: Death and rebirth through Monarch programming.
In another post, we see a black butterfly flying around the egg in which this new alter is developing: Monarch Programming.
The nymph emerges from the body of Martinez with butterfly wings: A great way of depicting an alter-persona created from Monarch programming.

In the first single from Portals, Martinez announces that she’s “back from the dead” … in a symbolic video that makes it clear that this is not about literal death.

DEATH

The video of DEATH was described as being morbid and all-around creepy. When one understands the underlying MKULTRA narrative behind it, things become creepier.

The video begins with some furry animals burying Cry Baby – Melanie Martinez’s old alter-persona.

As you can see, there are a couple of white rabbits looking over the gravesite. As seen in previous articles, the symbol of the white rabbit is extremely important in mind control. In Alice in Wonderland (an important MK programming script), Alice is told to “follow the white rabbit” through the looking glass. In Monarch programming, MK slaves are also told to follow the white rabbit (the handler) through the looking glass (dissociation).

In Martinez’s previous project K-12, white rabbits were oddly reminiscent of MK handlers.

In this scene from Martinez’s movie K-12, she is tied up in an electroshock-type device under the watchful eyes of white rabbits.

In short, the rabbits in DEATH can represent MK handlers who are overseeing the creation of Melanie Martinez’s new alter persona.

In the grave, Martinez’s dead body starts singing. The thing on her chest is a cocoon inside which the nymph alter is developing.
Above the grave, the white rabbits “summon” the new alter in a ritualistic matter.

Meanwhile, the lyrics of the song say:

Doing all your witchcraft to pull me inBurning all your sage to connect our line

The nymph alter-persona emerges from the cocoon.
As the nymph rises, she’s held back by her umbilical cord.

When that umbilical cord is broken, the nymph is freed and completely independent from the dead body. Similarly, new MK alter-personas are completely independent of the core persona of the slave.

The nymph and the furry animals dance around inside the skeleton of some dead person … which is rather creepy.
The new persona stands over the old one. Judging by the number of swords, they really want Cry Baby to be dead. However, she’s still singing, which reminds us that this is not about physical death – it is about alter-personas.

The scene above appears to be inspired by the 10 of Swords tarot card.

The card represents destruction but also rebirth as symbolized by the golden sky beyond the dark clouds.

In Conclusion

DEATH exploits a theme that is often found in modern pop: The death of a persona and the birth of a new one. While there is a spiritual and mystical dimension to Melanie Martinez’s exploration of death and rebirth, the symbolism surrounding the project also points to a process that is much less organic: Monarch mind control.

While this interpretation might seem far-fetched to some, it is actually in perfect continuation with the symbolism in Martinez’s previous works. Her previous alter – Cry Baby – was a sexualized child that lived in situations that symbolically represented the status of an MK slave such as a doll house or a school (that’s actually a programming site). In Portals, the MK narrative remains, but in a context that is much more dissociative.

In short, despite the creativity of Martinez’s project, the underlying themes are quite common in pop music. They’re a reflection of the occult elite’s culture of death and its celebration of Monarch mind control.

And that is the story of why the most “trending” artist of the moment is a Fungus Demon.

The Nashville Shooting, the Violent Rhetoric of the Trans Movement and Mass Media’s Hypocritical Coverage of it All

I truly hate writing about mass shootings. Other than the fact that killing innocent people is the epitome of evil, every single mass shooting is immediately followed by attempts to push political agendas. Only minutes after each and every single shooting, small, pathetic politicians, activists, and “journalists” use the death of innocent people to score political points.

The Covenant School shooting was no exception. As soon as news of the shooting surfaced, unscrupulous people seized the opportunity to push their narratives, mainly revolving around gun control. Some even went as far as stating that the state of Tennessee deserved the shooting because the state banned drag shows instead of guns.

However, when it was revealed that the killer was a transgender person who left a manifesto and specifically targeted a Christian school, mass media put on full display its hypocrisy. Once again, “trusted” news outlets proved that their goal is not to convey information, but to push narratives. Even if that means defending unspeakable evil.

Violent Rhetoric

In the weeks and months that preceded the shooting, mass media pundits were engaged in some of the most toxic yet hypocritical narratives seen to date. While, for years, they’ve been pushing for the banning of guns, they’ve been simultaneously encouraging trans people to arm themselves.

A prime example of this hypocrisy is the elite-funded Cenk Uygur. Here’s a video of him made only two days prior to the shooting.

After admitting to being a hypocrite, Uygur literally told trans people to “get guns”. Of course, he did not say that because he carefully thought it through. He was simply echoing a disturbing narrative that’s being promoted by the elite and its media outlets.

