Why do we often witness tragedy and senseless deaths during the second half of April? The list of violent events that occurred during this time period is simply staggering. Here are some of them:

• April 19, 1993 – Waco Massacre: An FBI assault lead to the burning down of the compound of a sect named Branch Davidians, killing 76 men, women and children.
• April 19, 1995 -  Oklahoma City bombing – 168 people killed.
• April 20,  1999 – Columbine High School Massacre - 13 people murdered, 21 injured.
• April 16, 2007 – Virginia Tech Massacre – 32 killed; 17 injured.
• April 16, 2013 – Boston Marathon Explosions – 3 killed; 107 injured.
• April 18, 2013 – Fertilizer plant explosion, Texas – 5-15 killed (Notice that this event occurred almost exactly 20 years after the Waco Massacre, which is in the same area. Also, on April 16, 1947, a ship loaded with ammonium nitrate docked at the Port of Texas City and erupted in flames, causing a massive explosion that killed approximately 576 people).

There were many other violent occurrences that happened during that time period. In fact, CNN published an article in 2011 titled What is it about mid-April and violence in America?, discussing the events that occur in Mid-April. Sadly, the article only bashed “conspiracy theorists” and basically said “If you look for answers further than mass media, you are crazy and potentially dangerous”. However, two years later, the violent trend continues.

Is it all a coincidence? For those in the know, there are no such thing as coincidences. In 2011, I wrote an article about the death of Bin Laden, announced between April 30th and May 1st (see Why the Death of the Man Who Was Not Behind 9/11 Was Announced on May 1st). In that article, I briefly described the ritualistic significance of May 1st (May Day) and its relation to a god that is still important for to the occult elite: Baal.

The Cult of Baal Never Disappeared

Throughout many centuries and across many civilizations, the second half of April has always been a time of blood sacrifice. The worship of Baal took many names (Enlil, Molech, etc.) and spread across several civilizations. Being a sun god and a god of fertility, rituals celebrating Baal took place after the vernal equinox (a time of rebirth) and often involved human sacrifice.

“The cult of Baal celebrated annually his death and resurrection as a part of the Canaanite fertility rituals. These ceremonies often included human sacrifice and temple prostitution.”
- Baal, Encyclopedia Mythica

Although the observance of these rituals was sometimes condemned by religious movements, it never truly disappeared.

“The religion of the god Baal was widely accepted among the ancient Jews, and although it was put down at times, it was never permanently stamped out. Kings and other royalty of the ten Biblical tribes worshiped the god. The ordinary people ardently worshiped this sun god too because their prosperity depended on the productivity of their crops and livestock. The god’s images were erected on many buildings. Within the religion there appeared to be numerous priests and various classes of devotees. During the ceremonies they wore appropriate robes. The ceremonies included burning incense, and offering burnt sacrifices, occasionally consisting of human victims. The officiating priests danced around the altars, chanting frantically and cutting themselves with knives to inspire the attention and compassion of the god.”
- Ibid.

As a sun god, Baal’s worship involved human sacrifice and fire. Today, in the occult-elite ruled America, this time period often equals fire (or gun fire) and death. These rites were even mentioned in the Bible:

“They have built the high places of Baal to burn their children in the fire as offerings to Baal–something I did not command or mention, nor did it enter my mind.”
- Jeremiah 19:5

From the Babylonian, Assyrian and Phoenician civilizations of the Middle-East (their Mystery religions come from the same point origin), the cult of Baal spread to distant civilizations, such as the Celts, who observed Beltane rituals on May 1st (Beltane originates from the word “Baal”). While the observance of Baal rituals differed from one civilization to another, they were nevertheless grounded in the same occult concepts of numerology and sacrifice. In other words, they were all tapping into the same magickal knowledge.

Today’s occult elite still observes these rites, but with one major difference: They are now carried out on unsuspecting civilians and spread across the world through mass media. Fed and amplified by the fear and trauma of the masses, these mega-rituals are seen by all, but only celebrated by the occult elite. More than ever, we are dealing with Black Magick.

Other sites dedicated to occult numerology have published information emphasizing the importance of this time period.

“April 19 – May 1 – Blood Sacrifice To The Beast, a most critical 13-day period. Fire sacrifice is required on April 19.

April 19 is the first day of the 13-day Satanic ritual day relating to fire – the fire god, Baal, or Molech/Nimrod (the Sun God), also known as the Roman god, Saturn (Satan/Devil). This day is a major human sacrifice day, demanding fire sacrifice with an emphasis on children. This day is one of the most important human sacrifice days, and as such, has had some very important historic events occur on this day.”
- Occult Holidays and Sabbaths, Cutting Edge

Another article briefly describes the elements required to carry out the elite’s mega-rituals.

“The human sacrifice required during many of these occult dates needs to contain the following elements, each one of which is exaggerated to the highest possible degree:

1. Trauma, stress, and mental anguish, sheer terror
2. The final act in the drama should be destruction by a fire; preferably a conflagration.
3. People must die as human sacrifices, especially children, since The Darkness views younger human sacrifice as most desirable”
- Advent of Deception

In Conclusion

The post The End of April: A Time of Human Sacrifice appeared first on The Vigilant Citizen.

Warning: Major spoilers ahead!

Considered to be “groundbreaking” and a “game changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.

At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.

The heroes (or the victims) of the movie are somewhat uni-dimensional. We soon learn that they were manipulated to become that way.

As the movie progresses, many key aspects of the occult elite and its way of functioning are described in vivid detail: Mediatised mega-rituals, occult secret societies, mind control, high-tech monitoring and so forth. At the end of the movie, one might realize that these scared and confused teenagers running around and falling into traps are…us, aka the masses. Let’s look at the elements found in the movie and analyze their full significance.

The Nameless Organization

At the beginning of the movie, we see five friends hoping into van and driving to a cabin in the woods (hence the title of the movie) where fun, alcohol and teenage frolicking awaits. The pals however don’t know that this weekend of apparent partying is, in fact, a big ritual sacrifice conducted by a high-level, international organization.

Never named in the movie, the organization behind the blood sacrifice utilizes high-tech facilities across the world and appears to have a great amount of resources and employees. Can we associate this organization with the occult elite, the NWO and its secret facilities? Yes, yes we can.

Simply looking at the command center, we understand that is not a small, clandestine operation, but a highly sophisticated organization dealing with military tracking equipment that is only available at the highest governmental levels.

The organization’s sole purpose is to set up high-profile mega-rituals involving the deaths of civilians across the world in order to appease dark forces beneath the Earth. These rituals are made possible through the manipulation of certain individuals into doing certain things, causing them to unknowing become participants in an occult ritual. This concept has been discussed several times on this site as mega-rituals involving symbolic elements and blood sacrifices do happen in real life, where everything is staged and set up to obtain maximum exposure and magickal potency.

Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatised events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.

“Of course, many serial murders are nothing more than the work of a single individual acting out a graphic horror movie he saw, or responding to powerful “psychotic” impulses for aggression and predation. But many other serial murders involve a cult protected by the U.S. government and the corporate media, with strong ties to the police. These murders are actually intricately choreographed rituals; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, them on a grand scale, amplified incalculably by the electronic media. In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is paganized, brutalized and debased in this, the “Nigredo” phase of the alchemical process.

The French adept Antonin Artaud, architect of the theory of the “Theater of Cruelty” with its transformative power, and the inspiration for the extreme sex-and-death media of our time, had this to say about the processing of the Group Mind: ‘Aside from trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically… That is how strange forces are aroused and transported to the astral vault, to that dark dome which is composed above all of… the poisonous aggressiveness of the evil minds of most people… the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.’

