Earlier this year, I wrote about Matières Fécales’ fashion show titled “The One Percent,” where I highlighted its occult symbolism and its deceitful message. Because, despite being framed as a critique of the elite (aka “the one percent”, everything about the show actually glorified its entire mindset and philosophy.

Matières Fécales’ Spring-Summer 2027 fashion show titled “The Ninety Nine Percent” is meant to be an inversion of the previous show. It is not about the elite; it is about the rest of the world. However, as usual, when one understands its underlying symbolism, the show stops being a celebration of common people: it becomes a celebration of the elite’s stranglehold on them.

To sum up what Matières Fécales is truly about, look no further than its head witch in charge, Michele Lamy.

Matières Fécales was recruited by Michele Lamy, who is deeply embedded in the higher-ups of the entertainment industry. In other words, she has nothing to do with the “99%”.

Despite its hypocritical messaging, Matières Fécales’ shows constantly become viral sensations due to their shocking and outlandish creations. They’ve also mastered a new art: turning fashion shows into propaganda sessions for the occult elite. And they took things to a whole other level with their Spring-Summer Fashion Show.

The Ninety-Nine Percent (Is Not Allowed In)

The show took place at Place de la République in Paris, a highly symbolic location.

Place de la République is synonymous with public demonstrations in Paris. It is where the so-called 99% celebrates, protests, and everything in between. Ironically, for Matières Fécales’ show, the Place was entirely fenced off and secured to make sure none of the 99% even got close.

However, here are some of the people who were allowed in.

A woman who needs a paid assistant to fluff up her dress, and a guy gagging on a pearl necklace. Yup, those are true average Joes who are not disconnected from reality at all.

This was the front row of the show.

Industry witch Michele Lamy and her token celebrity selection, Rihanna, were the main focus of attention.

In short, despite being called “The Ninety-Nine Percent,” the show is very much by the elite and for the elite. And everything about this caters to the elite’s core agenda: a New World Order

New World Order Fashion

Matière Fécale re-creates the French flag using these three models, which sums up an important aspect of the show: The weaponization of minorities for the globalist agenda.

To fully grasp the subtleties of this fashion, one must keep in mind the elite’s biggest fantasy: a New World Order ruled by a single world government. Controlled by the elite, of course. For this ambitious project to become a reality, the elite must first take an important step: demonize and erase the cultures, histories, and traditions of individual nations to replace them with one homogeneous global culture. Defined by the elite, of course.

This is already happening in the West. After allowing massive and uncontrolled immigration in nearly every Western nation, minorities are then weaponized by the elite to force a global culture in every country.

Just to be clear, the elite does not care about minorities, migrants, or anyone else in the so-called 99%. They never, ever did. They are looking to use them to achieve their New World Order goals. And that is exactly what Matières Fécales’ show is about.

“The Ninety-Nine Percent” featured 99 models, and every one of them was a “person of color.” And by “person of color,” they actually mean anyone of any race except white people, which happens to be the race of the majority of French people. Let’s use simple math. How can a show be about the 99% if it excludes the race of about 85% of the French population?

This is yet another point of complete hypocrisy. While the show is supposed to be about “inclusivity,” it is actually about excluding one race. This is on par with the elite’s ongoing agenda of causing division, animosity, and confrontation between races instead of harmony.

Oh wait, there ARE some white people in the show.

The only “white people” seen in the show look like cadavers that are being carried by this model. Imagine if the roles were reversed.

This picture references Matières Fécales’ previous show, “The One Percent,” where these men with a dollar bill covering their eyes represent the elite. Therefore, this image embodies the true message of the show: Minorities being used to “carry” the elite’s agenda.

Like most “entertainment” sponsored by the occult elite, the show also contained a hefty dose of occult symbolism. Because, in their heads, the planet’s metamorphosis into a New World Order follows the same process as an individual’s metamorphosis through occultism. As Above, so Below.

Ritual Drama

The show began with a focus on motherhood and the color white, representing purity.

The show was divided into three sections titled “Family”, “Tribe,” and “Gods,” which carry a narrative about transformation and rebirth. On a political level, it is about reshaping the world to the globalists’ will. On a spiritual level, it transforms purity into darkness.

The first part of the show is dominated by the color white and soft fabrics. Combined with an emphasis on family and motherhood, this section puts forth the purity and innocence of subjects before their transformation.

In the second part of the show, things get turbulent. It is where the so-called 99% are weaponized to foment social unrest and become foot soldiers of the NWO. From an occult perspective, it is the phase of sacrifice leading to initiation.

A model’s face is covered with the American flag with washed-out colors. This simultaneously hints at antifa-type violence and the downfall of nations such as the United States.

This model is covered by the French flag on which is written “Resist.” He is literally blinded by the elite’s agenda and sent to the front lines.

The final part of the show is titled “Gods.”

Of course, this name is highly symbolic, for several reasons. First, the ultimate goal of occultism is to turn initiates into self-proclaimed “gods.” Of course, this goes 100% against Islam (and other religions), proving that they truly do not care about the beliefs of the hijab-wearing women in the fashion show. They are merely instrumentalizing them and even making them seem blasphemous.

Not only that, the last part of the show turns the 99% into … demons.

The outfits in the “Gods” section were heavily black. It is the color of the completely occult transformation to the “dark side.” To make things more obvious, the models wear demonic-looking spikes on their bodies, and their eyes are fully black.

In “Gods,” the elite turned their slaves into demonic beings.

Some models walk down the runway making a very specific gesture: Baphomet’s “As above, so below” hand sign.

The reference to the “horned god” during the “Gods” section is no accident. The above depiction of Baphomet symbolically represents a completed occult ritual through the union of opposites (light-dark, male-female, solva-coagula, etc.).

Then, after the turbulence and transformation, the show ends with another highly symbolic creation.

The star of the show is this fiery and feathery dress.

This dress is meant to represent the phoenix – the mythical bird that is born again from its ashes. Appropriately enough, it is one of the most important symbols of the occult elite.

The phoenix symbol is ubiquitous in occult symbolism, especially in Freemasonry.

On a ritualistic level, the phoenix represents the “profane” being reborn as an illuminated being. On a global level, it represents the New World Order rising from the ashes of the old world that was burned down on purpose. After all, the elite’s favorite motto is “Order Out of Chaos.”

The Phoenix appears often in globalist-themed events such as the 2012 London Closing Ceremonies, which was a gigantic nod to the New World Order.

In short, “The Ninety-Nine Percent” weaponized minorities, turned them into demonic beings, and used them to bring down nations. From the ashes, the elite’s phoenix is reborn for a New World Order.

Oh, and that black dress was absolutely GORGEOUS.

In Conclusion

In many ways, Matières Fécales’ show was a masterclass in the elite’s hypocrisy and double-speak. While it purports to be about the 99%, it turned Place de la République into a fenced-off and highly exclusive club where they celebrated the elite’s deeply deprived culture.

While it purports to represent minorities – with a heavy emphasis on the muslim population in France – the show actually disrespects Islam (and every other religion) by involving the hijab and other symbols in their pseudo-satanic shenanigans.

In short, to quote Michael Jackson, “they don’t really care about us.” Proof?