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The Esoteric Interpretation of “Pan’s Labyrinth”

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The Esoteric Interpretation of "Pan's Labyrinth"

“Pan’s Labyrinth” is a profound movie telling the story of a young girl’s quest to escape the cruelties of Spanish Fascism. The movie also contains a great amount of occult and archetypal symbols telling another story: one of esoteric illumination through a test of character and ritual initiation. We will look at the occult and archetypal symbolism found throughout the movie and their relation to Ofelia’s quest.

Pan’s Labyrinth (Spanish title: El laberinto del fauno) is a Spanish language fantasy film written and directed by Guillermo del Torro, director of The Devil’s Backbone, Hellboy and Blade II. The movie’s compelling storyline, rich mythological background, and strange fantasy world caused many movie critics to consider it as the best movie of 2006.

Like many fairy tales, Pan’s Labyrinth is an allegorical story that can be interpreted in numerous ways and on many simultaneous levels. While researching this movie, I came across psychological, sociological and political interpretations of Pan’s Labyrinth, but almost none relating to the occult symbolism permeating the work and I’ve found almost nothing regarding its underlying esoteric story of initiation. This came as surprise as Del Torro himself described the movie as a “parable” and the numerous references to occult mysteries certainly point this way. We will, therefore, look at the mystical and archetypal symbolism found in the movie and see how they fit into this rich story of esoteric initiation.

One of the reasons why the movie deeply moves its viewers is probably the presence of archetypal myths and symbols that deeply resonate in the collective and personal unconscious:

“Indeed, once upon a time is a good place to start with a film like Pan’s Labyrinth. It is a fairytale above all, an especially dark one too that contains all of those classic mythical archetypes of Jung’s collective unconscious. We think of, for instance, the evil king, the heroine in distress, parallel universes, chimerical creatures, and the marching battle between good and evil as portrayed in the story. These are all universal themes, patterns and character types we see in classical fairytales over and over again; the type that led Jungian analyst Donald Kalsched to assert that “When human resources are unavailable, archetypal resources will present themselves.” The same can be said of our lead princess, Ofelia. A girl stripped of humanity, crushed by grim realities and forced to draw upon the archetypal myths of the collective human imagination.”
– Psycho-Critical Analysis of “Pan’s Labyrinth”: Myth, Psychology, Perceptual Realism, Eyes & Traumatic Despondency

Movie Overview

The Esoteric Interpretation of "Pan's Labyrinth"

The faun protecting Ofelia from the world’s cruelty

The movie takes place in the mountains of fascist Spain at a military camp fighting against the rebels. Ofelia, a young girl with a wild imagination, obsessed with books and fairy tales, travels with her weak, pregnant mother to meet her new stepfather, a merciless captain of the Spanish army. Upon her arrival, she discovers a labyrinth and meets a faun that tells her that she is a princess from the “Underworld”. He promises her that she can go there and be reunited with her father as long as she completes three tasks for him. In her attempts to complete these tasks, Ofelia is forced to deal with the reality of mortality, the absurdity of war and the meaning of self-sacrifice.

The tale revolves around the juxtaposition of the harsh and oppressive nature of the real world with the magical and sometimes disturbing fairy tale world of the little girl. The faun (named Pan in the English translation) is a horned beast that guides Ofelia through her initiation process and shows her the way to depart from the absurdity of the material world to re-enter the glory of the spiritual plane, where illuminated beings live: the Underworld.

Having “Eyes to See”

The Esoteric Interpretation of "Pan's Labyrinth"

Placing back the faun’s missing eye

At the beginning of the movie, Ofelia is almost instinctively lead to a mysterious monument depicting the faun with a missing eye. She finds the missing eye and places it back into its socket. A magical insect/fairy suddenly appears: Ofelia’s magical quest can begin. There is a great importance placed on eyes and sight in the movie and this scene tells the viewers, right from the start, that Ofelia’s quest is occult in nature as not many have the “eyes to see” the invisible world she is about to experience.

