Every year, the beginning of February is marked by two big media events that are often filled with symbolic moments: The Grammys and the Super Bowl. Although one event celebrates the music industry while the other is a football championship game, both frequently focus on the same stars, as if confirming that only a small circle of “chosen ones” can get significant media attention. For instance, this year, both events were marked by the presence of  Taylor Swift, Kendrick Lamar, Jay-Z, and others.

My first article about a music awards show was The 2009 VMAs: The Occult Mega-Ritual, and it remains relevant to this day as it highlights the “blueprint” of most modern award shows. In the article, I noted that these events are built for theatrics, where a limited number of actors appear on camera and on stage to participate in some symbolic and ritualistic moments.

And some things never change. The two main actors in the aforementioned 2009 VMA Awards were Beyonce and Taylor Swift. In the 2025 Grammy Awards, these two “royal” figures of the music industry were again the main protagonists as they shared the stage again in a televised ritual drama.

Furthermore, like in 2009, Jay-Z and Kanye West garnered attention, although they did not say or rapped a single word. However, the circumstances of their silent presence told a lot about the dark side of the music industry.

As is often the case, these “narratives” spilled over to the Super Bowl, turning this sporting event into a continuation of occult elite weirdness. Here are the top moments of these two events.

Kanye and his Sex Kitten Slave

The most talked-about moment of the 2025 Grammys did not even happen during the actual ceremony. It happened on the red carpet when Kanye West and his wife, Bianca Sensori, gave a perplexing but symbolic “performance.”

These bizarre appearances by Kanye and Bianca have been happening for months, and they always play out the same: The couple arrives at a highly mediatized event, and Bianca is made to wear the most revealing outfit imaginable while Kanye stays fully dressed and creepily emotionless.

This display is not merely about “controversy.” It is a continuation of Kanye’s sad spiral into occult elite degeneracy.

In 2016, Kanye was forcibly hospitalized and “under doctor’s care” for months. It was later revealed that Kanye was heavily sedated during his “hospitalization” and even suffered memory loss – a byproduct of undergoing electroshock therapy. At this point, a horrific truth became apparent: He underwent a form of mind control programming. Kanye himself stated that he was in the “Sunken Place,” a reference to the dissociative state of the mind-controlled protagonists in the movie Get Out.

Needless to say, Kanye emerged from this ordeal as a changed man – even physically, as he emerged from hospitalization with bleached hair (a telltale sign of MK slaves).

With that being said, here’s a sad truth about MK slaves: They sometimes become MK handlers. And this is what seems to be happening with Kanye. He turned into Bianca Censori’s handler – who is being “trained” and broken down to become a Sex Kitten. Every “controversial” outing is about humiliating and traumatizing her, deleting her dignity and her inhibitions. In other words, Kanye is doing out in the open what MK handlers do behind closed doors.

The couple’s appearance at the Grammys signaled one horrific thing: The music industry cosigns this madness. Speaking of which.

The Grammy’s Agendas

As usual, the Grammys promoted some up-and-coming artists, provided them with much-needed publicity, and blessed them with the all-important spotlight. However, as usual, this comes at a price: These artists must show submission to the elite—often in a somewhat humiliating manner.

Doechii did not wear a “sexy outfit”; it was just a straight-up bra and panties, almost like a slave at an auction. The whole thing felt like a humiliation ritual to confirm her initiation into the music industry.

Another artist being propelled into the industry spotlight is Benson Boone. During his Grammy performance, he ripped off his tuxedo to reveal a sparkly turquoise outfit that was sure to please his industry handlers.

Although they did not produce anything significant in recent history, Jayden and Willow Smith were among the Grammy’s featured “characters.”

Jayden’s outfit is all about MKULTRA: His head is in a castle – symbolizing the complex, maze-like, and multi-chambered mind of the MK slave. Meanwhile, 24-year-old Willow is ripe to go the sexualization route to keep her career going.

Even lesser-known artists engaged in agenda-pushing.

By “protect trans kids,” they actually mean injecting them with hormones and puberty blockers while also having them undergo dangerous surgeries. It is the opposite of “protecting” them. Out of all the opportunities for “social change,” this is what the people at the Grammys obsessively choose to focus on.

With that being said, the Grammys are mainly obsessed with a few “chosen” royal figures.

The Ongoing Taylor Swift/ Beyonce Ritual

Despite winning exactly zero awards and not performing at the 2025 Grammys, Taylor Swift was the main center of attention of the show. Every few minutes, the camera zoomed on her over-exagerated reactions, and, as usual, she was brought on stage to partake in key moments.

