Movies and TV
“American Horror Story: Delicate” and its Messages About Hollywood’s Occult Underbelly
Starring Emma Roberts and Kim Kardashian, American Horror Story’s 12th season turns the joys of motherhood into an absolute nightmare. More importantly, it reveals, with very little subtlety, the dark forces at play in the entertainment industry, including Satanic Ritual Abuse and suspicious celebrity deaths disguised as accidents.
Warning: Pharaonic spoilers ahead!
Since 2011, the television series American Horry Story (AHS) has been horrifying Americans with stories some would describe as “pretty messed up.” But that doesn’t stop people from watching. Indeed, AHS has garnered an immense viewership while winning countless awards in every category imaginable. Some even stated that AHS “unquestionably joined the ranks of television’s landmark series.”
While most series become stale after a few years, AHS managed to remain relevant by casting big stars in starring roles while promoting each season with highly fashionable posters and trailers.
As you can see in the poster above, despite the praises the series received, there’s actually something terribly wrong with AHS. The “horror” on display is not your usual scary stuff. It goes way deeper than that. It is about putting on display the sick obsessions of the occult elite and, in a way, celebrating them. In the case of the image above, Lady Gaga holds children on a leash in a ritualistic manner, an “artistic” way of representing the elite’s love for preying on children (read my article on that season of AHS here).
The 12th season of AHS—titled Delicate—follows the same formula. Kim Kardashian was enlisted as the buzzworthy lead actress and the subject matter is, more than ever, pure occult elite madness. Of course, the season was preceded by a fashionable photoshoot.
As expressed by the poster above, AHS: Delicate centers around the theme of motherhood. But, like, evil, foul, Satanic motherhood where every single aspect of childbearing is corrupted and turned into a complete nightmare.
While the main story of the series is about the struggles of a mother-to-be, the context surrounding it is all about Hollywood and its dark tendencies. Indeed, through various side stories, AHS actually reveals the occult side of historical Hollywood events.
While AHS is a work of fiction, there’s a clear effort to draw parallels with real-life Hollywood. For instance, Kim Kardashian plays the role of a powerful Hollywood figure who is also part of a Satanic witch coven. The least one can say is that this role wasn’t much of a stretch for her (the Kardashian clan is a coven of witches). Is this why Kim K was (surprisingly) selected to play this important role in the series?
Here’s a look at the main themes of the series.
Corruption of Motherhood
The series’s opening sequence is all about translating into “art” the elite’s obsession with corrupting motherhood.
With these psychopathic images ingrained in our brains, the story begins.
After failing to get pregnant several times, Anna is referred to the best fertility clinic in town. Spoiler: It is secretly controlled by Satanists. Through IVF, she finally gets pregnant, and she and her husband Dex, are very happy.
However, Anna starts seeing weird things happening around her.
Throughout the episodes, several characters engage in anti-baby rhetoric that seems to be written by the WEF. One woman (who turns out to be a witch) tells Anna:
“But, honestly, why anyone would want a child boggles my mind. You wait your whole childhood to be free to make your own choices and then what choice do you make? To create an unnecessary being who contributes to global warming, who feeds on our body and whose survival you’re responsible for.”
“An unnecessary being who contributes to global warming”. Yup, that’s how they see our children.
Other than parroting unhinged WEF-sponsored rhetoric, a great portion of the series is dedicated to people giving Anna weird looks, and her looking up things on her iPhone™. Indeed, Apple™ products get a ridiculous amount of screentime during the series, which leads me to believe that the company paid big bucks for product placements … in a series about Satanists sacrificing babies. It is unsurprising because the company’s logo is a bitten apple. Fun fact: In Genesis, Lucifer told Eve to bite a fruit (traditionally represented as an apple).
Not unlike Eve, Anna bites the apple. In fact, she eats the whole thing. Symbolic.
While her pregnancy is supposed to be a blessing, we soon realize that it is very cursed.
Translated from Latin, the chant says:
Hail, O child of Satan, long live the children of our Lord
Without exaggerating, this chant is heard at least a hundred times during the series. It keeps popping up as witches creepily dance to it or perform rituals. I believe that one of the objectives of the series is to get that (rather catchy) chant inside one’s head for days on end.
If you look closely at the image above, Anna is holding an Oscar while giving birth to the demon baby. That’s because she agreed to give up her baby to the coven in order to win it.
The Real Witches of Hollywood
Before getting pregnant, Anna starred in a horror “feminist” movie called The Author. Against all odds, she’s winning countless awards for it. We’ll soon learn that dark forces are at play.
At the end of the series, the obvious is revealed: Siobhan is actually the head of a Satanic witch coven. And, through dark forces, she manipulates the entire industry to get the results she is looking for.
For instance, Anna’s main competition for an Oscar is a young actress named Babette Eno. Something happens to her that often happens in Hollywood.
As seen in the screenshot above, Babette was decapitated in the car crash. This parallels a real-life Hollywood event.