“Having mentioned sight, the film has much to say about it. Guillermo Del Toro almost seems to presuppose that the viewer needs a third “Zen” eye to capture the quintessential truths buried deep within the film’s archetypal margins.  As Derrida posited, the most important meanings are not in the text itself, but “in the margins,” or subtext. In other words, scientists and secularists need to leave the theater.  When Ofelia returns the eye of the statue to its rightful place, her fantastical journey immediately begins. Her eyes allow her to see things both visible and invisible, real and unreal, which starkly contrasts with the fascist villain, Captain Vidal, one who punctures the eyes of others and believes not in what cannot be physically seen.”
– Ibid

The importance of the Eye is of the utmost importance in occult symbolism and can be dated back to ancient Egypt with the myth of Horus’ eye being restored by Toth. While the right eye is associated with the perception of concrete and factual information (male side of the brain), the left eye of Horus perceives the mystical, the spiritual and the intuition (the female side of the brain). By placing back the eye in its place, Ofelia restores the all-important balance needed to embark on her alchemical transformation.

Ofelia soon realizes however that the adults surrounding her certainly do not believe in what cannot be physically seen, making her quest quite a lonely one.

The Oppressive Father-Dictator and the Cronus Complex

The Esoteric Interpretation of "Pan's Labyrinth"

Captain Vidal cursing at Ofelia

Once she has arrived at the war camp, Ofelia meets with her new step-father, the cruel and sadistic Captain Vidal. The character is a representation of Spanish Fascism and, on a philosophical level, of the oppressive material world, most people abide in without questioning which prohibits the full emancipation of the being. This phenomenon is known as the “Cronus Complex”, Cronus being the Greek mythological figure representing time, death and harvesting.

The Esoteric Interpretation of "Pan's Labyrinth"

Cronus devouring his child by Goya

“The Cronus Complex is not a murderous tendency per say, since Cronus did not just got rid of his offspring, but a destructive ingestive process which hinders the child’s capacity to exist separately and autonomously from the parent. In consuming his child, Cronus does not only aim to annihilate him but does so by making him part of himself. According to Bolen, since ancient times, the Cronus Complex is a tendency through which male oriented cultures have maintained power. That is evident is systems such as Fascism, one of the most radical mutations of patriarchy.
– John W. Crandall, The Cronus Complex

Cronus is also known as “father time”. Captain Vidal is often shown looking at and maintaining his watch, time being the most damning limitation of the material world. Ofelia—and everyone around her—is terrified by Captain Vidal but, in order to complete her initiation, Ofelia will need to emancipate herself from this oppressive father figure and, most importantly, get in touch with her oppressed feminine and magical side. Restoring the equilibrium of duality is a necessary step in alchemical transformation.

The Faun and his Labyrinth

The Esoteric Interpretation of "Pan's Labyrinth"

Disgusted by her new life, Ofelia is led by a fairy to an overgrown labyrinth where the Faun steps out of the shadows. When she asks him “Who are you?”, he replies “I’ve been called so many names that only the wind and the trees can pronounce. I am the mountain, the forest, the earth. I am … a faun.” He then continues: “It was the moon that bore you. And your real father waits for your return, but first, we must be sure that you have not become mortal”.

In ancient mythology, fauns, satyrs, and the Greek god Pan were somewhat similar as they all bear the hindquarters, legs, and horns of a goat. Pan is a prototype of natural energy and is undoubtedly a phallic deity, representing the impregnating power of the sun. The faun becomes a sort of spiritual guide to Ofelia, helping her through the actual and figurative labyrinth she must go through. Despite the faun’s monstrous appearance—which leads viewers to think at first that he is the “bad guy”—he is actually the only being in Ofelia’s life that understands her desire to “become more” and to reach her full potential. The actual “bad guy” in the movie is not the hideous creature, but the cruel step-father.

