Marilyn Monroe is the ultimate sex symbol, embodying everything that Hollywood represents: glamor, glitz and sex-appeal.  Her iconic sensual blonde persona forever revolutionized the movie industry and, to this day, is greatly influential in popular culture. While Marilyn represents everything that is glamorous about Hollywood, the disturbing story of her private life equally represents everything that is dark in Hollywood. Marilyn was indeed manipulated by high level “mind doctors” who controlled every aspect of her life and caused her to basically lose her mind. Her death, at the young age of 36 is one of the first “mysterious celebrity deaths” in popular culture. While many facts point to a murder, it is still classified as a “probable suicide”.

While many biographers explain away Marilyn’s hardships with “psychological issues”, piecing together facts about her life combined with knowledge of the dark side of Hollywood reveals something a lot darker: Marilyn Monroe was one of the first celebrities subjected to Monarch mind control, a branch of the CIA’s MK Ultra program (for more information on the subject, read my article entitled Origins and Techniques of Monarch Mind Control). Through trauma and psychological programming, Monroe a became high level puppet of the shadow elite, even became JFK’s Presidential Model.

When Monroe’s programming lost its effect and she started to break down, some argue that she was “thrown off the freedom train”, an MK ULTRA term for designating slaves that are killed when they are not useful (and potentially dangerous) to their handlers.

The first part of this series of articles will look at the real life and career of Monroe, an isolated girl whose great beauty became a true curse.

Her Early Years

Norma Jeane as a teenager

Norma Jeane Mortenson had a difficult and unstable youth. She never knew her father and her mother was mentally unstable and incapable of taking care of her. In My Story, Monroe wrote that she recalled seeing her mother “screaming and laughing” as she was forcibly taken to a State Hospital.

At age 11, Norma Jeane was declared a ward of the state. She lived in a total of 11 foster homes throughout her youth; when there was no foster home available, she sometimes ended up at the Hollygrove Orphanage in Los Angeles. As if moving from one foster home to another wasn’t difficult enough, Norma Jeane recalled being treated harshly in several of them. Even worse, she was abused in at least three of them.

For instance, at age 11, Norma Jeane was adopted by her mother’s best friend Grace McKee and her new husband, Ervin Silliman “Doc” Goddard. There, “Doc” repeatedly sexually assaulted her, which forced Norma Jeane to move out. In another case, when she was in middle-school, Norma Jean was sent to her great-aunt’s house in Compton, California. There, one of her great-aunt’s sons abused her, forcing her, again, to move out. Here is another account of abuse:

“She told of being whipped by one foster mother for having touched ‘the bad part’ of her body. Another more serious incident occurred when she was eight. One evening a lodger she called Mr. Kimmel (Marilyn said later that this was not his real name) asked her to come into his room and locked the door behind her. He put his arms around her. She kicked and struggled. He did what he wanted, telling her to be a good girl. (In a later interview Marilyn stated that the abuse involved fondling).

When he let her out, he handed her a coin and told her to buy herself an ice cream. She threw the coin in his face and ran to tell her foster mother what happened, but the woman wouldn’t listen.

‘Shame on you,’ her foster mother said. ‘Mr. Kimmel’s my star boarder.’

Norma Jean went to her room and cried all night.

Marilyn said she felt dirty and took baths days after it happened to feel clean. Such repeated attempts to feel clean through showers or baths are typical behavior for victims of assault.

Marilyn said she began to stutter after the incident and reverted to it at times of stress. When she told one interviewer about the abuse, she began stuttering.

The evidence points to the fact that she was an abused child whose early sexualization led to her inappropriate behavior as an adult.

- Daily Mail, “The magic red sweater that turned ‘Norma Jeane, string bean’ into Marilyn Monroe”

Norma Jeane’s unstable and sometimes traumatic youth made her a perfect candidate for Monarch mind control. Being a ward of the state, she had no stable family.

“Some children live in foster homes, or with adopted parents, or in orphanages, or with caretakers and guardians. Because these children are at the mercy of the non-related adults, these types of children frequently are sold to become mind-controlled slaves of the intelligence agencies.”

- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

“Beta is the second Greek letter, and it represents the sexual models and alters that the Programmers are creating. The primitive part of the brain is involved in this type of programming. An early abuse event will be used to anchor this programming.”

- Ibid.

Contact with Occult Hollywood

Before becoming famous, Norma Jeane went by the name of Mona and worked as a stripper at a Burlesque house in Los Angeles. There, she came in contact with Anton LaVey, the man who would later found the highly influential Church of Satan. According to Springmeier, LaVey was an MK handler and Monroe became one of his “Kitten” slaves.

“Marilyn Monroe was an orphan, and during her infancy the Illuminati/CIA programmed her to be a Monarch slave. Before becoming an actress, while she was still a stripper, she spent time with the founder of the Church of Satan Anton LaVey. Victims of LaVey have pointed him out as a mind-control programmer.”

- Ibid.

LaVey’s biography also mentions an “affair” with Monroe, which was probably more than that.

“When the carnival season ended, LaVey would earn money by playing organ in Los Angeles area burlesque houses, and he relates that it was during this time period that he had a brief affair with a then-unknown Marilyn Monroe.”

-  Magus Peter H. Gilmore, Anton Szandor LaVey: A Biographical Sketch

Anton LaVey visiting Monroe’s grave, 1967.

Around the same time period, LaVey was involved with another actress, one that was known for being the “working man’s Marilyn Monroe”: Jayne Mansfield. The relationship between the two was also described as an “affair”, but the reality was a lot darker.

“Anton LaVey has been the mind-control handler/programmer of a number of Hollywood actors & actresses, including Jayne Mansfield and Marilyn Monroe, who both serviced him as sexual slaves”.

- Anton Szandor LaVey, Whale.to

Pictures of Jayne Mansfield with Anton LaVey

Marilyn Monroe and Jayne Mansfield had a lot in common. Both were “blond bombshells” (neither were natural blondes) and are credited for “sexualizing” Hollywood. Both were Playboy playmates, both had an “affair” with Anton LaVey and both had an “affair” with Robert F. Kennedy and John F. Kennedy (the “affair” was actually them being Presidential Models). Finally, both died in their 30s.

A Star Living Like an Inmate

Another common point between Monroe and Mansfield is that they were both part of the Blue Book Model Agency.  It is there that Norma Jean metamorphosed into the iconic Marilyn Monroe.

When Norma Jeane was recruited as a model, she had curly red hair. This “girl next door” will soon get a Hollywood makeover and embody a new persona named Marilyn Monroe.

Industry insiders convinced Norma Jeane to undergo aesthetic surgery, to change her name to Marilyn Monroe and to change her hair color to platinum blonde. Monroe’s sensual, “dumb blond” persona allowed her to land roles in several movies which began a clear culture shift in Hollywood.

In the movie “Gentlemen Prefer Blondes”, Marilyn adorns her trademark platinum blonde “Hollywood” hairdo. In this movie, she plays the role of a sensual yet materialistic woman that is not afraid of using her charm to obtain what she wants. This type of character will be repeated time and time again in popular culture.

Norma Jeane used Marilyn Monroe as a stage name for several years, but in 1956, she accomplished a strange but symbolic move: She legally changed her name to Marilyn Monroe. The change reflected many sad truths about her personal life: In mind-control terms, the changing of her name to Marilyn Monroe represents the suppression of her “core persona” in order to only allow her programmed alter persona to exist. Marilyn was only what “they” wanted her to be.

As several biographies have revealed, Marilyn had little to no personal freedom. She had no contact with her family, and her handlers isolated her in order to further control her and to avoid “real” people from helping her to realize that she was being manipulated. The only people that she was in contact with were her “psychologists” and her handlers.

“Marilyn’s existence was not of a rich person, but more like of an inmate. Marilyn was allowed to have no personal life, outside of the dictates of the programmers and her masters. The programmers and users bore down so hard on controlling Marilyn that they repeatedly came close to driving her insane.”

- Springmeier, Op. Cit.

Marilyn was also constantly under high surveillance. Years after her death, an incredible amount of surveillance equipment was found in one of her homes.

“In 1972, actress Veronica Hamel and her husband became the new owners of Marilyn’s Brentwood home. They hired a contractor to replace the roof and remodel the house, and the contractor discovered a sophisticated eavesdropping and telephone tapping system that covered every room in the house. The components were not commercially available in 1962, but were in the words of a retired Justice Department official, “standard FBI issue.” This discovery lent further support to claims of conspiracy theorists that Marilyn had been under surveillance by the Kennedys and the Mafia. The new owners spent $100,000 to remove the bugging devices from the house.”

- Source: IMDB

Under the Spell of Mind Doctors

In 1956, Marilyn converted to Judaism and married her third husband, screenwriter Arthur Miller. At this point, the only people in Monroe’s life were her husband and her acting teacher Lee Strasberg and her psychiatrists Margaret Hohenberg, Marianne Kris and Ralph Greenson.

“Marilyn’s life was incredibly monotonous for her. Her doctor’s appointments (I later learned these were appointments with psychiatrists) and her acting lessons were virtually all she had to to look forward to.”

- Lena Pepitone, Marilyn Monroe Confidential: An Intimate Account”

Lee Strasberg, Monroe’s acting coach. According to Elia Kazan: “He carried with him the aura of a prophet, a magician, a witch doctor, a psychoanalyst and a feared father of a Jewish home.”

The ultimate proof that these individuals were the ONLY people in Marilyn’s life is that they inherited most of her fortune. Lee Strasberg alone inherited 75% of her estate while Dr. Kris obtained 25%.

“Marilyn began associating with Lee and his wife Paula Strasberg from around 1955, very quickly they became a colossal influence in Marilyn’s life, taking over almost every aspect of her very being.

Many of Marilyn’s friends and colleagues watched this happen and felt very uncomfortable about it but were powerless to do anything about it. Whilst she was married to Arthur Miller, Miller had begun to voice these concerns to Marilyn.

During the final year of her life there were signs that her faith in the Strasbergs’ was weakening and that she no longer wanted them to have the control. It has been said that she was in the process of dispensing with their services – this was seen as another indicator that Marilyn was intending to change her Will.”

- Loving Marilyn, Who Owns Marilyn’s Things?

After her death, Marilyn’s Will was contested due to her being under “undue influence” of her handlers.

“On 25^th October 1962, the Los Angeles Times reported that Marilyn Monroe’s Will was being contested by her long time business manager Inez Melson. Miss Melson, who was not a beneficiary of the Will claimed that Marilyn was under undue influence of either Lee Strasberg or Dr Marianne Kris at the time the Will was made.”

- Ibid.

Another proof of the excessive control of “mind doctors” on Marilyn’s life is the fact that her psychiatrist Ralph Greenson was the one who found Monroe dead. Why was he at her house late at night? As we’ll see in the next part of this series of articles, the circumstances of her death are incredibly suspicious.

In short, as it is the case for most Monarch slaves, Marylin’s handlers were in charge of every aspect of her life. Contact with family members was totally forbidden.

“Although Marilyn Monroe had family, her doctors, psychologists, and acting coaches isolated her from them. (…) Members of the Hogan family, who lived in the Los Angeles area, had attempted to make contact with Marilyn Monroe after she was famous, and their efforts to connect with her were blocked.”

- Jennifer Jean Miller, “Was Phenergan Marilyn Monroe’s Silent Killer, and Was She a Victim of Psychological Abuse, Medical Malpractice and Wrongful Death?”

Disconnected from her family and with virtually no friends, Monroe was visiting therapists almost daily. Were these visits actually programming sessions? One thing is for sure, as the visits augmented in frequency, Monroe became worse. One particularly hunting account is the “Surgeon Story”, a text written by Monroe herself.

The Surgeon Story

The Surgeon Story is a text written in poem form by Monroe where she describes being cut open by Lee Strasberg and her psychiatrist Margaret Hohenberg. While some describe this story as Marilyn’s recollection of a nightmare, other researchers claim that it is actually a description of a mind control session.

Best finest surgeon—Strasberg
to cut me open which I don’t mind since Dr. H
has prepared me—given me anaesthetic
and has also diagnosed the case and
agrees with what has to be done—
an operation—to bring myself back to
life and to cure me of this terrible dis-ease
whatever the hell it is—(…)

Strasberg cuts me open after Dr. H gives me
anesthesia and tries in a medical way to comfort me  –
everything in the room is WHITE in fact I can’t even see anyone just white objects -​

they cut me open – Strasberg with Hohenberg’s ass.
and there is absolutely nothing there—
Strasberg is
deeply disappointed but more even—
academically amazed
that he had made such a mistake. He
thought there was going
to be so much—more than he had ever
dreamed possible …
instead there was absolutely nothing—
devoid of
every human living feeling thing—
the only thing
that came out was so finely cut sawdust—like out of a raggedy ann doll—and the sawdust
spills
all over the floor & table and Dr. H is
puzzled
because suddenly she realizes that this is a
new type case. The patient … existing
of complete emptiness
Strasberg’s dreams & hopes for theater
are fallen.
Dr. H’s dreams and hopes for a permanent
psychiatric cure
is given up—Arthur is disappointed—
let down.

In this odd and disturbing story, Monroe describes being drugged and cut open by her psychiatrists. She writes that she “didn’t mind the operation” because she was “prepared”. Was she dissociating? There is also mention of her seeing “only white” which might refer to sensory deprivation – a method used in MK Ultra programming.

Once cut open, the doctors only found “finely cut sawdust” inside of her “like out of a raggedy ann doll”. These are the typical words of an MK slave who have completely lost touch with their true core personality. Marilyn perceives herself as an “empty” doll.

According to Jason Kennedy, a member of Marilyn’s family, the Surgeon’s Story describes Mind Control techniques such as sensory deprivation and the administration of dissociative anesthetic drugs.

“Online publications have referred to the “Surgeon Story” as a dream or nightmare. Even a musician, Annie Clark, was inspired to write a song with the lyrics, “Best, finest surgeon/Come cut me open”, because she believed Marilyn wrote the words due to her reverence of Lee Strasberg during her studies with him.

Jason, on the other hand, likened it to a very real time in the life of Marilyn Monroe, and her narrative of the experience, after being subject to mind-control techniques and drugs at the hands of Lee Strasberg and Dr. Margaret Hohenberg, when she underwent private sessions with the duo in 1955 to help release blocks in her acting techniques.

Their methodology consisted of having Marilyn Monroe delve into painful childhood memories, they told her, to make her into a great actress.

According to Jason’s research, the pair convinced Marilyn this was all a part of “helping” her. He said she was confused from the start as she documented the “Surgeon Story” details, correcting her own details of the story from “pupil” or “student”, to coining herself the “patient”.