Various news stories have been showing in a positive light the arming of trans people.

The popular website Reddit (which has turned into a propaganda outlet) is all for gun control – except when it has to do with the trans movement. In fact, there are several subreddits solely dedicated to arming trans people. Here’s the description of the Reddit sub /r/transguns.

Here are some of the top posts in this community.

That’s their mindset.
The sub contains lots of pictures of unstable people posing with guns.

Did the Nashville shooter visit this subreddit? That’s a possibility. One thing is for sure, there’s an entire subculture of justifying violence against those who oppose (or even question) radical trans ideology.

A few months ago, a video game titled Terfenstein 3D was released which allows players to kill opponents of transgender ideology such as gender-critical feminists and Christians. On its Steam page, the game creator writes:

Unleash your pent-up fury upon the gender-critical tyrants with an arsenal of deadly weapons and tactics in cathartic bliss.

The game allows players to kill priests in various violent ways.

Even people in government are contributing to this toxic culture.

This is a tweet by the press secretary for Arizona Democratic Gov. Katie Hobbs calling for violence against “transphobes”. It was posted only hours after the mass shooting.

As you can see, the trans movement is using increasingly harsh and extreme rhetoric to justify harsh and extreme behavior. None of this is organic. It is being pushed and encouraged by heavily-funded forces (i.e. Antifa) to radicalize vulnerable and impressionable people.

The radicalization of this movement is fully apparent in the following ad for the “Trans Day of Vengence”.

An ad for the the “Trans Day of Vengeance”.

This ad contains several telling elements. First, the use of the word “vengeance” implies violence that is justified. MacMillan dictionary defines the word vengeance as follows:

The act of harming or killing someone because they have done something bad to you.

Second, the ad uses the word “genocide”. Here’s the actual definition of the word:

The deliberate and systematic extermination of a national, racial, political, or cultural group.

Any reasonable person knows very well that there is absolutely no “systematic extermination” of trans people in the United States. Quite to the contrary, the elite is pushing children towards transgenderism at the youngest age possible.

Finally, why is the ad asking people to wear a mask? This has nothing to do with COVID and everything to do with Antifa-style tactics.

In short, the Nashville shooting was preceded by a radicalization of the trans movement, complete with blatantly violent rhetoric.

Did mass media address any of these issues? Of course not.

Mass Media is Siding With Evil

As soon as it was revealed that the shooter was trans, mass media completely switched its narrative. By doing so, it proved that this entire establishment solely exists to brainwash the masses.

Following the shooting, the NY Times felt the need to apologize for not using the preferred pronouns of the SERIAL MURDERER.

Not only did the media honor this MONSTER’s pronouns, but it also – crazily enough – made excuses for her.

The Daily Mail presented the killer as a victim of Christians. Wow.

Meanwhile, here’s a headline from NBC News.

We need to bask in the insanity of this headline for a second. A trans terrorist deliberately targeted Christians and killed 6 innocent people, including three children. Instead of reporting on the pain, grief, and fear of the victims (Christians), NBC News portrays trans people (which include the killer) as the victims.

This killing made ZERO LGBTQ victims. Here are the actual victims.

Six innocent lives were taken because they happened to attend a Christian school.

As mass media is desperately attempting to switch the narrative, LGBTQ groups are working overtime to make sure that the manifesto written by the killer is hidden forever. The reason: The world would understand the violent and radical undercurrent that’s taking hold of this movement. Also, the killing could qualify as an anti-Christian hate crime and/or an act of trans terrorism. All of this goes against the narratives pushed by the elite.

Nashville police are currently complying with demands to hide the manifesto.

In Conclusion

The Nashville shooting was perpetrated by a deranged person who was clearly radicalized by a movement that is purposely ramping up violent rhetoric. This is being encouraged by people in government and made acceptable by mass media. This rhetoric did not pop out of nowhere – it is purposely being propagated by the same elite-funded forces behind radical groups such as Antifa.

Instead of investigating the true cause of this horrific mass killing, the establishment is attempting to steer the narrative, hide the killer’s manifesto (which undoubtedly exposes the complete insanity of this movement), and even portray her as a victim. Furthermore, the media is actually attempting to make Christians (who are the only victims of this killing) the cause of the killing.

In short, mass media has, once again, proven that it cannot be trusted. It has completely abandoned its mission to deliver unbiased information. Instead, it participates in the justification of pure evil.

NHL Players Who Refuse to Wear Pride Jerseys Are Facing Authoritarian Media Backlash

There’s something deeply unhealthy happening in the National Hockey League (NHL) this year. Week after week, a different NHL team hosts a Pride Night to “celebrate the LGBTQA+ community” and, week after week, a new “controversy” emerges where a player is berated by mass media for not complying.