The Labyrinth

The Esoteric Interpretation of "Pan's Labyrinth"

“Labyrinths and mazes were favoured places of initiation among many ancient cults. Remains of these mystic mazes have been found among the American Indians, Hindus, Persians, Egyptians, and Greeks.” – Manly P. Hall, Secret Teachings of All Ages

Found in the initiation rites of many ancient civilizations, mazes were symbolic of the involvements and illusions of the lower world through which wanders the soul of man in its search for truth. Pan’s Labyrinth is mostly a figurative one as Ofelia must avoid the pitfalls and the dead-ends of the material world in order to be reunited with her true father.

The First Task: Finding the Sacred Feminine

The first task given by the Faun to Ofelia is to retrieve a key from a giant toad who is sucking the life out of an ancient fig tree. There starts the quest for “returning to the womb” and the rekindling the oppressed feminine. The interior of the tree is damp and moist, symbolizing once again the womb-giver of life. The tree itself looks like a uterus.

The Esoteric Interpretation of "Pan's Labyrinth"

Ofelia wearing a black version of the dress of Alice in Wonderland. Also, a picture of a uterus, in case you forgot what one looks like.

Ofelia’s trauma/fascination with the feminine principle is expressed many times in the movie, mainly through her weak and pregnant mother who ultimately has to give her life to give birth. In one disturbing scene, Ofelia sees in her Book of the Crossroads the outline of a uterus that becomes red, predicting her mother’s complications.

The Esoteric Interpretation of "Pan's Labyrinth"

The Second Task: The Pale Man

Having successfully completed the first task, Ofelia receives a second mission from the faun which is the retrieval of a dagger from the Pale Man. There is, however, e important condition: She cannot eat anything there.

The Esoteric Interpretation of "Pan's Labyrinth"

The immobile Pale Man with his eyeballs on a plate in front on him

The Pale Man is a big flabby creature sitting in front of a great feast. Looking around, Ofelia sees stacks of  shoes and depictions of the Pale Man eating children, which is, once again reminiscent of Goya’s depiction of Cronus. The Pale Man is  a gruesome representation of the oppressive powers of Ofelia’s world – Captain Vidal, Spanish Fascism and the Catholic Church. To further this comparison, a scene of Vidal having dinner with his guests, including a Catholic priest, is shown in parallel, in which nobody dares to question the Captain’s cruel motives.

Ofelia manages to retrieve the dagger, but on her way out, cannot resist the temptation of eating a big juicy grape, symbolizing the wealth accumulated by the Cronus figures. This awakes the Pale Man, who immediately places his eyeballs in his hands and starts chasing Ofelia.

The Esoteric Interpretation of "Pan's Labyrinth"

The pale Man has is eyes in his hands, representing the fact that he can only sees what is palpable. It can possible represent the stigmata.

Ofelia manages to escape the Pale Man, but at what cost?

The Third Task: The Ultimate Sacrifice

The Faun was furious at Ofelia for giving in to the temptations of the material world and questioned her worthiness to become a true immortal. He therefore leaves her in coldness of the real world, where Ofelia has to witness war, torment and sadness. Shortly after Ofelia’s mother’s death, however, the faun reappears, to the great joy of the girl. He allows her to complete her initiation, but he demands her complete obedience. For her final task, the Faun asks Ofelia to bring her new born baby brother to the labyrinth at night during the full moon, the prime time to complete a spiritual transformation in occultism.

Ofelia must therefore steal the baby from Captain Vidal by drugging him and runs to the labyrinth, where the faun awaits her.

The Esoteric Interpretation of "Pan's Labyrinth"

The faun awaiting Ofelia holding the dagger

The faun asks Ofelia to give him the baby so he can prick him with the dagger and obtain a drop of blood from him. Ofelia refuses. The faun loses his patience and reminds her that he requires her full obedience, but she still refuses. At this point, Captain Vidal finds Ofelia, whom, in his point of view, is talking to herself (as he cannot see the faun). He takes the baby from her and shoots her.

