The 2014 American Music Awards Were Littered With Illuminati Symbolism

The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point: Their performances were littered with Illuminati symbolism.

Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.

Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.

Taylor Swift Kills a Bunch of Men

The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well, that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.

While performing her single Blank Space, Swift plays the role of a man-eating rich woman.

The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background which refers to the ritualistic connotation of the act.

The room then stretches down and reveals the horrible fate of the men in the painting. They’re her past victims.

Swift then gives a red (the color is important) apple to the poor sap who immediately eats it like an idiot and dies. Murder is cool when Taylor Swift does it.

The entire set is made of a dualistic black and white pattern juxtaposed with objects that are red the color of blood sacrifice. Taking place in a posh mansion, the performance refers to the blood sacrifices the occult elite loves to indulge in.

Swift holds a red rose on that’s on fire. She holds a flame in her other hand, hinting at the deadly witchcraft involved in her killings.

The backup dancers are actually dead men who got killed by Swift. A closer look at their attire during the performance reveals that one of them got ran over by a car, another one got shot several times in the chest and another one was strangled. Uplifting. Notice the red drapes in the back.

This performance is yet another example of the elite wanting to make death and murder cool and sexy.

Someone is knocking on Taylor’s red door (which was scratched by someone who attempted to escape). Who could that be?

… another poor sap. *** Applause and standing ovation for Taylor Swift *** !

The good and wholesome Taylor Swift played the role of a rich elite Madam who sacrifices men inside a big mansion.

Charli XCX

Charli XCX is clearly a new favorite of the music industry. Her performance at the AMAs was a perfect occasion to “introduce” her to the American public. The result? Another ritualistic performance color-coded to symbolize an initiation into the music industry.

Charli began the performance dressed in a virginal gown in a setting akin to a school prom. Such innocence.

At the next song, she takes off the gown to reveal a black latex suit. Her name appears in white gooey letters in the background … which is … not sexual at all.

The performance follows the classic narrative of “good girl gone bad” – where the artist begins wearing white, looking somewhat pure to then morph into a black-clad sex bomb. Britney Spears, Rihanna, Beyoncé, Lady Gaga, Taylor Swift and many other female pop stars went through this narrative at one point or another in their career.

Charli ended her performance with her crotch in the face of a rabbit-faced guy. Welcome the music biz Charli!

Iggy Azalea – P*ssy Power

As if to emphasize the fact that only a select few get the spotlight, Charli XCX went back on stage with Iggy Azalea … who was later featured with Jennifer Lopez.

Iggy’s began her performance hosting a mock press conference surrounded by a very symbolic logo.

This could be the official logo of Sex Kitten Programming. The face of a cat that has a thunderbolt (representing electroshock torture) splitting its head in half (representing the fracturing of the psyche of MK slaves).

Underneath the electroshocked kitten head is the word “power”, which is almost ironic as none of these slaves have any power over their lives.

The second song performed by Iggy was Beg for It and its lyrics are in perfect line with her Beta Kitten persona. The first words of the song pretty much refer to her being a prostitute.

Pulled up looking picture perfect, baby
High price, but I’m worth it, baby

The first words of the second verse explain that the cat logo means “P*ssy Power”. While one might interpret that as a mentally challenged brand of feminism, it is actually about being a Beta Kitten.

Pussy power, pay me by the hour

The cover of the single Beg For It features Azalea and a feline behind her – which represents her Beta Kitten alter persona.

Yes, I was begging for it … Begging for that song to stop.

All Eyes on Fergie

Then Fergie came on stage to perform her single  L.A. Love which is about loving Los Angeles. No need to incorporate a bunch of Illuminati symbols in that, right? Wrong. Her music video and her AMA performance were drenched in Illuminati imagery.

Fergie’s performance began with bunch creepy All-Seeing Eyes blinking in the dark as if the occult elite is saying: “We’re watching you”.

Fergie’s music video and her AMA performance both revolved around a single object: A weird bus with colorful “entrance”. Why so much emphasis on this entrance? Because it is a replica of the entrance of a Masonic temple.

Fergie indeed performs in front an entrance made of two pillars – on which are drawn All-Seeing Eyes – topped by a triangle. This is a classic design used in Masonic imagery and architecture.

Here are two Masonic paintings that feature Masonic entrances made of columns holding a triangle. Both of these images are topped with an All-Seeing Eye.

The entrances of two actual Masonic lodges.

At the very end of her performance, Fergie removed some of her clothes (she really didn’t need to) and stood between the two pillars. Was she getting ready for her initiation?

J-Lo Trying to Stay Relevant

Jennifer Lopez is looking to be a music industry star again. What does she need to do? Step 1: Make a song called “Booty” and feature Iggy Azalea. Step 2: Push Kitten Programming.

J-Lo on all fours while feline prints are projected on her. Yup, that’s another nod to Kitten Programming.

But wait, isn’t that scene a little familiar?

This is a screenshot of Beyonce’s video Partition. She’s doing stripper stuff while animal prints are projected on her.

Did J-Lo’s team lack imagination? No. Because J-Lo’s team is actually Beyonce’s team who is Iggy Azaleas’s team. They are all pawns of the same group who uses them to push their specific codes.

To drive home the Beta Kitten message of the performance, Iggy Azalea and Jennifer Lopez perform around a stripper pole while dualistic patterns are projected on them. Fine role models for young women across the world.

In Conclusion

Whether it be the MTV Video Music Awards, the Grammys or American Music Awards, I’ve been analyzing award shows for years  (while attempting to conceal my aversion for them) because they are a mirror of the music industry. These shows are indeed a clear reflection of the elite’s rituals, symbols, and agenda. If one would read all of my articles on award shows, a clear and obvious pattern emerges – one that cannot be ignored or written out as being “coincidence”.

Award shows do not exist to reward the most deserving artist, they are a carefully planned media event that celebrates those behind the music industry … And these people are simply sick. The 2014 AMAs were an unholy mix of oversexualization and dehumanization, peppered with veiled rituals and occult symbolism. And all of this garbage was intercut with quick shots of the Kardashians dancing with a blank stare on their faces. In short, if you did not watch these awards, you did the right thing.

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