The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans,” “the profane,” the “gentiles” and the “goyim” (cattle) by secret society initiates. “I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested that man deliberately invented the dogma of materialism in order to shield himself from the evidence of what was being done to him by means of psycho- spiritual warfare methods hyped by “coincidence,” symbolism and ritual.”
- Michael A. Hoffman, Secret Societies and Psychological Warfare

Although the above quote was written more than 20 years ago, it perfectly describes the plot of The Cabin in the Woods which, in turn, describes mega-rituals in a direct but very caricatural matter. By doing so, the movie reveals the elite’s way of functioning while fictionalize it – it puts everything out in the open while making people believe that “it’s just a movie”. While there is a lot of satire and foolishness in the movie, it underlying concept is truer than most would believe.

The shady organization carries out rituals across the world, some of which succeed and others fail. Most are made to appear as “accidents” and those that succeed are widely publicized across the world.

This elite organization, as powerful as it is, only obeys the will of dark forces called “The Ancients” and “the gods”. The “technicians” overseeing the ritual are actually members of an occult brotherhood and their job is to make sure rituals are complete.

After the death of the first victim, we see one of the technicians reciting a dark prayer and then kissing a pendant bearing the secret society’s magical symbol. Like in real life, some operations that appear to be about science and pragmatism are actually motivated by very obscure and occult reasons.

So the U.S. branch of this shady Organization manipulates five all-American students to go spend a weekend in a remote cabin in the woods. The cabin is set up in an environment that is totally artificial and controlled by the puppet masters. In fact, the cabin and its surrounding is one big TV recording studio, complete with mics and cameras, mind altering drugs to control the actors and remote controlled doors and light effects.

As the teenagers drive towards to the cabin’s location, we realize that they are entering a “virtual” zone that is totally created by and controlled by the organization. Inside of it, the teenagers become puppets at the hand of high-tech puppet masters.

The Sacrificial Lambs

Once arrived at the cabin, the teenagers are made to embody specific archetypes in order to complete the ritual drama required by the gods. It therefore needs to be carried out in a specific matter and it needs to completely recorded and televised. The “gods” require the death of five specific archetypes in the ritual drama: The whore, the athlete, the fool, the scholar and the virgin.

The Whore

In the brotherhood’s temple are displayed stone tablets representing each archetype that needs to be slain. This one represents the whore.

Right from the start of the movie, the character named Jules Louden plays the role of a s-bomb that appears to be aroused by anything. During her (short) stay at the cabin, she constantly feels the urge to talk about doin’ it or to dance like a stripper. We however learn that Jules is not being herself: She was drugged and manipulated to become the proverbial whore. Upon closer look, an astute viewer might realize that Jules Louden bares many characteristics of a Sex Kitten mind control slave.

The first scene involving Jules emphasizes the fact that she dyed her hair blond. In Mind Control symbolism, blond hair is used to identify Beta Kittens – Marylin Monroe programming. We then learn that the “puppet masters” laced her hair dye with chemicals to reduce cognition and to augment her libido.

So Jules is not usually a whore – she was manipulated and drugged into becoming one, the same way the elite uses mind control to make regular girls become Beta Kittens (think of the many slutty “celebrities” that started off “normal”). In the cabin, Jules displaying typical behavior of a MK slave, victim of Beta programming.

“BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level.”
- Ron Patton, Project Monarch

The most obvious example of Beta Kitten behavior occurs when Jules is “dared” to make-out with a wolf head mounted on the cabin wall. She engages in a disturbingly long make-out session with the wolf head, as her friends awkwardly watch. The scene ends with Jules saying “thank you” to the wolf, confirming that the drugs she was given completely eliminated her inhibitions.

Jules is getting a lot of pleasure making out with this wolf head because she was programmed to accomplish such tasks. Bestiality is only one of the twisted things actual Beta Kittens are ordered to do by their handlers.

The puppet masters make it clear that Jules needs to be sacrificed first – because she is a whore and therefore corrupted. This needs to happen in a very specific matter in order to follow dark occult principles. The technicians want her to be killed during coitus and, more specifically, when she is nearing climax. Magick principles stipulate that individuals accumulate the most “life force” during the moments right before climax. Sacrificing a person right at that moment would therefore insure the most magickal potency to a ritual.

The technicians closely monitor Jules copulating with the jock, hoping that she will take her shirt off. Explaining the ritual to an “outsider” who doesn’t understand why she MUST undress herself, a technician says: “We’re not the only ones watching…Got to keep the customer satisfied. You understand what’s at stake here?” In other words, the ritual needs to be graphic and fully broadcasted to be considered a success, something we see in real life without even realizing it.

After a few minutes of frolicking, which gets the teenagers (and the viewers) excited, Jules gets viciously attacked by a zombie right when she nears climax. The odd combination of copulation and death is characteristic of the dark rituals and is also featured be in underground snuff films circulated in elite circles. In short, Jules’ death was planned according the occult elite’s way of functioning.

The Fool

Like in most horror movies involving teens, there is some kind of stoner in the pack providing comic relief. Always smoking a joint, the character named Marty Mikalski plays that role. Interestingly enough, the “fool” is also quite the conspiracy theorist.

Inside the van, Marty explains how society is being heavily monitored through cameras and “chips inside children’s heads”. He states that one must sometimes “go off the grid” to escape the madness. Of course, he says all of these things while rolling a joint, subtlety telling the viewers: “Only paranoid pot heads are against microchips and state monitoring”. To make things worse, Marty then shows a finished joint to Jules and tells her “I’ll make you see things my way”, meaning that being “aware” equals being on drugs.

As discussed in my articles on the movies Contagion and 2012, “conspiracy theorists” (or anyone with non-mainstream views) are always depicted as loons with little to no credibility. Marty in The Cabin in the Woods accomplishes the same function. While he says things that are believed by many people, we still almost hear a “coo-coo” sound effect in the background while he discusses microchips and such.

The fool however turns out to be right about a lot things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool.  We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).

The Virgin

In most cultures that practiced ritual sacrifices, virgins were considered to be the “highest quality” offerings due to the fact that they were considered pure, clean, uncorrupted and innocent. They were untainted by man and the world and were therefore perceived as holy and the most spiritually potent. The character named Dana Polk was made to play that role in the ritual drama, although she isn’t actually a virgin (there’s apparently not many teenage virgins available nowadays)

Although she appears to be the weakest and the most vulnerable of the victims, the virgin ended up being an unlikely hero.

For the ritual to be complete, Dana needed outlive all of her friends and her death was optional. The important thing is that she suffered as the puppet masters need capture pain and punishment on camera, a fetish of the real life dark forces behind the Illuminati. In fact, the ritual in The Cabin in the Woods follows a specific protocol that is similar to the actual rituals carried out by the occult elite. Here are some of them.

Rules of the Ritual

Most mega-rituals follow specific rules that are clearly spelled out in the movie. These rules are made to give the rituals more potency while allowing the powers that be to avoid the negative effects of bad karma (according to their weird interpretation of it).

1st Rule: Announcing What Will Happen Beforehand.

On their way to the cabin, the teenagers meet an unsavory character dubbed “The Harbinger” that warns them in not-so-subtle ways that they will be killed. Despite the warnings, the friends resolutely carry on.

As seen in previous articles on this site, mega-rituals are often preceded by “clues” in mass media warning or preparing the victims (and the world) for what’s coming. If after being warned, victims go on by their own free will, then the puppeteers are liberated from karmic responsibility.  During the movie, one technicians says:

“They have to make the choice of their own free will. Otherwise, the system doesn’t work. Its like The Harbinger…this creepy old fuck who is practically wearing a sign saying ‘You Will Die’. Why do we put him there? The System. They have to choose to ignore him. They have to choose what happens in the cellar. Yeah, we rig the system as much as we need to but, in the end, if they don’t transgress, they can’t be punished.”

This concept is often seen in real life where victims of ritual sacrifice place themselves in a specific situation, although they have been thoroughly manipulated to do so (see MK victims dying from an “overdose”).

