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The Age of Aquarius: A Key To Understanding the Occult Elite’s Mindset

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The Age of Aquarius: A Key To Understanding the Occult Elite’s Mindset

When one examines belief systems throughout history, one often encounters the concept of “ages” or “eras” – a period of a few thousand years ruled by specific forces. While each culture articulates this phenomenon differently, they amazingly tend to point in similar directions, as if the concept of ages is universal to human experience.

It would not be an exaggeration to state that many people feel that we are currently at the dawn of a new era, as if it were palpable in the air. After centuries of relative stability, numerous truths once considered immutable and simply facts of life are now questioned and redefined at their core. The concepts of gender, morality, and sexuality have become fluid …  like water pouring from a jug.

Appropriately enough, that is the main symbol associated with the sign of Aquarius. According to the calculations of astrotheologists and occult researchers, we are right at the threshold of the fabled Aquarian Age. As humanity moves—whether organically or forcibly—towards new paradigms, age-old predictions appear to be coming true.

The concept of ages is also mentioned numerous times in the Bible. The coming of Jesus Christ is said to have revolutionized the “old age” and brought forth a new era in salvation history. The book of Revelation anticipates the full realization of God’s kingdom, preceded by a period of great turmoil and tribulations, culminating in the rise of the Antichrist.

Could this biblical period coincide with the Age of Aquarius as defined by occultists? As we’ll see, some researchers, such as famed psychoanalyst Carl Jung, believe so.

One thing is for certain: Those who rule the world believe in the coming of the Aquarian Age. Knowing this fact allows us to better understand the deeper motivations behind their actions and agendas.

From the Piscean to the Aquarian Age

We all know that one astronomical year is the time for Earth to complete one orbit around the sun. On a much grander scale, one Great Year is when the sun moves through all twelve constellations – a process that takes around 26,000 years (about 2,100 years per constellation).

Each sign of the zodiac consists of thirty degrees, and as the sun loses about one degree every seventy two years, it regresses through one entire constellation (or sign) in approximately 2,160 years, and through the entire zodiac in about 25,920 years. This retrograde motion is called the precession of the equinoxes. This means that in the course of about 25,920 years, which constitute one Great Solar or Platonic Year, each one of the twelve constellations occupies a position at the vernal equinox for nearly 2,160 years, then gives place to the previous sign.

Among the ancients the sun was always symbolized by the figure and nature of the constellation through which it passed at the vernal equinox. For nearly the past 2,000 years the sun has crossed the equator at the vernal equinox in the constellation of Pisces (the Two Fishes). For the 2,160 years before that it crossed through the constellation of Aries (the Ram). Prior to that the vernal equinox was in the sign of Taurus (the Bull).
– Manly P. Hall, The Secret Teachings of All Ages

According to occultists, the world’s main religions are associated with the sun, and, whether consciously or unconsciously, they’ve adopted the symbol related to the zodiac sign of the Great Year they’ve ruled.

For instance, the sun has been in Pisces for the past 2000 years. Coincidentally, the fish has been one of the main symbols representing Christianity.

In early Christian history, the ichthys (aka Jesus fish) symbol held “the most sacred significance.” It remains one of the most prominent symbols in Christianity.
In the previous age, the sun was in Aries (the ram). One of the main symbols of Judaism – the religion that ruled the Aryan age – is the shofar, a ram’s horn.

According to occult figures such as Max Heindel, leader of modern Rosicrucianism, this phenomenon could be observed throughout history.

At the end of the Taurean age, about 4,000 years ago, “God’s people” fled from the wrath to come when they left Egypt, the land where they worshiped the Bull. They were led in their flight to the promised land by Moses, whose head in ancient esoteric pictures is adorned with wreathed ram’s horns, symbolical of the fact that he was herald of the Aryan age of 2100 years, during which each Easter morning the vernal sun colored the doorposts red as with the blood of the lamb, when it passed over the equator in the CONSTELLATION (not the SIGN) of the ram Aries.

Similarly, when the sun by precession was approaching the watery constellation Pisces, the Fishes, John immersed the converts to the Messianic religion in the waters of Jordan, and Jesus called his disciples “fishers” of men. As the “lamb” was slain at the Passover while the sun went through the constellation Aries, the Ram, so the faithful have in obedience to the command of their church fed on fishes during Lent in the present cycle of Pisces, the Fishes.

At the time when the sun by precession left the constellation Taurus, the Bull, the people who worshiped that animal were pronounced heathen and idolaters. A new symbol of the Savior, or Messias, was found in the lamb, which correspond to the constellation Aries; but when the sun by precession left that sign, Judaism became a religion of the past, and thenceforth the bishops of the new Christian religion wore a miter shaped like a fish’s head to designate their standing as ministers of the church during the Piscean Age, which is now drawing to a close.
– Max Heindel, Teachings of an Initiate

According to Max Heindel, mitres worn by bishops are designed to look like fish heads.

Humanity is supposedly set to move from the Piscean age to a new Aquarian age, characterized by its own set of symbols representing the main traits of the era.

Aquarius as depicted by Johannes Hevelius in his Firmamentum Sobiescianum sive Uranographia (1687). The water bearer’s androgyny is rather appropriate in our era of gender-blurring.

Aquarius is called the Sign of the Water Bearer, or the man with a jug of water on his shoulder mentioned in the New Testament. This is sometimes shown as an angelic figure, supposedly androgynous, either pouring water from an urn or carrying the vessel upon its shoulder.
– Manly P. Hall, The Secret Teachings of All Ages

Manly P. Hall refers to Luke 22:10 in the New Testament, where Jesus talks about a “man carrying a pitcher of water.”

 And He said to them, “Behold, when you have entered the city, a man will meet you carrying a pitcher of water; follow him into the house which he enters.”

Some esoterically interpret this biblical passage as a reference to the coming Aquarian age. Interestingly enough, in the Biblical verses immediately preceding Luke 22:10, Jesus discusses “the Signs of the Times and the End of the Age.”

So they asked Him, saying, “Teacher, but when will these things be? And what sign will there be when these things are about to take place?”

And He said: “Take heed that you not be deceived. For many will come in My name, saying, ‘I am He,’ and, ‘The time has drawn near.’Therefore do not go after them. But when you hear of wars and commotions, do not be terrified; for these things must come to pass first, but the end will not come immediately.”

Then He said to them, “Nation will rise against nation, and kingdom against kingdom. And there will be great earthquakes in various places, and famines and pestilences; and there will be fearful sights and great signs from heaven. But before all these things, they will lay their hands on you and persecute you, delivering you up to the synagogues and prisons. You will be brought before kings and rulers for My name’s sake. But it will turn out for you as an occasion for testimony. Therefore settle it in your hearts not to meditate beforehand on what you will answer; for I will give you a mouth and wisdom which all your adversaries will not be able to contradict or resist. You will be betrayed even by parents and brothers, relatives and friends; and they will put some of you to death. And you will be hated by all for My name’s sake. But not a hair of your head shall be lost. By your patience possess your souls.
– Luke 22:7-19

In short, Jesus predicts that Christians would be persecuted during the “End of the Age”. Occult schools such as Rosicrucianism also agree that those who remain faithful to old religions (such as Christianity) will be deemed heathens in the new age.

By viewing the future through the perspective of the past, it is evident that a new age is to be ushered in when the sun enters the constellation Aquarius, the Water−bearer, a few hundred years hence. Judging by the events of the past it is reasonable to expect that a new phase of religion will supersede our present system, revealing higher and nobler ideals than our present conception of the Christian religion. It is therefore certain that if in that day we would not be classed among the idolaters and heathen, we must prepare to align ourselves with these new ideals.
– Heindel, Op. Cit.

While members of occult secret societies generally view the Age of Aquarius positively, other researchers fear it will usher in a new dark age.

Proponents of medieval astrology suggest that the Pisces world where religion is the opiate of the masses will be replaced in the Aquarian age by a world ruled by secretive, power-hungry elites seeking absolute power over others; that knowledge in the Aquarian age will only be valued for its ability to win wars; that knowledge and science will be abused, not industry and trade; and that the Aquarian age will be another dark age in which religion is considered offensive.
– Zoller, Robert (September 2002). “The use of archetypes in prediction”. The Federation of Australian Astrologers (FAA) Journal

This assessment of the Aquarian age, where “secretive, power-hungry elites” rule the world, is only becoming more relevant and accurate as time passes. Furthermore, it parallels the tribulation period foretold in Revelation prior to the coming of the Antichrist.

Psychoanalyst Carl Jung believed that the two fishes of the Pisces symbol represent the start and the ending of the Piscean age. The upright fish represents Jesus Christ, and the downward fish represents the Antichrist.

In his book Aion, Carl Jung describes the Age of Aquarius as a dark and spiritually deficient period that will “constellate the problem of the union of the opposites“. He adds:

“It will no longer be possible to write off evil as the mere privation of good; its real existence will have to be recognized in the age of Aquarius“.

According to Jung, the Antichrist will emerge from this era in which evil is normalized, combined with widespread feelings of fear and anxiety. He also states that the Age of Aquarius will reveal “secrets” of an esoteric and psychological nature, where spirituality will become an individual experience.

In short, many believe that the Age of Aquarius will see religions lose relevancy as humans seek godhood within themselves. While good and evil used to be defined by religions, these concepts will gain “fluidity” in the Aquarian Age.

Some believe that this already happened. Aleister Crowley, the most prominent and influential occultist of the 20th century, redefined morality with the motto of the new age: “Do What You Will.”

Crowley’s motto relativizes “good” as whatever allows one to reach one’s “true will.” This philosophy has defined the cultural climate of the past decades.

Crowley perceives the new age from a slightly different perspective than seen above. He believed that a new era began in 1904, when humanity began moving away from a “paternalistic” society to gain the characteristics of a child.

The Aeon of Horus

The Aeon card from Aleister Crowley’s Thoth tarot deck symbolically represents the fundamentals of the Aeon of Horus.

Aleister Crowley stated that the last 2,000 years were the “Aeon of Osiris.” Osiris was the “king of the living and ruler of the dead,” and his Age was characterized by strong governments and religions, notably Christianity’s “emphasis on death, suffering, sorrow, and the denial of the body”. According to Crowley, humanity entered the Aeon of Horus (named after the child of Osiris) in the 20th century. In this phase, humans would learn to seek to become gods themselves.

“In plain language, the Aeon of Horus means that the Godhead is being passed down to the individual who needs to learn to activate and find the God-Within themselves. This latest Aeon sees the beginning of the end of Divine Power and authority being owned by kings, queens, religions, governments, big institutions and dictatorships, which will increasingly all begin to fail spectacularly. The individual will have the opportunity to become fully liberated, in charge of their own spiritual destiny.”
– Paul Dunne, The Magic of the New Aquarian Age and the New Aeon of Horus

Aleister Crowley believes that the strong structures of the old age paralleled Osiris as a fatherly figure. Conversely, in the Aeon of Horus, humanity would take on the traits of a child.

After finding the “Stele of Revealing” in an Egyptian museum (it was exhibit #666), Crowley wrote this about the coming New Aeon:

“Horus rules the present period of 2,000 years, beginning in 1904. Everywhere his government is taking root. Observe for yourselves the decay of the sense of sin, the growth of innocence and irresponsibility, the strange modifications of the reproductive instinct with a tendency to become bi-sexual or epicene, the childlike confidence in progress combined with nightmare fear of catastrophe, against which we are yet half unwilling to take precautions.

Consider the outcrop of dictatorships, only possible when moral growth is in its earliest stages, and the prevalence of infantile cults like Communism, Fascism, Pacifism, Health Crazes, Occultism in nearly all its forms, religions sentimentalized to the point of practical extinction.

Consider the popularity of the cinema, the wireless, the football pools and guessing competitions, all devices for soothing fractious infants, no seed of purpose in them.

Consider sport, the babyish enthusiasms and rages which it excites, whole nations disturbed by disputes between boys.

Consider war, the atrocities which occur daily and leave us unmoved and hardly worried.

We are children.”

– Aleister Crowley, Book of the Law on the New Aeon / Age of Horus

In his book Perdurabo: The Life of Aleister Crowley, occultist Richard Kaczynski observes that Crowley’s Aeon of Horus aligns with the main characteristics attributed to the Age of Aquarius. The synchronicity between Crowley’s work and the evolving spiritual landscape of the 20th century, which abandoned the 10 commandments to embrace “do what you will,” epitomizes the Age of Aquarius.

Considering that Aleister Crowley called himself “Great Beast 666” (after the evil, powerful figure from the Book of Revelation), one can wonder if this era of spiritual liberation is actually a stepping stone towards global satanism.

In Conclusion

Various sources, including occult and biblical texts, discuss a new age in which human spirituality will be drastically transformed. Depending on the source, this next age is either described as a time of innovation, liberation, and enlightenment or a time of evil, darkness, and confusion.

Meanwhile, the occult elite, which embraces the coming of a new age, has been working hard to force its most crucial aspect of the Aquarian sign: fluidity.

Good and evil, male and female, hetero and homosexuality: The rigid boundaries of the past are gone, and age-old concepts have now become relative and defined by personal experience. We are even seeing massive fluidity in world populations as the blurring of national boundaries favors the merging of cultures to create one global melting pot.

Are these things happening organically? Or are they being forced by secretive global powers? Is humanity naturally evolving according to energies emitted by astral bodies? Or is it being prepared for a New World Order that will crown the Antichrist? Is it all God’s will? Or is it all humans playing God? Can all these things be true at the same time?

These answers will eventually flood the Earth, like water poured from the urn of a waterbearer.

Cheering For Evil: The Occult Symbolism and Hidden Messages in “Saltburn”

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Cheering For Evil: The Occult Symbolism and Hidden Messages in “Saltburn”

Warning: Monumental spoilers ahead!

Shortly after its US release in late 2023, Saltburn’s “iconic” scenes became viral on social media. As word of mouth spread, the movie quickly became one of the most-watched movies on streaming platforms.

Like numerous “viral” films today, the publicity surrounding Saltburn mainly focused on shock and controversy. As people tuned in to see what the fuss was about, critics firmly separated into two camps: those who thought the movie was degenerate garbage and those who thought it was pure genius.

This Daily Beast movie critic thinks that people who do not enjoy watching a man drinking semen-filled bathwater should “grow up.”

Other movie critics like to claim that viewers are “missing the point” of Saltburn.

The New York Times declares that you’re too dumb to understand Saltburn‘s point. Does the article actually explain what the point is? Of course not. But that title made the reviewer sound very smart.

As usual, mainstream movie reviewers celebrated Saltburn but purposely ignored its most critical aspect: symbolism. Is it on purpose? Because, if they diligently decoded these symbols and explained their meaning, readers would be like, “So why are you celebrating this?”

Indeed, beyond its controversial scenes, Saltburn is replete with blatant symbols begging to be deciphered. Nearly every shot is calculated to convey a message and integrates elements that contribute to the narrative. When this symbolism is pieced together, an occult and spiritual dimension to the story is revealed.

Although the movie’s symbols and references are complex and elaborate, Saltburn‘s can actually be summed up in two simple words: Evil prevails. That’s it. And in the grossest, most perverse way possible.

This battle between opposing forces is represented using classic esoteric symbolism throughout the movie.

Saltburn contains numerous shots involving mirroring, reflections, and inversions, as this promotional poster exemplifies.
The Great Seal of Solomon visually represents the union of opposites and the hermetic axiom “As Above, so Below” through water reflection.

In many ways, Saltburn mirrors and inverts tropes found in classic tales to communicate a dark message about modern society. Here’s a look at the movie’s symbolism.

It’s All a Ritual

The basic premise of Saltburn has been seen countless times: A poor person gets invited to the estate of a wealthy family. At that point, the rich usually turn into cruel jerks, and the poor person realizes they were invited for ridicule, entertainment, or, in some cases, much worse. However, Saltburn provides an unexpected twist to this classic premise.

The movie’s very first shot shows a lighter on which is engraved the Catton family crest. Other than foreshadowing the family’s downfall, the crest alludes to the duality of light and darkness.

The movie’s protagonist is Oliver Quick, a nerdy Oxford University student who comes from a modest background.

While Oliver comes to school dressed formally, he realizes that the rich kids are dressed casually. We immediately sense that his background made him serious and hardworking, while the privileged students are lazy and sloppy as they’re just coasting on their family’s wealth.

As we get introduced to the movie’s characters, we notice a lot of “fluidity” happening. Everybody’s vaguely bisexual, everybody’s into anybody, and jokes about child abuse and incest are thrown nonchalantly.

At social gatherings around Oxford, Oliver meets (and becomes obsessed with) Felix, a popular student from an ultra-wealthy family.

In this symbolic shot, Felix is illuminated by the sun while Oliver’s shadow hangs upside down. The concept of duality between the two occurs numerous times in the movie.

Oliver manages to gain Felix’s trust and sympathy by telling him childhood stories about his drug-addicted parents (which turn out to be false). Felix then invites him to spend the summer at his family estate.

Most of the movie was filmed at Drayton House, a 14th-century country estate in Northamptonshire, England. This physical representation of wealth and opulence is a character in itself in the movie.
Although they live in a historical estate that housed numerous noble families throughout the centuries, the Cattons just want to hang out, eat candy, and watch movies such as Superbad. They’re a product of modern times.

Through numerous scenes, we understand that the Cattons are not a Machiavellian, world-controlling elite family. They’re bored, spoiled, and clueless descendants of British nobility. They’re disconnected from reality and like to invite “regular” people for entertainment, making them perfect preys. At the movie’s end, Oliver calls the Cattons “spoiled dogs sleeping belly up with no natural predators.”

A music box named The Catton Players shows each family member as a goofy jester. On each side are Masonic pillars topped by the star and the moon crescent from the family crest, hinting at the ritualistic “play” that is about to happen.

As Oliver settles into the estate, an initiatic process begins.

Oliver admires a giant maze behind the estate. It will eventually be the site of a sacrifice.

In secret societies, labyrinths play an essential role in initiatic rituals..

“Labyrinths and mazes were favored places of initiation among many ancient cults. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.”
– Manly P. Hall, The Secret Teachings of All Ages

As we’ll see, a highly symbolic Minotaur stands at the center of the Catton’s labyrinth, confirming the story’s “initiatic” dimension.

Other works of art around the estate silently add to the movie’s narrative.

As Oliver subtly manipulates the mother of the Catton family, a sculpture of Samson Slaying a Philistine prominently appears in the frame.
Inspired by a biblical story of divine justice and revenge, this sculpture was popular amongst elite families as it represented their political dominance.

While Oliver attempts to fit in with the Cattons, he is sometimes made to feel inferior due to his modest background. His revenge on this wealthy family is therefore compared to Samson’s divine retribution. However, there’s absolutely nothing divine about Oliver’s revenge. Quite to the contrary, it appears to be inspired by the devil himself.

Black Magic

On numerous occasions, Oliver is shown as a shadowy figure, associating him with the concepts of evil and darkness.

In the scene above, Oliver interacts with Felix’s sister, Venetia. She mentions it is a full moon, meaning “we’re all about to lose our minds.”

Occult rituals are believed to reach maximum potency during the full moon, and the “sexy” scene that follows has a strong “magikal” component.

Oliver engages in sexual acts with Venetia involving her period blood, which happens to be a prime ingredient in witchcraft. When she reacts in shock, Oliver replies, “Lucky for you, I’m a vampire.”
In the following scene, Oliver is made to look like a vampire with blood dripping from his mouth. Although he’s supposed to represent “the people”, Oliver engages in obsessions of the occult elite, such as consuming blood.

In another infamous Saltburn scene, Oliver spies on Felix masturbating in the bathtub. When Felix goes back to his room … *shudders*

Oliver passionately drinks Felix’s semen-laced bath water. Gross, shocking, but also significant from an occult standpoint, similar to him consuming Venetia’s period blood.

Felix eventually realizes that Oliver is a creepy liar who invented a story to impress him and gain sympathy.

As Felix symbolically walks away, Oliver stands next to a painting depicting an ominous, shadowy figure with a horn-type shape protruding from its head.

In the movie’s final act, the Cattons organize a birthday party for Oliver themed around Shakespeare’s play A Midsummer Night’s Dream. Everything about this play is relevant to the Cattons.

A Midsummer Night’s Dream is said to have been initially written for an “aristocratic festival,” not unlike Catton’s party. The story takes place in a dream-like context at the summer solstice and is filled with magical creatures engaging in intrigue and sexually ambiguous activities.

The party includes a giant version of The Catton Players’ music box, setting the stage for the ritual drama about to take place.

Every guest wears a costume inspired by A Midsummer Night’s Dream, and they’re all significant.

Oliver is dressed as Puck, aka Robin Goodfellow, a mischievous demon/magical being who pranks other characters in the play.
In English mythology, Puck (aka Goodfellows) is a phallic, horned figure reminiscent of Pan and Baphomet.

In the 19th century, occultists began to apply the name Robin Goodfellow to the Devil, which is rather appropriate in Oliver’s case. This fact is further emphasized when he opposes Felix.

Contrasting with Oliver, Felix wears angel wings.

Although one would expect Felix to become an evil and manipulative character in the movie, he’s friendly and welcoming throughout. However, he does not tolerate Oliver’s lies, which leads to his sacrificial demise.

During the party, a man dressed as a pig roasts an actual pig as Oliver watches intently. This seemingly pointless scene alludes to cannibalism – a guilty pleasure of the occult elite. It also points to humans eating each other for wealth and power.

At one point, Oliver catches Felix running off inside the maze with a girl. He follows them like the creep he is.

Oliver (again shown as a shadowy figure) catches Felix having sex with a girl right under a sculpture depicting the Minotaur from the Theseus Myth.

The scene above is highly symbolic for numerous reasons. First, the Minotaur at the maze’s center esoterically represents humans’ animal nature that needs to be slain to gain enlightenment. However, in the movie’s context, the Minotaur is not slain. He stands victoriously (and phallically) as he rips a pig apart—a throwback to the cannibalized pig mentioned above.

Furthermore, the Minotaur is said to be modelled after Oliver’s body, creating in the viewer a subconscious association between the two figures. Also, both are horned, creating a very conscious association between the two figures.

After Oliver interrupts Felix’s sexual encounter, they get in an argument, and Oliver poisons and kills him. The following morning, the Cattons discover Felix dead at the center of the maze.

In this symbolic shot, the Minotaur stands ominously above Felix and his angel wings. Evil triumphed over good.

But murdering Felix is not enough for Oliver.

At Felix’s funeral, Oliver gets naked and has sex with his grave site. For like, way too long.

The Catton family is unaware of Oliver’s wrongdoings and is manipulated to trust him with the family legacy. Big mistake. Each family member eventually dies in events that Oliver directly or indirectly triggers.

The movie ends with Felix dancing naked alone in the Catton estate as he places rocks representing the death of each family member above the Catton Family music box.

Saltburn ends with the protagonist prevailing specifically because he is evil. During the movie, he does not grow, evolve, or learn anything. He was a lying manipulator from the start, and that’s what caused him to succeed.

In Conclusion

While Saltburn is infamous for its revolting scenes, its core message is the most sinister part of the movie. It is about inverting familiar stories involving aristocratic families to have audiences identify with evil, under the guise of “eating the rich.”

In the movie, the wealthy family became weak and lazy due to generations of wealth and privilege. Then comes Oliver, who is evil, perverse, manipulative, and sick-minded like the rest of the occult elite. In the movie’s logic, he’s the one who deserves this wealth.

Through deceitful actions, Oliver takes advantage of the family’s trusting nature and knocks them out of existence in the vilest ways possible. The process is symbolically likened to an initiatic ritual where the protagonist engages in increasingly dark and depraved acts, culminating in all-out murder.

That said, Oliver’s takeover is framed as the ordinary people’s revenge against the privileged elite, and the audience is made to revel in Oliver’s devilish ways. However, what actually happened is that he became one of “them.” And, once again, they tricked the audience into cheering for evil.

There’s Something Terribly Wrong with “Cute Cat” Videos on YouTube

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There’s Something Terribly Wrong with “Cute Cat” Videos on YouTube

In 2017, I published an article where I highlighted an entire industry of YouTube videos directed at children that contained violent, sexual, or all-out traumatizing content. People on platforms such as 4Chan and Reddit dubbed this phenomenon “Elsagate” because these videos often used popular characters such as Frozen‘s Elsa to lure children in.

Online outrage gained such traction that YouTube finally took action and removed the offending videos … for a while. And YouTube seems to have done so very reluctantly. Indeed, they seemed very comfortable with hosting horrific content (some of which appeared to be made by and for pedophiles) on their platform. On the other hand, they also seem very comfortable with censoring channels that committed the sin of expressing opinions that went against the mainstream narrative.

Well, in 2025, toxic videos aimed at children crept back on YouTube, and I’m sure they’re very aware of it. And these videos are worse and more rampant than ever,  mainly due to the coming of a new technology: AI. Indeed, we’re in the midst of Elsagate 2.0, where thousands of AI-generated videos containing horrific content are pushed to children at an unprecedented rate. And I’m not talking about niche, obscure channels. They’re massive channels, with millions of subscribers and billions of views.

These channels are conceived specifically for toddlers whose parents give them mobile devices to keep them busy and entertained. The algorithm ensures that these toddlers keep clicking on equally terrible videos.

I’ve experienced it firsthand. I simply searched for “cute cats” on YouTube—an innocuous search term used by millions of children—and was flooded with hundreds of bizarre, AI-generated videos of cats. And most of these videos contained imagery that appears to be custom-made to traumatize children: Gore, death, horror, and insidious family-related scenarios.

Although I’m a grown man who’s been exposed to all kinds of terrible content, these videos still managed to make me dizzy, uneasy, and somewhat nauseous. Imagine the effect these videos have on innocent children.

These videos are getting pumped out frantically because AI entirely generates them (while being prompted by sick people behind the scenes). Then, the YouTube algorithm pushes this new garbage onto unsuspecting children.

Why does this phenomenon even exist? Well, of course, money. YouTube and channel creators are generating millions in ad revenues by preying on children. But it goes deeper than money. They could generate as much money by creating harmless AI cat videos.

As observed in my 2017, there appears to be a darker agenda behind this phenomenon: They are genuinely attempting to traumatize children with gore and violence while grooming them to bizarre sexual scenarios.

Here’s a look at what YouTube is pushing on children.

Sickening Gore and Violence

While there are numerous channels pumping AI cat stuff, they’re all remarkably similar. The stories, the styles, and the “what the hell is wrong with them” factor are all the same. The following video, poetically titled Kitten has tummy trouble contains cockroaches, is a typical example of the nightmarish scenarios they’re pushing on children.

A kitten ate ice cream that contained bugs so now its at the hostpial.
Surgeons open the kitten’s stomach.
An endless stream of bugs emerges from a hole in the kitten’s stomach.
Nurses run away as bugs invade the entire hospital.
The kitten cries profusely as it is stitched up.

This video is aimed at and watched by toddlers and children. It does a great job of tapping into their deepest fears and anxieties while providing them pure nightmare fuel.

Then, YouTube suggests to these children an endless stream of variations of this horrific scenario.

A bunch of bees emerge from a cat’s stomach that somehow turned into a hive.
The bees attack random people in the city. Notice that YouTube suggests its young viewers search for “cat stomach,” a term that is sure to expose them to more traumatic videos.

If the screenshots above made you feel uneasy or even a bit nauseous, it’s probably due to the triggering of trypophobia.

Trypophobia is a term used to describe an aversion or fear of closely packed holes or bumps. It’s not a formally recognized mental disorder, but many people experience strong emotional and physical reactions when encountering stimuli like sponges, honeycombs, or even certain patterns in nature that resemble these clusters of holes.

Trypophobia is a natural aversion to patterns that resemble disease and infections. These AI videos appear to purposely trigger this response in children to generate a strong, physical reaction.

Another type of scenario involves, for some reason, pregnant cats.

A pregnant cat gets mugged in the street. Notice the #cute #kitten and #catlover hashtags to lure children to these videos.
The pregnant cat is stabbed right in the stomach. There’s absolutely nothing #cute about this.

Here’s another pregnant cat.

That’s just pure horror.

The makers of these videos do not shy away from depicting the all-out violent death of kittens.

A kitten lies dead in a car after being shot in the head. #cute
A kitten lies in a casket after being murdered. #catlover

Children watching these videos identify with the kittens as they experience the terrible scenarios pictured above. But it’s not merely about violence. The makers of these videos are apparently looking to cause psychological trauma through bizarre stories involving cat families.

Family Horror

We all know that toddlers and young children revolve around mommy and daddy. Indeed, their entire universe is based on their parents’ unconditional love and care. The good people at YouTube are pushing videos in which parents betray that trust.

A psychopathic mother wants to drill a hole in a kitten. Are these people OK?
In another masterpiece called Parents or Monsters?, two cat parents murder and bury their kitten.

I’m not a child psychologist, but I don’t think that toddlers watching parents murdering babies is beneficial for their development. As a matter of fact, this type of garbage might partly explain why younger generations grow up increasingly anxious and depressed.

For some reason, they’re also very into the theme of scary, abusive fathers.

A father cat beats a mother cat and their kitten. So sad and cute :'(

Here’s another beauty.

A video starts with a kitten crapping on the bed. Yes, these videos contain a whole lot of feces and vomit.
The father cat marches in and punches the kitten in the face numerous times. #cute

Another trope exploited by these AI creators is, for some reason, infidelity. There are hundreds of videos of cats cheating on each other.

In the Academy-Awards-nominated She Betrayed Him, a male cat discovers that his babies are black and he’s angry.
Then the black cat shows up, and they live happily ever after.

There are hundreds of variations of these stories, and it’s very strange. While these videos appear to be randomly generated, they also appear to be specifically created to expose young children to toxic concepts such as families breaking down.

In the critically acclaimed Find the right mommy!, a series of thin female cats wearing sexy outfits appear, and when the dad cat says, “Yes! ” they enter his bedroom. What’s the audience for this?

While the above videos focused on cats, the people behind these creations still try to lure children using popular characters.

Popular Characters to Lure Children

The original Elsagate controversy was based on videos using characters such as Elsa from Frozen to attract viewers. The same phenomenon is happening now, but it’s worse. Due to the development of AI, it is now possible to create CGI videos in the same style as popular movies. Once young viewers are lured in, they’re exposed to nightmare fodder.

For instance, children know and love Minions. So, when they see Minions videos on YouTube, they click on them. Then, they see stuff like this.

A worm-like Minion pops out of a baby’s blood stomach.
They love to turn things children love into pure horror. It’s almost as if they’re purposely trying to make them lose their innocence.

Here’s another screenshot from the same video.

For some reason, the store’s address and the police car number are both 666.

The next video starts with a normal Sonic the Hedgehog as seen in movies. Then it turns into this.

An evil, bloodthirsty, spider-like Sonic runs after a crying kitten. They’re truly looking to traumatize children.

The screenshots in this article were taken after a very basic search and a few minutes of (horrible) viewing. I could have posted hundreds of more insane scenarios, as these videos are being produced daily. This problem is rampant.

In Conclusion

In this article, we’ve seen body horror, operations gone wrong, insects flying out of gaping stomach holes, pregnant cats being stabbed, baby kittens being shot dead, parents murdering and burying their own child, and much more. Despite these videos taking over YouTube and poisoning the minds of millions of children, nothing is being done.

Meanwhile, YouTube uses the most advanced algorithms on Earth to analyze what people say and censor ideas they don’t like. How come these advanced algorithms cannot spot a video of a Minion crashing through an infant’s bloody stomach? Too subtle? Are they too busy censoring videos of doctors suggesting people take vitamin D?

While some believe that these cat videos are merely a money-making scheme, it goes deeper than that. They are custom-made to traumatize children, to shock them out of their state of innocence and fill them with dark thoughts. These people want to create a generation that is thoroughly anxious, traumatized, and demoralized.

If you’re a parent, do not trust these platforms; they’re not on our side.

Symbolic Pics of the Month 05/25

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Symbolic Pics of the Month 05/25

On April 14th, Jeff Bezos launched Blue Origin, an event described by some as “rich ladies going to space for 10 minutes.” While the media were told to turn this into a feminist, “empowering” event for all women, the symbolism surrounding it pointed in a different direction.

Presented as a momentous event “for all womenkind”, the Blue Origin crew included pop star Katy Perry, journalist Gayle King, and, why not, Jeff Bezos’ fiancée Lauren Sanchez. 
Whether on purpose or not, this feminist event took place in a very phallic-looking rocket. The mission patch was also loaded with perplexing symbolism. For instance, what is the thing in the middle? It doesn’t look like the ship, so what is it? 

Let’s try flipping that mission patch.

The thing in the middle looks like the head of Baphomet, a “torch” between two horns, and even a pair of eyes. 

This space launch was less of an “empowering” space mission and more of a ritualistic media event involving the union of the male and female principles (much like Baphomet). There’s a long history of space launches being turned into occult rituals—see the history of Jack Parsons and Aleister Crowley.

Meanwhile, Katy Perry was making one-eye signs using a butterfly to indicate that she’s merely an industry slave taking part in some bizarre occult elite foolishness. Then she came back to earth and got ridiculed mercilessly … as usual.

The 2025 MET Gala was relatively subdued compared to previous ones, but there were still clear signs of occult elite influence in this yearly parade of industry puppets.

Actor Walton Goggins was one of the heterosexual males chosen to wear the proverbial dress. This is about submission and the gender-blurring agenda.
Although she did not participate in anything relevant in the past years, Janelle Monáe is always invited to elite gatherings such as the MET Gala. The reason? She complies. This year’s outfit turned her into a walking one-eye sign.

Speaking of the one-eye sign, it has been everywhere in the past weeks and performed by some of the world’s biggest stars. Here’s a fraction of the one-eye signs that appeared in mass media recently.

The promo image for David Blaine’s new series features an obvious one-eye sign. The series’s name is Do Not Attempt, as in “do not attempt to have a career in show business if you’re not willing to comply with the elite.”

As highlighted in past articles, the Netflix series Black Mirror often reveals the elite’s agendas while engaging in predictive programming to “prepare” the world for what’s to come.

The promo image of the Black Mirror episode USS Callister features an unmistakable one-eye sign. The episode is about “male abuse of authority” and DNA cloning, two topics that the elite want the masses to absorb.
The casting of Bella Ramsey in the series The Last of Us has annoyed numerous fans because it was all about adding an unnecessary gender-blurring, LGBT dimension to the story (media refers to Bella as they/them). This big, fat, one-eye sign proves she’s used to push an agenda.

Here’s a screenshot from a The Last of Us scene that had the entire world rolling its eyes.

Yes, Bella’s character said, “I’m gonna be a dad.” It made no sense, but it had to be there. They’re willing to annoy their entire viewership to pander to the gender-blurring agenda.

If you’ve read past SPOTM articles, you might have noticed a terrifying pattern: Every time someone from the Kardashian/Jenner witch coven promotes a new product, they do a one-eye sign with it. Here’s yet another example.

Khloe Kardashian does a one-eye sign/666 combo to promote … protein popcorn (whatever that is). I think I’ll pass on the satanic, diarrhea-inducing popcorn, Khloe.
Charlamagne Tha God is a radio personality known for speaking his mind on all issues, including politics. This one-eye sign in Variety magazine tells us that when speaking his mind, he’ll never go against the elite’s narrative.

But wait, maybe this wasn’t meant to be a one-eye sign. Let’s look at another picture from the same photoshoot.

No accident, blatant one-eye sign.
The Netflix series Adolescence was praised and heavily promoted by the powers that be. The clear one-eye sign on the show’s poster indicates that it was crafted by the elite for a specific purpose.

The media and the powers that be treat adolescence as a “must-watch” documentary about teenagers’ realities. However, it is not a documentary. It is a work of fiction where every scene and every character is carefully crafted to advance a specific narrative. The main one: Masculinity is a threat.

Entertainment colludes with power. Shortly after the release of Adolescence, the show’s writer, Jack Thorne, met with the UK’s Prime Minister, Keir Starmer, to discuss how to censor speech and modify boys’ behavior. This is the definition of social engineering. 
As seen in previous articles, the number of celebrities’ children who become transgender is ridiculously high compared to the general population. At age 29, Robert De Niro’s son decided to become a woman. More importantly, mass media had to make a big deal out of it, complete with photoshoots and articles describing the “journey”.
The least one can say is that these past years were rather humiliating for Will Smith. Trying to get his career back on track, Smith is releasing a new album and, to promote it, he posted this weird, goofy, emasculating, and infantilizing picture. One of the top comments said, “What in the humiliation ritual is this?” That sums it up.
Britney Spears was recently photographed at a Mexico airport with a man holding a creepy doll.
In past Instagram posts, Britney presented her creepy doll to the world. Monarch programming truly broke her mind.
A person using a hammer damaged this sculpture on the front of the BBC building. The reason: The sculpture was made by Eric Gill, a pedophile who abused his daughters (and the family dog). He even documented the encounters in journals in the most deranged manner possible. Instead of using the incident to retire this thing, the BBC restored this sculpture (which happens to depict an old man and a naked child), placed it back, and even added a protective screen. What else do you expect from the BBC, an elite-owned propaganda network that employed pedophile monster Jimmy Savile for decades?

Special thanks to everyone who sent in pics!

Epstein and Prince Andrew Accuser Virginia Giuffre Dies by “Suicide” … After Warning That She Was Not Suicidal

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Epstein and Prince Andrew Accuser Virginia Giuffre Dies by “Suicide” … After Warning That She Was Not Suicidal

In many ways, Virginia Giuffre was the face and the voice of sex trafficking victims recruited by the so-called elite. While thousands suffered in silence and feared repercussions, Guiffre used every tool at her disposal to expose her abusers.

And her history turned a supposed “conspiracy theory” into a disgusting reality. The infamous picture of her at 17, posing next to Prince Andrew, while Ghislaine Maxwell lurked in the background, could not sum up the situation in an evident way.

The royal perv, the trafficked minor, and the Madam who made the “transaction” happen.

This picture caused many to finally realize that these people in the so-called “elite”, who are celebrated in public, hide terrible secrets. Behind closed doors, they lust for underage girls (and boys), and they rely on other powerful people to recruit and traffic these children. Ghislaine Maxwell, whose father was a media tycoon, worked closely with Jeffrey Epstein to introduce girls to the likes of Prince Andrew as she took care of the luring, the grooming, and the outright trafficking.

While Giuffre’s story was merely the tip of a disturbing iceberg (there were tunnels underneath Epstein Island), it was enough to bring unwanted attention to a system that can only thrive in darkness. In numerous lawsuits, interviews, and social media posts, Giuffre sought to expose her abusers and traffickers, even detailing some of the encounters she had. In the BBC program Panorama, Giuffre described her first encounter with Prince Andrew:

“He is the most hideous dancer I’ve ever seen in my life. His sweat was like it was raining basically everywhere. In the car Ghislaine tells me that I have to do for Andrew what I do for Jeffrey and that just made me sick.”

Giuffre added that, later that night, she had to have sex with Andrew at Ghislaine Maxwell’s house. She also confirmed that other encounters happened in the U.S., the UK, and on Epstein Island.

Giuffre was also linked to another powerful yet infamous figure: Fashion agent Jean-Luc Brunel.

Jean-Luc Brunel surrounded by some of his “models.”

In a 2015 affidavit, Giuffre stated about Brunel:

“A lot of the girls came from poor countries or poor backgrounds, and he lured them in with a promise of making good money. Jeffrey Epstein has told me that he has slept with over 1,000 of Brunel’s girls, and everything that I have seen confirms this claim.”

In court documents that were filed in both the United States and France, Giuffre said she had “sexual relations with Brunel on several occasions” when she was aged 16-19. She added that both Brunel and Prince Andrew abused her on Little Saint James – Jeffrey Epstein’s private island.

Since these events, three things happened: Epstein was arrested and died by “suicide” in 2019. Jean-Luc Brunel was arrested and died by “suicide” in 2022.

And now, Giuffre is said to have died by “suicide.” And the circumstances are rather suspect.

Not Suicidal

In 2019, Virginia Giuffre posted a tweet (which is still up to this day) that specifically stated that she wasn’t suicidal. I made sure to document this damning tweet in case something happened to her. And it did.

Notice the logo of her organization, which is a butterfly. A reference to Monarch programming?

In her chilling message, Giuffre clearly stated that she wasn’t, in “no way, shape or form,” suicidal. She also implored people not to “let this go” if something happened to her because “too many evil people” wanted her quiet.

Giuffre also retweeted this post:

The tweet read: “You aren’t suicidal, and if you die an ‘accident, it wasn’t no accident.”

Well, it happened. On March 30th, 2025, Giuffre was in an accident that reportedly almost killed her. In an Instagram post, Giuffre posted a picture from her hospital bed, severely bruised up, due to an accident involving a school bus going over 49 mph.

Giuffre ended her post by stating that she was given 4 days to live. Was this accident a failed attempt at her life?

In the days that followed, authorities stated that she was involved in a “minor crash,” that her story was “fabricated,” and that her life wasn’t in danger, a contradictory account that only added to the strangeness of the situation.

One month later, Giuffre’s family released a statement saying that she had died by suicide:

“It is with utterly broken hearts that we announce that Virginia passed away last night at her farm in Western Australia. She lost her life to suicide, after being a lifelong victim of sexual abuse and sex trafficking.

Virginia was a fierce warrior in the fight against sexual abuse and sex trafficking. She was the light that lifted so many survivors. In the end, the toll of abuse is so heavy that it became unbearable for Virginia to handle its weight.”

Many were put off by the vague and generic statement, which answered no questions. It is almost as if her family didn’t even write it.

Since the announcement of her death, some people close to Giuffre expressed utter shock and disbelief. Her lawyer Karrie Louden stated that Giuffre showed ‘no signs’ that she would take her own life.

‘When I got the phone call, I was like, ‘are you joking?’ Because there was no signs that was something she was considering.’
– Daily Mail, ‘No signs’ that Jeffrey Epstein victim Virginia Giuffre would take her own life – as her lawyer speaks out on conspiracy fears

Like many other suspicious deaths, every basic detail relating to her death remains a mystery, as authorities are operating in utter secrecy. The existence of a suicide note was not even confirmed.

Regarding the circumstances of Giuffre’s “suicide”, Ms Louden added:

‘Given the recent activities, it’s very likely that we will never know. The police were just very, very vague. I know that she’s gone but how that happened, I don’t know.

I’m not sure we’ll ever know. I mean, sometimes the coroner might say it was suicide, the coroner might say it was misadventure, the coroner might say inconclusive.”
– Ibid.

Louden added that Giuffre had recently expressed plans for the future, such as renovating her house in Australia. In other words, she’s having trouble believing that Giuffre was actually suicidal.

It’s almost as if Giuffre specifically stated that she wasn’t suicidal in any shape or form in a very public social media post …

In Conclusion

When one has been following the Jeffrey Epstein story for years (and similar ones involving the occult elite), one pattern becomes immediately evident: Loose ends are always cut off, especially when they are at risk of divulging information that needs to stay private. As documented by this site, the number of people connected to Epstein who died by “suicide” is simply absurd (including this ridiculous case).

Virginia Giuffre’s case is even worse: she has stated on numerous occasions that people were trying to silence her and they might try to “suicide” her.

Then, it happened. And the media, the authorities, and even Giuffre’s family are acting very strangely about it.

What actually happened to Virginia Giuffre?

The Mysterious Case of “Sad Satan”, the Cursed Video Game From the Dark Web

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The Mysterious Case of “Sad Satan”, the Cursed Video Game From the Dark Web

Warning: This article discusses disturbing topics and imagery.

Sad Satan was discovered in 2015 by a YouTube channel called Obscure Horror Games. Claiming that a subscriber sent him a link to download the game from the Dark Web, the channel’s owner posted five videos of gameplay. The shock was immediate, and the videos went instantly viral. Despite its amateurish appearance, the game terrified viewers who wondered if there was more to it than meets the eye.

The dark aura surrounding the game only intensified when the owner of Obscure Horror Games claimed, in an interview with Kotaku, that playing Sad Satan caused his computer to behave bizarrely.

“It was getting a bit strange…a note pad file that went along with the game kept appearing on my desktop each time I played the game with some gibberish messages,” Jamie wrote on the first video’s YouTube description. I asked for proof, but couldn’t get any.

“I unfortunately have no screenshots of the notepad files,” Jamie told me. “They were genuinely gibberish text. It didn’t seem to be in any language, just symbols and numbers really. I did notice 666 a few times, which fits I guess, considering the title of the game.”

The supposed creator of the game, a mysterious Dark Web dweller only known as ZK, was known for posting bizarre, rambling posts mixed with satanic messages on an undisclosed “all-purpose” forum. This interview only led to more questions: Who made Sad Satan? What is it trying to say? Is there a nefarious purpose behind it?

Over ten years later, none of these questions had been answered satisfactorily, and none of the multiple theories surrounding it had been proved (or disproved) conclusively.

However, to those who understand the symbolism found in this game, one fact is rather obvious: Sad Satan clearly alludes to the systematic abuse of children at the hands of powerful people. It might even point to Satanic Ritual Abuse (SRA), Monarch mind control, and other horrific deeds perpetrated by the occult elite.

Through a series of bizarre and often unsettling images and sounds, the game points to numerous real-life rabbit holes that beg to be investigated. Once pieced together, these elements create a terrifying narrative … because it is based on real life.

With that being said, those who analyzed the game still cannot grasp its true intent. Does the game condemn Satanic Ritual Abuse or does it, in a sick way, glorify it? Many questions were asked, but few answers were found.

Here’s a look at the symbolism found throughout this game.

The Game Within the Game

Sad Satan is not a typical game. It lacks clear objectives and enemies to fight. It could be better described as an experience or an art project, where the primary goal is to walk around and be exposed to the various sights and sounds the game presents to the player. Then, the real game begins: Uncovering the source of obscure references and stringing them together to understand the underlying story.

That’s what I did, and it’s a very dark rabbit hole to fall into. With that being said, the game’s core message taps directly into multiple topics discussed on The Vigilant Citizen, and in its twisted way, seeks to bring attention to real-life cases and individuals… while filling players with a deep sense of dread.

Here are the videos posted by Obscure Horror Corner, along with an analysis of their contents.

Upon watching this gameplay video, it is immediately apparent why some describe Sad Satan as a “walking simulator.” There isn’t much happening in terms of action. However, the environment surrounding the player seeks to tell a story.

After a few steps, the player hears bizarre audio of what sounds like a young girl speaking in reverse. Like most elements in Sad Satan, this audio was sampled from a real-life source: a Polish radio broadcast containing coded messages.

Swedish Rhapsody was a Polish numbers station, operated by the Ministry of Public Security (later Office of State Protection and Foreign Intelligence Agency) that used AM broadcasting and operated between the late 1950s and 1998. It was used to send coded messages to intelligence agents in the Western Bloc. It is notable for its use of what was once believed to be the voice of a young girl speaking in German, only revealed to be that of a special machine used by the East German State Security Service known as the “Sprach-Morse-Generator”.

Why was this specific audio recording used in Sad Satan? Difficult to say. It does sound creepy, and the young girl’s voice “preps” the player for the game’s dark SRA theme.

A few steps later, we see this ominous picture.

A man surrounded by antlers flashes for a second.

In the context of the game, this creepy picture serves as a jump scare. However, like other bizarre elements in the game, it has a meaning.

It is a picture of Franz Joseph, 9th Prince of Thurn and Taxis. In this picture, Joseph poses with his medallions from various orders.

In the game, the prince poses at Konopiste Castle in the Czech Republic surrounded by his collection of antlers. The picture was included in Sad Satan for obvious reasons: It is creepy and looks satanic. The fact that this figure of nobility looked as if horns were coming out of his head is an appropriate image representing satanic tendencies of the occult elite.

Then, the player walks a bloody hallway with a circular pattern on the walls.

The blood on the ground implies that a murder took place in this cursed area. As we’ll see later, the circles on the walls are designed to resemble eyes. Other than all-seeing eyes being the occult elite’s favorite symbols, the pattern implies that the player is being watched.

Then, another symbolic picture pops up unexpectedly.

Jimmy Savile with Margaret Thatcher, holding signs that say “NSPCC is great!”

When one understands the sad irony of this picture, the game’s narrative begins to make sense. Jimmy Savile was an English DJ and media personality who hosted the BBC shows Top of the Pops and Jim’ll Fix It. But he was mostly known for being a monster protected by the elite.

After he died in 2011, hundreds of allegations of sexual abuse were investigated, many involving children. Then the horrific truth came out: Savile engaged in pedophilia for decades and, despite allegations surfacing since the 1980s, he investigations led nowhere.

In the picture above, he is seen with his friend, Margaret Thatcher, the former Prime Minister of the United Kingdom. This picture highlights how, despite the allegations against him, Savile was protected by the highest levels of power throughout his life. Evidence was destroyed, witnesses were silenced, and other actions were taken to suppress his crimes.

In the picture, both Savile and Thatcher hold a sign of the National Society for the Prevention of Cruelty to Children. At the same time, Savile was raping children under the age of 10 years old.

This sad piece of history encapsulates a central theme of Sad Satan: Abusers not facing justice.

As if that context wasn’t disturbing enough, the player hears the words “sad Satan” repeated numerous times while gazing at Savile.

Once again, the source of this short audio clip is meaningful. It is an excerpt from the song “Stairway to Heaven” by Led Zeppelin, which was said to contain satanic lyrics when played in reverse. Those are the alleged backmasked lyrics:

Oh here’s to my sweet Satan. The one whose little path would make me sad, whose power is Satan. He will give those with him 666. There was a little tool shed where he made us suffer, sad Satan.

This is one of the first “conspiracy theories” about hidden Satanism in the music industry. Whether it is true or not, that specific part truly sounds like “sad satan.”

There might be another reason why this audio snippet was included in the game. Jimmy Page, the guitarist of Led Zeppelin, was known for dating a 14-year-old girl during the peak of his career, a fact that adds to the game’s theme of child abuse. And he wasn’t an exception: These types of relationships were rampant during the era of rock and roll.

Jimmy Page with 14-year-old girlfriend Lori Mattox.

In short, this is not your typical video game. And things only get worse as the player goes further.

The second part begins with the player attempting to enter a door, only to be met with a message saying “Rescue with key. Suffering. ” Is someone being abused in there?

Then the player is hit with another bizarre jump scare picture.

An unsettling picture of a child that looks headless flashes for a second.

This picture is titled “Head Inside Shirt” by photographer Roger Ballen. It is part of “Shadow Chamber,” a collection of bizarre pictures with horrific implications, often involving children. Here’s another photo from this collection.

Most pictures in Ballen’s collection depict people (often children) in captivity with horrific symbolism surrounding them. In other words, this is occult elite madness.

A bit later, at the bottom of the screen, the player sees the words

“In Nomine Dei Nostri Satanas, Luciferi Excelsi”

This is a satanic incantation used in occult rituals that translates to:

“In the name of Our god Satan, Lucifer on High.”

This implies that satanic rituals are happening in this cursed place, mixed with child abuse. As if that weren’t enough, the player later hears a speech by Hitler, played back at a lower pitch and reversed.

Then, the player enters the “suffering” room that previously required a key and, at the end of it, another symbolic image appears on screen.

A depiction of Baphomet by occultist Eliphas Levi, with the numbers 666 and other symbols added to it. Meanwhile, Led Zeppelin’s “sad Satan” is heard again.

When the player turns around, we see another scary sight.

A creepy girl with a battered face stares into your soul. The “suffering” message seen earlier implies that she was being abused.

Then the player hears a blood-curdling scream. Some theorized that this scream (and other sounds in the game) might be from actual victims being recorded. In this specific case, the scream is part of the game engine’s stock sounds, so a voice actress did it.

The player enters a room filled with “eyes,” where six girls stand motionless.
Some compared the room to the “rape dungeon” found in the horror game Silent Hill. The circular openings appear to be peep holes, indicating that sickos might by watching the abuse.

At this point, one starts getting a sickening feeling that the player might actually be playing the role of an abuser.

In the third part, the player walks in a hallway until a bizarre coded message appears on screen.

One of the several messages that appear during gameplay.

According to a Reddit user, the codes can be deciphered as follows:

The creepy messages indicate that people are being sacrificed.

A bit later, the player is forced to listen to a full five minutes of Charles Manson speaking about spirituality – a monologue that ends with these chilling words:

“If I start murdering people, there would be none of you left.”

This looks like a well-adjusted individual.

Featuring this murderous cult leader in the game is definitely creepy and edgy. But there is more to it. Charles Manson was deeply involved in the bizarre, occult side of the entertainment industry during the 1960s. His cult murdered (in a sacrificial manner) the actress Sharon Tate, the wife of director Roman Polanski, who will also make a brief appearance in Sad Satan.

The pattern on some walls depicts butterflies, as if they were drawn by children. Is this a reference to Monarch mind control?
This wall pattern features spirals that eerily resemble symbols used to identify pedophiles.
A screenshot of an FBI file documenting symbols used to identify pedophiles.

The fourth part begins with the picture of yet another terrible man.

It is a mugshot of Tsutomu Miyazaki, also known as the Otaku Murderer.

Reading into this serial killer’s story is a disturbing rabbit hole on its own. However, the reason for his inclusion in Sad Satan is quite apparent: He partook in the occult elite’s favorite activities, such as pedophilia, cannibalism, and even vampirism.

Tsutomu Miyazaki was a Japanese serial killer who murdered four young girls in Tokyo and Saitama Prefecture between August 1988 and June 1989. He abducted and killed the girls, aged from 4 to 7, in his car before dismembering them and molesting their corpses. He also engaged in cannibalism, preserved body parts as trophies, and taunted the families of his victims.