The Esoteric Interpretation of "Pan's Labyrinth"

Ofelia laying bloody on the ground after being shot by Captain Vidal

Drops of Ofelia’s own blood falls into the labyrinth, thus accomplishing the final task required for her initiation: self sacrifice.

The Initiation

While we see Ofelia laying bloody on the ground, she is also shown in another realm, the Underworld, reuniting with her true parents.

The Esoteric Interpretation of "Pan's Labyrinth"

Ofelia reuniting with her parents, symbolizing her successful initiation

The entire palace bears the shape of a vesica piscis, an ancient occult symbol representing the vulva, the entrance to the womb and the gateway to another world. Standing on three pillars, the father, the mother and the soon to be princess will complete trinity of the Underworld.  The faun greats Ofelia, telling her she did well by going against his orders and sacrificing her life to protect her innocent brother. Indeed, a strong will, sacrifice and rebirth are necessary for the completion of an initiation into occult mysteries.

Ofelia is then shown again laying on the floor bloody, making the viewers ask themselves: did this actually happen or is it all in the girl’s imagination?

In Conclusion

Pan’s Labyrinth describes the quest of a young girl unable to cope with the harshness of the physical world, where dehumanization and repression crush her innocent and playful spirit. It has been shown that children often psychologically respond to an unbearable reality by dissociating into a fantasy world, where magic, adventure and wonder are to be found. Ofelia is often reminded by her mother that “magic does not exist her and no one else”. The magical world however seems to exist beyond Ofelia’s imagination. One example is the mystical plant given by the faun, the mandrake, which was healing Ofelia’s mother from her ills, until she found it under her bed and, disgusted by it, burned it.

The Esoteric Interpretation of "Pan's Labyrinth"

Ofelia with the mandrake, the “plant that wanted to be a man”. Its presence in the movie is a reminder that all magic is not fairy tales and that occult knowledge can have actual applications in real life.

The mandrake is an important plant in occult lore mainly due to the fact that  its roots are often shaped like a human body, complete with arms and feet.

The Esoteric Interpretation of "Pan's Labyrinth"

The mandrake in ancient documents

“The occult properties of the mandrake, while little understood, have been responsible for the adoption of the plant as a talisman capable of increasing the value or quantity of anything with which it was associated. As a phallic charm, the mandrake was considered to be an infallible cure for sterility. It was one of the Priapic symbols which the Knights Templars were accused of worshipping. The root of the plant closely resembles a human body and often bore the outlines of the human head, arms, or legs. This striking similarity between the body of man and the mandragora is one of the puzzles of natural science and is the real basis for the veneration in which this plant was held. In Isis Unveiled, Madam Blavatsky notes that the mandragora seems to occupy upon earth the point where the vegetable and animal kingdoms meet, as the zoophites and polypi doin die sea. This thought opens a vast field of speculation concerning the nature of this animal-plant.”
– Manly P. Hall, The Secret Teachings of All Ages

This movie is one of opposites and reversals: reality versus fiction, good versus evil, innocence versus adulthood, feminine versus masculine, overworld versus underworld, etc. Even the very ending can be interpreted in two opposite ways: either Ofelia created a fairy-tale world in her head to escape real life and ultimately committed a form of suicide or she’s simply an awakened being who saw what the masses bound to the material world cannot see and ultimately completed her process of illumination to become a true immortal. The story is also an inversion of the usual paradigm for self-actualization: Ofelia’s transformation happens in the shadows and in the dark while enlightenment, as it name says, is associated with light; Ofelia’s illumination happens in the Underworld while spiritual transformation is usually associated with “the heavens”; the initiator himself, Pan, is a deity known for getting drunk in the woods and frolicking nymphs (and the odd goat) while illumination is based on the mastery of one’s lower impulses; the completion of Ofelia’s initiation requires her to crawl in the mud, be chased by a Pale Man and finally spill her blood while the usual path to illumination is based on the master of self and uncorrupted virtue. So what is the true fate of Ofelia? As the last line of the movie states: the clues to the answer can be found by those who have the eyes to see.