In one of the cabin’s rooms is a painting depicting a lamb being torn to pieces by all kinds of vicious creatures. This is yet another way the victims are subtly “warned” of what is bound to happen. However, since the kids have no idea of what’s happening, they simply ignore it. This can be compared the elite hiding in plain sight warnings and predictions about the NWO in public places (see the murals at the Denver International Airport).

2nd Rule: The Victims Must Seal Their Own Fate

Although every aspect of their environment is tightly controlled and manipulated by the puppet masters, the victims are still made to choose their fate by their own free will.

By reading cryptic Latin phrases inside a book, the 5 friends summoned themselves the redneck zombies that will tirelessly want to kill them. By triggering the killers themselves, the puppeteers are freed from karmic responsibility.

Although the above concepts are extremely obscure, they are clearly defined and communicated in the movie. They are a reflection of the occult elite’s (aka the Illuminati’s) particular way of functioning, where nothing is obvious and everything is manipulated behind the scenes in order to obtain a specific result. Ancient blood sacrifices were accomplished out in the open with participants that knew what was happening (not that I’m idealizing those days) but today, it is about deceit and manipulation, with an emphasis placed on suffering and anguish, something that only those dealing in black arts would revel on. Upon discovering exactly what was happening, Marty (the stoner) says:

“A ritual sacrifice? Great. You tie someone to a stone, get a fancy dagger and a bunch of robes. It’s not that complicated.”

To which the virgin replies:

“Tt IS simple. They don’t just want to see us killed. They want to see us punished”.

Who Wins in the End?

The ending of the movie is very telling, yet very unsettling. In order for the ritual to be complete, Marty must die before the virgin. If this doesn’t happen, the “ancient evil gods” will rise and kill everyone on Earth. When asked to kill himself to save the world, Marty refuses – knowing very well he’ll be killed anyways by the evil gods.

Dana and Marty then light up a joint and wait for the gods to rise. Dana says:

“It’s time to give someone else a chance…Giant evil gods”.

Then a giant hand rises up from beneath the Earth, kills everyone and then reaches out to grab the movie viewers. And that’s how the movie ends…with an evil god grabbing the viewer.

The big winner of the movie? An Evil god aka Satan himself.

So, in the end, the only winner of the movie is a “giant evil god” rising up straight from hell, one that could be equated to Satan in Abrahamic religions. Dana and Marty, the “heroes” of the story, therefore willingly allowed the evil god to rise up and to take over the Earth. The “heroes” brought about the worst ending possible, one of the movie’s original twists that kept the audiences guessing. It nevertheless has an important symbolic meaning and tells a lot about those who are behind the movie. In retrospect, were the puppeteers the good guys or the bad guys? They were sadistic jerks carrying out an occult ritual but they were also trying to save the world from the wrath evil gods. Hmmm…

In Conclusion

The Cabin in the Woods is a hit with movie fans due to its wit and its study of the horror film genre. However, going past these obvious remarks, the story of the movie conceals another layer of interpretation: It reveals the Illuminati’s occult way of functioning in order to maintain power and to imprint the group mind with symbols using rituals and sacrifices. The “organization” in the movie uses an odd mixture of scientific knowledge with “old world” occult rituals to carry out its plans. While this story is pure fiction, it also reveals (in a strange way) how the occult elite truly functions.

That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbringer in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”.

The post “The Cabin in the Woods”: A Movie Celebrating the Elite’s Ritual Sacrifices appeared first on The Vigilant Citizen.

When terrible events like the now infamous “Batman Shooting” occurs, I tend to not have a knee-jerk reaction of yelling “It’s a conspiracy” because, obviously, sometimes it is not. But in some cases, like this one, tidbits of information begin leaking out, weird synchronicities surface and, at a certain point, one can’t help but think  “hmm”, “huh?” and “what?”. Pieces of the puzzle start coming together and, when one is aware of the symbolism and workings of the occult elite, the whole thing starts to look like a big, dark, disturbing ritual that was carried out by pre-programmed patsy. No, I won’t say that I cracked the case, but here are some facts that simply cannot be overlooked.

A Mind-Controlled Pasty?

As new information surfaces regarding James Holmes (who dubbed himself “The Joker”), many facts point toward a man who is prone to having alter-personas, delving into “inner-worlds” and generally exhibiting the behavior of either a schizophrenic or a programmed drone. Obviously in an altered state of mind and most probably embodying a completely different alter-persona, Holmes told police at the time of his arrest that he was “The Joker”. In this article that appeared in the Telegraph, Holmes was reportedly fixated on the concept of altered states of mind.

“After the massacre Holmes calmly told detectives he had taken 100mg of the prescription painkiller Vicodin, and identified himself as “The Joker”. The same drug was found in the system of actor Heath Ledger when he died of an accidental overdose of prescription drugs in 2008. Ledger played The Joker in the previous Batman film The Dark Knight. Vicodin side-effects can include euphoria, paranoia and, in rare cases, hallucinations.

The video footage of Holmes was taken at Miramar College in San Diego and showed him explaining that “temporal illusions” are “an illusion that allows you to change the past”. Holmes said he had been working on “subjective experience, which is what takes place inside the mind as oppose to the external world”.
- Source: The Telegraph

According to news sources, Holmes was pursuing a neuroscience doctoral program at the University of Colorado’s Anschutz Medical Campus. Could this prestigious academic location dedicated the study of human brain functioning and behavior also be Holmes’ mind-control programming site? The concepts stated above of “illusions that allow you to change the past” and “subjective experience” are very reminiscent to the programming of alter-personas in mind control, where illusions are indeed used to create a false pasts in MK alter-personas.

After his arrest, Holmes appeared to be completely dissociated from reality, as if still in character.

“Holmes has yet to show any signs of remorse and his behavior is reported to be erratic and bizarre. Per a released inmate outside the jail, “He was spitting at the door and spitting at the guards. He’s spitting at everything. Dude was acting crazy.”
- Source: The Examiner

 The Odd Batman Connection

One-Eyed Heath Ledger as The Joker in this movie poster. There’s some Illuminati crap going on here.

As stated above, Holmes dyed his hair orange and claimed he was “The Joker” – as played by Heath Ledger in the previous installment of the Batman series The Dark Knight. We’ve seen in previous articles (notably “The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice), that there are many odd and ritualistic facts surrounding the death of Heath Ledger after he played the dark and disturbed character of the Joker, a role that apparently took a toll on the actor’s health.

Shooter James Holmes even went as far as to take Vicodin, a drug found in Heath Ledger at the time of his death. Vicodin is a powerful pain-killer with morphine-like effects that is used in mind control to “dull out” victims.

Is there some kind of ritualistic connection between The Dark Knight, the sacrificial death of Heath Ledger and this new installment of a Batman movie that was “launched” with a mass murder? Is there a reason why this mass-murder, which occurred during the midnight screening of a movie called Dark Knight RISING took place in a city called Aurora, the name Roman goddess of dawn (dawn being the time where the sun begins to rise)? Another interesting fact: Aurora is considered to be the mother of the morning star, also know as the Light Bringer, or Lucifer.

Pop Culture Synchronicity

As it is always the case in these mega-rituals,  the event appears to have been “foretold” in mass media. Coincidence, premeditation, or synchronicity? Not sure, but here are some strange things that appeared in the mass media before the shooting:

Released only days before the shooting, Lil Wayne’s video “My Homies Still” features him and his boys sitting in a movie theater full of skeletons. Aside from this scarily prophetic scene, the video features many dismembered dummies, a symbol associated with Mind Control.

Shown right before the fatal showing of Dark Knight Rises, this trailer of the movie Gangster Squad ends with a big shooting in a movie theater.

In the trailer, gangsters walk through the movie screen and start shooting at the crowd. Strange that the people at the “Batman shooting” actually saw this right before it then happened to them. Fiction indeed turned into reality.

This page from the 1986 comic “Batman: The Dark Knight Returns” features a crazed man killing three people in a movie theater. In the comic, media then states that the shooting spree was inspired by Batman.