A bit later in the game, a complete picture of Miyazaki is shown, forcing the player to gaze into the eyes of pure evil for an uncomfortable number of seconds.

After entering a room and walking through a hallway, this picture appears.

Lady Justice.

Considering that the game highlighted cases of abusers who got away, this picture of Lady Justice might represent the powerlessness of the courts faced with the occult elite’s actions.

After entering another room, the player hears a person speaking in reverse. It is an audio snippet of Johnny Rotten, the lead singer of the Sex Pistols, from 1978. And he’s talking about Jimmy Savile:

“I think he’s a hypocrite. I think he’s into all kinds of seediness that we don’t know about, that we’re not allowed to talk about. I know some rumors.”

This interview proves that Savile’s horrific acts were known for decades before his death, and no justice was ever served. This is probably why Lady Justice appeared right before the audio snippet.

As the player explores further, bizarre messages appear at the bottom of the screen, such as:

Stop doing this.

Everybody is ready for the party.

Come in and have some fun.

These messages seem to hint at the fact that the player is an abuser. Then, the player sees this picture.

Australian TV personality Rolf Harris surrounded by children.

In 2014, Harris was convicted of the sexual assault of four underage girls. In a cruel twist of irony, in 1985, Harris presented a twenty-minute child abuse prevention video called Kids Can Say No!.

He also had the “honor” to paint an official portrait of Queen Elizabeth – yet another link between these degenerates and the global elite.

At the beginning of Part 5, we hear a snippet of the song Alabama by The Doors, played in reverse. Here’s some of the song’s lyrics.

Well, show me the way
To the next little girl
Oh, don’t ask why

Yes, it sounds creepy, especially considering that the player is literally making his way to the “next little girl”.

After walking a bit further, the player sees this picture.

Roman Polanski in 2014.

In 1977, Polanski was charged with the drugging and raping of a 13 year old girl. He was accused of unlawful sexual intercourse with a minor, rape by use of drugs, perversion, sodomy, a lewd and lascivious act upon a child under the age of 14, and furnishing a controlled substance to a minor.

Despite the evidence against him, Polanski never paid for his crimes. Even worse, as the picture above illustrates, they’re giving him trophies. He’s another example of a pedophile being protected by the occult elite. Is it because he created some of the elite’s favorite satanic movies, such as Rosemary’s Baby?

After hearing a snippet from an interview in which Jimmy Savile claims that he had never broken any laws, the player sees this picture.

A group of Druids taking part in a ritual at Stonehenge.

The inclusion of this picture alludes to occult secret societies working in the shadows, partaking in rituals that often involve sacrifices.

Then, a horrific scream is heard, and a little girl attacks the player until the screen turns black. The game concludes with the player awakening in a small, confined room, ending this nightmarish experience in the depths of human depravity.

But that’s not the end Sad Satan‘s twisted story.

The Other Version

Shortly after the release of the videos, a person claiming to be ZK (the alleged creator of Sad Satan) posted on 4Chan.

The post states that the “coward” Obscure Horror Corner did not show the whole game.

The post also included a download link to the game, which was downloaded by many, including prominent YouTubers.

However, the edgy thrill seekers who downloaded that version of Sad Satan discovered why one shouldn’t download random files from 4Chan of all places. Players discovered that the game was plagued by tracking software and malware, which rendered their computers unusable.

Even worse, this version of the game contained pictures of extreme real-life gore and one picture of child pornography. This made the game highly illegal to own.

Since then, Sad Satan remained surrounded by a dark aura as the mystery surrounding it only intensified. Nobody truly knows who is behind this and why it was even created. Some theorized that the game was made by the owner of Obscure Horror Corner himself, while others believe it is a Dark Web recruitment tool for underground rings.

While copycats released several other versions in recent years, none of them sound as disturbingly “true” as the original Sad Satan.

In Conclusion

Some believe that Sad Satan was meant to expose some of the vilest people on Earth, those whose horrific acts manage to make even Satan sad. On the other hand, others believe that the game was created to celebrate this sickness, as the game’s entire vibe is unmistakably Satanic.

Whether the case may be, one thing is for sure: Sad Satan is a reflection of our times. We’re living in an era where evil is increasingly visible, even staring us in the face, in total impunity. These people hide in plain sight, parade on camera, and even have the gall to lecture us on morality. Meanwhile, behind closed doors, in dark rooms resembling those in Sad Satan, they turn into monsters.

And Satan is not sad; he is jubilant. His power grows exponentially as evil and depravity turn into a structured system that is funded and protected by the world’s “elite.”

Some might say that this incestuous relationship between wealth, power, and abuse IS Satan. It is the culmination of worldly temptations, where humans cave to their basest impulses, where violating purity and innocence is a “thrill” to those who own everything.

Like in Sad Satan, we’re wandering on Earth, witnessing unmistakable signs of evil and wondering if this is all a game. Well, it is. And those who appear to be winning in this life will often become the biggest losers in the afterlife.

Lady Gaga’s 2025 Coachella Performance Was Nothing Less Than a Satanic Megaritual

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Lady Gaga’s 2025 Coachella Performance Was Nothing Less Than a Satanic Megaritual

Considered one of the “coolest” festivals in the world, Coachella is a yearly event where pop music and fashionable people converge for a weekend of partying. Of course, Lady Gaga is a natural fit in this environment, and over 100,000 people made sure to be in attendance for her live performance.

While Gaga had already performed at the festival in 2017, nobody truly expected what she had in store for this year’s edition: a nearly two-hour-long theatrical show with props, visual effects, massive sets, and pyrotechnics. It was big, elaborate, and meticulously choreographed to tell a story—but not any kind of story. It was a ritual drama, the kind enacted in occult secret societies during initiation ceremonies.

And it was blatantly satanic. It was so satanic that even the state-owned BBC had to acknowledge this fact.

Fans swarmed to catch the Poker Face singer perform songs from her new album Mayhem, delivering a visual spectacle by opening her set with what can only be described as a satanic ritual to her 2011 song Bloody Mary.
– BBC, Stars mingle in Coachella audience as Lady Gaga wows festivalgoers

Divided into four acts, Gaga’s performance strung together her biggest hits and songs from her most recent album Mayhem in a way that fit the overarching narrative of death and rebirth. Of course, it was highly ritualistic and heavy with spiritual meaning.

Here’s a look at this intense performance.

Abracadabra

Gaga’s performance began with the show’s two main characters facing each other while reciting the same poem.

The lady on the left is named Mahem, aka the Mistress. She’s a demonic figure symbolically dressed in red –  the color of initiation, sacrifice, and transformation in occultism. Mayhem faces Gaga, dressed in white, representing the purity of the uninitiated candidate.

If you’ve read previous articles on this site, you already know where this is going. The overarching narrative and the color codes used in this performance are a recurrent theme in the music industry, and Lady Gaga is one of the pop stars who brought this occult-inspired symbolism to the mainstream.

After the intro, Gaga appears in a gigantic red dress and gets into “worshipful mode.” Who is she worshipping? Take a guess.

This is the part the BBC said “it can only be described as Satanic.” Gaga performs Bloody Mary, a song in which she plays the role of Jesus’ girlfriend Mary Magdalene. Yes, it is blasphemous, like many other songs in her repertoire.

In the first part of the show, Gaga plays the role of Mayhem. Underneath her gigantic dress, poor souls are trapped behind bars. Behind her are Masonic pillars – the gateway to the spiritual realm.

At this point, Gaga (as Mayhem) performs Abracadabra, a song with a deep occult meaning. In an interview, Gaga even stated that the song “contained a spell inside.” This symbolic song marks the beginning of a magical ceremony. Or is it a Black Mass where Christianity as a way to praise Satan?

Case in point, Gaga’s next song is Judas, in which she sings:

In the most Biblical sense, I am beyond repentanceFame hooker, prostitute, wench vomits her mind

(…)

I wanna love youBut something’s pulling me away from youJesus is my virtueAnd Judas is the demon I cling to

Dressed with a black veil and holding a red quill, the Mistress signs a mysterious parchment. Considering the occult and satanic context of everything until now, we can safely assume that she’s signing a deal with the devil.

After a few songs performed by the Mistress, this theatrical play introduces a new character.

Lady Gaga makes her entrance dressed in white.

At this point, the two characters perform Poker Face, Lady Gaga’s first major hit, emphasizing that this white-clad character is a pure, innocent newcomer.

Gaga in white and the Mistress in black battle it out on a giant chessboard.

Everything about the scene above points directly to the most crucial concept in occultism: Duality.

In Freemasonry, all rituals and transformative ceremonies occur on a dualistic floor. This is the inspiration for Gaga’s performance.

The battle between Gaga and Mayhem ends with a clear winner.

Mayhem murders Gaga. She drops on the chessboard, which turned red, the color of blood sacrifice.

At this point, the entire cast chants “off with her head” – a phrase usually associated with the Queen of Hearts in Alice in Wonderland. Appropriately enough, this fairy tale is one of the occult elite’s favorite MK programming scripts.

In other words, we are witnessing the “beheading” of Lady Gaga before her reprogramming as a new entity. On a spiritual level, she will undergo a symbolic death and rebirth.

Gaga’s body is carried away as if she were some Jesus-type figure.

In secret societies, initiations often follow the same script: The candidate is subjected to hardships, undergoes a symbolic death, and returns to life as a new, “illuminated” person. That’s pretty much the narrative of Gaga’s show … with some weird twists.

While Gaga’s body is taken away, a dancer does a one-eye sign to confirm that you’re witnessing some occult elite madness.

As the act ends, the music becomes dark, intense, and dissonant, as if indicating that we’re witnessing a supernatural event.

The next act takes us to the next phase of Gaga’s transformation.

We find Gaga buried in some sand, but she’s not dead … or is she?

Surrounded by death, Gaga performs Perfect Celebrity, a song about the dark side of the entertainment industry. Some of the song’s lyrics are quite telling:

I’m made of plastic like a human dollYou push and pull me, I don’t hurt at allI talk in circles cuz my brain it achesYou say I love youI disintegrate

I’ve become a notorious beingFind my clone she’s asleep on the ceiling nowCan’t get me downYou love to hate meI’m the perfect celebrity

(…)

I look so hungry but I look so goodTap on my vein suck on my diamond bloodChoke on the fame and hope it gets you highSit in the front row watch the princess die

Everything about this song alludes to mind-controlled -and even cloned celebrities, who end up being sacrificed (“watch the princess die”).

After being a perfect celebrity, Gaga is “resurrected.”

As Gaga performs Paparazzi, she wears the robotic outfit seen in the song’s highly symbolic video. Inspired by the character of Maria from the movie Metropolis, the outfit implies that she was “custom-built” by the elite to influence the masses.

A couple of songs later, Gaga ditches the clutches and the robot outfit: She’s “internalized” the system.

On several occasions, Gaga is surrounded by red-clad girls, indicating that she’s under the control of an evil force.

At this point, Gaga performs a song appropriately titled The Beast which ends with the words:

I wanna feel the beastI wanna feel the beastI wanna feel the beast insideI wanna feel the beast inside

You know that, in the Bible, Satan is referred to as “the Beast”, right?

Although she’s apparently back from the dead, Gaga is not necessarily alive. To emphasize this fact, Gaga performs a song appropriately called Zombieboy.

Gaga and her dancers engage rather lustfully with skeletons.

This entire part of the show is about death. More specifically, desecrating death.

Gaga’s dancers spend an uncomfortable number of seconds humping skeletons as we start to wonder where is society heading.

The next song is appropriately called Die With a Smile and it is performed on a symbolic instrument.

Gaga plays on a keyboard adorned with human skulls and spines. The stand holding her partition is a headless skeleton with cracked ribs.

Yes, this instrument is something a complete psychopath would create. Or people in the occult elite who engage in cannibalism and use skeletons as mementos of their insanity. That said, let’s look at a picture of Lady Gaga’s good friend, Marina Abramovic – the occult elite’s favorite witch.

Marina Abramovic cleans a real human skeleton for “art” in 1995.
Gaga and Abramovic partake in mock cannibalism at an event dubbed “Devil’s Heaven.” Yup, that’s the kind of fun activities the occult elite participate in their free time.

After a few songs focusing on the theme of death, a new Gaga emerges.

Under the dark influence of Mayhem, the white-clad Gaga is now dressed in black, signifying that she’s completely turned to the dark side.
Gaga performs in the middle of a giant eyeball – the perfect way of conveying that she’s under the complete control of the occult elite.

In the final act, Gaga loses what’s left of her humanity and achieves immortality.

Red-clad individuals wearing plague masks bring out Gaga and start operating on her.

It is at this point that we hear:

Monsters never die!

She’s not human anymore, she’s an immortal “monster.” What kind of adrenochrome-infused procedure did she undergo?

The immortal monster reemerges looking like an “angel” but with a red cross that seems to have been carved into her body.

Gaga’s show ends with Bad Romance – a song about her complicated relationship with the dark side. Like Abracadabra, the song’s lyrics contain a magical spell, concluding this massive megaritual.

The 100,000 attendees fully absorbed the ritual and immortalized it through their phones.

In Conclusion

Lady Gaga’s Coachella performance turned her musical career into a ritual drama, where the singer enacted a symbolic death and rebirth under the powerful influence of a demonic figure.

With song titles such as Bloody Mary, Abracadabra, Judas, and The Beast, we already get a sense of the show’s spiritual direction. However, the elaborate decor, wardrobe, and choreography took the symbolism to another level and turned this Coachella performance into a megaritual witnessed by thousands of unsuspecting partygoers.

Some might say that these fans were under Lady Gaga’s spell. Literally.

The Dark Meaning Behind Ariana Grande’s Short Film “Brighter Days Ahead”

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The Dark Meaning Behind Ariana Grande’s Short Film “Brighter Days Ahead”

In many ways, Ariana Grande is following in the footsteps of Britney Spears and Miley Cyrus. Like these two pop stars and many others, Grande started in the industry at a young age, and in a notoriously toxic system: Nickelodeon. In a recent interview, Grande stated that she is “still processing” her experience at Nickelodeon while strongly alluding to some traumatic events she cannot fully disclose:

“I think the environment needs to be made safer if kids are going to be acting and I think there should be therapists. I think parents should allowed to be wherever they want to be and I think not only on kids’ sets.”

In the past years, numerous individuals who worked at Nickelodeon (most notably Dan Schneider) were accused of a wide range of disgusting acts, such as sexualizing young stars on set or all-out sexual abuse at the hands of dialogue coach Brian Peck. The recently deceased Michelle Trachtenberg, who also started her career on Nickelodeon, hinted at abuse while she was a teenager.

To put it bluntly, Grande – like other child stars – was surrounded by a bunch of pedophiles. Then, she “graduated” and became a sexualized pop star, who remains tightly controlled by the industry, even as a full-grown adult. And not unlike other former child stars, everything surrounding her act is replete with imagery relating to trauma-based mind control.

For instance, the video No Tears Left to Cry is one of the most blatant videos about Monarch mind control ever released.

In this highly symbolic scene in No Tears Left to Cry, a faceless Ariana Grande puts on a mask, representing an alter persona. The entire video is Monarch 101.

While these former child stars appear healthy and thriving for several years, cracks often start to show around the age of 30. Past and present traumas become difficult to hide while substance abuse – a way of coping with the system – begins taking its toll. Eventually, celebrities such as Britney Spears and Amanda Bynes completely break down.

Ever since Ariana embarked on a bizarre association with Wicked costar Cynthia Erivo (who gives off strong witch vibes), everything about her seems “off”.

This TikTok video sums up the bizarre (and unnecessary) weight loss of Wicked stars. Grande’s recent skeletal had fans genuinely concerned.

At the 2025 Oscars red carpet, Ariana stated that she could not remember her career plans because of the memory erasure procedure she had undergone at the Hollywood clinic. This answer raised eyebrows; many could not tell if she was serious. Was it her way of plugging her upcoming video, Brighter Days Ahead, which is precisely about a memory-erasure clinic? Or was she literal, and, like other pop stars, her “art” reflects her actual life?

In past years, Grande revealed that she suffered memory loss on several occasions.

The industry loves to “celebrate” its control over pop stars by turning their plight into “art.” Ariana’s recent offerings are pure Monarch mind control disguised as “emotional stories.”

We Can’t Be Friends

In 2024, Grande released the video We Can’t Be Friends which introduced her fans to Brighter Days Inc. – a clinic that specialises in memory erasure.

Ariana sits in a lab as her brain is being analyzed and memories are erased. Throughout the video, Ariana has a circular “decoration” surrounding one eye, creating a constant one-eye sign. The message: This is all inspired by the occult elite’s trauma-based mind control.
Ariana signs “Peaches” on the waiver form.

The name Peaches is said to be inspired by the character Clementine from the 2004 movie Eternal Sunshine of the Spotless Mind, which is the main inspiration behind Grande’s recent videos.

In Eternal Sunshine of the Spotless Mind, a couple get their memories erased at a clinic.

As we’ll soon see, there’s a reason why Grande uses a pseudonym in these videos: Peaches is the name of her alter-persona.

We Can’t Be Friends ends with Ariana Grande having no recollection of her boyfriend while the background behind her keeps changing.

In short, her perception of reality is wholly controlled by outside sources. This story set the table for the next video – a 26 26-minute short film that is replete with MK symbolism.

Brighter Days Ahead

Brighter Days Ahead was directed by Christian Breslauer, an industry favorite who worked on projects such as Doja Cat’s super demonic videos Demons.

Brighter Days Ahead takes place 70 years after the events of the video above, and Brighter Days Inc. now offers a new service: Customers can relive cherished memories one last time.

Peaches is now a non-verbal old lady, and the butterfly-shaped hairclip might be a subtle hint at Monarch programming.

Peaches is back at Brighter Days Inc. to relive four core memories one last time before they’re deleted forever. Why should they be deleted? Not sure. I guess they really like to delete memories.

In a setting reminiscent of X-Men, Peaches clicks on a device that displays her memories on a giant screen.

Peaches’ first memory mainly involves her family. This segment is basically a montage of actual home videos of Ariana Grande’s parents, making it highly personal. This confirms that Peaches is not a fictional character created for this video. This is about Ariana Grande, and Peaches is an alter-persona.

The memory above features Ariana’s father, Edward Butera, who was estranged for several years. A 2013 Seventeen article stated:

“Grande has had a major feud with her father, graphic designer Edward Butera, for the past year, and it has been one of her biggest struggles.

“Falling out of touch with my dad [was the toughest thing I’ve ever dealt with],” she told Seventeen magazine in the September issue. “It’s private, but it happened last year. It took me so long to be okay with it.”

As we’ll see, Butera plays a significant role in that short film, and many found it “emotional.” However, when one understands the context of the video, his role is actually highly disturbing: He’s her MK handler.

Peaches’ second memory is all about her being a star singer.

While the first two memories are firmly grounded in Ariana Grande’s real life, the two others are completely out there. They have a dream-like quality where the concepts of space, time, and logic are not respected. That’s because these memories did not occur in real life; we’re seeing her twisted perception of reality as an MK slave. In other words, we’re seeing Ariana turning into Peach through trauma-based mind control. And, of course, the symbolism of these memories – and even the song lyrics playing in the background – allude directly to mind control.

Peaches wakes up in her family home which is completely destroyed.

This is happening in her head. The setting represents her core persona being destroyed by her handler through trauma.

A destroyed teddy bear represents the loss of innocence of the abused MK slave.

In actual Monarch programming, MK slaves are sometimes given teddy bears so they can seek comfort and get attached to them. Then, this bond is used by sadistic handlers to further the trauma. Several paintings by ex-Monarch Kim Noble describe the horrific ways these teddy bears are used.

During this memory, Ariana sings Twilight Zone, and the first verse perfectly describes the plight of a dissociated MK slave.

Did I dream the whole thing?
Was I just a nightmare?
Different dimensions
Stuck in the twilight zone
Is this a black-and-white scene?
If so, then I’m in the gray one

When Ariana goes outside, she finds complete chaos and destruction.

Despite her surroundings, Ariana walks calmly as soft music plays in the background, adding to the dissociative feel of the scene. She sings Supernatural – a “love song” that is more about a handler controlling a slave and, on a spiritual (and supernatural) level, demonic possession. The chorus says it all:

It’s like supernaturalThis love’s possessin’ me, but I don’t mind at allIt’s like supernaturalIt’s takin’ over me, don’t wanna fight the fall

Then, we discover the source of the destruction around Ariana: A massive UFO. And it decides to abduct her.

Ariana is lifted in the air by the UFO (which is how her distorted mind perceives her handler). She’s in the “arch of hysteria” position, which is historically associated with demonic possession. The full moon in the background adds to the occult context of the scene.

In mind control, dissociation is described as a “feeling of weightlessness, as if floating on air”. This scene symbolizes Ariana being subject to trauma so intense that she’s dissociating.

This scene is so significant that it is used on the promotional poster. Ariana’s “Brighter Days” actually refers to the “relief” of dissociation while experiencing trauma. Dark.

The final memory relived by Ariana is experienced through her father’s perspective.

The scene begins in an old-timey pub where Ariana’s father drinks a beer. Under a cloth is Ariana’s beating heart. 
Then, he finds Ariana’s brain in a pile of garbage. MK stuff.

Meanwhile, we hear Ariana singing:

I left my heart at a pub in Hampstead
And I misplaced my mind in a good way

Everything about this scene describes the plight of an MK slave. Then, she sings:

I don’t remember too much of the last year
But I knew who I was when I got here
‘Cause I’m still the same but only entirely different
And my lover’s just some lines in some songs, mm

Yes, Ariana literally sings about dissociation and amnesia (possibly from MK treatments such as electroshock). The words ‘Cause I’m still the same but only entirely different refer to the creation of an alter-persona.

On several occasions, Ariana has been open about her struggles with dissociation. In her song “Get Well Soon,” which is about the trauma resulting from the terrorist attack at her 2017 Manchester show, she mentions how she felt “disconnected” and “floating”  for months. 
Holding Ariana’s heart and brain, the “doctor” returns to his laboratory, Brighter Days Inc.

We understand that Ariana’s father is the founder of Brighter Days which has all kinds of disturbing implications, notably that he’s her MK handler.

Not unlike Dr. Frankenstein, the doctor gathers body parts to rebuild Ariana or, more precisely, the alter-persona Peaches.
The doctor “builds” Peaches by stitching up multiple body parts. This is getting weird and creepy.
For a few seconds, the doctor’s eyewear creates an obvious one-eye sign. The message: None of this is sweet; it is all about Monarch mind control.

Seeing that his abomination is not coming to life, the doctor becomes very angry. However, he comes up with a great idea: He’ll play some piano.

As the doctor plays piano, Ariana gets electrocuted. This is a not-so-subtle reference to electroshock therapy – a staple in Monarch mind control.

The “treatment” worked. Ariana is alive. More precisely, the alter-persona Peaches was successfully programmed by the sadistic MK handler.

The short film ends with Peaches all stitched up, singing alongside the doctor who created the clinic that will end up erasing her memories.

Is this a happy ending?

In Conclusion

Ariana Grande’s fans and media sources all interpret Brighter Days Ahead in a specific way: After being “torn apart” by the press, Ariana is pieced back together by her loving father, and everyone is teary-eyed. However, this interpretation purposely ignores all of the video’s symbolism and events in Ariana Grande’s life.

The short movie depicts Ariana’s father as the founder of a mind control clinic that erases memories. After being subjected to trauma and dissociation, Ariana is pieced together and brought to life through electroshock therapy. This creates Peaches, an alter persona that will routinely revisit Bright Days Inc. to get her memories erased. Meanwhile, Ariana sings lyrics that describe the horrific steps of mind control, from amnesia to dissociation, while not forgetting outright demonic possession.

Considering how industry slaves often break down in their thirties, I am not convinced that Ariana Grande has … brighter days ahead.

Symbolic Pics of the Month 03/25

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Symbolic Pics of the Month 03/25

Last month’s SPOTM ended with an enigmatic social media post by Madonna, aka the High Priestess of the music industry.

Madonna posted, “Kill or be killed … the industry taught me that.” As stated in the last SPOTM, this caption referred directly to industry sacrifices.

That post promoted a photoshoot with industry favorite Steven Klein. As we’ll see, the symbolism aggressively points to Madonna celebrating a blood sacrifice.

In the first pictures, Madonna sits in a car holding a gun implying that she murdered someone. And, yes, 66-year-old Madonna seems to find all of this sexually arousing.
Then she desecrates an actual cemetery by doing weird sexual things next to tombstones.
Madonna lies by the tombstone of, probably, the person she killed. Her outfit, the candles, and the flowers are red – the color of blood sacrifice.
The photoshoot ends with Madonna chilling with a trans-looking nun while wearing vampire teeth. The message: They’re blood-drinking satanists.

You’ve probably reached your Madonna awfulness quota for the day, but there’s unfortunately more to cover. Madonna recently hosted “the Oscars’ Most Exclusive After-Party,” and the photoshoot that emerged from it had an unmistakable message: Success in the industry requires submission to the occult elite.

The photoshoot is all about celebrities being “showered” with eyes, which happen to be the favorite symbol of the occult elite. In this picture, Madonna holds Julia Garner like some Illuminati godmother.
Demi Moore recently starred in the movie Substance, which was about an adrenochrome-like substance, as seen in this VC article. The movie was also a humiliation ritual for Demi, for which she was rewarded with a whole bunch of all-seeing eyes.
Adrien Brody shows off his Oscar while an eye hides one of his eyes, creating an obvious one-eye sign. This picture sums up the Oscars (and the entertainment business as a whole).
Although not nominated for anything, Ben Stiller was at the Oscars and the after-party, most likely because he’s the executive producer and main director of Severance – a series about a high-tech form of mind control (with touches of Satanism). Expect an article about Severance soon, because it is highly symbolic.
In several pictures, the celebrities have the Illuminati eyes right over their eyes, symbolically implying that they’re blinded by their elite overlords.

In 2022, I published an article titled There’s Something Terribly Wrong with the Sons of Celebrities which started with these words:

Why are there so many little boys walking around in dresses in Hollywood? Why are these children so intensely promoted on social and mass media? And what the hell is going on with Liev Schreiber?

Three years later, there is still an inordinate number of trans celebrity children who “came out” at a ridiculously young age. And they’re still bizarrely promoted by mass media. And Liev Schreiber’s son is still one of them.

Kai Schreiber recently made a highly publicised runway debut. “Jewish and feminist” publication Hey Alma was delighted about it. Meanwhile, Kai looked miserable.
Kai is also constantly paraded around on red carpets while constantly looking miserable. Why does he need to be in front of cameras? One word: Agenda.
Robert De Niro’s son, Aaron Kendrick, recently “debuted” a new look, which is basically him dressed as a woman. The media was very pleased.
Elon Musk’s trans was recently featured in a Teen Vogue photoshoot. This specific picture is filled with Beta Kitten imagery.
Jennifer Lopez’s daughter has been looking rather masculine lately. And because media outlets are deathly afraid of “misgendering” her, they ALL refer to her as a “child.” Try searching it: Every single recent article about her uses the same Orwellian “child” term.
Giulia Sarkozy is the 13-year-old daughter of ex-French President Nicolas Sarkozy. She’s not trans, but the media still finds a way to be extremely weird about her. This Madame Figaro post says, “We’re discovering a teenager who is more woman than ever.” Under the picture, the same weirdos wrote, “She’s surprising us with her model look.” Meanwhile, she’s just standing around looking at a random kid. What is wrong with these people?
In a recent Instagram post, Lil Nas X posted his “monthly humiliation ritual” to get his songs selling again. In it, he cringingly sang and danced while dressed as Dora the Explorer. His doing these degrading stunts (when he’s not insulting Christianity) is effectively the only reason he has a career.

As seen in past VC articles, numerous details about Ariana Grande’s life and career point directly to Monarch mind control. Things are only getting more noticeable.

In a recent interview, Ariana blatantly stated that her memory was erased at a Hollywood clinic. Oddly enough, one of her recent music videos is precisely about that.
Ever since the release of Wicked, many have been concerned about Ariana’s weight loss and general well-being. There’s definitely something off about her lately. According to researchers, MK slaves often breakdown at around the age of 30. Ariana is 31.
Meanwhile, Ariana’s Wicked costar Cynthia Erivo is making blatant one-eye signs in ELLE magazine. The occult elite is definitely wicked.
In past years, Enty Lawyer from Crazy Days and Nights often posted enigmatic “Blind Items” that turned out to be true. Who do you think this recent Blind Item refers to?

Special thanks to everyone who sent in pics!

Stairway to Stardom: The Cringiest (and Creepiest) Show on Public-Access TV (VC Video)

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Stairway to Stardom: The Cringiest (and Creepiest) Show on Public-Access TV (VC Video)

Watching Stairway to Stardom is a rollercoaster of emotions. From laughter to utter disgust to genuine concern for the children involved, this show embodies – in its own low-budget way – the strangeness of the entertainment industry.

Michelle Trachtenberg: A Mysterious Life Surrounded by the Occult Elite

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Michelle Trachtenberg: A Mysterious Life Surrounded by the Occult Elite

One can argue that Michelle Trachtenberg wasn’t the biggest movie star. However, her roles in cult classics such as Buffy the Vampire Slayer made her unforgettable to an entire generation. Her untimely death at the age of 39 shocked many, as, in the heads of many, she was still Georgina from Gossip Girl.

After her prime in the 2000s, Tratchtenberg lived a private existence, and information about her personal life rarely surfaced. At the time of her death, she was believed to be in a relationship with her 63-year-old agent Jay Cohen. However, for most of her life, she remained an enigmatic figure.

She never married nor had any children, and her dating life was largely unknown to the public.
– Wikipedia

While Tratchtenberg rarely made headlines, she was always active on social media. However, her cryptic posts often led to more questions than they answered.

On the right is an IG post from January 2025. Her emaciated appearance, thinning hair, and yellow eyes all hint at failing health.

While Trachtenberg was posting increasingly concerning pictures, she simultaneously denied experiencing health issues.

Trachtenberg did not appreciate being told that she looked sick.

On February 26th, Trachtenberg was found dead in her apartment in New York City. The police statement said:

On Wednesday, February 26, 2025, at approximately 0801 hours, police responded to a 911 call of an aided individual at 1 Columbus Place, within the confines of the Midtown North Precinct.

Upon arrival, officers observed a 39-year-old female unconscious and unresponsive. EMS responded to the location and pronounced the victim deceased.

Criminality is not suspected. The Medical Examiner will determine the cause of death. The investigation remains ongoing.

The New York City Office of Chief Medical Examiner reported that both the cause and manner of Trachtenberg’s death are “undetermined.” This conclusion followed her family’s objection to an autopsy due to religious reasons. ​

In short, the actual cause of death will never be known. However, some speculate that her declining health might be due to the liver transplant she had prior this year. And others speculate that this procedure became necessary due to excessive alcohol consumption.

Yes, there are many speculations regarding Michelle Trachtenberg because she was extremely private.

However, Trachtenberg’s social media activity provided a rare glimpse at her life, struggles, and history. One thing is for sure: She knew a lot about the entertainment industry’s dark side.

Raised by the Industry

She began working at a very young age.

Trachtenberg is the definition of a child star. She started acting and modelling at age three and later entered the (now infamous) Nickelodeon system.

Tratchtenberg starred in the 1996 movie Harriet the Spy at age 10.

As revealed in recent years, creeps were lurking around Nickelodeon in those days—notably, Dan Schneider. A few years later, she had to deal with another Hollywood creep: Joss Whedon.

That’s one disturbing headline.

At age 15, Trachtenberg starred in the hit series Buffy the Vampire Slayer. The show was created by Joss Whedon, who, in 2020, got accused of various “misconducts” by multiple people. However, in a cryptic yet chilling comment on Instagram, Trachtenberg heavily implied that what happened with her was much worse than “misconduct”.

In response to a post made by Buffy star Sarah Michelle Gellar, Trachtenberg alleged horrific things regarding Whedon.

Trachtenberg wrote:

I am brave enough now as a 35 year old woman….To repost this. Because. This must. Be known. As a teenager. With his not appropriate behavior….very. Not. Appropriate. So now. People know. What Joss. Did. The last. Comment I will make on this. Was. There was a rule. Saying. He’s not allowed in a room alone with Michelle again.

Trachtenberg never provided more details on what happened. However, her words heavily hint at something that cannot be mentioned in Hollywood: Pedophilia.

In the wake of the mass media-fueled #MeToo movement, several people were accused of several things. However, pedophilia was never mentioned. That’s because it is one of Hollywood’s darkest secrets that cannot – under any circumstances – be discussed. By watching her words, Trachtenberg knew such an accusation could lead to horrific circumstances.

After being sexualized her entire youth, this Maxim cover proudly announces to those who lusted over her that Trachtenberg is now “all grown up”.

In short, Trachtenberg followed a similar path to Britney Spears, Amanda Bynes, Miley Cyrus, and Ariana Grande. She went from child star to a sexualized teenager. Then, as they grow older and strange people lurk around them, cracks start to show.

A Revealing Instagram Account

A look at Trachtenberg’s Instagram account makes one thing obvious: She was always in contact with the darkest parts of the occult elite. At the time of her death, she had been active on Instagram for about a decade and, throughout the years, she shared numerous pictures that provided insight into her past and present endeavours.

Among the pictures, numerous seemingly random images contain symbolism directly relating to Monarch mind control. These images seemed to increase in frequency as she got older and more reclusive.

An image of a girl with the Illuminati all-seeing eye on her forehead: A reference to occult elite mind control.
A few weeks before her death, Michelle posed next to an all-seeing eye and the caption, “Eye have my eye on you.” 
A cartoon mouse (Mickey Mouse programming) with a fractured skull (fractured persona of an MK slave) + other signs of trauma (injured ear).
Monarch butterflies around a woman’s head = Monarch programming. This painting was made by Ashley Longshore, an artist who loves MK and satanic imagery.
“The cage is in your mind”. While this post appears to be about liberating oneself, it is the kind of thing MK handlers tell MK slaves.
A stitched up woman ismembers herself: Trauma of the MKslave.
Trachtenberg poses next to a painting of a man making the one-eye sign with the caption: “This is where the magic happens.” Pure occult elite symbolism.
Another painting of Monarch butterflies. The caption also directly relates to MKULTRA: “Shed the cocoon that held you back and become the beautiful butterfly that you are. Transformation.”
Trachtenberg also dedicated a post to the movie Labyrinth, which happens to be full of MK imagery to the point that it is used as a programming script in Monarch mind control.
The DVD cover of the movie Black Christmas features her with a blatant one-eye sign.
Sources say that Trachtenberg was very unlucky and “accident prone”. Was she actually abused? She posted this picture of her badly injured foot while stating that she still had to go to work.

Trachtenberg posted several pictures with personalities, and an alarming number of them have been outed as predators at one point or another.

Trachtenberg poses with Seth Green, who looks somewhat crazed and is wearing a shirt that says, “Let’s start a cult.”  Behind them is an all-seeing eye.

As highlighted in some of the comments on the above screenshot, Seth Green has been identified as a notorious Hollywood pedophile by insiders such as the now-deceased Isaac Kappy.

A tweet by former Hollywood actor Isaac Kappy about Seth Green, whom he knew personally.

A few days before his bizarre death in 2019, Kappy posted a bizarre video where he claimed something awful had happened to him relating to the Hollywood elite. When asked about Seth Green, he replied:

“Did I lie about Seth Green? No, Seth Green is a pedophile.”

With that being said, here’s another post by Trachtenberg.

Another picture with a possibly not-sober Seth Green.
Another one with Seth Green. Nearly all comments in this screenshot are on point.

Trachtenberg posted many other unfortunate pictures.

Trachtenberg poses with Diddy. Ouch.

Is there another problematic character she could be posing with? Sadly, yes.

A very young Trachtenberg poses with Bill Clinton while he was President. I won’t go into the Clintons’ entire shady history, but I’ll point out that Bill boarded Jeffrey Epstein’s “Lolita Express” plane over twenty times.

While some might say it is only a picture, it wasn’t. Trachtenberg was recruited as a child by the Clinton administration to promote the Coalition for a Drug-Free America, and she remained highly involved with the Clintons her entire life.

Trachtenberg was significantly involved in Hilary Clinton’s 2016 campaign.
Trachtenberg poses at a Hillary event with Michael Kives, the agent of mega-stars such as Katy Perry, Arnold Schwarzenegger, Jesse Eisenberg, and Bruce Willis. 

Kives went on to found K5 Global, an influential media and financial investment-advisory firm.

Michael Kives is a Canadian investor and former talent agent; he is known for his extensive network and influential connections. He has been described as a super connector. He introduces clients to “a who’s who of business and social leaders, from Leonardo DiCaprio to the governor of the Saudi Arabia Public Investment Fund.”

Kives was a major fund-raiser for Hillary Clinton in the 2016 campaign, bundling more than $5 million. Kives married Lydia Gray in 2018. Guests at the wedding included the Clintons, who gave a speech together.
– Wikipedia

There are many posts relating to the Clintons on Trachtenberg’s IG, such as this one. One of the comments in the screenshot above says “#pizzagateisreal.”

The picture above was posted right around the time of the Pizzagate scandal, which directly involved people in Hillary’s entourage. If you’ve never heard of it, Pizzagate is about pedophilia in Washginton’s elite, and this VC article about it exposed it to the world.

Parallel to her longstanding association with the Clintons, Trachtenberg also had a longstanding association with Disney—more precisely, Disney’s elite and secretive Club 33.

Just a cute picture? Or the start of occult elite programming?
Trachtenberg posted multiple pictures at Club 33.

In Freemasonry, the 33rd degree is the highest—and honorary—level of initiation. This is when Masons learn about the secret society’s deepest secrets.

Since Walt Disney was a Freemason, naming his elite club “33” is not coincidental.

A light fixture at Club 33. Pop quiz: How do you say “light bearer” in Latin?  Answer: Lucifer.

Club 33 is priced to cater only to the elite. The initiation fee is around $75,000, and dues are around $25,000/year. Is it only a restaurant?

In one of her many pictures in Club 33, Trachtenberg writes that it is “fabulous and secret.”

What’s so secret about it? Sadly, she’s not around to reveal any secrets anymore.

In Conclusion

Through Michelle Trachtenberg’s life and IG account, one encounters an astonishing number of topics and symbols described on The Vigilant Citizen for years. Trachtenberg knew about the industry’s dark side, from entering show business as a child to dealing with creepy Hollywood types to brushing with the global elite while associating with every MK symbol on social media.

As a minor, she was a victim of Hollywood perverts, and, as an adult, she ended up rubbing elbows with some of the industry’s most notorious predators. This pattern is typical and often ends in the worst way possible.

Considering that Trachtenberg always denied health problems and her family refused an autopsy, we’ll never know if she died of natural causes. However, she had a problem similar to that of Jeffrey Epstein and Diddy: She knew too much. Even worse, she sometimes expressed the desire to talk about it (i.e., her comment about Joss Whedon).

In other words, the elite is probably not sad to see her pass away and remain forever silent. Is this why she was not acknowledged at the 2025 Oscars while Gene Hackman (who was found dead around the same time) got a tribute?

The Many Things That Are Wrong With That Trump-Gaza AI Video

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The Many Things That Are Wrong With That Trump-Gaza AI Video

On February 26th, President Trump posted a bizarre, AI-generated video showing the Gaza Strip turned into a luxurious touristic destination. In this Dubai-like setting, well-to-do people lay on the beach, money is literally flying around, and a gigantic golden statue of Trump towers at a roundabout.

Although it is not believed to have been made by the White House (it circulated a few days before Trump’s posts), the video contains some of the President’s humor, as some believe it was made to “troll the Liberals.”

However, on closer look, this video also appears to be trolling Trump’s own. Here are three demographics who helped Trump win in the past elections: 1) Evangelical Christians 2) Those who subscribe to his America First policies 3) Arab Americans who voted against the Democrats’ wokeness and ambivalence towards Israel.

That Trump-Gaza video almost went out of its way to annoy all three of them. Here are some of the top comments from Trump’s IG account.

Many conservatives hated that video.

It’s almost as if this video was made by anti-Trump people who tricked the Trump administration into reposting it without thoroughly reviewing it. Or they knew precisely what they were doing. In any case, it is a perplexing piece of media. One thing is for sure: destroying Gaza and rebuilding it for big money was planned way before Trump took office.

It Was the Plan All Along

In November 2023, I posted an article titled “The October 7th Attacks on Israel Were Allowed to Happen. Here’s Why,” in which I laid out numerous facts that current events keep confirming.

First, Israel knew very well that the Hamas’ October 7th attacks were going to happen – and they were allowed to happen. Why? Because it gave Israel the justification needed to finally engage in a long-awaited military operation to take complete control of Gaza. Why? Because that land is prime real estate. As laid out in the article, Gaza has massive money-making potential. For starters, the land and its seafront hold enormous oil and gas reserves. We’re talking about trillions of dollars.

Here’s a map of oil and gas reserves in the Levant. Notice the cluster of dots around the Gaza Strip.

Second, Gaza is strategically placed on the Mediterranean. Some believe it could be the site of the decades-old Ben Gurion Canal Project – an alternative to Egypt’s Suez Canal. Once again, big money + big geopolitical advantages.

Finally, as expressed by Trump on numerous occasions, Gaza sits on prime beachfront land that could be exploited for big tourist dollars.

Israel’s taking over of Gaza was planned before Trump was in power and would have happened no matter who was in power in the U.S. The only difference between the past and current President is that Trump is exceptionally open and enthusiastic about the project. As a former real estate developer, he may see the Gaza rebuilding as the project of a lifetime.

One thing is for certain: Israel made sure that Palestinians could not return to their Gaza homes after the war.

The entire Gaza Strip was turned to rubble, making it impossible for Palestinians to return home. Merely cleaning up the destruction will take years.

Israel did not merely target Hamas; it leveled Gaza entirely. They made sure that a complete rebuild was the only option possible. Behind closed doors, Israeli officials whispered about exploiting that land for tourism and resources. Then, Trump just came out and said it.

Then, he took it to another level by stating that the United States would be fully involved in the project. This statement surprised many as it opposed Trump’s America First policy, which aims to keep the United States’ involvement in foreign affairs to a minimum. While some might say it is an investment, it is primarily a humanitarian quagmire.

Then came this AI video that took things to another strange level: A Gaza riviera where golden statues of Trump are everywhere.

AI Slop? Or AI Slap?

The video begins by showing Gaza’s current state: rubble and destruction.

The first noticeable thing about this video is that it is fully AI-generated. Considering that most people hate watching AI slop, the footage immediately irritates the viewers. Then, a terrible AI-generated song assaults our ears with lyrics saying:

“Trump-Gaza is finally here!”

On numerous occasions, the video makes it a point to place Trump’s name before Gaza. It’s odd and not necessary.

A series of shots show people emerging from a tunnel, and Gaza is shown being rebuilt. The theme is clear: “from darkness to light.”
Children emerge from the metaphorical tunnel to see Gaza’s new skyline and tourist-friendly beach.

While these scenes seem positive, the video takes a bizarre turn.

There are bearded belly dancers on the beach. Why?

Lots of people voted for Trump (including numerous Arab Americans) because they opposed the radical trans agenda. So why are there trans dancers on the Trump-Gaza beach? Those are the details that make me wonder if the video was created by people who actually wanted to troll Trump’s base.

Some believe those dancers are ex-Hamas soldiers, and that’s a way of humiliating them. I don’t know; seeing them dancing dressed as women would bring me 0% satisfaction and 100% annoyance. I honestly don’t know why this scene was added, as nobody really wants to see this.

With that being said, most of the video has a bizarre cult of personality dimension that manages to come close to idolatry.

A kid holds a golden Trump balloon. I guess it is every kid’s dream to own a big, floating head of a 78-year-old man.
Another shot shows a giant golden statue of Trump … in the Holy Land. 

This is where the video irked many religious people: This scene is reminiscent of the Bible’s Golden Calf story.

The golden calf is an idol that the Israelites worshipped in the Bible story from Exodus 32. The story is about the Israelites’ act of apostasy, or rejection of their faith in God. How the golden calf came to be:

  1. Moses went up Mount Sinai to receive the Ten Commandments.

  2. The Israelites waited for Moses to return, but he was delayed.

  3. The Israelites asked Aaron to make them a god.

  4. Aaron melted down the Israelites’ gold jewelry and made a golden calf.

  5. Aaron told the Israelites to worship the calf instead of God.

The idolatry angle is pushed further in other scenes.

Trump Gaza (is this a play on words with Trump Plaza?) sells golden statues of the President.

Along with the God-displeasing Golden Calf imagery, we see Trump engaging in activities that Melania probably wouldn’t approve of.

Trump dances with a belly dancer at a bar. Why was this scene even added? At least she’s not bearded.

The video made it a point to associate this new Gaza with wealth, opulence, and even decadence.

Trump’s name is everywhere in Gaza. Was that necessary? 
There are also multiple shots of Elon Musk throwing money … and eating hummus.

If I were an advisor in the Trump administration, I’d have this recommendation: Get Elon out of the spotlight and reign him in. Bring him back behind the scenes, and let those elected by the people be on camera like, maybe, Vice President JD Vance?

The video ends with a scene nobody ever asked to see.

Trump and Netanyahu lay bare-chested by the pool at the Trump Gaza Hotel.

I realize this was meant to be funny. But Benjamin Netanyahu is the opposite of comedy, and that bromance thing is not a good look.

In Conclusion

This bizarre AI-video is, at best, in bad taste and, at worst, a terrible PR mistake. While the Trump administration is probably OK with trolling Liberals and insulting Palestinians, it should think twice about annoying its base. As seen above, most comments on social media (including Trump’s Truth Social) come from conservatives who disapprove of the message and the overall “energy” of this video.

The video not only involves America in rebuilding a nation but also bizarelly presents Gaza as a Trump-worshipping land with golden statues everywhere. And, in a place considered by Christians, Jews, and Muslims as Holy, Gaza is portrayed as a place of decadence where money falls from the sky and transexual bellydancers prance around on the beach.

In short, the video manages to annoy those who want the United States to focus on America first, religious people who take the Bible seriously, and people who hate AI slop. If this video was meant to troll people, who is it truly trolling?

 

Symbolic Pics of the Month 02/25

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Symbolic Pics of the Month 02/25

In the past year, Sabrina Carpenter released some weird, blasphemous videos laced with MKULTRA imagery and was rewarded with Grammys and lots of media attention. But now, the time has come for her to undergo the unavoidable Marilyn Monroe treatment.

Most young pop stars who make sexiness part of their act must “channel” Marilyn Monroe at some point in their careers. It is Sabrina Carpenter’s turn. It’s not just one picture—her entire Vogue photoshoot is about her channeling Monroe.
As explained in this article, Marilyn Monroe is the original Sex Kitten prototype in the entertainment industry. Her “descendants” all need to pay respects to her as a strange initiation ritual.
In Monarch Programming, Sex Kitten slaves (and their industry representatives) are identified with feline prints. Appropriately enough, Sabrina is surrounded by feline prints with a caption that might have a double meaning: “Ready for my close-up!”

Speaking of industry slaves, Britney Spears has been in the “belly of the beast” for decades. And the least one can say is that it took a toll on her. As explained in this VC YouTube video, Britney is one of the most obvious MK victims in the industry. Her bizarre Instagram account keeps hinting at her being constantly controlled and even trafficked.

Britney’s Instagram account is full of strange videos of her dancing—often disheveled and out of it—complete with enigmatic captions. Some believe those videos are made to traffick her. The feline print of this outfit points aggressively to Sex Kitten programming.
Other seemingly random posts only make sense in the context of Sex Kitten symbolism. In this image, the cheetah, the dualistic checkered floor, and the words “GET NAKED” all point to Sex Kitten Programming.

Other posts on Britney’s IG are compilations of strange images that appear to be alluding to dark things happening in her life.

In one IG post, Britney (or whoever handles her account) talks about travelling and includes a picture of a beach. However, things get increasingly strange when one scrolls through the other pictures. For instance, there’s this image of Victorian men engaging in a seance (summoning spirits).
In the same post, and very inexplicably, there’s a red Star of David. It happens to be the logo of Israel’s national emergency medical service. What is she (or are they) trying to say?

Men can also be subjected to Sex Kitten weirdness. Numerous young celebrities need to partake in some emasculating “projects” to launch their careers.

In an Interview magazine photoshoot, Romeo Beckham (the son of David and Victoria Beckham) posed in some strange settings. Here, he’s on a child’s bed, and he looks like he’s about to get abused by someone. It’s just bad vibes.
In another picture, Romeo is lying on a mattress in what looks like a grimey bathroom. And his hand seems injured. Is this a photoshoot or a submission ritual?

Three years ago, I wrote an article about Romeo’s brother, Cruz Beckham. He was featured in a disturbing photoshoot, especially because he was 16 years old.

Sexualizing a minor + one-eye sign + butterfly tattoo = Pure occult elite madness. The Beckhams are desperate for industry attention.

Speaking of the one-eye sign, it was all over the place in the past weeks. Here’s a small fraction of them.

As seen in this recent article, Kendrick Lamar’s Not Like Us swept the Grammys and was the focal point of the Super Bowl Halftime show. The song’s producer, Mustard, who was present at both events, has now struck a deal with Heinz for a mustard thing. Very clever. However, this opportunity for big business comes at a cost: Mustard has to show submission to the occult elite and do the one-eye sign using his own name.
Country/hip-hop hybrid star Shaboozey was also at the Grammys. However, he recently had to do the one-eye sign in Hypebeast magazine for this media attention.
Doechii was also prominently promoted during the Grammys because the industry decided to push her. Furthermore, the cover of this issue of Cut magazine is telling us: “Doechii takes over.” But that comes at a cost: This photoshoot features a subtle one-eye sign using makeup.
Charli XCX also performed at the Grammys. In a W magazine photoshoot, she did an industry pawn triple salute: In one pic, she’s dressed as the devil (a nod to industry satanism). In the other she’s dressed in feline print (a nod to Sex Kitten system) and in the third she’s does a one-eye sign to confirm this is all occult elite madness.
Lisa wasn’t at the Grammys but remains one of the biggest K-Pop stars. A crow’s head creates a super creative one-eye sign on this V magazine cover.
Michael B. Jordan is a big movie star who has been in the industry since he was a teenager (he played Wallace in the mythical series The Wire). It was only a matter of time before he had to make a big, fat, unmistakable one-eye sign on a magazine cover.
For some reason, Jordan plays with a fidget spinner. Maybe because it allows him to make a subtle devil’s horn hand sign?
Die Antwoord posted this image on IG to annouce their comeback and there’s a lot going on in there. Other than the aggressive one-eye sign, there’s a creepy demon-looking thing, felines with strange eyes, and a bunch of rats. The white rabbit on Yolandi’s outfit might hint at this being about trauma-based mind control.
This is not recent, but it is still highly relevant. In 2021, Trevor Moore posted about MKULTRA and mega-rituals meant to traumatize the masses. He died a few weeks later in odd circumstances. You better believe that mega-rituals are still happening today.
Speaking of traumatizing, Joe Jonas randomly posted a TikTok in full drag. Why? He is complying with the humiliating gender-burring agenda to keep his career going.
Meghan Fox posted a symbolic yet ominous pregnancy pic where she is naked and covered in black goo – a substance occultly associated with a dark, evil occult presence. What is she trying to say?
Madonna posted this enigmatic message on Facebook: “Kill or be killed … The industry taught me that.” Does she mean that either you’re the one doing the sacrificing or you’re the one being sacrificed? That sounds like something the Grand Priestess of the Music industry would say.

Special thanks to everyone who sent in pics!

“The song has a spell in it”: The Occult Meaning of Lady Gaga’s “Abracadabra”

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“The song has a spell in it”: The Occult Meaning of Lady Gaga’s “Abracadabra”

According to some, Lady Gaga’s Abracadabra saved her pop career. After releasing a string of projects that did not particularly excite her fan base, Abracadabra worked its magic and quickly rose to the top of the charts. To many, the song is a throwback to Gaga’s “golden age” – the early 2010 – when she released smash hits such as Bad Romance, Alejandro, and Born This Way.

There’s another element Abracadabra shares with the videos named above: It is full of occult references. In fact, the song is made to sound like an incantation, while the video is a full-on occult ritual. I’m not making this up to sound interesting; Gaga herself stated that the song has a “spell in it.”

ELLE: We love the bit where the music cuts out and the dancers are almost attacking you with the same lyrics that you’ve been singing…

GAGA: The song has a spell in it. And I imagine that our negative backtalk or when people are hard on you in your life, the world is hard on you, that’s almost like a spell. You can get seduced and you can start to believe it.
– ELLE, Lady Gaga Tells Us Everything You Want To Know About ‘Abracadabra’ After That Spectacular Grammys Reveal

If you’ve been reading this site, you know there’s nothing new about this. Most of Gaga’s career catered to the occult elite’s beliefs and agendas while constantly hinting at its darkest aspects. I’m not making this up to sound interesting; Gaga’s relationship with the elite’s favorite witch, Marina Abramovic, is extremely telling.

Gaga and Abramovic at Glamour’s Women of the Year Award 2013.
Gaga with Abramovic during Fashion Week 2016.
Gaga and Abramovic partake in mock cannibalism at a place called Devil’s Haven in the Hamptons. Can’t make this up.

Gaga and Abramovic do not merely hang out. She was a student of her Abramovic Method – a bizarre, witchcrafty “program” I cannot fully describe here.

This headline sums it up.