There’s a reason for this: She is a “queen” of the music industry. There’s also a black queen on this music industry chessboard: Beyonce.

The moment above launched Taylor Swift’s career into the stratosphere—Fast-forward to 2025.

Later in the show, Beyonce won the overall Album of the Year award for Cowboy Carter—an album that was overhyped all year as the media loved to push the racial division button every time it was mentioned. When Beyonce came back on stage, we saw Taylor Swift again doing something rather perplexing.

In normal circumstances, this interaction would be relatively innocuous. However, the entire world seems to have forgotten one small fact: Jay-Z was accused, only a few weeks ago, of raping a 13-year-old girl.

Although Jay-Z is innocent until proven guilty, there’s a strong chance that he committing a horrific crime against a child. We are not merely talking about rumors or hearsay; we’re talking about a whole lawsuit with credible witnesses and serious paperwork.

With that in mind, isn’t it weird that Jay-Z is still parading around the industry and treated like royalty? Can’t he stay lowkey until, at the very least, the charges of him being a pedophile rapist are cleared? It is almost as if the industry is putting in our faces that Jay-Z is above the law.

In short, the Grammys put on some theatrics featuring the kings and queens of the music industry. One week later, the same actors also played significant roles at the Super Bowl.

In last year’s Super Bowl, Ice Spice wore a big, satanic inverted cross. She wore a regular cross this year, but this did not prevent the crowd from booing these two.

Meanwhile, Jay-Z was a guest of honor at the Super Bowl, mainly because he’s been in charge of picking the talent to perform at the Halftime Show since 2019.

This year, Jay-Z picked Kendrick Lamar to perform at the Halftime Show, mainly because of the massive success of his song “Not Like Us,” a diss track aimed at Drake where he openly accuses him of being a pedophile.

Here’s an ironic fact that I need to highlight again: Jay-Z was recently accused of being a pedophile. Isn’t this whole situation ironic?

Nevertheless, Kendrick Lamar was allowed to rock the Super Bowl Halftime Show, as people anticipated a fun and dazzling performance appropriate for a sporting event. Unfortunately, according to many, his set was a dreary, divisive, racially charged affair. Even worse, it committed the ultimate Super Bowl sin: It was deemed “boring”. But that doesn’t mean it wasn’t symbolic.

The Halftime Show

For the Halftime Show, Jay-Z wanted Kendrick Lamar, and we definitely got a whole lot of Kendrick Lamar. In fact, it was the most Kendrick Lamar thing ever. Not unlike his albums, the performance featured him rapping almost incessantly while building a narrative about social and political issues in America through a succession of songs.

Kendrick’s performance revolved around a central theme: Black Americans must “game” the system (which is rigged against them) to navigate their way to success and acceptance. Throughout the show, Uncle Sam urges Kendrick not to be too “ghetto” and to give the people what they want.

At this point, the people wanted the song Not Like Us, which was teased a few times during the show as the proverbial “carrot” while he went through his lesser-known songs.

When he finally performed his smash hit, the entire crowd chanted along as he rapped the murderous line that openly described Drake as a pedophile.

Why you trolling like a b!tch? Ain’t you tired?
Tryna strike a chord and it’s probably A-Minor

Hearing 65,000 fans chanting a line about pedophilia was rather strange – especially during a family-friendly event such as the Super Bowl. However, oddly enough, another detail captured more attention: Kendrick’s jeans.

Let me state a fact that the media made a point to ignore: Kendrick wore women’s jeans. He wore flared jeans, which were extremely popular in women’s fashion during the 2000s. They were deemed sexy because they accentuated women’s curves. While men’s bootcut jeans have existed since the 1970s, the fit has always been different.

Of course, people on social media noticed this fact right away.

As usual, mainstream media immediately gaslit the entire world to make us think this was a significant cultural moment.

And yes, Kendrick wore women’s jeans.

These feminine jeans were symbolic of their own. On several occasions, Kendrick and Uncle Sam said, “Give them what they want” to succeed. By “them”, they actually meant the elite that controls them. And what “they” wanted was for Kendrick to show submission by wearing women’s clothing in exchange for the spotlight.

He did just that, all under the supervision of alleged child rapist Jay-Z.

In Conclusion

The Grammys and the Super Bowl are meant to be competitions in which trophies are awarded to the most deserving competitors. However, the occult elite’s infiltration of these events turned them into ritual dramas where the actual “winners” are handpicked and chosen by those in power.

The game is rigged, and those who win must ensure we understand that they lost their souls in the process. In other words, through symbols, the elite used these events to communicate an important message: They’re not like us.