“It was a mental operation,” Jason said. “She wasn’t physically cut, but mentally cut open.”

He said it was used to break her down and change her behavior.

“This had nothing to do with acting,” Jason continued. “It was pure and simple extortion using mind control techniques. Also, ‘mind-control drugs’ were only one aspect of the process of mind-control. Sensory deprivation, dissociative anesthetic drugs, and psychic driving are part of an overall process of mind-control.”

Lee Strasberg often referred to himself as doctor, including in his 1965 book, “Strasberg At The Actor’s Studio: Tape Recorded Sessions”.

- Ibid.

Whether or not this story actually happened, it nevertheless conveys the inner-thoughts of a mind control slave who is powerless against her handlers and their clinical attempts to program and modify her. Sadly, other traumatic events caused by her handlers were all too real.

Traumatized by Her Handlers

In 1961, Dr. Kris convinced Marilyn to check in at Payne Withney psychiatric ward. The events that ensued are shocking considering the fact that Marilyn was a world-renowned movie star – but not surprising considering the fact that she was a mind control slave. Here’s what happened at the psychiatric ward:

“Kris had driven Marilyn to the sprawling, white-brick New York Hospital—Weill Cornell Medical Center, overlooking the East River at 68th Street. Swathed in a fur coat and using the name Faye Miller, she signed the papers to admit herself, but she quickly found she was being escorted not to a place where she could rest but to a padded room in a locked psychiatric ward. The more she sobbed and begged to be let out, banging on the steel doors, the more the psychiatric staff believed she was indeed psychotic. She was threatened with a straitjacket, and her clothes and purse were taken from her. She was given a forced bath and put into a hospital gown.

On March 1 and 2, 1961, Marilyn wrote an extraordinary, six-page letter to Dr. Greenson vividly describing her ordeal: “There was no empathy at Payne-Whitney—it had a very bad effect—they asked me after putting me in a ‘cell’ (I mean cement blocks and all) for very disturbed depressed patients (except I felt I was in some kind of prison for a crime I hadn’t committed. The inhumanity there I found archaic … everything was under lock and key … the doors have windows so patients can be visible all the time, also, the violence and markings still remain on the walls from former patients.)”

(…)

A psychiatrist came in and gave her a physical exam, “including examining the breast for lumps.” She objected, telling him that she’d had a complete physical less than a month before, but that didn’t deter him.

When she refused to cooperate with the staff, “two hefty men and two hefty women” picked her up by all fours and carried her in the elevator to the seventh floor of the hospital. (“I must say that at least they had the decency to carry me face down.… I just wept quietly all the way there,” she wrote.)

She was ordered to take another bath—her second since arriving—and then the head administrator came in to question her. “He told me I was a very, very sick girl and had been a very, very sick girl for many years.”

Dr. Kris, who had promised to see her the day after her confinement, failed to show up, and neither Lee Strasberg nor his wife, Paula, to whom she finally managed to write, could get her released, as they were not family.”

- Marilyn and Her Monsters, Vanity Fair

Another less publicized aspect of Monroe’s life is her two failed pregnancies. While most biographies state that she suffered miscarriages, some accounts hint that, in reality, the miscarriages were provoked. Provoking miscarriages is a common practice in MK Ultra and, reading Marilyn’s own words, it appears that her baby was taken away by her handlers. In Pepitone’s book, Marilyn reportedly said about her pregnancy:

“Don’t take my baby. So they took my baby from me… and I never saw it again.”

- Pepitone, Op. Cit.

The book basically states that Marilyn did not suffer a miscarriage. “They” took her baby away.

“After Marilyn had a healthy baby it was taken away from her and she was never allowed to see it. It was very likely sacrificed. Marilyn was too afraid to ask what they were going to do with it.”

- Springmeier, Op. Cit.

According to her biographies, Marilyn lost both her babies at Polyclinic Hospital, the place where, according to Springmeier, she was being programmed.

“The operation took place at Polyclinic Hospital where Marilyn had lost her baby the year before…Marilyn said: “Going back to that hospital’s a nightmare… Pain? What ‘pain?”. For her, the only pain was in not having her own child”

- Pepitone, Op. Cit.

“Notice she always goes back to the Polyclinic Hospital. Monarch victims have had to endure vast amounts of horrible torture. They learn to survive by disassociation. When Marilyn says “What is pain?” she is being accurate in reflecting her response to pain. She could not have pain–because she would disassociate it. Certain alters are created to take the pain, and the other alters don’t have to experience it.”

- Springmeier, Op. Cit.

In Conclusion

In the first part of this series of articles, we looked at the hidden life of Marilyn Monroe – one that reveals the dark side of Hollywood. Marilyn was not only thoroughly manipulated by her handlers, but actually mistreated and traumatized in order to “keep her down” and reinforce programming. The chilling facts mentioned above originate from different sources but, when they are put together, they paint a sad, yet crystal clear picture of the life of a Hollywood MK slave. Trauma, abuse, isolation, mind control and constant surveillance were part of Monroe’s daily life.

This kind of abuse however takes a severe toll on the victims and, after a while, a total breakdown almost inevitably ensues. At that point, MK slaves are usually “thrown off the freedom train”. Was this Marilyn’s ultimate fate?

This concludes the first part of the two-part series on Marilyn Monroe. Stay tuned for the second part which will describe her life as JFK’s Presidential Model and the strange circumstances of her death. We will also examine how she has become the symbol of Beta Programming in today’s entertainment industry and how her story is being repeated again and again.

The post The Hidden Life of Marilyn Monroe, the Original Hollywood Mind Control Slave (Part-I) appeared first on The Vigilant Citizen.

Why do we often witness tragedy and senseless deaths during the second half of April? The list of violent events that occurred during this time period is simply staggering. Here are some of them:

• April 19, 1993 – Waco Massacre: An FBI assault lead to the burning down of the compound of a sect named Branch Davidians, killing 76 men, women and children.
• April 19, 1995 -  Oklahoma City bombing – 168 people killed.
• April 20,  1999 – Columbine High School Massacre - 13 people murdered, 21 injured.
• April 16, 2007 – Virginia Tech Massacre – 32 killed; 17 injured.
• April 16, 2013 – Boston Marathon Explosions – 3 killed; 107 injured.
• April 18, 2013 – Fertilizer plant explosion, Texas – 5-15 killed (Notice that this event occurred almost exactly 20 years after the Waco Massacre, which is in the same area. Also, on April 16, 1947, a ship loaded with ammonium nitrate docked at the Port of Texas City and erupted in flames, causing a massive explosion that killed approximately 576 people).

There were many other violent occurrences that happened during that time period. In fact, CNN published an article in 2011 titled What is it about mid-April and violence in America?, discussing the events that occur in Mid-April. Sadly, the article only bashed “conspiracy theorists” and basically said “If you look for answers further than mass media, you are crazy and potentially dangerous”. However, two years later, the violent trend continues.

Is it all a coincidence? For those in the know, there are no such thing as coincidences. In 2011, I wrote an article about the death of Bin Laden, announced between April 30th and May 1st (see Why the Death of the Man Who Was Not Behind 9/11 Was Announced on May 1st). In that article, I briefly described the ritualistic significance of May 1st (May Day) and its relation to a god that is still important for to the occult elite: Baal.

The Cult of Baal Never Disappeared

Throughout many centuries and across many civilizations, the second half of April has always been a time of blood sacrifice. The worship of Baal took many names (Enlil, Molech, etc.) and spread across several civilizations. Being a sun god and a god of fertility, rituals celebrating Baal took place after the vernal equinox (a time of rebirth) and often involved human sacrifice.

“The cult of Baal celebrated annually his death and resurrection as a part of the Canaanite fertility rituals. These ceremonies often included human sacrifice and temple prostitution.”
- Baal, Encyclopedia Mythica

Although the observance of these rituals was sometimes condemned by religious movements, it never truly disappeared.

“The religion of the god Baal was widely accepted among the ancient Jews, and although it was put down at times, it was never permanently stamped out. Kings and other royalty of the ten Biblical tribes worshiped the god. The ordinary people ardently worshiped this sun god too because their prosperity depended on the productivity of their crops and livestock. The god’s images were erected on many buildings. Within the religion there appeared to be numerous priests and various classes of devotees. During the ceremonies they wore appropriate robes. The ceremonies included burning incense, and offering burnt sacrifices, occasionally consisting of human victims. The officiating priests danced around the altars, chanting frantically and cutting themselves with knives to inspire the attention and compassion of the god.”
- Ibid.

As a sun god, Baal’s worship involved human sacrifice and fire. Today, in the occult-elite ruled America, this time period often equals fire (or gun fire) and death. These rites were even mentioned in the Bible:

“They have built the high places of Baal to burn their children in the fire as offerings to Baal–something I did not command or mention, nor did it enter my mind.”
- Jeremiah 19:5

From the Babylonian, Assyrian and Phoenician civilizations of the Middle-East (their Mystery religions come from the same point origin), the cult of Baal spread to distant civilizations, such as the Celts, who observed Beltane rituals on May 1st (Beltane originates from the word “Baal”). While the observance of Baal rituals differed from one civilization to another, they were nevertheless grounded in the same occult concepts of numerology and sacrifice. In other words, they were all tapping into the same magickal knowledge.

Today’s occult elite still observes these rites, but with one major difference: They are now carried out on unsuspecting civilians and spread across the world through mass media. Fed and amplified by the fear and trauma of the masses, these mega-rituals are seen by all, but only celebrated by the occult elite. More than ever, we are dealing with Black Magick.

Other sites dedicated to occult numerology have published information emphasizing the importance of this time period.

“April 19 – May 1 – Blood Sacrifice To The Beast, a most critical 13-day period. Fire sacrifice is required on April 19.

April 19 is the first day of the 13-day Satanic ritual day relating to fire – the fire god, Baal, or Molech/Nimrod (the Sun God), also known as the Roman god, Saturn (Satan/Devil). This day is a major human sacrifice day, demanding fire sacrifice with an emphasis on children. This day is one of the most important human sacrifice days, and as such, has had some very important historic events occur on this day.”
- Occult Holidays and Sabbaths, Cutting Edge

Another article briefly describes the elements required to carry out the elite’s mega-rituals.

“The human sacrifice required during many of these occult dates needs to contain the following elements, each one of which is exaggerated to the highest possible degree:

1. Trauma, stress, and mental anguish, sheer terror
2. The final act in the drama should be destruction by a fire; preferably a conflagration.
3. People must die as human sacrifices, especially children, since The Darkness views younger human sacrifice as most desirable”
- Advent of Deception

In Conclusion

The post The End of April: A Time of Human Sacrifice appeared first on The Vigilant Citizen.

Monster High is a highly successful toy franchise that is somewhat similar to the Bratz doll line, as both are comprised of edgy, fashionable characters with attitude. Like many other toy franchises, Monster High is much more than a doll line: It is a multi-platform franchise comprised of toys, DVDs, a web series, music videos, video games, books, clothing accessories, and much more.

The brand distinguishes itself with its unique, twisted universe inspired by monster movies and sci-fi horror. All of the characters are either offspring of known movie monsters or some kind of undead zombies. While Monster High’s slogan is “Be yourself, be unique, be a monster!”, this franchise also communicates deeper messages to its young audience. In fact, a closer look at the stories in Monster High reveals that it is perfectly in sync with the Illuminati’s Agenda as it promotes themes such as hypersexualization, superficiality, a culture of death and even Monarch Mind Control. As seen in previous articles on this site, these themes are abundant in mass media and, the fact that they are present in a doll line for kids further proves that there’s a continuous effort to expose impressionable minds to a specific set of symbols and values.

This should not come as a surprise, as Monster High was created by the world’s largest toy company, Mattel, with revenues of over $6.2 billion per year. The chairman of the board of directors, Robert A. Eckert, is a long-time member of the Trilateral Commission and the Bilderbergs, the two most powerful elite circles shaping the world today. As you might know, company representatives who attend these elite meetings are there because their brands can help push the elite’s long-term Agenda. Powerful, world-reaching companies such as Mattel do not simply sell products, they sell a culture associated with them. Considering how children get attached and even obsessed with their dolls and the universe that surrounds them, what better way to reach young minds and to teach them the values of a New World Order future? Let’s look at Monster High and the universe it introduces to young children.

The Monster High Universe

The characters of Monster High are dressed in outfits that are rather inappropriate for high school. Also, their lockers are shaped like coffins with skull heads for locks. In short, it is all about pushing a culture of sex and death on young, impressionable children.

The world of Monster High is basically a high school populated with the offspring of famous monstrous figures like Dracula and Frankenstein. The characters wear outfits that lean strongly to the sexy side, making one wonder what kind of message this is delivering to Monster High’s target audience: girls under the age of 10. Even more disturbing, the back story and symbolism associated with many of the characters strongly refer to dark concepts, such as Monarch Mind Control (if you don’t know what that is, read this article). Indeed, most Monster High characters are either artificially created or a product of some kind of experiment and many of them do not really have a mind of their own. They are all literally dead and animated by some kind of unholy force. When one adds this fact to the symbolism and persona associated with each character, one starts to realize that Monster High is about a bunch of MK slaves. Here are some of the main characters:

Frankie Stein

Frankie Stein is the daughter of Frankenstein. Her entire body is stitched up together and, sometimes, she loses some of her body parts. In MK symbolism, this represents the powerlessness of slaves and their fragmented nature. Also, notice her “logo” at the top right: fractured and stitched up skull – representing a fragmented mind.

Frankie Stein is an artificial creation put together by a mad scientist (a MK handler?). Her story states that she 15 days old (yes, days, not years). In other words, her alter persona was created by her handler 15 days ago. Her head is held together by two screws, symbolizing her not having a mind of her own. The screws are of different color because they are of different polarity, negative and positive. This refers to the concept of duality that is always inculcated to MK Slaves. To further emphasize the concept of duality, her eyes are different colors, her hair is striped black and white and her bio page states that her favorite color is “black and white stripes”.

Frankie Steincan eletroshock herself and others – a reference to electroshock torture used in Monarch Mind Control to program slaves.

Frankie Stein electroshocked.

Here’s Frankie Stein on a bedding set giving the One-Eye sign. Yes, little girls can now sleep draped in Illuminati symbolism.

Speaking of which, here’s a “Happy New Year” message from Monster High with another prominent One-Eye sign

Operetta

Operetta is the daughter of the Phantom of the Opera. She excels in the performing arts, such as singing and dancing. In some ways, she is the star entertainer of the group. Unsurprisingly, the symbolism associated with her fit right in with the symbolism associated with today’s real-life pop stars – i.e: the inevitable One-Eye sign.