In short, Gaga is close with one of the elite’s favorite occultists, and she actively participates in related activities. Like any true occultist, Gaga downplays and sugarcoats the implications of her beliefs in interviews. However, as this site repeatedly highlighted, symbols rule the world. And her symbolism is the equivalent of her yelling, “I’m a witch!” right in our collective ears.

Everything about Gaga’s Abracadabra—from the song’s lyrics to the music video—is permeated with deep occult symbolism, and it starts with the song title.

Abracadabra

Written in the second century AD, Liber Medicinalis (“The Medical Book”) recommended using ABRACADABRA as an amulet against fever.

When most people think of ABRACADABRA, they picture a stage magician who makes bunnies appear from top hats during children’s birthday parties. However, the word has ancient, powerful, and kabbalistic roots. Theorized to originate from the Hebrew phrase “I will create as I speak,” ABRACADABRA is also believed to be closely related to the mystic Abraxas found on Gnostic amulets.

Throughout history, the word was associated with many magical practices, from warding off illnesses to summoning demons. In his classic work Dogma and Ritual, occultist Eliphas Levi explains the Kabbalistic meaning of the word.

The magic triangle of pagan theosophists was the celebrated ABRACADABRA, to which they attributed extraordinary virtues and represented as follows:

ABRACADABRA
ABRACADABR
ABRACADAB
ABRACADA
ABRACAD
ABRACA
ABRAC
ABRA
ABR
AB
A

The isolated A represents the unity of the first principle, otherwise, the intellectual or active agent. A united to B represents the fertilization of the duad by the monad. R is the sign of the triad, because it represents hieroglyphically the emission which results from the union of the two principles. The number 11, which is that of the letters of the word, combines the unity of the initiate with the denary of Pythagoras, and the number 66, the added total of all the letters, form kabalistically the number 12, which is the square of the triad and consequently the mystic quadrature of the circle.

We may remark, in passing, that the author of the Apocalypse, that key of the Christian Kabalah, composed the number of the beast, that is to say, of idolatry, by adding a 6 to the double senary of ABRACADABRA, which gives 18 kabalistically, the number attributed in the Tarot to the hieroglyphic sign of night and of the profane a mysterious and obscure number, the kabalistic key of which is 9, the number of initiation. On this subject the sacred Kabalist says expressly: “He that hath understanding” that is, the key of kabalistic numbers – “let him count the number of the beast, for it is the number of a man, and his number is six hundred three score and six.”
– Eliphas Levi, Ritual and Dogma

One takeaway from Levi’s dense explanation of ABRACADABRA is that it is related to the number of man – six hundred three score and six. That’s 666. Some call it the number of the beast.

Appropriately enough, Lady Gaga’s song Abracadabra directly refers to the Devil in the context of occult transformation.

Musical Spell

When Gaga says the song “has a spell in it,” she is not using a metaphor. She is being literal. The song’s chorus is:

Abracadabra, amor-oo-na-na
Abracadabra, morta-oo-ga-ga
Abracadabra, abra-oo-na-na
In her tongue she said, “Death or love tonight”

The magical words “amor” and “morta” are Latin for “love” and “death.” They are reused in the last line while alluding to a woman “speaking in tongues” – a practice that is associated with demonic possession.

As Gaga sings these words, the music video symbolically portrays a transformative ritual under the watchful eyes of a “Lady in Red” – with hints of demonic possession.

The video begins with a Lady in Red (played by Gaga) overlooking an army of minions looking to impress her.
Wearing a very pointy hat, the Lady in Red says: “The category is … Dance or Die.”
Underneath her are dancers, including Lady Gaga, all dressed in white.

From this context, we gather that the Lady in Red presides over these people and is about to judge their “performance.” However, this is more than a dance act; it is an occult ritual.

This is further highlighted by the sigil-like thing that we see immediately after.

Reminiscent of sigils and amulets, this image combines the words ABRACADABRA with Lady Gaga to announce the start of the ritual. The inverted letters allude to a demonic element.

In occult symbolism, red is the color of sacrifice and initiation. The Lady in Red is the agent of change, the force that is activated when the magic ritual is complete.

The Lady in Red watches the dancefloor from above, where a dualistic battle occurs between opposing forces: Light versus darkness, good versus evil, white against black.

At the beginning of the video, Gaga is dressed in white – the color of light and purity. The cross on Gaga’s white outfit emphasizes this fact.

While these dancers are dressed in white, their choreography alludes to gradual demonic possession.

For a few short seconds, we see Gaga quickly crawling backward. The possessed look on her face haunts me in my sleep.
Gaga’s odd positioning with a dancer creates a shape strikingly similar to Sigil of Lucifer. 

Appropriately enough, the song’s first verse refers to the devil.

Pay the toll to the angels
Drawin’ circles in the clouds
Keep your mind on the distance
When the devil turns around

In this enigmatic verse, Gaga paints a dualistic picture (angels versus devil) as she embarks on a “magical” path. The video visually depicts this duality by opposing light with darkness.

Opposing the white-clad dancers are black-clad dancers who exude an opposite “energy.”

This group emulates the movements of an old person and integrates canes into its dance routine. Opposed to the spiritual immortality of light, darkness is afflicted with the physical limitations of the material world, where the unrelenting progress of time leads to aging and death. In esoteric symbolism, this concept is associated with Saturn (the god of Death and old age) and Satan, the ruler of the material world.

In Abracadabra, the dancefloor is the ritual surface on which opposing forces collide to form magic. The pre-chorus says:

With a haunting dance, now you’re both in a trance
It’s time to cast your spell on the night

The concept of duality could not be more evident as the dark and light groups are juxtaposed in successive shots as they alternatively chant “ABRACADABRA.”

The concept of a dancefloor being a ritual site has been around the music industry for decades.

The cover of Michael Jackson’s Blood on the Dancefloor contains the same ritualistic symbolism as Abracadabra. Jackson stands on a Masonic dualistic floor wearing a bright red outfit. The title refers to initiation and blood sacrifice during the ritual.

After alternating light and darkness, the music stops, and frenzied dancers yell the song’s magical words at Gaga.

They all look possessed.

Some observers might ask, “Why is she wearing a cross in this occult and satanic context?” Well, as in everything else in the video, that cross has an occult meaning.

Gaga wears a custom cross that is made of her face. This is not about Jesus. It is about the ultimate goal of occultism: To obtain godhood through one’s own means.

While, in interviews, Gaga says that the song is about “dealing with challenges” and other platitudes, the lyrics point strongly towards a specific spiritual direction. Here are some of the lyrics:

Hold me in your heart tonight
In the magic of the dark moonlight

This is about black magic.

Feel the beat under your feet, the floor’s on firе

The floor on fire is a reference to hell, the place where sinners are sent to after death. Speaking of witch (not a typo), Gaga sings these words in the final part of the song.

Phantom of the dance floor, come to me
Sing for me a sinful melody

In short, this song is about dealing with the dark side. Is it possible that the Lady in Red that Gaga is attempting to please is actually Satan?

After the performance, Gaga awaits the Lady in Red’s reaction. She somberly bows her head down, a gesture open for interpretation.
In the video’s final shot, Gaga looks up to the Lady in Red (possibly Satan).

As above, so below.

In Conclusion

From the song’s title to the contents of the lyrics, while not forgetting the blatant symbolism of its video, Abracadabra has a deep, magical meaning. As Gaga chants an incantation disguised as a chorus, the video depicts an occult ritual disguised as choreography. This is all done through symbolism, where dancers dressed in black and white represent the dualistic battle between light and darkness and good and evil. From this union of opposite forces emerges a third entity: Magic – the force occultists believe turns humans into gods – represented by the color red.

While Gaga was profusely praised for her “creativity,” this video offers absolutely nothing new. It reuses the same symbolism and color codes that have been explained on this site numerous times.

There is a reason why this specific symbolism is all over popular culture: It is the religion of the occult elite. But they do not want the masses to understand it – they merely wish for us to be dazed, confused, and bewitched by their witchcraft.

More importantly, they do not want to conduct their rituals behind closed doors anymore; they want to perform them on a worldwide scale. Ultimately, it is about them trying to please their worldly ruler – who gave them wealth and power on Earth – the same way Gaga tries to please the Lady in Red.

The Most Symbolic Moments of the 2025 Grammys and Super Bowl

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The Most Symbolic Moments of the 2025 Grammys and Super Bowl

Every year, the beginning of February is marked by two big media events that are often filled with symbolic moments: The Grammys and the Super Bowl. Although one event celebrates the music industry while the other is a football championship game, both frequently focus on the same stars, as if confirming that only a small circle of “chosen ones” can get significant media attention. For instance, this year, both events were marked by the presence of  Taylor Swift, Kendrick Lamar, Jay-Z, and others.

My first article about a music awards show was The 2009 VMAs: The Occult Mega-Ritual, and it remains relevant to this day as it highlights the “blueprint” of most modern award shows. In the article, I noted that these events are built for theatrics, where a limited number of actors appear on camera and on stage to participate in some symbolic and ritualistic moments.

And some things never change. The two main actors in the aforementioned 2009 VMA Awards were Beyonce and Taylor Swift. In the 2025 Grammy Awards, these two “royal” figures of the music industry were again the main protagonists as they shared the stage again in a televised ritual drama.

Furthermore, like in 2009, Jay-Z and Kanye West garnered attention, although they did not say or rapped a single word. However, the circumstances of their silent presence told a lot about the dark side of the music industry.

As is often the case, these “narratives” spilled over to the Super Bowl, turning this sporting event into a continuation of occult elite weirdness. Here are the top moments of these two events.

Kanye and his Sex Kitten Slave

The most talked-about moment of the 2025 Grammys did not even happen during the actual ceremony. It happened on the red carpet when Kanye West and his wife, Bianca Sensori, gave a perplexing but symbolic “performance.”

Kanye and Bianca arrived at the pre-show dressed in black and ready to engage in theatrics.
Then, Censori got undressed and basically got fully naked for the world to see. As usual, she looked rather dissociated during the whole thing.

These bizarre appearances by Kanye and Bianca have been happening for months, and they always play out the same: The couple arrives at a highly mediatized event, and Bianca is made to wear the most revealing outfit imaginable while Kanye stays fully dressed and creepily emotionless.

This display is not merely about “controversy.” It is a continuation of Kanye’s sad spiral into occult elite degeneracy.

In 2016, Kanye was forcibly hospitalized and “under doctor’s care” for months. It was later revealed that Kanye was heavily sedated during his “hospitalization” and even suffered memory loss – a byproduct of undergoing electroshock therapy. At this point, a horrific truth became apparent: He underwent a form of mind control programming. Kanye himself stated that he was in the “Sunken Place,” a reference to the dissociative state of the mind-controlled protagonists in the movie Get Out.

Needless to say, Kanye emerged from this ordeal as a changed man – even physically, as he emerged from hospitalization with bleached hair (a telltale sign of MK slaves).

With that being said, here’s a sad truth about MK slaves: They sometimes become MK handlers. And this is what seems to be happening with Kanye. He turned into Bianca Censori’s handler – who is being “trained” and broken down to become a Sex Kitten. Every “controversial” outing is about humiliating and traumatizing her, deleting her dignity and her inhibitions. In other words, Kanye is doing out in the open what MK handlers do behind closed doors.

The couple’s appearance at the Grammys signaled one horrific thing: The music industry cosigns this madness. Speaking of which.

The Grammy’s Agendas

As usual, the Grammys promoted some up-and-coming artists, provided them with much-needed publicity, and blessed them with the all-important spotlight. However, as usual, this comes at a price: These artists must show submission to the elite—often in a somewhat humiliating manner.

Doechii – who is quickly becoming an industry favorite – began her performance dressed as a schoolgirl.
About halfway through her performance, the rapper stripped down to her underwear.

Doechii did not wear a “sexy outfit”; it was just a straight-up bra and panties, almost like a slave at an auction. The whole thing felt like a humiliation ritual to confirm her initiation into the music industry.

Another artist being propelled into the industry spotlight is Benson Boone. During his Grammy performance, he ripped off his tuxedo to reveal a sparkly turquoise outfit that was sure to please his industry handlers.

At the end of his performance, Boone weirdly grabbed his crotch – a gesture that was a bit too deliberate to be accidental. It definitely added to the “male sex slave” vibe of this whole performance.

Although they did not produce anything significant in recent history, Jayden and Willow Smith were among the Grammy’s featured “characters.”

Jayden wore a whole castle on his head while Willow put on a revealing outfit.

Jayden’s outfit is all about MKULTRA: His head is in a castle – symbolizing the complex, maze-like, and multi-chambered mind of the MK slave. Meanwhile, 24-year-old Willow is ripe to go the sexualization route to keep her career going.

Even lesser-known artists engaged in agenda-pushing.

The winner of the “Best Song for Social Change” award was partly written by trans composer Ariel Loh, who used these few seconds of media attention to hold a sign saying “protect trans kids.”

By “protect trans kids,” they actually mean injecting them with hormones and puberty blockers while also having them undergo dangerous surgeries. It is the opposite of “protecting” them. Out of all the opportunities for “social change,” this is what the people at the Grammys obsessively choose to focus on.

With that being said, the Grammys are mainly obsessed with a few “chosen” royal figures.

The Ongoing Taylor Swift/ Beyonce Ritual

Despite winning exactly zero awards and not performing at the 2025 Grammys, Taylor Swift was the main center of attention of the show. Every few minutes, the camera zoomed on her over-exagerated reactions, and, as usual, she was brought on stage to partake in key moments.

There’s a reason for this: She is a “queen” of the music industry. There’s also a black queen on this music industry chessboard: Beyonce.

In 2009, after being humiliated by Kanye, Taylor Swift was called on stage by Beyonce. Both were wearing red – the color of initiation.

The moment above launched Taylor Swift’s career into the stratosphere—Fast-forward to 2025.

Taylor Swift (dressed in red) hands Beyonce the Country Album of the Year award for Cowboy Carter. Things have come full circle between the industry queens.

Later in the show, Beyonce won the overall Album of the Year award for Cowboy Carter—an album that was overhyped all year as the media loved to push the racial division button every time it was mentioned. When Beyonce came back on stage, we saw Taylor Swift again doing something rather perplexing.

Taylor Swift celebrate Beyonce’s victory with her husband, Jay-Z.

In normal circumstances, this interaction would be relatively innocuous. However, the entire world seems to have forgotten one small fact: Jay-Z was accused, only a few weeks ago, of raping a 13-year-old girl.

This was in December. Did everyone purposely forget?

Although Jay-Z is innocent until proven guilty, there’s a strong chance that he committing a horrific crime against a child. We are not merely talking about rumors or hearsay; we’re talking about a whole lawsuit with credible witnesses and serious paperwork.

With that in mind, isn’t it weird that Jay-Z is still parading around the industry and treated like royalty? Can’t he stay lowkey until, at the very least, the charges of him being a pedophile rapist are cleared? It is almost as if the industry is putting in our faces that Jay-Z is above the law.

Meanwhile, Beyonce was on stage with their daughter Blue Ivy who is one year younger than the teen Jay-Z allegedly raped. She is constantly brought to the spotlight as if being groomed for stardom.

In short, the Grammys put on some theatrics featuring the kings and queens of the music industry. One week later, the same actors also played significant roles at the Super Bowl.

Like last year, Taylor Swift was in the stands to cheer for her significant other, Travis Kelce. And, like last year, she was sitting with Ice Spice.

In last year’s Super Bowl, Ice Spice wore a big, satanic inverted cross. She wore a regular cross this year, but this did not prevent the crowd from booing these two.

Meanwhile, Jay-Z was a guest of honor at the Super Bowl, mainly because he’s been in charge of picking the talent to perform at the Halftime Show since 2019.

Jay-Z did the Roc Sign (Illuminati stuff) at the Super Bowl while his daughter was styled to look like a mini Beyonce.

This year, Jay-Z picked Kendrick Lamar to perform at the Halftime Show, mainly because of the massive success of his song “Not Like Us,” a diss track aimed at Drake where he openly accuses him of being a pedophile.

Here’s an ironic fact that I need to highlight again: Jay-Z was recently accused of being a pedophile. Isn’t this whole situation ironic?

Nevertheless, Kendrick Lamar was allowed to rock the Super Bowl Halftime Show, as people anticipated a fun and dazzling performance appropriate for a sporting event. Unfortunately, according to many, his set was a dreary, divisive, racially charged affair. Even worse, it committed the ultimate Super Bowl sin: It was deemed “boring”. But that doesn’t mean it wasn’t symbolic.

The Halftime Show

For the Halftime Show, Jay-Z wanted Kendrick Lamar, and we definitely got a whole lot of Kendrick Lamar. In fact, it was the most Kendrick Lamar thing ever. Not unlike his albums, the performance featured him rapping almost incessantly while building a narrative about social and political issues in America through a succession of songs.

The Halftime Show began with something resembling a Tictactoe game, with shapes similar to those found on a PlayStation controller.
Samuel L. Jackson, dressed as Uncle Sam, announced the “Great American Game.”

Kendrick’s performance revolved around a central theme: Black Americans must “game” the system (which is rigged against them) to navigate their way to success and acceptance. Throughout the show, Uncle Sam urges Kendrick not to be too “ghetto” and to give the people what they want.

At this point, the people wanted the song Not Like Us, which was teased a few times during the show as the proverbial “carrot” while he went through his lesser-known songs.

When he finally performed his smash hit, the entire crowd chanted along as he rapped the murderous line that openly described Drake as a pedophile.

Why you trolling like a b!tch? Ain’t you tired?
Tryna strike a chord and it’s probably A-Minor

Hearing 65,000 fans chanting a line about pedophilia was rather strange – especially during a family-friendly event such as the Super Bowl. However, oddly enough, another detail captured more attention: Kendrick’s jeans.

Kendrick wore jeans that many found difficult to process.

Let me state a fact that the media made a point to ignore: Kendrick wore women’s jeans. He wore flared jeans, which were extremely popular in women’s fashion during the 2000s. They were deemed sexy because they accentuated women’s curves. While men’s bootcut jeans have existed since the 1970s, the fit has always been different.

Of course, people on social media noticed this fact right away.

Kendrick’s performance immediately spurred memes about him being a “bad b*tch” or something in this general vicinity.

As usual, mainstream media immediately gaslit the entire world to make us think this was a significant cultural moment.

Two mainstream media headlines fawning over Kendrick’s subtle crossdressing.

And yes, Kendrick wore women’s jeans.

Articles about Kendrick wearing women’s jeans.

These feminine jeans were symbolic of their own. On several occasions, Kendrick and Uncle Sam said, “Give them what they want” to succeed. By “them”, they actually meant the elite that controls them. And what “they” wanted was for Kendrick to show submission by wearing women’s clothing in exchange for the spotlight.

He did just that, all under the supervision of alleged child rapist Jay-Z.

In Conclusion

The Grammys and the Super Bowl are meant to be competitions in which trophies are awarded to the most deserving competitors. However, the occult elite’s infiltration of these events turned them into ritual dramas where the actual “winners” are handpicked and chosen by those in power.

The game is rigged, and those who win must ensure we understand that they lost their souls in the process. In other words, through symbols, the elite used these events to communicate an important message: They’re not like us.

Ellie Goulding and Anyma’s “Hypnotized” Turns Monarch Mind Control Into a Futuristic Experience

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Ellie Goulding and Anyma’s “Hypnotized” Turns Monarch Mind Control Into a Futuristic Experience

Anyma is a popular Italian-American DJ and electronic music producer. While I could write paragraphs about his career, let me post a picture to sum everything up for you.

He’s doing a one-eye sign to confirm his status as an industry pawn.

Since 2024, Anyma has been in a relationship with an industry pawn hovering around the elite for years: Grimes, aka Elon Musk’s ex. While I could write paragraphs about her, let me post a picture to sum everything up for you.

Grimes is a one-eyed android with a fractured skull in one of her projects. Like most of her other works, this is all about Monarch programming.
This happy couple loves the “soulless android” aesthetic.

Anyma created a show dubbed “the hottest ticket in Las Vegas – and perhaps in the entire nightlife and concert circuit”: the End of Genesys residency at the Sphere Las Vegas.

The Sphere is the largest spherical structure in the world. Its exterior and interior surfaces can be used to display anything. One of the first things the Sphere ever displayed was a giant eyeball.

If you think that a giant, Big Brother, Illuminati-like eyeball watching your every move is a bit creepy, you’re not the only one.

People didn’t like the eyeball.

Inside The Sphere, Anyma has a “mesmerizing” EDM experience that features several artists. One of them is English star Ellie Goulding. While I could write paragraphs about her, let me post a picture to sum everything up for you.

Ellie Goulding does a blatant one-eye sign to confirm she’s an industry pawn.

Goulding actually deserves a few paragraphs because she’s a massive star who is the definition of an “industry pawn.” Indeed, after achieving mainstream success, Goulding’s influence and popularity were used for “activism,” which, as an industry pawn, equates “pushing the elite’s agendas.”

For her support to the LGBTQ+ community, Goulding has been honored with the ‘Ally Award’ (2022) by the Attitude Awards, the ‘Celebrity Ally’ (2019) by British LGBT Awards, and as well earning a nomination in the same category at the 2022 ceremony.

For her constant activism on climate-change awareness, Goulding has received numerous recognitions, some of her honours include being awarded with the ‘Global Leadership Award’ (2017) for her environmental and social justice activism, and being named ‘Humanitarian of the Year’ (2022) for her work raising the profile of fossil fuel-funded conflicts, including in Ukraine, and her support for refugees from conflict zones and the frontline of the climate crisis, both awards were given by the United Nations Foundation.

Yup. She was given awards from elite-owned organizations such as the United Nations for pushing elite-sponsored agendas such as LGBT and climate change propaganda. She is now a global ambassador of the United Nations Foundation. That means the elite really likes her.

Of course, being an elite pawn has its dark sides.

In the past years, Goulding has been experiencing severe mental health issues due to intense media scrutiny. She also opened up about becoming a “paranoid wreck” after being constantly stalked “over, and over” by an older man, as well having to deal with a male paparazzi with “a long lens camera wrapped on a towel”. She stated that she “never asked for this level of intrusion.”

Several Monarch mind control victims reported being subjected to gangstalking and constant surveillance, leading to a heightened state of paranoia. Appropriately enough, Ellie Goulding’s video with Anyma is all about Monarch mind control.

I mean, just look at the song’s title.

Hypnotized

Here’s the title of an article from EDM Magazine describing the video: “Anyma and Ellie Goulding’s “Hypnotized” Doesn’t Just Describe Hypnosis—It Administers It.”

While the music and the visuals have a hypnotic feel, there is more to this video than meets the eye. Through symbolism, Hypnotized describes the troubling and horrific process of breaking down an MK slave through trauma and programming a new alter persona.

The video begins with creepy dark hands molesting Ellie’s face and leaving “black goo.” This screenshot also features one of many one-eye signs in the video.

The goal of Monarch mind control is to cause slaves to dissociate by making them suffer through unbearable trauma. The programming is done by insane people called “handlers.” In popular culture, MK handlers are often represented by disembodied hands because they’re, you know, HANDlers, and they work in darkness.

Therefore, the hands aggressively running around Ellie’s face represent MK handlers violating Ellie and causing trauma.

Then, multiple hands appear behind Ellie, each with an eyeball inside them.

As seen in countless previous articles, the All-Seeing eye is the occult elite’s favorite symbol. These hands represent the elite-appointed handlers.

The eyed hands surround Ellie’s face, covering her mouth and face. This image conveys the victim’s feeling of suffocation and powerlessness.
The dark and light-colored hands uncomfortably hold Ellie’s face, visually representing a vital aspect of MKULTRA: Duality.

In many ways, mind control is an occult process. And, at its core, occultism focuses on uniting opposing forces to achieve a desired outcome. In the case of mind control, the desired outcome is pure torment.

A painting by actual Monarch survivor Kim Noble highlights the importance of duality in MK programming.

The rest of the video visually depicts the result of the handler’s abuse.

Ellie’s face gets divided into multiple pieces, symbolically representing the fracturing of an MK slave’s persona.
Ellie’s head splits open, and creepy hands emerge from it. The handlers are literally in Ellie’s head.

Then, the desired result of Monarch mind control occurs.

Ellie “gives birth” to a new alter-persona through her head.

Meanwhile, the song lyrics describe the plight of an MK slave.

The more I fight it, the deeper I go
I’m spiraling down, I lose all control
The more I hide it, the weaker I grow
This perfect illusion, don’t wanna let go

The first line refers to an essential part of mind control: Resistance. MK slaves are expected to attempt to break away from their handler’s control. This is a desired part of the programming as the inevitable failure leads to further breaking down. Therefore, the more she fights it, the deeper she goes. The last line refers to a “perfect illusion” – the dissociative mind state of the MK slave where the handler controls everything she perceives.

The chorus blatantly describes the powerlessness of an MK slave versus her handler.

I feel hypnotized, circles in my eyes
I’m losing my mind (Ooh)
I feel hypnotized, blinded by your light
Holding on for life (Ooh)
The more I fight it, the deeper I go
I’m spiralling down and I lose all control
I feel hypnotized, I’m losing my mind

As we hear these lyrics, we see visuals depicting Ellie’s transformation into an MK slave with alter personas.

Ellie’s alter persona lurks inside her head, waiting to be triggered at any moment by her handler.
Glued together by black goo (representing the handler’s toxic and occult control of the slave), several mouths rotate around Ellie’s head and take turns speaking for her. A different Ellie speaks, depending on the alter that is being triggered.
Once the process is done, Ellie’s face is glued back together, and she appears somewhat normal to the outside world. However, a deep scar on her forehead reminds us that her mind is still fractured.

The video ends with an image summarizing the song’s message.

Several eyes and mouths are glued to Ellie’s face. She’s not in control of her senses anymore.

In the screenshot above, her mouth is replaced by an “artificial” mouth that is under her handler’s control. The same goes for one of her eyes as the reality she perceives is also altered. This fake eye appropriately creates an all-important one-eye sign to remind you that this sick process was brought to you by the occult elite. Because the same people who control MK slaves control the media we consume.

In Conclusion

Anyma and Ellie Gouding’s Hypnotized was initially created to be projected inside the Las Vegas Sphere, profoundly immersing the audience – without them even realizing it – in the sick world of MKULTRA. Standing inside a gigantic sphere that sometimes looks like an eyeball, people stand there, surrounded with images depicting the programming of MK slaves, while hearing lyrics describing their helplessness and loss of control.

Therefore, for a few minutes, the audience finds itself in a “hypnotizing” experience where everything they see and hear (all 360 degrees) is artificially generated – not unlike a dissociated MK slave under the hypnotizing control of a handler.

Nowadays, this is what we call “entertainment.”

An In-Depth Look at the Messages and Symbolism in Squid Game 2

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An In-Depth Look at the Messages and Symbolism in Squid Game 2

Warning: Dystopian spoilers ahead!

In the first season of Squid Game, hundreds of poor people were recruited by a shady organization to participate in children’s games. The reward: The winners get lots of money. The catch: The losers get violently killed.

As my article about the first season explained, behind the series’ twisted games and shocking violence were embedded messages about society. While some mass media critics claimed that the series was “anti-capitalist,” it went way beyond that.

In the season’s final episodes, viewers discovered that the games were created to entertain wealthy yet perverted people. And, through subtle yet unmistakable symbolism, Squid Game pointed to the real-life counterparts of these elite guests.

In this highly symbolic scene, the three finalists of the game are made to dine in a setting that is replete with Masonic symbolism (more on this later).
The logo of the series sums up its message. The rectangle represents the masses. The circle at the bottom represents those who are poor and heavily in debt. The triangle represents the elite ruling over the masses. The upper circle represents the all-powerful occult elite that controls the world. Squid Game is about the top playing with the bottom.

In short, the first season was about the occult elite controlling the masses through manipulative tactics. The people at the bottom are portrayed as cattle that can be sacrificed ritualistically for the pleasure of those who rule them.

Despite these dark messages, Squid Game became Netflix’s biggest series. A significant reason for this success is the intentional marketing targeted at children and the constant flow of viral content on platforms such as TikTok. Through underhanded ways, the makers of Squid Game attracted children and teenagers to then expose them to extreme violence, intense dehumanization, and, even sadder, to a dystopian system where non-conformity to the elite’s rules results in death.

Targetting Children

In my article about the first season, I also highlighted that Squid Game appealed to children in numerous ways. After luring these young eyes, the series exposes them to extreme violence and toxic, demoralizing messages.

The second season is guilty of the same tactics.

Netflix promotes a mobile game based on Squid Games. This is clearly made to appeal to children and incite them to watch the series.
Some (somewhat unnecessary) scenes appear custom-made to attract and keep children’s attention with colors, costumes, and music.
The soldiers still look like Playstation buttons. Combined with the name Squid Game, everything is in place to catch young gamers’ attention.
Most scenes take place in colorful settings reminiscent of children’s playgrounds. The screenshot above is seen at the beginning of every episode as it integrates the Netflix logo. It’s their way of saying: “Yes, we are part of this maze of indoctrination.”

Some might say that there’s nothing new about children watching violent content. However, the violence in Squid Game is particularly insidious. We’re not watching a hero shooting bad guys to save his daughter; we’re watching unarmed, defenseless, innocent people being executed by faceless soldiers for failing to comply. In other words, the violence is oppressive, systematic, and dystopian.

The show’s “action” mainly involves the elite’s soldiers shooting down poor people for losing an infantilizing game.

While these scenes were shocking and deeply disturbing in the first season, they’re fully expected in the second. And this is where the second season takes a perverse turn: Viewers actually look forward to the gunning-down scenes because they’re the “fun part.” When this is not happening, the contestants sit around and moan about owing millions of Korean wons. To young people, that’s the boring part.

The second season of Squid Game also starts and ends with suicide.

In the first episode of the season, the game’s recruiter kills himself in front of the protagonist, Seong Gi-hun.
In the season’s final episode, one of the contestants kills himself because the rebellion failed.

So the second season started and ended with similar suicides: By a gunshot under the chin. While the first suicide was a result of the hero standing up to the elite, the second one had a demoralizing message: If you rebel against the elite, you’ll fail.

The lesson: It is better to shut up and conform. And, to deal with this violent and oppressive setting, taking pills is a viable option.

Drugs to Cope

One player – a rapper named Thanos – regularly consumes pills hidden inside his cross pendant. The makers of the show appear to have made a conscious effort to make the pills attractive to young people by making them colorful and candy-like.

Most contestants are terrified and traumatized because they are made to play games that always end in a bloodbath.

In one game, players must stand on a turning platform as they stare at the blood of those who lost in the previous round. Bizarre fact: The creepy children’s song Round and Round that plays while the platform turns has become a viral hit – another way of attracting young people to the show.

When the platform stops turning, a number is announced. The players must form a group of that exact number and run inside one of the rooms. Those who fail get massacred by the soldiers.

Soon enough, the players are willing to betray and turn on each other to save themselves.

This game illustrates one way the elite controls the masses. People are made to turn “round and round” in society until a “crisis” is generated by the elite, causing a lack of resources (represented by the limited number of rooms into which players run). All unity is lost at this point, and people turn to animals. Then, the elite engages in its favorite activity: Order out of chaos.

While this context is terrifying, Thanos is enjoying himself. Why? Because he’s high on pills.

Thanos and his friend are calm and relaxed because they’re numbed by pills.

In Squid Game, there is absolutely no downside to this mysterious drug. It allows Thanos to be in the perfect state of mind to succeed in the games: He’s focused, relaxed, detached, and sociopathic enough to perform and win.

Once again, this can be translated to real life. People are encouraged to consume pills (i.e., Xanax, Adderall, opioids, etc.) to cope with and perform in society like Thanos consumes pills to navigate the harsh and absurd realities of the games. Through Thanos, Squid Game sends yet another toxic message to young viewers: “Synthetic drugs are awesome – they allow you to be a winner.” I’m sure pharmaceutical companies approved of this message.

Through another character, Squid Game‘s second season pushed another agenda.

The Transgender Agenda

The second season dedicates much time to transgender character Hyun-Ju.

Because Squid Game is the most-watched series in history, you better believe the elite used it to push its obsessive gender-blurring agenda. To do so, the series makers cast Park Sung-hoon – a non-transgender actor – to play the role of a transgender character.

Some LGBT activists criticized the selection of a “cis-gender” actor and requested an actual transgender person to play the role. However, the director of the series replied that there aren’t any transgender actors in socially conservative South Korea.

This confirms that adding a transgender character to the show was not made to “reflect society.” It was forcibly and artificially added for indoctrination purposes. In an interview, the director stated:

“And so by creating a character like Hyun-ju, through her choices, her actions, and the way she carries herself in the game, I hope that that could raise awareness of these issues that we face today.”

The director really wanted the viewers to love this character. So he made Hyun-ju perfect in every way – to the point that it is irritating. Hyun-ju is, all at the same time, smart, sweet, brave, caring, heroic, considerate, and a natural-born leader.

Oh, and Hyun-ju is also an ex-sergeant in the Special Forces who trains the other players to use a machine gun. Of course.

Other than being a supercool superhero with no flaws and all of the qualities imaginable, Hyun-ju’s character is used to teach the world about the transgender agenda and, more importantly, never to criticize it.

In one scene, an old woman asks her son:

– Yong-sik, is that a man or a woman?
– People can do that now. Someone is originally a man but they transition into a woman after a while.
– I don’t get why a man would want that.
– Shh. Quiet.
– It’s one or the other, that’s how things are.
– You can’t say that, mom. Quiet.

You can’t say that. Shh. Quiet. The young viewers of the show are being trained.

In another scene, an old woman comforts a pregnant girl in the women’s bathroom. Then, we see Hyun-ju lurking in the background.

There is no reason for Hyun-ju to be in that specific scene. It was about normalizing a biological man in the women’s bathroom – an obsession of the elite.

To make sure we all understand that this show is about the occult elite, their symbolism is peppered throughout.

Occult Elite’s Signature

Using visually striking symbolism associated with secret societies, Squid Game makes one thing clear: Those behind the sick contest are not random “rich people”; they’re occult-minded elitists.

At the beginning of the season, Seong Gi-hun finds his way back into the limousine that transports the game’s contestants. There, he discusses with the head of the games through a speaker shaped like a piggy bank.

The piggie sits on a checkerboard pattern. As seen above, this detail is not random.
In Masonic lodges, the checkerboard pattern floor is the surface on which transformative rituals occur. In Squid Game, the deaths of contestants are portrayed as ritual sacrifices.

The checkerboard pattern visually represents one of the most essential concepts in occultism: Duality. The black and white pattern represents the opposition between light and darkness, male and female, and good and evil. It is through the union of contrasting forces that “magic” takes place.

The elite likes to believe that it must balance its sick, evil actions with good deeds. That is why the game’s massacres are justified by the fact that they’re helping people leave poverty.

The walls of the contestant’s “internment camp” are highly symbolic.

Most of the season’s dialogues occur in a room adorned with the all-important dualistic pattern. At the bottom of the wall are crosses – a recurrent symbol in the series. At the top are inverted crosses – the main symbol of Satanism – which adds to the dualistic theme. Does this wall represent the Satanic elite ruling over the masses?

Thanos hides pills in a cross-shaped pendant. The cross is adorned with a serpent (associated with Satan) bringing us back to the all-important concept of duality.
Like in the first season, the bodies of contestants who lost are placed in creepy coffins decorated with a bow. The sacrifices are a gift to the elite.

Like the masses in the real world, the contestants are surrounded – without even realizing it – by the symbolism of those who control them. And, like in real life, the elite manipulates the masses through numerous methods.

The Illusion of Democracy

The second season dedicates lots of time to contestants voting. It is difficult not to see parallels with real life.

After each game, the players can vote on whether to stay and make more money or stop and go home.

Like in real life, the voting process serves many purposes. First, it ensures that those participating in the games do so by their own free will – a fundamental concept in the occult elite (notably to avoid karmic retribution). There’s also a more practical reason: To cause division.

The players are physically divided according to their “allegiance” on several occasions.

Instead of uniting and taking down the people who are massacring them, the players are divided according to their “ideology” and pitted against each other. We can easily see a parallel with real life where the masses are profoundly divided according to their political affiliation (i.e., Liberals vs Conservatives).

After voting, players must wear an “O” badge if they voted to stay or an “X” badge if they voted to leave. From then on, players are defined by this choice.

In the screenshot above, Player 456 (the protagonist, Seong Gi-hun) sits with Player 001. Like in the first season, Player 001 is actually The Front Man of the game, posing as a regular contestant. In other words, he works for the elite.

For some reason, despite taking part in the previous games, Seong Gi-hun trusts him and is influenced by his comments. However, Player 001 has one goal: To create maximum chaos.

At one point, Player 001 has the deciding vote. If he votes “O,” the games continue. If he votes “X,” it’s a tie; another vote must be taken the next day. He votes for the tie. Why? Because he knows that, during that night, the opposing sides will attempt to kill each other to win the vote.

During that evening, the organizers strategically included a fork in the players’ dinner (although it wasn’t necessary). They’re giving the players the means to attack each other.
Almost immediately after, the players from opposing sides stab each other with forks.
While chaos is happening in the bathroom, soldiers sit idly by. The elite likes to see the masses divided due to political beliefs.

At one point, Seong Gi-hun convinces some players to avoid confrontation with other players and directly attack the games’ organizers. However, his plan involves allowing some players to die in the process. Hearing Seong Gi-hun’s plan, Player 001 (who is part of the elite) says:

– So you’re saying “sacrifice a few for the good of the rest.”
– It’ll be worth the sacrifice if it means we can actually put an end to the games for good.

Player 001 seems pleased with this answer, as this entire thing is based on sacrificing people.

In the final segment of the season, Seong Gi-hun leads an uprising doomed to fail because it was infiltrated by the elite from the get-go.

After participating in the uprising, Player 001 lures Seong Gi-hun into a trap, which leads him to surrender.

Player 001 then trades his player outfit for his Front Man costume and reappears to Seong Gi-hun.

In the first episode, The Front Man asks Seong Gi-hun if he wants to be a hero. In the final episode, he ridicules him for wanting to be a hero.

Squid Game‘s moral of the story: Don’t try to go against the elite. Stay demoralized, take your pills, and keep watching Netflix.

In Conclusion

While Squid Game is a South Korean production, its message is from the global elite and intended for a worldwide audience. The second season ranked #1 in over 92 countries, and with such a massive audience, those behind the show made sure to push agendas.

First, they’ve attracted young viewers through insidious viral marketing – because they’re the most susceptible to indoctrination. Once their attention is captured, these viewers are exposed to a dystopian system where a shady elite controls all aspects of life, and non-conformism leads to “elimination.” Viewers are also taught that taking pills is a good way of coping with this system and that transexual men are perfect beings with no flaws and who definitely belong in women’s bathrooms.

That said, the core of Squid Game is about one of the elite’s most crucial plans: Revelation of the method. Through the show’s games and symbolism, Squid Game reveals how the elite control the masses. It divides people, it rigs elections, and it infiltrates uprisings.

Do you still want to take part in the games?

Biden Awarding George Soros the Medal of Freedom is Proof That the “Conspiracy Theories” Are True

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Biden Awarding George Soros the Medal of Freedom is Proof That the “Conspiracy Theories” Are True

When I first read that Joe Biden awarded George Soros the Medal of Freedom, I had to double-check to ensure it wasn’t satire. I could honestly see this type of headline on a site such as Babylon Bee. But it was real. And it was absurd, especially when one understands why this award was created in the first place.

The Medal of Freedom is the highest civilian award in the United States. It is meant to recognize people who have made “an especially meritorious contribution to (1) the security or national interests of the United States, or (2) world peace, or (3) cultural or other significant public or private endeavors.”

Using his billions of dollars and his tentacular Open Society Foundations, Soros has been meddling in the affairs of countries around the world, including the United States. And, at every step, he directly opposed the United States’ security and national interests. Every penny invested by his foundation serves one purpose: to destroy nations from within to facilitate the implementation of a world government.

George Soros is a fixture at the World Economic Forum – a parasitic, illegitimate, and non-democratic organization that seeks to impose its globalist will on independent nations.

The impact of Soros on the world cannot be underestimated. Over the past three decades, Open Society Foundations spent 23 billion dollars to fund sold-out and highly compromised political candidates, along with destructive projects that further his globalist agenda.

Most of Soros’ actions are discrete, insidious, and hidden under the guise of buzzwords such as “equity.” However, the impact of his policies is painfully apparent, especially in major cities. Some might even argue that he’s consciously and methodically tearing apart the fabric of societies through highly calculated actions.

Directly Opposed to Security and National Interests

George Soros’ influence on national policies can be observed on several levels. However, it all starts with the most critical part of his agenda: Excessive and uncontrolled immigration.

Every country has a legal immigration process where the quantity and quality of applicants are carefully controlled. This ensures the host country keeps the social and economic backbone necessary to welcome these new citizens while maintaining general cohesion, security, and prosperity. Ultimately, it is about harmoniously integrating these immigrants into the host country’s society and economy.

However, George Soros wants the exact opposite. Through underhanded ways, he has been forcing countries to open their borders, allowing an excessive flow of immigrants into countries that cannot harmoniously handle them. He also encourages illegal immigration, creating a class of undocumented, second-class citizens.

Soros’ goal is simple: To flood countries with a quantity of immigrants that goes beyond their capacity to absorb them. Most nations around the Western world were subjected to these policies with disastrous repercussions.

By forcing governments to adopt immigration policies that go against their national security and national interests, Soros and his globalist friends seek to achieve numerous goals:

1- To dilute each nation’s culture and identity to facilitate the adoption of a global (“woke”) culture.

2- To strain nations’ economies by increasing spending and forcing them to contract debts with globalist entities.

3- To induce tensions, divisions, and dilemmas in populations.

4- Create a climate of chaos and insecurity in cities, facilitating the implementation of oppressive measures.

There are numerous other effects of uncontrolled immigration on societies – all of which have been carefully studied by globalists. These adverse effects are not only known but deemed desirable. The biggest obstacle to a global government is a strong, healthy, and prosperous country that doesn’t rely on international organizations.

With that being said, here’s a picture.

Alexander Soros accepts the Medal of Freedom from Joe Biden on behalf of his father, George Soros.

It is no secret that Soros has been heavily funding political candidates worldwide, including Joe Biden in 2021. Once in office, Soros’ impact was immediately felt. For an otherwise inexplicable reason, the first order of business of the Biden administration was to reopen the borders to illegal immigration.

Illegal border crossings reached vertiginous highs during Biden’s administration. It was George Soros’ will.

Soros’ influence is as far-reaching as it is destructive. Not only does he seek to create chaos through uncontrolled immigration, but he also ensures that governments are ill-equipped to deal with the consequences of such policies.

Indeed, other than getting involved in Presidential elections, he also meddles in smaller, less publicized elections relating to the judicial system. While these elections are barely mentioned in the news, their outcome allows Soros to micro-manage American cities.

A headline from 2022 about Soros-backed prosecutors winning elections.

Soros’ funding of sold-out prosecutors is part of a massive and diabolical plan: To overhaul the criminal justice system and make it ineffective against crime. Soros funded prosecutors in Chicago, Philadelphia, and Los Angeles. All of these cities took a decided turn for the worse. That’s because Soros purposely funds DA, who are notoriously soft on crime. Relevant fact: Most of these prosecutors are also extremely lenient on pedophiles and child predators. Why is that?

Although Soros’ organizations claim to promote “diversity,” those who are the most impacted by his policies are minorities – notably Black people in urban areas.

And guess who funded Black Lives Matter, Defund the Police, and Antifa? George Soros. He is an agent of chaos and destruction. He goes directly against the best interests of the American population.

Knowing these facts, how can the masses still accept his destructive policies? Well, Soros also heavily invests in another area: The media.

While America was distracted by the Presidential elections, George Soros discretely secured a deal to purchase over 200 radio stations across the U.S. The goal is to turn them into propaganda outlets that’ll churn biased “news” and “editorials.”

Through a ridiculous number of shell organizations, Soros shapes and molds the contents of mass media worldwide. This includes news, entertainment, and social media.

Of course, since propaganda is most effective at a young age, Soros is also highly involved in education. In the past years, schools in the Western world have been teaching children to hate their own country, reject its history, and despise its traditional culture (it’s racist). If this indoctrination is successful, these children inevitably end up embracing the elite’s global culture (the only alternative).

In short, awarding the Medal of Freedom to Soros for promoting “the security or national interests of the United States” is basically gaslightinging the public.

Other Ridiculous Medals

Joe Biden awarded Hillary Clinton the Medal of Freedom. Of course, he did.

To make sure we all understand that this year’s Medal of Freedom awards are a joke, Biden gave Hillary Clinton a medal.

Throughout the years, Clinton participated in every significant conspirational organization, including the Bilderberg Meetings, the World Economic Forum, the Council on Foreign Relations, and the Trilateral Commission. In other words, she was always involved with the unelected shadow government that seeks to control the United States through international, non-democratic organizations. As such, she is the perfect complement to the award given to George Soros.

But it gets worse. In her decades of hovering around global power, Hillary’s name was associated with some of the darkest, most disturbing “areas of expertise” of the occult elite. Some examples: Pizzagate, the link between the Clinton Foundation and human trafficking in Haiti,  Epstein Island, and “Arkancide” aka the bizarre deaths surrounding the Clintons.

After giving a Medal of Freedom to George Soros and Hillary Clinton, what other obvious globalist stooge could he give it to?

Bono?

Yup, Bono.

Bono praises Satan after getting a medal.

The media likes to call Bono a “humanitarian.” In actuality, he’s the front man of various globalist organizations that prey on the poorest people on Earth. One such organization is DATA.

The advocacy non-government organisation (NGO) DATA (Debt, AIDS, Trade, Africa) was established in 2002 by Bono and Bobby Shriver, along with activists from Drop the Debt. The organisation was funded by the Bill & Melinda Gates Foundation, George Soros, and Edward W. Scott.
– Wikipedia

Yes, you’ve read correctly. George Soros funded Bono’s DATA. Biden (more precisely, his handlers) are sending a message to the American people with these “medals.”

For his role as a globalist stooge, Bono is constantly showered with awards. In 2007, he was knighted and made a one-eye sign with the medal to confirm why he got the prize.

In Conclusion

The medals awarded by the Biden administration are all about bowing down to globalist forces. They also acknowledge the multiple facets of their control.

First, at the top, there’s George Soros, who uses billions yearly to fund compromised people and projects. For that, he got a medal. Then, Hillary Clinton represents the ultimate compromised politician who takes direct orders from Soros and friends. For that, she got a medal too. Finally, Bono is the ultimate entertainer propagandist. He is used to put a friendly face on harsh and destructive globalist policies and to make them palpable to the masses. For that, he got a medal too.

While these medals mean absolutely nothing to most, they are a reminder that foreign destructive entities deeply compromise governments worldwide. They’re so comfortably in charge that they even force Presidents to give them “Medals of Freedom.”

In short, these medals are the elite telling us: “The conspiracy theories are true, and we do not care.”

Return of the Pendulum: My 2024 Holiday Message

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Return of the Pendulum: My 2024 Holiday Message

The Vigilant Citizen has been online for over 16 years. That’s a period long enough to witness a proverbial pendulum move toward outright insanity, and this year, finally, it appears to be moving back.

Since 2008, this site has highlighted mass media’s toxicity, deception, and hidden agendas. It has emphasized indoctrination in entertainment, disinformation in the news, and evil in power.

When I started writing about those things, they were not immediately apparent, and many did not see it. However, as the years passed, things worsened and became increasingly evident. Indeed, as world events unfolded and vital information surfaced, numerous “conspiracy theories” became obvious realities.

As people witnessed the ever-increasing depravity in mass media, they realized that those in power were not on our side: They’re actually working to create a culture that is sick, depraved, and outright satanic.

Not only that, they’ve been engaging in psychological warfare against our children. Through underhanded ways, they’ve been trying to form a generation that is sad, anxious, and deeply confused about the basic building blocks of life. For instance, using mass media and the education system, they’ve managed to make people question their own gender. If they could achieve such a feat, they could accomplish anything.

The pendulum’s momentum was so strong that people feared speaking out against the insanity. Stating some undeniable truths led to attacks, accusations, or outright cancellations. A few years ago, The Vigilant Citizen was demonized and delisted by Google because I dared to write that “men cannot get pregnant.” According to this elite-owned mega-corporation, it was an “unreliable claim” that must be punished. Interesting fact: It was the most reliable claim in human history.

At this point, it became evident to many: A globalist elite is attempting to turn the world into a soulless, cultureless, and faithless dystopia. The New World Order was becoming a reality. For a while, the pendulum had unstoppable momentum.

However, in 2024, something happened: The pendulum appears to have reached an extreme. And a cultural shift might be happening.

This year, the elite’s attempts at pushing its agenda often hit a wall. This phenomenon can even be measured in numbers. In 2024, most movies with woke agendas flopped; Companies that pushed indoctrination were boycotted; Some politicians who were globalist tools got voted out, and news outlets that turned into propaganda outlets lost all credibility and viewership.

Does that mean that the elite will give up? Of course not. Let’s remember that one time in 2024 when the world “united” to celebrate an event.

The opening ceremony of the Paris Olympics was a crude and brazen celebration of the degenerate culture the elite is trying to instaurate.

While this kind of display used to be received with praise or, at best, indifference, things played out differently this year. The backlash was immediate and decisive. People knew it when they saw it, and they rejected it. Furthermore, attempts by mass media to normalize these things and gaslight those who speak out against them failed miserably.

Vigilance: More than Ever

Before screaming victory, we must remind ourselves that they still hold power and resources. As we speak, they are plotting to find new deceptive ways to push their agendas. They’re analyzing the current context and are devising new strategies to make their toxic messages resonate. As stated in the Bible, Satan disguises himself as an angel of light. And that’s exactly what they’ll try to do.

As we enter 2025, we must remain, more than ever, highly vigilant. Let’s never forget that the true fight is not between races, genders, religions or political affiliations but between good and evil. This was a fact in the past and will remain a fact in the future. Some say that’s the only reason why we’re on Earth. If your side is winning, but that win came through the use of evil, did you actually win? No, you’ve lost. Not only that, you’ve completely lost sight of why you’re on Earth in the first place.

With that being said, after years of seeing the proverbial pendulum moving toward insanity, seeing it moving back has been a source of relief. This movement must keep going because there’s still a lot of work to be done.

This year again, it has been an honor to share my thoughts and insights on this site, and I am infinitely grateful to all of you who supported it. In 2025, The Vigilant Citizen will continue its mission to open eyes, stimulate minds, and awaken souls. Because, before moving the world’s pendulum, we must first work on the pendulum that’s in our hearts.

Merry Christmas, happy New Year, and see you in 2025!

Sincerely,

VC

The Hidden Meaning of “Smile 2”: It’s About Monarch Mind Control

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The Hidden Meaning of “Smile 2”: It’s About Monarch Mind Control

Warning: Monstrous spoilers ahead!
Also: Two gruesome (but necessary) screenshots from the movie.

After successfully horrifying viewers with the 2022 movie Smile, writer and director Parker Finn sought to expand the franchise with a sequel that took place in a different context, and that focused on a different character: A troubled pop star.

According to interviews, the main protagonist of Smile 2 was inspired by early 2010s pop stars Lady Gaga and Britney Spears. If you’ve been reading The Vigilant Citizen, you know that everything about these two singers, especially in that specific era, revolved around one obscure yet disturbing concept: Monarch programming (read about it here).

In many ways, Smile 2 is similar to these pop stars’ music videos analyzed on this site: Monarch programming is not explicitly mentioned but heavily implied through symbolism. With basic knowledge of MK symbolism, Smile 2‘s non-sensical scenes start to form a coherent narrative, and the story takes on an even darker meaning.

In this promotional poster, a fracture runs through the protagonist’s face, representing the splitting of her personality through mind control. Furthermore, that fracture creates a one-eye sign. As we’ll see, the movie displays this sign in highly significant moments.

Monarch programming is rampant at the highest levels of the music industry, and it involves dark practices such as demonology. For this reason, including this concept in Smile 2 made sense. However, one needs to have “eyes to see” to understand the true meaning of this movie.

Here’s a look at it.

Mind-Controlled Pop Star

In the movie’s first scenes, we are introduced to the protagonist, Skye Riley, a Grammy-winning pop star who is making a comeback after some traumatic events. Through an interview on the Drew Barrymore show, we learn some facts about Riley that might be trivial to the average viewer but hint heavily at Monarch mind control for those in the know.

Drew Barrymore immediately mentions Riley’s new short and blonde hairstyle.

As seen in several previous articles, victims of Monarch mind control often emerge from programming with short, bleached hair.

Kanye West with bleached hair shortly after his forced hospitalization in 2016. He never was the same ever since.

Like Kanye, Riley was hospitalized for an extended period, after which she emerged transformed. At one point, Drew Barrymore asks her:

“You were in the hospital. What was the time been like between then and now?”

The movie then abruptly cuts to a disturbing flashback.

Riley screams as she pulls her hair from her scalp. That explains why she has a different hairstyle.

Like actual MK slaves, Riley’s programming happened following a traumatic event: The death of her boyfriend in a car crash.

Like real-life industry slaves, Riley engaged in substance abuse while making headlines for displaying erratic behavior.

Like real-life MK pop stars, Riley is sadistically forced to sing about her own slavery. Indeed, while at face value, her work seems to be about substance abuse and bad decisions, its actually about mind control.

While rehearsing a choreography, Riley is picked up and spun around, representing the confusion of dissociated MK slaves.

