Marilyn Monroe is the ultimate sex symbol, embodying everything that Hollywood represents: glamor, glitz and sex-appeal.  Her iconic sensual blonde persona forever revolutionized the movie industry and, to this day, is greatly influential in popular culture. While Marilyn represents everything that is glamorous about Hollywood, the disturbing story of her private life equally represents everything that is dark in Hollywood. Marilyn was indeed manipulated by high level “mind doctors” who controlled every aspect of her life and caused her to basically lose her mind. Her death, at the young age of 36 is one of the first “mysterious celebrity deaths” in popular culture. While many facts point to a murder, it is still classified as a “probable suicide”.

While many biographers explain away Marilyn’s hardships with “psychological issues”, piecing together facts about her life combined with knowledge of the dark side of Hollywood reveals something a lot darker: Marilyn Monroe was one of the first celebrities subjected to Monarch mind control, a branch of the CIA’s MK Ultra program (for more information on the subject, read my article entitled Origins and Techniques of Monarch Mind Control). Through trauma and psychological programming, Monroe a became high level puppet of the shadow elite, even became JFK’s Presidential Model.

When Monroe’s programming lost its effect and she started to break down, some argue that she was “thrown off the freedom train”, an MK ULTRA term for designating slaves that are killed when they are not useful (and potentially dangerous) to their handlers.

The first part of this series of articles will look at the real life and career of Monroe, an isolated girl whose great beauty became a true curse.

Her Early Years

Norma Jeane as a teenager

Norma Jeane Mortenson had a difficult and unstable youth. She never knew her father and her mother was mentally unstable and incapable of taking care of her. In My Story, Monroe wrote that she recalled seeing her mother “screaming and laughing” as she was forcibly taken to a State Hospital.

At age 11, Norma Jeane was declared a ward of the state. She lived in a total of 11 foster homes throughout her youth; when there was no foster home available, she sometimes ended up at the Hollygrove Orphanage in Los Angeles. As if moving from one foster home to another wasn’t difficult enough, Norma Jeane recalled being treated harshly in several of them. Even worse, she was abused in at least three of them.

For instance, at age 11, Norma Jeane was adopted by her mother’s best friend Grace McKee and her new husband, Ervin Silliman “Doc” Goddard. There, “Doc” repeatedly sexually assaulted her, which forced Norma Jeane to move out. In another case, when she was in middle-school, Norma Jean was sent to her great-aunt’s house in Compton, California. There, one of her great-aunt’s sons abused her, forcing her, again, to move out. Here is another account of abuse:

“She told of being whipped by one foster mother for having touched ‘the bad part’ of her body. Another more serious incident occurred when she was eight. One evening a lodger she called Mr. Kimmel (Marilyn said later that this was not his real name) asked her to come into his room and locked the door behind her. He put his arms around her. She kicked and struggled. He did what he wanted, telling her to be a good girl. (In a later interview Marilyn stated that the abuse involved fondling).

When he let her out, he handed her a coin and told her to buy herself an ice cream. She threw the coin in his face and ran to tell her foster mother what happened, but the woman wouldn’t listen.

‘Shame on you,’ her foster mother said. ‘Mr. Kimmel’s my star boarder.’

Norma Jean went to her room and cried all night.

Marilyn said she felt dirty and took baths days after it happened to feel clean. Such repeated attempts to feel clean through showers or baths are typical behavior for victims of assault.

Marilyn said she began to stutter after the incident and reverted to it at times of stress. When she told one interviewer about the abuse, she began stuttering.

The evidence points to the fact that she was an abused child whose early sexualization led to her inappropriate behavior as an adult.

- Daily Mail, “The magic red sweater that turned ‘Norma Jeane, string bean’ into Marilyn Monroe”

Norma Jeane’s unstable and sometimes traumatic youth made her a perfect candidate for Monarch mind control. Being a ward of the state, she had no stable family.

“Some children live in foster homes, or with adopted parents, or in orphanages, or with caretakers and guardians. Because these children are at the mercy of the non-related adults, these types of children frequently are sold to become mind-controlled slaves of the intelligence agencies.”

- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

“Beta is the second Greek letter, and it represents the sexual models and alters that the Programmers are creating. The primitive part of the brain is involved in this type of programming. An early abuse event will be used to anchor this programming.”

- Ibid.

Contact with Occult Hollywood

Before becoming famous, Norma Jeane went by the name of Mona and worked as a stripper at a Burlesque house in Los Angeles. There, she came in contact with Anton LaVey, the man who would later found the highly influential Church of Satan. According to Springmeier, LaVey was an MK handler and Monroe became one of his “Kitten” slaves.

“Marilyn Monroe was an orphan, and during her infancy the Illuminati/CIA programmed her to be a Monarch slave. Before becoming an actress, while she was still a stripper, she spent time with the founder of the Church of Satan Anton LaVey. Victims of LaVey have pointed him out as a mind-control programmer.”

- Ibid.

LaVey’s biography also mentions an “affair” with Monroe, which was probably more than that.

“When the carnival season ended, LaVey would earn money by playing organ in Los Angeles area burlesque houses, and he relates that it was during this time period that he had a brief affair with a then-unknown Marilyn Monroe.”

-  Magus Peter H. Gilmore, Anton Szandor LaVey: A Biographical Sketch

Anton LaVey visiting Monroe’s grave, 1967.

Around the same time period, LaVey was involved with another actress, one that was known for being the “working man’s Marilyn Monroe”: Jayne Mansfield. The relationship between the two was also described as an “affair”, but the reality was a lot darker.

“Anton LaVey has been the mind-control handler/programmer of a number of Hollywood actors & actresses, including Jayne Mansfield and Marilyn Monroe, who both serviced him as sexual slaves”.

- Anton Szandor LaVey, Whale.to

Pictures of Jayne Mansfield with Anton LaVey

Marilyn Monroe and Jayne Mansfield had a lot in common. Both were “blond bombshells” (neither were natural blondes) and are credited for “sexualizing” Hollywood. Both were Playboy playmates, both had an “affair” with Anton LaVey and both had an “affair” with Robert F. Kennedy and John F. Kennedy (the “affair” was actually them being Presidential Models). Finally, both died in their 30s.

A Star Living Like an Inmate

Another common point between Monroe and Mansfield is that they were both part of the Blue Book Model Agency.  It is there that Norma Jean metamorphosed into the iconic Marilyn Monroe.

When Norma Jeane was recruited as a model, she had curly red hair. This “girl next door” will soon get a Hollywood makeover and embody a new persona named Marilyn Monroe.

Industry insiders convinced Norma Jeane to undergo aesthetic surgery, to change her name to Marilyn Monroe and to change her hair color to platinum blonde. Monroe’s sensual, “dumb blond” persona allowed her to land roles in several movies which began a clear culture shift in Hollywood.