 



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Kimberley

Also this movie could be a message for people to see that their physical life is only one lifetime in which pain, fear, love and joy can be experienced here, but in actuality it is never our last lives, as infinite energy. As she is seen dying, we see her alternative reality as her life as a princess who is loved and cared for. We are the sum total of all of our experiences. This movie has a positive message for all of us humans helping us realize that the pain and suffering we experience on this physical plane is only temporary and is purely for the experience. …we can never truly die as energy. Just as one older soul incarnated here to help move us toward evolution of the mind and spirit had said "Energy is neither created, nor destroyed".

j80vega

I live in a Madrid´s town near San Rafael and El Espinar in whose forest the movie was filmed and usually practice trekking through the mountains and the woods of the valley, I also passed several nights sleeping in an old civil war bunker in Cueva Valiente, where bloody battles took place filling the landscape of old trenchs, and believe me is a magical and mysterious place to pass a summer night.

Sar

Onatienko and smooth chic, this is definitely NOT meant for kids. Just because it has a child protagonist and imaginary creatures that doesn't mean it's in any way unsophisticated. It's very much an adult film – just look at the rating and please don't subject children to its violence.

Kathleen

Finally someone sees it. Another well done analytical review. So the movie closes with, "the clues to the answer can be found by those who have the eyes to see." eh. How fitting. I found the movie to be one of the most disturbing I have ever seen. The gnostic – neo-pagan – occultism is just overbearing and extremely dark. The making the step father the boogie man was the next big clue — the communists, communist sympathizers, and their useful idiots on the left have, for going on a century now, been promoting their lies about Spain and the Communists' war against the Spanish Catholics and Carlists that they love to call "fascists." The book "Last Crusade: Spain 1936" by Warren Carroll provides solid, fact based, debunking of the leftist propaganda, fed to us as "historical fact," used to cover up the truth about the extraordinarily vicious Spanish Communists and the rivers of innocent blood on their hands. So the set up of the hapless traditional male as the villain served the purpose of unmasking the agenda right off the bat. When combined with the rest, it seems clear the movie is aimed at promoting the dark as light.… Read more »

nia

This has really helped me to understand the movie more 🙂

sandrocattus

she escapes from her room which is locked so magic did happen?

Outsourced IT

Heard of this movie.. I believe I saw the commercial for this not to long ago. 1st off .. what a depressing movie! lol geez.. However I understand the symbolism behind this movie. The reality vs. fiction. Perception vs. reality. People in today society actually go through initiation process ( through any occult) just to seek a better life. Seeking that better life ends up in despair, emptiness, and it pretty much doesn't get you anywhere.

Leo Dominique

Thanks for this site! Now I understand the story. 🙂 And, I became now a fan of it!

LornaDoom

What a fascinating and beautifully written "review" of Pan's Labyrinth from an occult perspective. That is the best article I have read on this site. Thanks!

Adrayath

While I like the article, I disagree with it partially. My interpretation of the movie is: By setting the eye to the monument, Ofelia opens a path between the spiritual/occult and 'real' realms, probably in her consciousness, but subjective is related to collective, consciousness is related to reality. The right eye, which is associated with the perception of concrete and factual information, was missing. Without it, the fawn was left with only the left eye and thus confined to the occult realm. By putting it in place she let the fawn regain the ability to perceive her world and become connected with it. This occurred as she was in distress. Maybe distressed people can open such pathways through their consciousness due to the torment they experience, this is particularly true for more vulnerable people like adolescent girls or those without any support from society etc. Because for them the suffering is more intense and its harder for them to find hope. Now the fawn uses its regained ability to lead her into the labyrinth, which is a deviation from the straight path and also expresses the contrived and complicated nature of 'truth' as represented by the devil. Yes, I think… Read more »

Adrayath

Sorry for all the grammatical errors, I cannot edit the comment now.

kev Allah

Horrible interpretation. It’s too personal. You need a better vantage point of the bigger picture. Outside of the earth all is dark. WE ILLUMINATE THE DARK.