As if to highlight her connection to Illuminati music industry, all of the symbolism relating to Operatta (even her logo) revolves around the One-Eye sign.  Like the Lady Gaga and the Rihannas of this world, she is almost always emphasizing one eye. Also, I’m not sure how she can walk with these shoes – but that’s another story.

You’ll notice that her guitar is shaped like a coffin as well, because, apparently, death is so cool.

Operetta practices her music in a place called the Catacombs. The symbolism of her hideout is quite blatant.

Operatta’s stage is “overseen” by a prominent All-Seeing Eye.

In short, Operatta appears to be telling young girls: “If you want to be part of the music business, you have to embrace this Illuminati imagery”.

Werecats

As we’ve seen in previous articles on this site, Sex Kitten programming is represented in popular culture with feline prints and cat-like attributes on attractive girls. The Werecat sisters are all about that.

The Werecat sisters’ symbolism is all about Kitten Programming. The twins (on the right) truly do not have a mind of their own.

The back story regarding the Werecat sisters is quite dark and similar to the story of many actual MK Slaves. The webisode named The Nine Lives of Toralei, describes how Werecat sister Toralei is an orphan roaming the streets who gets picked up, and locked up, by “the System”.

The Werecat sisters “behind bars” … or re-educated by the System.

“Some children live in foster homes, or with adopted parents, or in orphanages, or with caretakers and guardians. Because these children are at the mercy of the non-related adults, these types of children frequently are sold to become mind-controlled slaves of the intelligence agencies. In review, remember that because many of these organizations are controlled by the Illuminati; an Illuminati slave may often work for one of these front groups, while the Illuminati maintain control over the base-program.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

The sisters are then “recruited” by the “headmistress” of Monster High. You’ll notice that she is holding her head in her hand, a way of showing that MK Handlers are also often mind controlled.

Is Monster High actually an MK programming site? Hmmm.

Relevant fact: Marilyn Monroe, the prototype of Kitten Programing was also declared a “Ward of the State” and lived in foster homes during her youth. Another relevant fact: The father of MK-Ultra, Josef Mengele, experimented on thousands of twins to perfect mind-control techniques.

Videos

The Monster High website contains numerous animated webisodes that are extremely popular (each one of them has racked up several million YouTube views). While the main goal of these video shorts is to sell dolls, there is nevertheless a lot of symbolism in them. Also, some videos refer to mind-control concepts in a rather blatant way. Let’s look at some of these videos.

Dueling Personality

This video deals with the core of Monarch Programming: The creation of completely separate alter personas. Frankie Stein’s boyfriend, named Jackson, discovers that he has an alter personality that acts completely separately from him. At the beginning of the video he says:

“So every time I wake up in some dark alley alone and confused, its all because of him! I’ve got so much to say to that guy. But I can’t even confront him about it … because he’s me.”

Holt, Jackson’s “cool” alter persona has a tattoo around one eye, as if to emphasize the Illuminati Mind Control stuff underlying this story.

In the end Frankie Stein breaks up with Jackson and his alter until they can “settle their differences”. Why are children exposed to this? What’s the point? I don’t think many young girls relate to this story.

Anyways, Jackson’s problems with his alter persona pop up in several other webisodes.

In the episode entitled “I Know What You Did Last Frightday“, the headmistress triggers Jackson’s alter persona using music – an actual MK technique – because she needs the creative Holt to paint a mural.

Undo the Voodoo

Another webisode focuses on Hoodude, a voodoo doll that is having a bad day and, because he’s a voodoo doll, everyone at school is having a bad day.

Hoodude is yet another character that is artificially created and that doesn’t really have a mind of his own. Also, there’s a one-eye thing is going on with his different-colored buttons.

Voodoo magic is yet another very important aspect of Monarch Mind Control that is represented in Monster High.

“In discussing how trauma-based mind-control is done, voodoo must be included as a component. Many of the Mind-controlled slaves have had voodoo as part of their trauma, and many had voodoo dolls placed into their Systems. When vows and oaths are made, an object is given to the satanic cult or the Illuminati for the Keeper of the Seals to guard. If the vow is broken voodoo magic can be used against the offender by using the object given in the sealing.”
- Ibid.

To solve Hoodude’s problem, the girls at school ask for the help of Scarah the mind reader.

Scarah reads Hoodude’s mind.

It is interesting to note that many actual MK Slaves receive ESP (extra-sensory perception) training – which include telepathy, mind reading and remote viewing.

Scarah then tells her friends that they need to literally enter Hoodude’s head to fix his self-esteem issues.

The girls in some kind Mind Control lab to enter Hoodude’s head.

Inside Hoodude’s brain, the girls find the part of the brain relating to self-esteem and “reprogram” him to love himself.

Scarah reconnects two loose wires inside Hoodude’s brain so he loves himself again.

Hoodude can now look at himself in the mirror and love himself again.

In short, this video is about an artificially created “doll” that doesn’t act as expected. He is then literally mind controlled and reprogrammed to have more self esteem. Hoodude did not work at bettering himself or at accepting his flaws, some mind reader entered his brain to reprogram him. I don’t think that’s great lesson for kids.

There are many other Monster High videos that are filled with this kind of symbolism. However, I believe we’ve all suffered enough going through just these three.

In Conclusion

I can imagine some people reading this article and thinking: “He’s talking dolls and cartoons now? How about talking about the real issues like politics, grumble, grumble”. Yes, on a superficial level, talking about dolls and cartoons may not come off as “serious” analysis. However, we must remember that, for the powers that be, there is nothing more serious than capturing the minds of children at a young age in order to mold them for the future. For propagandists, there is no age limit for pushing a message. They realize that the younger the audience, the more effective their message will be. Marketing specialists know that brand loyalty is taught at very early age (i.e. Heinz Ketchup, Kellogs cereal, etc.) and propaganda messages simply another product to market.

So what kind of message does a franchise like Monster High communicate to children? There are several levels.

On a basic level, the characters of Monster High are obviously hypersexualized as they are dressed in outfits that can only be found in sex shops. Considering the doll’s target market (girls under 10 years old), we can imagine how this trains girls to believe that, in order to be cool, they have to be very sexy, very early. Then, there’s this whole death-worship thing going on, with coffin-shaped lockers and coffin-shaped cellphones and coffin-shaped guitars and skulls everywhere. Mix these two very visible aspects together and you’ve got the sex-and-death mass media cocktail that is constantly pushed to all audiences, but particularly young people. Furthermore, the characters in Monster High evolve in a context that is completely obsessed with superficiality, appearances and materialism – all values that are actively promoted to today’s youth. When Monster High fans grow out of their doll-playing phase, they will most likely start watching music videos and TV shows that promote the exact same set of values. Sadly, they will question none of it because they have been exposed to this Agenda since their tender youth.

On secondary level, almost everything in Monster High relates in one way or another to the dark, disturbing world of Illuminati Mind Control. The school can be likened to a MK-programming center, led by a “headmistress” whose own head pops off in a literal symbol of dissociation. All of the students are either artificial creations or zombies who do not have a mind of their own (funny how the line’s theme song ends with the words “Don’t you want to be a Monster too?” Concepts associated with trauma-based mind control such as alter-personas, duality, dissociation, kitten programming and even electroshock torture are represented in Monster High. As if that wasn’t enough, the whole Monster High franchise is laced with the Illuminati symbolism I’ve described time and time again on this site, proving that, not only is this symbolism not accidental, but that this Agenda is being promoted everywhere … even to young children who just want to play with dolls.

So why do they do this? Because, as Hitler stated: “He alone, who owns the youth, gains the future.”

The post Monster High: A Doll Line Introducing Children to the Illuminati Agenda appeared first on The Vigilant Citizen.

The 2013 Super Bowl featured the Sandy Hook chorus, Jennifer Hudson, Alicia Keys, Beyoncé, a whole bunch of advertisements and, oh yeah, a football game. While things were not as overt and in your face as last year’s half time show/celebration of Great Priestess Madonna, there were nevertheless a a lot of Illuminati Agenda-pushing going on. Here’s a recap of the noteworthy elements that occurred in the 2013 Super Bowl, the TV event of the year.

The Sandy Hook Chorus

Jennifer Hudson sings with the Sandy Hook Chorus … a group that was NOT created by the young kids that are part of it.

As described in my recent article, Sandy Hook Survivors Are Made to Sing “Over the Rainbow” to Commemorate the Shooting, children that survived the shooting are currently being used in all kinds of media events. A few weeks ago, they recorded Over the Rainbow (an MK-Ultra trigger song) and were made to perform on live television. For the Super Bowl, the Sandy Hook Chorus was sent to New Orleans to sing before 70,000 spectators and millions of TV viewers. Why? Why do we keep bringing this horrible shooting to the center stage? To remind people that “gun control is good”? Isn’t it very sad and ironic that these kids must sing America the Beautiful after witnessing a horrible massacre, one that might have been caused by a mind-controlled patsy? Why are these kids being booked and flown to all kinds of nerve-wrecking mass media events? Is this still part of their “healing process”? Why are they being mixed with the Illuminati entertainment industry? Shouldn’t they be home with their friends and families instead of being under the spotlight? The exploitation of their image is rather unsettling.

The performance was led by an industry-favorite, Jennifer Hudson -  aka the “new Whitney Houston” – who is always chosen to perform in important occasions. Hudson also survived a strange and terrible tragedy, with the triple-murder of her mother, brother and nephew in 2008.

The Half Time Show

The best word I can use to describe the half-time show is “Beyoncé-ish”. It was like, sooooo Beyoncé. After “singing” (kinda) at the Obama inauguration, Beyoncé was again the star of a major event. No need to say that she’s an industry favorite, a figure-head of the Illuminati music industry. As described in several articles on this site, the symbolism in her work clearly indicates who she is working for. While her half time show was not the big, pharaonic occult display of Madonna’s 2012 show, we still witnessed the mind-control symbolism that is usually part of Beyoncé’s material.

The entire show focused on duality and the multiplying of personalites, two concepts that are extremely important in Monarch mind control (read the article Origins and Techniques of Monarch Mind Control if you don’t know what I’m talking about).

The first and most visible cue to the concept of duality and alter-personas is the stage itself which consists of two faces that somewhat look like Beyoncé.

The stage is made up of two faces mirroring each other, an image evoking duality and multiple personalities.

The first part of the show contained a combination of symbols and visual effects that refer to the concepts of duality and multiple personalities.

At the beginning of “Baby Boy”, Beyoncé dances in front of a black and white background (a representation of duality). Through video effects, she then “multiplies herself”.

Here we see one black silhouette (which is Beyoncé, the “core” personality) and two white silhouettes (alters personas?).

The two white silhouettes turn into real human Beyoncé look-a-likes who dance with her for a while. We then see a lot of lights flashing and confusing effects, making us wonder who is the real Beyoncé. The blurring between reality and illusion is a focal point of mind control and is aptly displayed here.

Even the saxophone girl, with her Masonic checkerboard pattern dress, conveys the concept of duality.

At one point, the screen behind Beyoncé displays the classic symbol representing the fracturing of personalities, one that is almost ALWAYS part of MK-themed narratives.

The screen that displayed alter personas and dualistic patterns shatters (emphasized with a loud sound effect), a symbol indicating the fracturing of persona in MK symbolism.

The first part of the show was therefore all about duality and multiple Beyoncés. Then, the group Destiny’s Child was randomly brought back from the late-90s to sing along with one of Beyoncé’s solo hits. During Single Ladies (Put a Ring on It), Beyoncé briefly flashes a hand sign – one that readers of this site probably already know all too well. This gesture generated a lot of media attention.

Beyonce flashing the “ROC” hand sign.

Quite a few mainstream websites such as Yahoo! and Huffington Post published articles about this hand sign, asking if Beyoncé was “flashing an Illuminati symbol”. These articles however all come to the same conclusion: Beyoncé was doing the ROC sign to shout-out her husband’s label (duuuh) and everyone who thinks otherwise is a moron. Many of the articles then provide a quick, half-assed recap of what the Illuminati is, making sure to distort many facts to make the whole thing seem completely idiotic. This trend is becoming increasingly appearent on the web and mass media.

I admit that the mainstream sources are right: This hand sign is indeed the “ROC sign”. But here’s my question to these “journalists”: Where does the ROC sign come from? What does it represent? Why does a label named Roc-A-Fella (a nod to the Rockefellers, one of the most powerful Illuminati elite families) uses a triangle hand sign to represent itself? How about going a little further than the obvious superficial answer for a change, mainstream media?

The ROC hand sign refers to the All-Seeing Eye within a triangle, the ultimate Illuminati symbol.

In Judaism, the gesture is known as Kohanim hands Priestly Blessing. It is depicted here on 18th Century grave.

The hand sign is not random. It signifies something and flashing it during the Super Bowl tells a lot about who is running the show.

Also, to respond to the ridiculous claims of those mainstream articles: No, Beyoncé and Willow Smith are not IN the Illuminati. They are USED by the Illuminati-owned music industry to push an elite agenda. Pop artists are pawns who signed a contract binding them to the elite and requiring them to do their bidding. Most readers of this site know this already, but there is growing push in mainstream media to discredit “conspiracy theories” by writing stuff like “Look at these idiots who think that Beyonce is part of an 18th century secret society”.

Anyhow, let’s look at the rest of the Super Bowl.

Lights Out

During the 3rd quarter of the football game, half of the lights go out. It was caused by a mysterious “anomaly” that caused the system to shut down.

Considering the Illuminati sub-text of the event, I cannot help but think about the occult pseudo-meaning of having half of the stadium basking in light and having the other half being in darkness. I am not saying this happened on purpose, but it is still an interesting synchronicity. One thing is for sure, the “glitch” energized the 49ers, who scored a few touchdowns and got back in the game. All of a sudden, this lost cause became interesting and the fourth quarter was rather … thrilling. Apparently, Mercedes-Benz knew that would happen.

This Mercedes-Benz magazine ad was eerily correct.

While the ad seemingly refers to the fourth quarter of the fiscal year, the literal meaning of the ad is still perplexing, considering what happened at the game.

If we combine this ad with the one I described in The 2013 Mercedes Super Bowl Commercial and its Occult Message, one can at least say that Mercedes-Benz brought a lot of strangeness to the SuperBowl.

In Conclusion

While things were somewhat more subdued and abstract in this year’s SuperBowl (versus the 2012 edition), there were still many elements that went right along the Agendas described on this site. When we combine all of the elements together, we realize that there’s a common and reoccurring theme going on, one that points directly to the “hidden hand” of the Illuminati and its many Agendas.