Was the Batman shooting a mega-ritual carried out by the occult elite and its mass media appendage? It is not possible to say for certain, but a lot of the information that is surfacing leads Vigilant observers to realize: “Something’s weird about this”. As it is always the case in these types of events, the “investigation” will most likely begin and end with the proverbial “lone nut”, the single crazy psychopath toward which all fingers will be pointed. Were there people pulling his strings? Maybe, but the media always show the puppets, never the puppet masters.

Some might ask: “Why would ‘they’ even want to carry out these kinds of rituals?” It is indeed quite difficult to compute these events without taking into account “their” mindset, which is all about magick, symbolism, numerology and the power of rituals. Blood sacrifices are the most potent forms of ritual and the more people who witness and emotionally participate in that ritual, the more potency it gains. Right now, the whole world has its eyes turned towards the town of Aurora. And while outraged citizens across America demand a culprit to pay for this horrendous act, the REAL masterminds behind it will just sit back and enjoy the show.

The post Was the “Batman Shooting” a Ritualistic Murder Carried Out by Mind Controlled Patsy? appeared first on The Vigilant Citizen.

Some articles on this site discussed a rather disturbing trend: The “resurrection” of pop stars who died in mysterious circumstances (possibly sacrificed) to then have their image exploited by the very industry they spoke against. A recent example was the rapper 2Pac who was revived as a hologram (see the article entitled 2Pac Revived as a Hologram at Coachella: Why I Didn’t Like It).

Michael Jackson is probably the biggest (and saddest) example of a star who denounced industry manipulation to then die in very strange circumstances. In the mist of trials attempting to place the blame of MJ’s death on a single person (i.e. a patsy), Pepsi Co. announced that it would feature the King of Pop’s image on over a billion of its cans.

The announcement caused some controversy in mass media as people asked “Is it right to use the image of a dead person to sell products?”. Most people, including me, would instantly reply “Hell No”. Going beyond this ethical question, there is a deeper issue at stake here. Why is the very essence of artists who have been attacked, humiliated and almost destroyed by the industry so thoroughly exploited after their demise? Is it more than simply about money and publicity? Is it the elite’s way of saying “We used them, we sacrificed them and now we own them for eternity”?

Some might say that the controversy might help sell Pepsi cans. I for one won’t be buying Pepsi anytime soon. Here’s an article on MJ image being used by Pepsi.

Michael Jackson To Appear On Pepsi Cans

More than one billion cans will be imprinted with the late pop icon’s image.

PepsiCo Inc. is resurrecting Michael Jackson to try to pump life into its flagship cola, three years after the singer’s death and more than a quarter century after the pop icon’s landmark sponsorship deal to become the voice of the brand.

Following an agreement with Mr. Jackson’s estate, the beverage and snack giant said Thursday that it will roll out a billion Pepsi cans with a silhouette of Mr. Jackson—who died in 2009—as part of its newly launched “Live For Now” global marketing campaign.

PepsiCo and Mr. Jackson’s estate declined to disclose the financial terms of the latest deal. Mr. Jackson signed onto a Pepsi sponsorship deal in 1984 for a then-record $5 million.

The new campaign is part of PepsiCo’s pledge to ramp up spending on its flagship cola, which has been losing ground behind archrival Coca-Cola Co.

PepsiCo is boosting its overall marketing budget this year by as much as $600 million, or by about 20%. The extra money is going to a dozen large global brands, which also include Lay’s potato chips, Gatorade sports drinks and Quaker oatmeal. The company has been pouring more funds into Pepsi, its biggest brand by revenue, since last year.

A spokeswoman for Mr. Jackson’s estate said the PepsiCo campaign represents the first branding deal since Mr. Jackson passed away, but that more such marketing agreements are planned.

Mr. Jackson starred in several Pepsi advertising spots in the 1980s and 1990s, including an infamous commercial shoot in 1984 that inadvertently set the King of Pop’s hair on fire, burning his scalp. Pepsi’s new campaign around Mr. Jackson is timed to coincide with the 25th anniversary of “Bad,” the multi-platinum album.

PepsiCo said it would begin distributing the special-edition cans in China this weekend. The cans will arrive on U.S. store shelves later this month, part of a broader rollout to about 20 other countries in Asia, South America and Europe.

Bringing a deceased celebrity back from the dead for marketing purposes is a risky business.

“It’s like the dead is dancing to sell your product,” said Scott Lerman, chief executive officer of Lucid Brands, a branding firm.

In 2007, ConAgra Foods Inc. reincarnated their company spokesman, Orville Redenbacher, who had died in 1995. It ran a commercial that featured a computer-generated version of Mr. Redenbacher who had gotten a modern makeover. Pundits dubbed the character “Orville Deadenbacher.” An ad critic for Adage, an industry trade magazines, called the posthumous pitchman: “Madison Avenue’s first pitchzombie.”

Following Tiger Wood’s infidelity scandal, Nike Inc. NKE -2.26% aired a black-and-white commercial showing Mr. Woods gazing into a camera as a voice-over of his late father, Earl Woods, spoke to the golfer about taking responsibility for his actions. The ad received mixed reaction, although many labeled the spot “creepy.”

Dead icons also can create enormous buzz. Earlier this year, a digital version of the late-musician Tupac Shakur appeared on stage during a music festival with Snoop Dogg and Dr. Dre. An Internet video of the show became an instant phenomenon.

Frank Cooper, a senior PepsiCo marketing executive, said the Pepsi campaign is respectful toward Mr. Jackson and more “forward looking” than nostalgic by celebrating the pop legend’s continuing influence on music.

Mr. Jackson remains highly popular across the globe, spanning all age groups, Mr. Cooper added.

That appeal is especially important in China, where Coke’s namesake cola had a 26.9% share of the soda market last year, ahead of Pepsi’s 19.0% share, according to Euromonitor International.

In its efforts to narrow that gap, PepsiCo in March secured Chinese government approval for a joint venture with Tingyi Holding Corp., a leading beverage player in China.

Coke, which also enjoys a bigger share of China’s overall beverage market than PepsiCo, said last year it would invest $4 billion over the next three years in the country.

PepsiCo is launching a TV ad in China featuring music from Mr. Jackson’s “Bad” album later this month, but hasn’t decided yet if it will run similar ads in the U.S. It’s launching a TV commercial in the U.S. next week featuring singer Nicki Minaj.

By marrying its cola with famous musicians, Pepsi is returning to its marketing roots. Aside from Mr. Jackson, previous Pepsi pitchmen have included Ray Charles, Madonna and Britney Spears.

It recently invested an estimated $60 million to sponsor “The X Factor,” a TV music-talent show launched in the U.S. last autumn, to compete with “American Idol,” which Coke sponsors. A Pepsi TV ad that premiered last year on “The X Factor” featured a clip of Mr. Jackson after a long hiatus.

Coke also has tapped heavily into music in “Open Happiness,” the global campaign it launched in 2009 for its trademark cola. Coke recently recruited music producer Mark Ronson and singer Katy B to create a new song, “Anywhere in the World,” that it plans to market heavily as part of its Olympic Games sponsorship in London this summer.

This year Pepsi quietly pulled the plug on its “Refresh” campaign, an online social-media campaign, where consumers competed for money to fund favorite charities. Critics said it didn’t help sell more Pepsi.

In addition to the cans with Mr. Jackson’s silhouette, PepsiCo is teaming up with musicians and producers to reinterpret some of the singer’s songs, part of a broader digital campaign. It also promises “epic, live events” tied to Mr. Jackson in the coming months.

- Source: WallStreet Journal

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We’ve seen in recent articles (What Happened to Whitney Houston? and Whitney Houston and the 2012 Grammy Awards Mega-Ritual) that the death of Whitney Houston had the hallmarks of a celebrity ritual killing. Today, Leolah Brown, the sister of Bobby Brown, told Access Hollywood that she did not believe Whitney’s death was an accident. Her attorney however advised not to say who or what she believes killed the singer. Leolah is also extremely concerned for Whitney’s daughter Bobbi Kristina, claiming that “she is not safe right now”.