Like MKed pop stars, Riley’s lyrics allude directly to mind control. In the scene above, Riley sings:

Doctor, I need a new brain
Lost in a spiral
Keep making old mistakes again
Gimme a new brain
Stuck in a cycle
If I don’t stop, I’ll end up dead

This verse is about Riley asking her handler (“doctor”) to create a new alter-persona (“new brain”) through MK programming (“lost in a spiral”).

Later, as Riley works on another song, we see some clear MK symbolism.

Riley’s notebook has an all-seeing eye (the main symbol of the occult elite controlling her) and a spiral (representing her mind control).
As she sings what’s in the notebook, another evident all-seeing eye stares at her. She’s under the occult elite’s control.

Of course, the lyrics of that song are blatantly about mind control.

I got a thick skin
But I’m hollow
Made up of broken parts
Got a body
But it’s borrowed
With a shadow for a heart

Everything about this verse relates to an MK slave dissociating from her core persona and being reprogrammed with a new alter. Like numerous real-life MK slaves (notably Britney Spears), Riley is controlled by her own mother.

Riley’s mother tells her she’s a “completely different person” from a year ago. Is it because of her programming?

Riley’s mother is more interested in her daughter’s career than her health and well-being. She is more likely Riley’s primary handler.

Throughout the movie, Riley is often told to drink bottled water from a specific brand. While this seems like a healthy habit, that water might be tainted to keep her under control.

None of the MK aspects described above are spelled out in the movie. However, Smile 2 gets rather blatant about Monarch mind control as it progresses.

In one scene, Riley spends a lot of time staring at her outfit that features a big Monarch butterfly. That design is not random: It represents Monarch programming. Riley realizes there’s something off about it and tells her mother that she doesn’t want to wear it. Her mother replies that it is “one of her best looks.” That specific outfit will make a big comeback later.

As if things weren’t bad enough for Riley, she gets possessed by a demon. And that’s part of her programming.

Possessed

In the Smile franchise, an evil entity possesses people, causes them to go crazy, and forces them to kill themselves in front of a witness. Then, the witness becomes the demon’s new host, and the cycle continues.

This happens to Riley while visiting her drug dealer, who was possessed by the entity.

Right before Riley’s dealer emerges from that doorway and kills himself, we see a white rabbit next to the doorway for several seconds.

As explained in numerous past articles, the white rabbit symbol is significant in MK symbolism. Originating from Alice in Wonderland – a symbolic tale used as a programming script by actual MK handlers – the white rabbit leads Alice “through the looking glass,” the same way MK handlers lead their slaves towards dissociation.

This creepy, smiling dude kills himself in front of Riley. Who better than a star’s purveyor of narcotics to also transmit a whole demon?

As stated above, demonic possession is a vital element of Monarch programming. Handlers assign demons to their slaves to traumatize them and to enforce programming.

For a brief moment, we see a symbolic tattoo: A devil whispering in Riley’s ear. While it can symbolically represent her being rebellious and making bad decisions, it is also very literal: A demon tells her what to do.

Here’s how demonology is used in actual MK programming.

The Programmers abuse an alter and get the Shadow alters. Then they hypnotically attach a memory cue (which is a code consisting of the alter’s name, the date of the memory, and perhaps something else to complete the code) to the main alter so that they can access the memory anytime they want. Then they hypnotically & demonically build a on-way mirror between this main alter and the shadow alters they have just created. Next, they ritually/magickly implant demons to guard the mirror(s) and to guard each memory held by the shadow alters. This separates an alter from knowing itself and its own abuse.

The main alter has dissociated the pain, etc. to its shadow alters of itself. The Programmers then use the memory as blackmail to keep the main alter in line. The main alter has dissociated the pain, but will recover the memory if either one of three possibilities happen: a. the Programmer or handler says the memory code 3x, or b. if an event happens that triggers the main alter to remember, c. the main alter tries to remember the abuse and the programming, and in doing so they will be stepping outside of the circle assigned to them and will “break the circle & break the mirrors.”
– Fritz Springmeier, The Illuminati Formula to Create an Undetectable Mind Controlled Slave

While this might sound technical, this process explains some of the seemingly non-sensical parts of the movie. Indeed, after being possessed, Riley experiences a series of traumatic events, only to realize they haven’t actually happened. After dissociating, Riley “wakes up” hours later, not understanding what happened.

To the outside world, Riley is going crazy as her erratic behavior is associated with drugs. However, everything she experiences is very real in her internal world controlled by her handlers.

In a semi-humorous scene, a bunch of Riley’s (demonic) fans appear in her apartment. They reenact some of the spinning choreography mentioned earlier to smash her head on a table and tear out a chunk of hair from her head.
Right after this ordeal, Riley wakes up in a private clinic while being watched by her mother. This shot shows a fridge full of possibly tainted bottled water. Is this clinic a programming site?

While Riley’s encounter with the smiling fans did not happen in real life, her injuries are real. Her mother says:

“The doctor said you were sleep-deprived and extremely dehydrated.”

That’s precisely, word for word, what was said when Kanye was forcibly hospitalized in 2016.

One of the numerous headlines about Kanye’s hospitalization. It specifically mentions “sleep deprivation and dehydration.”

After telling her mother, “That’s not what happened,” things take a nasty yet symbolic turn.

After talking in a demonic voice, Riley’s mother breaks a mirror.

As explained in previous articles, nearly every MK-related narrative in mass media contains a mirror-breaking scene. It usually happens when the protagonist attempts to break programming. However, the mirror-breaking is actually part of the programming.

Using a mirror shard, Riley’s mother stabs herself in the eye, creating a disgusting one-eye sign. The message: She’s under occult elite control.

Then her mother dies, with one eye missing. Riley realizes that she was holding the mirror shard all along and she killed her mother. So she runs away.

Later, a man tells Riley that he can rid her of the demonic spirit by artificially getting her heart to stop beating for a few minutes.

The man takes Riley to a grimy operation room in a former Pizza Hut.

At face value, the man is helping Riley, and the movie never implies otherwise. However, when one understands the movie’s hidden MK context, he actually takes her to a black MK site.

At the site, the man disappears, and Riley fights her alter-persona.

In this scene, Riley is being programmed. The fight against her alter persona is how her dissociated state perceives the trauma.

To confirm everything you’ve just read, Riley abruptly “teleports” from this bloody fight to a highly symbolic scene.

Riley finds herself performing at a concert while wearing the monarch outfit she did not want to wear, confirming that she doesn’t control anything in her life.

During her performance, Riley emerges from a cocoon-like device, representing the birth of a new alter-persona from Monarch programming.

While she was thought to be dead (with a missing eye), Riley’s mother is at the show. The horrific events experienced by Riley are her handlers (notably her mother) traumatizing her to further programming.

Like every movie sponsored by the occult elite, things end horribly for the protagonist. In their twisted narratives, evil always has to prevail. Smile 2 is no exception.

After being “penetrated” by a horrific demon, Riley kills herself in front of her fans, who scream in horror.

Of course, she died symbolically.

This is the very last shot of the movie. Riley makes a final one-eye sign while wearing her Monarch outfit.

If we follow the movie’s logic, all of Riley’s fans are infected with the demon because they were all witnesses of her suicide. The end.

In Conclusion

While Smile 2 is terrifying in its own right, it gets infinitely creepier when one understands the mind-control subtext of it all. Even worse, the movie appears to mirror the plight of actual mind-controlled stars such as Britney Spears while somehow mocking them. There’s a reason for that: Hollywood loves to brag about engaging in horrific practices such as Monarch programming.

Riley’s short blond hair, her constant dissociation, and her demonic possession are not fiction: It is the modus operandi of the occult elite. To ensure that we understand that none of this is random, they made sure to have Riley wear a big Monarch butterfly on her chest. However, most people will not understand this because they are blind to the programming. But that doesn’t matter; they are still exposed to it.

But what’s the point of doing this? Why does the elite keep wanting to expose the masses to its most evil secrets, such as mind control and demonic possession?

Well, this is all explained in the movie’s ending. Riley infected her fans by killing herself in front of them. This figuratively represents what the occult elite seeks to accomplish: To infect the brains of the masses with toxic and evil energies through the pop stars they control and, ultimately, sacrifice.

 

It Was Bound to Happen: Jay-Z Accused of Abusing a 13-Year-Old Girl

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It Was Bound to Happen: Jay-Z Accused of Abusing a 13-Year-Old Girl

After months of intense rumors, as if it was inevitable, Jay-Z got accused of rape. Two months ago, in my article The Controlled Demolition of Diddy I noted:

Some industry observers believe that Jay-Z might soon be the target of a similar “controlled demolition.”

In March, 50 Cent, the rapper who had been accusing Diddy of wrongdoings for years, posted this on social media.

When Diddy was first accused of abuse in March, 50 Cent immediately insinuated that Jay-Z had gone missing. 50 knows some industry secrets.

Well, it happened.

On December 8th, Jay-Z (real name Sean Carter) was hit with a lawsuit alleging that he and Sean “Diddy” Combs drugged and raped a 13-year-old girl in 2000. The anonymous accuser claims that the assault took place at a house party after the MTV Music Video Awards in New York and that an unnamed female celebrity was in the room at the time.

Jay-Z at a Diddy party on the night of the alleged assault.

The lawsuit was initially filed in October and was refiled to list Carter as a defendant specifically.

The accuser in Sunday’s legal filing, who is identified only as “Jane Doe”, said that in 2000, when she was 13, a friend dropped her off at the VMAs at Radio City Music Hall in Manhattan.

She approached limousine drivers outside the venue to try to gain access to the show, according to the legal action.

One driver told her that he was employed by Mr Combs and that she “fit what Diddy was looking for”, says the lawsuit.

Later that evening the chauffeur drove her to a party at a white house, according to the legal action.

Jane Doe says when she arrived at the party she was asked to sign a document, which she believes was a non-disclosure agreement, says the lawsuit.

The legal action says she recognised “many celebrities” at the party and observed widespread drug use, including cocaine.

A waitress offered her a drink that made her feel “woozy”, so she went into a room to lie down, according to the lawsuit.

Soon afterwards, the legal action says, Mr Combs and Mr Carter entered the room with a female celebrity, described as Celebrity B. “Plaintiff immediately recognized all three celebrities,” says the lawsuit.

The legal action says Mr Combs approached her “with a crazed look in his eyes”, grabbed her and said: “You are ready to party!”

Mr Carter held her down and raped her, before Mr Combs did the same, all while Celebrity B watched, according to the lawsuit.

Jane Doe fought back during the assault and when Mr Combs backed away in surprise she escaped, the legal action says.

The lawsuit, which seeks unspecified damages, says the plaintiff still suffers from post-traumatic stress disorder and depression as a result of the alleged rapes.
– BBC, Jay-Z accused with Diddy in lawsuit of raping girl, 13, in 2000

Jay-Z’s Response

While Jay-Z is known for barely engaging on social media, he responded in record time to the lawsuit with a letter posted on various platforms. The bizarrely worded letter, in which Jay-Z claims he’s a “young man” (he’s 55 years old), is peppered with words in all caps and numerous exclamation points, giving it a distinct “non-professional” feel.

In the letter, Jay-Z accuses attorney Tony Buzbee (who is also behind the Diddy lawsuits) of blackmail. He ends the letter by stating that “only your network of conspiracy theorists, fake physics, will believe the idiotic claims.”

While the letter states that the allegations are “heinous in nature,” Jay-Z doesn’t outright deny them, as is usually the case in these types of responses.

Three weeks prior, Buzbee claimed on social media that a “powerful John Doe” filed a lawsuit to prevent him from revealing names in public lawsuits. It now appears that the “powerful John Doe” was Jay-Z.

While this war of words will likely be settled in court, one thing seems apparent: Jay-Z has fallen out of the graces of the elite.

Another Controlled Demolition?

Jay-Z at a Diddy party, 2004.

With the downfalls of Harvey Weinstein, Jeffrey Epstein, Diddy, and possibly Jay-Z, there appears to be a “cleaning up” trend happening around the elite. Indeed, some people seem to have gotten too big, too rich, and too influential. More importantly, they’ve made too many connections and knew too much. While we all know that pedophilia is rampant in Hollywood and elite circles, those accusations are reserved for those who fall out of the graces of the elite, while others remain protected.

For many years, Jay-Z seemed to be “untouchable” and even boasted about it. One of the first articles I ever published was about Rihanna’s Umbrella – a song about being protected by the elite (under its “umbrella”). The song begins with a Jay-Z verse about him being “higher than weather, ” meaning the elite protects him.

No clouds in my stones
Let it rain, I hydroplane in the bank
Comin’ down like Dow Jones
When the clouds come, we gone
We Roc-A-Fella
We fly higher than weather

However, those who “fly” too close to the sun often get burnt.

Johnny Cash’s eerie video “God’s Gonna Cut You Down” keeps prophesying that fact. In this 2006 remake of a traditional folk song, Cash warns evildoers that they cannot avoid God’s eventual judgment. As he recites the song’s ominous lyrics, we see numerous celebrities who have been involved in the industry’s dark side, such as Travis Barker, Kanye West, Justin Timberlake, Bono, Anthony Kiedis, Johnny Depp, and, of course, Jay-Z.

In Johnny Cash’s God’s Gonna Cut You Down, Jay-Z insistingly does the Roc sign mixed with a one-eye sign.
As if to confirm the occult intentions of this hand sign, the following frame in the video features the actual logo of the Skull and Bones (an elite secret society) with the name Rocawear in the background (Jay-Z’s clothing brand).

As we see Jay-Z hiding one eye, we hear these sobering words:

Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s down in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Is Jay-Z getting cut down? Is it God who is doing it, or is it Satan’s pawns who are trying to stay in the dark? One thing is for sure: the situation is getting bizarre.

After being accused of raping a 13-year-old, Jay-Z went to the premiere of Mufasa with Beyonce and his 12-year-old daughter Blue Ivy. 
This appearance raised eyebrows, as many found Blue Ivy’s gown inappropriate for a 12-year-old.

After such horrid accusations, the last thing Jay-Z would want is also to be accused of “showing off” his daughter. But it happened.

In Conclusion

While the accusations against Jay-Z remain to be proven, they do signal a critical fact: The elite might have turned against the rapper. For years, Jay-Z was at the core of “Illuminati rapper” theories, as documented by this site since 2008.

However, as I often need to emphasize, these artists are not “in” the occult elite; they are used by it. While they might enjoy the fame and riches of being in the elite’s good graces, they remain outsiders. And if their wealth, influence, connections, and information become a nuisance, the elite will cut them down.

In my 2010 article about Jay-Z’s symbolic video On to the Next One, I wrote:

What will happen when the elites are done using Jay-Z as a vessel for their sinister symbols? Will they say “ON TO THE NEXT ONE?”

It seems like it happened.

Symbolic Pics of the Month 12/24

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Symbolic Pics of the Month 12/24

At the beginning of the year, Katt Williams set the tone for 2024 with an explosive interview that went highly viral. In long rants about the entertainment industry, Williams mentioned several names – including Diddy – while stating that 2024 would be a year of reckoning. A few months later, Diddy’s entire world collapsed. However, as explained in this article, Diddy’s takedown was a “controlled demolition” that ended up protecting the influential people around him who also engaged in sordid activities.

As this year ends, GQ magazine released an article oddly titled Katt Williams: The Man Who Opened the Portal. The photos accompanying the article appear to tell their own story.

Above the mystical-sounding title, Katt is wearing a hooded robe similar to those in occult rituals and ceremonies. While GQ photoshoots often feature “sponsored” clothing, a small note at the bottom of this picture mentions that the clothing is the “subject’s own.” In other words, this is not a fashion shoot – it is a symbolic shoot.
Here, Katt poses in another ceremonial robe that resembles those worn during the rituals of secret societies such as the Freemasons, Rosicrucians, and Knights Templars. Furthermore, he appears to be showing a variation of the Masonic “hidden hand” sign.
Knights Templars often wear robes and headgear adorned with equal-armed crosses and other symbols.
This outfit resembles Masonic attire worn during ceremonies. Every outfit in this photoshoot points to Williams’ status as a high-level initiate in an undisclosed brotherhood. Is this why he was allowed to “open a portal?”

Timothée Chalamet’s movie career has genuinely taken off in the past years. You know what that means: He has to submit to the elite through symbolic pictures. And that’s precisely what he did in a recent Rolling Stone photoshoot.

On the magazine’s cover, Chalamet makes a blatant one-eye sign and a face that says, “Ugh, it’s my turn to do this.”
Chalamet makes another one-eye sign using Bob Dylan’s face. That’s part of the deal. To get big roles and play Bob Dylan in his biopic, he has to participate in this symbolic circus.
Chalamet wears a mask similar to those worn in the elite’s masquerade balls (that often devolve into orgies). On the mask is written “SUCK CESS.” Is it alluding to what a celebrity needs to do to obtain … success?

As usual, the Kardashians and Jenners are doing their best to remain relevant and SUCKcessful. To do so, they must partake in bizarre photoshoots to please their handlers.

In a strange photoshoot, Kim Kardashian posed with a Tesla robot. Her garters and skin-colored bottom gave the shoot a bizarre sexual dimension.
She’s sitting on the robot’s lap. Industry slaves must sit on anything’s lap if they have to.
As we gaze in bewilderment as Kim Kardashian holds a robot’s hand in a romantic matter, we realize that “they” are pushing transhumanism, aka the fusion of robots and humans. Because they think we’re idiots, they’re using sex to make this absurdity seem cool to us peasants.

Meanwhile, Kylie Jenner is also taking part in photoshoots that are perplexing people. In an ad campaign with Amelia Gray, Jenner took some symbolic pics that spurred articles such as “Fans don’t understand Kylie Jenner’s ‘bizarre’ campaign with Amelia Gray, which hints at beastiality and forbidden fruit.”

Jenner poses with Gray, who is wearing a leopard mask. As seen in countless previous articles, this clearly references Sex Kitten programming.
Jenner gets intimate with the leopard, giving beastiality vibes. But this goes deeper than that. This is about sex slaves who are programmed to have no inhibitions, which can lead to beastiality if need be.
Gray and Jenner suggestively take a bite of the proverbial apple – a reference to the fruit offered by Lucifer to Eve in the Garden of Eden. That’s because Sex Kitten programming contains a Satanic element to it.
In the Bible, the “lake of fire” is a place of after-death punishment for the wicked. Consequently, Gray and Jenner are casually chilling in a spa of fire.

Speaking of industry slaves, Lindsay Lohan is one of the most obvious cases of mind control in the entertainment industry. From her bizarre accents to her being “passed around” in elite circles, Lohan displays all of the symptoms of a Monarch slave. And, as usual, this is all confirmed through symbolism.

On the cover of Flaunt, the elite is “flaunting” Lohan’s long-standing status as an MK slave by picturing her with a butterfly on her face. It also creates a one-eye sign, confirming the occult elite nature of the photoshoot.
With one hand, Lohan “presents” a butterfly, indicating that it is not a random bug but a symbol. Her other hand is on her crotch. The combination of the two hands = Monarch sex slave.
Lohan is naked, inside a box (like an object), with butterflies all around her. This is about Monarch programming.

As seen in previous articles, Meghan Fox and Machine Gun Kelly have been engaging in bizarre occult weirdness, including taking part in actual blood rituals. The weirdness will now, unfortunately, include a baby.

Fox recently announced she was pregnant with this maternity picture. She is naked and covered with black goo – a substance that is occultly associated with evil and supernatural forces.
Jaguar released an ad that was ridiculed worldwide. While some wondered if it was a parody of “wokeness,” the ad was serious. Yes, the dumb phrases such as “copy nothing,” the baffling use of androgynous and transgender models as props, and the lack of an actual car were serious. Many wonder what caused this mythical British brand to destroy its entire aura. Well, it’s their turn to show submission to the elite. In the past years, one brand after another had to suffer through a humiliating “ad campaign” that is actually globalist propaganda. It is the cost to stay in business.

In previous articles, I analyzed the seemingly prophetic symbolism of The Economist’s enigmatic end-of-year magazine covers. These covers are significant because the magazine is owned by Bliderberg-attending elite individuals who actually participate in shaping their agenda. As expected, The World Ahead 2025 contains its share of cryptic symbolism.

As usual, The Economist’s cover contains cryptic symbols and predictions. The entire image is made to look like a face, with one eye containing the nuclear symbol while the other looks like the all-seeing eye on the dollar bill. At the top of the face is Saturn – a planet occultly associated with Satan and the ravages of time. Other images include a cracked ballot box (democracy compromised?), a half-filled syringe (vaccines?,) and the prominent figures involved in the Ukraine war. In short, this cover includes all of the elite’s obsessions. Bonus: The text above the image mentions geoengineering – a concept that used to be a “crazy conspiracy theory” not too long ago. 

Special thanks to everyone who sent in pics!

Adrenochrome and Ritual Humiliation: The True Meaning of the Movie “The Substance”

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Adrenochrome and Ritual Humiliation: The True Meaning of the Movie “The Substance”

Warning: Disgusting spoilers ahead!

Hailed as a “feminist masterpiece,” The Substance gained notoriety for scenes so gory that they reportedly caused people to walk out of theatres. That’s some pretty good publicity for a body horror movie. The hype continued as The Substance also won Best Screenplay at Cannes while enjoying a constant flow of rave reviews from media critics.

But then more people watched the movie, and many found it grating, nonsensical, and in total opposition to its supposed feminist message. So, who’s right about The Substance?

Well, there’s one thing we need to know about mass media critics: They praise movies based on agendas, not on inherent quality. And they love toxic, debased stories that are justified due to “feminism.” For instance, the 2023 movie Poor Things recently won numerous accolades (including Oscars) because of its supposed feminist message. In actuality, it is about a child in a woman’s body having sex with older men.

Oddly enough, the actress Margaret Qualley stars in both Poor Things and The Substance, and, in both cases, she plays the role of an ungodly mutation of a human being.

In The Substance, Margaret Qualley plays Sue, a younger and hotter version of Elizabeth Sparkle (played by Demi Moore), an aging Hollywood star. Sue came into existence because Sparkle injected herself with an illicit, black-market product that promised a “younger, more beautiful, more perfect” version of herself.

This premise led many to wonder: Is this movie about adrenochrome, that mysterious substance rumored to be consumed in elite circles for youth and vitality?

An Old Obsession

This promotional poster shows a syringe containing the substance standing between the main protagonist’s old and new self. The starry shape on the tip of the syringe alludes to the process’ supernatural component.

The Substance revolves around an age-old theme: the search for eternal youth. Since the dawn of time, people have been trying to stop and reverse the ravages of time on the human body. However, this process always comes at a cost.

Stories of eternal youth often involve selling one’s soul in a Faustian deal with the devil. On a spiritual level, one can argue that unnaturally reversing the aging process means going against God’s will. The quest for youth gets darker when one understands that it nearly always involves extracting blood or other fluids from younger specimens to be injected into the older ones. Throughout history, sadistic practices involving blood, sacrifices, and cannibalism have always preyed on the potency of youth to regenerate an aging body.

The story of Elizabeth Bathory, a 17th-century Hungarian noblewoman dubbed “The Blood Countess,” proves that the occult elite had been dabbling with this concept for centuries. Said to be obsessed with her looks and jealous of younger women, Bathory has infamously abducted hundreds of virgins, tortured them, and extracted their blood to bathe in it or to consume it outright. The process also involved bizarre satanic rituals.

A classic depiction of Elizabeth Bathory indulging in the blood of young women.

Interesting fact: The main character of The Substance is named Elizabeth.

To this day, there are talks about the occult elite preserving youth through horrific methods. For instance, a “substance” named adrenochrome is said to be consumed by the occult elite to preserve youth. Most potent when extracted from young children, adrenochrome is believed to be farmed in facilities where victims are detained, abused, and tortured. Chillingly enough, some claim that adrenochrome levels spike in children while in a state of fear and terror.

In 2023, a French personality named Gérard Fauré stated on national television that celebrities like Celine Dion regularly consume adrenochrome. When asked where the substance comes from, Fauré replied that more than one-third of missing children in France are never found. French media went into full meltdown mode in the days that followed.

The Substance was created by French movie maker Coralie Fargeat, who has been in the industry for decades. Is the “substance” in her movie inspired by these talks of adrenochrome? Is the elite telling us, through gore and “feminism,” what actually happens behind closed doors?

Here’s a look at the movie.

The Real Substance

Numerous critics stated that, despite its name, The Substance severely lacks substance, and its major plot points do not make sense. In interviews, Fargeat noted that most of the story is not conveyed through dialog but through symbolism. Indeed, through visual cues and references, the movie goes beyond feminism to describe an occult transformation.

The movie begins with a scene that visually explains how the substance works.

An egg yolk is injected with the substance.
The yolk divides itself and creates a newer version of itself. As we’ll see, the protagonists are associated with food throughout the movie.

The movie then introduces viewers to actress Elizabeth Sparkle. The rise and fall of her career is explained through a timelapse of her star on the Hollywood Walk of Fame.

While people used to take pictures with Elizabeth Sparkle’s star, she is now old and irrelevant. To symbolize this fact, her star is cracked, and this guy spills his lunch all over it.

Elizabeth Sparkle is an Oscar-winning actress whose movie career dried up as she aged. Not unlike Jane Fonda and other real-life actresses, Sparkle turned to aerobics videos to keep her career going.

On numerous occasions, Elizabeth and, later, her younger self walk through this red hallway. The promotional posters represent the state of their careers.

On her 50th birthday, Sparkle’s boss decided it was time to fire her because she was too old. He needed someone “hot and young” to replace her.

The producer of Sparkle’s show is named Harvey—a not-so-subtle reference to disgraced Hollywood producer Harvey Weinstein. While firing her, Harvey disgustingly eats a bunch of shrimp because he’s the bad guy.

Strange fact: Harvey is played by Dennis Quaid. He’s the brother of Randy Quaid, who infamously fled Hollywood, claiming that a shadowy group of “star whackers” was assassinating celebrities in Hollywood. Meanwhile, his brother Dennis plays the role of a sleazy producer in a movie about an adrenochrome-like substance.

While the movie could have tackled the universal theme of aging in several interesting ways, it chose to take the lamest shortcut, one that prevents any meaningful reflection.

It’s because of old white men. They’re why there are hot people on TV and in movies. Shame.

From then on, Elizabeth is not a vain, privileged woman willing to do anything to stay in the spotlight. She is a victim of old white men, and nothing she does is her fault. Her quest for eternal youth and hotness is now about empowerment. That’s a great way of rationalizing the usage of adrenochrome.

Let’s say we agree with this feminist premise. Then, what about the biggest male movie stars? What do Leonardo DiCaprio, Brad Pitt, George Clooney, and Johnny Depp have in common? The obvious answer: Women think they’re very hot. Is it possible that humans prefer watching attractive, photogenic people on screens? Is it truly an old white man thing or a universal human thing?

In any case, The Substance decided to go with this faulty premise, and the media thought it was genius. However, as we’ll see, the actual “substance” of the movie resides elsewhere—deeply ingrained in symbolism, as it ultimately doesn’t even bother to make its feminist premise make sense.

So, after being fired, Elizabeth goes home feeling worthless.

While driving, Elizabeth sees workers removing her billboard, turning it into a one-eye sign. There are a few others in the movie, a subtle way of highlighting the ritualistic dimension of the movie.

Later, Elizabeth learns about the substance—a black market product that could solve her problems—so she goes out and gets it.

The substance is so illicit that Elizabeth needs to go to a hidden and highly secure location to obtain it. What’s in that substance? Children’s blood? Would they need to hide it if it was made from aloes?
The package includes the mysterious substance and food for the “matrix” and “the other self.” As we’ll see, the substance doesn’t merely reverse the aging process; it creates an entirely different self.

When Elizabeth injects herself with the substance, we see a series of quick images with symbolic meaning.

After the injection, we briefly see Elizabeth with two eyeballs, hinting at the creation of a second consciousness.

The occult elite loves this imagery as it was used in the past with other celebrities.

This is a screenshot from Britney Spears’ 2011 video “Hold it Against Me.”As explained in this article, it is one of the most blatant videos about creating an alter-persona.

Through symbolism, we understand that the substance does not merely make one younger: It is an occult process that “gives birth” to a separate alter-persona.

This image quickly flashes during Elizabeth’s transformation. It depicts a phoenix rising from its ashes – an important symbol in occultism.

In a rather gory scene, Elizabeth “gives birth” (through her back) to the new her: Sue. While Elizabeth is 50, Sue is about half her age.

Sue (played by Margaret Qualley) is a younger version of Elizabeth, and everyone loves her better for it.

The substance works with a perplexing caveat: Sue can only exist while Elizabeth is in a dormant state and vice versa. This means that Sue exists independently from Elizabeth. So, what’s the point of doing all of this?

Sue replaces Elizabeth on her aerobics show, making it younger and sexier … to an absurd degree.

The plot doesn’t appear to be fully thought out from a logical standpoint. However, from an occult elite standpoint, it serves a bizarre trend in the movie industry.

Humiliation Ritual

In many ways, The Substance is reminiscent of the aforementioned Poor Things, a movie with repulsive scenes and a message contradictory to its  “feminist” viewpoint. In my article about Poor Things, I explained that it was less about communicating an “empowering” message and more about having Emma Stone act out a series of highly sexual and often degrading scenes. In the article, I wrote:

“The movie’s insistence on depicting sex scenes involving the actress takes on a ritualistic dimension where she’s being initiated through humiliation.”

The Substance accomplishes the same bizarre function with actresses Demi Moore and Margaret Qualley. Like in Poor Things, both main actresses perform in extreme and degrading scenes that often involve extended nudity.

Most of Qualley’s scenes involve close-up shots of her butt or chest, as she’s continually compared to a piece of meat.

Strange fact: Margaret Qualley wore prosthetics to enhance her breasts during shooting. That’s very ironic. The makers of this “feminist masterpiece” looked at Qualley and said: “We need bigger boobs.”

According to interviews, the process of hyper-sexualizing Qualley’s character was a mortifying experience for the actress.

“Margaret Qualley described learning the choreography for The Substance as a “nightmare,” and was overwhelmed by performing with professional dancers who had already memorized the moves which she was new to. Although trained as a ballet dancer, she explained that “that specific kind of sexuality doesn’t lend itself to [me]” and that she’d “never [do it] again.”

Qualley began the rehearsal with Fargeat present but left the set to go to the bathroom and cry. Fargeat decided to leave the rehearsal as well, and later, Qualley received a private one on one lesson, allowing her to practice in her hotel room and build confidence as she felt deeply ashamed by the whole series of events. Nonetheless, on the day of the shoot, she “just got wasted first thing in the morning” because she was anxious about performing in front of everyone; a combination of cannabis and tequila gave her the courage she needed.”

So, the director of The Substance had Maraget Qualley perform in scenes so sexual that they caused her to cry because they went against her very nature. To overcome this fear, she had to be heavily intoxicated. Hollywood loves to create roles that require the humiliation and the debasement of actresses for all to witness.

Meanwhile, Demi Moore is humiliated in the opposite matter. Throughout the movie, her aging body and facial features are constantly highlighted and brutally contrasted with her younger version, to the point that it feels like a ritual humiliation.

While viewers are forced to look at Sue’s perfect butt and boobs, they are also forced to focus on Elizabeth’s wrinkles and sagginess. While the camera is flattering (if not lustful) towards Sue, it is brutal towards Elizabeth. This process must have been rather humbling to Demi Moore.

Elizabeth’s character has no backstory, and the entire movie contains minimal dialog, emphasizing the sentiment that this is actually about Demi Moore and how she’s past her prime.

Disgusted with herself, Elizabeth threw a trophy at her large framed picture. The result: Another one-eye sign. The message: This movie is about occult elite weirdness.

While the movie aims to highlight the differences between Sue and Elizabeth, it also appears to humiliate Demi Moore personally.

A box says “Old junk Elizabeth” – a not-so-subliminal way of saying that Elizabeth IS old junk,
When Elizabeth gets flowers after being fired, the note says “you were amazing”. The past tense means that she belongs in the past.
Conversely, later in the movie, Sue receives flowers that say, “They are going to love you.” The future tense means she still has a bright future ahead of her.

Through the sexualization of Sue and the humiliation of Elizabeth, The Substance ends up treating both actresses as lumps of flesh who are defined by their exterior appearance. Appropriately enough, the movie constantly compares them to food.

The Food Theme

When Elizabeth “gives birth” to Sue, their naked bodies are briefly juxtaposed to two frying eggs.

The concept of food is constantly present throughout The Substance. Not unlike the characters themselves, food is always presented in a crude and gross manner, as the movie intentionally wants to turn what is usually appetizing into something disgusting. Furthermore, the movie constantly compares the characters to food, which gives the story a “cannibalistic” feel.

As she watches Sue on television, an aging Elizabeth obsessively cooks meals with gory names.
In one shot, Elizabeth intensely grabs a turkey leg.
In the next shot, Sue’s tighs are presented in a “meat-like” fashion. She’s dehumanized.
The cooking instructions appear to be aimed at Sue.

At one point, the man who introduced Elizabeth to the substance asks her:

“Has she started yet? Eating away at you?”

To remain “awake” for longer periods of time, Sue “eats away at Elizabeth” by forcing her to stay dormant longer. This causes the aging actress to age even faster as she is malnourished.

Sue “drains” Elizabeth until she turns into an old, bald, and hunchbacked lady. Yes, that’s Demi Moore on the right – more humiliation.

In The Substance, the characters are merely lumps of flesh from which lifeforce can be extracted. That’s what cannibalism, adrenochrome, and blood rituals are about. Speaking of which, the movie’s climax is one big blood ritual.

I will spare you the gory details of the ending, but it has something to do with Sue/Elizabeth turning into a disgusting human abomination that spills blood on everyone. Apparently, there’s a feminist message in there. Or maybe it’s an excuse to subject viewers to a lot of blood.

The movie culminates with gallons of blood being splattered all over the audience of a theatre. The occult elite loves to show people drenched in blood as they like to do this behind closed doors.
Although unnecessary, those who made the movie found it essential to drench a child with blood.

The movie ends with a symbolic scene summarizing The Substance‘s message.

Reduced to a lump of goo, Elizabeth finds her way to her Hollywood star, where she ultimately dissolves and disappears.

What should we take away from all of this? Aging Hollywood actresses are the most oppressed demographic in the world. They get slightly less attention when they become old, and that’s the worst thing that could happen in the world.

In Conclusion

In The Substance, a young actress is sexualized, fetishized, and gazed upon to an absurd degree. Meanwhile, another actress has to exhibit the features of her aging body to a brutal, unforgiving camera. While the movie is meant to be satirical, it ultimately perpetuates the very thing it is supposed to be denouncing.

That’s because, in the end, the “feminist” message of The Substance is merely a facade meant to lead short-sighted critics down a dead-end path. The true message of The Substance can be found in the dark mindset of the elite that rules Hollywood. Through gore and nudity, The Substance tells a story of It is about vanity, self-absorption, exploitation, ritualistic humiliation, and the consumption of human substances to achieve youth. Moreover, although I did not dwell on those scenes, The Substance features long, drawn-out scenes of bloody, unhinged depravity that make one realize that those who made this are deeply deranged.

In short, this movie is another case of normalizing evil through “feminism.” That is why mass media loved it. They want us to soak in toxicity the same way the audience got soaked in blood during The Substance‘s climatic scene.

 

Was the Jake Paul vs Mike Tyson Fight a Humiliation Ritual?

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Was the Jake Paul vs Mike Tyson Fight a Humiliation Ritual?

Since it was announced in 2023, the Jake Paul versus Mike Tyson fight sounded ridiculous. It was an officially sanctioned boxing match between a YouTuber and a 58-year-old boxer who was in his prime during the 20th century. Despite this fact, over 65 million people tuned in to this live event, which was available for free on Netflix.

And I was one of them. Like most viewers, although I rolled my eyes at the event, there was no way I would miss it. There was something so unique and bizarre about it that there had to be something more to it. While most observers agreed that the fight would be rigged and even scripted, people tuned in to see how it would play out. And, let’s be frank, many just wanted to see Jake Paul get knocked out by Mike Tyson.

But that’s not what happened at all.

Instead, viewers witnessed Mike Tyson’s thorough humiliation and, on a broader scale, the demolition of his legacy. It wasn’t a fight; it was ritual drama carried out in front of millions. Everyone who watched that fight felt like they’d witnessed something intrinsically wrong. And that was the point.

The entire event was scripted to have Mike Tyson (who looked somewhat out of it and even dissociated) go through ordeals that would shatter his aura of strength and invincibility. In the span of a couple hours, Iron Mike – also known as “the Baddest Man of the Planet” – turned into a weak, elderly, and emasculated man who had to show his naked butt to 62 million viewers for no particular reason.

Sure, he got paid $20 million. But it wasn’t to fight. It was to participate in a mega-ritual.

Scripted to Humiliate

Before the fight, Mike was placed in weird situations where he was sexualized in a somewhat homoerotic fashion.

During the weigh-in, Jake Paul wore pants, while Tyson wore zesty-looking Versace slips.
While being weighed, Tyson oddly grabbed his junk.

The fight took place on November 15th, which happened to coincide with the Beaver Supermoon – a night believed by occultists to be charged with potent magical energy that can be harnessed for rituals.

A weird energy was palpable throughout the live event streamed by Netflix worldwide. Everything about it felt odd as if it took place in an alternate universe where Netflix had the monopoly of “entertainment” and streamed dystopian rituals to the public.

In a way, Mike Tyson was being sacrificed under the watchful eyes of the masses. It began with the show’s most viral moment—one that was quickly reposted by Netflix’s official account.


Every single person who watched this interview wondered what had just happened. It made absolutely no sense. Unless, of course, one understands that it was about humiliating Mike Tyson while creating a short, viral moment that could be easily shared online.

But this “funny” moment was actually extremely sad. Mike Tyson was standing there, butt naked, already looking defeated, while being interviewed by his son Amir. After stating he would win (while knowing very well he would lose in a pitiful matter), he kisses his son, turns around, and reveals his bare butt to the entire world.

It was definitely a full moon that night.

In short, that segment was about sexually humiliating Tyson in front of his son – a father’s nightmare. He was told to wear this garter-like thing, and the cameraman was told to focus on that 58-year-old butt once he turned around.

Iron Mike is being treated like a prostitute.

Meanwhile, Jake Paul was at the opposite end of the spectrum. While Tyson had to walk around butt naked, Paul was draped in the most expensive outfit in sporting history – worth around $1 million.

The back of Paul’s jacket was highly symbolic. Inspired by the Skull and Bones (an elite secret society), the image has some bizarre details. The skull is masked, there’s a fracture at the top of it, and there are scalpels underneath it. In short, this looks like a lobotomized mind-controlled slave.

The entrance of each fighter added to the theatrics.

Jake Paul entered riding an expensive custom truck while wearing an expensive custom suit. It was all about him being crowned as sports entertainment king. The entrance song had Phil Collins asking, “Can you feel it coming in the air tonight?” I could feel it.
Afterward, a sad-looking, confused, and diminished Tyson made his entrance. He knows this is the saddest moment of his career.

When the fight started, something was immediately apparent: Mike Tyson was too old to do this. The crowd’s excitement died after the first round when people realized that Tyson could barely move, let alone throw punches.

To make matters worse, Tyson constantly bit his glove throughout the fight. He looked like a frightened old man who wasn’t mentally well.

The biting was so obvious and worrying that the commentators kept wondering what the issue was. After the fight, Tyson stated he had a “biting fixation.” Whatever it was, it was sad to see.

The farce ended after eight rounds of “boxing,” during which Jake Paul purposely avoided knocking out Tyson (it was probably part of the contract). People booed loudly.

Tyson had to stand there while Jake Paul (of all people) added a rare loss to his official record.

During the post-fight interview, Tyson was asked what was next for him.

Tyson pointed to Jake Paul’s brother Logan and said he might take him on.

Then, Logan looks at him with great contempt and replies:

“Motherf*cker, I’d kill you Mike.”

Faced with this final act of disrespect. The ritual is complete.

In Conclusion

While most people suspected that the Paul vs Tyson fight was rigged, they still tuned in for the show. How satisfying would it have been if Tyson had regained composure after being dominated for several rounds and knocked out Jake Paul with one of his trademark devasting blows? The crowd’s reaction would have been wild, and everyone would have been satisfied.

But that wasn’t in the plans. Jake Paul is, sadly enough, the future of boxing. He could not lose this fight. Quite to the contrary, Mike Tyson – the most vicious fighter of the last century – had to pass the torch to a new generation where the punches do not count as much as social media virality.

Even in his prime, Mike Tyson was never in the industry’s good graces. He’s one of those black celebrities who came out of prison thoroughly changed and probably traumatized by something awful. The industry needed him to participate in this circus, but there was a price to pay for it: his pride, dignity, and legacy. Let’s hope he still has his soul.

 

Kamala’s Campaign Was Objectively the Worst in Recent History

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Kamala’s Campaign Was Objectively the Worst in Recent History

I want to preface this article by stating that it is not partisan. I’m Canadian, so I didn’t have a horse in this race. In fact, a Trump presidency will most likely negatively affect Canada’s economy due to the imposition of tariffs. And, if Trump goes ahead with mass deportations, illegal immigrants will most likely flock to Canada, and we all know that our WEF-controlled Prime Minister Justin Trudeau will do nothing about it.

That said, this site is about objectively analyzing media, and we have been flooded with a tsunami of it in the past weeks. And, no matter one’s political leanings, one has to admit that the Kamala Harris campaign was one of the worst in recent history. It perfectly encapsulated the elite’s advanced state of “out-of-touchness” as every attempt at appearing normal and relatable looked like outright satire. On some occasions, I actually asked myself: “Are they deliberately trying to lose?”

Kamala Harris’ campaign relied on nearly unlimited funds, the unwavering support of mass media, and a constant stream of celebrity endorsements. Despite all of this, she lost spectacularly. How could this have possibly happened?

Well, many of us saw this coming a mile away. Although Kamala had all the necessary resources to win, she was like Dorothy at the beginning of The Wizard of Oz: She needed a brain, a heart, and courage to complete her quest. However, her campaign showed none of these things. She didn’t have a brain to answer basic questions and devise a coherent program. She didn’t have a heart to truly connect with citizens, as she let disconnected Hollywood pawns speak for her. Finally, she lacked the courage to take a firm stand on issues, as she constantly resorted to vague, non-sensical platitudes to weasel her way out of essential questions.

This led many to realize: If Kamala doesn’t want to say anything, why am I even listening to her? So, millions of people completely tuned her out and dismissed her as a potential President. And, considering that only a few million Americans were still undecided at that point, that was the last thing she needed.

Despite Kamala being a catastrophic choice for the Democratic Party, donors (such as Bill Gates) threw hundreds of millions of dollars at her as an army of operatives and PR specialists shaped her image. Their goal: To make her appear cool, trendy, relatable, and, if we still have time, presidential.

Unfortunately for Kamala, those in charge of her PR were terrible at it. At every turn, they churned out some of the cringiest and tone-deaf attempts at political advertising in recent history.

Here’s a look at some of the lowlights of her campaign.

Kamala is Brat

After Biden’s disastrous debate—which proved that he was a geriatric zombie controlled by hidden forces—Kamala was forcibly shoved down the Democratic Party’s throat. Then, she needed to be shoved down the entire country’s throat. The early strategy was clear: to distance herself from Biden’s senior energy and connect with Gen Z.

So her staffers looked at TikTok and noticed some buzz around British pop singer Charli XCX and her album Brat. In what they thought was a stroke of genius, the Kamala campaign co-opted the album’s aesthetic and the “Brat summer” trend (while instantly sucking all of the coolness out of it.)

Here’s a quick sum up of “brat.”

The international phenomenon swept millions off their feet and plunged them head first into the “dirty girl” aesthetic that xcx’s sixth studio album, brat cultivated. (..) Lime green, cigarettes, black eyeliner, nose-drugs, white shirts, and going braless have been capitalized on for three months and don’t seem to be going away anytime soon.
– The Highland Echo

So, to kick off her campaign, Kamala associated herself with the marketing scheme of a pop album that revolved around girls being messy, doing cocaine, and partying all night. It worked for Charli XCX because her job is to make party music. But Kamala Harris was trying to become the literal President of the United States. It just doesn’t make sense.

Also, in complete opposition to that vibe, she traveled the country with Liz Cheney, the daughter of the evilest warmonger in American history.

That said, the brat thing wasn’t even close to her worst campaign stunt.

Sick of Celebrities

The Kamala campaign then started calling her opponents “weird.” This was when her campaign had the most momentum as the “weird” thing gained some traction and even rattled Trump for a second. However, the Harris campaign knew they couldn’t surf on a one-word insult until the elections. She had to start saying things to potential voters.

To generate some enthusiasm for her pointless speeches, Harris’ campaign hired a long list of celebrities. While that’s been an effective strategy for the Democratic Party in the past, Kamala’s team should have sensed that people were not in the mood for it this year.

Meghan Dee Stallion throws up devil horn signs during her 4-song performance at the Kamala rally in Atlanta, Georgia.

During her cringe-inducing set, Stallion twerked and rapped lyrics such as “P—y like water” and “N–gas say I taste like sugar, but ain’t s–t sweet.” Did this stunt resonate with Americans? Well, Trump won Georgia.

In another head-scratching move, the Harris campaign used … Lizzo. Yes, the same Lizzo that was accused of sexual harassment, weight shaming, and creating a hostile work environment by her dancers.

She’s toxic. And she was hired by Harris.

Lizzo posted this video on social media in support of Harris.

 

View this post on Instagram

 

A post shared by Lizzo (@lizzobeeating)


Yes, Lizzo said, “You hoes can’t spell democracy” before boarding a private jet. Are they actively trying to lose voters? Then, in a speech, Lizzo declared that she wanted Harris to turn the entire United States into her native Detroit … which has been struggling with crime and poverty for decades. Did this stunt resonate with Americans? Well, Trump won Michigan.

During Trump’s MSG rally, the comedian Kill Tony made a questionable joke about Puerto Rico being a “floating island of garbage.” However, he also made a devastatingly accurate joke about Kamala’s celebrity endorsements resembling Diddy’s parties.

What does Kamala’s campaign do to counter that? They bring out someone who was literally at Diddy’s parties.

In an attempt to use the Puerto Rico joke to reign in Latino voters, Kamala brought out Jennifer Lopez.

Yes, Kamala associated herself with J-LO at the very same time that her ex Diddy was being accused of raping teenage boys. J-LO was around Diddy while this stuff was happening, and her being complicit is not out of the question.

J-LO at one of Diddy’s parties. The girl in the middle is Aaliyah. She was controlled by industry predators from the age of 14 until her suspicious death in 2001.

It just wasn’t the time to bring out J-LO to be performatively outraged about a joke. Did this stunt resonate with Americans? Well, Latinos voted for Trump in record numbers.

I’m a Man. Kind Of.

At one point, Harris’ campaign came to a shocking realization: Lizzo flipping her wig and calling people hoes did not appeal to male voters. So, her staffers concluded that they needed to target men with an ad campaign. They came up with Man Enough, one of the worst-conceived and tone-deaf political advertisements ever released. If you have not watched this gem yet, prepare to witness history.

The campaign had a genius idea to reach the seemingly enigmatic demographic of “manly men: ” Hire a former Jimmy Kimmel producer to direct gay actors from Los Angeles to act as “manly men.”

Internet sleuths looked up this actor and discovered he was a gay actor from Los Angeles. The way he’s sitting says it all.

At one point, this actor says, “I ain’t afraid of bears.” In gay culture, a bear is a man who is fat, hairy, or both. Was this ad satire?

Other key moments: An overweight dude awkwardly holding a bucket talks about “eating carburetors for breakfast,” and a creepy bearded man who says he’s OK with “women wanting to control their bodies.” As if that wasn’t enough comedy, the gay guy seen above comes back and says that he’s giving Harris his “full-throated endorsement.” Why did he say full-throated??

In short, this ad is precisely how people out of touch with reality and who’ve been trained to hate masculinity would portray “manly men.” Are they even aware that “manly men” don’t only exist on farms? Similarly to the entire Kamala campaign, the ad doesn’t ring true and reeks of hypocrisy and condescension.

Later, the Harris campaign also realized that it lacked the support of younger men. The PR team devised another genius strategy.

Tim Walz plays a video game with a bottle of Mountain Dew. It must be the lamest photo-op in history. Fun fact: His controller is not turned on.

Of course, this stunt backfired spectacularly. I mean, just look at it. The optics are just bad. It’s not vice-presidential; it reeks of desperation. And Walz looks like an old dude trying to lure young boys playing Fortnite.

The Harris campaign also realized that it was hemorrhaging the support of black men. To address this issue, they sent a very disappointed Barak Obama to lecture them, like a father about to take off his belt. Not only did he imply that black men owe a vote to his party, but he insinuated they are misogynistic for not supporting a woman.

This berating session was not well received by black men or anyone for that matter. Black people do not owe a vote to Barack for being half-black like they do not owe a vote to Kamala for being half-black. Like every other citizen, they can vote for whoever aligns with their views and interests.

The Harris campaign also realized that it was severely behind with white men. So, after days of intense research and millions of dollars spent on PR specialists, they devised a genius campaign: “White Men for Harris.” Yup.

Nope.

Did these efforts to pander to men resonate with Americans? We all know the answer.

Lie to Your Husband

While trying to convince men to vote for Kamala, her campaign was also telling women to lie to their husbands. In an ad directed by Hollywood hack Julia Roberts, women were encouraged to be hypocrites to their (implicitly abusive) husbands while voting for Harris.

This ad is toxic and astonishingly out of touch with reality. Are they really trying to put Kamala Harris between a wife and her husband? Are they really encouraging women to betray the sanctity of marriage? For Kamala?

The low moral values on display in this ad are highly telling. And, yes, it backfired.

Manipulating Reddit

In my article about the Trump assassination attempt, I suggested that the shooter was probably radicalized by Reddit, one of the most visited sites by young men (by the way, authorities never revealed what was on that guy’s phone – most likely to protect such sites).

To corroborate this fact, an investigation by The Federalist revealed that the Harris campaign was heavily manipulating Reddit. The eye-opening article explains how Harris operatives coordinated efforts to spam the site with pro-Harris posts. Then, the staffers would use fake accounts to upvote these posts and steer the comments towards the desired narrative.

The results of this investigation are extremely telling as they describe the modus operandi of internet shills on Reddit and all social media platforms.

A Kamala staffer sends the daily agendas its army of internet shills must push.

The psyop campaign used Discord servers and Google spreadsheets to track posts and user engagement.

A screenshot of a spreadsheet that tracks the date, the subreddit, and the agenda being shilled.
On Oct. 20th, 13 of the 100 newest posts were created by Harris-Walz campaign operatives.

It was also discovered that the staffers specifically targeted swing states subreddits. Did this strategy resonate with Americans? Well, every single swing state voted for Trump.

In Conclusion

From beginning to end, the Kamala Harris campaign was objectively the worst in recent history. Although it was palpable that people were sick of out-of-touch celebrities lecturing them and telling them what to think, the campaign trotted out one Hollywood degenerate after another. Although people were sick of identity politics and being categorized according to their race and gender, the Kamala campaign tried to get white men to wear shirts that said “white men” on them. Although people were sick of authoritarian control and censorship of social media, Kamala’s campaign doubled down on it.

In short, this campaign tried to force Kamala down America’s throat using the sheer force of elite-sponsored propaganda. But it was so obvious, heavy-handed and out-of-touch that it backfired spectacularly.

Some might ask: What about Trump? Well, Trump was Trump. Whether you like him or not, he put on his orange makeup, combed his hair, and talked his butt off for hours about issues that concerned all Americans, such as the economy and illegal immigration. And that resonated with Americans.

Does that mean that the globalist agenda will be put to a halt? Sadly, it is unlikely. Some tend to forget that the “woke” agenda was at its peak when Trump was in power. It is easier to sell ideas to the masses when presented in opposition to an oppressive force. In this sense, Trump can be useful to the elite. Expect some chaos as the elite’s dormant subversive groups (e.g., Antifa) will most likely be activated in the coming months.

Their propaganda machine has failed miserably, but that doesn’t mean they’ll stop trying.

An “Urban Opera” in Toulouse Using Massive Machines is Denounced as a Satanic Ritual

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An “Urban Opera” in Toulouse Using Massive Machines is Denounced as a Satanic Ritual

In July, Paris hosted the opening ceremony of the Olympic games, which had less to do with sports and more with celebrating outright evil. A few months later, another French city decided to host a massive event that turned its streets into an outdoor Satanic temple. Titled “La Porte des Ténèbres” (“The Gates of Hell”), the festival featured massive machines moving around the city and interacting with each other. While the idea sounds cool, there’s a catch: The machines represent demons, and the entire story is wholly Satanic.

The prologue of this “urban opera” highlights the ritualistic undertones of its story.

“Driven from the Garden of the Hesperides, Lilith, the scorpion woman, has found refuge in the depths of the Earth. Freed by Hades, king of the underworld, she wanders from city to city in search of damned souls to increase her followers and her power. (…) Assembling prodigious signs, she attempts to open a passageway to the beyond.”

This poster promoting this urban opera is highly symbolic.

This poster deserves a closer look because it sums up the true meaning of this festival. At the top left, the Toulouse Cathedral and the rest of the city are burning. Underneath it, a red, horned beast highly reminiscent of Baal references human sacrifice to please dark forces. At the bottom right, an angelic figure stands above walking skeletons. It most likely represents Lucifer, also known as the Fallen Angel.

At the poster’s center is the opera’s main character, Lilith. This name is not random: Lilith is the primordial “she-demon” cited in the mythology of multiple civilizations.