In 1969, actress Jayne Mansfield died in a car crash and it was long rumored that she was decapitated in the process. Strange fact: She was a high priestess in the Church of Satan. Is AHS sending us a message about the true cause of her death?
Through its narrative, AHS also communicates other truths about Hollywood. Anna starred in a movie titled The Author, which was credited to a male director named Hamish Moss. In actuality, Siobhan, the witch, wrote the “feminist” movie and convinced the director to take the credit by using sex. However, Hamish ends up feeling uncomfortable with this literal deal with the devil and gets the urge to reveal the truth to the world.
Then, something happens to him that often happens in Hollywood.
With Siobhan and her coven manipulating Hollywood behind the scenes, Anna reaps the rewards. Of course, that comes with a sacrifice.
This entire scenario is eerily similar to what happened in real life this year.
In AHS, Anna won an Oscar for starring in a disturbing “feminist” movie credited to a man. In 2024, Emma Stone won an Oscar for starring in a disturbing “feminist” movie credited to a man. The movie in question is Poor Things and it is also a sickening display of the elite’s depravity. Is reality stranger than fiction?
On a few occasions, AHS flashes back to past real-life Hollywood events to show how the coven intervened behind the scenes. One such flashback involves the 1968 movie Rosemary’s Baby.
As explained in my article about Rosemary’s Baby, there’s an entire puzzle of occult strangeness surrounding this movie. Directed by Roman Polansky (who would later be accused of drugging and raping a 13-year-old girl), the movie is about a woman being groomed by a Satanic cult to give birth to the Antichrist.
While this scene might seem random, a bit of context gives it an eerie meaning. From my article on Rosemary’s Baby:
Before settling on Mia Farrow, Roman Polanski originally envisioned his wife, Sharon Tate, as playing the role of Rosemary. She was not cast in the role, but did make an uncredited appearance in the movie, during a party scene. Fourteen months after the release of the movie, Tate (who was 8 months pregnant) was ritualistically killed by members of the Manson family. She was stabbed 16 times and her killers wrote the word “pig” in her blood on the wall of her house. (…)
Did Roman Polanski sacrifice his wife (the same way Guy sacrificed Rosemary in the movie) to obtain the favors of Hollywood? Soon after the death, he allowed himself to be photographed by Life Magazine in the house where Tate had died. Her dried blood was still clearly visible in the pictures. The photoshoot caused him to be heavily criticized.
In short, everything about Rosemary’s Baby reeks of the occult elite’s involvement. AHS seems to agree.
The Ending Explained
So what happens to Anna and her baby? While the ending is somewhat enigmatic, it is also exactly the ending one would expect from occult Hollywood.
Siobhan reveals that she is breeding an army of demon babies to kill all men on Earth (while keeping some of them as sex slaves) and bring about a matriarchy. In yet another Hollywood production, witchcraft and Satanism are associated with feminism.
So Siobahn gives Anna a choice:
“Join us and receive our gifts: Eternal youth, beauty, and power. Or not and wander the world ugly, aging and alone.”
Alright, let’s pause a second. Why is she talking about youth, beauty, and the threat of being alone if the goal is to kill all men? Evidently, someone needs to sit down with the witches to revise their matriarchy business plan.
But, in the end, it doesn’t matter because Anna manages to kill Siobahn. How? Well, a ghost appears to her and gets her to start chanting “Ave Hestia” (referring to the Greek goddess of hearth and home) to counter the “Ave Satanas” of the witches. And that alone killed the powerful witch who had been influencing the world for centuries. Yeah, it was lame, and fans of the show hated that part. But, hey, they had to wrap up the story in the final 10 minutes somehow.
So, did the light win against the darkness? Did good win over evil? One would think so, but not really.
The baby’s bedroom is full of plush goats, hinting that evil is still lurking. Furthermore, we faintly hear “Ave Satanas” as Anna grabs her Oscar. Anna got greedy. She wants the baby, the Oscar, and the power represented by the headdress. While Siobahn is dead, Satan might have found her replacement.
The message: In the elite-sponsored stories, Satan never loses.
In Conclusion
On one hand, AHS: Delicate is a fictional story with an outlandish premise filled with supernatural nonsense. On the other hand, it is a scarily accurate depiction of the occult elite’s true mindset and its influence on real-life events. And that is the ultimate goal of such “entertainment”: To disclose truths to the unsuspecting public while also fictionalizing them. It makes them part of “art” and popular culture while also making people believe they’re made-up stories.
AHS: Delicate was about a group of Satanists who carried out rituals, sacrifices, Satanic Ritual Abuse, and murders disguised as suicides and accidents. All of these topics were discussed on this site for real using real-life events. The series turned these horrific things into “art” and entertainment for the masses to consume. And, as people praise Kim Kardashian’s performance as a Hollywood witch in the series, most have no idea that she wasn’t playing a role at all.
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