Those are extremely heavy statements but not surprising for those who know about the dark side of the music industry. She is basically saying: “The shady people who got Whitney are now after Bobbi Kristina”. Here’s an article about Leolah’s interview.

Bobby Brown’s Sister Leolah: Bobbi Kristina ‘Is Not Safe Right Now’

Bobby Brown’s sister, Leolah Brown, is speaking out for the first time since Whitney Houston’s death, defending her brother and sending a warning to Bobby & Whitney’s daughter — Bobbi Kristina.

“I am concerned about my niece Bobbi Kristina, yes,” Leolah told Access Hollywood of her 18-year-old niece, who she refers to as “Krissy.” “Krissy is not safe right now. I want to say to Krissy that it’s very, very, very important that she does not trust anybody at this time. Anybody except her father, her grandmother Cissy and myself. And I mean that.

“Right now is the time to just really shut the door,” she continued.

Leolah and her attorney, Reginald Mason, remained unspecific about who may try to harm Krissy.

“There are persons that possibly would want to take advantage of Bobbi Kristina’s fragile state of mind,” Mason claimed.

Leolah claims her brother Bobby is not doing well, but says he is not to blame for Whitney’s demise.

“Bobby has nothing, nothing at all to do with Whitney’s death,” she told Access.

While awaiting toxicology results to determine what killed the singer, Leolah told Access that she has reached out to the Beverly Hills Police Department to make sure they do a thorough investigation.

“I believe Whitney’s death was not accidental. No,” she claimed.

According to Leolah, what then killed the singer?

“My attorney has advised me not to get into that at all,” she told Access. “But, it’s very important to know that she did not just pass away like that. No. And if it’s the last thing that I do, I’m going to find out what truly happened to my sister.”
- Source: Yahoo! News

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As someone who grew up during the peak Whitney Houston’s career, witnessing her downfall and, yesterday, her untimely death, has been difficult. Blessed with arguably the biggest voice ever heard in the music industry and endowed with a fiery personality that matched it, Whitney was the archetype of the diva superstar. Her song I Will Always Love You is now the ultimate song for aspiring singers to showcase their talents. However, no matter who attempted to take on that on that song, they exposed themselves to the same comment: “Good, but not as good as Whitney”. She was the personification of pure, God-given talent.

Unfortunately, the saying “The higher they fly, the harder they fall” has applied to Whitney all too well. The young girl who got discovered while singing in a church choir and who went on to become most awarded female act of all-time descended into a fiery hell of drugs, abuse and trauma.  Upon learning about her death, I immediately recalled a particular interview that disturbed me. It was the lengthy interview she gave Oprah in 2009, where she described her drug usage and her tumultuous relationship with Bobby Brown. While her words were unsettling, it was her entire demeanour that got to me. The diva personality was gone. The fire in her eyes was extinguished. She simply wasn’t the same person I saw during the 90′s. When she took the stage to sing her new single, the heavenly voice we expected to come out wasn’t there. It was as if her soul was sucked out of her.

Watching her discuss with Oprah, I kept asking myself: “What the hell happened to Whitney?” Most people would immediately reply “drugs”. But I had the sick feeling that there was more to it. Her eyes betrayed deep psychological and even spiritual trauma. Marijuana and cocaine, the two drugs she admitted using, do not make people this way. Even if she did crack or whatever other drug, there was something else in her eyes and I felt that Whitney was holding back the true cause of her downfall. I asked myself: Was she under mind control? Was there an occult ritual, black magic or outright, literal selling of her soul involved there? Did her “contract with unseen forces expire”? Was Bobby Brown her handler?  This portion of Oprah’s interview particularly struck me and, when I first learned about her death, this automatically came to my mind:

Oprah: Did you think something was gonna happen in those drug-crazed, drug-filled days where you’re sitting for hours and days?

Whitney: There were times when he (Bobby Brown) would smash things, break things in the home. Glass. We had a big, big giant portrait of me and him and my child. He cut my head off the picture. Stuff like that. And I thought, “This is really strange.” So I figured, cutting my head off a picture, that was a little much for me. That was one sign.

And then there were other things like he started to paint in my bedroom eyes. Just eyes. Evil eyes that were looking at every point of the room.

Oprah: He started to paint on the walls?

Whitney: Yeah. The rugs. The walls. The closet doors. If I opened the door, there would be one picture. Then I’d close them and there would be another picture and eyes and faces. It was really strange. …

Oprah: What are you doing with all of that?

Whitney: I’m looking at it going, “Lord, what’s really going on here?” I was getting scared because I felt something was going to blow. Something was going to give.

- Source

Marijuana and cocaine can make people do crazy things, but this kind of behaviour was symptomatic of something a lot deeper. The cutting of one’s head and “evil eyes” are two obsessions of mind control victims (and/or spiritually disturbed people). Whatever the case may be, something awful happened to Whitney Houston in the years following her success. But what? What was Bobby Brown’s role? Difficult to say. In the same Oprah interview, Whitney described her mother’s attempts to rescue her.

Whitney: She said, “It’s not worth it.” She said: “If you move, Bobby, [the sheriff will] take you down. Don’t you make one move.” And he stood there like he was scared.

And she said: “Let’s go. Let’s do this. I’m not losing you to the world. I’m not losing you to Satan. I’m not doing this. I want my daughter back. I want you back. I want to see that glow in your eyes. That light in your eyes. I want to see the child I raised. And you weren’t raised like this. And I’m not having it. So you make a choice, and you make it here today because I have a court injunction that says you have to go.” …

- Ibid.

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Now, the day before “music’s biggest night”, Whitney was found dead in strange circumstances (apparently drowned in her bathtub) at age 48. As usual, drugs were almost automatically mentioned as a cause of her death. However, as it was the case for Michael Jackson, Amy Winehouse and so many others, the investigation will probably be a long tedious process, full of vague statements and many contradictions. There are already reports of Whitney acting erratic in the hours before her death.

“First she first visited Brandy, Monica, and Clive Davis at rehearsals for the mogul’s pre-Grammys party, where a Los Angeles Times reporter described her as reeking of alcohol, “visibly bloated,” and “disheveled in mismatched clothes and hair that was dripping wet with either sweat or water.” According to the Times, when Houston wasn’t mugging and gesticulating wildly for Brandy and Monica — who were doing a media junket, as well as preparing a duet — she was alternately skipping around the lobby or “wandering aimlessly” around the Beverly Hills Hotel grounds. Reportedly, guests had even called security to report the singer doing handstands by the hotel pool.

Houston’s Thursday was about to get worse… way worse. That evening, she attended a party headlined by Kelly Price at the Tru nightclub in Hollywood. As she exited, seeming  intoxicated, photographers took close-ups of her legs, which appeared to be spotted with blood streaks, along with scratches on her wrists.”
- Yahoo! News, Whitney Houston’s Tumultuous Final Days

Despite her death at the fourth floor Beverly Hilton Hotel, the traditional pre-Grammy show, with its glamour and glitz, took place at the same location…while her body was still there. As they say in showbiz, “the show must go on”. The show will indeed go on and I’m somehow reticent to see the kind of tribute the industry music is reserving her. If Michael Jackson and Amy Winehouse are any indication, those who fall off the grace of the industry do not get a proper tribute…but a celebration of their sacrifice.

Was Whitney’s death an actual sacrifice or simply the result of years of abuse? The same question applies to countless artists who died too soon and in bizarre circumstances.

The post What Happened to Whitney Houston? appeared first on The Vigilant Citizen.

In my article entitled Amy Winehouse and 27 Club, I mentioned that the circumstances surrounding Winehouse’s death are rather “suspicious” and that “suspicious” celebrity deaths are often followed by vague explanations, botched investigations and all kinds of shady business. After months of strange flip-flopping regarding the cause of Winehouse’s death, the coroner that was looking into the singer’s case, Suzanne Greenaway , has resigned because she “did not have the correct qualifications”. Even odder, she was appointed to this particular position by her husband, coroner Dr. Andrew Scott Reid. These events will probably cause the entire investigation to be held again.