Lilith, female demonic figure of Jewish folklore. Her name and personality are thought to be derived from the class of Mesopotamian demons called lilû (feminine: lilītu), and the name is usually translated as “night monster.” A cult associated with Lilith survived among some Jews as late as the 7th century ce. The evil she threatened, especially against children and women in childbirth, was said to be counteracted by the wearing of an amulet bearing the names of certain angels.
– Encyclopædia Britannica

Underneath Lilith is a character named Asterion the Minotaur. The labyrinth behind the character is a direct reference to Cretian occult mysteries.

A depiction of the Minotaur roaming around the labyrinth of Crete.

Labyrinths were symbolic of the involvements and illusions of the lower world through which wanders the soul of man in its search for truth. In the labyrinth dwells the lower animal man with the head of the bull, who seeks to destroy the soul entangled in the maze of worldly ignorance. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.
– Manly P. Hall, The Secret Teachings of All Ages

The Minotaur is also known for eating human flesh, a fact that plays nicely with the occult elite’s obsession with cannibalism.

While the event was promoted as an “urban opera,” the symbolism peppered throughout is everything but fictional. It is used in actual occult rituals, turning this event into a mega-ritual.

Mega-Ritual

While occult rituals usually happen behind closed doors, the elite loves to expose the masses to events drenched in satanic energy without them even realizing it. Some occult researchers call these events “mega-rituals,” where the dark spiritual tendencies of those in power are the dominant force in the public space. La Porte des Ténèbres is a perfect example of this agenda.

A giant horned demon named Lilith walks around the streets of Toulouse.

While the organizers of the event deny that it is Satanic (the first rule of Satanists is to deny that they’re Satanists), the symbolism says otherwise. For instance, Lilith’s earrings are inverted crosses – the main symbol of Satanism as a corruption of Christianity. On her belly is another clear inverted cross as other occult symbols adorn her body. Also, she’s literally called Lilith.

Other than her horrifying scorpion bottom half, Lilith is adorned with multiple symbols. One is an inverted version of the Trinity symbol, which represents the inversion of the Holy Trinity (Satanic).
The Minotaur also patrols the streets of Toulouse as he spits out clouds of smoke on bystanders.
The machines interact with each other as an esoteric ritual drama is carried out in plain sight.
There’s also a giant spider, because why not? Continuously exposing the masses to the ugly, horrific, and disgusting is part of the elite’s agenda of cultural breakdown.

On the promotional poster we’ve seen above, the spider had a creepy head above it, personalizing it. Also, the spider casted a pyramidal web on Lilith, hinting that she’s under his control. Does the spider represent Satan himself? Is Satan patrolling the streets of Toulouse?

The show culminates in a hellish matter as Lilith approaches a firey circle representing the Gate of hell.

The following short video captures the dark vibes of the show’s finale.

Backlash

The mayor of Toulouse personally vetted this event, costing 4.7 million Euros of taxpayer money. In other words, the local government carried out a ritual celebrating evil. Of course, some people protested against this publically funded event that directly attacked Christianity.

The archbishop of Toulouse, Guy de Kerimel, found the event so spiritually disturbing that he consecrated the city and diocese to the Sacred Heart of Jesus on October 16th, to protect the it from “dark threats.” He stated:

“Dark clouds are gathering over our world. Darkness and gloom are becoming a trend everywhere, and even perniciously take root in our daily lives: In our reading, art, and music to the point of becoming normality.”

In another interview, the Archbishop said about the event:

“Some people enjoy watching horror films, but you have to pay to see them. If we don’t feel like watching all this, we’ll just have to hole up at home for three days. The sheer size of the structures makes it hard to escape this sad spectacle.

The characters are troubling to Christians, because Lilith is a female demon evoked in the Bible, the Minotaur is a not very pleasant character who feasts on human flesh and no one likes spiders. People should find a way to unite around love rather than fear.”

The event also angered the Protestant community of Toulouse. Representatives of the French Protestant Federation stated:

“We love Toulouse for its history, its culture and its dynamism. (…) Toulouse is life, joy and beauty! However, church representatives are shocked and alarmed by the choice of theme for this act, which presents Toulouse as the gateway to darkness.”

In Conclusion

As seen in previous articles (including this recent one about an “opera” in Germany), there is a disturbing trend happening: Satanic rituals celebrating the victory of evil are occurring in public spaces disguised as “art” and “performances.” Every time, symbols and references directly attacking Christianity are purposely included in the event. And, every time, people protest against the disrespectful blasphemy against their religion. However, it doesn’t matter. Mass media ignores or dismisses these concerns while simultaneously blowing out of proportion anything else that is deemed offensive to those they choose to protect. Then, once this event is done, another one takes place somewhere else in the world.

While some might say this event is merely a fun festival that uses cool technology, we must consider things from a wider perspective. The symbolism used in this show is not fictional; it is actually used in occult and satanic circles. It is believed to carry actual power. And this power is multiplied when it is used in the context of a mega-ritual.

Imagine aliens hovering on our planet and observing a gigantic Lilith marching around a city. These aliens would deduce that us primitive humans are celebrating our gods in a ritual procession. Well, that’s exactly what’s happening, whether we like it or not.

 

Symbolic Pics of the Month 10/24

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Symbolic Pics of the Month 10/24

Six months ago, I posted an article about Jojo Siwa’s God-awful video Karma. It was heralded as the start of a new musical genre called “Gay Pop.” She ended up primarily annoying and infuriating gay people because pop music has been very gay for decades. This has not stopped Jojo from being involved in more cringy things, such as this photoshoot with Ladygunn magazine.

On the magazine’s cover, Siwa wears bedazzled “man parts.” First reaction: Sigh. Second: But why? What’s the message? Is this supposed to be “empowering?” Of course not. The actual answer: Industry slaves need to cater to the gender-blurring agenda at all costs. Also, her hair is strategically placed to make a one-eye sign, confirming that this is all about pushing an agenda.
Remember when children used to idolize Jojo on Dance Moms? Now she’s holding an imaginary penis for a photoshoot? But seriously, why? Because of feminism? Lesbianism? None of it makes sense. Only an industry slave complying with gender-blurring.
The article’s title refers to MKULTRA concepts such as dissociating and alter personas. This is the sad state of her career at this point.

One of the reasons why the gender-blurring agenda is so cringy is that it is always forcibly implemented in places where it makes zero sense, … like in Star Wars. As if that franchise hadn’t been massacred enough in the past years, Disney found a way to make things worse.

Disney recently introduced a transgender Stormtrooper named “Sister,” whose armor bears the colors of the trans flag. Of course, none of this makes sense in Star Wars lore; it is purely social propaganda forced on entertainment. May the flop be with them.

The gender-blurring agenda is not merely a mass media phenomenon. It has repercussions in real life as governments are forced to validate the elite’s madness. For instance, the Scottish National Party released a whole “list of genders” …  and there are 24 of them. 24. As in two dozens. Genders. Here’s the list in all of its absurdity.

A sane, fact-based, uncompromised government wouldn’t waste time releasing such lists. But most governments are insane, ideology-based, and deeply compromised.

Katy Perry’s recent performance at the VMAs was so obviously about Monarch mind control that I dedicated an entire article to analyzing it. Since then, things have only gotten more obvious.

In a promotional photoshoot, Perry posed holding her new album cover. However, the main focus of the pictures is not the cover but her butterfly top. The message: She’s an industry slave. That is also why she’s been in a weird streak of humiliating and embarrassing moments.

The original Joker movie was hugely popular due to its subversive subject matter, which revolved around the dreary life of an ordinary man. So, for the second installment, the movie makers had a genius idea: Let’s add a pretentious, elite-groveling pop star. Result: People hate it.

At Joker: Folie a Deux‘s premiere, Gaga was a walking one-eye sign. It was their way of telling you they’ve ruined yet another movie people liked.
As part of this flop’s promotional package, Gaga was featured in a Vogue photoshoot that nearly entirely revolved around the one-eye sign. Here’s one of them. There are about five others like that.

Speaking of the one-eye sign, it was, as usual, all over the place in the last month. Here is a small fraction of them.

Kim Kardashians doesn’t seem to understand how speakers work.
Spanish actress Rossy de Palma is UNESCO’s “Goodwill Ambassador for cultural diversity.” In other words, UN-funded globalist indoctrination. In a recent picture, her entire head was turned into a one-eye sign because the elite owns her.
Agatha All Along is another Disney production aimed at young girls where witches are the story’s cool yet victimized heroes. They make things like witchcraft, black magic, and summoning demons fun and even empowering. The blatant one-eye sign on the poster tells us that the occult elite funds this.
Saoirse Ronan has been acting since she was a child. Now, at age 30, she has to pay tribute to the industry’s rulers. This Vogue magazine photoshoot is her bowing down to them. Hence, a big, fact one-eye sign.
In this pic, they used a random child to make another blatant one-eye sign. How about you keep children out of your ridiculousness, Vogue?
In this picture, Saoirse makes a pose often seen in mass media: “As Above, so Below” – one of the occult elite’s mottos.
Saoirse’s picture is especially reminiscent of the classic Masonic artwork “A Freemason,” which includes the “As Above, so Below” sign made with 90-degree angles.

While the elite loves to promote its brand of occultism, it is equally obsessed with blaspheming Christianity and every symbol relating to it. Their disturbed works even make it inside of Cathedrals.

A Cathedral in Austria displayed a sculpture of the Virgin Mary giving birth. Those behind it say it is about “women’s rights to their bodies.” How? As usual, they hide their true intentions behind media-friendly buzzwords. Here’s the truth: It is about stripping the Virgin Mary of her sanctity by portraying her naked from the waist down, with her legs wide open.

Even people in the government, who are supposed to represent all people, cannot help but insult Christianity.

To promote abortions, the Governor of Michigan, Gretchen Withmer, gave “Eucharist” in a weirdly sexual way to a podcaster using Doritos.
The camera pans to the Governor, who is wearing a Kamala hat and has an evil grin. What is wrong with her?

A few days later, Kamala skipped the traditional Al Smith dinner, which raises funds for Catholic charities. However, she sent in a video. And, yes, it was cringy and insulting.

The video features SNL actress Molly Shannon as a Catholic schoolgirl who likes to smell the sweat from her armpits. Yup, Kamala got a Hollywood stooge to ridicule Catholics at a Catholic event.

During the same weekend, Kamala had the most authentic and unscripted moment of her entire campaign: She told a teenager who shouted “Christ is King” that he was “at the wrong rally.” All of these Christianity-related events happened in the span of a few days.

That said, one picture summarizes this entire campaign and global politics in general.

A few weeks ago, Time Waltz met with Alex Soros, the son of billionaire globalist George Soros. It wasn’t publicized at all. If you’re wondering why borders are wide open in the US and worldwide, look no further than this picture. Soros’ “foundation” Open Society wants to create a world with no borders and no national identities.
Coincidentally, George Soros recently secured a deal to purchase over 200 radio stations across the U.S. The apparent goal is to turn them into propaganda outlets that’ll churn out the same biased “news” and “editorials” seen in mass media.

Special thanks to everyone who sent in pics!

An In-Depth Look at the Hidden Meaning and Symbolism in “Blink Twice”

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An In-Depth Look at the Hidden Meaning and Symbolism in “Blink Twice”

Warning: Moutnainous spoilers ahead!

Blink Twice begins with a “trigger warning,” stating that it is a “psychological thriller about the abuse of power” and that it contains “sexual violence.” While this message appears to be well-meaning, it also gives off a strange feeling that it promises “sexual violence” to the weirdos turned on by it.

This bivalence sums up the entire movie. While it appears to say one thing, it actually says the opposite.

To prove this fact, one only needs to look at the movie’s original name: Pussy Island. While the movie is believed to “expose” rich and powerful people abusing people in remote islands, the pornographic flavor of the original title turns it into a twisted, voyeuristic experience.

Inspired by the horrific stories of Epstein Island (although the media actively censors the rampant pedophilia that happened there), Blink Twice reframes, distorts, and, in a perverted way, glamorizes. The “sexual violence” scenes are padded with long minutes of “humor” which end up turning everything into a joke. Meanwhile, the underground sex ring of the elite is turned into a “feminist” narrative, where women killing a bunch of men solves everything. Of course, none of this reflects real life, where lots of women actively facilitate and even participate in the abuse.

Blink Twice does not expose or even comment on the elite drugging and raping sex slaves, including minors. Because, in the end, it is a Hollywood movie. Do you think Hollywood would do that to itself? As we’ll see, this movie’s “moral of the story” is not about overthrowing this system but perpetuating it – but with a pseudo-feminist angle.

Everything about Blink Twice is weird, disingenuous, and profoundly disconnected from reality. It is how Hollywood people would portray what Hollywood people do in places like Epstein Island. Appropriately enough, the movie is the directorial debut of Zoë Kravitz – the daughter of musician Lenny Kravitz and actress Lisa Bonet. She’s a product of Hollywood, and she’s been inside that system since birth.

Zoë Kravitz parades at MET Galas (the ultimate gathering of occult elite pawns) nearly every year. Here, she’s wearing a mask often seen at the elite’s masquerade parties.

Along with film writer E.T. Feigenbaum, Kravitz crafted a movie that turns the elite’s disgusting obsessions into “entertainment.” More importantly, the movie symbolically portrays the events as a “sacrifice” necessary for the protagonist to obtain what she truly desires.

The movie’s poster contains not one but two one-eye signs. The message: This is a movie by the elite about the elite.

While the movie’s story is relatively straightforward, semi-hidden references and symbolism add a layer of meaning—and they are rather disturbing. It is about trauma-based mind control.

Here’s a look at the major themes of the movie.

Premonitions

Frida repeats the movie’s motto to herself. It will take a disturbing meaning.

Blink Twice‘s protagonist is Frida, a struggling cocktail waitress attempting to launch a nail business. In the movie’s first scene, she watches a video of Slater King, a tech billionaire who was accused of “abuse of power” and “regrettable behavior.”

Frida watches Slater King apologizing and saying that he “sought therapy.” As we’ll see, his “therapy” is related to trauma-based mind control. Also, we learn that he bought a whole island to “heal.”
Meanwhile, Frida is sitting on the toilet as we briefly see a book called “Success is the Best Revenge” by Vanessa Maxwell, a fictional author.

Major spoiler: Frida ends up on Slater’s island and gets abused. This book’s title hints at the movie’s moral of the story: It is not about denouncing evil and bringing it down; it is about taking Slater’s place.

Notice that the author’s last name is Maxwell. Is it a coincidence that she shares a last name with Ghislaine Maxwell – Jeffrey Epstein’s right-hand woman who coordinated his sex trafficking? The ultimate goal is to become her, not bring down the system.

This message is further cemented in the following scene as we see Frida working to the tune of B.B. King’s song Payin’ the Cost to be the Boss. This line sums up the movie: Frida sacrifices herself to become the head handler.

Before that happens, she has to go through a lot of trauma. In fact, she already did. She was abused on Slater’s island in the past but she has no recollection of it.

As she gets prepared for work, she ironically says that “she can’t magically erase sh*t from her brain.” Her memory was erased in the past.

In the movie’s first act, Frida works as a waitress at a special event hosted by Slater King’s tech company. Everything at the event is occult elite madness, but none of this is obvious to the casual viewer.

The event is hosted by Saul Williams, who is wearing a dress because they love black men wearing dresses. Behind him is Michaelangelo’s Pieta, which depicts the Virgin Mary holding Jesus. We’ll later see how this sculpture is symbolic.
Every single thing at this event is highly symbolic.

First, everything is white, red, and black. As seen in previous articles, those colors have heavy ritualistic meanings. Later, we’ll see that these colors are used to tell an occult narrative.

Second, there’s a giant ominous door in the background. Its name? Gates of Hell by French sculptor Auguste Rodin.

One of the several variations of Gates of Hell inspired by Dante’s Inferno and its warning: “Abandon hope all ye who enter here.”

Most of the sculptures seen throughout the movie are from Rodin’s Gates of Hell collection, which includes The Thinking Man, which stands next to it at the event. Do these sculptures subtly indicate that this occult elite gathering is a “gate to hell?” Is it implying that they’re Satanists?

After the event, Frida and her friend Jesse wear sexy dresses to get Slater’s attention. I’m not saying they’re golddiggers, but … yeah.

Frida talks with Slater and his “therapist,” Rich Stein.

Frida is wearing a bright red dress. In occult rituals, it is the color of sacrifice. She will be abused by both of them later. However, according to the movie’s logic, she has to “pay the cost to be the boss.” Behind them is another Rodin sculpture from his Gates of Hell collection. Named The Three Shades, it represents three damned souls connected. Are the three characters in the foreground three damned souls as well?

After partying with Slater and his friends, Frida is invited to board his private jet and travel to his island. She immediately agrees because the dude is rich.

On the island, all the victims are given white dresses. In occult rituals, white is the color of purity and virginity. It is worn by the “initiates” before their transformation.

At first, the girls are more than happy to be there as they are offered unlimited food, drinks, and drugs.

In a scene reminiscent of the Eucharist, Slater gives Frida MDNA. It’s their “communion.”

After some partying, Frida notices some clues indicating that something wrong is happening: The girls are getting abused at night. However, they do not recall it in the morning because their memory gets erased. So they wake up happy and refreshed (albeit hungover), as if nothing happened.

Some might ask: Wouldn’t they feel sore in some places even if their memories were erased? The answer is yes, but let’s not poke through plot holes because we’ll be here all day. In any case, this movie is not about an airtight plot but about messages through symbolism.

Color Codes

The victims’ memories are erased using a perfume called Desideria (meaning desire). It is made from a red flower only found on that island.

Throughout the movie, the color red is associated with trauma, sacrifice, mind control, and memory loss.

Slater’s assistant, Stacy, is the Ghislaine Maxwell of the group. She’s the woman who facilitates the abuse by putting the victims at ease. She’s often dressed in bright red to indicate she’s part of the system.
As Frida explores the island, she walks by a creepy painting depicting victims’ memory loss due to the red flower.

As observed in numerous past articles, the occult elite loves “art” that celebrates their sick obsessions. They yearn for their evil deeds to be out in the open.

When John Podesta was Hilary Clinton’s campaign advisor, there was a painting depicting cannibalism in his office. Yes, it is 100% authentic, and even NBC News had to address it.
Guests on the island are given parting gifts inside a bright red bag. Inside the bag is the Desideria perfume so they can keep abusing people and erasing their memories when they come back home.
A Mexican maid on the island called Frida “Red Rabbit” because she had red rabbits on her fingernails the first time she was there.

As seen in previous articles, the White Rabbit symbol is significant in mind control. Inspired by Alice in Wonderland, victims are told to follow the White Rabbit towards the looking glass—a symbol of dissociation. The white rabbit is red in the movie because that color is associated with memory loss.

A painting depicts rabbits and people locked in cages. It’s all mind-control symbolism.

While red is associated with the erasure of memories, yellow represents the opposite: Making and recovering memories. This concept is subtly peppered throughout the movie.

Privileged guests “make memories” by taking pictures using a yellow Polaroid camera throughout their stay. Here, Christian Slater is wearing a yellow towel while doing the opposite of erasing memories.
The antidote to the memory loss perfume is venom from yellow lash vipers. Yellow equals truth and regaining memory.
Jess is draped in yellow as she starts realizing the dark truth about the island.
After Jess is killed because she knows too much, the other girls do not recall her. Her yellow lighter is proof that she existed.

The dualistic back and forth between the colors red and yellow mirrors the mind control slave’s back and forth between trauma and dissociation. And those who go through this often end up perpetuating it.

The Cycle of Trauma

As seen in previous articles, MK handlers are often mind-control victims themselves. As the movie progresses, we learn that Slater is a victim of trauma and memory loss himself. While discussing with Frida about the uselessness of therapy, he says:

– But I agree with you on the whole talk therapy thing. That’s not really what I’m into. Rich is more of s trauma therapist. You know, he specializes in memory loss.

– What can’t you remember?

– Pretty much anything before 10. So I imagine it was probably pretty bad.

– Why would you want to remember? I’d pay to forget.

– Maybe you’re right. Maybe forgetting is a gift.

We later learn that Slater was abused as a child by his tennis instructor causing him to repress memories. Now he’s doing it to other people.

As he’s about to rape Frida, Slater tells his “therapist” that the more intense the trauma, the more severe the memory loss. This is Monarch mind control 101.

Slater went from victim to abuser. Frida will go on the same path. And the movie will frame this as a “happy ending.”

After consuming viper venom, Frida and the other women realized what happened to them and engaged in a bloody revolt. Opposing women versus straight white men, the movie frames it as a “feminist” thing. But that’s typical Hollywood hypocrisy. This is not about women banding together but about Frida “paying the cost to be the boss.”

After the revolt, nearly everyone is dead except Frida and Slater because she purposely spared his life.

Notice how the characters are positioned in the scene above.

In the next scene, we see the Pieta sculpture again. Slater is Frida’s Jesus Christ.

In the movie’s final scene, we’re at another King-Tech event, as if nothing changed. However, there’s one massive change.

Frida is now the CEO of King-Tech, and Slater is her obedient, mind-controlled slave.

Frida has turned into the MK handler, using the memory-erasing perfume to control Slater. In this scene, she is also wearing black. In occult rituals, black is always the final color—it represents the complete transformation of the initiate into the “dark side.”

In the end, nothing has changed, and the system remains intact. The only difference is that the slave has become the handler.

In Conclusion

Frida did not expose the elite’s wrongdoings nor denounce them to the world. Instead, she used their tools to gain power, wealth, and influence. This is the true message of Blink Twice: Good did not prevail. Evil did. And people will root for it because “diversity” is doing it now.

In the end, Blink Twice is pure Hollywood hypocrisy. Instead of exposing evil, it normalizes it, turns it into entertainment, and causes viewers to root for its perpetuation. What else do you expect from people who titled a movie inspired by Epstein’s pedophilic hellhole the sexy name of Pussy Island?

 

This Opera About Lusting Over Jesus Has Performers Actually Bleed and Cook Human Flesh

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This Opera About Lusting Over Jesus Has Performers Actually Bleed and Cook Human Flesh

The “radical feminist” opera Sancta Susanna was recently presented at the Stuttgart Opera in Germany. The result: 18 audience members required assistance due to shock and nausea. Three people even needed treatments from a doctor.

Humans usually feel nausea when around things that are foul, gross, putrid, and potentially dangerous. In other words, it is our bodies telling us to get the hell away. These 18 audience members got the message loud and clear. The opera does not only contain bloody scenes that are physically difficult to watch; it is the equivalent of poison to the soul.

Composed by Paul Hindemith, Sancta Susanna first premiered in Stuggart in 1921. However, the show was canceled due to its blasphemous content. Furthermore, Hindemith’s music was qualified as “degenerate.” Over a century later, performance artist Florentina Holzinger adapted the opera and took it to new levels of degeneracy. And, since the elite wants the masses to bask in Somodom and Gomorrah-levels of depravity, the show was not canceled; it was promoted. Would the show exist if it mocked any other religion? We all know the answer.

The opera’s creators describe Sancta Susanna as a “radical vision of the Holy Mass.” They’re lying. It’s a Satanic Black Mass. Like Sancta Susanna, Black Masses mock Jesus Christ using sex, blood, sacrifices, and the corruption of Christian symbols in the context of a traditional mass. That said, the show’s promotional material never states this obvious fact. In typical mass media hypocrisy, they use media-friendly buzzwords such as “feminism” and “exploration of sexuality” to justify the depravity seen on stage.

There’s a difference between artistic expression and just acting as if possessed by a demon.

“Art”

Sancta Susanna is about a repressed nun who discovers sexuality. That theme was probably groundbreaking in 1921 but, in 2024, it is so ridiculously tired. However, that doesn’t matter. In today’s context of cultural Marxism, art is not about artistic expression; it is about hammering the masses with the same symbols and messages over and over again. As we’re about to see, everything in this opera was regurgitated in one way or another in past mass media described on this site.

A nun warns Susanna of an old story about the nun Beata, who desired Jesus on the cross and was walled up alive for it. Meanwhile, in the background, naked people climb up a wall. Because “art.”
A naked woman pours wine to nuns as they turn away from God.
A naked woman pushes a sword shaped like a crucifix down her throat as other women in the background sing and drink wine. They love to turn the Last Supper into an orgy of gay sex (see the Paris Olympics).
Lesbian sex scenes are mixed with Christian imagery because, uhh, “art.”
Performers mimic the crucifixion as they’re doused in fake blood.

While the scene above contains fake blood, the show also involves real human blood. To illustrate the Eucharist, a piece of skin is cut from a performer’s side and is then cooked on a stove. For real. The occult elite loves to turn their sickness (cannibalism) into “art.” No wonder some people got nauseous.

A woman dressed as Jesus performs an Eminem song while wearing a BDSM-style hat. This is awe-inspiring art.

Considering what we’ve seen above, what would be the lamest, most predictable, yet most blasphemous way of concluding the show? The nun has sex with Jesus?

The nun has sex with Jesus.

Jesus spanks a half-naked nun.
In the show’s “climax,” the nun pulls down Christ’s loincloth while he’s crucified. She later has sex with Jesus.

Was this “art?” Or a hate letter to Christianity?

In Conclusion

For decades, “performance art” has been a way for the occult elite to act out their sick rituals and obsessions in public while surrounding themselves with an aura of “artistic genius.” Marina Abramovic, an actual witch connected with the elite, has been carrying out all types of Satanic and cannibalistic “performances” under the guise of “art” as the media gushed at her “genius.” I’m using a record number of quotation marks because these words have wholly lost meaning.

None of this is art; all of this is Satanic rituals, just like Sancta Susanna.

Under the guise of “performance art,” the creators of the show expose the audience to an actual Black Mass where real sex, pain, blood, and blasphemy are carried out, releasing all of this sick energy into the ether. None of this is artistic and has nothing to do with feminism. It has everything to do with saturating the public space with specific symbolism and meanings and dominating culture with a particular message.

If culture is a reflection of those who control society, does that mean that they’re Satanic, degenerate cannibals who are obsessed with desecrating Christianity? Exactly.

The Controlled Demolition of Diddy

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The Controlled Demolition of Diddy

For decades, insistent rumors regarding Diddy’s depraved activities swirled around the entertainment industry. Many people witnessed unspeakable things, but nearly all kept their mouths shut. And, when questioned specifically about these things, almost all would say: “I can’t talk about it.” And they’re still not really talking about it.

Because revealing what actually happened at these parties would require revealing not only Diddy’s tendencies but also the tendencies of the entire entertainment industry and the elite that controls it.

We’re not merely talking about decadent parties; we’re talking about rape, sex slaves, and pedophilia. Diddy did not invent any of this, but he was overly brazen and enthusiastic.

Despite being guilty of actual crimes punishable by law, Diddy somehow remained a free man for decades. Despite the mountain of evidence and witness accounts, authorities were always lenient and gave him a pass. This led Diddy’s victims and entourage to believe he was “untouchable.” He thought so, too.

There were reasons for him to believe this: He was connected with powerful and influential people. More importantly, he had dirt on powerful and influential people—some recorded on video. This caused him to become even bolder in his actions while also reducing victims and witnesses to silence for fear of being blackballed or worse.

There is absolutely nothing new about this. Over three years ago, I published an article titled The Bad Boy Records Curse: Why So Many Artists Who Signed With Diddy Became Religious? in which I documented several artists who signed with Diddy and made a 180-degree turn towards religion (to an extreme). As explained in the article, it wasn’t a coincidence. These people saw things that deeply troubled them spiritually and sought refuge in religion.

Most of the events listed in that article happened in the 1990s. But Diddy never stopped in the decades that followed. He even found a way turn his parties into cool, trendy, media-friendly, corporate-sponsored “celebrations of excellence.” They were celebrations of decadence.

Reverend Al Sharpton and Mary J. Blige at Diddy’s 2004 White Party.

In many ways, Diddy was a black Jeffrey Epstein. And he might end up like him.

Black Jeffrey Epstein

Like Jeffrey Epstein, Diddy had considerable wealth and influence, which led him to rub shoulders with top politicians, businessmen, and celebrities. Like Epstein, Diddy hosted gatherings that degenerated into orgies involving a combination of rich and powerful people with heavily drugged sex slaves – male and female. Under Diddy’s watch, numerous “big names” engaged in activities ranging from the embarrassing to the outright criminal. Many of these encounters were filmed, and whether he knew it or not, Diddy built a massive library of blackmail material.

To quote a Kanye West song, “No one man should have all that power.” That is definitely what his occult elite friends believed. Diddy could not continue owning this material and use it as leverage. Even worse, this material could be stolen and leaked. Like Epstein, Diddy needed to be neutralized, and all the compromising footage had to be seized.

We’re not merely talking about rappers spilling champagne on video models. Minors were involved. On October 1st, attorney Tony Buzbee launched a lawsuit against Diddy involving 120 victims. The youngest rape victim is nine years old. Like with Epstein, Diddy’s case could place “important” people in a dire situation. Buzbee stated that the lawsuit will involve many “household names,” including “powerful hotel execs, bankers, and pharmaceutical bosses.”

Some of America’s biggest music executives are said to be panicking as a top attorney has warned that high-profile accomplices of Sean “Diddy” Combs will be named in a new wave of accuser suits — and “the names will shock you.”

“Many people at the highest level, including artists, executives, managers and others are not sleeping well right now,” Bryan Freedman told Page Six.

“Those who have knowingly allowed and/or encouraged the behavior while remaining silent should be concerned.

Last month, former record exec and convicted felon Suge Knight — Diddy’s longtime rival, now in prison for voluntary manslaughter — claimed to NewsNation that Diddy’s former staffer, veteran A&R man “Tubby” Holiday, procured young and underage girls for Diddy to sex-traffic.

“This guy’s job was to bring underage girls and girls who’d have sex. For employees and other artists,” Knight claimed.

Holiday is now the president of Giant Records and co-founder of Black Music Action Coalition. We were unable to reach reps for Holiday.
– Page Six

Like in Jeffrey Epstein’s case, taking down Diddy is a highly delicate task. It needs to be a controlled demolition. When a building is demolished, it is done through a carefully calculated implosion to make sure the structure collapses on itself without affecting the surrounding buildings. This is precisely what was done with Epstein and what will be done with Diddy. While some people might get smeared by the “revelations” that are bound to happen in the coming months, the most significant crimes and the most prominent criminals (occult elite pedophiles) will be spared – like in Epstein’s case.

One of the main reasons there needs to be a controlled demolition of Diddy is due to political ties. Diddy did not merely “endorse” a candidate; he’s been on the payroll of the Democratic Party for decades. It is not a good look.

Diddy at the 2004 DNC interviewing Hillary Clinton.

Throughout the 2000s, Diddy was the face of “Vote or Die” – an initiative supposedly about encouraging young people to vote. In actuality, it was a roundabout way of turning MTV into an ad campaign for the Democratic Party. Some people called it “Vote (for us) or Die.”

Diddy hanging out with Hillary Clinton, John Cusack, and Ben Affleck at the 2004 DNC.
Diddy was also heavily involved in Obama’s 2008 campaign. In this picture, he is flanked by another music industry mogul, Russell Simmons … who was also accused of rape by several women this year.
Diddy’s relationship with Obama went beyond mere endorsement. The two have met several times since then, as exemplified by this Diddy Facebook post from 2017.
Diddy with Obama in 2020.
In April 2020, Kamala Harris praised Diddy for pushing elite-approved COVID propaganda to Black America.

Other than politicians and heads of megacorporations, a very long list of celebrities were involved with Diddy and his shenanigans. All of them will want to see a controlled demolition of Diddy without them being affected.

Diddy was linked in many ways to the Jay-Z and Beyonce power couple, and he has dirt on them.
Jay-Z at Diddy’s white party in 2003.

Jay-Z co-hosted the 2004 White Party with Paris Hilton. It featured Diddy walking around with an original copy of the Declaration of Independence and kicking off his 2004 “get out and vote initiative.” The party even had corporate sponsors such as Sony.

While this sounds like good, clean fun, the party devolved into Sodom and Gomorrah at 5 am. Some industry observers believe that Jay-Z might soon be the target of a similar “controlled demolition.”

Ashton Kutcher was partying hard with Diddy.

In a 2019 video, Kutcher said this about Diddy parties:

“I’ve got a lot I can’t tell. Can’t tell that one either. … I’m actually cycling through them. Diddy party stories, man, that was some weird memory lane thing.”

When a celebrity “can’t tell” about what happened at a party, it usually involves crime and pedophilia. Ironically enough, Kutcher was later heavily involved with organizations that fight child sex trafficking and human trafficking. It’s almost as if he wanted to prove to the world that he was really against that.

Diddy’s relationship with Justin Bieber involves heavy grooming. And more.

In my past articles about Justin Bieber, I stated that industry people most likely abused the Canadian singer while he was a minor. That might have started with Bieber’s bizarre relationship with Diddy and Usher, with whom he was signed. Diddy groomed Usher as a teenager, and the cycle continued with Bieber. In a 2009 video, Diddy hangs out with 15-year-old Bieber and says:

You ever seen the movie 48 Hrs? Right now Justin is having 48 hours with Diddy, him and his boy. They’re having the times of their lives, like where we hanging out and what we’re doing we can’t really disclose. But it’s definitely a 15-year-old’s dream.

I have been given custody of him. You know, he’s signed to Usher and I had legal guardianship of Usher when he did his first album. I did Usher’s first album.

For the next 48 hours, he’s (Bieber) with me. And we’re gonna go buck full crazy.”

He said that on camera for MTV. Imagine what happened when there were no cameras.

Sex Slavery

In January 2024, comedian Brandon T. Jackson talked about Diddy parties on the “Breaking the Machine” podcast and recalled what Denzel Washington told him:

“Denzel always told me, [when] we be at the parties, ‘You leave 30 minutes before the devil get there. OK?’ Always remember that Denzel would leave the parties early.”

Leaving “before the devil gets there” is a perfect way of putting it.

Because this wasn’t merely a party, it was a den of sin and heinous crimes. It was typical Hollywood debauchery where aspiring stars got abused in the promise of success and sex slaves got drugged and repeatedly raped.

Indeed, a recent lawsuit claims misdeeds occurred at those events, too: In July, Adria English, who was hired by Mr. Combs to work a series of White Parties in the mid-to-late 2000s, sued him, asserting she was plied with drugs and ecstasy-laced liquor at the events, and commanded to have sex with certain guests, making her into “a sexual pawn.” Jonathan Davis, a lawyer for Mr. Combs, denied in July that his client had ever “sexually assaulted or sex trafficked anyone.”

In her 114-page suit — which included a “trigger warning” because of its graphic nature — Ms. English, who said she worked at several White Parties in the mid-to-late 2000s, suggested the glamour was a facade. At one party, she said that Mr. Combs asked her to wear a black dress to indicate to other guests that she was available for sexual encounters. She said she was later paid $1,000 for an encounter with a guest, according to the court papers.
– New York Times

Guests at parties weren’t merely offered alcohol. They were administered a cocktail of drugs that are used in sex trafficking rings to keep victims docile and out of it. According to lawyer Buzbee, one particular drug that is often cited is Xylazine or tranq. It is also used as a horse tranquilizer.

‘One individual who was 22 years at the time she was assaulted said that the typical MO at one of these parties…was that when you were handed a drink, and now we know that the drink is laced with something, that if you refused to drink it, you were kicked out of the party,’ Buzbee detailed.

In another disturbing case, an adult pregnant woman claims she was raped after attending a group dinner with Combs in Miami.

‘She wasn’t drinking because she was pregnant, but whatever she drank at the table, apparently was laced with something,’ Buzbee stated.

‘She blacked out, and she woke up in the same bed, again allegedly with Mr. Combs in his mansion in Miami. Her vagina and her anus were torn and sore, and I could go on. And literally, you’re sensing a theme here.’
– Page Six.

Although these allegations are terrible, it is those involving minors that are terrifying the “elite” around Diddy. If the public knew what these people did to children behind closed doors, there would be an uprising. That is why Epstein was “suicided” before he even went to trial.

Among the 120 victims in Tony Buzbee’s lawsuit, 25 were minors when they were abused – between 1991 and 2024.

The youngest victims were 9, 14, 15 when they were victimized, the high-profile lawyer announced at a press conference in Houston Tuesday.

‘This individual, who was 9 years old at the time, was taken to an audition in New York City with Bad Boy Records,’ the attorney disclosed.

‘This individual was sexually abused allegedly by Sean Combs and several other people at the studio in the promise to both his parents and to him himself of getting a record deal.’ ‘Other boys were there to audition as well,’ Buzbee stated. ‘All of them were trying to land a record deal. All of them were minors.’

‘Another minor told allegedly by Sean Combs that he would make him a star, but he needed to visit with him in private about it away from his parents. Once they were in private area, allegedly Mr. Combs made the victim perform oral sex upon him,’ Buzbee said.

‘An individual, 15 years old at the time, flown to New York City to attend a party was drugged and then taken into a private room allegedly in the presence of Mr. Combs where this female individual– minor– was raped and then other individuals took turns raping her,’ Buzbee detailed.
– Daily Mail

The rumors that were circulating for decades might be true: Diddy and his people abused young boys. They’re closeted pedophiles, like so many other influential people in Hollywood. And they don’t want to be outed. So Diddy needs to be out.

In Conclusion

Diddy’s parties were typical “occult elite” madness. From the outside, they gave an aura of “success and excellence.” However, when day turned into night, humans turned into werewolves. The classy gathering turned into a depraved affair when many were unwilling, highly impaired participants. In the words of Denzel Washington, the “Devil came out.” And what he said was probably more literal than one might think.

Diddy is definitely not the only one organizing and partaking in such events. However, Diddy was particularly bold about it, so it was an open secret in the industry. Even worse, countless damning moments involving powerful people were filmed by Diddy’s people, hence creating a massive library of elite degeneracy.

Of course, the elite wants none of that. Jeffrey Epstein also had the same kind of dirt on countless people. What happened? A controlled demolition. He went down, but nearly nobody else, not even those who flew on his “Lolita Express” over 20 times (Bill Clinton). Epstein is now gone.

Diddy is in a similar position. Like Epstein, he was put on suicide watch while incarcerated. Will there by massive revelations about the elite in the coming months? Or will Diddy simply disappear?

An In-Depth Look at the Dark Messages and Symbolism in “Longlegs”

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An In-Depth Look at the Dark Messages and Symbolism in “Longlegs”

Warning: Monstrous spoilers ahead!

The least one can say is that Longlegs is disturbing. And that feeling somehow gets worse as one slowly processes the implications of its story and the deeper meaning of its symbolism. Although the movie itself has its creepy moments, the scariest part of Longlegs is realizing the mindset of those behind it. Because, at its core, the movie is a love letter to Satan and the twisted perspective that comes with it.

While, at face value, Longlegs follows the FBI investigation of an occult-minded serial killer, its subject matter alludes to much more. Through symbolism and references, the movie highlights society’s dark, Satanic underbelly and its obsession with preying on children. While one would hope that, at least, the film ends with evil losing and good prevailing, that’s not what happens. At all.

Not unlike several cultural products released in recent years, Longlegs has an upsetting “moral of the story:” Evil is deeply ingrained in society, especially at its highest levels, and fighting it is a lost cause.

Not only does Satan’s shadowy figure appear over 15 times (in a semi-subliminal matter) during Longlegs, but the movie’s subject matter reeks of pure, unadulterated evil. It is about turning fathers, the protectors of families, into their destructors through the Satanic mind control of their young, innocent daughters.

In its own creepy way, Longlegs touches on the occult elite’s favorite themes: Preying on children, destroying families, attacking fathers, and blaspheming Christianity. Once all is said and done, the movie ends with these simple yet telling words:

“Hail Satan.”

No wonder mass media gushed over that movie, it perfectly fits their agenda. Here’s a look at the deeper symbolism in Longlegs.

The Meaning of the Name Longlegs

Longlegs makes a one-eye sign (while yelling “cuckoo”) to a teenage girl. That scene sums up the movie.

Played by Nicolas Cage, Longlegs is a disturbed man with a creepy prosthetic face. While his obsession with Satanism might be attributed to his love of 1970s glam rock (lots of rockstars were into it), we soon discover that he’s actually imbued with a supernatural, demonic force.

As he carries out his murders, Longlegs sends out cryptic messages written in a coded language. Most of them contain biblical references to the Devil.

While the movie doesn’t explain the origins of the name Longlegs, some clues paint a clearer (and creepier) picture.

The movie’s first scene is filmed from a child’s perspective. Right from the start, we understand that this is all about preying on children.

At the movie’s beginning, Longlegs tells a girl, “It seems I wore my long legs today,” alluding to the difference in height. That expression is rather bizarre. It’s almost as if he took a “human form” before appearing to the girl.

Shots of snakes slithering are peppered throughout the movie. Snakes are associated with Satan in the Bible. Also, they don’t have legs.

Through symbolism, Longlegs is directly associated with Satan. Either he’s Satan himself, or he’s his loyal servant.

The name Longlegs can also be related to the type of spider called “daddy long-legs.” As we’ll see, the concept of fatherhood (daddy) is at the movie’s core. Furthermore, daddy long-legs spiders are known for living in basements. Longlegs also lives in a basement.

All shots of Longlegs’ basement are red, giving these scenes a “hellish” feel.

Throughout the movie, there are numerous references to the “man downstairs.” These can refer to Longlegs, who lives in a basement, or Satan, who lives in hell.

In that hellish basement, Longlegs makes cursed dolls that look like the daughters of families he’s targetting.

Longlegs controls the minds of little girls through lifesized dolls that are given to the families as “gifts from the church.”
At one point, a shot of a doll’s head made by Longlegs transitions to his own bizarre, prosthetic face. He’s a Satanic “doll” as well.

The dolls are imbued with an evil presence. When inside families’ homes, the fathers are forced to make a terrible choice: Either the family bows “all the way down” to Satan, or the father has to kill everyone, including himself. All families were decimated that way. Except one.

The Unholy Trinity

FBI agent Lee Harker studies coded letters written by Longlegs.

Right from the beginning of the movie, it is clear that there’s something off about Agent Lee Harker. She has psychic abilities and deep insight into Longlegs’ mind.

Harker discovers that Longlegs’ algorithm is based on Satanic symbolism, especially the inverted triangle symbol. This specific figure will eventually take on a deeper meaning.

While Harker progresses in her investigation, we realize that she was in contact with Longlegs in the past. Even worse, she might be closely related to him.

At one point, the FBI subjects Harker to a word association game. When she sees an inverted triangle, she automatically says, “Father.”

While the scene above goes by extremely quickly, it highlights a part of the story that most viewers probably missed.

Towards the middle of the movie, Longlegs screams while driving his car. Towards the end of the movie, Harker Lee screams inside the same car (which happened to be stored at her mother’s house). The message: She’s his “descendant.” None of this is spelled out; this narrative is told only through symbolism.

We eventually learn that Harker’s mother has been Longlegs’ accomplice for years. Dressed as a nun from a local church, she tricks families into accepting Longlegs’ satanic dolls as a “gift.”

In a particularly symbolic shot, Harker’s mother is reminiscent of the Virgin Mary. However, while Mary usually bows her head and hands down in submission to God, Harker’s mother does the opposite. Also, she’s covered in the blood of a dead family, and she’s saying, “Hail Satan.”

Considering that fatherhood is an essential theme in the movie and that Harker’s mother is a Satanic Virgin Mary, the concept of an unholy trinity begins to make sense. Furthermore, the symbol of the inverted triangle takes on a deeper meaning: The two points at the top represent the mother and the father (Longlegs). The bottom point of the triangle is the “descendant”: Lee Harker.

In the movie’s climactic moment, Harker has the opportunity to free a girl from Satan’s control by shooting the cursed doll in the head. However, as ominous music plays in the background, Harker cannot pull the trigger. She leaves with the girl while the doll is intact.

To most viewers, Harker appears to have saved the girl. However, when one understands the movie’s subtext, Harker becomes the girl’s new Satanic handler. This fact is further highlighted by the disturbing scene that follows it.

Although he’s supposed to be dead, Longlegs reappears in the very last scene of the movie to say, “Hail, Satan.”

In short, the bad guys did not lose, and the good guys did not win. Nearly everyone was controlled by Satan from the start. And that’s the central message of the movie: Satan is everywhere.

The Metamessages in Longlegs

As stated at the beginning of the article, the creepiest part of Longlegs is not the movie itself but its implications and the mindset of those behind it.

For instance, the movie focuses heavily on the concept of preying on children and causing them unspeakable harm. Osgood Perkins, the director of the film, stated in an interview that the murder of JonBenét Ramsey inspired him.

JonBenét Ramsey, famous for participating in child beauty pageants, was found dead in 1996 in her family’s basement. She was six years old.

The case of JonBenét Ramsey has troubled America for decades. Everything about it is bizarre and reeks of shady, elite-related dealings. The mere fact that it remains an unsolved mystery (despite the existence of an odd ransom note and signs of sexual violence on the girl) indicates that there’s something “off” about that story. It’s almost as if the powers that be don’t want people to know what actually happened.

In an interview, Longlegs‘ director stated:

“I was very interested in that case. The murder took place approaching Christmas, and one present that the parents had gotten for JonBenét was a life-size replica doll of herself, wearing one of her pageant dresses. It was in a cardboard box in the basement, 15 feet from where she was killed, and there was something so insane about that, I’d cataloged it away.”

While a psychopathic, pedophilic story inspires the movie, it also contains self-aware “metamessages” about it exploiting children.

In one scene, Harker Lee talks with the girl who will eventually become her “Satanic protégé.”

The little girl asks Harker:

– Did you wanna be an FBI agent when you were little?

– No. I actually wanted to be an actress.

– That messes up kids.

– So they say.

Think about this scene for a second. The movie’s makers made an actual child actress say in a dialog that being a child actress “messes up kids.” This dialog has nothing to do with the story; it appears to have been added as a reference to the movie itself.

Then, we see that girl actress take part in scenes dark and creepy scenes that involve fathers brutally murdering their families. Working in that environment might, indeed, “mess up” a kid. Is the movie itself preying on children? What else would you expect from a film ending with “Hail, Satan?”

Speaking of the Devil, he lurks in the shadows everywhere in the movie. His silhouette appears over 15 times, and most viewers will miss nearly all of them. These appearances are made to have a near-subliminal effect, forcing the unconscious mind to think, “I cannot escape the Devil.” Here are a few examples.

The horned Baphomet-like beast lurks near the American flag as Harker Lee studies the case. Everything is going according to Satan’s plans.
The Devil lurks in the doorway of young Harker’s bedroom.
Satan looms over young Harker.
For a split second, the Devil’s silhouette appears in a window as Harker realizes that her colleague got shot. He’s behind it.

Hollywood loves to portray Satan as an all-powerful being that cannot be defeated. It’s almost as if they worship him.

Oddly enough, another ominous figure keeps popping up during the movie: Bill Clinton.

Clinton’s portrait is in the middle of this shot, right where our eyes are naturally drawn. It’s almost as if he were a third character in the scene.

Although framed pictures of Presidents exist in federal buildings, the emphasis on Bill Clinton in numerous scenes is too obvious to ignore.

In another shot, Bill Clinton looms over Agent Carter’s head. Spoiler: He will end up under the influence of the Devil.
In this shot, a video of Longlegs looms over Agent Carter, similar to Bill Clinton. Is there a connection to be made there?

Another bizarre fact: Longlegs often talk about invading “white houses.” He tells Harker during his interrogation:

“Your house was even whiter when I came to visit.”

Of course, the color white symbolically represents purity, so it is only fitting that the Devil wants to soil white houses. That said, consider this: Where did Bill Clinton (and all U.S. Presidents) live? The White House.

Is the movie sending some message about Bill Clinton and the global elite in general?

In Conclusion

Longlegs is one of those movies praised by mass media while garnering lots of hate from “regular” viewers. On the one hand, critics praised the movie’s cinematography and haunting atmosphere while in awe of its deep symbolism and biblical references. On the other hand, the movie is literally about Satan preying on young girls. Not only that, the “moral of the story” is that everything went according to Satan’s plans. Maybe that’s why so many people hated that movie.

Considering the movie’s subject matter, who in their right mind can truly “enjoy” it? Why did they make a child actress talk about how being a child actress “messes up children?” Isn’t this twisted?

If popular culture reflects society, what does such a movie say about our society? Well, it says a whole lot. Most of the topics alluded to in the film are often censored in the media and dismissed as “conspiracy theories.” However, the elite must reveal the truth somehow, so it is done through “fiction.” Under the guise of being scary and creepy, horror movies reveal, in the most brutal fashion possible, the true mindset of those “behind the scenes.”

Yup, they’re devil-worshipping child predators who want to destroy families and brainwash children. And that’s what Longlegs is all about.

 

Symbolic Pics of the Month 09/24

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Symbolic Pics of the Month 09/24

Halsey has been featured on this site numerous times because almost everything she does is thoroughly drenched in Monarch mind control symbolism. Even while pregnant, she took part in weird ritualistic videos, which was rather worrying. But now she’s back in shape, and this new Paper Magazine photoshoot also indicates that she’s back in Sex Kitten mode. This photoshoot has so many symbolic pictures that this entire article could be dedicated to it. Here are some of them.

The magazine cover says it all. In Monarch mind control, Sex Kitten slaves are often identified with feline prints. How she wears that coat indicates that this is not about “fashion” but about what the coat’s feline print represents.
The feline coat + phallic object in her mouth = Sex Kitten imagery.

If you thought the feline-print coat does not necessarily allude to Sex Kitten programming, the photoshoot includes other symbols to emphasize its meaning.

Now, she’s wearing feline-print lingerie. That specific print is clearly significant. Furthermore, the one-eye sign confirms that she’s complying with her occult elite masters by doing this Kitten stuff.
In this pic, Halsey wears a sheer top, exposing her breasts and exposing the fact that she’s less an artist and more a representative of the Sex Kitten system. There’s literally a lion door knocker on her vagina. Sex. Kitten. None of this is subtle.
As their name implies, Sex Kittens are compared to animals and are treated as such. Here’s Halsey eating on the floor like an animal.

Sex Kittens are routinely dehumanized, put in gross situations, and stripped of dignity because that’s how they are kept under control.

Kind of like that.

The same issue of Paper Magazine also featured NLE Choppa, a rapper who was chosen to receive some of that precious industry spotlight. This means that he must start complying with the agenda. First order of business: Do some weird gay stuff.

They told him, “Get naked,” and put a cake on your genitals. Because when you become an industry artist, you get treated like a prostitute.
NLE Choppa had to make the all-important one-eye sign during the photoshoot to demonstrate complete compliance with the agenda. To reach the next level of stardom, it has to be done.

These past months, mass media has been ridiculously gushing over Charli XCX. They even called this entire season “Brat Summer” in honor of her album and the general vibe that comes with it. If you wanted to sound cool to your chronically online friends, you had to say “Brat Summer” occasionally. Even Kamala Harris adopted the Brat thing in her campaign, making it instantly cringy.

In the latest issue of i-D magazine, Charli XCX makes a big, fat, one-eye sign, indicating that this whole hype surrounding her is elite-sponsored marketing.
To ensure that you understand that this hand sign is not a fluke but a forceful symbol indicating industry plant status, Charli does it again on the magazine cover.
A couple of years ago, Charli XCX posted a series of Instagram posts about her selling her soul for fame. And now she’s super big and famous. Coincidence?

Speaking of super big and famous, Chappell Roan is now the “it girl.” To sound cool to your chronically online friends, mention Chappell Roan. To keep the hype going, the VMAs threw a bunch of awards at her, and magazines began the gushing session.

The cover of Rolling Stone magazine boldly declares: A Star is Born. Because they decided so, it’s almost an order.
Nowadays, being a star involves participating in weird, unsettling and unflattering photoshoots.
Most of Roan’s interviews are about LGBTQ topics (e.g., “Can a woman be a drag queen?“) because music is no longer about music; it is about agendas. In this picture, Chappell makes a clear one-eye sign to indicate that she’s already an industry pawn.
While newcomers must make the one-eye sign to gain entry into the industry, veterans must do it to avoid getting kicked out. In this Hollywood Reporter, Angelina Jolie hides her eye in nearly every photoshoot picture while looking odd and distressed.
Paris Hilton released an album titled Infinite Icon and the cover art could not be more symbolic. Hilton stands between two Masonic pillars under a crescent moon.
Hilton’s cover art is inspired by the High Priestess tarot card, which features the Masonic pillars Jachin and Boaz and a crescent moon. I call Madonna the “High Priestess of the music industry” due to her special status. Does this cover imply that Hilton (an heiress of the elite Hilton dynasty) is on the same path?

Shortly before giving birth to her third child, Cardi B posted maternity pictures on social media. They are easily one of the worst maternity pictures in recent history.

For her maternity pics, Cardi sits on a bike because, I guess, it looks cool. However, riding bikes while pregnant is considered a “high-risk” activity that’s dangerous to the baby. So what’s the message here? But that’s not even the worst thing about this pic. Behind her is the word “PEDOPHILE” (in white, over “homesick”). Furthermore, the picture appears framed to give this word full visibility. This cannot be an accident. And if it is not an accident, what is wrong with them?

On numerous occasions, I stated that the Pride flag has become a representation of a globalist world order where nations are erased and replaced with a bizarre focus on people’s sexualities. This ad for the Swedish Armed Forces blatantly confirms this fact.

The ad on the left depicts soldiers holding a Pride flag under the words “A Flag Worth Defending.” Aren’t they supposed to defend the Swedish flag? Is it not worth defending? And why is an army necessary to defend a flag representing homosexuals? Isn’t this a social thing? Armies defend nations, not sexual orientations. The main goal of this ad campaign follows the same phenomenon we’ve been observing for years: The erasure of national identity to replace it with the globalist LGBTQ flag.