Koshka

I don't know if anyone has noticed this too. I just remembered… another Film by same Guiermo del Toro: HELL BOY…. same LABRYNTH shown! Blood is also dropped into the Labrynth and it in turns summons another phallic associated character… RasPUTIN! The Labrynth is according to that movie opens the gate to the Ancient Ones [seen at the end of Cabin in the Woods and other H.P. Lovecraft inspired films and stories… detailed in SumARYAN myth and the Necronomicon]. Del Toro also directed CHRONOS I think… So it's obvious what you said about CHRONOS. PAN in turn is qabalistically associated with SATURN or Saatan [as pronounced in Japanese]. Roman God associated with Greek Chronos.

behind teh veil

one thing i might add, with my zen eye ,,, is that ofelia is lucifer reborn,the test's she goes through start at the 'root' of the first chakra, in order to illuminate the 3rd eye the root chakra where the uterus is must be cleared in order to clear the way to the 2nd chakra according to many beliefs. my favorite part is the story of the rose on top of the mountain that noone in the village dared to touch since they would die, it is a metaphor for choosing death over life…the girl died for the boy the son of the man who as vigilant citizen said, is always seen carrying and fixing his watch, the step father is god and lucifer was born of god but did not serve the tyrant , always detesting him , just life ofelia, the twist is thhat lucifer dies for the son of god, symbolic of what you can say is jesus christ…. on a deeper level symbolic of the dog star disappearing in the sky before morning (ofelia died on the full moon when satanic rituals are held, precisely around 3 am (witching hour)).. this movie is amazing, im glad… Read more »

Jason

@ behind teh veil

what else is represented as the chakras in movie?

kev Allah

Ofelia is not the daughter of Captain vidal.

kev Allah

Lucifer would be the baby. And the feminine aspect dies so that lucifer can live.

Leo

This article was written beautifully. I liked it a lot. I enjoyed watching this movie, it shows the dark version of children's fairytales, which in my point of view, is how they should be portrayed.

Frater

The film is actually about the journey of the adept. The journey to the war torn area is her entry into the cruel material plane of existence, Pan is her Holy Guardian Angel, the pale man was meant to represent Choronzon who rules over the material pleasures, which if one indulges in, one falls under his power, her journey into the tree Tifareth, then her death the entry into the palace of the king's daughter, as the Ipsissimus has no physical body.

You should just join and get the real symbolism. The above article is quite wild.

amne1

Great article VC, and I would also like to make one more observation; the scene where she refuses to sacrifice her brother can also be interpreted as an inversion of the biblical story of Abraham's sacrifice of his son Isaac (or Ishmail in Islam). While Abraham acquiesed to God's demand to sacrifice his blood relative and thereby gain spiritual illumination, this particular scene required that Ofelia refuse to give the offering, and sacrifice herself instead. In a sense, the perception of the self is the paradigmatic difference in these two stories; while the Abrahamic faiths require their adherents to place their faith in the wisdom of the creator rather than their own erroneous inclinations (Abraham didn't want to sacrifice his son), the esoteric schools follow the opposing view, that trusting in the intuitive self is of utmost importance. This aligns perfectly with the self-deification that informs much of occultism. The inverse parallel follows the thematic juxtopositions of opposites and dichotomies that underlie the film.

superninja

I was thinking along these same lines, but you really spelled it out well. The Self as god.

Paco

Everything that satanists try to do is to take religious, pure and holy imagery/songs/traditions/texts/etc and make their own corrupted version.