Yup, that’s the typical blur of confusion, contradictions and all-around crap that usually surrounds celebrity sacrifices. Here’s an article on Suzanne Greenway’s resignation.

Family of Amy Winehouse considering legal action after coroner at her inquest resigns because she did not have the correct qualifications

Amy Winehouse’s family says it is seeking legal advice after the coroner who oversaw the singer’s inquest resigned because she did not have the required qualifications for the job – raising the possibility the investigation may have to be held again.In October, Suzanne Greenaway ruled that the soul singer had died from accidental alcohol poisoning.

Greenaway had been appointed an assistant deputy coroner in London by her husband, Inner North London Coroner Andrew Reid.

But she resigned in November after authorities learned she had not been a registered U.K. lawyer for five years as required.

She had practised law for a decade in her native Australia.

Her resignation was not made public until today.

The Office for Judicial Complaints has now launched an investigation into Dr Reid’s conduct.

Dr Andrew Scott Reid, coroner for the Inner Northern District of Greater London, says he appointed Suzanne Greenaway thinking she was qualified

‘I believed at the time that her experience as a solicitor and barrister in Australia satisfied the requirements of the post,’ Reid said in a statement.

‘In November of last year it became apparent that I had made an error in the appointment process and I accepted her resignation.’
Reid apparently broke no laws in appointing his wife but could have breached professional guidelines. Greenaway was one of several deputy assistant coroners.

The local authority, Camden Council, said it was confident Reid ‘had made an error in good faith’ when he appointed his wife, but said the matter was being investigated by Britain’s Office for Judicial Complaints.
Winehouse’s inquest could be declared invalid if her family challenges the verdict in court.

In a statement, the Winehouse family said it was ‘taking advice on the implications of this and will decide if any further discussion with the authorities is needed’.

Last night, meanwhile, Amy’s father, Mitch, tweeted: ‘Don’t worry about coroner nonsense. We are all ok. Mitch.’

Dr Reid said: ‘In November it became apparent I’d made an error in the appointment process. While I am confident that all of the inquests handled were done so correctly, I apologise if this matter causes distress.’

The inquest into the death of the singer heard that she’d drunk enough to stop her breathing and send her into a coma.

Three empty vodka bottles were found near her body in her bedroom.

A pathologist who examined her said she had 416mg of alcohol per decilitre of blood – five times the legal drink-drive limit of 80mg. The inquest heard that 350mg was usually considered a fatal amount.

A doctor who treated the 27-year-old for her alcohol problem said she had repeatedly ignored warnings about the dangers of binge drinking.

But private GP Christina Romete, who saw the singer hours before her death, said she did not believe Miss Winehouse had deliberately drunk herself to death.

She said she had told her: ‘I do not want to die… I have not achieved a lot of the things I wanted.’

Miss Winehouse won five Grammy awards for her 2006 hit album Back To Black. But she became as well-known for her battle with alcohol and drugs as for her singing.

She was found dead in her flat in Camden, North London, on July 23 last year.

- Source: Daily Mail

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The untimely death of Brittany Murphy at the age of 32 is another one of these strange celebrity death cases where “investigations” simply do not provide satisfactory answers. Like many other cases, Brittany appeared in symbolic images alluding to occult societies and mind control before her death. Here are some examples.

Mask + emphasis on one eye – referring to a MK alternate persona.

Odd picture of Brittany surrounded by masked members of an occult secret society.

Was Brittany Murphy “off the freedom train” by her handlers? Here’s an article about the “vagueness” of the autopsy.

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Brittany Murphy’s Dad Suing Over Autopsy Report

The man claiming to be the biological father of late actress Brittany Murphy is challenging the results of her autopsy in a lawsuit against the Los Angeles County Coroner’s Office.

According to Entertainment Tonight, Angelo Bertolotti claims “testing/toxicology was incomplete and the death of Brittany Anne Murphy Monjak was never fully investigated.”

Bertolotti, who is also suing the Los Angeles Police Department, has requested samples of his daughter’s hair for testing.

“I’m not going to rest until my daughter’s untimely demise is properly investigated, which hasn’t happened so far. Her case deserves more than a superficial glance,” Bertolotti said in a press release quoted by The Hollywood Reporter.

The coroner’s office ruled that the 32-year-old actress died in December 2009 of pneumonia, anemia and prescription drug intoxication.

Murphy’s husband, Simon Monjack, died five months after his wife. His autopsy showed the causes to be pneumonia and anemia.

Bertolotti believes that tests of Murphy’s hair may show evidence that toxic mold in her Hollywood Hills home could have caused her death, according to The Hollywood Reporter.

His suit comes a month after Murphy’s mother, Sharon Murphy, filed a lawsuit against the law firm that represented her in a case involving the actress’ home. Sharon claims the law firm should have advised her against signing a settlement with the builders of the house when they should have known there was toxic mold in the home.

- Source: ABC News

The post Brittany Murphy’s Dad: “Her Case Deserves More Than a Superficial Glance” appeared first on The Vigilant Citizen.

Famous for her distinctive voice and soulful style and infamous for her controversies and substance abuse, Amy Winehouse embodied the classic dichotomy of a rock star: artistic brilliance coupled with a tendency for self-destruction. Her early death, at age 27, provided her the last ingredient required to become a memorable rock star: eternal youth. Going beyond her music, Winehouse will now be remembered as one of those who “lived fast and died young” and will forever have this mystical aura that surrounds those who have passed away during their prime. We will never see Amy Winehouse grow old and lose her edge. We will never see her become a “has been” who has to appear in crappy commercials to pay the bills. By dying at the age of 27, Amy Winehouse will forever be remembered as the fiery diva who inspired, shocked, attracted and repulsed people all at once. Most importantly, by dying at the age of 27, Amy Winehouse became the latest member of the 27 Club.

27 Club

A symbolic poster depicting the most famous members of 27 Club

The 27 Club (or Forever 27) is the name given to the group of highly influential stars who died at the young age of 27. Although there are dozens of artists in the 27 Club, the most notable are Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain. Most of the members of this club led somewhat troubled lives and the causes of their deaths were surrounded by a shroud of mystery. Indeed, investigating the circumstances surrounding the deaths of Jim Morrison, Jimi Hendrix and Kurt Cobain quickly leads to unanswered questions and strange abnormalities. No autopsies, no definitive causes of death and vague police reports seem to be the norm in these high-profile cases. In short, we can find in these untimely deaths everything required to generate “alternative theories” involving murder.

Amy Winehouse’s sadly appears to be a perfect fit for the Club. Although one might argue that she was not the iconic and revolutionary artist Hendrix and others were, she bore many similarities to them: A unique style, a big following, heavy drug and alcohol usage, a tendency for depression and other mental problems, a history of bad relationships and, finally (and most importantly), a bunch of unanswered questions surrounding her death.

Mega-Rituals

The phenomenon of stars dying at a young age in strange circumstances goes beyond the well-publicized 27 Club. While this Club is “reserved” to singers dying at the exact age of 27, many other types of artists have died in mysterious circumstances around the age of 30. Recently, the deaths of Heath Ledger (see the article about him entitled “The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice) and Brittany Murphy followed the same pattern as those described above. Strangely enough, there often appears to be a media buildup around these figures before their death documenting their odd behaviour or personal problems. Were these deaths premeditated and part of some kind of sick ritual carried on by the occult-minded elite at the helms of the industry? Are charismatic stars being risen to fame in order to later sacrifice them, creating a worldwide mega-ritual? Is the wave of shock and grief surrounding these events harnessed in some way by high-powered occultists? These concepts might sound totally ridiculous to the average person but, to occult initiates, the magical potency of a human sacrifices has been recognized and documented by the rituals of many ancient civilizations. In Secret Societies and Psychological Warfare, author Michael A. Hoffman II writes:

“The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans”, “the profane”, “the gentiles” and “the goyim” by secret society initiates”

About mega-rituals Hoffman writes:

“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.

Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.

In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.

- Michael A. Hoffman II, Secret Societies and Psychological Warfare

In the 1940s, the French poet and theater director Antonin Artaud predicted the advent of occult mega-rituals in media. Artaud was an adept of  several forms of occultism and well-aware of the transformative powers of theatrical rituals: he created the infamous “Theater of Cruelty” that intended to profoundly change the audience. Regarding the processing of the Group Mind, Artaud wrote:

“Aside from the trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically … That is how strange forces are aroused and transported to the astral vault, to the dark dome which is composed above all of … the poisonous aggressiveness of the evil minds of most people … the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.”

In Hollywood, the subjects of these rituals are often manipulated and mind controlled and their deaths are often “announced” in some way or another through symbolic works. In The Imaginarium of Doctor Parnassus, the last movie Heath Ledger appeared in, the theme of sacrifice is extremely important. In one important scene, we see the images of three celebrities who died young : Rudolph Valentino, James Dean and Princess Diana. Seeing these pictures, a woman says to Johnny Depp – who was one of Ledger’s replacements in the movie – “These people … they’re all dead”. Depp replies:

“Yes … but immortal nevertheless. They won’t get old or fat. They won’t get sick or feeble. They are beyond fear because they are … forever young. They’re gods … and you can join them.”

He then added:

“Your sacrifice must be pure.”

These lines were intended to be said by Heath Ledger.

A painting made by Vincent Fantauzzo, a friend of Ledger, featuring alter-egos whispering in his ear. The painting was completed shortly before his death.

Brittany Murphy appeared in several strange photoshoots before her untimely death. Some of them alluded to Monarch mind control and occult rituals.

Mind Control related picture of Brittany Murphy

Brittany Murphy surrounded by masked individuals in a occult ritualistic setting taken shortly before her death

The Case of Amy Winehouse

At the time of writing this article, the exact cause of Winehouse’s death is yet to be determined (alcohol withdrawal is often cited). Like most strange celebrity deaths, the public will probably be given a vague explanation involving drugs or alcohol. And, like most strange celebrity deaths, some odd facts will surface, contradicting the “official” version of the cause of the death, causing rumours, speculations and alternative versions.

There are already witnesses who described strange happenings shortly before her death. In this news article, Winehouse’s neighbour claimed that there was “screaming, howling and some kind of drum beating” coming from her house the night she died.

Amy Winehouse death: Neighbour in Camden heard ‘screaming and howling’

One of her neighbours said he is convinced she died in the early hours of Friday because he heard screaming. “I think something happened that night. It sounded like some weird sexual game. There was screaming and howling.” The man, who would not be named, said he was woken by the sound at around 2am that night. “It just sounded really weird and my son said he heard some kind of drum beating.”

This afternoon he heard one of Winehouse’s friends crying in the house, and realised she was dead. He believes a friend left her at home after a night out, and returned this afternoon to find her body. “She’s been quite low-profile and that’s why, when I heard these sounds – screaming – I thought it was unlike her. “I said to my son ‘Maybe she’s taken a bad drug’.”

He said he saw her about three weeks ago being helped into the house by her minders, and was unable to walk at 10am. “She couldn’t walk, she could hardly put one foot in front of the other.” Her cat, Sky, would come into his house for food and to sleep, he said.

Local restaurant owner Ze Silva, 56, said Winehouse would come in as regularly as twice a week. She saw her last Tuesday and said she had stopped drinking. “She had nothing to drink. She said to me ‘Darling, don’t give me any alcohol, I’m not drinking any more’. “She was normal. She would speak to everyone, have pictures taken with the kids, give autographs to the kids. “She was a good girl, I’m very sad.”

Winehouse would go to the restaurant, A Baia, to play snooker with her bodyguards and would send them to get her takeaway fried breakfasts. Flowers, teddies and candles had been left next to the police tape blocking off Camden Square. One card read: “You will not be forgotten by Camden. We all love you and will continue to love you. Your legend lives on.”

- London 24, Amy Winehouse death: Neighbour in Camden heard ‘screaming and howling’

This leads us to the most important question: was Amy Winehouse’s death a murder or, perhaps, a ritual sacrifice? Was she under mind control and offed by her handlers? Is her death simply a result of exposure to a debased industry?

After Winehouse’s death singer Kelly Clarkson tweeted a rather poignant message regarding this matter.

“I heard the news about Amy Winehouse. I’m incredibly sad. I didn’t know her but I met her a few times and got to hear her sing before she blew up. She was a beautiful and talented girl. I’m angry. What a waste of a gifted person. What a shame she saw no hope and continued living her life in that manor. I have been that low emotionally and mentally and that is overwhelming. I keep asking myself why some of us are spared and the others are made examples. I’m very angry and sad. I don’t know why it’s bothering me so much. Sometimes I think this job will be the death of us all, or at least the emotional death of us all. Maybe that is why as a little kid in sunday school I learned that God didn’t want false gods or idols. I thought it was terribly selfish of God as a child but I think I get it now. He didn’t want us following people or things that are imperfect and not so much for the followers but for the gods and/or idols who will never be what everyone wishes or needs them to be because we are made imperfect. He knew we wouldn’t be able to handle the pressure, the shame, the glory, or the power the spotlight brings. I am distraught. I am also extremely grateful and thankful for the people who love me and support me. Without such amazing friends and family who knows where I’d be. My thoughts and prayers are with her friends and family. I am so sorry for your loss. I pray for peace in your hearts.”

Thrown From the Freedom Train?

Amy as a kid.

A prophetic 2008 sculpture of Amy Winehouse called “The Only Good Rock Star is a Dead Rock Star”. It depicts Amy Winehouse shot in the head and laying on the floor lifeless. Next to her is creepy Minnie Mouse mask, which, as stated in several other articles, can represent Illuminati mind control (although the sculptor claimed that the masked referred to the infamous video of Winehouse playing with baby mice).

In Fritz Springmeier’s The Illuminati Formula to Create a Mind Control Slave, it is stated about mind control slaves that:

“The programmers/masters program them with the expectation that they will be “thrown from the freedom train” when they get to age 30. (Freedom Train is the code word for the Monarch trauma-based mind control. To be thrown from the Freedom Train means to be killed.)”

Victims of mind control often die at a young age due to several reasons. First, according to trauma-based mind control experts, the torment, torture and control exerted on victims cannot be sustained indefinitely during adulthood. At one point, often around the age of 30, programming wears off, causing the victims to regain some lucidity. This contact with reality often traumatic, causing in the victims to be severely depressed, to show symptoms of mental disorders such as MPD (multiple personality disorders) and the consumption hard drugs and alcohol. When slaves (especially those that are influential) stop responding to programming and begin displaying erratic and unpredictable behaviour, they are often “thrown from the freedom train”.

Some victims with exceptionally strong wills and character manage to free themselves from the bonds of mind control (to a certain extent). To prevent them from “speaking out”, they are often found and “thrown off the freedom train” also.

“If a slave doesn’t comply or needs to be thrown from the Freedom Train they can become a useable statistic. Simply trigger them to murder and then watch the police gun them down. The NWO gains one more statistic and another case to scare the public into accepting gun control.

Was Winehouse under mind control and was she “thrown from the freedom train”? Difficult to say. She clearly displayed the typical symptoms of an “industry victim” and some her personal relations (notably Blake Fielder-Civil) appear to have played the role of “handler” (similar to Mariah Carey’s relation with Tommy Mottola and the late Anna-Nicole Smith’s relation with Howard K. Stern). There are several levels of mind control and Winehouse might not have underwgone the entire Monarch programming process. However, simply placing an already vulnerable person in music industry’s toxic environment and getting the celebrity machine in motion, complete with constant media harassment, is enough trauma to induce the metal instability that clears the way for mind control.