Two years ago, I published an article titled “The Elite is Desperately Trying to Convince You to Eat Bugs. Here’s Why.” In it, I explained the pathetic yet unmistakable mass media push to make us eat insects. The media push hasn’t stopped since then.

In a recent BBC article (which is funded by British taxpayers), a “journalist” makes lame arguments to convince us to eat literal cockroaches. Yes, they mention cockroaches. These “articles” do not randomly pop up; they are ordered from above to get the world used to this concept. They want us to live in a Fear Factor episode.

Special thanks to everyone who sent in pics!

 

The Hidden Meaning of Katy Perry’s Highly Symbolic Performance at the 2024 VMAs

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The Hidden Meaning of Katy Perry’s Highly Symbolic Performance at the 2024 VMAs

The past few years of Katy Perry’s career were not easy. After ruling pop music in the first half of the 2010s, she released a string of unpopular songs with questionable videos while constantly finding herself in embarrassing situations. Some might say she’s in a long, drawn-out “humiliation phase” of her career, as the industry apparently selected her to be a “fool” in popular culture.

While this concept might seem far-fetched, it makes complete sense when one understands the mindset of the elite, which is influenced by occultism and ritual drama. Furthermore, Monarch mind control is rampant in the entertainment industry, where trauma and humiliation is an integral part of the process of breaking down and keeping control of slaves.

As seen in numerous articles, Katy Perry’s works have been drenched in the elite’s agenda, including MK symbolism. For instance, the 2012 video Wide Awake (analyzed here) is one of the most blatant videos about Monarch programming ever made. In the 2017 article “What is Happening to Katy Perry?” I look at the singer’s downward spiral from superstar to industry pariah. Sometimes, stars are universally praised, and they can’t do no wrong. Then, all of a sudden, everything they do is wrong.

After a string of bizarre events, Perry shaved her head and dyed it blonde – a common occurrence in MK slaves. Then, she released Bon Appétit, a song that compares her to an all-you-can-eat buffet, complete with a video that alludes to cannibalism (one of the elite’s obsessions.)

The cover art of Bon Appétit represents her being banged by three dudes. That’s the type of song industry slaves have to release.

The loss of dignity only got worse in the years that followed.

While most celebrities paraded around in high fashion at the 2019 MET Gala, Katy Perry was dressed as a hamburger. And she was mercilessly laughed at for months. Humiliation ritual.

In 2024, Perry tried to make a big comeback and released a big single with a big music video. It was a big flop. Everyone hated Woman’s World, as critics panned its feminist message for being tone-death and out-of-date. Not only that, the song was produced by Dr. Luke – the infamous producer who Kesha sued for “sexual assault and battery, sexual harassment, gender violence, civil harassment, violation of California’s laws against unfair business practices, infliction of emotional distress (both intentional and negligent), and negligent retention and supervision.” Not very empowering.

As explained in this very old article, Dr. Luke was basically Kesha’s MK handler. So him producing Katy Perry’s “feminist anthem” was not well received.

It’s almost as if all of this was done on purpose to further humiliate Perry. The video’s imagery was so absurd that some wondered if it wasn’t actually a parody.

In one of the Woman’s World‘s many perplexing scenes, Perry is peeing in a urinal. With her girls. Because it’s a group activity. But seriously, what is the actual message of this scene? That being a “strong woman” involves having a penis? But having a penis means that you’re a man, negating the strong woman narrative. None of this makes sense.
What is the meaning of this scene (other than insinuating sex)?

The entire video seems tailor-made to cover Perry with scorn and ridicule. Here are the very first comments one encounters on YouTube.

It’s a never-ending streaming of negative comments.

Music critics also hated the song.

A typical review of Woman’s World.

Despite releasing the biggest flop of 2024, MTV decided to award Katy Perry the Video Vanguard Award (also known as the Lifetime Achievement Award). The choice was somewhat surprising.

Upon hearing the news, I wondered: Is her humiliation phase finally over? Will mass media restore some of her dignity? At face value, the answer seems to be “yes.” However, when one understands the symbolism of her 10-minute performance that preceded the award, the answer is definitely “NOPE.” The entire thing was about depicting her as a sad product of mind control.

Here’s a look at the performance.

Lifetime Slavery Award

To celebrate her achievements at the 2024 VMAs, Perry served her fans a medley of hits from the past decade (while carefully avoiding Woman’s World). Sadly, the symbolism throughout that performance pointed directly to her being an MK slave of the occult elite.

The performance began with Perry floating in a “portal” in a highly symbolic position: The arch of hysteria.

Previous articles show that the elite is bizarrely obsessed with this specific position.

The arch of hysteria has been identified centuries ago as the most extreme physical reaction to trauma and, according to some, demonic possession.
Tony Podesta, one of Washington’s most powerful people, proudly displays the sculpture Arch of Hysteria by Marguerite Bourgois in his house. It’s one of the many examples of the elite obsessing over this specific position.

So why is Perry assuming this specific position? Because it represents trauma, the first step of Monarch programming.  Once the trauma is intense enough, the body’s defense mechanism is to dissociate. This is when MK handlers begin programming. All of this process is described through symbolism during Perry’s performance.

Perry floats around inside the “portal” to dissociation. To make things more obvious, butterfly wings flash on each portal side.

MK slaves who dissociate are said to feel a “floating” sensation. Therefore, after the trauma represented by the arch of hysteria, Perry floats to represent her state of dissociation. The butterfly wings confirm that this is all about Monarch Programming. Those specific wings will be seen again later.

Meanwhile, Perry sings her hit E.T., which contains lyrics that could easily describe the relationship between an MK slave with her handler.

You’re so hypnotizing
Could you be the devil, could you be an angel
Your touch magnetizing
Feels like I’m floating, leaves my body glowing

(…)

Kiss me, k-k-kiss meInfect me with your love and fill me with your poisonTake me, t-t-take meWanna be a victim, ready for abductionBoy, you’re an alien, your touch so foreignIts supernatural, extraterrestrial

Then, the programming phase begins.

Rapper Doechii awaits Perry in an “MK lab” surrounded by spare parts of women. This is about dehumanization and the creation of new alter personas.
To indicate that they’re artificial MK creations, Perry and Doechii’s costumes feature tubes and metallic parts.

Although the song is literally titled I’M HIS, HE’S MINE (a rather heterosexual theme), Katy simulates sexual activities with Doechii. One of the aims of Monarch programming is to create Sex Kittens slaves who have no limits or inhibitions.

Katy Perry “scissors” Doechii, not because she’s a lesbian but because she’s a programmed slave, and she has to.
Meanwhile, Orlando Bloom (Katy Perry’s husband) seems somewhat perplexed by this situation.

As Perry performs her next song, the next phase of her programming is depicted through symbolism.

Perry sits on a heart turning cold (dehumanization) as digits scroll on top of it.

In Perry’s world, 143 is code for “I Love You” (the number of letters in each word). The very human feeling of love is translated to binary computer language (it is not actually binary, but whatever), representing Perry being programmed to “love” who she is told to “love.”

The sex kitten slave has to “service” a ridiculous number of dudes. Why are there so many of them? Meanwhile, Orlando Bloom is still wondering what’s happening.
To represent her complete transformation into a Monarch slave, Perry wears giant butterfly wings (stylized to look like devil horns). 
Perry’s performance ends with her standing on a pyramid of men while holding a big butterfly—pure Monarch programming.

Then, her husband comes on stage to hand her the Video Vanguard Award.

In a possibly unintentional yet highly symbolic scene, Kerry exchanges that big butterfly representing mind control (why was she still holding it?) with a shiny award from the music industry.

If one ignores the blatant symbolism above, her receiving this award should be, in theory, a glorious moment. It appears that she finally got her dignity back. With that being said, here are the first words of her acceptance speech.

“I did that all on my first day of my period, too.”

Wow. Dignity denied. It’s almost as if she was told to say that. And, as usual, Perry got criticized in the media.

Even when Katy Perry wins, she loses.

In Conclusion

The music industry is weird. While some stars enjoy unlimited praise from mass media, others are “sacrificed” and covered with unlimited ridicule. After ruling the 2010s, Katy Perry turned into a hamburger-wearing weirdo who gets attacked every time she does or says something. She even got rejected by Kamala Harris’ people when she offered Woman’s World as a campaign song. Ouch.

While the Video Vanguard Awards supposedly celebrate a lifetime of achievements, Katy’s performance celebrated a lifetime of slavery. As she performed her biggest hits, Perry reenacted the sad life of an MK slave who is subjected to trauma, dissociation, programming, and exploitation. Even when Perry is “celebrated,” she’s humiliated.

And she did that all on the first day of her period.

Sinister Sites: Baron Empain Palace, an Egyptian “House of Horrors”

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Sinister Sites: Baron Empain Palace, an Egyptian “House of Horrors”

When one thinks of Egypt, one usually pictures the Great Pyramids of ancient times or the Islamic architecture of recent times. So when one comes across Baron Empain Palace—a bizarre building inspired by Hindu and Cambodian temples—it appears out of place. It’s almost as if it wasn’t built by Egyptians at all. That’s because it wasn’t.

The palace was built by Belgium-born Baron Édouard Empain, an extraordinarily wealthy industrialist best known for building the Paris Metro. During the end of the 19th century, Empain’s construction company took on massive infrastructure projects worldwide, some financed by the Rothschilds – the most powerful dynasty in modern history.

As seen in previous articles, the Rothschilds are the definition of “occult elite,” and, as we’ll see, Empain shared a keen interest in the dark arts.

Baron Édouard Empain.

In 1904, Empain traveled to Egypt and convinced the local government to sell him 10 square miles of land North of Cairo. In this desertic area, Empain built Heliopolis, a modern city of “leisure and luxury” that would eventually attract elite figures from Egypt and the Arab world. At the center of it all, on an artificial mound, Empain built a palace that would become his family’s primary residence.

Baron Empain Palace during construction circa 1909.

No expenses or eccentricities were spared in the making of this palace. It was built with the finest materials and included some of the most intricate features imaginable. French architect Alexandre Marcel even erected the building on a rotating base, allowing occupants to view the entire city and bathe in sunbeams throughout the day. These strange steampunk-like characteristics lead some to claim that the building was constructed with the help of some form of unholy magic.

While the palace, like its surrounding city, was meant to be a place of “leisure and luxury,” some of the events that occurred inside its walls were neither leisurely nor luxurious. Here are some of the stories surrounding the palace:

  • Empain conducted occult rituals in the Palace’s basement, in a room where nobody was allowed to enter. member of the Freemasons and other secret societies
  • This basement room leads to a secret tunnel that connects the palace to the nearby Basilica Church.
  • Empain’s daughter, who was paralyzed and riddled with psychological problems, could not leave the palace due to social stigma. She was found dead inside the building’s service elevator, in a probable suicide.
  • Empain’s wife died by falling from the palace’s massive spiral staircase, in a probable suicide.

In 1929, Baron Empain died of a mysterious illness and, per his will, was buried in the crypt of the Basilica Church. Some years later, the palace was sold at an auction and soon became one of those creepy, abandoned places surrounded by mystery.

In the following decades, the palace was believed to be “haunted” as people reported strange noises, odd sightings, and even flickering lights. There were also persistent rumors of orgies and satanic rituals taking place in the abandoned palace.

The palace made the news a few times for being a gathering place of Satanists in the 1990s.

Despite its state of disrepair, the palace’s “energy” continued to attract a specific crowd. Its walls were “decorated” with graffiti depicting satanic symbols or unsettling words such as “evil evil ghost of death,” while countless bats flew around the premises.

In the early 2000s, the palace was thoroughly renovated and became a popular tourist attraction. Of course, the creepiest parts were closed off to the public, and the secret chambers were probably torn down. However, most of the palace’s art and sculptures were restored. While some of the stories surrounding the palace are based on unreliable accounts, the works of art provide a clear glimpse into the mindset behind its creator.

Here’s a closer look at the palace.

A Temple of Deceit

Visiting the Palace involves climbing stairs and coming across symbolic sculptures.

Walking towards the palace’s entrance, one is greeted with art of various origins, such as Hinduism, Buddhism, Greco-Roman mythology, and the Bible, along with some pieces leaning on the erotic side. At first glance, these sculptures give off a sense of refinement and high spirituality.

However, examining these sculptures and their subject matter more closely reveals a darker narrative: They allude to the darker side of human nature and spirituality. While most sculptures were impaled or decapitated throughout the years by trespassers, their symbolic meaning remains intact.

A marble sculpture depicting Narcissus welcomes guests to the palace. Interesting choice.

In Greek mythology, Narcissus was a young man who was so impossibly handsome that he fell in love with his own image reflected in a pool of water.

“As he reached his teenage years, the handsome youth never found anyone that could pull his heartstrings, indeed, he left in his wake a long trail of distressed and broken-hearted maidens, and one or two young men fell by the wayside too. Then, one day, he chanced to see his own reflection in a pool of water and, thus, discovered the ultimate in unrequited love and fell in love with himself. Naturally, this one-way relationship went nowhere, and Narcissus, unable to draw himself away from the pool, pined away in despair until he finally died of thirst and starvation.”
– World History Encyclopedia, Narcissus

Narcissus is the origin of the term “narcissism” and “narcissistic personality disorder,” a psychiatric condition marked by grandiosity, excessive need for attention and admiration, and an inability to empathize. In other words, Narcissus represents the exact opposite of a spiritual being. He is the embodiment of self-absorption.

Therefore, Narcissus’s welcoming of guests at Baron Empain Palace indicates that this is not a temple of spirituality; it is about the opposite: indulging in worldly excesses.

This happens to be the basis of Satanism. This next sculpture might confirm this fact.

Another marble figure depicts David stepping victoriously on Goliath’s head.

In the Old Testament, the giant Philistine warrior Goliath was defeated by the young Israelite shepherd David using a sling. It is the original underdog story. But why is a Biblical tale depicted in this Hindu-inspired temple? It is difficult to say. However, a bizarre detail etched at the sculpture’s base indicates that there might be an entire other meaning to this sculpture.

The base has 666 etched in Arabic numerals at the very center.
A chart of Arabic numbers. The number 6 is identical to what is seen above.

Other pieces around the premises also allude to the darker side of spirituality.

Near the entrance door stands a prominent sculpture of Shiva the Destroyer.

Shiva is the third god in the Hindu trinity, and while he has many forms and meanings, he is often called the “destroyer of worlds.” In the sculpture above, Shiva is definitely in a destructive mood as he’s surrounded by a ring of fire and cobras he uses as weapons. As seen in previous articles, the occult elite loves Shiva, probably because he is known to “destroy the universe to recreate it,” which happens to be the ultimate goal of the elite. Is this why Shiva statues exist in symbolic places such as CERN and the World Health Organization?

Throughout the palace, countless figures with angry and menacing eyes surround visitors, giving them an unsettling feeling of being watched.

Inside the palace, visitors are greeted with more symbolic art.

While this statue has been thoroughly defaced, the panel says it is “The Temptation of Buddha.”

A recurring theme in Buddhist art, this sculpture represents the demon Mara tempting Buddha with his three beautiful daughters, Rati (lust), Trishna (thirst), and Raga (delight).

A classic depiction of Buddah’s temptation.

While this story is about resisting temptation, the Baron probably selected it because it involves demons, lust, and seductive daughters.

Buddha sits on twin pillars similar to those guarding the entrance of Masonic temples.
A classic Masonic chart depicting the twin pillars of Freemasonry. Baron Empain was most likely a Freemason.

Most of the palace’s original objects and furniture are long gone, leaving visitors to gaze at mostly empty rooms. However, one of the palace’s most striking features can still be experienced.

A dizzying spiral staircase goes all the way up the palace’s massive tower.

It is from the top of this staircase that the Baron’s wife fell to her death. This grim fact sums up the story of the Baron Empain Palace: Behind the guise of wealth and luxury lay complete moral decay, profound distress, and a cloud of dark energy that can still be felt today.

In Conclusion

The Baron Empain Palace is the definition of a “sinister site.” It was built by a man of incredible wealth and connected with the world’s most powerful dynasties (the Rothschilds). Not unlike the elite of today, he was obsessed with occultism and mankind’s darkest impulses.

Through a collection of carefully chosen pieces such as Narcissus, Shiva the Destroyer, and the literal number 666, the palace signals (to those in the know) the true purpose of its “temple.” While, in its upper levels, the palace welcomed lavish balls and elite gatherings, its lowest levels were the site of dark activities such as occult rituals, orgies, and blood sacrifices. Who even knows what happened in that underground tunnel?

Baron Empain Palace was built on a rotating base so that it could always bask in sunlight. However, despite the unrelenting presence of the Egyptian sun, the palace will forever be surrounded by darkness.

Something’s Terribly Wrong With Sabrina Carpenter and her Video “Taste”

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Something’s Terribly Wrong With Sabrina Carpenter and her Video “Taste”

In my last article about Sabrina Carpenter, I explained how the pop singer was being propped up to become a big star. Some months later, she’s magically topping charts everywhere, and every media outlet is gushing over her. They even awarded her single Espresso the title of “Song of the Summer” … in April.

In other words, Sabrina Carpenter has been granted the proverbial spotlight by the powers that be. And it’s all artificial. And some people have noticed that something was off.

Many people noticed that no matter what song they listened to on Spotify, the app automatically followed it with Espresso.

Could a near-monopolistic app like Spotify tweak its algorithm to push Sabrina Carpenter artificially? Yes, it could be—very easily.

The trend was so evident that the mass media had to report on this “conspiracy theory.”

When mass media uses the term “conspiracy theory,” it usually means people are on to something.

But why is Sabrina Carpenter being force-fed to the public right now? The answer can be summed up in one word: Agenda. Her videos and the general narrative surrounding her work comply with the occult elite’s terrible agenda.

In 2019, when Carpenter was much less of a household name, I published an article about her video In My Bed, which happens to be one of the most blatant music videos about Monarch mind control in history.

In this scene from In My Bed, Sabrina is in a straitjacket with her eyes spinning (representing her being hypnotized) as MK handlers observe her. She is trapped in a room that is obsessively “decorated” with pictures of her at various ages, including baby pictures. She has been under “their” control since birth.

In 2023, I wrote about her video Feather. Its message was deeply toxic. Also, while filming that video, Sabrina and her crew desecrated an actual church. Priests actually had to re-bless its altar after her foul presence.

In Feather, Sabrina dances suggestively on the altar of an actual Church, surrounded by the coffins of the men she killed. On the coffins is written “RIP Bitch.” That’s basically satanic.

After that video, the media began hyping her up and describing her becoming a massive star as inevitable.

Translation of the title: Sabrina Carpenter is an industry plant.

After force-feeding the world the “song of the summer,” Espresso, Carpenter released Taste. To ensure young people were exposed to its violent toxicity, Jenna Ortega (known to children as Wednesday) was cast in the video.

Distasteful

Taste takes place in Sabrina Carpenter’s cinematic universe, where most men get brutally murdered while she exhibits complete indifference. As seen in past articles, Carpenter did not invent anything; murdering men in music videos has been a “trend” for years. And, by “trend,” I mean a purposefully recurring agenda bent on attacking and demeaning masculinity at all levels of society.

In Taste, a man dies for no reason, and nobody cares. Even worse, they make fun of him. Meanwhile, Sabrina Carpenter and Jenna Ortega survive all kinds of abuse.

Taste was mainly inspired by the 1992 movie Death Becomes Her, in which two aging women drink a potion that promises eternal youth.

In Death Becomes Her, the protagonists become immortal due to a potion created by a bizarre, witchcraft-y secret society. Although not specified in Carpenter’s video, we can assume that she’s immortal for the same reason, which is entirely appropriate. Everything about this video is in line with the occult elite’s obsessions.

Taste begins with a shot of a bed on which are placed weapons and devices one could associate with BDSM. Also, there’s a teddy bear.

This shot is oddly reminiscent of the highly controversial Balenciaga ad campaign that alluded to pedophilia.

The Balenciaga ad campaign featured sad-looking children posing with questionable items. In this picture, a young girl poses with a leash, a collar, and a plush bear wearing a BDSM outfit. The rest of the campaign is worse. The similarities between this ad and the first shot from Carpenter’s video are striking. Are they bizarrely paying hommage?

In Taste, Sabrina Carpenter wants to kill Jenna Ortega because she’s with her man. The song is said to be about Camilla Cabello and Shawn Mendes, who is supposed to be Carpenter’s ex (or whatever, I don’t care). However, as is usually the case, the video’s symbolism refers to something much darker: Monarch programming.

Indeed, while the video spoofs several horror movies, the scenes are strung together to refer to concepts such as trauma and dissociation subtly. To make sure we understand that this video is about occult elite weirdness, it features the most violent one-eye sign in history.

Carpenter throws a knife in Ortega’s eye, effectively creating a bloody one-eye sign.
At the hospital, Jenna wears a nurse outfit inspired by Kill Bill: Volume 1. It’s a great way to keep that one-eye symbolism going.

In the scene above, Ortega holds a defibrillator and angrily walks towards Carpenter.

While defibrillators are usually used in the chest area, Jenna places them on each side of Carpenter’s head, effectively electroshocking her.

Appropriately enough, electroshock is used in Monarch programming to induce trauma, dissociation, and memory loss.

To retaliate, Carpenter also engages in MK-related shenanigans.

Carpenter spies on Ortega while holding a voodoo doll. She removes the head from the doll – a classic way of representing an MK slave dissociating.

Witchcraft and especially voodoo magic play an essential role in the programming of MK slaves.

“In discussing how trauma-based mind-control is done, voodoo must be included as a component. Many of the mind-controlled slaves have had voodoo as part of their trauma, and many had voodoo dolls placed into their Systems. When vows and oaths are made, an object is given to the satanic cult or the Illuminati for the Keeper of the Seals to guard. If the vow is broken voodoo magic can be used against the offender by using the object given in the sealing.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

Ortega happens to own a Sabrina Carpenter voodoo doll. She throws it in a fireplace.
As a result of voodoo magic, Carpenter catches fire. And, yes, fire torture is an important part of Monarch programming as well.

In another gruesome scene, Ortega cuts off one of Carpenter’s arms and chokes her with it. Pop music is unhinged.

In this scene, Carpenter is wearing white while Ortega is wearing black. Duality is an important part of MK programming.

While some might think that the scenes above might not be about mind control, the following scene clearly alludes to a dissociative state of mind.

Ortega and the guy (who is basically a prop in the video) engage in a passionate Hollywood kiss.
Ortega then believes that she’s actually kissing Carpenter.

When the video was released, mass media gushed over this scene. And while everyone was like, “OMG yaasss so iCoNic,” they completely missed the point of the scene: It is about Ortega being in a dissociative state.

Ortega pulls out a chainsaw out of nowhere and slices Carpenter.
As Ortega watches Carpenter falling into a swimming pool, the real Carpenter appears behind her.
We then realize that Ortega manipulated into murdering the guy.

In Sabrina Carpenter’s cinematic world, a man’s death is always met with ridicule and indifference. Nothing of value is lost. And the funeral is the perfect time to make light of the situation.

The guy is so generic that he doesn’t even get a name. At his funeral, he’s ironically referred to as “Beloved boyfriend.”
At the guy funeral, while the nameless guy’s mother is crying, Ortega smiles and touches Carpenter in a flirty way.

Yeah, they’re going to be a lesbian couple.

In the video’s final scene, Carpenter and Ortega leave the funeral while laughing at the guy they murdered, calling him clingy, insecure, and with “lots of trauma.”

The final scene is heavily inspired by Death Becomes Her, but the “moral of the story” is the exact opposite.

By the conclusion of Death Becomes Her, the women looked like rotting corpses.

In Death Becomes Her‘s funeral scene, Ernest is eulogized as having achieved “true immortality” through a fulfilling life where he accomplished good deeds and fathered wonderful children. In other words, by leaving the toxic energy of these witches and becoming a good person, he achieved eternal life. Meanwhile, the women who engaged in witchcraft for superficial purposes must live a sad life where they continually spraypaint their skins to cover their decaying flesh.

However, in Taste, the guy is nothing more than an innocent victim of murder. But he’s a man, so it’s ok. Meanwhile, Sabrina Carpenter and Jenna Ortega emerge as victorious, glamorous, and murderous lesbians. In the occult elite’s narratives, there is no “moral of the story.” Evil wins, and that’s about it.

In Conclusion

Like many other industry pawns, Sabrina Carpenter was “raised” in Disney’s system. Then, an inorganic force pushed her toward stardom. But that came at a price: She had to take part in toxic, violent videos where death and mind control are celebrated. Because, in mass media, when a celebrity has the attention of impressionable minds, they have to be used to push agendas. It’s either that, or the spotlight goes to someone else.

In Taste, Carpenter plays the role of a psychopath alongside Jenna Ortega, another child star raised by the industry. In this gratuitously gory video, both engage in “hilarious” situations that subtly refer to the trauma and dissociation of MK slaves. Then, they kill a man, and they live happily ever after.

In short, Taste is a “taste” of what the elite wants us to become: Angry, sadistic, emotionless, mind-controlled, man-haters. And if we could all suddenly turn gay, that would be great, too.

 

Politics and Mind Control: Why “The Manchurian Candidate” is More Relevant Than Ever

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Politics and Mind Control: Why “The Manchurian Candidate” is More Relevant Than Ever

Released in 1962, The Manchurian Candidate perfectly captured the Cold War climate of its time. In an era characterized by confusion and paranoia, countless people in politics and entertainment were suspected of secretly working for the communists. Over sixty years later, as politicians are still accusing each other of working for China, Russia, or a communist agenda, The Manchurian Candidate still manages to reflect the climate of our time.

But there’s another aspect of The Manchurian Candidate that makes its story truly unique, prophetic, and more relevant than ever: It was one of the first pieces of entertainment ever that directly addressed the concept of mind control, where individuals could be brainwashed and programmed to carry out high-profile assassinations.

In many ways, the movie was stunningly accurate and prophetic. One year after its release, John F. Kennedy was assassinated by a man who claimed to be a “patsy” … before being assassinated himself. Five years later, Robert F. Kennedy would be assassinated by Sirhan Sirhan, a 24-year-old Palestinian man who would later claim he was a product of mind control.

Sirhan Sirhan’s story is a movie on its own.

As years passed, the public realized that mind control was not science fiction. In 1975, the Church Committee shed some light on the CIA’s Operation MKULTRA and its controversial mind control techniques. Once again, The Manchurian Candidate was accurate and oddly prophetic.

There might be a reason for this stunning accuracy: The movie was produced by Frank Sinatra. While he’s mostly known for singing Fly Me to the Moon, some researchers argued that he was also an MK handler.

In 1958, the author Richard Condon had his novel The Manchurian Candidate published which describes an American Army sergeant, who is captured and programmed to assassinate on the cue of a Queen of Diamonds of a deck of cards. Richard Condon’s ability to think about the potential of behavior modification and hypnosis, had allowed him to stumble upon what had actually been going for over a decade. Frank Sinatra bought the movie rights for this book, let the movie out briefly and then squelched the second release of the film. Frank Sinatra has been a slave handler. He has handled Bob Hope’s slaves, when Bob Hope has lent them to the Rat Pack (which consisted of Dean Martin, Frank, Sammy Davis, Jr. Peter Lawford & Joey Bishop). Frank Sinatra spends time with the Rockefellers and the Rothschilds.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

Ironically enough, Sinatra is a “deprogrammer” in The Manchurian Candidate.

During the movie’s filming, Sinatra also worked with well-connected people, such as Willam Joseph Bryan Jr..

Both Frank Sinatra and CIA mind control programmer William Joseph Bryan, Jr. (aka William Joseph Bryon, and William Jenning Bryan III, etc.) were members of the Tommy Dorsey Band. Bryan programmed people while he was with the Air Force as Chief of Medical Survival Training which was the Air Force’s covert mind-control section. Later he opened up his own hypnotherapy Institute on Sunset Strip in Hollywood where he programmed some people in the Illuminati who are actors. He also was the person who programmed Sirhan Sirhan to be involved in the Robert Kennedy assassination. After Bryan died in spring 1977, the CIA cleaned out all of his files including his home files.

In William J. Bryan, Jr.’s book entitled The Chosen One The Art of Jury Selection, Bryan teaches how to use hypnosis on jury members to win one’s case. On the back of the book he states about himself, “In addition Dr. Bryan served as an Electronics Engineer in the Navy in World War II, was Director of all Medical Survival Training for the United States Air Force, and a leading expert on brainwashing.” William J. Bryan was the technical director for Frank Sinatra’s movie The Manchurian Candidate. It was hoped that the movie would scare Americans into thinking that the enemy (the communists) was carrying out mind-control.

In short, The Manchurian Candidate is more than a movie – it is a purposeful exposition of the dark side of the occult elite. Here’s a look at its story and symbolism.

Programmed

The movie revolves around Sergeant Raymond Shaw, the son of a prominent political family.

After the Korean War, Raymond Shaw returned to the United States as a hero. He received the Medal of Honor—the highest military decoration of the U.S. Armed Forces—for saving the lives of fellow soldiers in his platoon.

When asked about him, members of his platoon automatically and robotically answer:

“Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I’ve ever known in my life.”

However, none of this is true. In actuality, Shaw’s platoon was captured by Soviet forces and was taken to Manchuria to be brainwashed. While they were programmed to believe that Shaw was a hero, several soldiers had recurring dreams revealing what actually happened.

The movie’s dream scenes capture rather accurately the state of mind of MK slaves.

In their dreams, soldiers in Shaw’s platoon sit in a hotel lobby where a ladies’ garden club meeting is in progress.
The soldiers were dissociated from reality and programmed to believe that old ladies were in attendance.

However, their dreams also contain flashes of clarity, where they recall what actually happened to them.

The ladies’ garden club turns into a meeting of Chinese and Soviet intelligence officials where the captured American soldiers are used to demonstrate the power of mind control.

At one point, the speaker orders Shaw to grab a gun and shoot one of his soldiers in the head. Since he’s triggered and suggestible to orders, Shaw complies immediately.

Under the watchful eyes of Chinese and Soviet officials, Shaw carries out the killing, proving that mind control is a powerful tool in the war against America. At this moment, ex-soldiers wake up from their dream while screaming.

Back in the United States, Shaw lives a normal life but remains an MK sleeper agent. To trigger him (and make him receptive to orders), Shaw’s handlers tell him:

“Why don’t you pass the time and play some solitaire.”

When Shaw encounters the Queen of Diamonds, he is fully triggered and receptive to orders. As we’ll soon see, this particular card was selected as his trigger for profound psychological reasons.

When not triggered, Shaw is a regular American citizen and is employed as an assistant of the “most respected political journalist in America.” How many mind-controlled slaves controlled by communists are working in American media today?

Two years after his original “conditioning,” Shaw’s programmers needed to ensure his programming was still functioning.

At the programming site in New York, Shaw is met with his communist handler. To keep him triggered, a Queen of Diamonds card is placed in front of him.

To avoid suspicion from the outside world, Shaw’s time in reprogramming is disguised as a “car accident.” As we’ve seen in previous articles, reprogramming is always concealed with excuses such as “hospitalization” or “rehab.”

To test out his “mechanism,” Shaw’s handlers decide that he needs to kill someone. So they order him to shoot his boss at the newspaper. By doing so, Shaw would also replace him as an influential political journalist.

When Shaw creeps into his boss’ bedroom at 4 am to murder him, he finds him wearing a women’s robe.

By having him wear a particularly frilly robe, the movie is most likely implying that this political journalist is gay. While this fact might be irrelevent nowadays, it had specific implications in the Cold War espionage context of the movie. In those days, homosexuality was illegal and those who were outed as gay suffered widespread condemnation. This rendered homosexuals working in key positions particularly vulnerable to blackmail from outside forces.

During a Congressional hearing, CIA director Roscoe Hillenkoetter stated:

“The use of homosexuals as a control mechanism over individuals recruited for espionage is a generally accepted technique which has been used at least on a limited basis for many years. While this agency will never employ homosexuals on its rolls, it might conceivably be necessary, and in the past has actually been valuable, to use known homosexuals as agents in the field. I am certain that if Joseph Stalin or a member of the Politburo or a high satellite official were known to be a homosexual, no member of this committee or of the Congress would balk against our use of any technique to penetrate their operations … after all, intelligence and espionage is, at best, an extremely dirty business.”

In other words, the movie slyly implied that outside forces compromised American journalism.

After proving to his communist handlers that he could still carry out an assassination, Shaw was handed over to his handlers in America.

The American Operators

Shaw’s stepfather is a United States senator an the vice-presidential nominee. His mother, Eleanor, controls everything behind the scenes.

Johnny Iselin is a caricature of the modern, made-for-TV politician. At one point, Eleanor tells him:

“I keep telling you not to think! You just keep shouting point of order after point of order into the television cameras and I will handle the rest.”

Throughout the movie, this power couple accuses their opponents of being communists. However, towards the film’s end, we’re in for a major plot twist: They’ve been working for communists all along. Even worse, Eleanor is Raymond Shaw’s “American operator.” In other words, she’s his mind-control handler.

Throughout the movie, Eleanor is framed with the Queen of Diamonds, hinting at her being the ultimate handler.

Shaw’s original communist chose the Queen of Diamonds as his trigger because “she is reminiscent in many ways of Raymond’s dearly loved and hated mother.”

At one point, Shaw’s mother gives him a mouth-to-mouth kiss. It was the movie’s classy way of hinting at the all-out incestual relationship that happens in the novel. MK programming often involves disturbing sexual trauma.

As Shaw’s handler, Eleanor is ruthless. She orders him to murder her political opponent and his daughter, who happens to be Shaw’s wife.

When Shaw’s future wife reappeared in his life during a costume party, she wore a Queen of Diamonds card. Shaw’s mother had arranged this whole meeting, probably to facilitate her assassination.

While this was bad, Eleanor had much bigger plans for her mind-controlled son. At the upcoming national convention of her political party, Shaw would assassinate the presidential nominee. Eleanor’s husband, the vice-presidential nominee, would automatically succeed him as President of the United States. They would then blame the assassination on communists, which would justify dictatorial powers that would make, in Eleanor’s words, “Marshall Law seem like anarchy.”

In short, Shaw would be used as a mind-controlled assassin to turn the United States into a communist puppet regime. Luckily, Major Marco came to the rescue.

Deprogrammed

Major Marco holds a deck full of Queens of Diamonds to Shaw’s face. He wants him to be super triggered.

Major Marco (played by Frank Sinatra) was in Shaw’s platoon when it got captured and programmed by communist forces. After having recurring dreams of the event, he discovers the truth about Shaw and is tasked with deprogramming him.

After triggering Shaw using cards, Marco attempts to break the link between Shaw and his handlers. He tells him:

“This is me Marco talking. Fifty two red queens and me are telling you: It’s over. The links, the beautifully conditioned links are smashed. They’re smashed as of now because we say so”.

After the deprogramming session, Marco lets Shaw go, not knowing if it worked. Shaw then proceeds to carry on the mission his mother programmed him to do.

Shaw infiltrates the political convention disguised as a priest and finds a strategic location to snipe his target to death. One year after the release of the movie, JFK was sniped to death by a man who claimed to be a patsy.

In the end, Shaw did not follow his mother’s orders. Quite to the contrary, he kills her and her husband, freeing the country from these treasonous politicians.

After the shooting, Shaw symbolically puts on his Medal of Honor because he finally believes he deserves it.

Then, Shaw kills himself. Death is the MK slave’s only true path to freedom.

The 2004 Remake

While the original movie was never re-released, its story remained relevant. In 2004, Tina Sinatra (Frank Sinatra’s daughter) co-produced a modern retelling of The Manchurian Candidate.

The DVD cover of the 2004 remake of The Manchurian Candidate. That tagline is quite clever.

Set in the early 2000s, the movie stars Denzel Washington as Major Marco, a veteran of the 1992 Persian Gulf War. Besides being darker and grittier than the 1962 movie, the remake made key changes to the original story.

First, the plot occurs within the Democratic party (with Shaw’s mother resembling Hilary Clinton) while, in the original movie, the compromised party was implied to be the Republicans. Second, the main antagonists are not Russian and Chinese communists but an international corporation named Manchurian Global.

However, the main change involves Raymond Shaw himself. In the original story, he was a programmed assassin. In the remake, he’s the vice-presidential nominee and is under mind control.

Raymond Shaw is injected with a microchip while he’s in a dissociative state.

Bizarre fact: Raymond Shaw is played by Liv Schreiber. As explained in my article titled There’s Something Terribly Wrong Happening With the Sons of Celebrities, Shreiber has been involved in some MKULTRA-type weirdness involving his sons.

In other words, the remake of The Manchurian Candidate is as accurate and prophetic as the original one.

In Conclusion

The Manchurian Candidate remains relevant to this day because it is not merely a work of fiction or entertainment. It is an exposition of the underside of American democracy created by people “in the know.” Some would describe it as a case of “predictive programming” where the dark deeds of the elite are revealed to the world (e.g., assassinations perpetrated by MK slaves) before they happen.

While the two movies have fundamental differences, they both remain relevant today. In the 2004 movie, the main threat to American democracy is a globalist entity. This remains true today. And, like in the 1962 version, that entity is working to bring about a global form of communism.

To bring about that New World Order, they rely on mind-controlled puppets to shout “point of order after point of order at the television cameras” until the masses turn themselves into Manchurian Candidates.

 

Symbolic Pics of the Month 08/24

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Symbolic Pics of the Month 08/24

Since this site’s launch in 2008, Rihanna has been mentioned countless times due to the symbolism surrounding her. One of the recurring themes is Monarch mind control, more specifically, Sex Kitten programming. And, despite now having two children, this degrading symbolism (when one understands what it means) still defines her career. The following Perfect Magazine photoshoot is more proof of this fact.

As seen in previous articles, Sex Kitten slaves are often identified with feline prints. Everything about this picture, from her clothing to the furniture, is covered in feline prints. The clashing juxtaposed prints are not aesthetically pleasing, but that doesn’t matter. The overkill sends a message: This is about Sex Kitten programming.
Rihanna poses suggestively with an actual feline (along with pearls), further highlighting that this is about Sex Kitten programming.
In this pic, Rihanna is bound and restrained while holding a mic, representing her being a slave of the music industry. Her strategically placed hair also creates a one-eye sign, further driving the point home that the occult elite owns her.

In many ways, Kim Kardashian is similar to Rihanna. After peaking in popularity about 14 years ago, these maturing mothers still must subject themselves to degrading symbolism to keep their careers going.

Two years ago, Balenciaga released an ad campaign that featured children surrounded by BDSM items and even references to pedo porn. As explained in this article, the campaign was vile, and the outrage was intense. But the symbolism is still there. The company’s recent ad campaign featuring Kim Kardashian is all about Sex Kitten programming. She is made to look like Marilyn Monroe (the original Sex Kitten) while wearing animal-print shoes. Also, her face literally says, “I can’t believe I still have to do this crap at my age.” Those behind the ad actually wanted to see that sick-and-tired face: It is part of the industry slave experience.

Speaking of former sex symbols who need to do weird things to stay relevant, Sharon Stone’s Instagram account contains some weird and upsetting posts.

In a bizarre Instagram post, Sharon Stone has a black eye while giving a thousand-mile stare as if something traumatizing just happened. Making things more concerning, the caption says: “This trip has been tough, but I’m tougher.” Most comments on IG wonder if Stone underwent some shady occult elite ritual. After all, she’s literally sporting a one-eye sign.

Eminem’s new album, The Death of Slim Shady, included some highly symbolic imagery regarding the nature of his alter-ego.

In one promotional trailer, we see Slim Shady’s birth. And it’s a horned, demonic baby.
In another trailer, Slim Shady seems tied up and forced to watch a screen. The scene looks like an MKULTRA brainwashing session. At the bottom right, we see Eminem’s official profile pic: Him doing devil horns while hiding one eye. All of the symbolism is about him being controlled by evil forces.
The album cover features Slim Shady making a one-eye sign while peeking from a body bag. The message: This album was brought to you by the occult elite.

Speaking of rappers hinting at Monarch programming, here’s Ice Spice (aka nobody’s favorite rapper). After wearing a big inverted cross at the Superbowl, she again used jewelry to explain why she’s inexplicably famous.

At the 2024 BET Awards, Ice Spice wore a literal chain around her neck (hinting at slavery) and a butterfly pendant (hinting at Monarch programming). She also had a butterfly tattoo on her arm.

Here’s another female rapper who associates herself with the exact same imagery.

On the cover art of her new album, Meghan Thee Stallion emerges from a Monarch butterfly chrysalis. What better way to represent the emergence of a new Monarch slave persona? In the background, we see a camera and a pod-like enclosure, hinting that Stallion was “programmed” in that room.

What’s the “reward” for being an industry slave?

Stallion twerked and made devil horn signs at a Kamala Harris rally.

Speaking of industry slaves, Lil Uzi Vert (pronounced Lil Lucifer) has been used for years to push the gender-blurring agenda in the rap world. And, every time, it is a thoroughly humiliating display. And, every time, people hate seeing it.

Marc Jacobs selected this male rapper to model a dress and a handbag. His face says: “I can already hear people roasting me for this.” And, of course, nearly all of the comments on IG is people roasting him.

Speaking of gender-blurring, the government is hard at work erasing the word “woman” to replace it with the most dehumanizing terms possible. Here’s another ridiculous example.

In a post celebrating “Menstrual Hygiene Day”, the U.S. Department of Labor refered to women as “menstruators”. While, at face value, this post is supposed to be “inclusive,” it actually excludes women by reducing them to a mere bodily function.

Speaking of gender-blurring, the elite loves celebrities who claim to be “non-binary” and use “they” pronouns (like Lil Uzi Vert seen above). Those who accept to do this cringy, ridiculous stuff get rewarded with some media attention. Of course, it has to be symbolic.

In a Wonderland Magazine photoshoot, Emma D’Arcy clearly displays Baphomet’s “As Above, so Below” hand sign. Why? because that’s the occult elute’s favorite deity. Also, Baphomet is technically “non-binary.”

Speaking of Baphomet.

For some reason, Snoop Dogg’s presence at the Olympics was very mediatized. And, for some reason, he walked around with a pendant that looked much like Baphomet. In response to the understandable questioning, Snoop replied that it was not Baphomet but a goat, as in “Greatest of All Time.” This sounds like BS. I am 100% sure he is fully aware that he is FAR from being the greatest rapper of all time. It’s all about Baphomet making an appearance at the Olympics.

As explained in previous articles, the LGBTQ flag is not merely about “pride”; it is a globalist flag representing the elite’s control of a degenerate society that bizarrely focuses on individuals’ most private aspect: Their sexuality.

This is a London street during Pride Month. Does this look like a “celebration”? Or a conquering force that is forcibly imposing its flags on nations worldwide?
Meanwhile, in the actual parades, full-grown adults expose themselves to children. This is the kind of society they are trying to build.

The agenda is so pervasive that it is even infiltrating religion.

The Episcopal Church changed its logo to include the Pride flag. How can this thing even remotely represent a Christian church? Furthermore, the red cross of St. Georges (a martyr who chose to be executed rather than recant his faith in Jesus Christ) was removed from the logo. Symbolic.
Marlon Wayans has a “daughter who transitioned into a son.” While this piece of information could have stayed private, it was abundantly published because that’s what Hollywood parents with transgender children have to do. Then, Wayans further promoted this fact with a bizarre photoshoot of him posing with an LGBTQ half-mask. Other than being creepy, the mask actually symbolizes Wayans true self being taken over by a faceless entity.
This is from the trailer of the upcoming movie Beetlejuice Beetlejuice. The 666 is there on purpose because everything needs to be blatantly satanic now.

Special thanks to everyone who sent in pics!

An In-Depth Look at the Depravity of the 2024 Paris Olympics Opening Ceremony

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An In-Depth Look at the Depravity of the 2024 Paris Olympics Opening Ceremony

As I watched the opening ceremony of the 2024 Paris Olympics live, two thoughts repeatedly came to mind: “France has fallen” and “We’re living in Sodom and Gomorrah.” These exact thoughts probably came to lots of other people’s minds because the backlash was immediate and came from all over the world. While mass media attempted to dismiss the outrage it simultaneously engaged in another mission: Scrubbing the internet of videos of the ceremony. The official YouTube channel of the Olympics and news channels all decided that this thing needed to be forever forgotten. Even YouTube channels that used some footage to comment on the ceremony were hit with copyright strikes.

In short, they don’t want people to rewatch this thing intently because it contains several outright shameful moments. However, the damage was done: The occult elite carried out its mega-ritual for the entire world to see, and the foul energy that emanated from it was harvested.

Needless to say, I was fully expecting symbol shenanigans during the ceremony. In 2012, I wrote an analysis of the Opening and Closing ceremonies of the London Olympics, which were highly symbolic (and even prophetic). However, after witnessing the Paris ritual, the London ceremonies were, comparatively, the epitome of class and good taste. I mean, at least children could watch it.

It’s not like the Paris ceremonies skimped out on the effort and expenses. While Olympic ceremonies usually occur in a stadium, the Paris organizers daringly chose to have them within the city itself, and the results were often visually striking and grandiose. However, by doing so, the elite also exposed its outright hypocrisy.

The same globalist elite that is purposely turning cities around the world into hellholes through lax policies and uncontrolled immigration expelled thousands of migrants and homeless people from Paris for the Olympics. They don’t want to see any of this when they’re around.

Usually, Olympic ceremonies celebrate the culture, history, and achievements of the host nation. Using powerful symbolism, the opening ceremonies of the Paris Olympics accomplished the exact opposite: They were about the subjugation of France, along with its rich culture, to the sick, depraved, and thoroughly satanic global culture of the occult elite. Even when pieces of France’s history and culture were seemingly “honored,” it was through a distorted lens that ultimately celebrated their corruption.

Here’s a look at the ceremony.

From Darkness to Light

All Olympic ceremonies are inherently highly symbolic and charged with a deep occult meaning. Indeed, modern Olympics were revived by Pierre de Coubertin, a French aristocrat who was an active Freemason.

Pierre de Coubertin was an active Freemason from his days at Oxford University where he was initiated in Apollo University Lodge No 357, Oxford, England in 1890.

The torch-bearing ceremony surrounding the Olympics is imbued with occult meanings that are directly linked with de Coubertin’s Masonic ties. In occultism, Lucifer is perceived as a savior for passing the light of divine knowledge to humanity. In Latin, Lucifer literally means “light bearer”.

A Greek mythology, Prometheus is the equivalent of Lucifer. He took the fire of knowledge from the gods and gave it to humanity.

In short, the torch-bearing ritual has a deep Luciferian meaning. In the 2024 Olympics, the ritual began by physically portraying one of the elite’s favorite mottos: From darkness to light.

The ceremony began with children walking through the Catacombs of Paris using the Olympic torch to light their way.

The opening ceremony of the Olympics began with kids walking around a legendarily creepy underground ossuary that contains the remains of over six million people. This place is truly a sinister site: It is entered through a place called Barriere d’Enfer (Gate of Hell), and there have been persistent rumors of dark rituals taking place in its underground passages for centuries.

As the children illuminate walls made of human skulls (using the Luciferian torch), a creepy, faceless man invites them on a boat.

The mysterious figure brings the children from darkness to light. Literally.
A Masonic image with the occult’s Luciferian motto.

As the masked man takes the children towards the proverbial light of the occult elite, we see a shot of their current puppets.

Macron and the President of the Olympic Committee stand up for the torch’s arrival. Macron’s handler sits on the right—sorry, I mean “wife.” Sitting on the left is António Guterres, the United Nation’ Secretary-General. Why is he here? Because France is under the control of globalists.

After this symbolic display, the mysterious man carrying the torch runs across Paris and takes the viewers through the 12 tableaux of the ceremony.

Vaguely inspired by figures such as the Fantom of the Opera, this figure represents the faceless elite guiding France and the world through the ceremony’s various narratives.

And it starts with blood.

Decapitated Heads

Gojira’s performance began with a gruesome shot of Marie Antoinette holding her decapitated head.

Dressed in ritualistic red – the occult color of sacrifice – the death of several other French figures is celebrated in this bizarre display. Other than the fact that children are watching this ceremony, why are the violent deaths of French people being celebrated at the Olympics?

The masked figure (representing the elite) oversees the revolution.

Here’s an often-overlooked fact about the French Revolution: It was mainly organized by secret societies such as the Freemasons and the Rosicrucians to overthrow and replace the Monarchy and the Catholic Church. Considering the occult elite context of this ceremony, the death of figures associated with both these pillars, such as Marie Antoinette, is celebrated in a ritualistic manner.

The performance ends with what looks like the blood of the executed splattering from the windows of the building. Yes, we’re still watching the … *checks notes* … Olympics.

While the French Revolution is usually perceived as a positive thing, we are currently entering the next phase of the occult elite’s grand scheme. And it is not good for anyone: Moral and social decay to facilitate the coming of a New World Order. The rest of the ceremony made sure to highlight this decay.

Bisexual Threesome

Following this celebration of death, Olympic organizers found it essential to then focus on sexuality. In a bizarre scene at the National Library, two men and a woman engage in flirtatious behavior as they read French literature books about sexuality. Some of the choices are rather perplexing.

One suggested book is Diable au Corps (Devil in the Flesh). It is about a married woman having an affair with a 15-year-old boy while her husband is out at war. Yes, the Olympics managed to make a reference to sex with a minor.
After frolicking for a while, the three friends realize that they’re horny and that they need to have sex right now. So they run away, leaving a huge mess at the National Library. But that’s OK because they’re LGBT.
Then, the viewers are treated to a bisexual threesome scene. By the way, we’re still watching the Olympics.
Meanwhile, outside, there’s a choreography meant to represent the “rise of desire”, complete with scenes of men kissing.

After this bizarre focus on lust, the ceremony then makes a heavy political statement.

Humiliating France

The next tableau is called “Equality.” But the elite did not want to celebrate equality between people (they definitely do not believe in that). Instead, they’ve decided to portray equality between “tradition and modernity.” And their version of “modernity” is one global, braindead culture.

The segment begins with the Republican Guard Orchestra standing guard on one side. They represent tradition.
On the other side is singer Aya Nakamura. She reprsents “modernity.”

When Macron personally invited Nakamura to represent “modern France” at the Olympics, the controversy was immediate. The main reasons: She’s been accused of destroying the French language in her songs with her slang, which mixes English, Arabic, and West African words and expressions. In other words, she represents the elite’s dumbed-down globalist culture.

Needless to say, selecting this specific artist to play this specific role was highly political. The message: France’s culture, history, and identity are being replaced by a single global culture. The same is happening around the world.

As Nakamura performs Djadja, the poor old man behind her has to awkwardly dance to the zouk beat of the song.

The symbolism is powerful: Traditional France has to move to the beat of the globalist rhythm.

The Blasphemy

As in every occult elite display, there needs to be an outright salute to Satan. At the Paris Olympics, that was accomplished by turning the opening ceremonies into a Black Mass where Christianity was openly desecrated.

French DJ Barbara Butch plays the role of Jesus Christ (complete with a halo) and is surrounded by drag queens in a scene mocking the Last Supper.

Faced with the backlash, the media attempted to gaslight people and claim the scene was inspired by a painting called Feast of the Gods. That is a lie.

The producer said it himself until they decided to backtrack and lie. Then, they deleted videos of the ceremony.

 

A fashion show featuring this bearded drag queen tramples on the Last Supper table.

As if that wasn’t enough, this creep then makes an appearance.

When this naked man started singing, the entire world sighed in anger.

This man represents Dionysus, the Greek god of wine-making, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. Also known as Bacchus, the cult of Dionysus is associated with drunken ecstasy, sexuality, and blood offerings.

The religion of Dionysus often included rituals involving the sacrifice of goats or bulls, and at least some participants and dancers wore wooden masks associated with the god. In some instances, records show the god participating in the ritual via a masked and clothed pillar, pole, or tree, while his worshipers eat bread and drink wine.
– Dionysus, Wikipedia

In other words, Dionysus represents the exact opposite of Jesus Christ. And that’s why they have him lying on the table looking all sleazy and lustful.

Also, why is there a little girl there?

As Dionysus horrified the world, a little girl hanged in the background, held by a large man.
The same girl dances with a bunch of sweaty degenerates.

Remember how they celebrated the book Devil in the Flesh? And that it was about sex with a minor? And now there’s this girl dancing with near-naked weirdos? Those are the kinds of shameful things they are trying to scrub from the internet.

Celebrating the New World Order

When this excruciating display of blasphemy concluded, things got somber. Because it was time to celebrate the ultimate goal of the occult elite: The New World Order.

To do this, they started by singing John Lennon’s Imagine, the unofficial anthem of the New World Order.

Although there’s nothing French about that song, Juliette Armanet performed Imagine.

When that song was performed at the 2012 London Olympics, it made some sense because Lennon was from there. However, in this case, it made no sense until one understands that the song contains the occult elite’s all-time favorite lyrics.

Imagine there’s no countriesIt isn’t hard to doNothing to kill or die forAnd no religion, too

(…)

Imagine no possessionsI wonder if you can

No countries, no religion, and no possessions. This is exactly the ultimate goal of the occult elite, championed by organizations such as the World Economic Forum. This is why António Guterres, the United Nations Secretary-General, was sitting right next to Macron. They want to erase France (and all other countries) for a single world government.

The next segment visual depicts this exact goal.

The masked figure (still representing the elite) enters center stage riding a white horse.