The mass media coverage of Beyoncé’s Illuminati hand sign, also reflects a new trend: Mass media are now directly addressing, discrediting and ridiculing “conspiracy theories” (I hate that term) in order to make sure that people do not start thinking too much about the strange things they are witnessing on TV. Media coverage of Sandy Hook also followed that trend as several TV personalities went on air to “debunk” the theories. Fortunately for the powers that be, most people still teared up when they saw the Sandy Hook chorus standing in the middle of the SuperDome, singing about how America is beautiful. Yes, America is beautiful, but the elite that run it, and who exploit people’s lives and emotions to push their own Agenda, is most definitely not.

Oh yeah, and the Ravens won the game.

The post Super Bowl 2013 Recap: The Illuminati Agenda Continues appeared first on The Vigilant Citizen.

Olympic ceremonies are often among the most watched TV events on the planet. They are an exceptional chance for the host countries to showcase their greatness through a grandiose, elaborate and massive show. The 2012 London Olympics were no exception as England’s history, culture and accomplishments were thoroughly celebrated and applauded. Some moments were grand, others were funny; some were dark and even disturbing. Other moments were highly symbolic, reflecting the agenda of the occult elite. Given that London is one of the power capitals of the world, it would have been more surprising if the symbolism and philosophy of the global elite had not been infused throughout the ceremonies.

Of course, not everything was symbolic in that sense and not everything was in-your-face, but over the course of the several hours that the ceremonies lasted, a good deal of symbolism was communicated to billion of viewers around the world. Let’s look at the most symbolic moments of the 2012 London Olympics.

Opening Ceremony

The ceremonies were designed and coordinated by Danny Boyle, director of the movies Trainspotting and Slumdog Millionaire. Entitled Isles of Wonder, the opening ceremony focused on the history of England and the actors that influenced it. The journey began in ancient and mythical England then traveled through the industrial revolution, ending in modern times. The story was told using specific symbols and references that recall the occult side of Great Britain.

Green and Pleasant Land

The show begins in pastoral England, complete with farmers and cricket players. There are also many symbols alluding to its ancient mystical lore. The focal point of the show is a hill that is said to have magical properties: Glastonbury Tor.

The mythical spirally hill named Glastonbury Tor overlooks pastoral England. This recreation of the Tor is topped by a giant oak tree, a tree considered sacred by Celtic Druids and representative of the Supreme Deity.

Glastonbury Tor is one of the oldest sacred sites in England. Believed to be at the intersection of powerful ley lines, the Tor is related to many mystical stories and legends. For instance, it is thought to be Avalon from the legend of King Arthur and his 12 knights, a story that is esoterically associated with the sun and the twelve signs of the zodiac. Another legend claims that Joseph of Arimathea, the great uncle of Jesus Christ who was a tin merchant, brought young Jesus on a trip to Glastonbury. He later came back to the site and threw the chalice used by Jesus during the last supper (the fabled Holy Grail) in Chalice Well – an area of Glastonbury said to have magical powers. Archeologists have also discovered that the construction of the Gastonbury abbey involved sacred geometry “known by the builders of Egyptian pyramids” and passed down through societies of stonemasons (the originators of modern Freemasonry).

The “real” Glastonbury Tor, topped by St. Michael’s Church. The hill is the site of Christian pilgrimages and seasonal rituals practiced by ritual magicians, witches, pagans, and of various occult and spiritual festivals.

The presence of Glastonbury Tor in the Olympic stadium provides a definitively mystical and esoteric undertone to the opening ceremonies.

While countrymen work the land and run around maypoles (which incidentally bear a cosmic and phallic occult meaning), a young boy in the crowd stands up and sings part of a classical English hymn, William Blake’s Jerusalem.

William Blake is often described as a “visionary” whose artistic works were heavily inspired by Druidism, Gnosticism and Freemasonry (his depiction of the “Grand Geometrician” holding a Masonic compass is above the Rockefeller Center in New York). While some of his creations had Christian connotations, they were often told from a Gnostic and esoteric point of view. Jerusalem refers to the apocryphal story described above of Jesus visiting the “green and pleasant land” of Glastonbury with his great-uncle, Joseph of Arimathea.

And did those feet in ancient time

Walk upon England’s mountains green?

And was the holy Lamb of God

On England’s pleasant pastures seen?

 

And did the Countenance Divine

Shine forth upon our clouded hills?

And was Jerusalem builded here

Among these dark Satanic Mills?

The Industrial Revolution

After the singing of the hymns, men in top hats, enter England’s Green and Pleasant land and bring about important change.

The men in top hats survey the land and shake each hands. This small elite group will coordinate the industrial revolution and get the masses to work.

The top-hat guys are lead by civil engineer Isambard Kingdom Brunel, who stands at the base of the Tor and give a speech quoting Shakespeare’s The Tempest. The oak tree then rises from the ground and hundreds of workers emerge from under the Tor and begin transforming England’s landscape.

At this point, there are a few facts that deserve to be pointed out. First, the legend of King Arthur stipulates that the top of the Tor provided entrance to Annwn, the ancient word for the Underworld. Second, the official name of the segment about the industrial revolution is Pandemonium, which is the name of the capital of Hell in Milton’s classical work Paradise Lost. These clues indicate that London did not become New Jerusalem (a metaphor for heaven) as stated by Blake’s hymn, but literally hell on earth. And all of this pandemonium was brought about by a handful of elite men who got thousands of workers apparently emerge from the underworld and build industrial England.

Peasants of the country worked in hellish conditions to bring to reality the elite’s vision.

It is now an established fact that the bringing down of monarchies and the push for industrial revolution during the 18th century was heavily influenced by Secret Societies such as the Grand Orient Freemasons and the Bavarian Illuminati, who called for an “unshackling of science” and a “new age of Reason”. The men in top hats coordinating the transformation can therefore be associated with the secretive groups that historically engendered a new economic, political and social system during the 18th Century.

The unfolding of “Pandemonium” is depicted using two very distinct groups: Elite “thinkers” who decide and oversee the project and “workers” who work in the field and take orders. All of this happens in the Olympic stadium, which is surrounded by giant triangles with illuminated capstones – a classic symbol representing an elite ruling above masses.

The final product of Pandemonium is one big messy grey mass full of “Satanic mills” and seven phallic chimneys spitting out smoke.

Leave the Kids Alone

The next important sequence of the ceremony paid tribute to the National Health Service (NHS) and Great Ormond Street Hospital (GOSH). The set combined sick kids on hospital beds with characters from English children’s literature and had a very strange and dark undertone from the start, when it began with the theme from The Exorcist, which is, in case you don’t know, a movie about a child possessed by the Devil. Odd choice.

The sequence begins with children on hospital beds who get put to sleep by nurses. Then J.K. Rowling appears and reads a quote from Peter Pan alluding to Neverland, which becomes real in the “two minutes before you go to sleep”. I couldn’t say if that was done on purpose, but many elements of this set, mostly the mix of vulnerable children in a hospital with fairy tales and the concept of blurring the lines between reality and fiction, are all associated with mind control programming. Like the Wizard of Oz and Alice of Wonderland, the story of Peter Pan is heavily used in mind control programming as victims are told to escape to “Neverland” while inducing dissociation from reality.

A child reading Peter Pan. On the page, we see a scary Captain Hook standing next to … a kid strapped to a bed? According to Franz Springmeier, Monarch programming uses a technique called “Peter Pan Programming”, in which Captain Hook represents the handler.

After J.K. Rowling’s appearance, hordes of ghouls and villains from English literature enter the stage, running after the children and scaring the crap out of them.

As if under the spell of this gigantic figure of Lord Voldemort, this young girl’s bed hovers high above the ground. Does this represent dissociation engendered by intense trauma?

While the evil characters run after the children, the nurses are completely immobile and powerless as if declaring “Health workers can do nothing when the elite’s mind control is happening behind closed doors”.

Luckily, a whole bunch of Mary Poppins fly down and shoo away the scary characters. Then, a rather creepy giant baby appears on stage.

Is it just me or does the giant baby have a big “separation” on the forehead?

The odd combination of children in a hospital and fairy tales might have been a clever way to combine two important aspects of British culture. It can also be a sick way of referring to Monarch mind control. On that note, let’s bring out Mr. Bean!

Abide With Me

Right before the Parade of Nations, the ceremony presented a dark segment that confused and disturbed more than a few viewers. Supposedly dedicated to victims of the 7/7 London Bombings, it had the feel of a dark ritual. Also, once again, we see an innocent child being preyed upon by dark forces. Despite the fact that the Christian hymn Abide With Me was playing in the background, the performance had an eerie feel, as if we were witnessing some kind of occult child sacrifice.

The set begins with a group of performers feverishly dancing under a giant orange ball resembling the sun orb. Then a young boy appears, looking somewhat lost and confused. One of the dancers approach the boy and looks to take something precious from him.

The dancer takes from the young boy an imaginary ball, which can represent his life force or maybe his soul.

Once the dancer takes the child’s soul, he taunts him with it and takes it away from him. The boy attempts to take it back but it is no use, he cannot do it. Apparently drained and resigned, the boy embraces the dancer who stole his soul.

The boy hugs the man who preyed on him and is ultimately integrated into the “dark side”.

At the end of the set, the child is at the center of the dancers and raises his hands in the air as if saying “I am reborn with the dark side”. On that creepy, disturbing note, let’s bring out the athletes!

Nations and Flames

As it is always the case, the Parade of Nations is done in a very orderly manner, with each country entering the stadium separately, in alphabetical order (we’ll see how it contrasts with the closing ceremony). Each flag was then placed at the feet of the Tor and the magical oak tree.

Once that was accomplished, the ceremony then focused on the almighty torch and the “fire that never dies”. The occult symbolism behind the torch bearer carrying the Olympic flame was discussed in my article  London 2012: The Olympic torch relay and Prometheus so I won’t dwell on that aspect, though it is very significant.

The show ended with the lighting of the Olympic cauldron which was composed of petals representing each nation present during the Olympics.

Viewed from above, the Olympic Stadium resembled a gigantic eye whose pupil was being lit.

Combined with the ever-present pyramidal structures around the Stadium, the the event became one big tribute to the Illuminati elite. Two weeks later, the closing ceremony took the Illuminati symbolism to another level.

The Closing Ceremony

Contrary to the opening ceremony that reflected on the past, the closing ceremony looked towards the future … as envisioned by the elite. Not unlike the opening ceremony, it featured a whole lot of British music and I am pretty sure that record companies paid top dollar to have their artists perform on this unique world stage. I’ll skip the music performances and focus on the core message of the closing ceremony: Celebrating the Illuminati’s New World Order.

Praise Illuminati

Contrarily to the opening ceremony, the closing ceremony was all about nations blending together into one giant global community – one of the goals of the New World Order. While, at the beginning of the games, athletes entered the stadium behind their national flag and a banner bearing the name of their countries, all of that was gone at closing ceremony. Everyone was mixed together.

We then witnessed a weird segment.

Performers used blocks to build a pyramid at the center of the stage…and began literally revering it.

“We all lay down before the almighty Illuminati pyramid”. This Illuminati blatant-ness lasted several odd minutes.

Imagine

Musical performances began with a specific song, John Lennon’s Imagine, and a specific verse from it - which was considered, by some observers, to be somewhat out of place in the context of the Olympic ceremony.

As if to emphasize the words said in that verse, John Lennon was shown singing it.

Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace

You, you may say
I’m a dreamer, but I’m not the only one
I hope some day you’ll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world

Under the cauldron representing all countries joined together “as one”, young children sing Imagine.

In the context of the Olympics, where people come from all countries and all religions, this verse was a little out of place. More importantly, no countries, no religions, no possessions and “a world as one” is a good way to describe the global socialist system the elite is trying to create with the New World Order. Was Lennon envisioning a secretive group of politicians and bankers creating his perfect world? Probably not. But when you get killed by a MK-Ultra patsy, the elite can pretty do what it wants with your work and image.

Let’s Worship the Fire for, Like, a Half an Hour

After a bunch of performances (featuring a whole lot of Jessie J for some reason), the ceremony heavily focused on the Olympic cauldron. Before it is extinguished, it slightly opens up and a fiery phoenix appears above it.

As if emerging from the fire produced by the petals (representing Nations of the world), a phoenix appears above the cauldron.

The symbol of the phoenix, the bird that is reborn from its ashes, is extremely important to occult secret societies and, consequently, to the occult elite.

“The phoenix is the most celebrated of all the symbolic creatures fabricated by the ancient Mysteries for the purpose of concealing the great truths of esoteric philosophy. (…) Mediæval Hermetists regarded the phoenix as a symbol of the accomplishment of alchemical transmutation, a process equivalent to human regeneration. The name phoenix was also given to one of the secret alchemical formula. (…) In the Mysteries it was customary to refer to initiates as phoenixes or men who had been born again, for just as physical birth gives man consciousness in the physical world, so the neophyte, after nine degrees in the womb of the Mysteries, was born into a consciousness of the Spiritual world. This is the mystery of initiation to which Christ referred when he said, “Except a man be born again, he cannot see the kingdom of God” (John iii. 3). The phoenix is a fitting symbol of this spiritual truth.”
- Manly P. Hall, Secret Teachings of All Ages

While the phoenix represents spiritual rebirth on an individual level, it can also represent the rebirth of the entire world from its ashes – as a New World Order.

This gigantic mural situated inside the UN’s Security Council Chamber in New York features a phoenix rising from a world in ashes.

Right after the apparition of the phoenix above the Olympic cauldron, the boy band Take That performed a song with a rather symbolic title, considering the context: Rule The World.

With a phoenix rising above all nations as a backdrop, Take That sings “Rule the World”. This is getting pretty blatant.

After the song, a bunch of ballet dancers dressed as phoenixes hopped around, as if revering and giving tribute to the fiery bird above them.

Praising the phoenix in a ritualistic and celebratory manner.

At midnight, the Olympic cauldron and the petals representing each country are slowly extinguished, but the phoenix, representing the occult elite and the New World Order, stays lit above it. In other words, as the nations of the world slowly disappear, a New World Order will emerge. On that note, let’s listen to The Who!

In Conclusion

Olympic Ceremonies traditionally showcase the host Nation’s history and culture, but also celebrates those behind the games: the occult elite. Since London is a power capital of the world with a rich occult history ranging from the Knight Templars to influential Masonic lodges, and not forgetting prominent occultists advising the royals such as John Dee and Sir Francis Bacon, is it surprising to see this aspect of History being referred to in a symbolic matter?

While obviously not everything during Olympic ceremonies related to Illuminati symbolism, there were plenty of elements inserted throughout to get the message across. In the end, the Olympic games, like many other media events, turned into a worldwide mega ritual celebrating the goals and the symbolism of the world elite. On that note, let’s bring out the Spice Girls!

The post The Occult Symbolism of the 2012 Olympics Opening and Closing Ceremonies appeared first on The Vigilant Citizen.

