Ariana Grande’s No Tears Left to Cry takes place in a dizzying world where nothing makes sense. It is a twisted tribute to the elite’s sickest practice: Monarch Mind Control.
Ariana Grande began her career as Cat Valentine in the Nickelodeon show Victorious and she quickly became an idol to millions of children. Once she “graduated” to her solo singing career, it did not take long before her fans were introduced to intense sexualization and elite symbolism. That is how the industry works, over and over again.
No Tears Left to Cry is the first single released by Ariana Grande since the Manchester terror attack, which took place immediately after her concert on May 22, 2017. On this day, the world of senseless terror violently clashed with the world of teen entertainment.
A week after the attack, Ariana Grande headlined the Manchester One concert, which also featured other children’s favorite performers such as Katy Perry and Justin Bieber. As I stated in my article Manchester Terror Attack: Rallying the Youth Around the Occult Elite, this entire event reeked of MK symbolism.
Now, one year after the attack, Ariana Grande has released No Tears Left to Cry. As if to confirm everything above, the video is replete with obvious MK symbolism. Let’s look at it.
No Tears Left to Cry
The song refers to the aftermath of a sad and traumatic event, one that was so hard that there are “no tears left to cry”. While there’s most likely a reference to the Manchester bombing in there, the video adds a deeper level of interpretation. Indeed, through clear symbolism, Grande plays the role of an MK slave that is lost and trapped in a dissociative state to escape trauma. The song begins with these words:
“Right now, I’m in a state of mind
I wanna be in, like, all the time
Ain’t got no tears left to cry”
The goal of Monarch programming is to cause trauma so intense that it forces the slave to dissociate from reality as a defense mechanism. During this state, the handler can “shape” the inner-world of the slave and even change the “rules” of this world when need be.
There is a reason why the movies Alice in Wonderland, The Wizard of Oz and Labyrinth are used as MK programming tools: They’re all based on the same structure. Each movie features a young girl that is swept away into a fantasy world where anything can happen, where nothing makes sense and where anything can morph and change at any moment. This describes the mental state of dissociation as their handler controls their internal world. (For more information on Monarch Programming, read this article).
The video of No Tears Left to Cry is a symbolic representation of this state from the point of view of the slave who must navigate in an inner-world created by her handler.
Right from the beginning, we get the sense that the video takes place in a world that is completely imaginary. It is also very dizzying and disorienting (some YouTube comments advise against watching this video while drunk).
Throughout the video, the camera rotates to reveal that Ariana is sitting or standing on a wall that turns into a ceiling. In this world, there is no gravity and the basic rules of physics do not apply – it is all a construction of the mind.
Then Ariana falls through a wall and ends up in another place.
Even if Ariana wanted to “end it all”, she would not be able to do it. She is not in control of her body or of the inner-world she navigates in.
The video then takes a bizarre turn and goes into unmistakable, full-on Monarch symbolism.
Hanging Monarch slaves upside down is an actual technique used during programming.
“Simply hanging a person upside down for one or two hours will begin to play tricks on the mind. The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
Then things become blatant.
The goal of Monarch programming is to program alter-personas that the handler can trigger at will. This scene represents Ariana switching alter-personas.
The scene above also contains several objects referring to Monarch programming such as puzzle pieces (representing the fractioning of the core personality), single eyes (Illuminati one-eye sign) and mazes (representing the internal programming map). One of the mazes is drawn on black paper and is reminiscent of some of the works by the painter Kim Noble – a mind control survivor who has 13 alter personas.
Odd fact: In the behind the scenes video, Ariana describes the process of creating the mask used in the video as the “most traumatizing thing she ever did”. Interesting choice of words, considering the fact that the video is secretly about trauma-based mind control.
The video ends with the first appearance of a sky – hinting that things might get better. However, we find out that Ariana is sitting on a wall, hinting that she is still dissociated.
Making it More Obvious
No Tears Left to Cry was pushed by a marketing campaign based on everything being upside down.
Once again, this refers to the “hanging upside down” dissociation method described above.
The mural is strikingly similar to this peculiar thing:
When Ariana performed the song on the Tonight Show, the set was pure MK imagery.
The mind-bending works of Escher are used in actual MK programming.
“The artwork of the European artist M.C. Escher is exceptionally well suited for programming purposes. For instance, in his 1947 drawing “Another World”, the rear plane in the center serves as a wall in relation to the horizon, a floor in connection with the view through the top opening and a ceiling in regards to the view up towards the starry sky. Reversals, mirror images, illusion, and many other qualities appear in Escher’s artwork which make all 76 or more of his major works excellent for programming.”
Escher’s work is also an intricate part of the movie Labyrinth – which is all about Monarch programming.
Although No Tears Left to Cry is widely interpreted as an “uplifting anthem”, there is much more going on there. And it is not very uplifting. The song, the video and the marketing campaign surrounding it are fully drenched in the occult elite’s symbolism as it portrays the singer as a mind-control slave who has dissociated from reality.
The fact that this kind of blatant imagery was used in a video that is supposedly about “picking it up” after the Manchester bombing is telling. Although it might not be obvious at first, the worlds of terror and entertainment both deal in the murky waters of mind control. Indeed, those who carry out terror attacks are often the products of mind control (Delta programming) while the entertainment industry is full of MK slaves (Beta programming). For the elite, both worlds have the same purpose: To control the ambient culture, to dictate a specific narrative and to direct our collective attention towards specific acts, events, and symbols.
The same way Ariana attempts to navigate a world where nothing makes sense, the elite uses media to confuse and disorient the masses, having them look up to industry slaves to “uplift” them after traumatic events. It is time to wake up and step out of this Escher painting.
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