We’ve seen in several previous articles (notably The Transhumanist and Police State Agenda in Pop Music) that the normalization of transhumanism is an important part of the Agenda in mass media. The merging of humans and robots in order to for a new kind of “upgraded” transhuman is a concept that is heavily promoted in movies, music videos and video games.
Almost all major pop stars have been portrayed as a robot at one point or another in their career. Not only does this make the concept of transhumanism cool and sexy for young people, it also makes a profound statement about the nature of the industry (pop stars being robots with no minds programmed to perform).
In Japan, the widely popular group Perfume brings the same message and imagery to young Asians with videos such as Spring of Life. During the entire video, the members of the group are robots that are being tinkered with by unseen programmers. During the chorus, they do a dance routine attached to wires – not a lot of freedom going on there. Also, they hide one eye a bunch of times to salute those who control them.
At one point, the fembots appear to be feeling love and start acting more naturally – which is the next step in the development of this technology: Natural looking and feeling robots that can even simulate emotions. Here’s the video.
While this video in itself will probably not change one’s outlook on life and the concept of humanity, it is another piece in the gigantic puzzle that is mass media around the world. This particular video is aimed at the millions of young people in Japan, but other videos and media are aimed at other people around the world and of different age groups. The combination of all forms of media pushing the same idea ultimately normalizes it – especially when the idea is promoted to young people. So, whether you like transhumanism or not, it is being aggressively pushed around the world.
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