In the movie “Gentlemen Prefer Blondes”, Marilyn adorns her trademark platinum blonde “Hollywood” hairdo. In this movie, she plays the role of a sensual yet materialistic woman that is not afraid of using her charm to obtain what she wants. This type of character will be repeated time and time again in popular culture.

Norma Jeane used Marilyn Monroe as a stage name for several years, but in 1956, she accomplished a strange but symbolic move: She legally changed her name to Marilyn Monroe. The change reflected many sad truths about her personal life: In mind-control terms, the changing of her name to Marilyn Monroe represents the suppression of her “core persona” in order to only allow her programmed alter persona to exist. Marilyn was only what “they” wanted her to be.

As several biographies have revealed, Marilyn had little to no personal freedom. She had no contact with her family, and her handlers isolated her in order to further control her and to avoid “real” people from helping her to realize that she was being manipulated. The only people that she was in contact with were her “psychologists” and her handlers.

“Marilyn’s existence was not of a rich person, but more like of an inmate. Marilyn was allowed to have no personal life, outside of the dictates of the programmers and her masters. The programmers and users bore down so hard on controlling Marilyn that they repeatedly came close to driving her insane.”

- Springmeier, Op. Cit.

Marilyn was also constantly under high surveillance. Years after her death, an incredible amount of surveillance equipment was found in one of her homes.

“In 1972, actress Veronica Hamel and her husband became the new owners of Marilyn’s Brentwood home. They hired a contractor to replace the roof and remodel the house, and the contractor discovered a sophisticated eavesdropping and telephone tapping system that covered every room in the house. The components were not commercially available in 1962, but were in the words of a retired Justice Department official, “standard FBI issue.” This discovery lent further support to claims of conspiracy theorists that Marilyn had been under surveillance by the Kennedys and the Mafia. The new owners spent $100,000 to remove the bugging devices from the house.”

- Source: IMDB

Under the Spell of Mind Doctors

In 1956, Marilyn converted to Judaism and married her third husband, screenwriter Arthur Miller. At this point, the only people in Monroe’s life were her husband and her acting teacher Lee Strasberg and her psychiatrists Margaret Hohenberg, Marianne Kris and Ralph Greenson.

“Marilyn’s life was incredibly monotonous for her. Her doctor’s appointments (I later learned these were appointments with psychiatrists) and her acting lessons were virtually all she had to to look forward to.”

- Lena Pepitone, Marilyn Monroe Confidential: An Intimate Account”

Lee Strasberg, Monroe’s acting coach. According to Elia Kazan: “He carried with him the aura of a prophet, a magician, a witch doctor, a psychoanalyst and a feared father of a Jewish home.”

The ultimate proof that these individuals were the ONLY people in Marilyn’s life is that they inherited most of her fortune. Lee Strasberg alone inherited 75% of her estate while Dr. Kris obtained 25%.

“Marilyn began associating with Lee and his wife Paula Strasberg from around 1955, very quickly they became a colossal influence in Marilyn’s life, taking over almost every aspect of her very being.

Many of Marilyn’s friends and colleagues watched this happen and felt very uncomfortable about it but were powerless to do anything about it. Whilst she was married to Arthur Miller, Miller had begun to voice these concerns to Marilyn.

During the final year of her life there were signs that her faith in the Strasbergs’ was weakening and that she no longer wanted them to have the control. It has been said that she was in the process of dispensing with their services – this was seen as another indicator that Marilyn was intending to change her Will.”

- Loving Marilyn, Who Owns Marilyn’s Things?

After her death, Marilyn’s Will was contested due to her being under “undue influence” of her handlers.

“On 25^th October 1962, the Los Angeles Times reported that Marilyn Monroe’s Will was being contested by her long time business manager Inez Melson. Miss Melson, who was not a beneficiary of the Will claimed that Marilyn was under undue influence of either Lee Strasberg or Dr Marianne Kris at the time the Will was made.”

- Ibid.

Another proof of the excessive control of “mind doctors” on Marilyn’s life is the fact that her psychiatrist Ralph Greenson was the one who found Monroe dead. Why was he at her house late at night? As we’ll see in the next part of this series of articles, the circumstances of her death are incredibly suspicious.

In short, as it is the case for most Monarch slaves, Marylin’s handlers were in charge of every aspect of her life. Contact with family members was totally forbidden.

“Although Marilyn Monroe had family, her doctors, psychologists, and acting coaches isolated her from them. (…) Members of the Hogan family, who lived in the Los Angeles area, had attempted to make contact with Marilyn Monroe after she was famous, and their efforts to connect with her were blocked.”

- Jennifer Jean Miller, “Was Phenergan Marilyn Monroe’s Silent Killer, and Was She a Victim of Psychological Abuse, Medical Malpractice and Wrongful Death?”

Disconnected from her family and with virtually no friends, Monroe was visiting therapists almost daily. Were these visits actually programming sessions? One thing is for sure, as the visits augmented in frequency, Monroe became worse. One particularly hunting account is the “Surgeon Story”, a text written by Monroe herself.

The Surgeon Story

The Surgeon Story is a text written in poem form by Monroe where she describes being cut open by Lee Strasberg and her psychiatrist Margaret Hohenberg. While some describe this story as Marilyn’s recollection of a nightmare, other researchers claim that it is actually a description of a mind control session.

Best finest surgeon—Strasberg
to cut me open which I don’t mind since Dr. H
has prepared me—given me anaesthetic
and has also diagnosed the case and
agrees with what has to be done—
an operation—to bring myself back to
life and to cure me of this terrible dis-ease
whatever the hell it is—(…)

Strasberg cuts me open after Dr. H gives me
anesthesia and tries in a medical way to comfort me  –
everything in the room is WHITE in fact I can’t even see anyone just white objects -​

they cut me open – Strasberg with Hohenberg’s ass.
and there is absolutely nothing there—
Strasberg is
deeply disappointed but more even—
academically amazed
that he had made such a mistake. He
thought there was going
to be so much—more than he had ever
dreamed possible …
instead there was absolutely nothing—
devoid of
every human living feeling thing—
the only thing
that came out was so finely cut sawdust—like out of a raggedy ann doll—and the sawdust
spills
all over the floor & table and Dr. H is
puzzled
because suddenly she realizes that this is a
new type case. The patient … existing
of complete emptiness
Strasberg’s dreams & hopes for theater
are fallen.
Dr. H’s dreams and hopes for a permanent
psychiatric cure
is given up—Arthur is disappointed—
let down.

In this odd and disturbing story, Monroe describes being drugged and cut open by her psychiatrists. She writes that she “didn’t mind the operation” because she was “prepared”. Was she dissociating? There is also mention of her seeing “only white” which might refer to sensory deprivation – a method used in MK Ultra programming.