Does it represent the pale horse of the apocalypse? I hope not because, as the Bible states, “his name that sat upon him was Death, and Hell followed with him.”

Creepily enough, all nations of the world literally followed the horseman.

People carrying national flags lined up on each side of the street. Then, as the horseman passed them, they gradually followed him.
There is no better way of representing the world’s nations falling in line behind the occult elite’s New World Order.

In Conclusion

As this depraved ceremony progressed, the rain kept intensifying. It was as if God was attempting to extinguish the Olympic flame that had turned into a hellish fire. And, like everything satanic, the entire thing was steeped in lies. While it was said to be unifying, the ceremony was actually divisive. While it was said to be about love, it is actually about hate. White it was said to be about France’s glory, it is actually about its humiliation.

The occult elite appears intent on turning the entire world into Sodom and Gomorrah and the opening ceremonies of the 2024 Olympics was a blatant celebration of this fact.

Trump’s Shooter Reenacted “The Manchurian Candidate.” Was He Brainwashed by Handlers? Or Social Media?

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Trump’s Shooter Reenacted “The Manchurian Candidate.” Was He Brainwashed by Handlers? Or Social Media?

On July 13th, world history was literally an inch away from taking a sharp, drastic, and dramatic turn. Indeed, if this one bullet hit Trump’s brain instead of his ear, we’d probably be in an entirely different situation right now.

Many still do not comprehend the historical gravity of the situation, as if still in shock (or completely numb). Some of the most significant events in world history, including major wars and revolutions, started following the assassination of an important political figure. If Trump had not turned his head in that specific direction at that exact moment, the consequences could have taken historical proportions: A successful assassination could have been the spark needed to turn the gaping divide in America into an outright explosive situation.

Even though the assassination attempt failed, tensions are still palpable. Several days after the shooting, there is still little to no information regarding the shooter’s history and motives available in mass media – although the FBI gained access to Thomas Matthew Crooks’ phone. Is information purposely being withheld?

Not unlike other “lone shooters” in the past, there’s a lot of weirdness surrounding Thomas Matthew Crooks. How could a nerdy 20-year-old man who still lives with his parents almost take out a Presidential candidate?

How did this guy foil the US Secret Service? And local law enforcement?

In many ways, the unfolded drama is reminiscent of the 1962 movie The Manchurian Candidate. In this highly relevant movie, a man is brainwashed using MKULTRA to assassinate a Presidential candidate amid a crucial election. The killing would cause a chain of events leading to the instauration of an authoritarian regime favorable to the communist block.

The movie ends with the shooter taking a sniper’s position to shoot the candidate. However, he misses and kills two other people instead. He then kills himself.

While there are significant differences between this Cold War-era movie and the events that unfolded in the past week, every bit of information known about the shooter is highly perplexing.

Bizarre Facts About the Shooter

Despite the FBI gaining access to the shooter’s phone, media still describes him as an “elusive enigma”.

Is Thomas Crooks truly an “enigma,” or is the truth being withheld? While mass media keeps pushing stories about how mysterious he is, the little information that has leaked out only leads to more questions.

One piece odd piece of information is that both of the shooter’s parents are licensed behavior health counselors.

Crooks’ parents, Matthew and Mary Crooks, née Frizzi, are certified behavioral health counselors, according to state licensing records.
– The Independent, ‘I don’t know what to say’: Family of Thomas Matthew Crooks struggles to make sense of Trump shooting

This fact is extremely odd, considering what happened. Here’s a description of the shooter’s parents’ line of work.

Behavioral health therapists assess, diagnose, and treat a wide range of mental health issues such as anxiety, depression, phobias, and addiction. They work in both public and private sector settings, including hospitals, clinics, schools, and private practices. Their clientele typically span all age ranges, from children, to adolescents, to adults.

Behavioral therapists use different techniques to help their clients modify their problematic behaviors and develop new, healthy ones.
– Palo Alto University, What is a Behavioral Health Therapist

How is it possible that both of this guy’s parents were unable to “assess, diagnose and treat” the fact that their own son, who lives under their roof, wanted to kill a Presidential Candidate? And that it was also a suicide mission? Is it possible that the shooter’s behavior was “altered” but not in a good way?

Another bizarre fact is that Crooks appeared in a BlackRock commercial in 2022.

Crooks sits front and center while a BlackRock representative explains how they rule the world to high school students.
At one point, there’s a closeup of Crooks interacting with the representative. What are they even talking about?

BlackRock is, simply put, one of the most powerful companies in the world. It is the world’s largest investment corporation, with over $10 trillion in assets. The Economist called BlackRock “the world’s largest shadow bank”, and through its strategically placed investments, the company shapes the world according to the elite’s will.

It is simply impossible to overstate the sheer power and influence of BlackRock, which is, of course, a prominent player in the elite’s major gatherings, such as the Bilderberg Meetings and the World Economic Forum. Through its trillions of dollars, BlackRock shapes entire nations (it already made a deal with Volodymyr Zelensky for its role in reconstructing Ukraine) while forcing the corporations it acquires to adopt specific “progressive” policies. BlackRock has also funneled billions of dollars to the Chinese communist government.

In other words, BlackRock is the definition of an elite-owned, globalist entity that is working against American interests. The fact that one of its rare ads features a Manchurian candidate-type assassin is simply mindblowing.

Radicalized?

Although the FBI gained access to Crooks’ phone, there might be a reason why there is so little information concerning his online activity: He might have been radicalized by some of the elite’s favorite outlets. Indeed, as a 20-year-old white American male with some interest in politics, Crooks is the target audience of a highly popular yet toxic site: Reddit.

Dubbed “the front page of the internet,” the social news site Reddit is currently the 18th most visited website in the world. While Reddit used to be a hotspot of memes and entertaining articles, the site has taken a drastic turn in recent years. To put it bluntly, it is now a den of propaganda and disinformation, curated by sophisticated algorithms, AI bots, and various agents. This switch occurred about five years ago, which coincided with Reddit being partly acquired by Tencent – the Chinese multinational technology conglomerate.

It is problematic that Reddit—a site highly influential among young Americans—is partly owned by Tencent. Dubbed an “AI champion” by the Chinese government, Tencent has close ties with the Chinese Communist Party. Here are some of Tencent’s “accomplishments” relating to the Chinese government.

The Chinese government views Tencent as one of its national champion corporations.

For the occasion of the 19th National Congress of the Chinese Communist Party, Tencent released a mobile game titled “Clap for Xi Jinping: An Awesome Speech”, in which players have 19 seconds to generate as many claps as possible for the party leader.

In August 2019, it was reported that Tencent collaborated with the Guangdong Propaganda Department of the Chinese Communist Party and the People’s Daily to develop “patriotic games”.

In a December 2020 article in Foreign Policy, a former senior official of the Central Intelligence Agency stated that the CIA concluded that Tencent received funding from the Ministry of State Security early on in its foundation. This was said to be a “seed investment” that was provided “when they were trying to build out the Great Firewall and the monitoring technology.” Tencent denied this allegation.

In 2021, it was reported that Tencent and Ant Group were working with the People’s Bank of China to develop a Central bank digital currency.

In June 2022, Tencent partnered with Shanghai United Media Group to launch a plan to develop domestic and foreign influencers.
– Wikipedia, Tencent

When one recognizes China’s involvement in Reddit, one understands the toxic agenda behind it: To rot America from within with a constant flow of toxic and divisive content. This fact could not have been more evident than after the attempted assassination of Trump. While the near death of the man caused most reasonable people to tone down their radical, hateful, and sometimes violent rhetoric, Reddit doubled down on it. It’s almost as if local and foreign agents are purposely trying to undermine America’s democracy from within. Here are some examples.

A radical sub called “ConservativeTerrorism” does not shy away from calling anyone voting for the Republican Party “terrorists.” What better way of creating a gaping divide in America?
Even subs such as Millenials (initially about funny, relatable memes relating to Millenials) turned into outlets for extreme political rhetoric. This post insinuates that nobody should feel bad for Trump and that he even deserves it.
This post is about Trump faking his assassination attempt. Alex Jones got sued for billions for stating that a shooting was fake. Why isn’t Reddit being sued for billions as well?
This post downplays the assassination attempt and almost depicts the shooter as a hero who shot Trump because of his ties with Epstein. Of course, none of this is verified information – it is yet another propaganda meme.

I could add hundreds of other posts custom-made to sow hatred and division in America. The last thing they want is unity among Americans. They want to radicalize people to the point of pushing them to the brink of a civil war. While some American outlets had the common sense to tone down the radical rhetoric in these tense times, Chinese-owned Reddit showed its true toxic colors.

The chances of the FBI finding Thomas Matthew Crooks to be an avid Redditor are high. Such a revelation could place an unwanted spotlight in this elite-favorite site and jeopardize its radical agendas. Another proof of the elite loving this site: Google has recently boosted the site’s visibility greatly while penalizing others in search results. In other words, They want people to drink from this poisonous well of toxicity. It is a perfect embodiment of their Orwellian future: Through sophisticated algorithms and AI technology, opinions that are favorable to the elite are pushed into view while others are automatically censored.

Thomas Crooks is most likely a product of this site.

In Conclusion

Once again, a high-profile shooting was carried out by a mysterious “lone shooter” is surrounded by highly conflicting information. Crooks is supposedly a registered Republican, while records show he donated $15 to a liberal cause. His father is a registered Republican, while his mother is a Democrat. Both of his parents are, astoundingly, behavioral therapists. Still, they failed to diagnose the fact that the son living in their home wanted to carry out a suicide mission to kill a Presidential Candidate.

This leads us to ask: Was Crooks a Manchurian Candidate-style MK agent programmed to kill Trump? On the other hand, considering the brainwashing powers of social media outlets such as Reddit, bad actors can now automatically sleeper agents from very far away.

 

Biden’s Debate Performance Was Shocking Proof That He’s Merely a Puppet. Who Actually Runs the Country?

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Biden’s Debate Performance Was Shocking Proof That He’s Merely a Puppet. Who Actually Runs the Country?

As stated numerous times in the past, this site is not about the puppet show that is politics; it is about the puppeteers who pull the strings behind the scenes. And these proverbial strings were never more apparent than during the CNN Presidential Debate that aired on June 27th. “The most powerful man on Earth” was not even the most powerful man in the room.

The CNN debate will most likely go down in history as the worst performance ever by a Presidential candidate. Described as nothing less than a”disaster” and a “trainwreck” by journalists who had no way of spinning this positively, Joe Biden’s performance was not merely “bad”; it was deeply concerning.

It was one of these historical moments when a “conspiracy theory” became an obvious reality for the average person. Indeed, as the world witnessed Joe Biden struggling to form a coherent sentence, one thought came to our collective minds: Who is truly running America? Because it’s clearly not Joe Biden.

Watching the President of the United States walking stiffly on stage, struggling to pronounce words audibly, and staring blankly toward the afterlife was difficult to watch. This man should not be debating on television (let alone campaigning across the country); he should be eating oatmeal and taking long afternoon naps. And that’s probably what he was doing most of the time in the past four years. While the media did its best to hide Biden’s senility, the debate made it abundantly clear that he was not the one managing the country’s economy, conducting military operations, or devising social policies. Everything is already planned out from above, and he has no say in any of this.

In fact, Biden doesn’t even run his X account.

This highly intellectual post appeared on Biden’s X account right in the middle of the debate. While it is common for politicians to have PR specialists run their social media accounts, there’s usually some effort to give an illusion of authenticity.
People noticed.

In other words, Joe Biden isn’t running anything. He’s the one that’s being run.

So, who’s running him and the country? The same tentacular entity that runs countries worldwide, with the same disastrous effects: the global elite. Every aspect of Biden’s presidency was planned long before he took office. Sadly, the ultimate goal is not America’s security and prosperity; it is the profound reshaping of America to fit into a global world order.

Biden is not the first president to be controlled by outside forces, and many other heads of state worldwide are currently taking orders from the same place. The only difference is that Biden’s declining cognitive functions made everything abundantly clear.

Infiltrated From Outside

Biden with Klaus Schwab at the World Economic Forum (WEF) – one of the supranational entities that control governments from outside.

As a Canadian, I know something about a heavily compromised head of state. Justin Trudeau—whose profession before becoming Canada’s prime minister was high school drama teacher—is an empty vessel trained to implement the WEF’s agendas. And that is not a “conspiracy theory.” Klaus Schwab, the head of the WEF, boasted that his organization was “penetrating” the Canadian government and several others.

In the video above, Schwab stated that at least half of Trudeau’s cabinet was sold out to this elitist, globalist, and unelected organization. Several other governments around the world take orders from the same place. In my recent article about the 2024 Bilderberg meeting, I highlighted the presence of these important figures of the Biden administration (among many others):

  • Jen Easterly, Director of the Cybersecurity and Infrastructure Security Agency of the United States
  • Tarun Chhabra, Senior Director for Technology and National Security of the United States
  • Richard H. Phillips, Director of National Intelligence of the United States

These three directors are responsible for highly secretive United States agencies involving national security. Why are they discussing this with leaders from around the world? Who are they truly working for?

The sad truth is that they are taking orders. Then, they implement these orders while Biden naps and Trudeau stares blankly at a wall. These heads of state are not there to run the country—they are used to sell destructive policies devised to bring about a single goal: a New World Order.

Agents of the New World Order

This image is on the World Economic Forum’s website.

Every single country infiltrated by globalists displays one obvious telltale: uncontrolled immigration. Even Canada—a country that only shares a border with the United States—found a way of “losing control” of immigration.

After purposely losing control of immigration, Trudeau says that immigration is out of control and there’s nothing he can do about it. Globalist leaders work against their country and for a new world order.

All of this is by design. A massive flux of uncontrolled immigration is the first step towards a global government. First, it erodes national cultures and identities, replacing them with a hegemonic global culture. To achieve a world government, local cultures and histories need to be erased, and, even worse, they need to be considered “racist.”

Second, mass immigration leads to the decay of the social fabric, lowers the quality of life, creates tensions, and exacerbates division. These things are great for destroying a country from within and justifying implementing a global world order.

As soon as the Biden administration took power, it opened the Southern border inexplicably. Why would anyone in their right mind do such a destructive and counterproductive thing?

Even elite-owned NYT have to report on the unprecedented wave of illegal immigration that’s profoundly altering life in American cities.

On a symbolic level, national pride is slowly replaced with other types of pride that can be applied globally.

During 2023 Pride Month, the White House violated the flag code by displaying the LGBT flag front and center on the White House. The message: Outside globalist forces are in control.

Are They Even Human?

Of course, I’m exaggerating. They’re probably human. But, to quote a famous song, “they not like us.”

In the Simpsons episode Treehouse of Horror VII (1996), Homer reveals that Presidential candidates Bob Dole and Bill Clinton are actually aliens with common goals.

In this classic Simpsons episode, the aliens do their best to act like normal humans. They fail miserably, but people still don’t see it. In recent months, we’ve been seeing politicians truly struggling to behave like humans.

During a media event, Biden mistakenly showed a list of instructions he was given. Please read this card and tell me those do not look like instructions given to an alien to appear human.
On Father’s Day, Chuck Schumer posted a picture of him grillin’ some burgers like a regular human. However, everything about this picture is wrong. First, he slapped two slices of cheese on raw meat. How will you flip the burger now, Chuck? Also, as a Jew, he’s not supposed to mix dairy with meat. And I won’t even comment on his glasses placed lens down. In short, this looks like a satirical photo of someone pretending to be human. But it is painfully real.

At the 2024 BET Awards, Kamala Harris appeared in a paid segment that pandered to black voters in the cringiest way possible.

Everyone saw right through this failed attempt at sounding human – especially black people.

The fakeness is too obvious to bear, and the mere fact that they thought the words “Yeah, girl, I’m out here in these streets” would resonate with the audience shows their contempt for the masses. Nobody even expects her to be “out here in these streets,” but basic logic doesn’t matter. It was about saying things that somewhat sounded “hood.” Of course, Harris didn’t write any of this. It is a creation by political operatives tasked with using her skin color to pander to black America.

But here’s the thing: Kamala Harris is half Indian (from India) and half Jamaican. Her “blaccent” is a fabrication that only comes out when she has sound relatable to black people. Ironically, she quotes Kendrick Lamar’s They Not Like Us during this ordeal. Girl, YOU not like us.

In Conclusion

The most replayed “highlight” of the CNN Presidential Debate featured Joe Biden freezing up for an excruciating number of seconds before proclaiming, “Look, we finally beat Medicare!” This disastrous moment happened after days of drilling and rehearsing at Camp David with an entire team of high-paid specialists. Despite this, Biden glitched and proclaimed that he finally beat Medicare.

As humorous as it might sound to his opponents, this nonsensical and self-sabotaging phrase was quite telling: Joe Biden is not there. And he doesn’t need to be there. There’s an entire system running the show behind him. Some call it the shadow government; others call it the Deep State. No matter what expression is used, they refer to the same idea: The globalist agenda moves forward no matter who is in power. Because the person in power has no power. They’re merely puppets used to rile up those who watch the puppet show. And, if the person in power actually attempts to do their job, the elite machine, complicit with mass media, will find ways to assassinate their character and spit them out of the system.

While this used to be a “conspiracy theory,” Joe Biden’s vacant look towards the horizon was the shocking proof the world needed to understand that the Cammander-in-Chief is merely there to put a human face on the aliens attempting to rule the world.

Scientist Proposes AI-Powered Mind Control to Rehabilitate Criminals. Yes, it’s Insane.

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Scientist Proposes AI-Powered Mind Control to Rehabilitate Criminals. Yes, it’s Insane.

In a video published across multiple platforms, a scientist presented a concept that could unclog the prison system by releasing criminals in a matter of minutes instead of years. But there’s a catch: It’s a dystopian nightmare.

Annoyingly called Cognify (a Spotify for criminals, I guess), the concept aims to strap inmates with a VR-like device and hack their brains by implementing feelings such as pain and remorse. Then, these people will become, like, not criminals. Brilliant. I definitely don’t see any scenario where this can turn horribly wrong, where people are tortured or turned into slaves. Nope, only good things can come from this (sorry, my sarcasm is overheating).

The video description states:

Introducing Cognify, the prison of the future. This facility is designed to treat criminals like patients. Instead of spending years in an actual prison cell, prisoners could finish their sentence here in just a few minutes. Cognify could someday create and implant artificial memories directly into the prisoner’s brain. It could offer a new approach to criminal rehabilitation, transforming how society deals with offenders by focusing on rehabilitation rather than punishment.

Here’s the video.

The video begins by showing the prison of the future: A high-tech mind-control facility where criminals are “treated like patients.” Or mind-controlled slaves. According to the video, Cognify would use AI-generated content to create and implant “complex and vivid” memories into the prisoners’ brains.

Here’s how the system would work: First, the prisoner would be given a choice between rotting in jail for twenty years or being freed before dinner time. Once the prisoner chooses the second option, he hands over his mind, body, and soul to the State.

The prisoner undergoes a high-resolution brain scan to create a detailed map of their neural pathway.

Once the scan determines precisely the best way to mess with the criminal’s brain, Cognify is strapped on their head.

Cognify will make you realize your evil ways and make you a productive member of society again. Unless you were programmed to become a sex slave for the elite, of course.

Although the procedure would only take a few minutes, time would pass differently in the criminal’s mind as they would experience “years of memories.”

These memories would be tailored to each prisoner, according to the crimes they’ve committed and their psychological profile. For instance, violent criminals would be forced to see their actions from their victim’s perspective and feel the pain and suffering they’ve caused firsthand. Some memories would even be designed to implement permanent trauma in the criminal’s mind.

At this point, some might think, “Well, that kind of makes sense.” It doesn’t. But let’s say it kind of does. Well, the video’s narrator quickly says things that make us realize that this thing should never exist.

1984-Style Re-Education

Later in the video, the narrator says that Cognify could treat a wide range of crimes, such as “hate crimes and discrimination.” Hold your horses, buddy.

We’re not even three minutes into a video promoting this thing, and we’re already in scarily slippery slope territory. Countries around the world are already redefining and weaponizing concepts such as hate crimes and discrimination to outlaw criticism and resistance to their agendas. So, following this logic, those who are guilty of “wrong thinking” would be reprogrammed using Cognify.

This thing doesn’t exist yet, but it should already be banned.

Cognify could modulate neurotransmitters and hormones to induce specific emotional states, such as remorse or regrets, or maybe, unquestioned compliance with the overlords.

The video then explains how the AI-driven system could collect massive amounts of data from inmates and gather them in a central computer to “prevent crimes.” Or people who don’t comply with agendas.

There’s no need to worry, guys. The lock icon means that the data is super safe. Nobody can ever access data when there’s a lock icon.

The video ends by explaining how this device would save money and create a more stable and productive society. Unless, of course, it was used by an entity seeking to control people and crush dissidents. But that never happened in history, right? RIGHT?!

Who Came Up With This?

Clearly, this video caused me to have a sarcasm overload because it is so ridiculously absurd. Luckily, for now, Cognify only exists in the cognition of its creator: Hashem Al-Ghaili, a Germany-based scientist.

Hashem Al-Ghaili describes some of his other bad ideas in a TED Talk.

The molecular biologist is known for creating science-based videos that sometimes go viral.

In 2022, Al-Ghaili horrified the world with his Ectolife concept – an artificial womb that creates custom babies.
Another profoundly dehumanizing concept from Al-Ghaili. It even caused Candace Owens to be “alarmed.”

So, are these concepts merely the product of an influencer attempting to become viral with terrible ideas? Hopefully yes. Unfortunately, especially in the case of Cognify, the technology to create such a system already exists.

A headline from Scientific American from 2019. We’re five years later, so you better believe that science made significant leaps since then.

While Al-Ghaili could be dismissed as a sophisticated, scientific troll, his ideas are not unlike those proposed by the World Economic Forum (WEF) and other elite entities. For instance, last year, a WEF presentation explained how the monitoring of brainwaves could be used to “fight crime,” as explained in this video.

In short, if it hadn’t happened already, the WEF might tell Al-Ghaili, “I like the way you think,” and actually give him the means to make his ideas a reality.

Let’s hope not. Because they’ll probably want to “Cognify” me for writing this article.

The Much-Overlooked Symbolism in Roman Polanski’s “The Ninth Gate”

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The Much-Overlooked Symbolism in Roman Polanski’s “The Ninth Gate”

Warning: 25-year-old spoilers ahead!

When The Ninth Gate was first released in 1999, it wasn’t a big commercial success. Critics said the movie “meandered aimlessly” and had a “lackluster ending” that not even Johnny Depp’s star power could save.

At first glance, the critics were correct: The Ninth Gate appears to be about Johnny Depp running around various countries while lighting cigarettes at every opportunity he gets. And after about two hours, the movie ends in a rather anti-climactic way.

But at second glance, these critics completely missed the movie’s point. The Ninth Gate is not a Pirates of the Caribbean-style adventure but a highly symbolic story of initiation where the protagonist’s “meandering” is actually an allegorical ritual, and the “anti-climatic ending” is nothing less than spiritual illumination guided by the Whore of Babylon in the flesh.

However, none of this is spelled out in the movie; it is all meant to be decoded. Indeed, the movie’s underlying meaning can only be understood once the symbols and occult references peppered throughout the film are pieced together, like Corso (Johnny Depp’s character) pieces together pages from a Satanic book.

Maybe that explains why, after being panned by critics, the movie is now considered a cult classic. Here’s a look at the much-overlooked meaning of The Ninth Gate.

A Roman Polanski Movie

Roman Polanski and Johnny Depp are long-time friends.

In 1968, Roman Polanski released Rosemary’s Baby – a psychological horror movie about a newlywed woman who is groomed by a Satanic cult to give birth to the Antichrist (read my full article about it here).

In a way, this seminal film announced the coming of a new era. It was the end of an innocent and idealistic America and the “birth” of an era influenced by powerful occult movements.

Strangely enough, the movie was attached to real-world events that would make its “prophecy” come true. Less than a year after the release of Rosemary’s Baby, Roman Polanski’s pregnant wife, Sharon Tate, was ritualistically murdered by followers of Charles Manson. The series of gruesome murders carried out by the Manson cult (which reeked of MKULTRA involvement) shocked America to the core and snapped it out of its hippie idealism: The world realized that there were dark forces lurking behind the scenes.

Precisely 30 years after these events – and at the dawn of a new millennium – Polanski released The Ninth Gate. Like in Rosemary’s Baby, Satan is not the “bad guy” but the powerful figure everyone attempts to please. And, like in Rosemary’s Baby, The Ninth Gate‘s subtext is about the coming of a new era.

Roman Polanski did not miss the opportunity to use numerology to convey his point. The Ninth Gate is about a demonic book written in 1666; The movie was released in 1999 (1666 reversed). This numerically significant year had to be underscored by a symbolically significant movie.

Strange fact: Polanski managed to make this movie happen while still a fugitive from the U.S. justice system for drugging and raping a 13-year-old girl.

“Polanksi rapist pedophile unpunished!”

Let’s look at the heavy symbolism of The Ninth Gate.

A Movie for the Occult Elite

The symbol of the inverted cross. The message: It’s unapologetically satanic.

The movie’s title references the Nine Circles of Hell as described in Dante’s Inferno. They are:

First Circle: Limbo.
Second Circle: Lust.
Third Circle: Gluttony.
Fourth Circle: Greed.
Fifth Circle: Anger.
Sixth Circle: Heresy.
Seventh Circle: Violence.
Eighth Circle: Fraud.
Ninth Circle: Treachery.

Through the movie’s events, the protagonist experiences these nine circles. He engages in lustful behavior with a rich widow, gets greedy with his clients, gets angry at some people, violent at others, and everything else. In Dante’s Inferno, Satan himself is at the center of the Ninth Circle. Guess what happens to Corso?

The movie’s title is also quite literal. Throughout his investigation, Corso goes through physical gates to access the privileged information he seeks.

During the opening credits, the viewers are taken through nine gates, including the entrances of posh mansions owned by the occult elite. As we’ll see, the movie was filmed in highly significant locations where actual rituals occurred.

Corso is hired by a wealthy collector named Boris Balkan to track down copies of a rare and elusive book.

Behind Balkan is an image of a castle in France that will be the final place of initiation.

Boris Balkan collects rare books that have one point in common: They’re about Satan.

Balkan presses the number 6 three times to grant access to his private collection – one of the many details that are not immediately noticeable in the movie.
Balkan shows Corso his most prized possession: The Nine Gates of the Kingdom of Shadows. The cover is adorned with an inverted pentagram, the main symbol of black magic.
The book is centered around nine enigmatic engravings that are said to hold an immense amount of power.

As Balkan explains:

“They form a Satanic riddle. Correctly interpreted, with the aid of the original text and sufficient insider information, they’re reputed to conjure up the Prince of Darkness in person.”

However, there’s a major problem: Balkan cannot conjure up anything. So he hires Corso to fetch the two other copies of that book to compare them.

The Nine Gates‘ first page contains an image of a snake wrapped around a tree.

The engraving above sums up the entire movie. It refers to the serpent from the Garden of Eden that offers Eve an apple from the Tree of Knowledge of Good and Evil. In occult circles, this story is of the utmost importance: It is interpreted as Lucifer “saving” humans by passing on to them the knowledge to become gods.

Around the image is written “Sic Luceat Lux,” which is Latin for “Thus shall the light shine.” Lucifer means “light bringer” in Latin. The entire movie is about Corso seeking Luciferian “enlightenment.”

From then on, Corso’s seemingly wacky adventure turns into a process of initiation in which he becomes a “chosen one.” The engravings in the book symbolically prophesize Corso’s journey.

One image depicts a man hanging by a leg. Later in the movie, Corso finds his friend hanging by a leg. The ritualistic pose is a reminder that dealing with the Devil requires human sacrifice.
The engraving is inspired by the Hanged Man tarot card. It represents a sacrifice for “illumination” (see the halo around the man’s head).

Another strong hint that Corso is the “chosen one”: A supernatural woman aids him in his journey.

The unnamed “girl” has magical powers and seems to know everything. Emmanuelle Seigner, Roman Polanski’s wife since 1989, played the role. We’ll later see why this was an odd choice.
The girl marks Corso’s forehead with her blood. Corso definitely the chosen one.
Corso walks around for a while with the girl’s blood on his forehead and a broken lens (one-eye sign). The message: He’s under the spell. This scene is so symbolic that it is used on the movie’s cover art.

At the beginning of the movie, Corso is only interested in money and finds Satanic mumbo-jumbo ridiculous. However, his attitude changes as the movie progresses. Towards the end of his journey, Corso stops caring about money and wants the nine engravings for himself.

His quest took him to some highly symbolic locations.

Gates of the Occult Elite

Corso finds the second copy of The Nine Gates at a highly significant place: Chalet Biester in Portugal.

Like every other occult detail highlighted in this article, the significance of this filming location is not specifically mentioned in the movie. But its backstory is highly relevant to the movie’s narrative.

Chalet Biester is a 19th-century mansion built around occult principles. Some rooms are replete with occult symbolism, as the property was used to conduct actual Masonic rituals. It was conceived by José Luis Monteiro, the same architect behind Quinta da Regaleira, another occult palace in Sintra. This area in Portugal is known for its “mystical” energy that attracted the richest occultists in the 19th century.

Chalet Biester contains a chapel covered in symbolism relating to Freemasonry and the Knights Templar.

Under the chapel is Chalet Biester’s true purpose.

In the basement is a dark and cavernous Masonic initiation chamber meant to replicate the “authentic” rites practiced in Ancient Egypt.

None of this is mentioned in the movie. So why were scenes filmed in this specific location? Was Polanksi attempting to “charge” the movie with authentic occult energy?

Later in the movie, Corso discovers that an occult secret society named The Order of the Silver Serpent has been gathering in honor of The Nine Gates for centuries. When Corso moves to investigate this order, he is led to another highly symbolic gate.

Corso arrives at the entrance of a French château where the Order of the Silver Serpent carries out its rituals.
Inside, people in black robes and black candles recite passages from the Satanic book.

An ex-member of the order told Corso that the order “degenerated into a social club for bored millionaires and celebrities who use its meetings as an excuse to indulge in their jaded sexual appetites.” These people are “under the impression that they owe their money and success to members of the order.”

The scenes involving the order were filmed in Château de Ferrières, near Paris. Guess who built this place? Baron James de Rothschild.

Yes, the occult rituals in the movie were filmed in a château built by the most occult elite family in world history. This specific proprety was the site of some highly bizarre Rothschild events.

Marie-Hélène de Rothschild welcomes guests to her “Surrealist Ball” at Château Ferrières in 1972. In case you were wondering, she’s the one with the horns.
As explained in my article about this occult elite party, the decor alluded to cannibalism and other debaucherous practices.

After the ritual, Corso is led to the final “initiation site.” It is also highly symbolic.

Corso arrives at the final gate.

These scenes were filmed at a site with a relevant history: Château de Puivert.

This 12th-century castle was built by lords who practiced Cathartism, a sect that the Church considered heretical.

Without going too deep into this rabbit hole of history, Cathars reinterpreted Christianity through a Gnostic lens. They believed in dualistic gods where the God of the Old Testament was Satan, and the God of the New Testament was “good.” They rejected the concept of Jesus’ ressurection and interpreted it as a form of reincarnation. In short, Cathars had more in common with occult circles than Christianity. In consequence, they were violently repressed by the Church.

So Corso seeks “illumination” in this spiritually charged place. But before this happens, something else has to happen: Sex. Weird, demonic sex.

As the château burns, Corso copulates with the girl. No, they’re not “hooking up.” It’s a bit more profound than that.

So who is this girl? What does she represent? Her true identity is (subtly) revealed at the very end of the movie when Corso finds the final engraving.

The final engraving depicts the girl sitting on a beast with seven heads.

While it is not clearly mentioned in the movie, the symbolism of this image reveals that the girl is the Whore of Babylon.

An illustration of the Whore of Babylon from Martin Luther’s 1534 translation of the Bible.

Yes, Roman Polanski cast his wife to play the role of the Whore of Babylon, “with whom the kings of the earth have committed fornication, and the inhabitants of the earth have been made drunk with the wine of her fornication.” Weird.

But why does this specific Biblical figure play an important role in the movie? Like in Rosemary’s Baby, The Ninth Gate announces the coming of a new era.

In the Book of Revelation, the Whore of Babylon embodies “spiritual adultery.” She represents fallen humanity’s determination to construct a godless society ruled by greed and immorality. She announces the coming of an age ruled by Satan (the dragon) and the Antichrist (the beast).

The Whore of Babylon is also an important figure in occult circles, such as in Aleister Crowley’s Thelema.

“In her most abstract form, Babalon represents the female sexual impulse and the liberated woman. In the creed of the Gnostic Mass she is also identified with Mother Earth, in her most fertile sense. Along with her status as an archetype or goddess, Crowley believed that Babalon had an earthly aspect or avatar; a living woman who occupied the spiritual office of the ‘Scarlet Woman’. The role of the Scarlet Woman was to help manifest the energies of the Aeon of Horus.”

As stated above, The Whore of Babylon is believed to bring about the Aeon of Horus. According to the Thelema, the last 2,000 years were in the Aeon of Osiris, characterized by the worshipping of a single male deity and patriarchal values. Crowley believed that, during the 20th century, the world entered the Aeon of Horus, characterized by humans wanting to find God within themselves.

And that’s exactly what happens to Corso.

In the movie’s final scene, Corso enters the final gate as a powerful light causes the screen to fade to white.

With the help of the Great Whore of Babylon, Corso has reached godhood.

In Conclusion

In the movie, it is said that The Ninth Gates can only be unlocked with “sufficient insider information.” The movie is built the same way. Like the allegorical tales shared in secret societies, The Ninth Gate has an exoteric meaning for the “profane” and an esoteric meaning for the “initiate.”

Corso’s tale is somewhat similar to Christ’s, but … anti. While the world’s richest people spent their entire lives and wealth attempting to become kings on Earth, the “chosen one” is a humble and unassuming nomad. After being put to the test and going through the nine gates of hell, Corso elevated himself to the level of a god.

Corso symbolically represents the “energy” of a new era dubbed the Aeon of Horus, in which the worship of a single God is replaced by the desire to reach godhood through one’s own means. That is the Luciferian way.

The True Meaning of the Inverted Cross and Why Mass Media Lies About It

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The True Meaning of the Inverted Cross and Why Mass Media Lies About It

The Vigilant Citizen‘s slogan is “Symbols rule the world” because symbols cannot lie. They can only represent precisely the idea they are meant to carry. However, words can lie and are currently used to confuse the masses about the true meaning of some powerful symbols, including the inverted cross.

Throughout history, the easiest way of identifying who’s genuinely in power in a society is by observing the symbolism permeating the culture. For instance, when the Catholic Church was in power in old Europe, symbolism—right down to street names—was all related to Catholicism. When Freemasons took power, their subtle yet unmistakable symbolism became visible in all facets of society (see my Sinister Sites series).

Symbols rule the world because those who rule it naturally represent themselves using symbolism. This remains true today. As this site documents, a specific set of symbols permeates society while others are all but shunned. One “accepted” symbol is the inverted cross.

The meaning of this powerful symbol could not be more obvious: It represents the inversion of Christianity. For this reason, it is the main symbol representing Satanism. So what does that say about those currently ruling the world? That they are Satanists, right?

However, those who currently rule the world are marketing, public relations, and disinformation experts. And they’ve launched an all-out campaign of disinformation to make people believe that the Satanic symbol that is popping up everywhere is actually … Christian. The go-to argument: The inverted cross is actually a Catholic symbol called St. Peter’s cross. While this symbol exists in a specific niche of Catholicism, nobody in Hollywood wears it to honor St. Peter. And those who claim this dubious fact are engaging in outright disinformation.

Disinformation

Throughout the years, this site has been documenting the propagation and the normalization of the inverted cross, a powerful symbol imbued with an unmistakable spiritual meaning. Due to its blasphemous nature, the symbol used to be taboo. It can only be seen in occult circles, most notably during Satanic rituals, where the vilest practices known to man took place (more on this later).

However, as seen in countless Vigilant Citizen articles, the symbol lost its taboo status and became mainstream. And that is by design. Those in power want it to become normal and even glamorous. Nowadays, it is everywhere: On movie posters, in music videos, in fashion, and even around the necks of celebrities.

From left to right: Melinda Gates (while promoting COVID vaccines), Megan Markle (on an official royal family trip), and Ice Spice (at the most watched Super Bowl ever) wore inverted crosses around their necks.

However, when “vigilant” people point out this bizarre trend, “fact-checkers” come out of the woodwork to outright lie to the public.

Snopes “fact-checkers” say there’s nothing Satanic about the inverted cross. They even go as far as implying that Ice Spice wore it to honor St. Peter’s martyrdom. We all know this makes no sense, yet those are “facts.”

From social media to Google search results, there’s a clear effort to convince the masses that the inverted cross is not Satanic.

The first search result for “inverted cross” is Wikipedia’s entry for Cross of St. Peter.
Various memes spreading this disinformation have been popping up on social media telling people “DO YOUR RESEARCH” … as long as the “research” is limited to the Wikipedia entry seen above. Actual research on this symbol leads directly to Satanism.

The story of St. Peter’s cross originates from an apocryphal text from the 2nd century titled “Martyrdom of Peter.” In this story, St. Peter requested to be crucified upside down because he believed that the values of those crucifying him were upside down. Another interpretation is that he did not find himself worthy to be crucified like Jesus.

Is every instance of the inverted cross seen in popular culture today a tribute to this obscure Catholic story (not even in the Bible) from the 2nd century? Does this even make a shred of sense to you?

Meanwhile, we all know that the inverted cross is one of the favorite symbols of Satanists. And we also know that Satanism is rampant in popular culture. If one uses logic, which explanation makes more sense?

Satanic rituals take place on altars adorned with inverted crosses and the sigil of the Church of Satan (an inverted pentagram inside of which is the Goat of Mendes).

How come “fact-checkers” never acknowledge this obvious fact?

Let’s examine some recent examples of the inverted cross in popular culture and determine whether they refer to “St. Peter’s martyrdom” or Satanism.

Is the inverted cross on Lil Uzi Vert’s forehead a tribute to St. Peter, or is it a reference to a Satanic ritual? Hint: The blood around his mouth (blood ritual) might provide a big clue. Another hint: His name is pronounced Lil Lucifer.
Is the inverted cross on this poster of the movie Horns a tribute to St. Peter or the Devil? Hint: The cross is made of the words “He will bring the devil in you.” Other hint: The movie is literally called Horns.
In Roman Polanski’s 1968 movie Rosemary’s Baby, the character played by Mia Farrow is groomed by a Satanic cult to give birth to a baby. At the movie’s end, we see an inverted cross above the baby’s cradle. Does this cross honor St. Peter? Hint: The baby is the Antichrist.
Lil Nas X’s Nike shoes feature inverted pentagrams, the number 666, and inverted crosses. Do those crosses honor St. Peter? Hint: They’re literally called “Satan Shoes.”
Are the inverted crosses on this Sharon Needles cover art a tribute to St. Peter? Hint: This drag queen also released a song called Hail Satan!

I could post dozens more pictures asking the same rhetorical question. A simple look at the context surrounding the inverted cross confirms that its meaning is purely Satanic.

But why is the inverted cross such an essential symbol in Satanism? Because at the core of Satanism is an infernal practice: Black magic.

The True Meaning of the Inverted Cross

This inverted cross wall decor features Baphomet ridiculing Christ’s crucifixion. By the way, Walmart sells this item.

In occultism, an inverted symbol represents corruption and perversion of the original meaning of that symbol. For this reason, those who practice black magic (occult rituals for evil or selfish purposes) use inverted symbols.

In the 1897 book La Clef de la Magie Noire (The Key to Black Magic), French occultist Stanislas de Guaita depicts the upright pentagram as “holiness” (spirit over matter) and the inverted pentagram as “evil” (matter over spirit).

In his seminal book Secret Teachings of All Ages, occultist Manly P. Hall explains how symbols (such as the pentacle seen above) – and their inversion – carry great power.

In symbolism, an inverted figure always signifies a perverted power. The average person does not even suspect the occult properties of emblematic pentacles. (…)

The black magician cannot use the symbols of white magic without bringing down upon himself the forces of white magic, which would be fatal to his schemes. He must therefore distort the hierograms so that they typify the occult fact that he himself is distorting the principles for which the symbols stand. Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed. (…)

The pentagram is used extensively in black magic, but when so used its form always differs in one of three ways: The star may be broken at one point by not permitting the converging lines to touch; it may be inverted by having one point down and two up; or it may be distorted by having the points of varying lengths. When used in black magic, the pentagram is called the “sign of the cloven hoof,” or the footprint of the Devil. The star with two points upward is also called the “Goat of Mendes,” because the inverted star is the same shape as a goat’s head.”

In short, the inversion of symbols is a staple in black magic. In Satanism, the Black Mass (a corruption of the Christian Mass), is the ultimate example of such inversion.

Black Mass

A depiction of a Black Mass conducted by Abbé Étienne Guibourg during the 17th century. Above the “living altar” (a naked woman), Guibourg holds a baby who has been sacrificed by slitting its throat. On the celebrant’s robe is a gigantic inverted cross. This is the true meaning of the inverted cross.

Black Masses corrupt Christian rituals the same way inverted crosses corrupt Christian symbolism.

“The Black Mass is a ritual that is performed in entirety, or in part backwards. The Mass may include inverting the cross, spitting and stepping on the cross, stabbing the host and other obscenities.

Urine, supposedly, was at various times substituted for holy water, or for the wine. Sliced pieces of rotted turnips, black leather or black triangles were substituted for communion bread.

Black candles were used instead of white ones. A defrocked priest generally performed the Black Mass wearing vestments of black or a color of dried blood, and embroidered with inverted crosses, a goat’s head (referring to Baphomet), or magical symbols. (…)

Satanic groups still conduct their versions of the Black Mass that include deviant sexual acts and orgies, necrophilia, cannibalisms of sacrificial victims (including human beings), and drinking the blood of the victims.”
– Dr. Glen Christie, Comparative World Religions

As seen in previous articles, all of the horrific things described above are currently being glamorized by the same people who walk around with inverted crosses. Are those people so devoutly Catholic that they’re wearing inverted crosses to celebrate an obscure, apocryphal story from the 2nd century?

In Conclusion

As seen above, “fact-checkers” love to dismiss the growing prominence of the inverted cross in popular culture by stating that it is actually the Cross of St. Peter. However, they never bother explaining the reasoning behind such a claim. If one goes a bit deeper, this argument will completely fall apart. Why do these people all suddenly have an interest in this Catholic saint while everything else they represent is purely Satanic? “Fact-checkers” throw the claim around and keep repeating it until it becomes accepted.

Here’s the dark truth about the growing prevalence of the inverted cross: Those who rule the world no longer want to hide their symbolism. They want it plastered everywhere because humans have done so since the dawn of time. However, the first rule of Satanists is to deny that they are Satanists.

The result: The inverted cross is everywhere, while a disinformation machine tricks people into thinking that it is a Christian symbol. In the context in which it is used, it is clearly not.

The inverted cross is about corruption and perversion. Not only of Christianity but of society in general. As society degenerates into a modern form of Sodom and Gomorrah, the symbol of the inverted cross becomes more prevalent. That’s not a coincidence. Because symbols rule the world. And those who rule the world want us to bow to their symbols.

 

Bilderberg 2024 or How the Elite Subverts Politics, Technology, Big Pharma and the Media

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Bilderberg 2024 or How the Elite Subverts Politics, Technology, Big Pharma and the Media

The 2024 Bilderberg Conference was the event’s 70th edition, and there are no signs of winding down. Quite to the contrary, considering the notability of this year’s attendees and the scope of the topics discussed, it is clear that the Bilderbergers are more determined than ever to bend the world according to their will.

A thorough look at the guests in attendance, the entities they represent, and the links they maintain with each other is a fascinating yet upsetting experience. Because, seriously, there is no way one CANNOT be a “conspiracy theorist” when one realizes that these politicians, mega-corporations, “journalists,” and other luminaries are literally colluding behind closed doors in secret meetings. This feeling is exacerbated by the fact that Bilderberg Conferences operate under Chatham House rules, which require participants to be sworn to secrecy and not disclose the identity or affiliation of any particular speaker.

This year’s event occurred from May 30 to June 2nd at Eurostars Suites in Madrid. While a high level of security usually surrounds these conferences, this year’s event was simply absurd. And, when a fleet of police vans escorted the King of Spain to the Conference (although he was not listed in the official list of attendees) while a hive of surveillance drones hovered around the premises, the site resembled a dystopian police state.

The discussions at Bilderberg meetings are held in complete secrecy, but its official website usually publishes a (rather laconic) list of topics on the agenda. This year’s topics were:

  • State of AI
  • AI Safety
  • Changing Faces of Biology
  • Climate
  • Future of Warfare
  • Geopolitical Landscape
  • Europe’s Economic Challenges
  • US Economic Challenges
  • US Political Landscape
  • Ukraine and the World
  • Middle East
  • China
  • Russia

These topics can be summed up in a single sentence: “How can we utilize politics, technology, big pharma and the media to bring about a global world order”?

Here’s a look at Bilderberg 2024.

Shaping AI to Serve the Elite

As seen above, artificial intelligence was an important topic at Bilderberg 2024. This incredibly powerful technology is currently in its infancy, and you better believe that the global elite wants to shape its development to fit its needs. To do so, the Bilderbergers do not create “committees” that produce vague “recommendations.” Nope, they bring in the CEOs of the biggest AI companies and give them orders.

Therefore, Bilderberg 2024 included Demis Hassabis, the CEO of Google DeepMind; Mustafa Suleyman, the CEO of Microsoft AI; Palmer Luckey, Founder of Anduril Industries; and Arthur Mensch, the CEO of Mistral AI. 

Also, Alex Karp of Palantir Technologies was invited. This massive big data corporation has worked with the CIA, the DHS, the NSA, the FBI, and the CDC. The company’s corporate clients include Morgan Stanley, Merck KGaA, Airbus, Wejo, Lilium, PG&E, and Fiat Chrysler Automobiles. In 2020, the UK’s National Health Service (NHS) awarded Palantir an emergency non-competitive contract to mine COVID-19 data.

Alex Karp, CEO of Palantir Technologies.

One of the company’s offerings is Palantir Gotham, a product that uses AI for the dystopian concept of “predictive policing” (yes, like the movie Minority Report). However, considering the fact that crime is actually on the rise in major cities around the world (some say it is by design), one can ask: What is this technology actually used for?

Big Pharma Corruption

If we’ve learned one thing from COVID-19, it is that big pharmaceutical companies exert an inordinate amount of power on national governments. Countries around the world forced citizens to take vaccines from these select pharmaceutical companies under the threat of job loss and complete ostracisation from society. Some countries even developed “vaccine passports” – big pharma’s biggest fantasy.

Some of the most important actors in this unholy system were present at Bilderberg 2024, including the head of the EU Centre for Disease Prevention and Control and, of course, the CEO of Pfizer.

Albert Bourla – the chairman and CEO of Pfizer – is also a regular at the World Economic Forum (WEF).

The media like to call him “Dr.” Albert Bourla, making it seem as if he’s a medical doctor. But he’s not. He used to be a veterinarian. This might explain why he tends to treat his customers like cattle. If you think I’m exaggerating, here’s a short video of him getting very excited about pills containing microchips.

Bourla said:

“FDA approved the first ‘electronic pill’, if I can call it like that. It is basically a biological chip that is in the tablet and, once you take the tablet, and it disolves into your stomach, it sends a signal that you took the tablet. So imagine the applications of that, the compliance. The insurance companies would know that the medicines that patients should take, they do take them. It is fascinating what happens in this field.”

“Imagine the compliance.” Cattle complies. Humans decide using their free will.

Two years after that WEF discussion, COVID appeared, and governments worldwide tried to force Pfizer vaccine “compliance.” It’s almost as if they conspire these things behind closed doors. At secret meetings.

Infiltrate the Media

The main goal of this site is to highlight the global elite’s total infiltration of mass media. From entertainment to “journalism,” nearly all media that reaches the masses needs to comply with the elite’s agendas. For this reason, Bilderberg meetings always include powerful figures in all forms of media.

This year’s meeting included Gerhard Zeiler, the President of Warner Bros. Discovery International – a media conglomerate that owns brands such as Adult Swim, Boomerang, Cartoon Network, Discovery Channel, TLC, TBS, TNT, and Warner TV.

Of course, the music industry cannot be ignored. For this reason, Daniel EK, the CEO of Spotify, was at the Bilderberg meeting. Was he being told how his near-monopolistic music distribution platform needs to be shaped to serve elite goals? Will it be used to promote elite-friendly artists only?

The realm of “journalism” (I use quotation marks because these people betrayed their profession) is also important for the Bilderbergers. Representatives of news publications worldwide were invited to the event, including Bret Stephens of the New York Times. Interesting fact: The New York Times attacked The Vigilant Citizen several times for reporting on Pizzagate. Did they receive orders from above?

Zanny Minton Beddoes, the editor-in-chief of The Economist, was in attendance at Bilderberg 2024. John Micklethwait, the publication’s past editor-in-chief, was also there. As seen in previous articles on this site, The Economist routinely publishes bizarre, end-of-year covers that eerily predict events that come to fruition soon after. Is this strange trend happening because they’re privy to Bilderberg-level information?

One of The Economist’s cryptic covers.

Another media-related Bilderberg guest was Fareed Zakaria, host of CNN’s Fareed Zakaria GPS. He’s also a Washington Post and Newsweek columnist and a regular guest at the World Economic Forum.

Want to see the result of having a “journalist” rubbing elbows with the world elite?

Fareed Zakaria praises the elite in 2019 because the “world is getting better.” This aged poorly.

Engineering Wars

Bilderberg 2024 was heavily centered around the business of waging war. The Economist (mentioned above) once dubbed Ukraine “an AI war lab,” describing it as “a testing ground for companies like Anduril and Palantir.” Both of these companies were mentioned above as they were invited to Bilderberg as well.

Alex Karp, the CEO of Palantir, once stated:

“There are things that we can do on the battlefield that we could not do in a domestic context.”

The IDF is currently using Palantir technology in Palestine “in support of war-related missions.” This association is generating great profits for the company, as Karp enthusiastically stated: “Our products have been in great demand.”

Another guest of honor at Bilderberg is Eric Schmidt, the former CEO of Google.

Former Google CEO Eric Schmidt was at Bilderberg 2024.

So what is he up to now? War. According to Forbes magazine, Schmidt was so “inspired by Ukraine’s use of drones on the battlefield” that he has spent the past year “working on a secret military drone project.” Schmidt also said that Ukraine needed “sustained financial and technical support from Kyiv’s allies.” Yes, he’s urging governments to fund the war because this taxpayer money would go into his pockets.

Appropriately enough, Ukraine’s foreign minister, Dmytro Kuleba, is also present at Bilderberg 2024. All of the important actors in this war are present at this meeting. It is truly an elite-sponsored AI lab.

Other Bilderberg guests include Jen Easterly, Director of the Cybersecurity and Infrastructure Security Agency of the United States; Tarun Chhabra, Senior Director for Technology and National Security of the United States; and Richard H. Phillips, Director of National Intelligence of the United States.

What are these government officials dealing with sensitive topics even doing at this meeting? Are they working for the American people … or the global elite?

Grooming “Leaders”

Stacey Abrams uses an American flag to do a one-eye sign in a 2020 fluff piece by the Washington Post (mentioned above). What better way of showing submission to the global elite over national interests?

Sitting at the top of the alphabetical list of Bilderberg attendees is a curious name: Stacey Abrams. The first question that comes to mind is: What is she even doing there? In 2018, she lost the Georgia gubernatorial election to Republican Brian Kemp but refused to concede. Four years later, she lost again to Kemp by a much larger margin.

Despite being rejected by voters, Abrams keeps being artificially propped up by the media and the political establishment. In 2019, she became the first and only non-office-holding person ever to deliver the response to the State of the Union address. In 2021, she was nominated for a Nobel Peace Prize for her “nonviolent campaign to get out the vote.” Really?

This year, she attended the Bilderberg meeting as the CEO of Sage Works Production – a media production company that did not produce anything yet.

In other words, she’s being groomed by the global elite. For what exactly? I guess that was discussed at Bilderberg 2024.

Abrams played the President of United Earth in Star Trek: Discovery. You can’t make this up.

In Conclusion

A study of Bilderberg meetings reveals how modern democracies do not follow the will of the people—they follow the will of the elite. If democracies aren’t compromised, why are so many heads of state present at these meetings (e.g., Mark Rutte, the Netherland’s Prime Minister)? Also, why are there so many important government officials (e.g., Marco Buschmann, the minister of justice of Germany)? Aren’t they supposed to serve the people? Because it seems like they’re actually serving the elite.

Furthermore, why are these elected officials colluding with the heads of big pharma corporations? And tech companies that profit from war? Why are they discussing with journalists who’ve made it a career to promote globalism while shunning those who express diverging opinions?

Bilderberg meetings are the only proof needed to understand that “conspiracy theories” are not “theories” at all. They are verified facts. Those who do not see it probably watched too much Fareed Zakharia praising the elite on CNN.

XG’s “Woke Up”: When a K-pop Video is Actually Mind Control 101

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XG’s “Woke Up”: When a K-pop Video is Actually Mind Control 101

When I published my first article about K-pop over 12 years ago, the genre was still a regional phenomenon. However, even as a burgeoning industry, there were already clear signs of occult elite weirdness happening in videos and behind the scenes. Since then, the world of K-pop has been rocked with stories about artists being abused, exploited, and forced to work in terrible conditions. There were allegations of high-level industry people sex trafficking some of these artists and taking advantage of their vulnerable position. Even worse, a slew of bizarre deaths and suicides introduced fans of K-pop to the dark and sometimes ritualistic side of the music industry.