As the “controversies” pile up, there’s a bizarre, authoritarian pattern emerging where players must either submit or be shamed by mass media for days on end.

The main problem of these Pride Nights: ALL players from the home team are required to skate around while wearing rainbow flag jerseys during warmups and/or games. By forcing players to be draped in the pride flag – on jerseys that bear their last names – these “celebrations” turned into some kind of authoritarian pledge of allegiance. And those who refuse to wear these jerseys are suffering authoritarian consequences: Character assassination from elite-sponsored media.

Did you know that Communist China engaged in similar tactics during its “Cultural Revolution”?

Here’s a short timeline of what has been happening in the NHL.

Ivan Provorov

The controversies began in January when Philadelphia Flyers defenseman Ivan Provorov opted out of participating in warmups with his teammates. The reason: Players had to skate around with rainbow jerseys and rainbow tape on their sticks.

After the game, Provorov had to face reporters and explain himself.

When questioned by journalists, Provorov explained that these celebrations went again his Russian Orthodox beliefs.

“I respect everybody and I respect everybody’s choices. My choice is to stay true to myself and my religion. That’s all I’m going to say. That’s all I’m going to comment on that. If you have any hockey questions, I’ll answer those.”

Instead of, like, ignoring Provorov and respecting his choice, journalists and commentators engaged in all-out character assassination.

A female hockey player tweeted that Provorov should have been punished for not wearing the jersey. Is this still a free country?
This article calls Provorov’s choice of not wearing the Pride jersey a “show of defiance”. That’s the kind of headline one can read in Communist China.
Even Flyers Nation – an officially credentialed media outlet of the Philadelphia Flyers – published an article attacking Provorov … who is a Flyer.

While the media attempted to destroy Provorov, people who actually matter showed support. For instance, Flyers’ coach John Tortorella stated that he respected Provorov for staying true to himself. Furthermore, Provorov’s jersey (the real one, not the rainbow one) quickly sold out after the controversy.

In the weeks that followed, some NHL teams such as the New York Rangers and the Minnesota Wild canceled Pride Night, probably because several players did not want to do it. More recently, the Chicago Blackhawks canceled Pride Night by citing a specific reason: It put its Russian players at risk due to Putin’s anti-LGBT propaganda laws.

While the media is now attempting to put a political spin on the story (i.e. it’s Putin’s fault), the narrative was cut short when James Reimer – a Canadian player – refused to wear the jersey.

James Reimer

On March 20th, James Reimer of the San Jose Sharks refused to wear the pride jersey and sat out of the game.

James Reimer

Following the game, a statement was posted on the Sharks’ social media accounts.

Reimer wrote:

“For all 13 years of my NHL career, I have been a Christian — not just in title, but in how I choose to live my life daily.

I have a personal faith in Jesus Christ who died on the cross for my sins and, in response, asks me to love everyone and follow him.

I have no hate in my heart for anyone, and I have always strived to treat everyone that I encounter with respect and kindness. In this specific instance, I am choosing not to endorse something that is counter to my personal convictions which are based on the Bible, the highest authority in my life.”

Immediately after the game, Reimer suffered the same media public shaming as Provorov.

Keith Olbermann called for the firing of Reimer for not submitting to the all-important jersey.
This headline says that players who do not wear the jersey deserve “scrutiny”. Sounds like a Communist China headline.
The author of this article wants to get involved in Reimer’s Christian faith. Maybe he should mind his business.

There are literally hundreds of articles attacking Reimer and calling for his cancellation. Why? Because he refused to wear a politically-charged flag on his body. What happened to “my body, my choice”?

The Staal Brothers

Eric, Jordan, and Marc Staal.

Two of the Staal brothers play for the Florida Panthers and both of them skipped the rainbow jersey night citing their Christian beliefs. Since they’re Canadian, the media could not push its Russian narrative. However, this did not prevent “journalists” to engage in character assassination.

Do you see a pattern emerging?

Authoritarian

There’s something extremely disturbing about this situation. It is not about “celebrating people”, it is about compliance with a specific ideology. This charade is strangely reminiscent of the Chinese cultural revolution where “enemies of the ideology” were exposed and publically shamed in “struggle sessions”.

Carefully arranged and organized, the mass trials and accusatory meetings followed clear and meticulously prearranged patterns. Dramatic devices such as staging, props, working scripts, agitators, and climactic moments were used to efficiently engage the emotions of the audience—to stir up resentment against the targeted groups and mobilize the audience to support the regime.
– Mühlhahn, Klaus (2009). Criminal Justice in China: A History.