Once cut open, the doctors only found “finely cut sawdust” inside of her “like out of a raggedy ann doll”. These are the typical words of an MK slave who have completely lost touch with their true core personality. Marilyn perceives herself as an “empty” doll.

According to Jason Kennedy, a member of Marilyn’s family, the Surgeon’s Story describes Mind Control techniques such as sensory deprivation and the administration of dissociative anesthetic drugs.

“Online publications have referred to the “Surgeon Story” as a dream or nightmare. Even a musician, Annie Clark, was inspired to write a song with the lyrics, “Best, finest surgeon/Come cut me open”, because she believed Marilyn wrote the words due to her reverence of Lee Strasberg during her studies with him.

Jason, on the other hand, likened it to a very real time in the life of Marilyn Monroe, and her narrative of the experience, after being subject to mind-control techniques and drugs at the hands of Lee Strasberg and Dr. Margaret Hohenberg, when she underwent private sessions with the duo in 1955 to help release blocks in her acting techniques.

Their methodology consisted of having Marilyn Monroe delve into painful childhood memories, they told her, to make her into a great actress.

According to Jason’s research, the pair convinced Marilyn this was all a part of “helping” her. He said she was confused from the start as she documented the “Surgeon Story” details, correcting her own details of the story from “pupil” or “student”, to coining herself the “patient”.

“It was a mental operation,” Jason said. “She wasn’t physically cut, but mentally cut open.”

He said it was used to break her down and change her behavior.

“This had nothing to do with acting,” Jason continued. “It was pure and simple extortion using mind control techniques. Also, ‘mind-control drugs’ were only one aspect of the process of mind-control. Sensory deprivation, dissociative anesthetic drugs, and psychic driving are part of an overall process of mind-control.”

Lee Strasberg often referred to himself as doctor, including in his 1965 book, “Strasberg At The Actor’s Studio: Tape Recorded Sessions”.

- Ibid.

Whether or not this story actually happened, it nevertheless conveys the inner-thoughts of a mind control slave who is powerless against her handlers and their clinical attempts to program and modify her. Sadly, other traumatic events caused by her handlers were all too real.

Traumatized by Her Handlers

In 1961, Dr. Kris convinced Marilyn to check in at Payne Withney psychiatric ward. The events that ensued are shocking considering the fact that Marilyn was a world-renowned movie star – but not surprising considering the fact that she was a mind control slave. Here’s what happened at the psychiatric ward:

“Kris had driven Marilyn to the sprawling, white-brick New York Hospital—Weill Cornell Medical Center, overlooking the East River at 68th Street. Swathed in a fur coat and using the name Faye Miller, she signed the papers to admit herself, but she quickly found she was being escorted not to a place where she could rest but to a padded room in a locked psychiatric ward. The more she sobbed and begged to be let out, banging on the steel doors, the more the psychiatric staff believed she was indeed psychotic. She was threatened with a straitjacket, and her clothes and purse were taken from her. She was given a forced bath and put into a hospital gown.

On March 1 and 2, 1961, Marilyn wrote an extraordinary, six-page letter to Dr. Greenson vividly describing her ordeal: “There was no empathy at Payne-Whitney—it had a very bad effect—they asked me after putting me in a ‘cell’ (I mean cement blocks and all) for very disturbed depressed patients (except I felt I was in some kind of prison for a crime I hadn’t committed. The inhumanity there I found archaic … everything was under lock and key … the doors have windows so patients can be visible all the time, also, the violence and markings still remain on the walls from former patients.)”

(…)

A psychiatrist came in and gave her a physical exam, “including examining the breast for lumps.” She objected, telling him that she’d had a complete physical less than a month before, but that didn’t deter him.

When she refused to cooperate with the staff, “two hefty men and two hefty women” picked her up by all fours and carried her in the elevator to the seventh floor of the hospital. (“I must say that at least they had the decency to carry me face down.… I just wept quietly all the way there,” she wrote.)

She was ordered to take another bath—her second since arriving—and then the head administrator came in to question her. “He told me I was a very, very sick girl and had been a very, very sick girl for many years.”

Dr. Kris, who had promised to see her the day after her confinement, failed to show up, and neither Lee Strasberg nor his wife, Paula, to whom she finally managed to write, could get her released, as they were not family.”

- Marilyn and Her Monsters, Vanity Fair

Another less publicized aspect of Monroe’s life is her two failed pregnancies. While most biographies state that she suffered miscarriages, some accounts hint that, in reality, the miscarriages were provoked. Provoking miscarriages is a common practice in MK Ultra and, reading Marilyn’s own words, it appears that her baby was taken away by her handlers. In Pepitone’s book, Marilyn reportedly said about her pregnancy:

“Don’t take my baby. So they took my baby from me… and I never saw it again.”

- Pepitone, Op. Cit.

The book basically states that Marilyn did not suffer a miscarriage. “They” took her baby away.

“After Marilyn had a healthy baby it was taken away from her and she was never allowed to see it. It was very likely sacrificed. Marilyn was too afraid to ask what they were going to do with it.”

- Springmeier, Op. Cit.

According to her biographies, Marilyn lost both her babies at Polyclinic Hospital, the place where, according to Springmeier, she was being programmed.

“The operation took place at Polyclinic Hospital where Marilyn had lost her baby the year before…Marilyn said: “Going back to that hospital’s a nightmare… Pain? What ‘pain?”. For her, the only pain was in not having her own child”

- Pepitone, Op. Cit.

“Notice she always goes back to the Polyclinic Hospital. Monarch victims have had to endure vast amounts of horrible torture. They learn to survive by disassociation. When Marilyn says “What is pain?” she is being accurate in reflecting her response to pain. She could not have pain–because she would disassociate it. Certain alters are created to take the pain, and the other alters don’t have to experience it.”

- Springmeier, Op. Cit.

In Conclusion

In the first part of this series of articles, we looked at the hidden life of Marilyn Monroe – one that reveals the dark side of Hollywood. Marilyn was not only thoroughly manipulated by her handlers, but actually mistreated and traumatized in order to “keep her down” and reinforce programming. The chilling facts mentioned above originate from different sources but, when they are put together, they paint a sad, yet crystal clear picture of the life of a Hollywood MK slave. Trauma, abuse, isolation, mind control and constant surveillance were part of Monroe’s daily life.

This kind of abuse however takes a severe toll on the victims and, after a while, a total breakdown almost inevitably ensues. At that point, MK slaves are usually “thrown off the freedom train”. Was this Marilyn’s ultimate fate?

This concludes the first part of the two-part series on Marilyn Monroe. Stay tuned for the second part which will describe her life as JFK’s Presidential Model and the strange circumstances of her death. We will also examine how she has become the symbol of Beta Programming in today’s entertainment industry and how her story is being repeated again and again.