But none that prevented K-pop from exploding in popularity and becoming a worldwide phenomenon. For instance, the video analyzed in this article garnered nearly 9 million views in less than a week, topping YouTube’s trending music videos and rivaling industry juggernauts such as Beyonce.

However, while ecstatic fans praise the group XG’s rapping skills and the video’s cinematic qualities, most seem to ignore an important fact: The video glamorizes all of the sick and toxic industry practices described above. While the video appears to be a random collection of cool and edgy scenes, all of these images suddenly make perfect sense when one knows the actual subject of Woke Up: Monarch Mind Control.

In fact, when one has basic knowledge of the subject, one realizes that Woke Up is nothing less than a blatant celebration of one of the occult elite’s sickest obsessions.

An MK Programming Site

In Woke Up, each XG member is featured in her own scene, which is defined by distinct visual aesthetics. However, these scenes are united by a common thread: They describe an aspect of Monarch mind control.

The video takes place in a prison-like structure surrounded by lights and drones surveilling the place. The building is shaped like a human head with the top part cut off—precisely where the brain would be. This is a mind control facility.

Then, each group member plays a specific role in scenes that are replete with blatant MK imagery.

The Ritual

In one scene, we see a gathering of people wearing suits and horned masks with glowing eyes. These creepy, faceless, demon-like people are all over the video. They’re the creepy, faceless, demon-like elite controlling the industry.

These people are attending a “ceremony” that is taking place on a checkboard pattern floor. This entire setting is highly reminiscent of a Masonic lodge.

A typical Masonic lodge – people in suits gathering on the all-important dualistic floor.
Maya plays the role of a “master of ceremony.” Behind her is another black-and-white dualistic pattern, again emphasizing this scene’s Masonic and ritualistic aspect.

Then, a bizarre “ritual” takes place.

A person is made to sit in front of the “altar.” The top of his head is gone – symbolizing his status as an MK slave.

The brainless person is dressed in different colors than the rest, indicating he’s not “initiated.” In Masonry, transformative rituals always occur on the dualistic floor. And this guy is definitely about to experience a transformative experience.

His head head explodes to pieces. This is an appropriate way of representing an essential goal of mind control: The fragmenting of the slave’s mind.

In short, this scene highlights the occult and ritualistic elements involved in Monarch programming. Other scenes focus on the MK slaves themselves.

The (Ironic) Queen

In another scene, Cocona plays the role of an MK slave on the brink of a breakdown.

Cocona is in an “undisclosed location” and surrounded by creepy masked men (representing industry handlers). She’s disheveled and generally unwell, as if she went through a traumatic event. That’s the life of an MK slave.

Then she goes into all-out MK breakdown mode.

Cocona starts shaving her head.

The scene is highly reminiscent of Britney Spears’ 2007 breakdown, where she infamously shaved her head and acted erratically (watch my video on Britney here).

Britney Spears is one of the most prominent examples of MK slavery in the entertainment industry. And Woke Up pays tribute to Britney’s most publicized MK moment ever.

So, what’s the result of Cocona’s MK transformation? Exactly what you would expect.

Cocona’s shaved head is crowned with devilish horns because she is now under the control of the evil masked people. To ensure you understand this part, she makes a devil horn sign with her hand. Also, her eyes flash a reddish light, indicating that she’s now a soulless, zombie-like slave.

YouTube comments say that this scene “broke boundaries and stereotypes.” It didn’t. It is yet another case of an artist having to glamorize her own slavery.

The Monarch

The scenes involving Hinata are a compilation of the most blatant Monarch programming symbols. It is truly MK 101.

Reflections on a broken mirror: A classic way of representing the fracturing of an MK slave’s core persona.
Several superimposed faces: A classic way of representing several alter-personas, the ultimate goal of MK programming. Also, Hinata wears a “collar,” which strongly implies she’s under tight control.
In a close-up of Hinata’s eye, we see a spiral pattern representing her being under hypnotic control. The pointy “claws” around her eye imply trauma and abuse leading to dissociation.
Butterfly wings while Hinata is bound by strings: This image could not be more Monarch programming.
Hinata’s grillz are shaped like devil horns. The entire video is drenched with satanic imagery because MK programming is deeply satanic.

In the image above, you’ve probably noticed that there’s also an eyeball in her mouth. This symbol keeps popping up in popular culture to represent industry slaves. That’s because the all-seeing eye is the main symbol representing the occult elite. And, when it’s inside a celebrity’s mouth, it symbolizes the elite controlling everything this celebrity says or does.

Industry darling Sydney Sweeney was photographed with the same symbol.
That symbol is so important that it is on the cover of the song’s single.
That symbol is so important that it is printed on every girl’s shirt. Also, there’s a gigantic all-seeing eye overlooking them. I don’t think they can be more blatant about them being industry slaves.

To consolidate the disturbing vibe of Woke Up, weird, disturbing images quickly flash throughout the video.

What is this? Why? They love to pepper these kinds of images in videos to generate uneasiness on an unconscious level.

The video ends in an appropriate way.

The head structure seen at the beginning of the video explodes. Because everything in this video is about destroying and fragmenting minds.

The image above also perfectly depicts one’s head when one realizes that this video is not about “empowerment” but the exact opposite: enslavement.

In Conclusion

Although K-pop originates from Asia, it is controlled by the same global elite that controls Western popular culture. Therefore, K-pop artists have to participate in the same MK-inspired narratives and display the same occult elite symbolism as their Western counterparts. The elite is looking to create a uniform, global culture that is profoundly satanic and that celebrates pain, misery, exploitation, dehumanization, and the total control of human beings. Considering that K-pop is highly influential across the world, the elite absolutely had to take complete control of its imagery.

And these things are not merely aesthetic. They’re actually happening. Not unlike Hollywood, the K-pop industry is a cesspool of sleaze, where artists are used as sex slaves and pedophilia runs rampant. Appropriately enough, several music videos have been accused of sexualizing minors.

Here’s the sickest part: Not only are these people doing these things with total impunity, but they’re also churning out videos celebrating their crimes and perversions. It’s about time that the world … Woke Up.

Symbolic Pics of the Month 05/24

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Symbolic Pics of the Month 05/24

One of the first articles published on this site was about Rihanna’s Umbrella – a highly symbolic video about submitting to evil. Over 15 years and two children later, Rihanna is not allowed to outgrow that toxic pseudo-satanic, Monarch programming crap. If she still wants a career in the industry, she must keep complying with the Agenda.

Rihanna was recently featured on the cover of Interview magazine dressed as a highly sexualized, partially undressed nun. The constant blaspheming of Christianity and the perversion of its symbols is a main priority of the elite’s agenda. Because they’re Satanists.

Some might say, ” This is just art” or “She’s just expressing herself.” Not really. She’s an industry slave and she’s doing as she’s told. The other pics of the photoshoot perfectly illustrate this fact.

Here, Rihanna complies with the gender-blurring agenda with a masculine look.
In this pic, Rihanna looks exhausted and zoned out while covered in bruises. In other words, she looks as if she was recently abused and traumatized. How is this “art”? It is not. It is a celebration of the elite’s obsession with Monarch Programming, aka Trauma-Based Mind Control. Relevant fact: Beta Kitten slaves are identified with blonde hair.
To prove that Rihanna is fully back in slave mode, she hides an eye while promoting a product.

Speaking of the one-eye sign, it was, once again, all over the place in the last month. Here’s a small fraction of them.

Model and actress Beverly Johnson is 71 years old. She was the first black model to appear on the cover of American Vogue in August 1974. But that doesn’t mean she’s above occult elite shenanigans. For instance, this picture on the cover of Bazaar Vietnam is an Illuminati mega-combo: a 666 handsign that doubles as a one-eye sign combined with all-seeing-eye earrings. The message: You cannot just retire from the elite’s industry. It retires you.
The same issue of Bazaar Vietnam simultaneously featured Tinashe doing a clear one-eye sign. At the bottom, we can read a very MK subtitle: “Stepping into a new persona.” The message: You cannot just start a career in the industry. It starts you.
The current iteration of Doctor Who is a big pile of elite-sponsored garbage. To prove this fact, the show’s star, Ncuti Gatwa, does a one-eye sign in the Sunday Times Style.
In response to people hating this year’s Doctor Who, a “journalist” published one of the dumbest headlines of 2024: “Sorry straight white men, Doctor Who was never made for you.” That’s a bold statement, considering the fact that the first season of the show was released in 1963. Then, under the picture, she adds that the show was always “inclusive” … after she literally EXCLUDED straight white men right in the title of the article.

This year’s MET Gala dialed back on the extravagance, but the occult elite still found a way to pass its messages through its industry pawns.

Bad Bunny wore shoes shaped like goat hooves. That outfit tells us that they’re hiding their true nature under “fashion”. And what is their true nature?
Baphomet-idolizing satanists.
Doja Cat is still in the humiliation/sex slave phase of her career. While most celebrities were dressed in big, elaborate outfits, she looked like she just come out of the shower. No dignity for industry slaves.
As seen in previous articles about the MET Gala, the event is hell-bent on showcasing men in women’s clothing. This GQ magazine article about the “best dressed men” fully displays the ridiculousness of it all.

Speaking of men in dresses, here’s David Dastmalchian – star of the satanic movie Late Night With the Devil.

In a Photobook photoshoot, Dastmalchian has a plasticky, soulless look as he models the most feminine outfits possible. Some might ask: “Why are you so prejudiced against the LGBTQ community?” I’m not. Dastmalchian is married to a woman and has children. He’s not LGBT-anything. So why is he wearing the dresses? Compliance with the agenda. No other reason.
In this picture, he has the same plastic look while wearing a dualistic-patterned jacket. More importantly, he’s doing a very clear 666 hand sign.
As if we needed more creepiness surrounding Dastmalchian, he’s the ambassador of a “high-end” casket brand.

Speaking of creepy: Anya Taylor-Joy.

Anya Taylor-Joy recently posted pictures of her “secret wedding,” which included a bloody, anatomically correct cake shaped like a human heart. Her entire wedding was “vampire-themed”. None of this is a joke. They’re putting on display the fact that they’re actually obsessed with cannibalism and the consumption of human blood.
To ensure you understand that she’s a tool of the elite, Anya was recently featured in an ELLE photoshoot centered around her hiding one eye.

King Charles’s official portrait is the stuff of nightmares. That’s by design: It’s the general vibe “they” want the world to absorb.

While Charles is fading into a sea of red, the painting features a well-defined Monarch butterfly. While this could represent the fact that King Charles is a “monarch” (a rather lame association), it could also mean the exact opposite: He’s an increasingly irrelevant relic of the past in the occult elite’s global system which is ruled by a much higher power.

Is this higher power actually hidden in the painting?

When the painting is inversed and mirrored, a central figure emerges: Baphomet. Furthermore, it looks like Charles’ hand is grabbing the horns—a classic satanic symbol representing the drawing of power from occult forces.

But why is the painting so red? This might be a reference to another occult elite obsession.

The series American Horror Story: Delicate features a cursed painting made with a witch’s menstrual blood. It is strikingly similar to King Charles’ portrait. This is not a coincidence; these things are part of the occult elite’s “culture.”

Speaking of satanism in the Royal Family, Meghan Merkle was seen wearing a peculiar necklace while in Nigeria. According to news sources, the piece of jewelry supposedly belonged to Lady Di – although she was never seen wearing it.

During her trip, Markle wore an inverted cross, which happens to be the main symbol of Satanism. While some outlets attempted to “debunk” the picture, a quick zoom-in proves that this is truly an inverted cross (Snopes did not even attempt to debunk this). Some have questioned whether the necklace was actually by Lady Di. Maybe it was a way of deflecting the fact that she owned an inverted cross. Bizarre fact: Melinda Gates wore a similar inverted cross while promoting vaccines in 2020.

Special thanks to everyone who sent in pics!

The Eurovision 2024 Finale Was Basically a Demonic Ritual

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The Eurovision 2024 Finale Was Basically a Demonic Ritual

Eurovision is a massive television event that has been held annually since 1956. Throughout the years, the competition has launched some of the world’s best-selling singles and turned numerous artists into global superstars.

Of course, the world elite had to turn this campy music competition into an outlet for indoctrination. And they couldn’t be subtle about it; the entire thing had to become a heavy-handed embodiment of Sodom and Gomorrah. I wish I were exaggerating or being overly dramatic but, as we’ll see, I’m just stating facts.

Eurovision’s gradual shift towards all-out elite lunacy became fully apparent during the 2019 finale. Other than its ever-increasing promotion of degeneracy, the finale culminated in a highly ritualistic performance by Madonna, which appeared to have predicted the coming of COVID-19.

Since then, Eurovision has been making it a point to assault its viewers with elite garbage. For instance, in 2021, Cyprus’ song entry titled El Diablo was so blatantly satanic that the song sparked protests in its home country.

That said, the 2024 edition of the competition was particularly egregious in agenda promotion. In fact, the finale’s overarching narrative turned the show into an all-out mega-ritual.

However, as usual, mass media focused on everything except the competition’s actual content, making sure that people ignored the evil that stared them dead in the eyes.

Indeed, most media coverage of Eurovision 2024 focused on Israel’s controversial participation in the competition. This was not helped by the fact that Eden Golan’s song – initially titled October Rain – was a reference to the October 7th Hamas attacks.

Media coverage of Eurovision 2024 in one image: A weirdo dressed in a furry/BDSM outfit shows his support for Israel.

During the finale, every mention of Israel was met with extra loud boos (and some cheers) as the hosts awkwardly attempted to ignore the palpable tension in the crowd. In the end, despite the protests and the controversy, the Israeli contestant ranked #2 in popular votes. Since the song was rather unremarkable, one can assume that most of these votes actually supported Israel – the country.

With all of that being said, all of this attention surrounding a contestant who happened to be from Israel caused media to, once again, completely ignore what Eurovision 2024 was truly about: A tribute to Satanism and general degeneracy.

Let’s look at the actual competition.

Sodomvision 2024

Not unlike previous editions of the show, Eurovision 2024’s explicit performances – combined with the unavoidable gender-blurring agenda – exasperated people who still expected the show to be somewhat family-friendly.

Pretty much.

Here are some examples of the “musical” performances featured during the finale.

Spain’s performance featured two male dancers in g-string corsets and high-heeled boots shaking their butts at the public.
During the voting segment, contestants usually wave their country’s flag. However, in several cases (such as in Spain), the LGBT flag is more prominently displayed. Considering that the elite is looking to erase national identities and replace them with a global “culture,” this makes sense.
The UK’s performance was all about gay group sex in a filthy bathroom. That’s it.

It seems like everyone hated that performance. In fact, it received exactly ZERO points from the viewers. Not because of “homophobia”. But because it was cringy, gross, and possibly created a new form of STD.

I’m not British, but I felt second-hand embarrassment.

The representatives of Finland also made it a point to turn this music competition into perversion.

Finland’s performance was all about this guy being naked from the waist down.

While the performance was supposed to be “humorous,” it mostly felt as if a perverted creep was taking pleasure in exposing himself to the young viewers of the show.

Since the contest took place in Sweden, the final featured a tribute to ABBA – the mythical Swedish group who won Eurovision exactly 50 years ago. Did ABBA come out to perform for this occasion? Of course not. This guy did.

Conchita Wurst – the winner of Eurovision 2014 – sang an ABBA song. Why? Because he’s a bearded guy in a dress. No other reason. It’s also why he was invited to perform at the European Parliament and the United Nations. He’s the perfect representation of the elite’s unhinged gender-blurring agenda.

While this depravity was going on throughout the show, another elite obsession was happening in parallel: A demonic ritual. Am I exaggerating? Nope.

The Ritual

While many Eurovision performances were dark and exuded demonic vibes, Ireland’s entry to the contest depicted an actual demonic ritual.

Ireland’s Bambie Thug wears a satanic corruption of Jesus’ crown of thorns. As we’ll soon see, this black crown will take an important meaning at the end of the competition.

Bambie Thug’s performance at the Eurovision Finale was nothing less than a demonic ritual.

During her performance, Bambie Thug lights candles around an inverted pentagram, the center of which is an all-seeing eye. This is not “entertainment” anymore; it is an actual ritual.

Then, Bambie Thug summons a demon on stage.

The singer lifts the demon from the depths of hell at the center of the ritualistic circle.
The witch and the demon share romantic moments. Meanwhile, families are sitting in their living rooms wondering if they’re still watching a music competition.
On Bambie’s forehead is a triskelion, an ancient Celtic symbol with a profound occult meaning. In this case, the triskelion was stylized to look like 666. Coincidence?
The circle’s center turns into a dodecagram, a 12-pointed star associated with the 12 signs of the zodiac, the 12 tribes of Israel, and other occult meanings.
The last leg of the song consists of Bambie screaming her head off as she uses her witch powers to cause the demon to convulse on the ground.
The performance ends with the words “Crown The Witch.” At the end of the competition, these words will have different meanings.

Then, the viewers were treated to more satanic symbolism.

In a “funny” segment, the show’s host informs viewers that the Eurovision soundtrack can be listened to in runestone form.

Eurovision 2024 took place in Sweden, where runestones are part of the country’s history. However, there’s something purposely inaccurate about this fake runestone: It features a prominent inverted cross at the bottom. From my research, there are no runes shaped like an inverted cross. This whole segment was just an excuse to display satanic symbolism to millions of viewers.

As if to confirm everything stated above, the competition ended in the most symbolic way possible.

Crown the Witch

The competition winner was Nemo. He performed wearing a short skirt and a pink top. Of course. While Nemo is from Switzerland, the true winner of the competition is the Agenda.

Nemo’s song, The Code, is an “ode to the singer’s journey toward embracing a nongender identity.” Of course, the winning song had to have an elite-friendly message.

Of course, the winner had to be used to push agendas mere days after the win.

When Nemo was announced as a winner, things got very symbolic.

Following his win, Bambie Thug “crowned” Nemo with her satanic crown of thorns.
Nemo held on to the crown throughout his long walk to the stage. When he was given the trophy, he was still wearing the Satanic crown that was “blessed” (I mean “cursed”) during Bambie’s demonic performance.

In short, the whole finale was scripted, ritualistic, and highly symbolic.

Odd fact: The trophy broke and injured Nemo shortly after the competition.

“Speaking to the press, Nemo described the moment the trophy was accidentally broken: “I lift it and when I put it down, it just shattered.” Nemo was later seen wearing bandages on stage after sustaining deep cuts to the thumb.”
– BBC, ‘It just shattered’ – Winner Nemo explains how the Eurovision trophy broke

Cursed.

In Conclusion

Watching Eurovision 2024 was a sad experience. It wasn’t about music that happens to contain social messages; it was social indoctrination that happens to contain music. Things got even sadder when, before each performance, viewers were shown Eurovision snippets from the 20th century. From the proud, healthy, beautiful, and wholesome artists of the past, we suddenly cut to the weird, perverted, tormented, gender-confused, and gremlin-like “artists” of today. Every time, we find ourselves asking: “What the hell happened?”

The answer is simple, as the same phenomenon can be observed across all mass media: Eurovision was co-opted by the elite. And this year’s edition heavily revolved around two elite obsessions: Gender-blurring and the celebration of satanism. As seen in previous articles, these two agendas go hand in hand and are often tied together through symbolism in mass media. This shouldn’t be surprising, as Baphomet—the main “deity” of the occult elite—embodies both genders.

Eurovision 2024 was not a “competition”; it was a scripted narrative where a product of the elite’s gender-blurring agenda was “crowned” by a satanic witch.

 

Beyond Rap Beef: Kendrick Lamar’s Dark Accusations Against Drake (Including Sex Trafficking)

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Beyond Rap Beef: Kendrick Lamar’s Dark Accusations Against Drake (Including Sex Trafficking)

If I had to sum up 2024 in a few words, I’d go with “Settling Scores.” On January 3rd, Katt Williams set the tone by stating, in a now legendary interview:

“It’s God’s side and the other side. And we don’t care nothing about the other side. Period. All of these big d*ck deviants are all catching hell in 2024. It’s up for all of them. It don’t matter if you Diddy or whoever you is. All lies will be exposed, that’s all. And anyone who takes it the wrong way, know why they take it the wrong way. The truth is the light.”

In the following weeks, Diddy was indeed exposed as a diddler. On a broader scale, the rap world entered a “civil war” in which numerous artists viciously dissed other artists while exposing their moral misdeeds in the process.

While most rap fans found this generalized beef to be thoroughly entertaining, things got very real when the war crystallized around two juggernauts of the genre: Drake and Kendrick Lamar.

Other rappers who attacked Drake made fun of him for getting ab implants and a BBL (Brazilian butt lift). However, Kendrick chose to engage in all-out psychological warfare. Of course, Kendrick did not fail to mention Drake’s hilarious surgeries, but the bulk of his attacks were infinitely more serious: He accused Drake of being a pedophile. He did not insinuate it. He just said it. He also accused his entourage of being industry creeps who prey on minors.

Here’s a look at this sticky situation.

Is Drake a Groomer?

Drake probably wishes this picture (and many others) didn’t exist right now.

In 2018, I published an article about Drake being accused of grooming Millie Bobby Brown. The actress – who was 14 years old at the time – mentioned a few times that she was in regular contact with Drake, prompting people to wonder if she was being groomed. Most of the weirdness stems from the following interview, in which Millie talks about her relationship with Drake.

In this cringy interview, Millie discusses planning to meet Drake in Atlanta. Odd. However, the biggest “groomer” red flag is raised when she mentions that Drake “helps her with boys.” That’s typical groomer behavior, which is defined as “establishing a connection with children to lower their inhibitions and desensitize them to sexuality.” Most adults know that giving “relationship advice” is a classic way of flirting while gaining the trust of a love interest, but these efforts are not that transparent to teenagers.

As if to prove everything above, Drake decided it would be a good idea to become the executive producer of a series I define as “groomer TV”: Euphoria.

Euphoria

Drake probably wishes he wasn’t associated with that show.

As explained in my article about this God-awful series, Euphoria is all about sexualizing minors. But that’s an understatement.

To give a concrete example, the first episode contains an explicit scene of an underage transexual teenager (who dresses like a little girl) being violently sodomized by a man in his fifties for an extended time … complete with disturbing gagging noises and all.

An older man jams his thumb inside the mouth of a transexual teenager in Euphoria. Thanks, Drake.

In Euphoria, these scenes are not presented in a bad light but as things that just happen to young people. In other words, it’s all about normalization, which also happens to be the goal of groomers.

This is what Drake is “executive producing.”

Incidentally, Euphoria is the name of Kendrick’s first diss track aimed at Drake. That was not a coincidence. It was Kendrick’s way of reminding the world that Drake co-signed a series about sexualizing high schoolers.

The intro of Kendrick’s Euphoria ends with a couple of lines addressed at Drake:

Know you a master manipulator and habitual liar too
But don’t tell no lie about me and I won’t tell truths ’bout you

Well, Drake apparently told lies about him because Kendrick told a whole lot of truths about him.

Meet the Grahams

In reply to Kendrick’s attacks, Drake released Family Matters – an eight-minute track where Drake gets personal, even alleging abuse in Kendrick’s relationship with his fiancee.

This is where this rap beef turned into psychological warfare. A few minutes after the release of Family Matters, Kendrick posted Meet the Grahams—a response to Drake’s personal attacks.

In the song, Kendrick writes letters to members of Drake’s family. When Kendrick addresses Drake’s mother, Sandra Graham, things get brutal.

Sandra, sit down, what I’m about to say is heavy, now listen
Mhm, your son’s a sick man with sick thoughts
I think n***as like him should die
Him and Weinstein should get f**ked up in a cell for the rest they life
He hates Black women, hypersexualizes them, with kinks of a nympho fetish
Grew facial hair because he understand bein’ a beard just fit him better
He got sex offenders on OVO that he keep on a monthly allowance
A child should never be compromised and he keepin’ his child around them
And we gotta raise our daughters knowin’ there’s predators like him lurkin’
F**k a rap battle, he should die so all of these women can live with a purpose
I been in this industry 12 years, I’ma tell y’all one lil’ secret
It’s some weird s**t goin’ on and some of these artists be here to police it
They be streamlinin’ victims all inside of they home and callin’ em Tinder
Then leak videos of themselves to further push their agendas
To any woman that be playin’ his music, know that you’re playin’ your sister
Or better, you’re sellin’ your niece, to the weirdos, not the good ones
Katt Williams said, “Get you the truths,” so I’ma get mines
The Embassy ‘bout to get raided, too, it’s only a matter of time
Aye, LeBron, keep the family away, hey, Curry, keep the family away
To anybody that embody the love for they kids, keep the family away
They lookin’ at you too if you standin’ by him, keep the family away
I’m lookin’ to shoot through any pervert that lives, keep the family safe

This verse must be carefully dissected because there’s much to unpack here.

First, Kendrick compares Drake to Harvey Weinstein, the infamous Hollywood producer who used his power and influence to coerce actresses to have sex with him. Weinstein was accused of forcing oral sex on a production assistant in 2006 as well as rape in the third degree of an actor in 2013. On December 19, 2022, Weinstein was convicted of rape, sexual penetration by a foreign object and forcible oral copulation.

Kendrick continues by stating that Drake hypersexualizes Black women, “with kinks of a nympho fetish”. This is most likely a reference to Drake paying $350,000 to a woman who accused him of sexual assault in 2017. The accuser – a former stripper and Instagram model named Laquada Morris (aka Layla Lace) – alleged: “Drake forced me to perform oral on him. It wasn’t your ordinary oral it was more so a fetish.” She then describes how he told her to spit into a cup “until he had measured it.”

In the next line, Kendrick says Drake “grew facial hair because he understands bein’ a beard just fit him better.” A beard is a person that is used to conceal another person’s infidelity or homosexuality. In a more general sense, a beard refers to someone who provides cover for someone else, which ties in with the next line of Kendrick’s verse: “He got sex offenders on ho-VO that he keep on a monthly allowance.” OVO is the name of Drake’s record label. One of his artists – Baka Not Nice – was charged with human trafficking and procuring prostitution in 2015.

Drake with Baka Not Nice.

Kendrick then insinuates that Drake keeps his son Adonis around these OVO predators: “A child should never be compromised, and he keepin’ his child around them.”

Drake with his son Adonis at an OVO promotional event.

Kendrick continues: “And we gotta raise our daughters knowin’ there’s predators like him lurkin”. Here, Kendrick heavily implies that Drake preys on young girls and that he wouldn’t leave his children around him. Then, he goes even deeper down the rabbit hole. Re-read these lines carefully.

I been in this industry 12 years, I’ma tell y’all one lil’ secret
It’s some weird s**t goin’ on and some of these artists be here to police it
They be streamlinin’ victims all inside of they home and callin’ em Tinder

In these lines, Kendrick talks about Drake and other industry people running sex trafficking rings inside of their homes. The victims are chosen, groomed, and filmed by people on Drake’s payroll, who then create a “private Tinder” for him to peruse. In October 2021, TikToker @eileensgarden posted a viral video stating:

“Everything I’m about to tell you is a hundred percent true. And this information came to me from one of the crew members on Drake’s tour. This was the guy who did all the tech stuff. And he told me that Drake has an employee whose job is to go around town looking for super hot girls. He finds the girls and then he interviews them, and out of all the girls he interviews, he picks the one that he thinks is the best. Then, he drives her to Drake’s place, Drake has sex with her, and then he drives her home. So, basically, Drake has his own private Tinder.”

Drake himself appears to be bragging about this operation in his song Chicago Freestyle:

All good, Chubbs will look around
Find one that seem my type
That my dawg and he know what I like
He done found me plenty in my life

Chubbs, the associate who reportedly recruits girls for Drake.

Kendrick adds: “Then leak videos of themselves to further push their agendas”. This line most likely refers to Drake “leaking” naked videos of himself as a way of advertising his sex trafficking operation.

Kendrick adds, “The Embassy’s about to get raided too, it’s only a matter of time.” Drake’s $100 million mansion in Toronto was nicknamed “The Embassy.”

The inside of Drake’s mansion is bizarre. What’s up with these one-eyed figures on each side of the doorway?

Kendrick suggests that authorities will soon raid The Embassy, not unlike what happened to Diddy and Epstein’s properties.

The verse ends with an ominous warning to NBA stars Lebron James and Stef Curry (who have connections with Drake): Keep your families away from this den of predators.

As if that wasn’t enough, the next verse suggests that Drake is hiding an abandoned 11-year-old daughter. While Drake denied this claim, some internet sleuths dug out a 2012 tweet that seemed to “celebrate” the birth of a girl.

This rather enigmatic tweet, which simply says, “Baby girl,” was posted 12 years ago – right around when this girl would have been born.

Less than 24 hours after this heavily charged song, Kendrick released Not Like Us. Some would argue that it was the final KO.

Not Like Us

The cover art of Not Like Us consists of a satellite picture of The Embassy with several pins identifying individuals inside it.

 

The cover art is meant to mimic sex offender locator apps, where child abusers are identified in red.

The goal of Not Like Us is simple: To have people dance and sing along as Kendrick accuses Drake of the vilest things possible. In the first verse, he says:

Say Drake, I hear you like ’em young
You better not ever go to cell block one
To any b***h that talk to him and they in love
Just make sure you hide your little sister from him
They tell me Chubbs the only one that get your hand-me-downs

After doubling down on his pedophile accusations, Kendrick reminds Drake that prison inmates treat child abusers rather badly. Then he warns the women who fall for Drake to make sure their little sisters stay away because Chubbs will be interested in them.

Then, Kendrick triples down on his accusations:

And Baka got a weird case, why is he around?
Certified lover boy, certified pedophile

Yup, Kendrick altered Drake’s album name, Certificied Lover Boy, with something he felt more appropriate: Certified Pedophile.

Kendrick ends his verse with a line that probably wrapped up this rap beef:

Why he trollin’ like a b***h? Ain’t you tired?
Tryna strike a chord and it’s probably A-Minorrrrrrrrrrrrrrrrrrr

At the risk of stating the obvious, an A-minor is a chord in music. It is also Kendrick’s way of saying that Drake is trying to strike … a minor.

In the chorus, Kendrick repeats the title of the song:

They not like us
They not like us
They not like us
They not like us

While the exact meaning of these words isn’t explicitly spelled out, they seem to point to the fact that Drake’s entourage – and industry elites in general – are different than regular, non-pedophile, God-fearing people.

Drake’s Reply

After these vicious attacks, people eagerly awaited Drake’s rebuttal. He eventually replied, but his arguments were rather perplexing.

First, Drake stated that he purposely fed Kendrick false information about him.

We plotted for a week, and then we fed you the information
A daughter that’s eleven years old, I bet he takes it

Drake later adds that his team “finessed” Kendrick into telling a fake story about him being a sex predator. Maybe I’m not a strategic mastermind like Drake, but I do not see the upside of feeding an opponent fake stories about an abandoned child and being a pedo monster.

Later, Drake added another mind-boggling gem:

If I was f*cking young girls, I promise I’d have been arrested
I’m way too famous for this sh*t you just suggested

Yes, Drake said that he was too famous to be a pedophile. Meanwhile, we all know that pedophilia is an obsession of the rich and famous. A simple look at Jeffrey Epstein’s flight logs is enough to make one realize that there’s something terribly wrong with the world’s elite. So Drake’s argument of him being too famous to be a pedophile was not well received.

Later, Drake drops yet another eyebrow-raiser:

Only f*ckin’ with Whitneys, not Millie Bobby Browns, I’d never look twice at no teenager

Here, Drake says that he’s only interested in grown women like Whitney (Kendrick’s fiancee) and not Millie Bobby Brown. However, Kendrick never mentioned Millie Bobby Brown in his songs. That’s like accusing someone of being a thief, and the person replies, “I didn’t even steal that bike!”

Who even talked about a bike, Drake?

In Conclusion

Whenever I write about a celebrity divulging nuggets of truth, some commentators never fail to mention that they’re also part of the industry and that they’re not saviors. Well, of course. When I report on a celebrity saying something, it doesn’t mean that I automatically co-sign every single thing they did in their entire lives. However, that also doesn’t mean what they said wasn’t accurate or relevant to this site.

The simple fact remains: The only people who can accurately report wrongdoings in the entertainment industry are people inside the entertainment industry. Outsiders simply cannot have the same insight.

With that being said, some might ask: Is Kendrick Lamar a “good guy” or a “bad guy” in the industry? The most likely scenario is that he’s an imperfect person who is faced, like most people, with struggles and temptations. In 2015, I thoroughly analyzed his album To Pimp a Butterfly which is centered around a relevant theme: An up-and-coming artist is tempted with fame and riches by an alluring character named Lucy – short for Lucifer. I ended the article with these words:

There is one thing Kendrick needs to remember: Lucy does not give up that easily.

In the following years, one wonders if Kendrick finally surrendered to Lucy.

In recent years, Kendrick has often worn a crown of thorns, a fashion statement seen as blasphemous by some Christians.

In short, Kendrick is not perfect. However, that doesn’t mean he’s lying about Drake and the industry in general. In fact, he’s in the perfect position to confirm an important fact: “They not like us”.

“American Horror Story: Delicate” and its Messages About Hollywood’s Occult Underbelly

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“American Horror Story: Delicate” and its Messages About Hollywood’s Occult Underbelly

Warning: Pharaonic spoilers ahead!

Since 2011, the television series American Horry Story (AHS) has been horrifying Americans with stories some would describe as “pretty messed up.” But that doesn’t stop people from watching. Indeed, AHS has garnered an immense viewership while winning countless awards in every category imaginable. Some even stated that AHS “unquestionably joined the ranks of television’s landmark series.”

While most series become stale after a few years, AHS managed to remain relevant by casting big stars in starring roles while promoting each season with highly fashionable posters and trailers.

Lady Gaga in AHS Hotel (2015).

As you can see in the poster above, despite the praises the series received, there’s actually something terribly wrong with AHS. The “horror” on display is not your usual scary stuff. It goes way deeper than that. It is about putting on display the sick obsessions of the occult elite and, in a way, celebrating them. In the case of the image above, Lady Gaga holds children on a leash in a ritualistic manner, an “artistic” way of representing the elite’s love for preying on children (read my article on that season of AHS here).

The 12th season of AHS—titled Delicate—follows the same formula. Kim Kardashian was enlisted as the buzzworthy lead actress and the subject matter is, more than ever, pure occult elite madness. Of course, the season was preceded by a fashionable photoshoot.

This poster featuring Cara Delevigne alludes to the satanic-medical complex seen in AHS: Delicate.
Emma Roberts poses with a giant spider as her pregnant belly.

As expressed by the poster above, AHS: Delicate centers around the theme of motherhood. But, like, evil, foul, Satanic motherhood where every single aspect of childbearing is corrupted and turned into a complete nightmare.

A scene from AHS: Delicate takes place in a room full of babies in jars. As we’ll soon see, the series is in excuse to turn the elite’s obsession with harming, sacrificing, and exploiting babies into “art”.

While the main story of the series is about the struggles of a mother-to-be, the context surrounding it is all about Hollywood and its dark tendencies. Indeed, through various side stories, AHS actually reveals the occult side of historical Hollywood events.

While AHS is a work of fiction, there’s a clear effort to draw parallels with real-life Hollywood. For instance, Kim Kardashian plays the role of a powerful Hollywood figure who is also part of a Satanic witch coven. The least one can say is that this role wasn’t much of a stretch for her (the Kardashian clan is a coven of witches). Is this why Kim K was (surprisingly) selected to play this important role in the series?

Here’s a look at the main themes of the series.

Corruption of Motherhood

The series’s opening sequence is all about translating into “art” the elite’s obsession with corrupting motherhood.

A gynecological exam chair drips in blood. Motherhood turns into a Satanic blood ritual.
The skeleton of a baby is inside a “gift box” emblazoned with the Sigil of Lucifer. The person who thought of that image has serious issues that need to be addressed.
A stroller on fire. The message: Babies are being sacrificed.

With these psychopathic images ingrained in our brains, the story begins.

Emma Roberts plays the role of Anna Victoria Alcott, a Hollywood actress who is trying to get pregnant. Evidently, someone doesn’t want her to.

After failing to get pregnant several times, Anna is referred to the best fertility clinic in town. Spoiler: It is secretly controlled by Satanists. Through IVF, she finally gets pregnant, and she and her husband Dex, are very happy.

However, Anna starts seeing weird things happening around her.

On her way to the clinic, Anna sees a nest with a dead baby bird inside. More anti-baby “art” from the same people who are obsessed with abortions.

Throughout the episodes, several characters engage in anti-baby rhetoric that seems to be written by the WEF. One woman (who turns out to be a witch) tells Anna:

“But, honestly, why anyone would want a child boggles my mind. You wait your whole childhood to be free to make your own choices and then what choice do you make? To create an unnecessary being who contributes to global warming, who feeds on our body and whose survival you’re responsible for.”

“An unnecessary being who contributes to global warming”. Yup, that’s how they see our children.

Other than parroting unhinged WEF-sponsored rhetoric, a great portion of the series is dedicated to people giving Anna weird looks, and her looking up things on her iPhone™. Indeed, Apple™ products get a ridiculous amount of screentime during the series, which leads me to believe that the company paid big bucks for product placements … in a series about Satanists sacrificing babies. It is unsurprising because the company’s logo is a bitten apple. Fun fact: In Genesis, Lucifer told Eve to bite a fruit (traditionally represented as an apple).

Anna’s husband Dex offers her to bite an apple. Symbolic. We’ll soon understand that Anna cannot trust anybody and nearly everything she’s given to eat is tainted.
We later learn that Dex’s father is a high-level cultist who subjected his mother to Satanic Ritual Abuse (SRA).

Not unlike Eve, Anna bites the apple. In fact, she eats the whole thing. Symbolic.

While her pregnancy is supposed to be a blessing, we soon realize that it is very cursed.

Anna is followed by creepy bird ladies who walk around with goats. Remember the creepy bird nest above? The series is full of bird symbolism.
The bird ladies perform gynecological procedures on Anna while repeating a Satanic chant. She’s being impregnated with a cursed demon baby.

Translated from Latin, the chant says:

Hail, O child of Satan, long live the children of our Lord

Without exaggerating, this chant is heard at least a hundred times during the series. It keeps popping up as witches creepily dance to it or perform rituals. I believe that one of the objectives of the series is to get that (rather catchy) chant inside one’s head for days on end.

Eventually, Anna gives birth, surrounded by the coven of witches. The inverted pentagram indicates that the miracle of life got turned into an unholy satanic ritual.

If you look closely at the image above, Anna is holding an Oscar while giving birth to the demon baby. That’s because she agreed to give up her baby to the coven in order to win it.

The Real Witches of Hollywood

Kim Kardashian plays the role of Siobhan Corbyn, Anna’s publicist and “best friend.” The snake around her neck indicates that there’s something evil going on with her.

Before getting pregnant, Anna starred in a horror “feminist” movie called The Author. Against all odds, she’s winning countless awards for it. We’ll soon learn that dark forces are at play.

In one of her iPhone™ searches, Anna comes across the “insane ramblings” of a conspiracy theorist. We soon learn that the conspiracy theorist was very correct.

At the end of the series, the obvious is revealed: Siobhan is actually the head of a Satanic witch coven. And, through dark forces, she manipulates the entire industry to get the results she is looking for.

For instance, Anna’s main competition for an Oscar is a young actress named Babette Eno. Something happens to her that often happens in Hollywood.

Babette is murdered by the coven, and it is framed as a car crash in mass media.

As seen in the screenshot above, Babette was decapitated in the car crash. This parallels a real-life Hollywood event.

In 1969, actress Jayne Mansfield died in a car crash and it was long rumored that she was decapitated in the process. Strange fact: She was a high priestess in the Church of Satan. Is AHS sending us a message about the true cause of her death?

Pictures of Jayne Mansfield with Anton LaVey – the head of the Church of Satan.

Through its narrative, AHS also communicates other truths about Hollywood. Anna starred in a movie titled The Author, which was credited to a male director named Hamish Moss. In actuality, Siobhan, the witch, wrote the “feminist” movie and convinced the director to take the credit by using sex. However, Hamish ends up feeling uncomfortable with this literal deal with the devil and gets the urge to reveal the truth to the world.

Then, something happens to him that often happens in Hollywood.

The Hollywood witches get him killed, and the media frames it as a suicide.

With Siobhan and her coven manipulating Hollywood behind the scenes, Anna reaps the rewards. Of course, that comes with a sacrifice.

Anna wins an Oscar for Best Actress … after agreeing to give up her child.

This entire scenario is eerily similar to what happened in real life this year.

Emma Stone gives her acceptance speech after winning Best Actress at the 2024 Academy Awards.

In AHS, Anna won an Oscar for starring in a disturbing “feminist” movie credited to a man. In 2024, Emma Stone won an Oscar for starring in a disturbing “feminist” movie credited to a man. The movie in question is Poor Things and it is also a sickening display of the elite’s depravity. Is reality stranger than fiction?

On a few occasions, AHS flashes back to past real-life Hollywood events to show how the coven intervened behind the scenes. One such flashback involves the 1968 movie Rosemary’s Baby.

Director Roman Polanski (seen behind the cameraman) forces actress Mia Farrow to walk in actual New York City traffic to film a scene. He famously told her that “nobody would hit a pregnant woman”.
It actually happened, Mia Farrow was made to walk in live traffic during the filming of Rosemary’s Baby.

As explained in my article about Rosemary’s Baby, there’s an entire puzzle of occult strangeness surrounding this movie. Directed by Roman Polansky (who would later be accused of drugging and raping a 13-year-old girl), the movie is about a woman being groomed by a Satanic cult to give birth to the Antichrist.

In AHS, Sharon Tate (Roman Polanski’s wife) approaches Mia Farrow and tells her, “The devil is beautiful, you know?”

While this scene might seem random, a bit of context gives it an eerie meaning. From my article on Rosemary’s Baby:

Before settling on Mia Farrow, Roman Polanski originally envisioned his wife, Sharon Tate, as playing the role of Rosemary. She was not cast in the role, but did make an uncredited appearance in the movie, during a party scene. Fourteen months after the release of the movie, Tate (who was 8 months pregnant) was ritualistically killed by members of the Manson family. She was stabbed 16 times and her killers wrote the word “pig” in her blood on the wall of her house. (…)

Did Roman Polanski sacrifice his wife (the same way Guy sacrificed Rosemary in the movie) to obtain the favors of Hollywood? Soon after the death, he allowed himself to be photographed by Life Magazine in the house where Tate had died. Her dried blood was still clearly visible in the pictures. The photoshoot caused him to be heavily criticized.

Polanski poses next to the word “PIG” written in his dead wife’s blood. Suspicious behavior.

In short, everything about Rosemary’s Baby reeks of the occult elite’s involvement. AHS seems to agree.

Behind the scenes, Mia Farrow discovers that Siobahn (who doesn’t age because she’s a witch) is behind this foul satanic movie. In AHS, Siobahn represents the occult elite as a whole.

The Ending Explained

So what happens to Anna and her baby? While the ending is somewhat enigmatic, it is also exactly the ending one would expect from occult Hollywood.

After giving birth to the demon baby, Anna’s apartment mysteriously turns red (the color of sacrifice). There, Siobahn reveals her master plan.

Siobhan reveals that she is breeding an army of demon babies to kill all men on Earth (while keeping some of them as sex slaves) and bring about a matriarchy. In yet another Hollywood production, witchcraft and Satanism are associated with feminism.

Also, all of the women around Anna during her pregnancy were secretly part of the coven. Well, they’re not all women. The witch on the right is a transgender woman. Yup, a biological male is part of the matriarchy plan. Makes perfect sense.

So Siobahn gives Anna a choice:

“Join us and receive our gifts: Eternal youth, beauty, and power. Or not and wander the world ugly, aging and alone.”

Alright, let’s pause a second. Why is she talking about youth, beauty, and the threat of being alone if the goal is to kill all men? Evidently, someone needs to sit down with the witches to revise their matriarchy business plan.

But, in the end, it doesn’t matter because Anna manages to kill Siobahn. How? Well, a ghost appears to her and gets her to start chanting “Ave Hestia” (referring to the Greek goddess of hearth and home) to counter the “Ave Satanas” of the witches. And that alone killed the powerful witch who had been influencing the world for centuries. Yeah, it was lame, and fans of the show hated that part. But, hey, they had to wrap up the story in the final 10 minutes somehow.

In the final scene of the series, Anna wears Siobhan’s headdress while holding her baby (who is now normal and not demonic). She’s also holding her Oscar. She has it all.

So, did the light win against the darkness? Did good win over evil? One would think so, but not really.

The baby’s bedroom is full of plush goats, hinting that evil is still lurking. Furthermore, we faintly hear “Ave Satanas” as Anna grabs her Oscar. Anna got greedy. She wants the baby, the Oscar, and the power represented by the headdress. While Siobahn is dead, Satan might have found her replacement.

The message: In the elite-sponsored stories, Satan never loses.

In Conclusion

On one hand, AHS: Delicate is a fictional story with an outlandish premise filled with supernatural nonsense. On the other hand, it is a scarily accurate depiction of the occult elite’s true mindset and its influence on real-life events. And that is the ultimate goal of such “entertainment”: To disclose truths to the unsuspecting public while also fictionalizing them. It makes them part of “art” and popular culture while also making people believe they’re made-up stories.

AHS: Delicate was about a group of Satanists who carried out rituals, sacrifices, Satanic Ritual Abuse, and murders disguised as suicides and accidents. All of these topics were discussed on this site for real using real-life events. The series turned these horrific things into “art” and entertainment for the masses to consume. And, as people praise Kim Kardashian’s performance as a Hollywood witch in the series, most have no idea that she wasn’t playing a role at all.

The Sinister Meaning of Taylor Swift’s “Fortnight”

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The Sinister Meaning of Taylor Swift’s “Fortnight”

The least one can say is that Taylor Swift characterized the first half of 2024. And that’s an understatement. In the past months, this already insanely popular singer turned into some kind of untouchable icon as she transcended her status as a celebrity to reach mass media sainthood. Indeed, Taylor simply cannot do any wrong. Even if she’s churning out music that’s arguably mediocre, news outlets walk on eggshells when attempt to review her offerings.

Whether it be lawsuits or outright “threats of violence”, there’s a bizarre aura of repression surrounding Taylor Swift. Criticism of her work or actions is not well received and has consequences.

The 2024 Grammys did nothing to upset Taylor. Quite to the contrary, they’ve ensured she won the Album of the Year award, becoming the first artist ever to win this “prestigious” trophy four times. And, after weirdly snubbing Celine Dion (because nobody is allowed to top her), Taylor Swift used her acceptance speech to announce the coming of her album The Tortured Poets Department.

That album title is quite symbolic. Tortured Poets is indeed an apt way of describing artists in the music industry—it can also be taken quite literally. Although Taylor Swift has an “untouchable queen” aura about her, she remains an industry slave.

Taylor promoted her album in a picture featuring a blatant one-eye sign. The message: She’s owned the industry.

While Taylor is super rich and influential, she still has to bow down to the industry’s higher-ups who built her fame and granted her the media exposure needed to maintain it.

The 2024 Super Bowl media coverage was at least 50% about Taylor Swift. Coincidentally, she spent most of her time with Ice Spice, an industry plant who wore a giant, very visible inverted cross around her neck. Ice Spice was planted there to remind us that Taylor is owned by the Satanic elite.

In short, there’s a price to pay to be a big music star. The title The Tortured Poets Department conveys this fact as industry artists are literally tortured by a system that uses Monarch mind control (an offshoot of MKULTRA) to control them.

Some might say, “I was following you until you mentioned MKULTRA, bro.” Well, bro, let’s look at the first video from that album. It could not be more blatantly about MKULTRA. It just can’t.

Exposing Swifties to Mind Control

As usual, Taylor Swift’s album mainly consists of her complaining about her exes. Meanwhile, her fans take great pleasure in finding Easter eggs and hidden meanings in her music videos … while completely missing the SUPER OBVIOUS hidden meaning. A simple, semi-educated look at the video shows it is about much more than heartbreak.

The video’s first scene is rife with symbolism relating to Monarch programming.

Taylor Swift is in a psych ward-type room and is chained to a bed. Her bed is “floating” in the air, which hints at her dissociative state as an MK slave. Other items in the room are askew or upside down, further conveying the slave’s confused perception of reality due to various techniques, including lots of drugs. Speaking of which, a creepy (upside down) nurse enters the room to give Taylor her dose.

The pill bottle says “Forget Him” – a Taylor Swift way of saying “Amnesia Drug.

Causing amnesia through drugs and other methods is a vital part of MK programming. In the scene above, Taylor is in a dissociative state and is given “medication” to further programming.

A chained Taylor Swift shows off a mind-erasing pill to her fans. She’s not special; she’s yet another star who has to celebrate her own slavery.
After taking the pill, Taylor wipes her face, revealing face tattoos.

The tattoos are a replica of Post Malone’s face tattoos. While most fans will believe that Post Malone plays the role of Taylor Swift’s love interest in the video, the symbolism implies a much darker truth: He’s her MK handler. His tattoos on her face represent that she’s being imprinted with his programming.

The following scenes will make this fact abundantly clear.

In another room, Taylor and Post Malone type up words as a colorful haze emerges from the paper.

This scene takes place in Taylor’s mind, where memories are stored in locked compartments. Post Malone—the MK handler—is inside Taylor’s head, and he’s writing new memories.

The following quote from Fritz Springmeier’s book about Monarch programming describes this exact process using a similar analogy.

“By building in amnesia walls between Event (personal history) memories, and by producing altered states of consciousness, the memories of a slave can be “nested” as the Programmers call it. “Nested” means that it is hidden behind several “locked doors” when the mind files the memory.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

The two singers are literally inside Taylor’s head, which is made of “files,” aka memories. This is all about controlling/altering her mind.

Taylor’s MK programming is taken to another level in the next scenes.

Taylor is tied up, and her brain is connected to an electroshock machine. For some reason, Ethan Hawk is there. 

Considering that Ethan Hawk was the main actor in the terrible movie Leave the World Behind, the elite seems to love using him for its indoctrination projects.

Post Malone – the primary MK handler – examines Taylor’s brainwaves.
The brainwaves spell out lyrics from the song, implying they’ve been programmed into her.

The words “I love you it’s ruining my life” seem to refer to a sad love story. However, they also describe the twisted relationship between a handler and a slave, where programming and dissociation cause mixed feelings of love and suffering.

Taylor gets electroshocked under the watchful eyes of her handlers. Is this video still about heartbreak?
After the electroshock, we see what’s happening inside Taylor’s mind: A whirlwind of burning files representing memories being erased and scrambled.

“Each person’s original mind is like an open computer. The original computerlike mind, in order to continue working, when confronted with overwhelming trauma, splits a part of the mind off and walls it up with amnesia barriers. The electro-shock also scrambles the brain’s filing of a memory, so that it is filed in bits and pieces. Because of the use of electro-shock, if memories do start surfacing they surface in pieces.”
– Ibid.

As with several music videos described on this site, Fortnight is less about “art” as it is about normalizing mind control. The following scene is the ultimate confirmation of the Monarch programming narrative.

Taylor breaks the mirror inside her room.

All MK-themed narratives NEED to contain a mirror/glass-shattering scene. It was true in the 1986 movie Labyrinth, and it is also true in the 2024 music video V.A.N. While, at face value, the scene appears to depict a rebellion, it actually represents the fracturing of the slave’s persona into multiple pieces.

The video ends with Post Malone talking inside a phone booth while Taylor sits atop it.

Wow. So artistic. Taylor Swift is a visual genius. But hold on. What does it mean? How does it relate to heartbreak? It doesn’t. It represents an MK handler programming his dissociated slave. Also, is it a coincidence that telephone tones are actually used to trigger MK slaves from a distance?

And that’s the video. Is there a single “music critic” who mentioned any of these blatant details in their “reviews”? Of course not. They’d rather talk about how fabulous she looked in the black dress.

In Conclusion

Although Taylor Swift ascended to music business royalty and transcended the realm of celebrity to become a social force to be reckoned with, Fortnight brings forth an important truth: She’s still a slave. The elite granted her incredible fame, wealth, and influence on the condition that she does as she’s told. If she stops complying, it can be taken away extremely easily. Yes, even Taylor Swift can become irrelevant in months if she is not provided the media attention required to maintain her status.

In Fortnight, Taylor is not an empowered queen; she’s a powerless slave. She has zero control over her mind and even the words that come from her mouth. Under the guise of a love song, the video depicts the destruction of an MK slave’s core persona to create an alter. While this story might sound fictional, it is all too real, especially in the entertainment industry.

A few years ago, Kanye West – one of the biggest stars in the world – was handcuffed and was forcibly hospitalized for months. Yes, months. People close to him stated that he suffered memory loss as a result of drugs and possibly “treatments” such as electroshock. He came out of this ordeal a thoroughly different person and even sported the trademark “MK slave platinum blonde” look. Today, he’s a creepy shell of a man who acts as Bianca Censori’s MK handler (high-profile MK slaves sometimes turn into handlers themselves).

While Taylor might not have undergone the same MK treatment, she’s nevertheless used to promote it, normalize it, and even make it glamorous to the millions of people who will inevitably watch the video—and to the millions of kids who will think that this video was about their favorite video game (Fortnite). It is not. It is about Taylor Swift being electroshocked into incoherence because she’s part of the music industry… aka The Tortured Poets Department.

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