When terrible events like the now infamous “Batman Shooting” occurs, I tend to not have a knee-jerk reaction of yelling “It’s a conspiracy” because, obviously, sometimes it is not. But in some cases, like this one, tidbits of information begin leaking out, weird synchronicities surface and, at a certain point, one can’t help but think  “hmm”, “huh?” and “what?”. Pieces of the puzzle start coming together and, when one is aware of the symbolism and workings of the occult elite, the whole thing starts to look like a big, dark, disturbing ritual that was carried out by pre-programmed patsy. No, I won’t say that I cracked the case, but here are some facts that simply cannot be overlooked.

A Mind-Controlled Pasty?

As new information surfaces regarding James Holmes (who dubbed himself “The Joker”), many facts point toward a man who is prone to having alter-personas, delving into “inner-worlds” and generally exhibiting the behavior of either a schizophrenic or a programmed drone. Obviously in an altered state of mind and most probably embodying a completely different alter-persona, Holmes told police at the time of his arrest that he was “The Joker”. In this article that appeared in the Telegraph, Holmes was reportedly fixated on the concept of altered states of mind.

“After the massacre Holmes calmly told detectives he had taken 100mg of the prescription painkiller Vicodin, and identified himself as “The Joker”. The same drug was found in the system of actor Heath Ledger when he died of an accidental overdose of prescription drugs in 2008. Ledger played The Joker in the previous Batman film The Dark Knight. Vicodin side-effects can include euphoria, paranoia and, in rare cases, hallucinations.

The video footage of Holmes was taken at Miramar College in San Diego and showed him explaining that “temporal illusions” are “an illusion that allows you to change the past”. Holmes said he had been working on “subjective experience, which is what takes place inside the mind as oppose to the external world”.
- Source: The Telegraph

According to news sources, Holmes was pursuing a neuroscience doctoral program at the University of Colorado’s Anschutz Medical Campus. Could this prestigious academic location dedicated the study of human brain functioning and behavior also be Holmes’ mind-control programming site? The concepts stated above of “illusions that allow you to change the past” and “subjective experience” are very reminiscent to the programming of alter-personas in mind control, where illusions are indeed used to create a false pasts in MK alter-personas.

After his arrest, Holmes appeared to be completely dissociated from reality, as if still in character.

“Holmes has yet to show any signs of remorse and his behavior is reported to be erratic and bizarre. Per a released inmate outside the jail, “He was spitting at the door and spitting at the guards. He’s spitting at everything. Dude was acting crazy.”
- Source: The Examiner

 The Odd Batman Connection

One-Eyed Heath Ledger as The Joker in this movie poster. There’s some Illuminati crap going on here.

As stated above, Holmes dyed his hair orange and claimed he was “The Joker” – as played by Heath Ledger in the previous installment of the Batman series The Dark Knight. We’ve seen in previous articles (notably “The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice), that there are many odd and ritualistic facts surrounding the death of Heath Ledger after he played the dark and disturbed character of the Joker, a role that apparently took a toll on the actor’s health.

Shooter James Holmes even went as far as to take Vicodin, a drug found in Heath Ledger at the time of his death. Vicodin is a powerful pain-killer with morphine-like effects that is used in mind control to “dull out” victims.

Is there some kind of ritualistic connection between The Dark Knight, the sacrificial death of Heath Ledger and this new installment of a Batman movie that was “launched” with a mass murder? Is there a reason why this mass-murder, which occurred during the midnight screening of a movie called Dark Knight RISING took place in a city called Aurora, the name Roman goddess of dawn (dawn being the time where the sun begins to rise)? Another interesting fact: Aurora is considered to be the mother of the morning star, also know as the Light Bringer, or Lucifer.

Pop Culture Synchronicity

As it is always the case in these mega-rituals,  the event appears to have been “foretold” in mass media. Coincidence, premeditation, or synchronicity? Not sure, but here are some strange things that appeared in the mass media before the shooting:

Released only days before the shooting, Lil Wayne’s video “My Homies Still” features him and his boys sitting in a movie theater full of skeletons. Aside from this scarily prophetic scene, the video features many dismembered dummies, a symbol associated with Mind Control.

Shown right before the fatal showing of Dark Knight Rises, this trailer of the movie Gangster Squad ends with a big shooting in a movie theater.

In the trailer, gangsters walk through the movie screen and start shooting at the crowd. Strange that the people at the “Batman shooting” actually saw this right before it then happened to them. Fiction indeed turned into reality.

This page from the 1986 comic “Batman: The Dark Knight Returns” features a crazed man killing three people in a movie theater. In the comic, media then states that the shooting spree was inspired by Batman.

Was the Batman shooting a mega-ritual carried out by the occult elite and its mass media appendage? It is not possible to say for certain, but a lot of the information that is surfacing leads Vigilant observers to realize: “Something’s weird about this”. As it is always the case in these types of events, the “investigation” will most likely begin and end with the proverbial “lone nut”, the single crazy psychopath toward which all fingers will be pointed. Were there people pulling his strings? Maybe, but the media always show the puppets, never the puppet masters.

Some might ask: “Why would ‘they’ even want to carry out these kinds of rituals?” It is indeed quite difficult to compute these events without taking into account “their” mindset, which is all about magick, symbolism, numerology and the power of rituals. Blood sacrifices are the most potent forms of ritual and the more people who witness and emotionally participate in that ritual, the more potency it gains. Right now, the whole world has its eyes turned towards the town of Aurora. And while outraged citizens across America demand a culprit to pay for this horrendous act, the REAL masterminds behind it will just sit back and enjoy the show.

The post Was the “Batman Shooting” a Ritualistic Murder Carried Out by Mind Controlled Patsy? appeared first on The Vigilant Citizen.

KONY 2012 is a viral sensation that swept the entire world in less than 24 hours. Its main subject is the African rebel leader Joseph Kony, his war crimes and the clearly defined “movement” to stop him.  Countless celebrities have endorsed the movement, news sources have reported it and social media is buzzing with it. While the problem of guerrilla warfare and child soldiers has plagued Africa for decades, and several documentaries have already been produced regarding the issue, this particular 29-minute video made managed to obtain mass exposure and support.

KONY 2012 is less of a documentary than it is a highly efficient infomercial that is tailor-made for the Facebook generation, using state-of-the-art marketing techniques to make its point. Young people like “underground movements” and want to feel like they are changing the world. KONY 2012 taps into these needs to bring about something that is not “hip” or “underground” at all: A military operation in Uganda. Not only that, it urges the participants of the movement to order stuff, to wear bracelets that are associated with an online profile and to record their actions in social media. This makes KONY 2012 the first artificially created movement that is fully track-able, monitor-able and quantifiable by those who engendered it. In other words, what appears to be a movement “from the people” is actually a new way for the elite to advance its agenda.

A Propaganda Experiment

The video begins with an interesting statement: “The next 27 minutes are an experiment. But in order for it to work, you have to pay attention”. It is an experiment as it tests a new, groundbreaking way to get an agenda accepted by the Facebook generation. In the past, when the government needed to justify the invasion of a country, the President would sit in front of the camera and tell the public why war should be declared in this area of the world. In the case of KONY, the military agenda is disguised as grassroots activism, where the US army entering Uganda would be perceived as a “victory of the people”, effectively reversing the communications model.

Towards the end of the video, an image is displayed explaining how decisions (and messages) start from the top of the pyramid (the elite) and are communicated to the masses through mass media and such.

Due to the advent of social media, the above diagram has become a lot less effective to get a message across to the young generation. It is not CNN reports and the President addressing the nation anymore, it is about “liking” Facebook pages and viral YouTube videos. This is where messages now come across. Always studying, analyzing and exploiting the most effective ways to persuade public opinion, KONY 2012 appears to be an attempt to test out the effectiveness of a “viral” propaganda campaign. By creating this “movement” and making young people actually DEMAND the U.S. government intervene in Africa, the masterminds behind this campaign would manage the impossible: Reversing the propaganda model in order to make it emanate from the people. By doing so, the elite’s agenda is not only accepted by the masses, it is perceived as a victory by them.

“We are living in a new world” indeed. The KONY 2012 logo aptly represents how a viral video and social media can reverse the propaganda model. Don’t be fooled however. Power is still not in the hands of the base of the pyramid … far from it. It is all about appearances.

When the war on Iraq was declared, a great portion of young Americans opposed the war. How is it they are now begging the government to send troops to Africa? A simple video, specifically conceived for the Facebook generation did the trick. As it is the case in most campaigns to justify a war, the first goal was to identify a bad guy.

Identifying the Bad Guy

By associating Kony with Bin Laden and Hitler in this poster, KONY 2012 is promoting war.

I have absolutely no intention of defending Joseph Kony or to say “he’s not that bad”. He, along with many other guerrilla factions across Africa, has committed despicable atrocities. However, the problem of child soldiers has existed for decades and there are literally hundreds of Joseph Konys across the African continent. In some cases, some of the armies are actually funded by Western countries. If we would truly go to the root of the issue, we’d discover that Africa has been plagued with the problem of warring factions and rebel guerrillas ever since Western forces “liberated” their colonies and divided the continent of Africa according to Western interests. Indeed, instead of setting the boundaries of each country according to the geographic location of the ethnic groups and tribes that live there, countries were created according to the economic needs of colonizing forces such as Great Britain, France and others. The net result is: A bunch of artificial countries that each contain several tribes, ethnic groups, languages and religions. When one group takes power, the others are repressed, which leads to violence and rebellion. Add to the mix extreme poverty due to resources being siphoned out of Africa by Western countries and you’ve got a breeding ground for merciless warlords. As long as this problem exists, Joseph Konys will continue to emerge in Africa.

But the video mentions none of this. All it says is that arresting Kony would “make the world better”. KONY 2012 is all about identifying a bad guy, “making him famous” and have people demand his death by U.S. forces. Fixing the true cause of problems in the third world has never been on the Agenda. But picking out a “bad guy” to justify military action has always been part of it. If in the case of Saddam Hussein, “facts” (that ultimately proved false) were given to justify the invasion of Iraq. A different technique is being used with Kony, one that originates from advertising.

Any marketing specialist will tell you: “Facts don’t sell, emotions do”.  The first part of KONY 2012 solely addresses emotions. It is about making the filmmaker likeable, showing gut-wrenching images of African kids in pain, in misery and in despair. Then, the turning point: Joseph Kony is the cause of all of this. Not centuries of exploitation and devastation by Western forces in Africa that lead to chaos, lawlessness and poverty. No, it’s Kony. That bastard. George Clooney is really mad at him right now. He even tweeted about it.

Another marketing strategy is to appeal to the lowest common denominator. In other words, to get a message across, one must address the audience as if it was made of kids. KONY 2012 does exactly this by ridiculously oversimplifying the problem and explaining it to an actual child – who represents the viewers.  This is not surprising though, as this is how the masses are perceived by the higher ups.

Here’s what this scene implies: “Look, dumb-ass, even this little kid gets it. So you better get it.”

Once the viewers had their emotions stirred, got infantilized and had the problem spelled out to them as if they were in kindergarten, the table is set for the true goal of the video: Defining the agenda.

Defining the Agenda

KONY 2012 is a movement backed by some of the world’s most powerful entities and has precise goals. As the movie’s intro states, it is an experiment. It is an opportunity to create a movement that can be fully trackable, quantifiable and manageable through social media whose culmination is a U.S. military intervention in Uganda. The carrying out of this mission will not only be perceived as a victory, it will restore young people’s faith in democracy. What the members of this movement might not realize is that they are helping the advancement of the elite’s agenda towards a New World Order.

This poster aptly summarizes how the Illuminati works. Political parties are irrelevant as both work towards the same Agenda.

The second part of the movie let’s go of emotions and describes to the viewers what the elite expects from them. U.S. troops are already in Uganda, but, according to the movie, Kony “changed his tactics”… Damnit Kony, you and your sneaky tactics. Apparently, high tech satellites, unmanned drones and all kinds of radars are not enough to catch this guy. Nope, in order to catch him, a complicated plan, involving the purchase of an “Action Kit” and the registering an ID bracelet on a website is required. Makes sense.

Those who want to “Stop Kony” are required to wear a bracelet bearing a unique code which needs to be registered at a website. Of course, personal information is requested.

Once the bracelet is registered, members can associate it with their Facebook account, which will keep track of all KONY-related actions. The end result is: every single member of KONY 2012 will be known, identified and easily tracked – with constantly updated information. All of this data will of course be collected, scrutinized and stored by those in charge.

Furthermore, members are asked to contribute a “few dollars a month” to TRI, an organization whose ultimate goal is American military intervention in Uganda.

TRI’s logo is an inverted “Peace” sign. In symbolism, an inverted sign means that it stands for the opposite of the regular sign. In other words, TRI is about war. Peace does not involve “equipping” and “training” government forces to fight rebel factions. As the novel 1984 states, WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH.

To support the cause and to make it popular, a bunch of elite-sponsored artists and politicians have been enlisted, including Lady Gaga, Jay-Z, Rihanna, Oprah, George Clooney, Bono, etc. While some of them might be genuinely concerned about problems in Africa, most of them are pawns of the elite that are used to promote its agenda.

Am I seeing warmongering George W. Bush in here? The dude that lied to the whole country in order to attack Iraq for its oil and stuff? Hmm. Weird.

After going past the celebrities and the emotions, the end result of this campaign is simple and steeped in real politik: Since the fall of rival superpower USSR, Western forces have sought to bring down and to control regional powers around the world, mostly in third countries. Uganda is part of that plan. The same way the spectre of Bin Laden was used to invade Afghanistan, Kony is being used to enter Uganda.

The video clearly shows what is the goal of this “movement”: U.S. troops taking charge of the Ugandan army, the same way it took charge of the Iraqi, Libyan and other armies in the past few years.

In Conclusion

KONY 2012 is a cleverly orchestrated campaign specifically aimed at today’s youth, the future citizens of the world. Using state-of-the-art techniques and new technologies, the campaign is a first attempt at “reverse propaganda”, where the agenda APPEARS to emanate from the people. By using emotions, irrational thoughts and superficial explanations, KONY 2012 attempts to trick well-meaning people, who desire to make a positive change in the world, to instead fuel a gigantic war machine that is controlled by the world’s elite.

Is KONY 2012 trying to eradicate child-soldiers or is it attempting to create a new kind of child-soldiers?

…Right.

The post KONY 2012: State Propaganda for a New Generation appeared first on The Vigilant Citizen.