The post The Hidden Life of Marilyn Monroe, the Original Hollywood Mind Control Slave (Part-I) appeared first on The Vigilant Citizen.

I stated in a previous article on the Boston Bombings that one way of determining if an “attack” is in fact a false-flag event is to see if an agenda is pushed on the public in the weeks following it. Well, several agendas were indeed pushed on the public, one of them being the praising of video surveillance. In the wake of the attacks, most media sources were basically saying: “Thank God we have these cameras monitoring people because they’ve enabled us to catch the terrorists! Hurray for the police state!”.

But, according to CNN, that wasn’t enough. Cameras should not only identify evil-doers but predict those who are about to do something evil. For this reason, this CNN report calls for real-time police surveillance across the board.

So the anchor at the beginning of the video says: “Its frustrating for people in Boston to see the terrorists on video knowing that police weren’t even looking for them”.  Huh? This sentence doesn’t make any sense. Why would the police be looking for someone who did not do anything yet?

The report then proceeds to talk about the uselessness of surveillance cameras that cannot prevent crimes. Paula Newton then interviews Juliette Kayyem – who is ANOTHER CNN EMPLOYEE. She confirms that having people actively monitoring citizens and arresting those who look suspicious in order to “prevent crimes” is very necessary.

Paula Newton then says that, in London, “authorities tracked and traced my every move through the crowded streets” as if that was a great thing.  (In a 2011 article, I posted a video describing how London CCTV are able to identify, track and follow individuals). The reporter adds, “this didn’t happen in Boston”, therefore implying that the lack of Big-Brotherish police state surveillance in Boston was a fail that cost lives.

For the sake of being “unbiased”, the report interviewed a “concerned person” for about 12 seconds to nevertheless conclude that real-time surveillance is necessary. In short, this report is another example of the elite using a traumatic event to get people to agree with the loss of liberties and increased surveillance.

The post In the Wake of Boston Bombings, CNN Calls for Real-time Police State Surveillance (video) appeared first on The Vigilant Citizen.

The name of Lauryn Hill’s breakout album was The Miseducation of Lauryn Hill but it now appears that the powers that be would like her to record a new album called The Re-Education of Lauryn Hill. After appearing in court for tax evasion, Hill was sentenced to three months in jail PLUS she must attend “counseling” due to her “conspiracy theories”.

According to the IBTimes, Hill told the court: “I am a child of former slaves who had a system imposed on them. I had an economic system imposed on me.” Furthermore, Hill also believes that artists are being oppressed by (what the article calls) “a plot involving the military and media”. Because of these statements, Hill was ordered to undergo “counseling”, which is a way of saying that she is mentally ill and that she needs some sort of re-programming session regain “sanity”.

In 2012, Hill published a thoughtful letter describing the corruption, the oppression and the control of the music industry and her desire to escape it.  In one part of the letter, Lauryn states

“It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else.  Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual.  I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking.  To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights!  These forms of expression, along with others, effectively comprise my free speech!  Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!”

(See my article entitled Lauryn Hill’s Tumblr Letter on the Music Business for the full letter).

Despite what mainstream media reports, Hill is not mumbling incoherent “conspiracy theories” but is rather speaking the truth. Her statements are a result of her first hand experience within the industry and her desire to not be part of its madness. Hill’s “theories” are simply an intelligent person’s clear analysis of a situation.

However, as American society turns into a real life version of the novel 1984, speaking the truth is increasingly considered to be a mental illness – one that needs to be treated and fixed. Does free speech still exist if saying the wrong words leads to a mandatory visit to a “mind doctor”?

I’ll just let Lauryn sing the final words:

The post Lauryn Hill Ordered by the Court to Undergo “Counseling” Due to her “Conspiracy Theories” appeared first on The Vigilant Citizen.

The aftermath of the Boston Bombings caused the American police state to rear its ugly, repressive head. However, since U.S. citizens are still  traumatized from the bombings, they do not oppose it. From the imposition of martial law to the admission of illegal spying of U.S. citizens, “terrorism” is being used to justify illegal, invasive and unconstitutional actions by law enforcement.

Here’s a great article from The Guardian about the true extent of surveillance in the U.S.

Are all telephone calls recorded and accessible to the US government?

A former FBI counterterrorism agent claims on CNN that this is the case

The real capabilities and behavior of the US surveillance state are almost entirely unknown to the American public because, like most things of significance done by the US government, it operates behind an impenetrable wall of secrecy. But a seemingly spontaneous admission this week by a former FBI counterterrorism agent provides a rather startling acknowledgment of just how vast and invasive these surveillance activities are.Over the past couple days, cable news tabloid shows such as CNN’s Out Front with Erin Burnett have been excitingly focused on the possible involvement in the Boston Marathon attack of Katherine Russell, the 24-year-old American widow of the deceased suspect, Tamerlan Tsarnaev. As part of their relentless stream of leaks uncritically disseminated by our Adversarial Press Corps, anonymous government officials are claiming that they are now focused on telephone calls between Russell and Tsarnaev that took place both before and after the attack to determine if she had prior knowledge of the plot or participated in any way.

On Wednesday night, Burnett interviewed Tim Clemente, a former FBI counterterrorism agent, about whether the FBI would be able to discover the contents of past telephone conversations between the two. He quite clearly insisted that they could:

BURNETT: Tim, is there any way, obviously, there is a voice mail they can try to get the phone companies to give that up at this point. It’s not a voice mail. It’s just a conversation. There’s no way they actually can find out what happened, right, unless she tells them?

CLEMENTE: “No, there is a way. We certainly have ways in national security investigations to find out exactly what was said in that conversation. It’s not necessarily something that the FBI is going to want to present in court, but it may help lead the investigation and/or lead to questioning of her. We certainly can find that out.

BURNETT: “So they can actually get that? People are saying, look, that is incredible.

CLEMENTE: “No, welcome to America. All of that stuff is being captured as we speak whether we know it or like it or not.”

“All of that stuff” – meaning every telephone conversation Americans have with one another on US soil, with or without a search warrant – “is being captured as we speak”.

On Thursday night, Clemente again appeared on CNN, this time with host Carol Costello, and she asked him about those remarks. He reiterated what he said the night before but added expressly that “all digital communications in the past” are recorded and stored:

Let’s repeat that last part: “no digital communication is secure”, by which he means not that any communication is susceptible to government interception as it happens (although that is true), but far beyond that: all digital communications – meaning telephone calls, emails, online chats and the like – are automatically recorded and stored and accessible to the government after the fact. To describe that is to define what a ubiquitous, limitless Surveillance State is.

