Pics of the Month
Symbolic Pics of the Month 03/22
In this edition of SPOTM: Did Britney Spears send out a coded message about mind control? Did Grimes predict COVID, vaccines, and war back in 2019? Did The Economist predict Putin’s war in 2018? More importantly, why does Bad Bunny keep wearing mini-skirts?
Rapper E.So was recently featured in Vogue Tawan. If you thought that this part of the world was immune to occult elite symbolism, think again. Media conglomerates such as Vogue make sure this is global.
As usual, the one-eye sign was all over the place this last month. In fact, I can only post a fraction of the pictures I come across every month. Despite this fact, only a small minority of people realize that their favorite celebrities are actively showing their allegiance/submission to a psychopathic elite.
Speaking of celebrity children, Madonna’s adopted son Banda (who is 16-years-old) is also going through a pattern similar to Cruz Beckham.
I don’t usually post videos in SPOTM because this is not Symbolic Videos of the Month. A single picture is not enough to capture the intensity of the interaction between Lady Gaga and Helen Mirren at the Saga Awards. And. no, this is not “I love you” in sign language, Mirren’s thumb is clearly not extended. Those are devil’s horns.
Lady Gaga and Helen Mirren at the 2022 Screen Actors Guild Awards
IN PLAIN SIGHT. pic.twitter.com/64tbKDFtaz
— 🚛🥣 ₦Ø₦-฿łĐɆ₦₳ⱤɎ ₣ⱤØØ₮ ⱠØØ₱₴ 🥣🚚 (@45FLCA) March 13, 2022
As seen in previous articles, Britney Spears’ Instagram account is replete with not-so-subtle references to Monarch programming – most likely because she’s a full-blown MK slave. In a strange Instagram post (which was deleted a few hours later), Britney described her life while she was under the conservatorship of her father.
Grimes recently announced in a Vanity Fair interview that she had a “secret” second child with Elon Musk by surrogacy. In the context of this announcement, the pictures that accompanied the article were rather bizarre.
The following image is a portion of the cover of The Economist’s “The World in 2019” edition (released in late 2018). In my article about it, I explained the meaning of its symbolism and the events it appears to be predicting. Today, this cover is more relevant than ever.
Special thanks to everyone who sent in pics!
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