The “radical feminist” opera Sancta Susanna was recently presented at the Stuttgart Opera in Germany. The result: 18 audience members required assistance due to shock and nausea. Three people even needed treatments from a doctor.
Humans usually feel nausea when around things that are foul, gross, putrid, and potentially dangerous. In other words, it is our bodies telling us to get the hell away. These 18 audience members got the message loud and clear. The opera does not only contain bloody scenes that are physically difficult to watch; it is the equivalent of poison to the soul.
Composed by Paul Hindemith, Sancta Susanna first premiered in Stuggart in 1921. However, the show was canceled due to its blasphemous content. Furthermore, Hindemith’s music was qualified as “degenerate.” Over a century later, performance artist Florentina Holzinger adapted the opera and took it to new levels of degeneracy. And, since the elite wants the masses to bask in Somodom and Gomorrah-levels of depravity, the show was not canceled; it was promoted. Would the show exist if it mocked any other religion? We all know the answer.
The opera’s creators describe Sancta Susanna as a “radical vision of the Holy Mass.” They’re lying. It’s a Satanic Black Mass. Like Sancta Susanna, Black Masses mock Jesus Christ using sex, blood, sacrifices, and the corruption of Christian symbols in the context of a traditional mass. That said, the show’s promotional material never states this obvious fact. In typical mass media hypocrisy, they use media-friendly buzzwords such as “feminism” and “exploration of sexuality” to justify the depravity seen on stage.
There’s a difference between artistic expression and just acting as if possessed by a demon.
“Art”
Sancta Susanna is about a repressed nun who discovers sexuality. That theme was probably groundbreaking in 1921 but, in 2024, it is so ridiculously tired. However, that doesn’t matter. In today’s context of cultural Marxism, art is not about artistic expression; it is about hammering the masses with the same symbols and messages over and over again. As we’re about to see, everything in this opera was regurgitated in one way or another in past mass media described on this site.
While the scene above contains fake blood, the show also involves real human blood. To illustrate the Eucharist, a piece of skin is cut from a performer’s side and is then cooked on a stove. For real. The occult elite loves to turn their sickness (cannibalism) into “art.” No wonder some people got nauseous.
Considering what we’ve seen above, what would be the lamest, most predictable, yet most blasphemous way of concluding the show? The nun has sex with Jesus?
The nun has sex with Jesus.
Was this “art?” Or a hate letter to Christianity?
In Conclusion
For decades, “performance art” has been a way for the occult elite to act out their sick rituals and obsessions in public while surrounding themselves with an aura of “artistic genius.” Marina Abramovic, an actual witch connected with the elite, has been carrying out all types of Satanic and cannibalistic “performances” under the guise of “art” as the media gushed at her “genius.” I’m using a record number of quotation marks because these words have wholly lost meaning.
None of this is art; all of this is Satanic rituals, just like Sancta Susanna.
Under the guise of “performance art,” the creators of the show expose the audience to an actual Black Mass where real sex, pain, blood, and blasphemy are carried out, releasing all of this sick energy into the ether. None of this is artistic and has nothing to do with feminism. It has everything to do with saturating the public space with specific symbolism and meanings and dominating culture with a particular message.
If culture is a reflection of those who control society, does that mean that they’re Satanic, degenerate cannibals who are obsessed with desecrating Christianity? Exactly.