There have been some previous indications that this is true. Former AT&T engineer Mark Klein revealed that AT&T and other telecoms had built a special network that allowed the National Security Agency full and unfettered access to data about the telephone calls and the content of email communications for all of their customers. Specifically, Klein explained “that the NSA set up a system that vacuumed up Internet and phone-call data from ordinary Americans with the cooperation of AT&T” and that “contrary to the government’s depiction of its surveillance program as aimed at overseas terrorists . . . much of the data sent through AT&T to the NSA was purely domestic.” But his amazing revelations were mostly ignored and, when Congress retroactively immunized the nation’s telecom giants for their participation in the illegal Bush spying programs, Klein’s claims (by design) were prevented from being adjudicated in court.

That every single telephone call is recorded and stored would also explain this extraordinary revelation by the Washington Post in 2010:

Every day, collection systems at the National Security Agency intercept and store 1.7 billion e-mails, phone calls and other types of communications.

It would also help explain the revelations of former NSA official William Binney, who resigned from the agency in protest over its systemic spying on the domestic communications of US citizens, that the US government has “assembled on the order of 20 trillion transactions about US citizens with other US citizens” (which counts only communications transactions and not financial and other transactions), and that “the data that’s being assembled is about everybody. And from that data, then they can target anyone they want.”

Despite the extreme secrecy behind which these surveillance programs operate, there have been periodic reports of serious abuse. Two Democratic Senators, Ron Wyden and Mark Udall, have been warning for years that Americans would be “stunned” to learn what the US government is doing in terms of secret surveillance.

Strangely, back in 2002 – when hysteria over the 9/11 attacks (and thus acquiescence to government power) was at its peak – the Pentagon’s attempt to implement what it called the “Total Information Awareness” program (TIA) sparked so much public controversy that it had to be official scrapped. But it has been incrementally re-instituted – without the creepy (though honest) name and all-seeing-eye logo – with little controversy or even notice.

Back in 2010, worldwide controversy erupted when the governments of Saudi Arabia and the United Arab Emirates banned the use of Blackberries because some communications were inaccessible to government intelligence agencies, and that could not be tolerated. The Obama administration condemned this move on the ground that it threatened core freedoms, only to turn around six weeks later and demand that all forms of digital communications allow the US government backdoor access to intercept them. Put another way, the US government embraced exactly the same rationale invoked by the UAE and Saudi agencies: that no communications can be off limits. Indeed, the UAE, when responding to condemnations from the Obama administration, noted that it was simply doing exactly that which the US government does:

“‘In fact, the UAE is exercising its sovereign right and is asking for exactly the same regulatory compliance – and with the same principles of judicial and regulatory oversight – that Blackberry grants the US and other governments and nothing more,’ [UAE Ambassador to the US Yousef Al] Otaiba said. ‘Importantly, the UAE requires the same compliance as the US for the very same reasons: to protect national security and to assist in law enforcement.’”

That no human communications can be allowed to take place without the scrutinizing eye of the US government is indeed the animating principle of the US Surveillance State. Still, this revelation, made in passing on CNN, that every single telephone call made by and among Americans is recorded and stored is something which most people undoubtedly do not know, even if the small group of people who focus on surveillance issues believed it to be true (clearly, both Burnett and Costello were shocked to hear this).

Some new polling suggests that Americans, even after the Boston attack, are growing increasingly concerned about erosions of civil liberties in the name of Terrorism. Even those people who claim it does not matter instinctively understand the value of personal privacy: they put locks on their bedroom doors and vigilantly safeguard their email passwords. That’s why the US government so desperately maintains a wall of secrecy around their surveillance capabilities: because they fear that people will find their behavior unacceptably intrusive and threatening, as they did even back in 2002 when John Poindexter’s TIA was unveiled.

Mass surveillance is the hallmark of a tyrannical political culture. But whatever one’s views on that, the more that is known about what the US government and its surveillance agencies are doing, the better. This admission by this former FBI agent on CNN gives a very good sense for just how limitless these activities are.

- Source: The Guardian

You’ve read correctly, “AT&T and other telecoms had built a special network that allowed the National Security Agency full and unfettered access to data about the telephone calls and the content of email communications for all of their customers.” This was revealed in 2007 yet most people are still calling those who claim that the US has turned into a police state “conspiracy theorists”.

The 4th Amendment clearly states:

“The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.”

The U.S. Constitution, created specifically to prevent the United States from turning into an oppressive dictatorship is under attack. From all sides.

The post Former FBI Counterterrorism Agent: “All Digital Communications” and Phone Calls are Recorded appeared first on The Vigilant Citizen.

Amanda Bynes’ metamorphosis from a promising child star to a bizarre woman with worrying behavior is yet another example of how the MK-Ultra entertainment industry messes up the minds of those who grow up within it. While most media sources cite “drugs” or “mental problem” as causes of her erratic behavior, these are only symptoms of the true issue here: Bynes is yet another former child star going through a MK programming meltdown.

Bynes began her acting career at the age of ten and quickly obtained her own show at Nickelodeon. From there, she followed the unfortunate pattern of going from a star admired by children to a “barely-legal” sex bomb to then turn into a bizarre tabloid celebrity with erratic behavior. Is that pattern familiar? Look at the paths taken by other products of Hollywood Mind Control such as Britney Spears and Lindsay Lohan and see if you see similarities.

Like many other child stars, Bynes started as a beautiful, down to earth girl with eyes that convey intelligence (according to IMDB, she was a straight-A student).

When she reached legal age, mass media undressed her and told the world: “Hey, she is not minor anymore! It is now safe to sexualize her!”. How many child stars went through that process? How many lead great and healthy lives afterwards? Not many.

This “Got Milk” ad is about “metamorphosis”. However, the metamorphosis Bynes’ went through in the years following that ad were definitely not due to drinking milk but to Monarch Mind Control. Maybe that is why there’s a butterfly on her nose.

Now, at age 27, Bynes looks and acts extremely different, as if she was thoroughly traumatized and “re-programmed” in the past years. Was it Monarch Mind Control? When approaching the age of 30, MK slaves often go through a meltdown – a result of the their minds and bodies not being able to cope with the intense trauma they are subjected to anymore (to learn more about Monarch Mind Control, read my article entitled Origins and Techniques of Monarch Mind Control).

Not unlike Britney Spears, Bynes was spotted acting strange in public places, wearing bizarre clothes and even shaving her hair. Here’s a video summing up her recent “meltdown”.

Since then, things got even weirder when as she began posting tweets and videos displaying increasingly worrying behavior. Her tweet requesting rapper Drake to “murder her vagina” confused many as her odd choice of words maybe revealed an unhealthy relation with her own sexuality.

This “selfie” video freaked out quite a few people as is not only indicative of someone that is “not well” – It almost looks as if it’s a MK programming glitch.

Not unlike other products of Sex Kitten programming, Bynes feels the need of getting people’s attention with her sexuality.