Shaming and finger-pointing during a Chinese “struggle session” (1964).

If you think that this comparison is extreme, it is really not. The underlying principle is identical: The shaming of those who do not comply to force the compliance of everyone else.

In Conclusion

Like many other institutions across society, the NHL is being targeted by a clear agenda to root out and expose those who do not comply with the elite’s ideology. As NHL teams successively host Pride Nights, they force every single player to engage in a very personal act: To wear a politically-charged flag on their body. By doing so, they are forcing players to either submit or to suffer through a modern version of “struggle sessions”.

As these Pride Nights keep sweeping across the NHL, other “controversies” are bound to happen. By doing so, the elite managed to turn an institution that valued skill, talent, hard work, and toughness into yet another den of toxicity.

Britney Spears: A Life Under Monarch Mind Control (VC Video)

Britney Spears regularly makes the news due to her “bizarre” or “erratic” behavior. And this has been happening for over 20 years, over and over again. While the media loves to report these strange events, nobody ever explains WHY this is happening.

That’s because the “why” is one of the occult elite’s dirty secrets: Monarch programming.

Since a young age, Britney has been under the control of MK handlers and, on some occasions, she had “glitches” or all-out meltdowns. This VC video explores some of the MK-related events in Britney’s life.

Guest on French TV Show Said That Celine Dion and Other Celebs Take Adrenochrome … and Mass Media Lost It

Touche Pas à Mon Poste (TPMP) is a highly popular French TV show where guests are invited to discuss current events. In the past weeks, one event captured the attention of French media: The car accident of comedian Pierre Palmade and the revelations that ensued.

Here’s a quick summation of what happened:

On 10 February 2023, Palmade was responsible for causing a car accident, colliding head-on with another vehicle traveling on the other lane near Villiers-en-Bière in the south of Seine-et-Marne. Palmade was sent to the hospital in critical condition at the Kremlin-Bicêtre’s hospital but recovered the next day, and his life was no longer in danger. The other car was carrying a pregnant woman, her brother-in-law, the driver of the vehicle, and his six-year-old child. Due to trauma of the accident, the 27-year-old woman was taken to the hospital, where she had an emergency cesarean section. Her seven-months old baby died.
– Wikipedia, Pierre Palmade

Pierre Palmade

Following the car accident, it was revealed that two people fled Palmade’s car. They were “escort boys”, young prostitutes Palmade had hired to engage in chem sex with. Furthermore, Palmade tested positive for enormous doses of cocaine and other drugs.

To make things worse, a few days later, people close to Palmade accused him of viewing and possessing pedophilic pornographic material which prompted the launch of an investigation. In other words, Palmade was involved in typical occult elite degeneracy.

To discuss this affair, the French TV show TPMP invited a guest who knows all about this degeneracy: Gérard Fauré.

Gérard Fauré Spills the Beans

Faure in the 1980’s.

Dubbed “l’ancien dealer de Tout-Paris” (the ex-dealer of Paris), Fauré sold drugs to prominent French figures, including celebrities and politicians. In 2016, Fauré started publishing controversial books that claimed to unveil the secrets of people he used to deal with – mainly in politics and showbusiness. The charges include massive consumption of drugs (mainly cocaine), sexual abuse, rape, pedophilia, child molestation, child trafficking, murders, and assassinations.

When Fauré was invited to discuss the Palmade affair on TPMP, things got VERY real. Here’s part of the interview (it’s in French).

During the interview, Fauré stated that he attended a party at Palmade’s house and was disturbed by the number of young boys in attendance. Then, after stating that Palmade consumed copious amounts of cocaine along with MDMA and amphetamines, Fauré said that he might also be into adrenochrome as well – a statement that was followed by massive gasps in the studio.

Another guest (who seemed less outraged than the others) stated that the adrenochrome “conspiracy theory” is rather plausible. She explained that the substance is extracted from children’s blood and is consumed by rich and powerful people to remain youthful.

Fauré claimed that several celebrities consume adrenochrome on a regular basis and named Celine Dion as a prime example. In recent months, Fauré stated that Dion’s mysterious degenerative illness was due to her abusive consumption of adrenochrome.

When asked by an incredulous guest where these sacrificed children come from, Fauré answered that they’re mainly kidnapped. He stated that over 58,000 children are kidnapped in France every year and that only two-thirds are found. He then asked: Where is the remaining third?

Later, Fauré stated that he testified in a case where a woman was looking to sell her daughter to an adrenochrome lab in Dijon. Seemingly on a roll, he added that Yves St-Laurent and other people in the fashion industry were pedo criminals.