Many articles on this site point out the presence of mind control symbolism in popular culture. Photo shoots, music videos and movies often glamorize and trivialize mind control and its symbolism by associating it with famous stars and trendy happenings. The fact however remains that these references celebrate one of the most abominable practices known to man: trauma based mind control, also called Monarch programming. Originating from the secret CIA project called MK-Ultra, Monarch programming subjects its victims to some of the most sadistic tortures conceivable (for more details on Monarch programming see the article entitled Origins and Techniques of Monarch Mind Control).

The works of Kim Noble vividly document the life of a mind control slave through the eyes of 13 alter personas. While a few of these alters paint peaceful landscapes and nature scenes, most of them depict horrific aspects of mind control such as physical torture, electroshock, violent sexual abuse, dehumanization and dark occult rituals. The stories told by these paintings are almost too much to bear, yet they likely actually happened to Kim Noble as they precisely reflect  accounts of other Monarch survivors. Looking at the works of Kim Noble not only reveals gritty details of an abominable practice carried on by “elite” organizations, it reveals the symbolism that is also thrown in our faces on a daily basis through corporate-owned mass media. Let’s look at the life and works of Kim Noble.

Who Is Kim Noble?

I have the feeling that Kim Noble herself would have trouble answering this question. Here’s the biography found on her official website.

“Kim Noble  is a  woman who, from the age of 14 years, spent 20 years in and out of hospital until she made contact with Dr Valerie Sinason and Dr Rob Hale at the Tavistock and Portman Clinics.  In 1995 she began therapy and was diagnosed with Dissociative Identity Disorder (originally named multiple personality disorder). D.I.D is a creative way to cope with unbearable pain. The main personality splits into several parts with dissociative or amnesic barriers between them. It is a controversial disorder but Kim has had extensive tests over 2 years by leading psychology professor at UCL, John Morton, who has established there is no memory between the personalities and that she has the misfortune of representing the British gold standard over genuine dissociation.

Having no formal art training, Kim and 13 of her personalities (alters) became interested in painting in 2004 after spending a short time with an art therapist. These 12 artists each have their own distinctive style, colours and themes, ranging from solitary desert scenes to sea scenes to abstracts, collages, and paintings with traumatic content. Many alters are unaware that they share a body with other artists.

What is remarkable to all is both the quality of their work and the speed of their progress. Within five years of starting to paint they have already had seventeen successful solo exhibitions and participated in an equal number of group exhibitions. Kim was also the first Artist in Residence at Springfield University Hospital in Tooting, South West London.”
- kimnoble.com

Despite the fact that she has to live with 13 alter personas – who randomly take control of her body – Kim Noble is fortunate enough to be living a relatively normal life. The fact that the programming stopped at a young age has helped her become “well-adjusted”. She has a teenage daughter named Aimee, who was mostly raised by the motherly alter named Bonny.

In the past few years, Kim Noble enjoyed some mainstream exposure and was featured in national newspapers such as The Telegraph, The Guardian, The Independent and several others. She even appeared at the Oprah Show, where she was interviewed and was shown switching personas. As you might expect from mainstream media, the coverage of Noble’s condition was extremely superficial and focused on exploiting the “freak” aspect of her condition for shock value. The true cause of her condition, trauma-based mind control, which is extensively described in her works, is almost never mentioned.

Although most articles and interviews about Noble “applauded” her courage and whatnot, none of them dared discussing the core message of her work and the system that it describes. Many of Noble’s paintings depict terrible scenes of organized, institutionalized and systematic violence, torture, and child abuse combined with elaborate occult symbolism. It is obvious that the trauma Noble went through was not caused by a single sadistic father but by an organized entity that held many children. The only article I found delving into the mind control aspect of Noble’s work was The Art of Dissociation from the excellent website Pseudo-Occult Media. However, to most newspapers, Noble’s work is nothing more than an example of “outsider art” (a term popularized by trendy art-world douches to identify art created by people with mental problems). Most observers are fascinated by the fact that each one of Noble’s alters paint with a distinctive style, but it’s as easy to recognize that her collective works describe her past as a Monarch programming victim.

The “real” Kim Noble does not recall any of the abuse she suffered – several of her alters do, however, and they express all of it in their paintings.

“To all intents and purposes, each of Kim’s personalities is an artist in their own right: Patricia paints the solitary desert landscapes, Bonny’s pictures often feature robotic dancing figures or “frieze people”, Suzy repeatedly paints a kneeling mother, Judy’s canvasses are large, conceptual pieces while Ria’s work reveals deeply traumatic events involving children.

These disturbing images are at the root of Kim’s extraordinary condition; DID is a creative mental survival strategy whereby the personality splits at a young age due to severe and chronic trauma. The number of personalities that exist often depends on how long the trauma lasts. But Kim herself has no memory of being abused as a child; she has been protected over the years by her alters.

“I’ve been told I was abused and to me at this moment in time, it’s too much. It goes in one ear and out the other. It’s no good retraumatising me and telling me something I don’t want to know – in any case, there would be a switch.”

Kim has good reason to fear learning about her past as it’s possible that if she acquires too much information, she won’t be able to cope and will “disappear”. It’s happened twice before. (omega)

This is where it gets really weird – for Kim isn’t Kim at all. The personality I am interviewing is Patricia and it is she who manages her and Aimee’s lives, but Patricia wasn’t always the dominant personality. Before Patricia took over, Bonny held the fort and two years previous to Bonny, it was Hayley.

Kim watches me closely as she explains: “You see Kim is just the ‘house’, the body. There isn’t a ‘Kim’ at all – she has completely split. So we answer to the name Kim but really I am Patricia. When people call us ‘Kim’ I suppose many of us just assume it’s a nickname, but once people know you they don’t use your name very often in conversation.”

Of the 20 or so personalities who share “Kim”, some are easily identifiable: there is 15-year-old Judy who is anorexic and bulimic, maternal Bonny, religious Salome, depressed Ken, sensible Hayley, Dawn, Patricia and elective mute MJ. There are also a handful of children “frozen” in time. A few of the alters know about the DID but many are unaware – or refuse to accept it.

“Judy doesn’t believe in the DID,” explains Kim. “She’s only a teenager and she calls our therapist a nutter when she tries to explain it to her. She’s so young, she doesn’t even think Aimee is her daughter. She knows about me and she thinks that I’m a terrible mother because I’m always leaving Aimee. To her, it’s totally normal to keep coming and going. She probably thinks that you come and go too.”

There are certain “triggers” that can force a change and gradually Kim has learnt what they are in order to avoid them – but it doesn’t stop her switching up to three or four times a day.”
- The Independent, “Kim Noble, a Woman Divided”

Let’s look at some of the works created by some of Kim Noble’s alters as they each provide a different look at the shady world of Monarch programming. Regular readers of the Vigilant Citizen might realize that a lot of the symbolism found in Noble’s paintings are also found in popular culture.

Warning: Several of these paintings depict disturbing scenes which might not be suitable for young or sensitive readers.

Bonny

Bonny, who was Kim’s “dominant” alter for a few years, is a warm and motherly figure. Most of her paintings portray humans as mechanical robots – which is one of the ways one could describe a mind control slave. Other pieces are more directly related to Monarch programming such as this one, aptly titled “I’m Just Another Personality”.

“I’m Just Another Personality” visually represents the splitting of the subject in several alters. The central figure, or the core personality has become simply “another personality”. It is blindfolded, representing the victims total blindness to its condition.

This kind of imagery is sometimes found in popular culture by acts who exploit mind control imagery.

Lady Gaga on the cover of V with two alter personas.

Another piece made by Bonny, ironically named I-Test, symbolically depicts the reality of a mind control slave.

“I-Test” portrays a blank, emotionless face with blindfolded eyes. The skull is cracked, representing the fracturing of the psyche. One of the eyes is bloody and we can assume that it has been poked out. The symbol of the missing/hidden eye is extremely important in the world of Monarch mind control. It symbolically represents the loss of half of victim’s vision of the world – the other half being “taken out” and controlled by the handlers. In occult symbolism, the emphasis on one eye can refer to the Eye of Horus, the All-Seeing Eye, a symbol of the occult elite.

A promotional t-shirt of the movie Sucker Punch (which was all about Monarch Programming – see “Sucker Punch” or How to Make Monarch Mind Control Sexy) featuring a bloodied eye.

A cracked face on a promotional poster of Black Swan – another movie with heavy mind control elements.

Golden Dawn

Golden Dawn is the alter that saw the birth her daughter Aimee. However, Dawn believes that Aimee is still a baby and does not recognize the teenage girl that lives with her. The name “Golden Dawn” has a heavy occult connotation as it is the name of an important and powerful secret society that taught Hermetic Kabbalah, astrology, occult tarot, geomancy, and alchemy to its initiates. It held within its ranks prominent occultists such as Arthur Edward Waite and Aleister Crowley. The process of Monarch mind control combines state-of-the-art “science” (if you can call torture “science”) with ancient occultism, whether it be in hermetic theories, kabbalistic symbolism or invocation rituals. It is therefore no surprise that she was given this occult-inspired name.

Her piece entitled “The Naming” visually depicts the process of creating and naming a new alter.

“The Naming” is an auto-portrait of Kim with one eye that was removed from the face and placed above her, bloody, which conveys the violent nature of the process. Once again, mind control is symbolized by the loss of an eye which appears to have been replaced by a text/poem that was probably used to program her.

Most of Dawn’s other paintings feature limbless, mannequin-like figures who are subjected to various methods of torture.

“Armless Goddess” portrays a hopelessly powerless figure, ironically referred to as goddess.

“Armed Goddess” depicts another traumatic torture scene.

Key

The alter “Key” appears to have a profound understanding of the process of mind control and its underlying occult aspect. The name “Key” might refer to terms such as the “Key of the Mysteries” or “Solomon’s Key” as she seemed to have been programmed to understand some of the occult concepts utilized in mind control. Most of this alter’s works describe the programming process as a kabbalistic “Great Work”, with the Tree of Life (the main symbol of the Kaballah) as the main object of focus.

“It Happens” is an extremely detailed work describing the several layers of programming required to traumatize and program a mind control victim. The title “It Happens” is a disabused way of saying that … all of this really happened.

“It Happens” is comprised of overlapping layers surrounding a central figure: a helpless person strapped to a bed. The head is symbolically “decapitated” from the body using a line, representing the concept of dissociation. Each one of the overlapping layers contains a set of pictographs representing either traumatic events or occult symbolism. The outer layer depicts scenes of victims being electrshocked, hung from a tree, being caged, raped (sometimes with animals), caged, buried alive and more. From this outside layer, arrows point towards the second layer, which contains zodiac signs. According to F. Springmeier, zodiac signs are used as a code to assign and file body programs. The center layer surrounding the victim contains words such as “Hell”, “Devil”, “Blood” and “Kill” which are shock words used to further traumatize the victim.

This one, entitled “Golden Kaballa”, uses the same basic layout as the previous image but replaces scenes of trauma with occult symbols and the central figure with the kabbalistic Tree of Life. Each one of the Tree of Life’s colourful spheres, named Sephirots, are used in Monarch mind control as “compartments” to store alter personas. The outer layer of the work contains the name of each of the ten spheres of the Tree of Life with its associated Hebrew letter.

By overlapping the trauma depicted in “It Happens” with occult aspects of “Golden Kabballah”, we get a rather complete idea of the process of mind control. They schematize, with near mathematical precision, a process that is described by authors on mind control such as Fritz Springmeier.

“The Cabala is synonymous with Hermeticism or Hermetic magic. The Cabala was jewish-babylonian magic. The jewish black magicians brought it to Europe. It began to get widespread notice in Europe after Enlightenment period. The great pyramid according to the occult is a symbol of the Cabalistic Tree of Life–the branches of the tree form the four streams or lines to the base of the pyramid. Because the Cabala is the basis of their hermetic magic, Illuminati systems will be fairly consistent in the make of a slave’s internal Tree of Life and Tree of Evil. (…)

The rooms of the tree of life have names. Essentially, every Illuminati hierarchy victim, has the Cabalistic tree of life placed in them. This tree lies below the other trees. The circles that make up the internal Cabalistic Tree of Life are called rooms or quads by the various survivors. Alters can use the internal Tree of Life to work magic internally. It also reminds deeper alters of cult control. The circles of the tree are rooms that can be entered into. Mt. Qabbalah is a figurative mountain in the Cabala.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

This next piece, entitled “Seven Levels” is another highly detailed account of the process of dissociation.

Comprised of several layers, this works depicts, from bottom to top, the “evolution” of a slave from the hell of trauma to the “heavenly” feeling of dissociation. The bottom two layers depict several horrific scenes of trauma. For example, we see in the bottom left corner a pregnant women giving birth to a dead child in a pool of blood under disturbing phrases such as “No Life”, “Death” and “Blood Death All Around”. There are also several caged children, others being electroshocked and others hung upside down. Inverted crosses are found all around these two bottom layers, reminding us that these traumatic events are Satanic Ritual Abuse (SRA).

All of this trauma, pain and suffering seems to be “channeled” towards the layers above, consisting of a plethora of occult symbols such as the Tree of Life, the signs of the zodiac and All-Seeing eyes. It is during this occult level that the transformation occurs.

The top layer represents the (only) escape to all this trauma: dissociation. It is represented by an angelic figure rising to the sky. Looking closely however, we see an All-Seeing Eye in the sky, which reminds us that this escape is not true freedom, but a controlled state that has been induced by the handlers.

Judy

This alter is a teenage girl who is anorexic.  Most of her paintings place a heavy emphasis on the concept of duality  – one of the most basic occult concepts exploited by mind control rituals. Duality is an ancient hermetic concept which is traditionally represented with the juxtaposition of the colors black and white, as with the Masonic checkerboard pattern or the symbol of the Ying Yang.

Judy’s works often give a prominent place to the Masonic checkerboard floor, the surface on which occult rituals and ceremonies take place in secret societies. She was probably heavily exposed to the concept of duality (good girl vs evil girl – something that is also found in popular culture) and the symbol of the checkered floor was probably physically used during programming.

“Crying Rose” fully exploits the theme of duality used on mind control victims to create a “split of personality”. The crying girl, who is dressed in a checkered dress, reflects the checkerboard pattern floor, therefore insinuating that duality is occurring within her.

This piece, titled “Symbolic or What”, is indeed … symbolic. Two girls (or two personas of the same girl) avoid stepping on the checkerboard floor  due to the presence of a snake. They appear to be covering their genitals, implying that the snake is phallic symbol. The painting also attests to the great psychic power of the checkerboard pattern on victims, a trait that was probably part of the programming.

This painting portrays Monarch slaves as literal pawns on a chessboard, who are “played with” to then be disposed of by their handlers.

This self-portrait depicts Judy as a person divided into opposite entities. The concept of duality is therefore very present and represented by the juxtaposition of the colors black and white. The shock words and insults on the image recall the violent and abusive process that leads to the fragmentation of the personality.