Recent “selfies” show Bynes with a half-shaved head (Britney Spears shaved her head during her meltdown), increasingly revealing clothing and a disturbingly vacant eyes.

In the past few days, things got even more worrying when publicist Jonathan Jaxson contacted the NYPD last week because Amanda told him “I don’t want to live anymore”.

“Amanda had called me and we had a private conversation, but it was clear to me that she was high on drugs. Then, she said that she didn’t want to live anymore. I took that as that she wanted to kill herself. I freaked out. I had heard stuff like this from Amanda before. But this time, I had a mental image of her in a bathtub, wanting to hurt herself. Then I saw a photo of her in her bathroom that she’d posted on Twitter. I freaked. I did not know what else to do. I thought consciously about it for a minute and decided to call the authorities. I thought, ‘I have to do something to save her’. When someone tells you they don’t want to live anymore, that in itself would provoke anyone who cares. I know that Amanda is a person crying out for help.

Thankfully though Amanda is alive, but she is still not good. Hopefully people and the media now understand that this is no longer a joke and she get the help she needs”.
- Source: Radar Online

While many people in media now perceive Bynes as some sort of running gag, her “antics” are becoming increasingly disturbing and worrisome. Her actions cannot simply be explained away with “drugs” – They are symptomatic of a deep-seated psychological process that thoroughly modified her, physically and mentally. It is said that “Eyes are the window to the soul”. Well, look at her eyes then and now. This is what years of industry Mind Control does to a soul.

From a child star, to sex bomb to loose canon, Amanda Bynes is going through a pattern that is constantly repeated in the entertainment industry. How come these starlets go through the exact same stages? It is because they went through the same “school”: Industry Mind Control.

The post Amanda Bynes: Another Product of Entertainment Industry Mind Control? appeared first on The Vigilant Citizen.

I’m not gonna lie. Tilda Swinton creeps the hell out of me. Her recent photoshoot for W Magazine fully exploits that creepiness and even takes it to another level as it is permeated with MK/Illuminati symbolism. Here, Tilda is oddly standing next to birdcage (symbol used to represent Monarch slaves). She apparently caught the bird herself. Why Tilda? Why?? Let the bird fly! While this pic alone might not be MK-related, the combination of this image with the others below reads as Illuminati Mind Control 101.

This image is all about the occult concept of duality, represented by the checkerboard pattern of Masonic ceremonial floors. The pattern is found on the floor of this picture and Tilda is literally draped in it. The setting also includes religious/spiritual items, giving the shot an ethereal feel.

Here, Tilda goes all one-eyed Illuminati with it. The images she is holding of an eye and a mouth appear to be a of a different person, hinting to the concept of programmed alter personality in Mind Control (you see what you are programmed to see and say what you are programmed to say).

Two Tildas, separated by a “fracture” of the image represent the fracturing of a MK slave’s psyche into alter personas.

This Vogue Italia photoshoot is also all about with Monarch Programming symbolism. Here, we see the concept of multiple personas.

Silenced by a butterfly (Monarch programming).

Blinded by a butterfly (Monarch programming).

Multiple personalities facing/mirroring each others.

The lipstick that is hiding one of the model’s eyes is a way of telling you “Hey, this is all about Illuminati MK”.

Model Daisy Lowe shows her support to “Earth Hour” with…what else…a one-eyed salute. Why? Because these “Earth” events are sponsored by the elite.

Daisy does the one-eyed thing again in High Life magazine.

I mentioned in previous articles how Courtney Stodden acts like a  Sex Kitten slave. As if to confirm all of that, here she is on the cover of “Girls and Corpses”, a magazine about…girls and corpses. The magazine even promises “real corpses in every issue”. It truly takes a programmed Sex-Kitten to be doing that crap…and smiling.

Pia Mia used to work with Disney. Now she’s doing the one eye thing and pointing a fake gun to her head. Considering Disney’s relation with the MK-industry, this makes perfect sense.

Speaking of Disney, Mickey Mouse ears are “codes” in the entertainment industry representing MK Mind Control. Here’s Rita Ora on the cover of ELLE wearing gigantic ears.

This photoshoot in Vestal, appropriately named “Pop Queen”, is all about Mickey Mouse programming.

On the left, the “pop queen” wears a variety of occult symbols, including an inverted pentagram (symbol of Black Magick) and an inverted cross. On the right, Mickey Mouse ears. Yup, that’s the crap you need to do and wear to be a “pop queen”.

Damn, Nike, that’s some hardcore Illuminati symbolism for some golf balls.

Speaking of Nike, this shirt was on sale in the Boston area before the Boston bombings. In a news article about the shirt, a Nike Outlet employee was quoted saying “We’ve been taking them down…But somehow they keep ending up back on the rack”. While the shirt is supposed to refer to the rivalry between the Yankees and the Red Sox, this odd “premonition” is reminiscent to the Oscar Pistorius’ Nike ad entitled “I am the bullet in the chamber”, which appeared before the athlete got charged for the murder of his girlfriend.

Speaking of the bombings, the immediate result of the event was the imposition of Martial Law and a temporary police state – as seen in numerous disaster movies created to train people to accept this course of event. Whether you believe that it was all necessary or not… It happened.  And it set a precedent for future “crises”.

Under Martial Law, private property doesn’t exist anymore and troops have the right to storm into civilians’ homes.

The post Symbolic Pics of the Month (05/13) appeared first on The Vigilant Citizen.

Munchi then posted more details on Facebook. Regarding the “Illuminati” reference, he wrote.

“I think she is in the Illuminati (thirsty for fame and success by portraying occult references in every step you take is not something i want to affiliate with. Even less because it is a hype nowadays, it’s fucking music yo).”

One year later, watching her first single Yung Rapunxel, we can conclude that Munchi was right. Of course, she is not IN the Illuminati. She is just another face used to push the same Agenda that is being pushed by countless other artists. Yung Rapunxel is indeed a rehashing of a lot of the Illuminati symbolism described on this site, mixed with some disturbing images for extra shock value. There is no deep storyline going on, just some strong visuals that blatantly communicate that she is completely on board with the Elite Agenda. Let’s look at the symbolism of the video.

In Your Face Illuminati

Yung Rapunxel recalls the name “Rapunzel”, the fairy tale princess who was trapped in a tower and who used her long hair to allow her Prince Charming to climb up to her. However, the video has absolutely nothing to do with any of that: It’s all disturbing images and Illuminati symbolism. Nothing more, nothing less. As usual, the artist is portrayed as a person with little to no control over her own mind, surrounded with the elite’s symbolism and, to top it off, some police state promotion.

The video begins with an image that sums up the whole situation at hand.

An owl with an eye of a different color flies out of Azealia’s head, who also has one eye of a different color. Yes, another one-eye signal by a pop artist, very original. The owl is the most ancient symbol representing the Illuminati. Does the fact that it flies out of her head represent the fact that her mind is owned by Illuminati people?