Despite her success, Winehouse never was an “industry pawn” like other acts discussed on this site. Her unwillingness (or incapability) to “fit the mold” might have been a cause of her demise. Winehouse’s goddaughter and protege Dionne Bromfield appears to fit that mold perfectly.

The last shot of Bromfield’s video “Foolin’ “, released two months before Winehouse’s death. She is displaying the sign of the “Illuminati industry pawns”.

In Conclusion

Although it is difficult to know the exact cause of Amy Winehouse’s death, her case is certainly not unique. There is, in fact, a pattern that appears to repeat itself when looking at the early deaths of young celebrities. If one were to compare the lives and the circumstances leading to the death of these stars, one would notice important similarities and then realize that important “pieces of the puzzle” are often missing from official stories. From humble beginnings, these stars reach a great level of popularity. However, at one point, something goes terribly wrong and a drugged-filled, humiliating downfall almost inevitably occurs. Is the missing piece of the puzzle this thing that goes terribly wrong? If these artists are not a direct result of Monarch mind control, a “handler” figure nevertheless exists in their entourage, manipulating and influencing them towards a self-destructive behaviour. The media often adds to and amplifies the star’s problems, portraying them as disturbed drug addicts. When their death is announced, the world is shocked, yet not-so-surprised. Drugs and alcohol are, as always, the perfect scapegoats. As people say … “case closed”.

Why is our popular culture obsessed with sex and death, where rising stars, who capture the love of millions, get shot down? In an industry permeated with occult symbolism, run by people and organizations who believe in occult powers, is it possible that actual occult rituals are being carried out? Is the collective shock caused by the announcement of a celebrity death being used as ritual psychodrama meant to imprint the collective consciousness? Of course, not all celebrity deaths are results of rituals any many of them occur because, you know, stuff happens. One thing however remains constant: The deaths are symptomatic of the dark reality of show-business, which is toxic on many levels. To be caught up in this realm and attempting to exit it is, to cite a Winehouse’s song, Some Unholy War.

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The death of the person who blew the lid off a gigantic scandal involving the police, the government and one of the most powerful media moguls in the world is “not being treated as suspicious”. Nope, nothing suspicious there. Just the normal death of a man in his mid-40′s…that is being investigated by the very police he proved was corrupted…the day before the testimony of Rupert Murdoch. Nope, nothing suspicious here.

Some news sources are already attaching the label “conspiracy theorist” to those questioning the true causes of Sean Hoare’s death, which is usually a proof that something IS going here. Here’s an article by The Guardian describing his death and the scope of his revelations.

News of the World phone-hacking whistleblower found dead

Death of Sean Hoare – who was first named journalist to allege Andy Coulson knew of hacking – not being treated as suspicious

Sean Hoare, the former News of the World showbusiness reporter who was the first named journalist to allege that Andy Coulson was aware of phone hacking by his staff, has been found dead .

Hoare, who worked on the Sun and the News of the World with Coulson before being dismissed for drink and drugs problems, was said to have been found at his Watford home.

Hertfordshire police would not confirm his identity, but said in a statement: “At 10.40am today [Monday 18 July] police were called to Langley Road, Watford, following the concerns for the welfare of a man who lives at an address on the street. Upon police and ambulance arrival at a property, the body of a man was found. The man was pronounced dead at the scene shortly after.

“The death is currently being treated as unexplained but not thought to be suspicious. Police investigations into this incident are ongoing.”

There was an unexplained delay in the arrival of forensics officers at the scene.

Neighbours said three police cars and two ambulances arrived at the property shortly before 11am. They left around four hours later, around 3pm, shortly after a man and a woman, believed to be grieving relatives, arrived at the premises. There was no police presence at the scene at all for several hours.

The curtains were drawn at the first-floor apartment in a new-build block of flats.

At about 9.15pm, three hours after the Guardian revealed Hoare had been found dead a police van marked “Scientific Services Unit” pulled up at the address, where a police car was already parked. Two officers emerged carrying evidence bags, clipboards, torches and laptop-style bags and entered the building. Three officers carrying cameras and wearing white forensic suits went into the flat at around 9.30pm.

Hoare was in his mid-40s. He first made his claims in a New York Times investigation into the phone-hacking allegations at the News of the World. He told the newspaper that not only did Coulson know of the hacking, but he also actively encouraged his staff to intercept the calls of celebrities in the pursuit of exclusives.

In a subsequent interview with the BBC he alleged he was personally asked by his editor at the time, Coulson, to tap into phones. In an interview with the PM programme he said Coulson’s insistence he did not know of the practice was “a lie, it is simply a lie”. At the time a Downing Street spokeswoman said Coulson totally and utterly denied the allegations; he had “never condoned the use of phone hacking and nor do I have any recollection of incidences where hacking took place”.

Hoare said he was once a close friend of Coulson’s, and told the New York Times the two first worked together at the Sun, where, Hoare said, he played recordings of hacked messages for Coulson. At the News of the World, Hoare said, he continued to inform Coulson of his activities. He “actively encouraged me to do it”, Hoare said. In September last year he was interviewed under caution by police over his claim the former Tory communications chief asked him to hack into phones when editor of the paper, but declined to make any comment.

Hoare returned to the spotlight last week, after he told the New York Times that reporters at the NoW were able to use police technology to locate people using their mobile phone signals, in exchange for payments to police officers. He said journalists were able to use “pinging”, which measured the distance between a mobile handset and a number of phone masts to pinpoint its location.

Hoare gave further details about “pinging” to the Guardian last week. He described how reporters would ask a news desk executive to obtain the location of a target: “Within 15 to 30 minutes someone on the news desk would come back and say ‘Right, that’s where they are.’”

He said: “You’d just go to the news desk and they’d come back to you. You don’t ask any questions. You’d consider it a job done.

“The chain of command is one of absolute discipline, and that’s why I never bought into it, like with Andy saying he wasn’t aware of it and all that. That’s bollocks.”

He said he stood by everything he told the New York Times of “pinging”. “I don’t know how often it happened. That would be wrong of me. But if I had access, as a humble reporter … ”

He admitted he had had problems with drink and drugs, and had been in rehab. “But that’s irrelevant,” he said. “There’s more to come. This is not going to go away.”

Hoare named a private investigator who he said had links with the News of the World, adding: “He may want to talk now, because I think what you’ll find now is a lot of people are going to want to cover their arse.” Speaking to another Guardian journalist last week, Hoare repeatedly expressed the hope that the hacking scandal would lead to journalism in general being cleaned up, and said he had decided to blow the whistle on the activities of some of his former NoW colleagues with that aim in mind.

He also said he had been injured the previous weekend while taking down a marquee erected for a children’s party. He said he broke his nose and badly injured his foot when a relative accidentally struck him with a pole from the marquee. Hoare also emphasised that he was not making any money from telling his story.

Having been treated for drug and alcohol problems, Hoare reminisced about his partying with former pop stars and said that he missed the days when he was able to go out on the town.

On Monday evening the curtains were drawn at his home, a first-floor apartment in a new-build block of flats.

A neighbour living opposite, Nicky Dormer, said three police cars and two ambulances arrived at the property at 11am; police left at 3pm, shortly after a man and a woman, believed to be grieving relatives, arrived at the premises.

She and another neighbour described Hoare as a jovial man who would often sit on his balcony, overlooking the block entrance, and talk to residents. They said he lived in the block with his partner, a woman called Jo, who they believed had been away on holiday. Neither had seen Hoare for a few days.

Paul Pritchard, 30, another neighbour, said Sean Hoare was “the most sociable” resident, and they would regularly see him watering the communal front lawn.

“It is just such a shock. About a month ago he said he felt unwell and he said he went to the doctors for a checkup. Then I saw him again and he seemed well.”

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