Ria Pratt

The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be sexual, physical or dehumanizing. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations.

“It’s a Dog’s Life” depicts mind control victims being held on a leash like dogs – a technique to humiliate and dehumanize the victims. Notice the “transparent” version of the children floating in the air, representing their dissociated alter personality. An inscription on the wall says “Pratt Was Here” which emphasizes the fact that she saw and lived these things first hand.

Entitled “Too Much”, the painting depicts a victim being electroshocked by a handler with a sick smile. The pain is “Too Much” to handle, resulting in the victim’s dissociation.

“What Ted Saw” depicts the abuse of a small child by its handlers. “Ted” is the small Teddy Bear sitting on the floor. Young mind control victims are often given Teddy Bears by their handlers to make them develop an emotional attachment to them. This attachment is then exploited by the handlers to create emotional trauma.

In “Ted’s Legless”, Ria’s handler rips off one of her best friend’s legs while forcibly holding her on the ground. The trauma causes dissociation, which is represented by the transparent version of the girl. Haunting words are inscribed on the wall: “Help Me Please” and “Pratt was Here”.

The symbol of a teared up teddy bear sometimes utilized by mass media in works containing hidden references to mind control. This scene is from a music video from pop singer Jessie J’s (see full article here), which contains several references to Monarch programming.

“Unspeakable” depicts the unspeakable: the abuse of small children by their handlers. Strange phrases a written on the wall along with an inverted cross, a symbol that appears to be hardwired into the brains of Monarch slaves.

“No No!” depicts a forced abortion or premature birth. The bloody operation is witnessed by Ria, probably to traumatize her. According to Ellen P. Lacter, fetuses are either sacrificed in rituals or used as slaves.

Another of abuse involving children, who have dissociated (transparent bodies floating).

Children caged up like animals about to be tortured by a handler (who also appears to have dissociated).

This sums up the life of a Monarch slave.

In Conclusion

Although Kim Noble enjoyed some mainstream exposure, the true source of the artist’s condition – Monarch programming – is nowhere to be found in mass media. Analyzed in its entirety, Noble’s body of work describes a highly organized and complex system that appears to hold great amounts of knowledge- occult and scientific – as well as material resources. This system also appears to literally own humans, mostly children, who are  abused and traumatized to create within them programmable alter personas. The fact that no newspapers dared to investigate (or even mention) anything related to MK-Ultra, a program that was proved to use the exact techniques described in the paintings, tells volumes about the power of those operating it. The soulless handlers depicted in Noble’s paintings are not lone psychopaths, but high level officials of the Illuminati system who enjoy media immunity. In fact, they are sometimes part of the media as the worlds of the entertainment business and Monarch programming often collude.

Partly for this reason, the symbolism used during Monarch programming has spilled over to the mainstream entertainment business. Some of the world’s biggest stars are products of mind control. The same symbols used in the programming of Monarch slaves is sent to the world through mass media. High level mind control handlers and slaves (those who have “succeeded” at the various levels of programming) end up operating in show business. Some of our favorite entertainers are nothing more than puppets whose strings are pulled by unseen handlers. These handlers are “unseen” to most, but they certainly make themselves “seen” through the symbolism placed in the media.

Many of the symbols described on this site directly originate from the shady world of Monarch programming, which uses a complex system of occult images and powerful triggers. Although most of us are fortunate enough not to live through the hell endured by these MK slaves, we are still subject to a form of programming using movies, television, music and other forms of mass media. Those who operate behind the scenes attempt to slowly normalize their existence and their depraved behaviour. Why are children being so aggressively sexualized in mass media? Is it because people in the entertainment business are connected with the people who commit the horrific acts portrayed above? Sadly, the reality is sicker than the fiction.

Related

• Gallery of Kim Noble’s Paintings

• Origins and Techniques of Monarch Mind Control

The post The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas appeared first on The Vigilant Citizen.

Originally triggered by a case of police brutality, the London riots soon became a generalized expression of malcontent from today’s young proletariat. The cramming of the unprivileged into neighbourhoods resembling ghettos combined with continued police oppression has always been an explosive combination. The Los Angeles riots of 1992 and the French riots of 2010 took place in very similar circumstances. While it is obvious that many rioters have absolutely no political agenda except for the looting of a few bottles of liquor, the riots are nevertheless the accumulated result of years of segregation of the poor and minorities in conjunction with the type of police oppression not found in well-to-do suburban areas.

While the media seems focused on portraying the rioters as a bunch of drunk hoodlums who have nothing else to do, it is obvious to the citizens of the area that the growing tensions with the police would lead to this kind of outburst. Here’s an interview describing the “other side of the story” (I don’t think that the BBC was expecting this kind of response).

Order Out of Chaos

That being said, the London riots might be exactly what the ruling class needed to further a few agendas. The elite’s motto is Ordo Ad Chao, meaning Order Out of Chaos. Time and time again, chaotic situations have been “allowed” – if not totally engineered – by the elite in order to create fear and panic within the general population. The distraught masses then beg the elite for an intervention and a prompt solution. The result of these interventions is almost unequivocally the same: the introduction of rules and regulations disadvantaging the average citizen while giving more (undemocratic) powers to the elite.

The new policies would not normally be accepted by the general population, but due to the panic generated by the crisis, the policies are not only accepted but welcomed with open arms. The Great Depression of 1929 allowing the Rockefellers and the Morgans to hijack the banking system, 9/11 clearing the way for the PATRIOT act,  the bailout “crisis” that handed $700 billion of tax-payer money directly to a few favored companies … the same pattern repeats itself continually. Create a crisis, make it last long enough to get the population worried and introduce the solution that was, in fact, part of the agenda all along. And the population falls for it, every single time.

Using mass media, it is easy to create widespread panic. Simply interrupting a TV show with “Breaking News” featuring a red banner at the bottom of the screen and bold letters is enough to raise the collective heartbeat of a nation, and to make it aware of a situation in a matter of minutes. In the days that follow, all media outlets constantly remind the population of this particular situation. The constant hammering makes the situation almost seem as unbearable by the population who hear about it continuously on TV and read about it in the newspapers and the internet. After a while, the average citizen will want just one thing: the awful, nauseating feeling created by the situation to go away, whatever that takes. After the problem has dragged long enough, the media present one or several solutions. Not fully understanding this solution, but tired and annoyed, most people think: “Well, if that’s what it takes for them to shut up about this and move on to something else, then I’m all for it.”

Did the elite allow the London riots to last long enough to create a sentiment of panic? There are already sources stating that the police were ordered to stand by as the riots took place (according an article from the Daily Mail entitled Why police were so soft on London looters: They ‘were ordered to stand and observe’ as capital burned (but in Manchester they were hunting looters within hours). Furthermore, we are already seeing in the media the emergence of a specific agenda and a call to the adoption of specific policies that, predictably, go against the interests of the general public.

The Blackberry Riots – The Underlying Agenda

After a single day or rioting, an obvious agenda emerged in the media and a specific culprit was singled out by the authorities: the privacy of mobile messaging. The same way a picture of bin Laden appeared on TV screens only a few minutes after 9/11, mobile instant messaging was outed as the main cause of the London riots. Several media outlets have even dubbed these events “the Blackberry Riots”. The media, being the right hand of power, steered the attention of the public towards a specific agenda.

According to news sources, the London riots were mainly orchestrated using Blackberry’s instant messenger service (known as BBM), which is a (relatively) private service as the communications are encrypted. Here’s a typical article pointing out Blackberry, this one is from Reuters:

The BlackBerry riots

MP calls for BBM suspension to calm UK riots

A lawmaker called on Tuesday for BlackBerry’s instant messaging service to be suspended after rioters used it to mobilize in London and other British cities.

David Lammy, Member of Parliament for Tottenham, where London’s worst riots for decades began on Saturday, appealed on Twitter and on BBC radio for BlackBerry maker Research in Motion

to suspend BlackBerry Messenger (BBM).

“This is one of the reasons why unsophisticated criminals are outfoxing an otherwise sophisticated police force,” he tweeted. “BBM is different as it is encrypted and police can’t access it.”

The riots, in which shops are being looted and cars and buildings set ablaze, spread to Britain’s second-largest city Birmingham and other centres.

Politicians and police are blaming the violence on criminals and hooligans but some commentators and local residents say its roots lie in anger over economic hardship in a city where the prospects for many youths are dim.

Many of the rioters favour BlackBerry Messenger over Twitter and other social media because its messages are encrypted and private, but the service is widely used and messages can easily be sent to groups.

Research In Motion said in a statement on Monday: “As in all markets around the world where BlackBerry is available, we cooperate with local telecommunications operators, law enforcement and regulatory officials.”

The company declined to say whether it was handing over chat logs or user details to police.

Research In Motion’s Inside BlackBerry blog was hacked on Tuesday by a group going by the name of Teampoison. The group posted a warning to the company not to cooperate with police.

“You Will tNOTt assist the UK Police because if u do innocent members of the public who were at the wrong place at the wrong time and owned a blackberry will get charged for no reason at all,” the statement said.

“If you do assist the police by giving them chat logs, gps locations, customer information & access to peoples BlackBerryMessengers you will regret it, we have access to your database which includes your employees information; e.g – Addresses, Names, Phone Numbers etc. – now if u assist the police, we tWILLt make this information public and pass it onto rioters,” it said.

YOUNGER CLIENTELE

Sameet Kanade, analyst at Northern Securities in Toronto, said: “RIM will need the directive of the UK authorities and the cooperation of the carriers. Lawful intercept is the only valid legal reason that a carrier and handset vendor can intervene.

“In terms of actual mechanism, RIM has always claimed that it is unable to de-encrypt/decipher messages routed through the BES or BIS servers. It may be able to disable the routing of messages at best, from what I understand.“

Geoff Blaber, analyst with UK telecoms research firm CCS Insight, said: “One option would be to switch it off. But BBM is highly popular and has got a big installed base in the UK.“

BlackBerry Messenger, or BBM as it is popularly known, has driven sales to new audiences for RIM in recent years as it expanded from its base as a tool for executives to a more consumer and younger clientele.

It has more than 45 million active users worldwide, 70 percent of whom use it daily, sending billions of messages in total every month.

Users with data plans can instantly pass text messages, pictures and other files without incurring charges from their network carrier.

RIM has got into hot water in the past on the one hand for cooperating with governments seen as repressive, and on the other for not cooperating enough with the security needs of authorities in some countries.

Its encrypted services, which it moves over its own servers via telecom carriers, have been blamed for aiding militant attacks in India and for allowing unrelated men and women to communicate in Saudi Arabia and the United Arab Emirates.

In August last year, a source close to talks between RIM and Saudi authorities said the Canadian company had agreed to hand over information that would allow monitoring of BBM.

A deal was also reached in the UAE, averting a threatened ban on all BlackBerry services.

The company says it cooperates with authorities around the world with a consistent standard.

RIM has been relatively willing to provide authorities with access to its consumer services, such as BBM, but says it has no way of allowing monitoring of its enterprise email.

In the case of India, RIM gave the authorities access to BlackBerry Messenger services but said it did not have the technical capabilities to provide interception of corporate emails on the popular device.

India has demanded access to all BlackBerry services as part of efforts to fight militancy and security threats over the Internet and through telephone communications

In London, Deputy Assistant Commissioner Stephen Kavanagh of the Metropolitan police said on Tuesday: “Police have got extensive monitoring of this BlackBerry messaging model and actually a lot of people who are seeing these Blackberry messages are forwarding them to the police.“

Police did not immediately respond to a request for more details of how they were monitoring message traffic.

- Source

After a few days of repetition, the population is convinced: The riots are not the results of inequalities or police brutality; they are the result of too much privacy in mobile communications. This cancer must be stopped. The police, or whomever else that wants to, must be able to monitor all of our communication, at all times, or our cities will burn. This is the message that is being hammered to the public. Do all of the rioters own a Blackberry? I would not think so, but that is not important. The agenda was already set.

Singled out and facing bad publicity, RIM (the company that created the Blackberry) was pressured to violate the privacy of its subscribers and to divulge their personal information. Normally, this would have caused outrage, but now, due to the riots, the the general population believes that it that it is necessary to stop these riots and to prevent other ones from taking place.

The media’s focus on RIM, and the resulting pressure to hand over sensible information to the authorities, lead to the hacking of Blackberry’s official site on August 9th by a group who opposing this sharing of information.

Blackberry’s official website hacked

This is the message left by the hackers to RIM:

Dear Rim;

You Will _NOT_ assist the UK Police because if u do innocent members of the public who were at the wrong place at the wrong time and owned a blackberry will get charged for no reason at all, the Police are looking to arrest as many people as possible to save themselves from embarrassment… if you do assist the police by giving them chat logs, gps locations, customer information & access to peoples BlackBerry Messengers you will regret it, we have access to your database which includes your employees information; e.g – Addresses, Names, Phone Numbers etc. – now if u assist the police, we _WILL_ make this information public and pass it onto rioters… do you really want a bunch of angry youths on your employees doorsteps? Think about it… and don’t think that the police will protect your employees, the police can’t protect themselves let alone protect others…. if you make the wrong choice your database will be made public, save yourself the embarrassment and make the right choice. don’t be a puppet..

p.s – we do not condone in innocent people being attacked in these riots nor do we condone in small businesses being looted, but we are all for the rioters that are engaging in attacks on the police and government… and before anyone says “the blackberry employees are innocent” no they are not! They are the ones that would be assisting the police

- TriCk – TeaMp0isoN -

- Source

Despite the threats, RIM stated on August 10th that it would fully collaborate with the police force. This means that chat logs, the GPS locations and the customer information stored in RIM’s databases can be used by the police to track down and to prosecute suspected rioters. Caught up in the panic caused by the riots, most Britons will agree with these measures. They do not however realize that dangerous precedents are being created and the net result will be the reduction of privacy and freedom for all and a collective step towards a police state. These kinds of policies can only be introduced during periods of chaos. Instead of causing outrage, the population is actually applauding RIM’s compliance with the British government. Because, after all, what company wants to be on the side of these drunken looters?

 Acceptance of a Police State

Dragging out the riots for several days serves another important agenda: the acceptance, and even the welcoming, of police state measures. Every additional day of rioting causes the average citizen to be increasingly favorable to the use of drastic measures by the government. At the time of writing this article, conservative elements of the government are already calling for the imposition of martial law and for the gunning down of rioters on sight, Here’s a poll (produced by NewsCorp’s Sun TV) that perfectly describes how a population can become favorable to oppression when chaos occurs (let’s not forget, of course, that it is possible for Sun TV to have tricked the numbers to give an illusion of consent regarding the use of force).