The first level of the Bavarian Illuminati was called “Minerval” and was represented by Minerva’s Owl. This pendant was worn by actual Bavarian Illuminati initiates. The logo of the Bohemian Grove, the elite’s yearly gathering in California, is also an owl.

Inside Azealia’s head, there’s some hypnotic stuff going on, all related to Duality. MK Slaves are programmed to have a dualistic mind, with one personality mirroring and opposing the other.

Inside Azeala’s head, there are multiple symbols representing the concept of duality such as the opposition of the colors black and white, the waning and waxing moon and the circular Yin Yang symbol. Also, the Hamsa symbol (the hand with an All-Seeing Eye) is there – probably to add an All-Seeing Eye to the mix.

The above symbols closely resemble an important symbol in Wicca: the Triple Goddess.

A Triple Goddess pendant. In Wiccan mythology, the opposite of the Triple Goddess is the horned god, which represents masculine energy.

In another scene, the concept of the union of opposites is depicted in classic occult symbolism.

In this scene, Azealia is riding a bull – an ancient symbol representing the masculine principle. Above her is an upright moon crescent, an esoteric symbol representing the female principle. The combination of the two with the sexual connotation of the scene make it a representation of “sex magick” through the union of opposites.

While not inherently “evil”, the symbols described above are definitely not there to communicate profound messages about the meaning of life. They’re there because they represent the occult elite, ruled by secret societies like the O.T.O who revel in that symbolism. In short, it is about indoctrinating people with symbols they know nothing about because they represent those who rule the world. One scene appears to be reflecting this idea.

Azealia swallowing a pill that’s actually mini “Beats by Dre” audio speaker. A great way of representing “swallowing” the Illuminati Agenda through entertainment acts.

Here, Azealia raps in front of a giant triangle topped by an All-Seeing Eye while owls fly around her. Could this be more blatantly Illuminati?

As if all of the above imagery wasn’t enough to make this video an Illuminati manifesto, there is yet another crucial part of the Agenda that is in this video: Police State imagery. In the 2010 article The Transhumanist and Police State Agenda in Pop Music, I described how videos are used to normalize the concept of a repressive police state. More than three years later, the trend is more prevalent than ever. Yung Rapunxel is yet another pop video featuring, for no apparent reason, police in riot gear.

Go away, nobody wants to see that in a music video.

At first, Azealia “rebels” against the police by doing something that is beyond useless: She breaks a glass bottle on the police’s protective gear. Of course, this “rebellion” causes no damage the police squad at all. What’s the point of that scene? Is it a way of saying that it is useless to fight against the police state?

Well, Azealia apparently thinks so because she gives up and she even literally bends over backwards in front of the police.

Azealia is probably not the best person to lead a revolution. Breaking a bottle on a helmet and bending over backwards is not a winning strategy.

With this, I pretty much described every single scene in the video – all of them having some sort of relation with the Elite Agenda. Oh wait, I forgot about one scene:

What is this? Kill it with fire!

In Conclusion

It is rather difficult to watch Yung Rapunxel without being slightly annoyed and disturbed by it. Many “edgy” Illuminati videos indeed leave viewers with a “wrong” and “uneasy” gut feeling because they tend to tap into negative energy. Judging by Yung Rapunxel’s YouTube “likes” and “dislikes”, this video is definitely not a fan favorite – and I’m guessing that those in charge were kind of expecting that response. But yet, it’s there, as if to say that the Agenda is more important than the artist. Her Interscope Records label-mate Lady Gaga also released disturbing Illuminati-fueled videos and in doing so alienated a lot of her fan base who didn’t relate to that crap. But, once again, the Agenda is more important than the artist. If people get tired of an artist, another one will get signed and push the same thing.

Some might say: “LOL Azealia be trollin yall consparacy peeps with that Illumanaty shyt!”. That’s what I’ve been told countless times about Gaga, Ke$ha, Rihanna and many others. Those attempting to rationalizing this strong current maintain that these artists are doing it on purpose to get sites like Vigilant Citizen riled up. Does it make sense that all of the biggest stars in the world, with the million dollar machine backing them, are gearing their entire product towards “trolling” a few Internet websites in order to MAYBE get mentioned by them? That doesn’t make sense. The fact is: The music industry is used by the powers that be to indoctrinate young people and push a specific Agenda. And if a rapper jumping around in front of a pyramid, All-Seeing Eyes and owls and submitting to an oppressive police force is not enough to convince you, then I guess nothing will.

The post Azealia Banks’ “Yung Rapunxel”: New Artist, Same Illuminati Symbolism appeared first on The Vigilant Citizen.

Why do we often witness tragedy and senseless deaths during the second half of April? The list of violent events that occurred during this time period is simply staggering. Here are some of them:

• April 19, 1993 – Waco Massacre: An FBI assault lead to the burning down of the compound of a sect named Branch Davidians, killing 76 men, women and children.
• April 19, 1995 -  Oklahoma City bombing – 168 people killed.
• April 20,  1999 – Columbine High School Massacre - 13 people murdered, 21 injured.
• April 16, 2007 – Virginia Tech Massacre – 32 killed; 17 injured.
• April 16, 2013 – Boston Marathon Explosions – 3 killed; 107 injured.
• April 18, 2013 – Fertilizer plant explosion, Texas – 5-15 killed (Notice that this event occurred almost exactly 20 years after the Waco Massacre, which is in the same area. Also, on April 16, 1947, a ship loaded with ammonium nitrate docked at the Port of Texas City and erupted in flames, causing a massive explosion that killed approximately 576 people).

There were many other violent occurrences that happened during that time period. In fact, CNN published an article in 2011 titled What is it about mid-April and violence in America?, discussing the events that occur in Mid-April. Sadly, the article only bashed “conspiracy theorists” and basically said “If you look for answers further than mass media, you are crazy and potentially dangerous”. However, two years later, the violent trend continues.

Is it all a coincidence? For those in the know, there are no such thing as coincidences. In 2011, I wrote an article about the death of Bin Laden, announced between April 30th and May 1st (see Why the Death of the Man Who Was Not Behind 9/11 Was Announced on May 1st). In that article, I briefly described the ritualistic significance of May 1st (May Day) and its relation to a god that is still important for to the occult elite: Baal.

The Cult of Baal Never Disappeared

Throughout many centuries and across many civilizations, the second half of April has always been a time of blood sacrifice. The worship of Baal took many names (Enlil, Molech, etc.) and spread across several civilizations. Being a sun god and a god of fertility, rituals celebrating Baal took place after the vernal equinox (a time of rebirth) and often involved human sacrifice.