When Fauré mentioned the name of France’s President Emmanuel Macron, the interview was cut short. One can only wonder what he was about to say.

Media Meltdown

As Fauré’s revelations caused studio guests to nearly faint, the French mass media establishment completely melted down. Disaproving responses came quickly.

First, of course, the show TPMP dissociated itself from Fauré’s statements and took to Twitter to condemn him.

Then, the TV channel of the show did the same.

Then, various media pundits publicly complained to Arcom (France’s Regulatory Authority for Audiovisual and Digital Communication) which launched an investigation. While the channel’s parent company will most likely receive a massive fine, some government officials actually hinted at not renewing C8’s license which will expire in 2025. That means that the channel would be completely off the air. That’s an extreme form of censorship.

Of course, countless TV shows and news articles across France refuted Fauré’s claims while depicting him as a serial liar. Considering his shady past, assassinating his character is not a difficult task.

In short, Fauré struck a massive nerve in France. Judging mass media’s response, this topic is completely off-limits. Everyone involved in this TV segment will most likely receive exemplary punishments to make sure this doesn’t happen ever again … which means that Fauré is most likely on to something.

Aaron Carter’s Mother Posted Pictures of Her Son’s Death Scene to Prove That He Was Possibly Killed

Warning: This article contains graphic pictures.

In November 2022, Aaron Carter was found dead in a bathtub in his Lancaster, California home. He was 34 years old. His death was quickly chalked up to “drugs”, mainly due to his past addictions.

However, as explained in my article Aaron Carter: The Suspicious Death of a Blatant Industry Slave, there were lots of strange facts and “coincidences” surrounding this untimely death. For starters, Aaron Carter literally said that people in the industry were trying to kill him.

In my article, I highlighted some similarities between Aaron Carter and Whitney Houston as they were both found dead in a bathtub. Also, in both cases, someone was allowed to access the crime scene (and possibly alter it) before the authorities could investigate it.

Now, there is yet another similarity between Carter and Houston: People close to them are saying that they were potentially murdered and that the investigations were botched.

In a desperate call for an actual homicide investigation, Aaron Carter’s mother posted on social media grisly pictures of the bathroom where the singer was found. Her goal: To prove that the official story doesn’t add up.

Crime Scene?

In her Facebook post, Jane Schneck wrote that she’s still “trying to get a real investigation” for the death of her son. She claims that the coroner conveniently “wrote it off” as an accidental drug overdose. She adds that Aaron’s home was never investigated as a possible crime scene and that his past issues with drug addiction were the perfect excuse for the authorities to promptly claim “case closed”.

She states that police “allowed people to go in and out” of the scene despite the fact that Aaron had received multiple death threats in the past – making his death a potential homicide.

In short, Schneck strongly believes that her son could have been murdered and, to prove her point, she shared pictures of the bathroom where Carter was found.

Prior to posting these pictures, Schneck has been pointing out inconsistencies in Carter’s case for weeks.

Schneck says that, in the first version of the story, Carter was said to have been found drowned in the swimming pool.

Since no water was found in Carter’s lungs, drowning was ruled out as a cause of death by authorities.

In numerous posts, Schneck points to Carter’s housekeeper – a woman named Betty – as a potential suspect.
Schneck believes that the pictures do not match the official story of what happened in that bathroom.
Here, Schneck claims that Betty the housekeeper was referred to the Carters by an industry insider.
In this post, Schneck writes that the crime scene was suspect and that the housekeeper – definitely a person of interest – is nowhere to be found. Furthermore, the person who referred the housekeeper to the Carters was a publicist for the Jackson family (Michael Jackson also died in EXTREMELY suspicious circumstances).

In Conclusion

It is easy to dismiss bizarre celebrity deaths as “conspiracy theories”. However, in many cases, the most vocal “conspiracy theorists” are family members who actually know personal information about the victims. They know about the shady characters that surrounded and they have different insights than what is relayed by mass media.

In many ways, Aaron Carter’s death mirrors Whitney Houston’s bizarre situation. Both fell off the graces of the music industry. Both were depicted as insane drug addicts. And both were found in a bathtub. In 2012, it was revealed that an industry insider named Raffles Van Exel removed evidence from Whitney Houston’s hotel room before the authorities even began investigating it. Did the same happen with Aaron Carter and his housekeeper?

In any case, Schneck’s efforts might have paid off. In a recent Facebook post, she stated that authorities finally agreed to properly investigate Aaron Carter’s death. However, allow me to doubt that the real culprits will ever be brought to justice.