SUN Poll showing that, 77% of the population would agree with seeing the army in the streets of London (martial law). Also note that one out of three people wouldn’t mind seeing rioters shot with live ammunition.

In Conclusion

If the London riots stemmed from deep social problems involving the exclusion of the unprivileged and police brutality, the powers that are seizing the opportunity to push a specific agenda. Do not be surprised if, in the near future, news of agent provocateurs being hired to incite violence popped up in the news. Violence justifies repression. In other words, the elite needs violence to make its policies acceptable. After just a few days of rioting (which was allowed to continue), a major shift in communication technology was introduced and accepted by the population: chat logs, GPS location and other private information can now be monitored by the authorities for “suspicious activities”. A few more days and the population will be ready to accept martial law and other tactics normally usually used in oppressive third world countries.

To be “for” or “against” the riots is, ultimately, an irrelevant debate. The most important thing to consider is the aftermath and the changes that will affect our nations for years to come. Whose interests will the riots ultimately serve? The poor people of London wanting a bigger piece of the pie? Or the ruling elite wanting to justify more control?

The post The London Riots and How They Will be Used to the Elite’s Advantage appeared first on The Vigilant Citizen.

In 1965, NASA began using cloth patches to identify each of its missions and to symbolize the missions’ objectives and their crew.  Each rocket launch has therefore a patch designed by crew members and in collaboration with the official design team. The patches are then proudly displayed on equipment and worn by NASA astronauts and other personnel affiliated with a particular manned or unmanned space mission.

Since then, other organizations involved in space travel and secret operations began using mission patches, including those that specialize in PSYOPS (psychological warfare): the CIA, the Department of Defense and the National Reconnaissance Office (NRO). What does space travel have to do with psychological warfare? Spy satellites. Since 1960, the NRO (whose existence was only declassified in 1992) has launched dozens of secret spy satellites into space, collecting an incredible amount of information on the United States’ friends, enemies and citizens.

As it is nearly impossible to obtain information regarding these highly classified endeavours, mission patches offer a rare glimpse into the world of PSYOPS. Even if one is not well-versed in symbolism, it is easy to perceive a sinister “vibe” emanating from the patch designs. Laced with strange symbols, ominous creatures, obscure Latin phrases and even dark humor, these patches reflect the mindstate of those wearing the patches.

The trailblazer in this area of research is Trevor Paglen, who, in 2008, published the book “I Could Tell You But Then You Would Have to be Destroyed by Me: Emblems from the Pentagon’s Black World”. By the means of hundreds of Freedom of Information requests, he obtained and analyzed forty mission patches. From the book reviews:

“The iconography of the United States military. Not the mainstream military, with its bars and ribbons and medals, but the secret or ‘black projects’ world, which may or may not involve contacting aliens, building undetectable spy aircraft, and experimenting with explosives that could make atomic bombs look like firecrackers. Here, mysterious characters and cryptic symbols hint at intrigue much deeper than rank, company, and unit.”
—UTNE Reader

“Of course, issuing patches for a covert operation sounds like a joke … but truth be told, these days everything is branded. Military symbols are frequently replete with heraldic imagery—some rooted in history, others based on contemporary popular arts that feature comic characters—but these enigmatic dark-op images, in some cases probably designed by the participants themselves, are more personal, and also more disturbing, than most.”
—Steven Heller, The New York Times Book Review

Since the release of this book, new mission patches have been released that are as strange and cryptic as their predecessors. If these patches are meant to symbolize “the values of the crew and the objectives of the mission”,  perhaps we should be a little concerned. Here are the top 10 most sinister mission patches:

#10 – Alien Face

TENCAP is an acronym for “Tactical Exploitation of National Capabilities” and is a collection of programs involving the cutting edge of warfare.

“The purpose of the AF TENCAP program is to exploit the current and future potential of existing national, commercial, and civil space systems and national air-breathing systems, and to provide these capabilities to the warfighter as rapidly as possible.”
- Source

In PSYOPS, “Special” almost invariably means “black” or highly classified. Does the “highly classified part” of the mission have something to do with the fact that the badge bears the face of an alien? The saying at the bottom does not help: The phrase “Oderint Dum Metuant” is usually associated with Caligula, the first-century Roman emperor whose name became synonymous with depravity, madness, and tyranny. It translates as “Let them hate so long as they fear.” Right.

#9 All Your Base Are Belong to Us

A giant angry dragon clutching the planet, bringing destruction from space. That’s a nice way to symbolize space missions. In PSYOPS symbolism, dragons typically represent signals-intelligence satellite launches; the dragons’ wing patterns symbolize the satellites’ massive gold-foil dish antennae meant to collect all types of information from earth. The phrase “Omnis Vestri Substructio Es Servus Ad Nobis” can loosely be translated to “All your base are servant to us”. This phrase does not make much sense, except that it vaguely states that the world is owned by those who made that patch. But this phrase is also reminiscent of a geeky 2002 Internet meme based on a poor translation in an old-school Sega game.

This allusion to popular culture is quite funny yet disturbing … I’m pretty sure they truly believe that all our base are belong to them.

#8 Hymn to Pan

The PAN satellite was launched in September 2009 and is so top-secret that no military or governmental organization claimed to have built it.

“A United Launch Alliance Atlas V rocket has launched with PAN, a classified satellite which will be operated by the US Government. The launch was on time, at the start of a two hour, nine minute launch window which opened at 21:35 GMT (17:35 local time). Unusually for an American government satellite, the agency responsible for operating the spacecraft has not been disclosed.”
- Nasa Space Flight

According to the patch, PAN stands for “Palladium at Night”, Palladium being a silvery-white metallic element that is probably present in the satellite. The mission is so secret, however, that it is jokingly said that the name PAN actually stands for “Pick a Name” (notice the subtle question mark underneath the rocket on the patch).

PAN is also the name of an ancient horned god important in occultism and that has a strange link with the history of rocket science in the United States.

Jack Parsons, a pioneer in American space propulsion who is often credited for having “propelled” the United States into the space age (a crater of the moon is named in his honor), was also a notorious occultist. He was a prominent member of the Ordo Templi Orienti (the O.T.O.), an occult secret society popularized by Aleister Crowley. Seeing no separation between his professional and his occult work, Parsons was known to chant Crowley’s poem entitled Hymn to Pan before each test rocket launch.

“Parsons would dance and chant poetry—most notably Crowley’s “Hymn to Pan”—before rocket tests.”
- Goeffrey Landis, The Three Rocketeers

Is Pan still invoked during rocket launches?

#7 Supra Summus

This is a patch for a NRO spy-satellite launch. Those familiar with this site will probably recognize this Illuminati 101 symbolism: An unfinished pyramid topped by the All-Seeing Eye. This All-Seeing Eye requires help: it needs spy satellites to be even more all-seeing.

“LMA” at the bottom right most likely refers to Lockheed Martin Aerospace, which is the ultimate Big Brother mega-company working with the CIA, NRO, NSA and IRS.

Above the All-Seeing Eye is written “Supra Summus”, which can be translated to “Most Superior and Highest”, which, if nothing else, indicates a healthy level of self-esteem.

Other NRO spy-satellite launches have also used similar designs.

#6 Two Faced Shadow Guy

The 23rd Space Operations Squadron (23 SOPS) is a United States Air Force unit located at New Boston Air Force Station in New Hampshire. The patch of this mission features a creepy-looking figure in a creepy hood looking over the earth with creepy eyes, staring creepily at the American continent. However, that is not the creepiest thing in this patch. If you look closely at the contour of the black face, you’ll see another face, with pointy nose and pointy ears, looking left.  Who is this creepier dude within an already creepy dude? And what’s up with all the layers of creepy?

The saying “Semper Vigilans” means “Always Vigilant”. At least I can relate to that. But in the context of this patch, it is definitely creepy.

#5 The Grid

Are you thinking of selling your condo and your Prius in order to leave everything and “go off the grid”? Try it and this knight might slash your head off. It would probably be useless anyhow. Look closely at this patch: there is no “off the grid”. This patch actually depicts the “information grid” those crazy conspiracy theorists keep rambling about, complete with nodes at the intersections.

Defenders of the Domain is a subgroup of the NSA Information Assurance group and is comprised of individuals “who are on the front lines in developing the strategy, the concepts, the planning and the technical implementation in the Information Assurance domain. They are the true leaders in the world of Cybersecurity.” In other words, they monitor the cyberspace using the latest technologies.

The man with the sword is in the distinct dress of a Knight Templar, this ancient group of Crusaders that became an occult secret society. The Knight represents the descendants of the Templars, the modern Illuminatus.

#4 NRO Snakes

This is another mysterious patch of the NRO. The program associated with this patch is totally unknown. All we know is that it is represented by three menacing vipers wrapped around the the earth, making us all warm and fuzzy inside.  The Latin inscription “Nunquam Ante Numquam Iterum” translates to “Never before, never again.” What never happened before and will never happen again? We may never know.

#3 I Could Tell You…

You know that a mission is top-secret when not even an obscure symbol can be used to represent it. This patch was designed as a generic insignia for “black” projects conducted by the Navy’s Air Test and Evaluation Squadron Four. The Latin phrase “Si Ego Certiorem Faciam … Mihi Tu Delendus Eris” is roughly translated to “I could tell you … but then I’d have to kill you”. That is cliché phrase, but considering these are the people who actually created it, they probably don’t think it is corny. In fact, they’re probably dead serious about it.

Furthermore, there is a twist on the phrase. According to Paglen, the Latin phrase is worded in a peculiar way in order to refer to Greek and Roman texts.

“The Latin phrase Si Ego Certiorem Faciam … Mihi Tu Delendus Eris roughly translates into a cliché commonly heard in the vicinity of “black” programs: “I could tell you, but then I’d have to kill you.”

But the phrasing here is unusual because it is written in the passive voice: a more accurate translation of the Latin would be “I could tell you, but then you would have to be destroyed by me.” By employing the passive voice, the patch’s designer makes two references that would not exist in other phrasings. The first reference is to the Greek god of Chaos, Eris, about whom Homer wrote in Book Four of the Iliad: “[Eris] whose wrath is relentless … is the sister and companion of murderous Ares, she who is only a little thing at the first, but thereafter grows until she strides on the earth with her head striking heaven. She then hurled down bitterness equally between both sides as she walked through the onslaught making men’s pain heavier.”

The passive phrasing of the Latin also echoes the words of the second-century BCE Roman senator Cato the Elder, who roamed the Senate repeating the words Carthago delenda est—”Carthage must be destroyed.” In 149 BCE, Cato got his way and Rome attacked the North African city, located near present-day Tunis. Three years after beginning their assault, the Roman army overran Carthage, tore down its walls, and sold its inhabitants into slavery. After the Roman Senate declared that no one would ever again live where the city had stood, legend holds that Rome salted the earth around the city in order to ensure that Carthage would remain a wasteland.”
- Source

So the badge does not contain a simple death threat: it also alludes to a “wrath from above” of mythological proportions, turning your city into a wasteland for generations to come. Now that’s a threat.

#2 Get Your Kicks on 66

The Minotaur program is composed of top-secret NRO spy-satellite launching missions. Minotaurs are bull-headed creatures from Greek mythology that are always angry, violent and merciless. Minotaurs bear many resemblances to the Middle-Eastern deity Molech, a bull-headed god with the body of a man to whom child sacrifices were made.

In this patch for NROL-66, the red Minotaur (as if hailing directly from hell) is holding a street sign of the mythical route 66. It is rather difficult not to see an allusion to the devil (who is often portrayed in red) and the number 666.

Furthermore, according to some occult researchers, route 66 was originally laid out to become a sort of “occult pilgrimage”.

#1 The Devil You Know

This patch for NROL-49  depicts a phoenix rising from the flames with the flag of the United States in the background. The Latin words “Melior Diabolus Quem Scies” roughly translates to mean “The Devil You Know,” as in the phrase “Better the devil you know than the devil you don’t know”. Cryptic. According to NASA, this saying refers to the return of the use of an old system after attempting to use a new one, which had resulted in failure.

“The mission patch for NRO L-49 shows a phoenix rising out of a fire, with the words “melior diabolus quem scies”, which translate into English as “better the devil you know”, indicating the return to the older system following the failure of the attempt to replace it.”
- Source

It is a rather odd choice of words for a governmental agency, but definitely on-par with this whole sinister, hellish theme going on with PSYOPS patches.

Another patch related to NRO-49 depicts the satellite as a winged fiery being (referred to by NASA as a devil named Betty) who is holding a trident and a wrench.

“An image of a devil features on the launch patch. The old tradition of giving rockets personal names also appears to have been revived; Delta 352 seems to have been named “Betty”, and the Atlas V that launched from Vandenberg last year was named ‘Gladys’.”
- Ibid.

The patch shows the moon (or a comet?) partially covering the earth. If you look closely, there are letters in the detail of the grey astral body. What do they refer to? At the bottom of the patch, the Latin phrase is also enigmatic: “Primoris Gravis Ex Occasus”.  Primoris means “First”, Gravis stands for “important, heavy or serious” and Occasus means “setting of the sun, the West, or fall”. In other words, I don’t know what it means. “First heavy setting of the sun”? “The most important thing after the sunset”? “First serious fall”? Regardless of the exact meaning, there seems to be an emphasis on the concept of darkness. Betty is pure darkness wrapped in flames and is partially covering the sun. There is a grey celestial body moving towards the earth … and we’re still talking about a spy-satellite. Okay.

Honorable Mentions

There are many other patches giving a glimpse in the somehow twisted world of PSYOPS:

In Conclusion

Although it isn’t possible to know exact meaning of the symbols found in these mission patches, they still provide a rare insider’s look at the philosophy, the mind state and the background of the organizations creating them. Sorcerers controlling the earth, vipers surrounding the earth, angry dragons clutching the earth … this is how they perceive themselves and their work. My question is: Should we maybe be a little concerned? One could argue that these patches are meant to be menacing to America’s enemies. This could be true, but most satellites launched by the NRO are meant to spy on North America, hence the emphasis on the continent in many of these patches.

One thing is certain, mission patches are the most honest descriptions we have of these secret missions. Since most of the patches were not intended for mass exposure, they are devoid of public relations sugar-coating. The patches do not talk about “bringing democracy and the light of freedom to the world”… they show the world in chains and in flames, controlled by dragons and sorcerers, and their words threaten death and destruction.

The occult symbolism illustrated in these patches is also reminder that these organizations have relations to secret societies and are “in the know”. And those who are not in the know, the uninitiated masses, the profane, are not welcome.

Sources

• Shades of Black, Cabinet Magazine
• Emblems from the Pentagon’s Black World
• Secret Insignia from the “Black Ops” World, Wired
• Mission Patches: Their Source and Meaning

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