“The cult of Baal celebrated annually his death and resurrection as a part of the Canaanite fertility rituals. These ceremonies often included human sacrifice and temple prostitution.”
- Baal, Encyclopedia Mythica

Although the observance of these rituals was sometimes condemned by religious movements, it never truly disappeared.

“The religion of the god Baal was widely accepted among the ancient Jews, and although it was put down at times, it was never permanently stamped out. Kings and other royalty of the ten Biblical tribes worshiped the god. The ordinary people ardently worshiped this sun god too because their prosperity depended on the productivity of their crops and livestock. The god’s images were erected on many buildings. Within the religion there appeared to be numerous priests and various classes of devotees. During the ceremonies they wore appropriate robes. The ceremonies included burning incense, and offering burnt sacrifices, occasionally consisting of human victims. The officiating priests danced around the altars, chanting frantically and cutting themselves with knives to inspire the attention and compassion of the god.”
- Ibid.

As a sun god, Baal’s worship involved human sacrifice and fire. Today, in the occult-elite ruled America, this time period often equals fire (or gun fire) and death. These rites were even mentioned in the Bible:

“They have built the high places of Baal to burn their children in the fire as offerings to Baal–something I did not command or mention, nor did it enter my mind.”
- Jeremiah 19:5

From the Babylonian, Assyrian and Phoenician civilizations of the Middle-East (their Mystery religions come from the same point origin), the cult of Baal spread to distant civilizations, such as the Celts, who observed Beltane rituals on May 1st (Beltane originates from the word “Baal”). While the observance of Baal rituals differed from one civilization to another, they were nevertheless grounded in the same occult concepts of numerology and sacrifice. In other words, they were all tapping into the same magickal knowledge.

Today’s occult elite still observes these rites, but with one major difference: They are now carried out on unsuspecting civilians and spread across the world through mass media. Fed and amplified by the fear and trauma of the masses, these mega-rituals are seen by all, but only celebrated by the occult elite. More than ever, we are dealing with Black Magick.

Other sites dedicated to occult numerology have published information emphasizing the importance of this time period.

“April 19 – May 1 – Blood Sacrifice To The Beast, a most critical 13-day period. Fire sacrifice is required on April 19.

April 19 is the first day of the 13-day Satanic ritual day relating to fire – the fire god, Baal, or Molech/Nimrod (the Sun God), also known as the Roman god, Saturn (Satan/Devil). This day is a major human sacrifice day, demanding fire sacrifice with an emphasis on children. This day is one of the most important human sacrifice days, and as such, has had some very important historic events occur on this day.”
- Occult Holidays and Sabbaths, Cutting Edge

Another article briefly describes the elements required to carry out the elite’s mega-rituals.

“The human sacrifice required during many of these occult dates needs to contain the following elements, each one of which is exaggerated to the highest possible degree:

1. Trauma, stress, and mental anguish, sheer terror
2. The final act in the drama should be destruction by a fire; preferably a conflagration.
3. People must die as human sacrifices, especially children, since The Darkness views younger human sacrifice as most desirable”
- Advent of Deception

In Conclusion

The post The End of April: A Time of Human Sacrifice appeared first on The Vigilant Citizen.

A news station interviewed a Boston marathon runner who claimed to have seen bomb sniffing dogs, spotters on roofs and heightened security prior to the explosions. He also reported that officials were yelling “This is just a drill!” after the first explosion. Here’s the video.

At this point, there is no official word regarding the culprit(s) of the Boston Marathon bombings. One thing is for sure, there are already many conflicting reports circulating in mainstream media. Was it false flag terror? A telltale sign of an inside job is the pushing of a specific Agenda as a direct result of the event. Let’s see what kind of response and “security measures” will be implemented in the next days.

The post Boston Marathon: Runner Reported Bomb Sniffing Dogs, Spotters On Roofs & Heightened Security (video) appeared first on The Vigilant Citizen.

Ke$ha’s latest album Warrior is apparently not what she wanted it to be. When Dr. Luke signed on as executive producer of the project, he reportedly scrapped all of the songs Ke$ha and her mother Pebe Sebert originally wrote for the album. It is important to point out that Dr. Luke is currently a leading figure in the music  industry as he produced tracks for the likes of Katy Perry, Britney Spears, Jessie J, Nicki Minaj, Rihanna and many other pop stars. Some of his singles were analyzed on this site such as Britney’s Hold it Against Me, Jessie J’s Price Tag and Katy Perry’s Part of Me. In short, he’s one of the people who tells industry puppets what to sing – and what they sing is part of an Agenda.

More recently, Dr. Luke co-wrote and produced Ke$ha’s comeback single Die Young – a song with a message that fits right in the elite’s Agenda, accompanied with a video loaded with Illuminati symbolism (read the article about it here). In the wake of Sandy Hook, Ke$ha took to Twitter and claimed that she was forced to sing that song.

Frustrated with her situation, Ke$ha wrote Dancing With the Devil – a song that aptly describes what happens to pawns of the music industry. Some describe this song as a diss track aimed at Dr. Luke. However, if you carefully read the lyrics, Dancing With the Devil deals with a topic much larger than a single producer. It’s about the cost of selling one’s soul for fame and fortune.

I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, ain’t no turning back
I keep on dancing with the Devil

You and I made a deal
I was young and shit got real
Weaving through Heaven and back
Whoaaa

Your love is made of dirty gold
But I’m the one who sold my soul
So go ahead and take my hand
Whoaaa

I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil

Hey-heey-hey

I can’t escape my filthy past
I made mistakes, I made ‘em last
I know you love to watch me cry
Whoaaa

So while I’m yours until the end
A holy war, I’ll never win
So I’ll keep dancing ’til I die
Whoaaa

I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil

Hey-heey-hey

He’s got my mind (You got..)
He’s got my soul (..Hell to pay)
My… he won’t let me go!

I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil

Hey-heey-hey

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The song is not very subtle: It compares being part of the music industry with “dancing with the Devil”. With lines such as 2You and I made a deal /I was young and shit got real”, Ke$ha explains how young and naive artists are taken advantage of and recruited by the industry. Lured by fame and fortune, these young hopefuls agree to not only a legal contract but to a life changing oath that has profound implications on their entire being.

Lines such as “So while I’m yours until the end / A holy war, I’ll never win”  convey a sense of powerlessness versus the powers governing Ke$ha’s life. The notions of complete control coupled with the dark spiritual theme underlying the song is not surprising when one knows that it describes an entity that uses Satanic Ritual Abuse and Monarch Programming to achieve its aims.

In short, the song describes the dark side of the Illuminati industry as described on this site. It is about desperation, written by someone who apparently realized that she went too far on “a dead end road”. As if to confirm the message of the song, the producers scrapped it from the final album.

The post Ke$ha’s Unreleased Song “Dancing With the Devil” Sums Up the Music Industry appeared first on The Vigilant Citizen.