Did you know that the pentagram once was used to represent the 5 wounds of Jesus Christ?

hatakah

Pentagrams are THOUSANDS of years older than Christianity…sorry.

Paco

Ever since man learned to draw people have depicted stars, so yes, any type of start drawing is as old as man kind, however, as a symbol, it was used before and during the medieval ages to represent the 5 wounds of our Lord Jesus Christ.

Centuries later freemasons and talmudians and satanists made it depict magick and satanism, but then again. To each group it has a different meaning. And in the end a symbol by itself is nothing without a meaning behind it.

So in a way you are both right and wrong, right because you were talking about the fact that a drawing may have several meanings and origins, yet however wrong because you didn't even pay attention to what I said, which is as well a very valid documented fact.

J.B.

Thank you for this excellent esoteric interpretation of Pan’s Labyrinth. It makes me want to seek out your reviews of other similar movies I hope you have reviewed. Movies and reviews like this are excellent for people at the midway point on their path to illumination. All the symbolism and allegory can mislead and confuse you to tears if you take them at surface value. I can recall seeing this movie for the first time along with movies like Never Ending Story and even the Wizard of Oz and being bored and annoyed by their nonsensical creepiness but I have come to appreciate what their makers were trying to do. Awaken and plant seeds in people’s minds so that those willing to look deeper and have eyes to see have something to spark their interest.
It is also worth suggesting that anyone serious about exploring illumination should seek out the audiobooks and works of Walter Russell. Although if you don’t know what you are looking for or are just beginning your learning it is like being handed the keys to a kingdom and mistaking them for paperweights.

Deniz Ozmen

Great movie and ghreat analysis. Thank you.

wanderer

Speaking of Esoteric interpretations of the film, don't just look for the Western Esoteric roots, there are also Eastern Esoteric undertones, such as the Pale Man's feast where Ofelia retrieved the blade resembles "The Feasts of Chöd" in the Tibetan tantric tradition: "The practice of chöd, or “cutting through,” is a Tibetan Buddhist meditative practice in which a person’s hopes and fears—as well as the three poisons of desire, anger, and ignorance—can be cut off at the root and abandoned. "

"Chöd, like all tantric systems, has outer, inner and secret aspects. They are described in an evocation sung to Nyama Paldabum by Milarepa:

External chod is to wander in fearful places where there are deities and demons. Internal chod is to offer one's own body as food to the deities and demons. Ultimate chod is to realize the true nature of the mind and cut through the fine strand of hair of subtle ignorance. I am the yogi who has these three kinds of chod practice."

Source of ref.: http://en.wikipedia.org/wiki/Ch%C3%B6d
http://www.berotsana.org/feasts-of-chod/

aldekeyser

This review happened along time ago but it really bothers me that you called Cronus the father of time, you are con fusing him with Chronos the god of time. Cronus was a titan, Chronos was a god.

Sarah m. meischer

have you ever notice that there is a faun in Narnia that named Mr. Tumnus? Gross, after reading and doing research here and there, for some sort of time, i came to a conclusion that this movie isn't just movie. it's full dark meaning and hints some sort of occultism, like when i saw Mr. Tumnus appear in half goat human shape, it was like my mind being hit, like who is also dressed up in half human-half goat? If you got the same thing in mind, then i guess you got it right. More over look at how they open the movie with Mr. Tumnus approaching some kind a girl like it can't be any more obvious, the girl named Lucy, in which remind who else in the esoteric thing has the same name? Lucifer. so i get now Disney, and also i saw a bull-like man that would look like minotaur so yeah this bullshit kind of getting more serious like introducing satanic bullshit to kids in more vague, cryptic ways. so they take people into introducing the idea that ' the evil-satanic bullshit is okay for you, just like in Disney movie'. especially for girls, look the… Read more »

kev Allah

Man your mind is warped. The faun is the good guy. The bad guy is her step father. I think you’re on the wrong side of this. The unseen is pure. The world is not.

Ren

Narnia is actually a Christian series.

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