If there’s someone in the music industry who could comfortably retire, it’s Madonna. At nearly 68 years old, and with mountains of money to swim in, she could take life extremely easily and indulge in whatever weird stuff she’s into. However, with the release of the album Confessions II, she’s doing the exact opposite: she’s performing intense choreography surrounded by people a third of her age.

Some would say that’s Madonna’s brand and she doesn’t need to steer away from it. That’s true. If Madonna started singing smooth jazz in a dignified black dress, there would be no purpose for her to keep going. Because, as stated multiple times in past articles, Madonna has a special status: She’s the Grand Priestess of the music industry. She is the female representative of the occult elite’s stranglehold on pop culture, along with its bizarre culture and satanic symbolism.

Also, as the Grand Priestess, has also been playing another role: The “initiator” of new female artists. And she accomplishes just that in Confessions II.

In occultism, the veil of Isis represents esoteric mysteries that are waiting to be uncovered. Furthermore, Isis is the Egyptian “goddess of life,” and is often portrayed as a mother figure. Appropriately enough, the word Madonna is associated with the Virgin Mary – a divine mother figure.

As seen as recently as the 2026 MET Gala, every time Madonna refers to Christianity, it is for blasphemous purposes. That’s because, behind the Christian symbolism, all of the work conceals occult/kabbalistic undertones.

As we’ll see, Madonna’s new video strangely focuses on her vagina in a spiritual context. It is all about sex magik. And mind control. And other Madonna things. Here’s a look at the video.

Confessions II – The Film

Madonna’s new album was released with a short film that includes multiple songs and segments, all connected by a loose and somewhat confusing narrative. Some described the video as a “fever dream.” Like, why is there light coming out of Madonna’s crotch? And why is Benedict Cumberbatch in the video?

All of these strange things begin to make sense when one understands the underlying occult elite madness that permeates almost all of Madonna’s recent works. But it’s not like she’s being obtuse about it; Madonna actually refers directly to concepts seen on this site countless times.

Indeed, at the start of the film, Madonna says:

“Sometimes I just like to hide in the shadows. Create a new persona. A different identity. I can be whoever I want to be.”

That’s exactly what Monarch mind control is about: Hiding in the shadows (programming in an MK black site) to create an alter persona. While Madonna makes it sound empowering, it is the exact opposite. It is about being subjected to trauma by a handler until dissociation occurs. And this is what happens in the video.

While this group can be interpreted as the media following her every move, it also refers to MK handlers controlling and monitoring slaves during programming.

What’s about to happen is all in her mind.

Sex Magick

Yup, Madonna is now a vagina Lucifer. Because Lucifer literally means “light bringer” in Latin. Furthermore, the song (titled “Good For the Soul”) carries an esoteric meaning, confirming that the light is not merely there for aesthetic purposes.

The first verse goes as follows:

On the spiral light, we fly
We will be one, we will be divine
All the spirits, they all intertwine
Don’t forget that

Juxtaposed with this image of holiness is complete carnal decadence.

Everything about this song and video points to a specific concept: Sex Magick, which is the use of sexual energy for ritual, spiritual, or magical purposes. It has been practiced for centuries in occult secret societies such as the Knights Templar and the O.T.O.

The segment above can be interpreted as Madonna dissociating (which is the goal of Monarch mind control) while in the dark room. The next part of the film goes further into the MK process.

Alter Personas

After the car crash, Madonna enters a nightclub, and things get very MKUTLRA.

In Confessions II, multiple actresses play the role of Madonna, hinting at the creation of multiple alters.

The song’s lyrics are heavily MK-coded, where the “dancefloor” is compared to a ritualistic space.

People think that dance music is superficial
But they’ve got it all wrong
The dance floor is not just a place, it’s a threshold
A ritualistic space where movement replaces language

In one verse, Madonna refers to core concepts in mind control: the breaking of the core persona through trauma.

All the violence and the trauma you survived
Nobody’s praying until they’re broken
I’m feeling your silence and your drama deep inside
We’re all waiting for that freedom

In this context, “freedom” is actually dissociation.

In parallel with this MK imagery, Madonna still has to tend to her duties as the Grand Priestess of the music industry.

The Initiator

Throughout the years, Madonna has sometimes participated in ritualistic performances in which she served as the “initiator” for young pop stars.

Over 23 years later, Madonna is still initiating the younger generation.

The song culminates in a duet between the two singers that allude to the price of celebrity.

Don’t wanna compromise (Ask yourself this)
I made the sacrifice (What are you doing it for?)
I always pay the price (Is it for you? Is it for them?)
And now I don’t wanna, don’t wanna

After that song, we are back in deep MK symbolism.

The Classic Mirror Narrative

As explained in multiple previous articles, nearly all MK-related narratives (whether movies or music videos) feature a mirror-shattering scene. In MK symbolism, it represents the fracturing of the slave’s personality and the completion of programming. It happens in this video as well.

During that mirror-shattering scene, Madonna magically switches to an all-red outfit. As seen in my recent article on the movie Mother Mary (which is based on a pop star similar to Madonna), the red outfit is extremely important in occult elite symbolism as it represents occult and spiritual transformation.

Then we are taken back to the dark room, where Madonna is sitting wearing black.

Then, the video delivers a mind-blowing plot twist. It’s like, wow.

Then, Lourdes says:

“Cut, bitch.”

Just as we’re starting to wonder how many generations of that family will annoy us with their cringy attempts at being edgy, the film thankfully ends.

In Conclusion

While most media outlets describe Confessions II as a “fever dream” (a lazy way of saying that they have no idea what is happening), there is actually a meaning behind it all. However, in order to grasp what the film is truly about, one must understand the bizarre and deeply twisted culture of the occult elite. The one-eye sign at the very beginning of the video was the signal that the video can only be understood under that specific lens.

Confessions II is replete with symbolism relating to Monarch mind control, sex magick, occult initiations, and everything in between. All of this happens while Madonna is in a “dark room,” implying that she’s experiencing dissociation while several actresses play the role of her alter-personas.

In short, while Madonna plays the role of the Grand Priestess of the music industry, she remains at the service of the true world elite.